Spit In The Air Quotes

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My uncle ordered popovers from the restaurant's bill of fare. And, when they were served, he regarded them with a penetrating stare. Then he spoke great words of wisdom as he sat there on that chair: "To eat these things," said my uncle, "You must exercise great care. You may swallow down what's solid, but you must spit out the air!" And as you partake of the world's bill of fare, that's darned good advice to follow. Do a lot of spitting out the hot air. And be careful what you swallow.
Dr. Seuss
Astonishingly, at some point, a sputtering torch was thrust into her hands. Alma did not see who gave it to her. She had never before been entrusted with fire. The torch spit sparks and sent chunks of flaming tar spinning into the air behind her as she bolted across the cosmos-the only body in the heavens who was not held to a strict elliptical path. Nobody stopped her. She was a comet. She did not know that she was not flying.
Elizabeth Gilbert (The Signature of All Things)
Long strands of drool stretched from between his fangs and dripped on the pavement, sending a heady scent of jasmine to swirl through the air. Perfumed monster spit. What was the world coming to?
Ilona Andrews (Magic Strikes (Kate Daniels, #3))
You're the husband?" the doctor asked with a nod to Roarke. "Yes. How is she?" "Spitting mad—I think she has some very ominous plans for you. And if you happen to be Peabody, you're in on them." "She's okay." Peabody let out a gush of air. "That's great.
J.D. Robb (Reunion in Death (In Death, #14))
Sam frowns at me, suddenly serious. "You know, I thought--for most of the first year we lived together--that you were going to kill me." That makes me nearly spit out beer, I laugh so hard. "No, look--living with you, it's like knowing there's a loaded gun on the other side of the room. You're like this leopard who's pretending to be a house cat." That only makes me laugh harder. "Shut up," he says. "You might do normal stuff, but a leopard can drink milk or fall off things like a house cat. It's obvious you're not--not like the rest of us. I'll look over at you, and you'll be flexing your claws, or I don't know, eating a freshly killed antelope." "Oh," I say. It's a ridiculous metaphor, but the hilarity has gone out of me. I thought I did a good job of fitting in--maybe not perfect, but not as bad as Sam makes it sound. "It's like Audrey," he says, stabbing the air with a finger clearly well on his way to inebriated and full of determination to make me understand his theory. "You acted like she went out with you because you did this good job of being a nice guy." "I am a nice guy." I try to be. Sam snorts. "She liked you because you scared her. And then you scared her too much.
Holly Black (Red Glove (Curse Workers, #2))
Some thirty inches from my nose The frontier of my Person goes, And all the untilled air between Is private pagus or demesne. Stranger, unless with bedroom eyes I beckon you to fraternize, Beware of rudely crossing it: I have no gun, but I can spit.
W.H. Auden
...failure with clay was more complete and more spectacular than with other forms of art. You are subject to the elements... Any one of the old four - earth, air, fire, water - can betray you and melt, or burst, or shatter - months of work into dust and ashes and spitting steam. You need to be a precise scientist, and you need to know how to play with what chance will do to your lovingly constructed surfaces in the heat of the kiln.
A.S. Byatt (The Children's Book)
...be sure to wash every day, even if it is with your own spit; don't squat down to play marbles—you are not a boy, you know; don't pick people's flowers—you might catch something; don't throw stones at blackbirds, because it might not be a blackbird at all; this is how to make a bread pudding; this is how to make doukona; this is how to make pepper pot; this is how to make a good medicine for a cold; this is how to make a good medicine to throw away a child before it even becomes a child; this is how to catch a fish; this is how to throw back a fish you don't like, and that way something bad won't fall on you; this is how to bully a man; this is how a man bullies you; this is how to love a man; and if this doesn't work there are other ways, and if they don't work don't feel too bad about giving up; this is how to spit up in the air if you feel like it, and this is how to move quick so that it doesn't fall on you; this is how to make ends meet; always squeeze bread to make sure it's fresh; but what if the baker won't let me feel the bread?; you mean to say that after all you are really going to be the kind of woman who the baker won't let near the bread?
Jamaica Kincaid
In the slanting light of late autumn, the gestures and bodies of people are more expressive the less meaning they have. Men stand on street corners staring at the emptiness of the day. They spit on the sidewalk and smoke cigarettes. That's the present. ...Time, approaching from afar, is like the air that someone else has already breathed.
Andrzej Stasiuk
A different voice slid through the speakers now--his voice. The one that raised armies, toppled kingdoms. The one that sent the entire stadium into a hush. Even the raindrops hung back in the sky; the air cleared into a spitting drizzle.
Ryan Graudin (Wolf by Wolf (Wolf by Wolf, #1))
Ahhh”—spits out bug…gasps for air…chokes a bit—“ahhhhh!
Roshani Chokshi (Aru Shah and the Tree of Wishes (Pandava #3))
Is this about Archer? Please don't tell me you're upset about us, because...I mean, you're dead." She floated closer to me, until she was right in my face. At first I thought she was going to spit ectoplasm on me or something, but then I saw her lips moving again. I wasn't an expert lip-reader, but she was close enough and speaking slowly enough that I was able to make out what she said. "I told you," her pale lips mouthed, "that I'd haunt your ass." I stared at her mouth, horrified, as she smirked. And then,just like that, she was gone. The air near my face wafted sligtly, like someone had just opened a window. "I don't need this!" I said to the empty room. "Seriously, plate? FULL." But there was no reply.
Rachel Hawkins (Demonglass (Hex Hall, #2))
Where I come from, Annagramma, they have the Sheepdog Trials. Shepherds travel there from all over to show off their dogs. And there're silver crooks and belts with silver buckles and prizes of all kinds, Annagramma, but do you know what the big prize is? No, you wouldn't. Oh, there are judges, but they don't count, not for the big prize. There is - there was a little old lady who was always at the front of the crowd, leaning on the hurdles with her pipe in her mouth with the two finest sheepdogs ever pupped sitting at her feet. Their names were Thunder and Lightning, and they moved so fast, they set the air on fire and their coats outshone the sun, but she never, ever put them in the Trials. She knew more about sheep than even sheep know. And what every young shepherd wanted, really wanted, wasn't some silly cup or belt but to see her take pipe out of her mouth as he left the arena and quietly say 'That'll do,' because that meant he was a real shepherd and all the other shepherds knew it, too. And if you'd told him he had to challenge her, he'd cuss at you and stamp his foot and tell you he'd sooner spit the sun dark. How could he ever win? She was shepherding. It was the whole of her life. What you took away from her you'd take away from yourself. You don't understand that, do you? But it's the heart and the soul and center of it! The soul... and... center!
Terry Pratchett (A Hat Full of Sky (Discworld, #32; Tiffany Aching, #2))
What do you know about somebody not being good enough for somebody else? And since when did you care whether Corinthians stood up or fell down? You've been laughing at us all your life. Corinthians. Mama. Me. Using us, ordering us, and judging us: how we cook your food; how we keep your house. But now, all of a sudden, you have Corinthians' welfare at heart and break her up from a man you don't approve of. Who are you to approve or disapprove anybody or anything? I was breathing air in the world thirteen years before your lungs were even formed. Corinthians, twelve. . . . but now you know what's best for the very woman who wiped the dribble from your chin because you were too young to know how to spit. Our girlhood was spent like a found nickel on you. When you slept, we were quiet; when you were hungry, we cooked; when you wanted to play, we entertained you; and when you got grown enough to know the difference between a woman and a two-toned Ford, everything in this house stopped for you. You have yet to . . . move a fleck of your dirt from one place to another. And to this day, you have never asked one of us if we were tired, or sad, or wanted a cup of coffee. . . . Where do you get the RIGHT to decide our lives? . . . I'll tell you where. From that hog's gut that hangs down between your legs. . . . I didn't go to college because of him. Because I was afraid of what he might do to Mama. You think because you hit him once that we all believe you were protecting her. Taking her side. It's a lie. You were taking over, letting us know you had the right to tell her and all of us what to do. . . . I don't make roses anymore, and you have pissed your last in this house.
Toni Morrison (Song of Solomon)
Today I said, 'I really don't care.' Yesterday, in a similar situation, I said, 'It's none of your business?' Before that, it was 'What the hell are you trying to say?' And before that, 'Leave me alone' ...Sometimes I spit out words like 'Shit!' 'Damn!' 'Jesus!' The air vibrates and roars. If you listen closely, you can hear flames of anger. It is like a dragon belching out fire. Whenever I spit out these words, I feel a little better, and it helps a little, if just a little, to put out the fire.
Yoshitomo Nara
She gets that fabulous edge that girls get to their voices, the edge that spells oncoming Tantrum From the Bowels of Hell, that says, 'I'll scratch the heavens down around you and suck the fucken air from your lungs and spit you to fucken hell and you know it.
D.B.C. Pierre (Vernon God Little)
1. I told you that I was a roadway of potholes, not safe to cross. You said nothing, showed up in my driveway wearing roller-skates. 2. The first time I asked you on a date, after you hung up, I held the air between our phones against my ear and whispered, “You will fall in love with me. Then, just months later, you will fall out. I will pretend the entire time that I don’t know it’s coming.” 3. Once, I got naked and danced around your bedroom, awkward and safe. You did the same. We held each other without hesitation and flailed lovely. This was vulnerability foreplay. 4. The last eight times I told you I loved you, they sounded like apologies. 5. You recorded me a CD of you repeating, “You are beautiful.” I listened to it until I no longer thought in my own voice. 6. Into the half-empty phone line, I whispered, “We will wake up believing the worst in each other. We will spit shrapnel at each other’s hearts. The bruises will lodge somewhere we don’t know how to look for and I will still pretend I don’t know its coming.” 7. You photographed my eyebrow shapes and turned them into flashcards: mood on one side, correct response on the other. You studied them until you knew when to stay silent. 8. I bought you an entire bakery so that we could eat nothing but breakfast for a week. Breakfast, untainted by the day ahead, was when we still smiled at each other as if we meant it. 9. I whispered, “I will latch on like a deadbolt to a door and tell you it is only because I want to protect you. Really, I’m afraid that without you I mean nothing.” 10. I gave you a bouquet of plane tickets so I could practice the feeling of watching you leave. 11. I picked you up from the airport limping. In your absence, I’d forgotten how to walk. When I collapsed at your feet, you refused to look at me until I learned to stand up without your help. 12. Too scared to move, I stared while you set fire to your apartment – its walls decaying beyond repair, roaches invading the corpse of your bedroom. You tossed all the faulty appliances through the smoke out your window, screaming that you couldn’t handle choking on one more thing that wouldn’t just fix himself. 13. I whispered, “We will each weed through the last year and try to spot the moment we began breaking. We will repel sprint away from each other. Your voice will take months to drain out from my ears. You will throw away your notebook of tally marks from each time you wondered if I was worth the work. The invisible bruises will finally surface and I will still pretend that I didn’t know it was coming.” 14. The entire time, I was only pretending that I knew it was coming.
Miles Walser
He who spits in the air shall get saliva in his eye.
Casmith
As I lay like a corpse in this dreamy insomniac dimension, I spit quotes out of thin air and pluck strands from my red hair.
Melody Lee (Moon Gypsy)
Hey, Melissa-is there anything I should know about having this kid that isn't in the books I've been reading?" Sunlight streamed through the window, making the golden, hormone-induced mutton chops glisten upon my cheeks. As I waited for her answer, I thumbed through the glossy parenting magazines on her kitchen table. A candle flickered by the sink, adding sweetness to the spit-up scented air that was gutting punched in the face by a diaper change...
Kim Bongiorno ("You Have Lipstick on Your Teeth" and Other Things You'll Only Hear from Your Friends In The Powder Room)
Down through the druid wood I saw Wildman join with Cleaver Creek, put on weight, exchange his lean and hungry look for one of more well-fed fanaticism. Then came Chichamoonga, the Indian Influence, whooping along with its banks war-painted with lupine and columbine. Then Dog Creek, then Olson Creek, then Weed Creek. Across a glacier-raked gorge I saw Lynx Falls spring hissing and spitting from her lair of fire-bright vine maple, claw the air with silver talons, then crash screeching into the tangle below. Darling Ida Creek slipped demurely from beneath a covered bridge to add her virginal presence, only to have the family name blackened immediately after by the bawdy rollicking of her brash sister, Jumping Nellie. There followed scores of relatives of various nationalities: White Man Creek, Dutchman Creek, Chinaman Creek, Deadman Creek, and even a Lost Creek, claiming with a vehement roar that, in spite of hundreds of other creeks in Oregon bearing the same name, she was the one and only original...Then Leaper Creek...Hideout Creek...Bossman Creek...I watched them one after another pass beneath their bridges to join in the gorge running alongside the highway, like members of a great clan marshaling into an army, rallying, swelling, marching to battle as the war chant became deeper and richer.
Ken Kesey (Sometimes a Great Notion)
Only the sun had ever kissed me there, the sun and the air and the cool touch of water. For nineteen years, nature had been my only lover, a shy thing, tentative and teasing. Priest was none of those things. He was anti-matter, sucking me up ruthlessly and refusing to spit me out, eating away at my edges until I was all core, all sensation.
Giana Darling (Dead Man Walking (The Fallen Men, #6))
It must be this overarching commitment to what is really an abstraction, to one's children right or wrong, that can be even more fierce than the commitment to them as explicit, difficult people, and that can consequently keep you devoted to them when as individuals they disappoint. On my part it was this broad covenant with children-in-theory that I may have failed to make and to which I was unable to resort when Kevin finally tested my maternal ties to a perfect mathematical limit on Thursday. I didn't vote for parties, but for candidates. My opinions were as ecumenical as my larder, then still chock full of salsa verde from Mexico City, anchovies from Barcelona, lime leaves from Bangkok. I had no problem with abortion but abhorred capital punishment, which I suppose meant that I embraced the sanctity of life only in grown-ups. My environmental habits were capricious; I'd place a brick in our toilet tank, but after submitting to dozens of spit-in-the-air showers with derisory European water pressure, I would bask under a deluge of scalding water for half an hour. My closet wafter with Indian saris, Ghanaian wraparounds, and Vietnamese au dais. My vocabulary was peppered with imports -- gemutlich, scusa, hugge, mzungu. I so mixed and matched the planet that you sometimes worried I had no commitments to anything or anywhere, though you were wrong; my commitments were simply far-flung and obscenely specific. By the same token, I could not love a child; I would have to love this one. I was connected to the world by a multitude of threads, you by a few sturdy guide ropes. It was the same with patriotism: You loved the idea of the United States so much more powerfully than the country itself, and it was thanks to your embrace of the American aspiration that you could overlook the fact that your fellow Yankee parents were lining up overnight outside FAO Schwartz with thermoses of chowder to buy a limited release of Nintendo. In the particular dwells the tawdry. In the conceptual dwells the grand, the transcendent, the everlasting. Earthly countries and single malignant little boys can go to hell; the idea of countries and the idea of sons triumph for eternity. Although neither of us ever went to church, I came to conclude that you were a naturally religious person.
Lionel Shriver (We Need to Talk About Kevin)
The air is saturated with the stink of perfumes at war. There are video screens on which flawless complexions turn, preen, sigh through their parted lips, are caressed. On other screens are close-ups of skin pores, before and after, details of regimes for everything, your hands, your neck, your thighs. Your elbows, especially your elbows: aging begins at the elbows and metastasizes. This is religion. Voodoo and spells. I want to believe in it, the creams, the rejuvenating lotions, the transparent unguents in vials that slick on like roll-top glue… But this doesn’t deter me, I’d use anything if it worked – slug juice, toad spit, eye of newt, anything at all to mummify myself, stop the drip drip of time, stay more or less the way I am.” (Cat’s Eye p113), Margaret Atwood
Margaret Atwood (Cat’s Eye)
She scrubs me until I spit soapy water. Pig, she smiles. A man should smell better than his country— such is the silence of a woman who speaks against silence, knowing silence moves us to speak. She throws my shoes and glasses in the air, I am of deaf people and I have no country but a bathtub and an infant and a marriage bed! Soaping together is sacred to us. Washing each other’s shoulders. You can fuck anyone—but with whom can you sit in water?
Ilya Kaminsky (Deaf Republic)
Then the wind comes so swift and dashing that it takes the autumn leaves with it, and they rise into the juggling air, while the trees bleat and blubber. Then drops fall, big as the thumb … the earth itself seems to heave up and cheep in the monsoon rains. It churns and splashes, beats against the treetops, reckless and wilful, and suddenly floating forwards, it bucks back and spits forward and pours down upon the green, weak coffee leaves, thumping them down to the earth.
Raja Rao (Kanthapura)
People, like houses, hold their secrets. Sometimes the secrets inhabit them, and sometimes people inhabit their secrets. They wrap their arms tight to hug them close, twist their lying tongues around the truth. But, like gravy left overnight, the truth is a thin layer of film that forms and covers the surface. The truth prevails, rises above all else. It squirms and wriggles inside, grows until the swollen tongue can’t wrap itself around the lie any longer, until the time comes when it needs to spit the words out and send truth flying through the air and crashing into the world like…well, like a frozen dead bird through a living room window. Truth and time always work alongside each other.
Cecelia Ahern (The Gift)
Do you think I will be able to breathe fire or spit poison?” Temeraire asked. “I am not sure how I could tell; I tried, but I only blew air.
Naomi Novik (His Majesty's Dragon (Temeraire, #1))
They’d spit in your eye and walk away if you called them victims, but somehow that same grit never found its way into any built form better than hardscrabble endurance and nonspecific rage.
Richard K. Morgan (Thin Air)
The house had a private walk down to a private spit of beach, and in the mornings the four of them would troop downhill and swim—even he did, in his pants and undershirt and an old oxford shirt, which no one bothered him about—and then lie on the sand baking, the wet clothes ungluing themselves from his body as they dried. Sometimes Harold would come and watch them, or swim as well. In the afternoons, Malcolm and JB would pedal off through the dunes on bicycles, and he and Willem would follow on foot, picking up bits of shaley shells and the sad carapaces of long-nibbled-away hermit crabs as they went, Willem slowing his pace to match his own. In the evenings, when the air was soft, JB and Malcolm sketched and he and Willem read. He felt doped, on sun and food and salt and contentment, and at night he fell asleep quickly and early, and in the mornings he woke before the others so he could stand on the back porch alone looking over the sea.
Hanya Yanagihara (A Little Life)
As for describing the smell of a spaniel mixed with the smell of torches, laurels, incense, banners, wax candles and a garland of rose leaves crushed by a satin heel that has been laid up in camphor, perhaps Shakespeare, had he paused in the middle of writing Antony and Cleopatra — But Shakespeare did not pause. Confessing our inadequacy, then, we can but note that to Flush Italy, in these the fullest, the freest, the happiest years of his life, meant mainly a succession of smells. Love, it must be supposed, was gradually losing its appeal. Smell remained. Now that they were established in Casa Guidi again, all had their avocations. Mr. Browning wrote regularly in one room; Mrs. Browning wrote regularly in another. The baby played in the nursery. But Flush wandered off into the streets of Florence to enjoy the rapture of smell. He threaded his path through main streets and back streets, through squares and alleys, by smell. He nosed his way from smell to smell; the rough, the smooth, the dark, the golden. He went in and out, up and down, where they beat brass, where they bake bread, where the women sit combing their hair, where the bird-cages are piled high on the causeway, where the wine spills itself in dark red stains on the pavement, where leather smells and harness and garlic, where cloth is beaten, where vine leaves tremble, where men sit and drink and spit and dice — he ran in and out, always with his nose to the ground, drinking in the essence; or with his nose in the air vibrating with the aroma. He slept in this hot patch of sun — how sun made the stone reek! he sought that tunnel of shade — how acid shade made the stone smell! He devoured whole bunches of ripe grapes largely because of their purple smell; he chewed and spat out whatever tough relic of goat or macaroni the Italian housewife had thrown from the balcony — goat and macaroni were raucous smells, crimson smells. He followed the swooning sweetness of incense into the violet intricacies of dark cathedrals; and, sniffing, tried to lap the gold on the window- stained tomb. Nor was his sense of touch much less acute. He knew Florence in its marmoreal smoothness and in its gritty and cobbled roughness. Hoary folds of drapery, smooth fingers and feet of stone received the lick of his tongue, the quiver of his shivering snout. Upon the infinitely sensitive pads of his feet he took the clear stamp of proud Latin inscriptions. In short, he knew Florence as no human being has ever known it; as Ruskin never knew it or George Eliot either.
Virginia Woolf (Flush)
In the window I smelled all the food of San Francisco. There were seafood places out there where the buns were hot, and the baskets were good enough to eat too; where the menus themselves were soft with foody esculence as though dipped in hot broths and roasted dry and good enough to eat too. Just show me the bluefish spangle on a seafood menu and I’d eat it; let me smell the drawn butter and lobster claws. There were places where they specialized in thick and red roast beef au jus, or roast chicken basted in wine. There were places where hamburgs sizzled on grills and the coffee was only a nickel. And oh, that pan-fried chow mein flavored air that blew into my room from Chinatown, vying with the spaghetti sauces of North Beach, the soft-shell crab of Fisherman’s Wharf — nay, the ribs of Fillmore turning on spits! Throw in the Market Street chili beans, redhot, and french-fried potatoes of the Embarcadero wino night, and steamed clams from Sausalito across the bay, and that’s my ah-dream of San Francisco…
Jack Kerouac (On the Road)
The Loneliness of the Military Historian Confess: it's my profession that alarms you. This is why few people ask me to dinner, though Lord knows I don't go out of my way to be scary. I wear dresses of sensible cut and unalarming shades of beige, I smell of lavender and go to the hairdresser's: no prophetess mane of mine, complete with snakes, will frighten the youngsters. If I roll my eyes and mutter, if I clutch at my heart and scream in horror like a third-rate actress chewing up a mad scene, I do it in private and nobody sees but the bathroom mirror. In general I might agree with you: women should not contemplate war, should not weigh tactics impartially, or evade the word enemy, or view both sides and denounce nothing. Women should march for peace, or hand out white feathers to arouse bravery, spit themselves on bayonets to protect their babies, whose skulls will be split anyway, or,having been raped repeatedly, hang themselves with their own hair. There are the functions that inspire general comfort. That, and the knitting of socks for the troops and a sort of moral cheerleading. Also: mourning the dead. Sons,lovers and so forth. All the killed children. Instead of this, I tell what I hope will pass as truth. A blunt thing, not lovely. The truth is seldom welcome, especially at dinner, though I am good at what I do. My trade is courage and atrocities. I look at them and do not condemn. I write things down the way they happened, as near as can be remembered. I don't ask why, because it is mostly the same. Wars happen because the ones who start them think they can win. In my dreams there is glamour. The Vikings leave their fields each year for a few months of killing and plunder, much as the boys go hunting. In real life they were farmers. The come back loaded with splendour. The Arabs ride against Crusaders with scimitars that could sever silk in the air. A swift cut to the horse's neck and a hunk of armour crashes down like a tower. Fire against metal. A poet might say: romance against banality. When awake, I know better. Despite the propaganda, there are no monsters, or none that could be finally buried. Finish one off, and circumstances and the radio create another. Believe me: whole armies have prayed fervently to God all night and meant it, and been slaughtered anyway. Brutality wins frequently, and large outcomes have turned on the invention of a mechanical device, viz. radar. True, valour sometimes counts for something, as at Thermopylae. Sometimes being right - though ultimate virtue, by agreed tradition, is decided by the winner. Sometimes men throw themselves on grenades and burst like paper bags of guts to save their comrades. I can admire that. But rats and cholera have won many wars. Those, and potatoes, or the absence of them. It's no use pinning all those medals across the chests of the dead. Impressive, but I know too much. Grand exploits merely depress me. In the interests of research I have walked on many battlefields that once were liquid with pulped men's bodies and spangled with exploded shells and splayed bone. All of them have been green again by the time I got there. Each has inspired a few good quotes in its day. Sad marble angels brood like hens over the grassy nests where nothing hatches. (The angels could just as well be described as vulgar or pitiless, depending on camera angle.) The word glory figures a lot on gateways. Of course I pick a flower or two from each, and press it in the hotel Bible for a souvenir. I'm just as human as you. But it's no use asking me for a final statement. As I say, I deal in tactics. Also statistics: for every year of peace there have been four hundred years of war.
Margaret Atwood (Morning In The Burned House: Poems)
I flew straight out of heaven, a mad bird full of secrets. I came into being as I came into being. I grew as I grew. I changed as I change. My mind is fire, my soul fire. The cobra wakes and spits fire in my eyes. I rise through ochre smoke into black air enclosed in a shower of stars. I am what I have made. I am the seed of every god, beautiful as evening, hard as light. I am the last four days of yesterday, four screams from the edges of earth—beauty, terror, truth, madness—the phoenix on his pyre.
Normandi Ellis (Awakening Osiris: A New Translation of the Egyptian Book of the Dead)
We came out on Coldra Crescent, one of those warm air nights, stars spitting in the sky like firebugs stuck on a big black velvet rump. A summer night to make anybody with standard glands feel that tidy homes, spring mattresses, four guaranteed meals per day, and legalised religion were all criminal to human development.
Ron Berry (So Long, Hector Bebb (Library of Wales))
backed out of the drive, the tires spitting up gravel. Shifting into drive, she slammed her foot on the accelerator and flew down the road. The neighborhood was quiet, the sun still hidden, just an orange and pink glow rising through the barren trees. The car bounced over the railroad tracks, jolting her body into the air, smacking her head
E.C. Diskin (Broken Grace)
Yanks didn’t beat about the bush, didn’t fill the air with polite snorts and throat clearings before coming to the point. Whatever was on their mind, they’d spit it out, like a sneeze, and while that could be problematic at times, I usually found it preferable to the alternative: No one saying what they truly felt. No one wanting to hear how you felt.
Prince Harry (Spare)
You don’t let your feelings run around and jump into someone else’s hand.” Mercury made a fist. “You grab on to your own life and push it around where you want it to go.” Mercury believed she had her life firmly in place beneath her tongue, and she didn’t spit it out here and there, in bits and pieces diffusing its power. She had even taken a new name, changing it from Anna to Mercury after er granddaughter brought home a copy of the periodic table in the eighth grade and explained it to her: “An element is a substance that can’t be broken down into simpler substances.” “That’s my story,” Mercury told Charlene. running her thick forefinger across the chart. “I’m all of a piece.” Charlene opened her mouth to object, to explain that her grandmother could never be one of the chemical elements, assigned an atomic number and measured for atomic weight, but Mercury presided over the kitchen like a force of nature. Charlene’s words were snatched from her mind before they ever made it to her vocal chords. She imagined they were pulled into the woman’s energy field, the electric air surrounding Mercury’s body like her own personal atmosphere.
Susan Power (The Grass Dancer)
While you're alive it's shameful to worm your way into the Calendar of Saints. Disbelief in yourself is more saintly. It takes real talent not to dread being terrified by your own agonizing lack of talent. Disbelief in yourself is indispensable. Indispensable to us is the loneliness of being gripped in the vise, so that in the darkest night the sky will enter you and skin your temples with the stars, so that streetcars will crash into the room, wheels cutting across your face, so the dangling rope, terrible and alive, will float into the room and dance invitingly in the air. Indispensable is any mangy ghost in tattered, overplayed stage rags, and if even the ghosts are capricious, I swear, they are no more capricious than those who are alive. Indispensable amidst babbling boredom are the deadly fear of uttering the right words and the fear of shaving, because across your cheekbone graveyard grass already grows. It is indispensable to be sleeplessly delirious, to fail, to leap into emptiness. Probably, only in despair is it possible to speak all the truth to this age. It is indispensable, after throwing out dirty drafts, to explode yourself and crawl before ridicule, to reassemble your shattered hands from fingers that rolled under the dresser. Indispensable is the cowardice to be cruel and the observation of the small mercies, when a step toward falsely high goals makes the trampled stars squeal out. It's indispensable, with a misfit's hunger, to gnaw a verb right down to the bone. Only one who is by nature from the naked poor is neither naked nor poor before fastidious eternity. And if from out of the dirt, you have become a prince, but without principles, unprince yourself and consider how much less dirt there was before, when you were in the real, pure dirt. Our self-esteem is such baseness.... The Creator raises to the heights only those who, even with tiny movements, tremble with the fear of uncertainty. Better to cut open your veins with a can opener, to lie like a wino on a spit-spattered bench in the park, than to come to that very comfortable belief in your own special significance. Blessed is the madcap artist, who smashes his sculpture with relish- hungry and cold-but free from degrading belief in himself.
Yevgeny Yevtushenko
I dream of a woman with a great craven face walking along the surface of a massive world. She is a titan. She snatches flying vehicles from the air and crunches them in her diamond teeth. Green lubricant and yellow puffs of exhaust escape her gaping mouth. Little blue insects flitter through the ether, and when they encounter the yellow mist, they fall down dead, like leaves. The surface of the world is covered in wavering tentacles, and the titan grabs on to them for purchase as she strides across the world, snarling and spitting out the corpses of her enemies and poisoning everything she breathes on. She snatches at one of the flying vehicles and stabs herself in the stomach with it. She cuts long and low, and though I expect her to cry out in pain, she only roars and shows her teeth as gouts of blood pour from her body and float lazily to the surface of the world, sluggish and distorted by the low gravity.
Kameron Hurley (The Stars Are Legion)
That was the night he got up and went to the boys' division; perhaps he was looking for his history in the big room where all the boys slept, but what he found instead was Dr. Larch kissing every boy a late good night. Homer imagined then that Dr. Larch had kissed him like that, when he'd been small; Homer could not have imagined how those kisses, even now, were still kisses meant for him. They were kisses seeking Homer Wells. That was the same night that he saw the lynx on the barren, unplanted hillside—glazed with snow that had thawed and then refrozen into a thick crust. Homer had stepped outside for just a minute; after witnessing the kisses, he desired the bracing air. It was a Canada lynx—a dark, gunmetal gray against the lighter gray of the moonlit snow, its wildcat stench so strong Homer gagged to srnell the thing. Its wildcat sense was keen enough to keep it treading within a single leap's distance of the safety of the woods. The lynx was crossing the brow of the hill when it began to slide; its claws couldn't grip the crust of the snow, and the hill had suddenly grown steeper. The cat moved from the dull moonlight into the sharper light from Nurse Angela's office window; it could not help its sideways descent. It traveled closer to the orphanage than it would ever have chosen to come, its ferocious death smell clashing with the freezing cold. The lynx's helplessness on the ice had rendered its expression both terrified; and resigned; both madness and fatalism were caught in the cat's fierce, yellow eyes and in its involuntary, spitting cough as it slid on, actually bumping against the hospital before its claws could find a purchase on the crusted snow. It spit its rage at Homer Wells, as if Homer had caused its unwilling descent. Its breath had frozen on its chin whiskers and its tufted ears were beaded with ice. The panicked animal tried to dash up the hill; it was less than halfway up when it began to slide down again, drawn toward the orphanage against its will. When it set out from the bottom of the hill a second time, the lynx was panting; it ran diagonally uphill, slipping but catching itself, and slipping again, finally escaping into the softer snow in the woods— nowhere near where it had meant to go; yet the lynx would accept any route of escape from the dark hospital. Homer Wells, staring into the woods after the departed lynx, did not imagine that he would ever leave St. Cloud's more easily.
John Irving (The Cider House Rules)
What did I do now?” He reluctantly pulled the car the curb. I needed to get out of this car – like now. I couldn’t breathe. I unbuckled and flung open the door. “Thanks for the ride. Bye.” I slammed the door shut and began down the sidewalk. Behind me, I heard the engine turn off and his door open and shut. I quickened my stride as James jogged up to me. I slowed down knowing I couldn’t escape his long legs anyway. Plus, I didn’t want to get home all sweaty and have to explain myself. “What happened?” James asked, matching my pace. “Leave me alone!” I snapped back. I felt his hand grab my elbow, halting me easily. “Stop,” he ordered. Damn it, he’s strong! “What are you pissed about now?” He towered over me. I was trapped in front of him, if he tugged a bit, I’d be in his embrace. “It’s so funny huh? I’m that bad? I’m a clown, I’m so funny!” I jerked my arm, trying to break free of his grip. “Let me go!” “No!” He squeezed tighter, pulling me closer. “Leave me alone!” I spit the words like venom, pulling my arm with all my might. “What’s your problem?” James demanded loudly. His hand tightened on my arm with each attempt to pull away. My energy was dwindling and I was mentally exhausted. I stopped jerking my arm back, deciding it was pointless because he was too strong; there was no way I could pull my arm back without first kneeing him in the balls. We were alone, standing in the dark of night in a neighborhood that didn’t see much traffic. “Fireball?” he murmured softly. “What?” I replied quietly, defeated. Hesitantly, he asked, “Did I say something to make you sad?” I wasn’t going to mention the boyfriend thing; there was no way. “Yes,” I whimpered. That’s just great, way to sound strong there, now he’ll have no reason not to pity you! “I’m sorry,” came his quiet reply. Well maybe ‘I’m sorry’ just isn’t good enough. The damage is already done! “Whatever.” “What can I do to make it all better?” “There’s nothing you could–” I began but was interrupted by him pulling me against his body. His arms encircled my waist, holding me tight. My arms instinctively bent upwards, hands firmly planted against his solid chest. Any resentment I had swiftly melted away as something brand new took its place: pleasure. Jesus! “What do you think you’re doing?” I asked him softly; his face was only a few inches from mine. “What do you think you’re doing?” James asked back, looking down at my hands on his chest. I slowly slid my arms up around his neck. I can’t believe I just did that! “That’s better.” Our bodies were plastered against one another; I felt a new kind of nervousness touch every single inch of my body, it prickled electrically. “James,” I murmured softly. “Fireball,” he whispered back. “What do you think you’re doing?” I repeated; my brain felt frozen. My heart had stopped beating a mile a minute instead issuing slow, heavy beats. James uncurled one of his arms from my waist and trailed it along my back to the base of my neck, holding it firmly yet delicately. Blood rushed to the very spot he was holding, heat filled my eyes as I stared at him. “What are you doing?” My bewilderment was audible in the hush. I wasn’t sure I had the capacity to speak anymore. That function had fled along with the bitch. Her replacement was a delicate flower that yearned to be touched and taken care of. I felt his hand shift on my neck, ever so slightly, causing my head to tilt up to him. Slowly, inch by inch, his face descended on mine, stopping just a breath away from my trembling lips. I wanted it. Badly. My lips parted a fraction, letting a thread of air escape. “Can I?” His breath was warm on my lips. Fuck it! “Yeah,” I whispered back. He closed the distance until his lush lips covered mine. My first kiss…damn! His lips moved softly over mine. I felt his grip on my neck squeeze as his lips pressed deeper into
Sarah Tork (Young Annabelle (Y.A #1))
Parks waits a long while, until he’s absolutely certain that Justineau’s monologue is finished. The truth is, for most of the time he’s been trying to figure out what it is exactly that she’s trying to tell him. Maybe he was right the first time about where they were heading, and Justineau airing her ancient laundry is just a sort of palate-cleanser before they have sex. Probably not, but you never know. In any case, the countermove to a confession is an absolution, unless you think the sin is unforgivable. Parks doesn’t. “It was an accident,” he tells her, pointing out the obvious. “And probably you would have ended up doing the right thing. You don’t strike me as the sort of person who just lets shit slide.” He means that, as far as it goes. One of the things he likes about Justineau is her seriousness. He frigging flat-out hates frivolous, thoughtless people who dance across the surface of the world without looking down. “Yeah, but you don’t get it,” Justineau says. “Why do you think I’m telling you all this?” “I don’t know,” Parks admits. “Why are you telling me?” Justineau steps away from the parapet wall and squares off against him – range, zero metres. It could be erotic, but somehow it’s not. “I killed that boy, Parks. If you turn my life into an equation, the number that comes out is minus one. That’s my lifetime score, you understand me? And you … you and Caldwell, and Private Ginger f**king Rogers … my God, whether it means anything or not, I will die my own self before I let you take me down to minus two.” She says the last words right into his face. Sprays him with little flecks of spit. This close up, dark as it is, he can see her eyes. There’s something mad in them. Something deeply afraid, but it’s damn well not afraid of him. She leaves him with the bottle. It’s not what he was hoping for, but it’s a pretty good consolation prize.
M.R. Carey (The Girl with All the Gifts (The Girl With All the Gifts, #1))
Later when Cardan, Locke, Nicasia, and Valerian sit down to their lunch, they have to spit out their food in choking horror. All around them are the less awful children of faerie nobles, eating their bread and honey, their cakes and roasted pigeons, their elderflower jam with biscuits and cheese and the fat globes of grapes. But every single morsel in each of my enemies' baskets has been well and thoroughly salted. Cadan's gaze catches mine, and I can't help the evil smile that pulls up the corners of my mouth. His eyes are bright as coals, his hatred a living thing, shimmering in the air between us like the air above black rocks on a blazing summer day.
Holly Black (The Cruel Prince (The Folk of the Air, #1))
If there was any doubt about the authenticity of his fake ID, it would now be put to the test. As Sage waited for the Secret Service to do their due diligence, I wondered how much our mission to find Dad would be set back by Sage taking a quick detour to federal prison. “He’s clear,” the lead agent finally said. Great, we could go in. Sage politely insisted that Rayna and I enter before him. “Not sure that’s such a good idea,” I said, but he wouldn’t hear it. Rayna, Ben, and I shared a knowing smile. Then I shrugged and stepped over the threshold…immediately triggering the Piri alarm. I don’t know how she knew; she was all the way in the kitchen. But the minute I stepped into the foyer she raced in, arms waving in the air, a high-pitched scream keening from her lungs. “AIIIIIIEEEEEEEE!!” “He made me do it, Piri,” I said, happily tossing Sage under the bus. “I tried to tell him-“ Piri strode right up to Sage, her head barely reaching his sternum, and jabbed her finger into his chest to emphasize each scolding word. “You never let a woman enter this house before a man! Very bad luck! And when the senator’s doing business! Jaj!” She pushed us back outside, closed the door, and spit three times on the porch (barely missing the shoes of one of the Secret Service agents), then turned her baleful eyes to Sage, asking him to do the same. “I don’t think I really need to spit on Clea’s porch,” Sage said uncomfortably, but Piri’s glare only grew more and more violent until he withered under its power…and spit three times. Piri smiled smugly and opened the door, gesturing for Sage to enter. Ben went next, bending to Piri’s ear to murmur, “If it’d been me, I would have gone in first.” “That’s because you’re a smart boy,” Piri said, kissing him on both cheeks. Once we were all in, Piri greeted us as if for the first time, with huge hugs and two-cheeked kisses. As she led us to the luncheon raging in the other room, Ben crowed to Sage, “You know, a real European scholar would be up on old-school superstitions.” Sage grimaced.
Hilary Duff (Elixir (Elixir, #1))
The Roberta tightened to her chains when the second head of the hurricane hit, as did schooner after schooner in swift succession. The sea, white with fury, boiled in tiny, spitting wavelets. The deck of the Malahini vibrated under the men’s feet. The taut-stretched halyards beat a tattoo against the masts, and all the rigging, as if smote by some mighty hand, set up a wild thrumming. It was impossible to face the wind and breathe. Mulhall, crouching with the others behind the shelter of the cabin, discovered this, and his lungs were filled in an instant with so great a volume of driven air which he could not expel that he nearly strangled ere he could turn his head away. “It’s incredible,” he gasped, but no one heard him.
Ambrose Bierce (The Classic American Short Story MEGAPACK ® (Volume 1): 34 of the Greatest Stories Ever Written)
But Peter just stood there gazing at her, mouth agape. Wendy looked down at herself; she hadn't even realized how heroic a pose she struck. From her shadow- which took this opportunity to actually behave- she realized how she appeared:powerful, strong... with a scandalously short tunic cinched around her waist and improvised leggings that showed a prodigious amount of her newly tanned skin. Her hair was down around her shoulders. She bet she was the spitting image of an Amazon, short a bow. "Gosh, Wendy, you sure look different from when I first saw you," Peter mumbled. Tinker Bell put her hands on her hips and started to jingle. "Well, I must be off," Wendy said quickly. "Bye!" And she took off into the air, like Nike, triumphant.
Liz Braswell (Straight On Till Morning)
I was a cottage maiden Hardened by sun and air, Contented with my cottage mates, Not mindful I was fair. Why did a great lord find me out, And praise my flaxen hair? Why did a great lord find me out To fill my heart with care? He lured me to his palace home— Woe's me for joy thereof— 10 To lead a shameless shameful life, His plaything and his love. He wore me like a silken knot, He changed me like a glove; So now I moan, an unclean thing, Who might have been a dove. O Lady Kate, my cousin Kate, You grew more fair than I: He saw you at your father's gate, Chose you, and cast me by. 20 He watched your steps along the lane, Your work among the rye; He lifted you from mean estate To sit with him on high. Because you were so good and pure He bound you with his ring: The neighbours call you good and pure, Call me an outcast thing. Even so I sit and howl in dust, You sit in gold and sing: 30 Now which of us has tenderer heart? You had the stronger wing. O cousin Kate, my love was true, Your love was writ in sand: If he had fooled not me but you, If you stood where I stand, He'd not have won me with his love Nor bought me with his land; I would have spit into his face And not have taken his hand. 40 Yet I've a gift you have not got, And seem not like to get: For all your clothes and wedding-ring I've little doubt you fret. My fair-haired son, my shame, my pride, Cling closer, closer yet: Your father would give lands for one To wear his coronet.
Christina Rossetti (Goblin Market and Other Poems (Dover Thrift Editions: Poetry))
Those who, from the start, are the unfortunate, the downtrodden, the broken – these are the ones, the weakest, who most undermine life amongst men, who introduce the deadliest poison and scepticism into our trust in life, in man, in ourselves. Where can we escape the surreptitious glance imparting a deep sadness, the backward glance of the born misfit revealing how such a man communes with himself, – that glance which is a sigh. ‘If only I were some other person!’ is what this glance sighs: ‘but there’s no hope of that. I am who I am: how could I get away from myself ? And oh – I’m fed up with myself!’ . . . In such a soil of self-contempt, such a veritable swamp, every kind of weed and poisonous plant grows, all of them so small, hidden, dissembling and sugary. Here, the worms of revenge and rancour teem all round; here, the air stinks of things unrevealed and unconfessed; here, the web of the most wicked conspiracy is continually being spun, – the conspiracy of those who suffer against those who are successful and victorious, here, the sight of the victorious man is hated. And what mendacity to avoid admitting this hatred as hatred! What expenditure of big words and gestures, what an art of ‘righteous’ slander! These failures: what noble eloquence flows from their lips! How much sugared, slimy, humble humility swims in their eyes! What do they really want? At any rate, to represent justice, love, wisdom, superiority, that is the ambition of these who are ‘the lowest’, these sick people! And how skilful such an ambition makes them! In particular, we have to admire the counterfeiter’s skill with which the stamp of virtue, the ding-a-ling golden ring of virtue is now imitated. They have taken out a lease on virtue to keep it just for themselves, these weak and incurably sick people, there is no doubt about it: ‘Only we are good and just’ is what they say, ‘only we are the homines bonæ voluntatis’. They promenade in our midst like living reproaches, like warnings to us, – as though health, success, strength, pride and the feeling of power were in themselves depravities for which penance, bitter penance will one day be exacted: oh, how ready they themselves are, in the last resort, to make others penitent, how they thirst to be hangmen! Amongst them we find plenty of vengeance-seekers disguised as judges, with the word justice continually in their mouth like poisonous spittle, pursing their lips and always at the ready to spit at anybody who does not look discontented and who cheerfully goes his own way. Among their number there is no lack of that most disgusting type of dandy, the lying freaks who want to impersonate ‘beautiful souls’ and put their wrecked sensuality on the market, swaddled in verses and other nappies, as ‘purity of the heart’: the type of moral onanists and ‘self-gratifiers.’ The will of the sick to appear superior in any way, their instinct for secret paths, which lead to tyranny over the healthy, – where can it not be found, this will to power of precisely the weakest!
Friedrich Nietzsche
Oh, it’s so gorgeous!” They were full on to the sun, which glowed low directly ahead of them, heavy with golden light and warmth. Maddie cut to idle speed so that they could float gently and watch it make its way toward the water. It looked as if it might splash down right in front of them. They watched it in awed silence as it appeared to melt, spreading a golden glow across the surface. “It’s so different watching it on the water,” Avery said. “So up close and personal.” Maddie drew the salt-tinged air into her lungs and felt the play of the warm breeze in her hair and across her cheek. A white heron winged through the sky. With her back turned to U.S. 1, the bay and its canals branching out toward mangrove-covered spits of land made civilization seemed far away.
Wendy Wax (The House on Mermaid Point (Ten Beach Road, #3))
I soon saw, however, that Creed's obsession with death was typical of most of the children. This came out in their play. "Let's play funeral" was a favorite game at recess. To me, it seemed bizarre and mawkish play. All that saved it was the spontaneous creativity of the children and the fact that, unerringly, they caught the incongruities and absurdities of their elders. One child would be elected to be "dead" and would lay himself out on the ground, eyes closed, hands dutifully crossed across his chest. Another would be chosen to be the "preacher," all the rest, "mourners." I remember one day when Sam Houston Holcomb was the "corpse" and Creed Allen, always the class clown of the group, was elected "preacher." Creed, already at ten an accomplished mimic, was turning in an outstanding performance. I stood watching, half-hidden in the shado of the doorway. Creed (bellowing in stentorian tones): "You-all had better stop your meanness and I'll tell you for why. Praise the Lord! If you'uns don't stop being so defend ornery, you ain't never goin' gift to see Brother Holcomb on them streets paved with rubies and such-like, to give him the time of day, 'cause you'uns are goin' to be laid out on the coolin' board and then roasted in hellfire." The "congregation" shivered with delight, as if they were hearing a deliciously scary ghost story. The corpse opened one eye to see how his mourners were taking this blast; he sighed contentedly at their palpitations; wriggled right leg where a fly was tickling; adjusted grubby hands more comfortably across chest. Creed then grasped his right ear with his right hand and spat. Only there wasn't enough to make the stream impressive. So preacher paused, working his mouth vigorously, trying to collect more spit. Another pucker and heave. Ah! Better! Sermon now resumed: "Friends and neighbors, we air lookin' on Brother Holcombe's face for the last time." (Impressive pause.). "Praise the Lord! We ain't never goin' see him again in this life." (Impressive pause.). "Praise the Lord!" Small preacher was now really getting warmed up. He remembered something he must have heard at the last real funeral. Hearty spit first, more pulling of ear: "You air enjoyin' life now, folks. Me, I used to git pleasured and enjoy life too. But now that I've got religion, I don't enjoy life no more." At this point I retreated behind the door lest I betray my presence by laughing aloud.
Catherine Marshall (Christy)
The judge had spied the musician and he called to him and tossed a coin that clinked upon the stones. The fiddler held it briefly to the light as if it might not serve and then slipped it away among his clothes and fitted his instrument beneath his chin and struck up an air that was old among the mountebanks of Spain two hundred years before. The judge stepped into the sunlit doorway and executed upon the stones a series of steps with a strange precision and he and the fiddler seemed alien minstrels met by chance in this medieval town. The judge removed his hat and bowed to a pair of ladies detoured into the street to bypass the doggery and he pirouetted hugely on his mincing feet and poured pulque from his cup into the old man's eartrumpet. The old man quickly stoppered the horn with the ball of his thumb and he held the horn with care before him while he augered his ear with on finger and then he drank.
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
GOD I am ready for you to come back. Whether in a train full of dying criminals or on the gleaming saddle of a locust, you are needed again. The earth is a giant chessboard where the dark squares get all the rain. On this one the wet is driving people mad—the bankers all baying in the woods while their markets fail, a florist chewing up flowers to spit mouthfuls here and there as his daughter’s lungs seize shut from the pollen. There is a flat logic to neglect. Sweet nothings sour in the air while the ocean hoots itself to sleep. I live on the skull of a giant burning brain, the earth’s core. Sometimes I can feel it pulsing through the dirt, though even this you ignore. The mind wants what it wants: daily newspapers, snapping turtles, a pound of flesh. The work I’ve been doing is a kind of erasing. I dump my ashtray into a bucket of paint and coat myself in the gray slick, rolling around on the carpets of rich strangers while they applaud and sip their scotch. A body can cause almost anything to happen. Remember when you breathed through my mouth, your breath becoming mine? Remember when you sang for me and I fell to the floor, turning into a thousand mice? Whatever it was we were practicing cannot happen without you. I thought I saw you last year, bark wrapped around your thighs, lurching toward the shore at dawn. It was only mist and dumb want. They say even longing has its limits: in a bucket, an eel will simply stop swimming long before it starves. Wounded wolves will pad away from their pack to die lonely and cold. Do you not know how scary it can get here? The talons that dropped me left long scars around my neck that still burn in the wind. I was promised epiphany, earth- honey, and a flood of milk, but I will settle for anything that brings you now, you still-hungry mongrel, you glut of bone, you, scentless as gold.
Kaveh Akbar (Calling a Wolf a Wolf)
In 1955 flying was much more dangerous than it is now, but there was a party atmosphere aboard long flights and everyone enjoyed the ever-flowing drinks and food. Smoking was the norm and it didn’t take long before the cabin was full of smoke. The stewardesses were friendly and I can remember some that were very friendly. I don’t remember much about my time in Lisbon because, before I knew it, we were in the air again heading south across the ocean to the vastness of the North African desert. The light yellow sand under us in Morocco and the Spanish Sahara was endless. The fine sand went from the barren coastal surf and endless miles of beautiful beaches, inland as far as the eye could see. After a time I saw what I believed, at the time, to be a radio relay station located out on a desolate sand spit near Villa Bens. It was only later that I found out that it was Castelo de Tarfaya, a small fortification on the North African coast. Tarfaya was occupied by the British in 1882, when they established a trading post called Casa del Mar. This forgotten part of the world is now in the southern part of Morocco.
Hank Bracker
In the window I smelled all the food of San Francisco. There were seafood places out there where the buns were hot, and the baskets were good enough to eat too; where the menus themselves were soft with foody esculence as though dipped in hot broths and roasted dry and good enough to eat too. Just show me the bluefish spangle on a seafood menu and I’d eat it; let me smell the drawn butter and lobster claws. There were places where they specialized in thick red roast beef au jus, or roast chicken basted in wine. There were places where hamburgs sizzled on grills and the coffee was only a nickel. And oh, that pan-fried chow mein flavored air that blew into my room from Chinatown, vying with the spaghetti sauces of North Beach, the soft-shell crab of Fisherman’s Wharf—nay, the ribs of Fillmore turning on spits! Throw in the Market Street chili beans, redhot, and french-fried potatoes of the Embarcadero wino night, and steamed clams from Sausalito across the bay, and that’s my ah-dream of San Francisco. Add fog, hunger-making raw fog, and the throb of neons in the soft night, the clack of high-heeled beauties, white doves in a Chinese grocery window . . .
Jack Kerouac (On the Road)
The speaker standing on an upturned barrel at the intersection of 135th Street and Seventh Avenue was shouting monotonously: “BLACK POWER! BLACK POWER! Is you is? Or is you ain’t? We gonna march this night! March! March! March! Oh, when the saints — yeah, baby! We gonna march this night!” Spit flew from his looselipped mouth. His flabby jowls flopped up and down. His rough brown skin was greasy with sweat. His dull red eyes looked tired. “Mistah Charley been scared of BLACK POWER since the day one. That’s why Noah shuffled us off to Africa the time of the flood. And all this time we been laughing to keep from whaling.” He mopped his sweating face with a red bandanna handkerchief. He belched and swallowed. His eyes looked vacant. His mouth hung open as though searching for words. “Can’t keep this up,” he said under his breath. No one heard him. No one noticed his behavior. No one cared. He swallowed loudly and screamed. “TONIGHT’S THE NIGHT! We launch our whale boats. Iss the night of the great white whale. You dig me, baby?” He was a big man and flabby all over like his jowls. Night had fallen but the black night air was as hot as the bright day air, only there was less of it. His white short-sleeved shirt was sopping wet. A ring of sweat had formed about the waist of his black alpaca pants as though the top of his potbelly had begun to melt. “You want a good house? You got to whale! You want a good car? You got to whale! You want a good job? You got to whale! You dig me?” His conked hair was dripping sweat. For a big flabby middle-aged man who would have looked more at home in a stud poker game, he was unbelievably hysterical. He waved his arms like an erratic windmill. He cut a dance step. He shuffled like a prizefighter. He shadowed with clenched fists. He shouted. Spit flew. “Whale! Whale! WHALE, WHITEY! WE GOT THE POWER! WE IS BLACK! WE IS PURE!” A crowd of Harlem citizens dressed in holiday garb had assembled to listen. They crowded across the sidewalks, into the street, blocking traffic. They were clad in the chaotic colors of a South American jungle. They could have been flowers growing on the banks of the Amazon, wild orchids of all colors. Except for their voices. “What’s he talking ’bout?” a high-yellow chick with bright red hair wearing a bright green dress that came down just below her buttocks asked the tall slim black man with smooth carved features and etched hair. “Hush yo’ mouth an’ lissen,” he replied harshly, giving her a furious look from the corners of muddy, almond-shaped eyes. “He tellin’ us what black power mean!
Chester Himes (Blind Man with a Pistol (Harlem Cycle, #8))
I know that I've lost something now because this keeps happening, and I feel as if this is all I ever come to, to this place, this knife, this feeling, almost killing, and I wonder that I'm not drunk because I feel fucked up and cold and hot, and this man, the drunk man, he's backing away from me toward a parked car and he trips over the parking meter and stumbles and takes a few steps and there's a wall he can follow along and he's scuttling back into the doorway of the bar and his off-white shirt gets hazy like cottonwood down floating off the river back home but it's hot in the spring there, back home, when the cottonwoods are dropping, and nothing about this night is even warm at all except my fist around the handle of the knife that's still cold, and there's the smell of the river water, the water in the air, and water everywhere, over my eyes and the city and the night, and I wonder why the water's not frozen because it's cold, cold every night here, so fucking cold, and no amount of weed will warm me up because I'm a long way from home and my bed and my room and my house and my family and anything and everything and everyone that I have ever loved, and I can sleep on a dirty floor with gum and spiders and garbage and wrappers and ants and dust and spit and cum, and I can sleep here and wake up, and I can sleep here and wake up again, but no amount of sleeping and waking will ever make it right.
Peter Brown Hoffmeister (The End of Boys)
He grasped the rope and slowly began hoisting himself. Suddenly it began to stretch as if it were rubber. He was startled, and the perspiration gushed from his pores. Fortunately the stretching stopped after about a foot. He tried bringing all his weight to bear, and this time there seemed to be no further cause for worry. He spit on his hands, fitted the rope between his legs, and began to climb hand over hand. He rose like a toy monkey climbing a toy coconut tree. Perhaps it was his excitement, but the perspiration on his forehead felt strangely cold. In an effort to keep sand from falling on him, he avoided brushing against it and depended solely on the rope. But he felt uneasy as his body turned round and round in the air. The dead weight of his torso was more than he had anticipated, and his progress was slow. And whatever was this trembling? His arms had begun to jerk in spite of him, and he felt almost as if he were snapping himself like a whip. Perhaps it was a natural reaction, in view of those forty-six horrible days. When he had climbed a yard the hole seemed a hundred yards deep ... two yards, two hundred yards deep. Gradually, as the depth of the hole increased, he began to be dizzy. He was too tired. He mustn't look down! But there! There was the surface! The surface where, no matter which way he went, he would walk to freedom ... to the very ends of the earth. When he got to the surface, this endless moment would become a small flower pressed between the pages of his diary ... poisonous herb or carnivorous plant, it would be no more than a bit of half-transparent colored paper, and as he sipped his tea in the parlor he would hold it up to the light and take pleasure in telling its story.
Kōbō Abe (The Woman in the Dunes)
Every so often, the gods stop laughing long enough to do something terrible. There are few facts that are not brutal. The bitter, insufficient truth is that God recovered, but fun is dead. Alcohol: the antidote to civilization. Alcoholism is a fatal disease. But then I am not a member of Alcoholics Anonymous, because I don't want to be cured. Alcoholism is suicide with training wheels. I watch myself sinking, an inch at a time, and I spit into the eye of fate, like Doc Holliday, who died too weak to lift a playing card. My traitorous and degenerate attitude is sort of my book review of the world we live in. I resign from the human race. I declare myself null and void; folded, spindled, and mutilated. . . .This bar is an oasis for the night people, the street people, the invisible tribe, the people who simply do not exist in the orderly world we see in Time - the weekly science fiction magazine published by the Pentagon - an orderly world which is a sanitized Emerald City populated by contented Munchkins who pay taxes to buy tanks, nerve gas, and bombers and not a world which is a bus-station toilet where the air is a chemical cocktail of cancer-causing agents, children are starving, and the daily agenda is kill or be killed. When the world demands that you be larger than life, and you are finding it hard enough just being life-size, you can come here, in the messy hemorrhaging of reality, let your hair down, take your girdle off, and not be embarrassed by your wounds and deformities. Here among the terminally disenchanted you are graded not by the size of the car on display in your driveway but by the size of your courage in the face of nameless things. . . .Half of these people look like they just came back from the moon, and all of them are sworn witnesses for the prosecution on the charge that Earth serves as Hell for some other planet.
Gustav Hasford (A Gypsy Good Time)
Do you remember the time we tied a lasso to a tree limb and decided to swing across the creek like Tarzan?" Wyatt tipped up his frosty bottle and took a long pull. "Yeah." Zane was already laughing. "As usual,you two decided that I'd be the one to try it out first.That way,if it broke,I'd be the one tossed into the creek." "It stands to reason." Jesse chuckled. "You were the youngest. That's just the price you had to pay to hang out with us." "And," Wyatt added, "you were always willing to go along with whatever we decided." Zane shook his head. "Not when I used it to fly across the creek." "And not when I followed him," Wyatt said with a laugh. "But Jesse, assured that it was safe,grabbed hold and was flying through the air when the branch snapped." Amy looked over at her husband. "You landed in the creek?" "Yeah? On the day after one of our biggest storms,with the water spilling over its banks and rushing so fast it carried me downstream half a mile or more." She put a hand to her mouth to cover her shock and saw Cora do the same. Wyatt laughed. "He was lucky Zane and I had our horses tethered nearby.We chased along the banks of the creek until we could get far enough ahead to toss him a tree branch to catch. By the time we hauled him out,he looked like a drowned rat and was spitting mad." "I had a right to be.I swallowed half the creek." Zane laughed. "But think how lucky we were that it happened to you instead of me. At least you could swim." Marilee's eyes rounded. "They had you test the rope when they knew you couldn't swim?" Wyatt was laughing even harder. "We figured it was one way for him to learn." "How old were you?" They thought a minute before Wyatt answered. "I was eight,so that would make Jesse ten and Zane seven." "You could have all drowned." "Yeah.Looking back,we were lucky to have surrived so many foolish adventures. But," Wyatt added, "I wouldn't have missed a single one of them." of them
R.C. Ryan (Montana Destiny)
Quote from "The Dish Keepers of Honest House" ....TO TWIST THE COLD is easy when its only water you want. Tapping of the toothbrush echoes into Ella's mind like footsteps clacking a cobbled street on a bitter, dry, cold morning. Her mind pushes through sleep her body craves. It catches her head falling into a warm, soft pillow. "Go back to bed," she tells herself. "You're still asleep," Ella mumbles, pushes the blanket off, and sits up. The urgency to move persuades her to keep routines. Water from the faucet runs through paste foam like a miniature waterfall. Ella rubs sleep-deprieved eyes, then the bridge of her nose and glances into the sink. Ella's eyes astutely fixate for one, brief millisecond. Water becomes the burgundy of soldiers exiting the drain. Her mouth drops in shock. The flow turns green. It is like the bubbling fungus of flockless, fishless, stagnating ponds. Within the iridescent glimmer of her thinking -- like a brain losing blood flow, Ella's focus is the flickering flashing of gray, white dust, coal-black shadows and crows lifting from the ground. A half minute or two trails off before her mind returns to reality. Ella grasps a toothbrush between thumb and index finger. She rests the outer palm against the sink's edge, breathes in and then exhales. Tension in the brow subsides, and her chest and shoulders drop; she sighs. Ella stares at pasty foam. It exits the drain as if in a race to clear the sink of negativity -- of all germs, slimy spit, the burgundy of imagined soldiers and oppressive plaque. GRASPING THE SILKY STRAND between her fingers, Ella tucks, pulls and slides the floss gently through her teeth. Her breath is an inch or so of the mirror. Inspections leave her demeanor more alert. Clouding steam of the image tugs her conscience. She gazes into silver glass. Bits of hair loosen from the bun piled at her head's posterior. What transforms is what she imagines. The mirror becomes a window. The window possesses her Soul and Spirit. These two become concerned -- much like they did when dishonest housekeepers disrupted Ella's world in another story. Before her is a glorious bird -- shining-dark-as-coal, shimmering in hues of purple-black and black-greens. It is likened unto The Raven in Edgar Allan Poe's most famous poem of 1845. Instead of interrupting a cold December night with tapping on a chamber door, it rests its claws in the decorative, carved handle of a backrest on a stiff dining chair. It projects an air of humor and concern. It moves its head to and fro while seeking a clearer understanding. Ella studies the bird. It is surrounded in lofty bends and stretches of leafless, acorn-less, nearly lifeless, oak trees. Like fingers and arms these branches reach below. [Perhaps they are reaching for us? Rest assured; if they had designs on us, I would be someplace else, writing about something more pleasant and less frightening. Of course, you would be asleep.] Balanced in the branches is a chair. It is from Ella's childhood home. The chair sways. Ella imagines modern-day pilgrims of a distant shore. Each step is as if Mother Nature will position them upright like dolls, blown from the stability of their plastic, flat, toe-less feet. These pilgrims take fate by the hand. LIFTING A TOWEL and patting her mouth and hands, Ella pulls the towel through the rack. She walks to the bedroom, sits and picks up the newspaper. Thumbing through pages that leave fingertips black, she reads headlines: "Former Dentist Guilty of Health Care Fraud." She flips the page, pinches the tip of her nose and brushes the edge of her chin -- smearing both with ink. In the middle fold directly affront her eyes is another headline: "Dentist Punished for Misconduct." She turns the page. There is yet another: "Dentist guilty of urinating in surgery sink and using contaminated dental instruments on patients." This world contains those who are simply insane! Every profession has those who stray from goals....
Helene Andorre Hinson Staley
Nevertheless, it would be prudent to remain concerned. For, like death, IT would come: Armageddon. There would be-without exaggeration-a series of catastrophes. As a consequence of the evil in man...-no mere virus, however virulent, was even a burnt match for our madness, our unconcern, our cruelty-...there would arise a race of champions, predators of humans: namely earthquakes, eruptions, tidal waves, tornados, typhoons, hurricanes, droughts-the magnificent seven. Floods, winds, fires, slides. The classical elements, only angry. Oceans would warm, the sky boil and burn, the ice cap melt, the seas rise. Rogue nations, like kids killing kids at their grammar school, would fire atomic-hydrogen-neutron bombs at one another. Smallpox would revive, or out of the African jungle would slide a virus no one understood. Though reptilian only in spirit, the disease would make us shed our skins like snakes and, naked to the nerves, we'd expire in a froth of red spit. Markets worldwide would crash as reckless cars on a speedway do, striking the wall and rebounding into one another, hurling pieces of themselves at the spectators in the stands. With money worthless-that last faith lost-the multitude would riot, race against race at first, God against God, the gots against the gimmes. Insects hardened by generations of chemicals would consume our food, weeds smother our fields, fire ants, killer bees sting us while we're fleeing into refuge water, where, thrashing we would drown, our pride a sodden wafer. Pestilence. War. Famine. A cataclysm of one kind or another-coming-making millions of migrants. Wearing out the roads. Foraging in the fields. Looting the villages. Raping boys and women. There'd be no tent cities, no Red Cross lunches, hay drops. Deserts would appear as suddenly as patches of crusty skin. Only the sun would feel their itch. Floods would sweep suddenly over all those newly arid lands as if invited by the beach. Forest fires would burn, like those in coal mines, for years, uttering smoke, making soot for speech, blackening every tree leaf ahead of their actual charring. Volcanoes would erupt in series, and mountains melt as though made of rock candy till the cities beneath them were caught inside the lava flow where they would appear to later eyes, if there were any eyes after, like peanuts in brittle. May earthquakes jelly the earth, Professor Skizzen hotly whispered. Let glaciers advance like motorboats, he bellowed, threatening a book with his fist. These convulsions would be a sign the parasites had killed their host, evils having eaten all they could; we'd hear a groan that was the going of the Holy Ghost; we'd see the last of life pissed away like beer from a carouse; we'd feel a shudder move deeply through this universe of dirt, rock, water, ice, and air, because after its long illness the earth would have finally died, its engine out of oil, its sky of light, winds unable to catch a breath, oceans only acid; we'd be witnessing a world that's come to pieces bleeding searing steam from its many wounds; we'd hear it rattling its atoms around like dice in a cup before spilling randomly out through a split in the stratosphere, night and silence its place-well-not of rest-of disappearance. My wish be willed, he thought. Then this will be done, he whispered so no God could hear him. That justice may be served, he said to the four winds that raged in the corners of his attic.
William H. Gass (Middle C)
I turn my body from the sun. What ho, Tashtego! Let me hear thy hammer. Oh! ye three unsurrendered spires of mine; thou uncracked keel; and only god-bullied hull; thou firm deck, and haughty helm, and Pole-pointed prow, - death-glorious ship! must ye then perish, and without me? Am I cut off from the last fond pride of meanest shipwrecked captains? Oh, lonely death on lonely life! Oh, now I feel my topmost greatness lies in my topmost grief. Ho, ho! from all your furthest bounds, pour ye now in, ye bold billows of my whole foregone life, and top this one piled comber of my death! Towards thee I roll, thou all-destroying but unconquering whale; to the last I grapple with thee; from hell's heart I stab at thee; for hate's sake I spit my last breath at thee. Sink all coffins and all hearses to one common pool! and since neither can be mine, let me then tow to pieces, while still chasing thee, though tied to thee, thou damned whale! Thus, I give up the spear!" The harpoon was darted; the stricken whale flew forward; with igniting velocity the line ran through the groove; - ran foul. Ahab stooped to clear it; he did clear it; but the flying turn caught him round the neck, and voicelessly as Turkish mutes bowstring their victim, he was shot out of the boat, ere the crew knew he was gone. Next instant, the heavy eye-splice in the rope's final end flew out of the stark-empty tub, knocked down an oarsman, and smiting the sea, disappeared in its depths. For an instant, the tranced boat's crew stood still; then turned. "The ship? Great God, where is the ship?" Soon they through dim, bewildering mediums saw her sidelong fading phantom, as in the gaseous Fata Morgana; only the uppermost masts out of water; while fixed by infatuation, or fidelity, or fate, to their once lofty perches, the pagan harpooneers still maintained their sinking lookouts on the sea. And now, concentric circles seized the lone boat itself, and all its crew, and each floating oar, and every lance-pole, and spinning, animate and inanimate, all round and round in one vortex, carried the smallest chip of the Pequod out of sight. But as the last whelmings intermixingly poured themselves over the sunken head of the Indian at the mainmast, leaving a few inches of the erect spar yet visible, together with long streaming yards of the flag, which calmly undulated, with ironical coincidings, over the destroying billows they almost touched; - at that instant, a red arm and a hammer hovered backwardly uplifted in the open air, in the act of nailing the flag faster and yet faster to the subsiding spar. A sky-hawk that tauntingly had followed the main-truck downwards from its natural home among the stars, pecking at the flag, and incommoding Tashtego there; this bird now chanced to intercept its broad fluttering wing between the hammer and the wood; and simultaneously feeling that etherial thrill, the submerged savage beneath, in his death-gasp, kept his hammer frozen there; and so the bird of heaven, with archangelic shrieks, and his imperial beak thrust upwards, and his whole captive form folded in the flag of Ahab, went down with his ship, which, like Satan, would not sink to hell till she had dragged a living part of heaven along with her, and helmeted herself with it. Now small fowls flew screaming over the yet yawning gulf; a sullen white surf beat against its steep sides; then all collapsed, and the great shroud of the sea rolled on as it rolled five thousand years ago.
Herman Melville
She tilts her head to the side after taking a sip of her tea, studying us. “You know, I can’t get over how beautiful you two are together. One of those couples you love to follow on Instagram, you know, the really cute ones that are so sickening in love that you can’t get enough of them.” Way to drop the love bomb, Mom. Jesus. Thankfully Emory doesn’t show any kind of hatred for the term but instead says, “Like Jennifer Lopez and A-Rod?” “Yes,” my mom answers with excitement. “Oh my gosh, I’m obsessed with watching their stories. The little videos they do together, I just can’t get enough of them. J-Rod,” my mom says dreamily. “Oh gosh, what would your couple name be?” She thinks about it for a second. “Emox . . . or Knemory. Oh I love Knemory. Sounds so poetic.” “Knemory does have a nice ring to it,” I add. “I don’t know, what about Emorox?” “Ohhh, that sounds like a name that belongs in The Game of Thrones.” Taking on a more masculine voice, my mom says, “Look out, Jon, Emorox is coming over the hill, with her fire-spitting dragons, Knemory and George.” “George?” Emory laughs out loud, covering her mouth. “Why George?” “Well, look at the names they have in that show? They’re all exotic names you’ve never heard before—Cersei, Gregor, Arya—and then in waltzes good old Jon Snow. It’s only fair that the dragons have a lemon in the bunch as well.” “Uh, Jon is anything but a lemon, Mom,” I defend. “He was raised from the dead.” My mom’s mouth drops, pure and utter shock in her face. “Jon Snow dies?” Shit. Emory elbows my stomach. “Where the hell is your GOT etiquette? You never talk about the facts of the show until the air is cleared about how far someone is in watching. You are one of those people who spoils everything for someone just catching up to the trend.” *Ahem* “I mean . . . uh . . . he doesn’t die.” “You just said he is raised from the dead,” my mom says. Feeling guilty, I reply, “Well, at least he’s still alive, right?” She slumps against the cushion of the couch and mutters, “Unbelievable.” “I’m sorry, Mrs. Gentry, that your son is a barbarian and broke your GOT trust.” Pressing her hand against her forehead, my mom says, “You know, I blame myself. I thought I taught him a shred of decorum, I guess not.” “Don’t blame yourself,” Emory coos. “You did everything right. It comes down to the hooligans he hangs out with. There’s only so much you can control after they leave the nest.” “You’re absolutely right,” my mom agrees and leans across the couch to smack me in the back of the head. “Hey,” I complain while rubbing the sore spot. I look between the two women in my life and I say, “I don’t like this ganging up on me shit.” “You wanted us to get along, right?” Emory asks. “Well, I happen to like your mom, especially since she complimented my bosom.” “Ah, I see.” I continue to look between the two of them. “You’re okay with my mom catching you with your shirt off now, moved past the embarrassment?” Emory’s eyes narrow. “With that kind of attitude, it might be the very last time you see me topless.” My mom raises her fist to the air, as if to say, “Girl Power.” And then she says, “You tell him, Emory. Don’t let him push you around.” “I wasn’t pushing her around—” “You keep that beautiful bosom under lock and key, and if you have a temptation to show anyone, just flash me.” “Mom, do you realize how wrong that is?” “Want to go to the bathroom right now, Mrs. Gentry?” “I would be delighted to.” They both stand but before they can make a move, I pull on Emory’s hand, bringing her back down to my lap. “No way in hell is that happening. Jesus, what is wrong with you?
Meghan Quinn (The Locker Room (The Brentwood Boys, #1))
And indeed at the hotel where I was to meet Saint-Loup and his friends the beginning of the festive season was attracting a great many people from near and far; as I hastened across the courtyard with its glimpses of glowing kitchens in which chickens were turning on spits, pigs were roasting, and lobsters were being flung alive into what the landlord called the ‘everlasting fire’, I discovered an influx of new arrivals (worthy of some Census of the People at Bethlehem such as the Old Flemish Masters painted), gathering there in groups, asking the landlord or one of his staff (who, if they did not like the look of them; would recommend accommodation elsewhere in the town) for board and lodging, while a kitchen-boy passed by holding a struggling fowl by its neck. Similarly, in the big dining-room, which I had passed through on my first day here on my way to the small room where my friend awaited me, one was again reminded of some Biblical feast, portrayed with the naïvety of former times and with Flemish exaggeration, because of the quantity of fish, chickens, grouse, woodcock, pigeons, brought in garnished and piping hot by breathless waiters who slid along the floor in their haste to set them down on the huge sideboard where they were carved immediately, but where – for many of the diners were finishing their meal as I arrived – they piled up untouched; it was as if their profusion and the haste of those who carried them in were prompted far less by the demands of those eating than by respect for the sacred text, scrupulously followed to the letter but naïvely illustrated by real details taken from local custom, and by a concern, both aesthetic and devotional, to make visible the splendour of the feast through the profusion of its victuals and the bustling attentiveness of those who served it. One of them stood lost in thought by a sideboard at the end of the room; and in order to find out from him, who alone appeared calm enough to give me an answer, where our table had been laid, I made my way forward through the various chafing-dishes that had been lit to keep warm the plates of latecomers (which did not prevent the desserts, in the centre of the room, from being displayed in the hands of a huge mannikin, sometimes supported on the wings of a duck, apparently made of crystal but actually of ice, carved each day with a hot iron by a sculptor-cook, in a truly Flemish manner), and, at the risk of being knocked down by the other waiters, went straight towards the calm one in whom I seemed to recognize a character traditionally present in these sacred subjects, since he reproduced with scrupulous accuracy the snub-nosed features, simple and badly drawn, and the dreamy expression of such a figure, already dimly aware of the miracle of a divine presence which the others have not yet begun to suspect. In addition, and doubtless in view of the approaching festive season, the tableau was reinforced by a celestial element recruited entirely from a personnel of cherubim and seraphim. A young angel musician, his fair hair framing a fourteen-year-old face, was not playing any instrument, it is true, but stood dreaming in front of a gong or a stack of plates, while less infantile angels were dancing attendance through the boundless expanse of the room, beating the air with the ceaseless flutter of the napkins, which hung from their bodies like the wings in primitive paintings, with pointed ends. Taking flight from these ill-defined regions, screened by a curtain of palms, from which the angelic waiters looked, from a distance, as if they had descended from the empyrean, I squeezed my way through to the small dining-room and to Saint-Loup’s table.
Marcel Proust (The Guermantes Way)
They stood around a bleeding stump of a man lying on the ground. His right arm and left leg had been chopped off. It was inconceivable how, with his remaining arm and leg, he had crawled to the camp. The chopped-off arm and leg were tied in terrible bleeding chunks onto his back with a small wooden board attached to them; a long inscription on it said, with many words of abuse, that the atrocity was in reprisal for similar atrocities perpetrated by such and such a Red unit—a unit that had no connection with the Forest Brotherhood. It also said that the same treatment would be meted out to all the partisans unless, by a given date, they submitted and gave up their arms to the representatives of General Vitsyn’s army corps. Fainting repeatedly from loss of blood, the dying man told them in a faltering voice of the tortures and atrocities perpetrated by Vitsyn’s investigating and punitive squads. His own sentence of death had been allegedly commuted; instead of hanging him, they had cut off his arm and leg in order to send him into the camp and strike terror among the partisans. They had carried him as far as the outposts of the camp, where they had put him down and ordered him to crawl, urging him on by shooting into the air. He could barely move his lips. To make out his almost unintelligible stammering, the crowd around him bent low. He was saying: “Be on your guard, comrades. He has broken through.” “Patrols have gone out in strength. There’s a big battle going on. We’ll hold him.” “There’s a gap. He wants to surprise you. I know. ... I can’t go on, men. I am spitting blood. I’ll die in a moment.” “Rest a bit. Keep quiet.—Can’t you see it’s bad for him, you heartless beasts!” The man started again: “He went to work on me, the devil. He said: You will bathe in your own blood until you tell me who you are. And how was I to tell him, a deserter is just what I am? I was running from him to you.” “You keep saying ‘he.’ Who was it that got to work on you?” “Let me just get my breath. ... I’ll tell you. Hetman, Bekeshin. Colonel, Strese. Vitsyn’s men. You don’t know out here what it’s like. The whole town is groaning. They boil people alive. They cut strips out of them. They take you by the scruff of the neck and push you inside, you don’t know where you are, it’s pitch black. You grope about—you are in a cage, inside a freight car. There are more than forty people in the cage, all in their underclothes. From time to time they open the door and grab whoever comes first—out he goes. As you grab a chicken to cut its throat. I swear to God. Some they hang, some they shoot, some they question. They beat you to shreds, they put salt on the wounds, they pour boiling water on you. When you vomit or relieve yourself they make you eat it. As for children and women—O God!” The unfortunate was at his last gasp. He cried out and died without finishing the sentence. Somehow they all knew it at once and took off their caps and crossed themselves. That night, the news of a far more terrible incident flew around the camp. Pamphil had been in the crowd surrounding the dying man. He had seen him, heard his words, and read the threatening inscription on the board. His constant fear for his family in the event of his own death rose to a new climax. In his imagination he saw them handed over to slow torture, watched their faces distorted by pain, and heard their groans and cries for help. In his desperate anguish—to forestall their future sufferings and to end his own—he killed them himself, felling his wife and three children with that same, razor-sharp ax that he had used to carve toys for the two small girls and the boy, who had been his favorite. The astonishing thing was that he did not kill himself immediately afterward.
Boris Pasternak (Doctor Zhivago)
Through the breach, they heard the waters pour, as mountain torrents down a flume. "The ship! The hearse!--the second hearse!" cried Ahab from the boat; "its wood could only be American!" Diving beneath the settling ship, the whale ran quivering along its keel; but turning under water, swiftly shot to the surface again, far off the other bow, but within a few yards of Ahab's boat, where, for a time, he lay quiescent. "I turn my body from the sun. What ho, Tashtego! let me hear thy hammer. Oh! ye three unsurrendered spires of mine; thou uncracked keel; and only god-bullied hull; thou firm deck, and haughty helm, and Pole-pointed prow,--death-glorious ship! must ye then perish, and without me? Am I cut off from the last fond pride of meanest shipwrecked captains? Oh, lonely death on lonely life! Oh, now I feel my topmost greatness lies in my topmost grief. Ho, ho! from all your furthest bounds, pour ye now in, ye bold billows of my whole foregone life, and top this one piled comber of my death! Towards thee I roll, thou all-destroying but unconquering whale; to the last I grapple with thee; from hell's heart I stab at thee; for hate's sake I spit my last breath at thee. Sink all coffins and all hearses to one common pool! and since neither can be mine, let me then tow to pieces, while still chasing thee, though tied to thee, thou damned whale! THUS, I give up the spear!" The harpoon was darted; the stricken whale flew forward; with igniting velocity the line ran through the grooves;--ran foul. Ahab stooped to clear it; he did clear it; but the flying turn caught him round the neck, and voicelessly as Turkish mutes bowstring their victim, he was shot out of the boat, ere the crew knew he was gone. Next instant, the heavy eye-splice in the rope's final end flew out of the stark-empty tub, knocked down an oarsman, and smiting the sea, disappeared in its depths. For an instant, the tranced boat's crew stood still; then turned. "The ship? Great God, where is the ship?" Soon they through dim, bewildering mediums saw her sidelong fading phantom, as in the gaseous Fata Morgana; only the uppermost masts out of water; while fixed by infatuation, or fidelity, or fate, to their once lofty perches, the pagan harpooneers still maintained their sinking lookouts on the sea. And now, concentric circles seized the lone boat itself, and all its crew, and each floating oar, and every lance-pole, and spinning, animate and inanimate, all round and round in one vortex, carried the smallest chip of the Pequod out of sight. But as the last whelmings intermixingly poured themselves over the sunken head of the Indian at the mainmast, leaving a few inches of the erect spar yet visible, together with long streaming yards of the flag, which calmly undulated, with ironical coincidings, over the destroying billows they almost touched;--at that instant, a red arm and a hammer hovered backwardly uplifted in the open air, in the act of nailing the flag faster and yet faster to the subsiding spar. A sky-hawk that tauntingly had followed the main-truck downwards from its natural home among the stars, pecking at the flag, and incommoding Tashtego there; this bird now chanced to intercept its broad fluttering wing between the hammer and the wood; and simultaneously feeling that etherial thrill, the submerged savage beneath, in his death-gasp, kept his hammer frozen there; and so the bird of heaven, with archangelic shrieks, and his imperial beak thrust upwards, and his whole captive form folded in the flag of Ahab, went down with his ship, which, like Satan, would not sink to hell till she had dragged a living part of heaven along with her, and helmeted herself with it. Now small fowls flew screaming over the yet yawning gulf; a sullen white surf beat against its steep sides; then all collapsed, and the great shroud of the sea rolled on as it rolled five thousand years ago.
Herman Melville
It’s like law school trains these junkies to masticate language as if it’s gum. Stick a slice in your mouth, chew on it, blow it full of hot air, and then spit it on the ground when it no longer tastes good.
Elizabeth L. Silver (The Execution of Noa P. Singleton)
Jesus, as the Son of Man, is not only inspirational—He is epic. Knowing that He got up from the grave after such a savage and brutal martyrdom should make us as men pump our fists in the air in worship. Here before us is a man who was man enough to drink in death and spit out victory. He is fully God and yet truly and fully human. He is a man just like—and yet wholly unlike—us, all at the same time. So if we’re looking for an example of manhood, we need look no further than the cross and the empty tomb. Jesus, over and over again, shows us what it means to really be a man.
Eric Mason (Manhood Restored: How the Gospel Makes Men Whole)
The Cicada stopped and took a deep breath, preparing to spit. He was staring into the witcher's eyes instead of paying attention to his hands. This was a mistake. Geralt, still not slowing down, swiftly punched him in the mouth with his studded fist. He struck without pausing, only using the momentum of his stride to follow through. The Cicada's lips cracked and burst like crushed cherries. The witcher hauled back and hit him again in the same place, this time stopping briefly, feeling his anger dissipate with the force and vigour the blow carried. The Cicada, spinning on one foot in the mud, the other in the air, vomited blood and fell backwards into a puddle. The witcher, hearing the chink of a blade being drawn behind him, stopped and turned fluidly, one hand on the hilt of his sword.
Anonymous
Ages— wielded a blowtorch spitting sparks. An SUV swam in mid-air on a hydraulic lift. From beyond it came a helluva racket that sounded
Elizabeth Zelvin (Death Will Help You Leave Him (Bruce Kohler, #2))
I see ye’ve told her what it means for a Keith to claim a woman,” he said to Darcy. Looking at her across the desk, he said, “Dinna be hard on the lad. If he hadna done it, I would have, and me with three daughters for you to become second mother to. I would ha’ been good to ye, lass, but Darcy, he will worship you.” He winked at Darcy, then spread some papers on the desk and reached for the black-feathered quill. “I have the contract ready, Steafan. Begin when ye wish.” Steafan smirked at her. “What’ll it be, lass, the stocks tonight, or a wedding?” “The stocks,” she said without hesitation, relieved she seemed to have some choice in the matter. What was a night of discomfort compared to the stripping away of one’s choice? Darcy surged around the desk and shook her by the shoulders. His eyes blazed with desperation. “Dinna do this,” he said close by her ear, his voice urgent and low, private from all but perhaps Aodhan, who stood near the desk. “A person in the stocks must be stripped to their skin and placed in the courtyard for the entire clan to laugh at and spit on. I’d sooner defy my uncle and be banished from Ackergill than see you dishonored so. Dinna make me do that, I beg you.” Fear kicked her heart into her throat at Darcy’s manhandling. But as his words penetrated, she stopped fighting his hold. He was serious. He’d abandon his home, his mill, Edmund and Fran, everything he had, all to keep her from a night’s humiliation. He might be a manipulative, lying brute, but he seemed to care for her on some level. She looked hard in his eyes and saw vulnerability glowing behind a glaze of very real fear. Fear for her and for what her actions might cause him to suffer. She shoved away the sympathy he didn’t deserve. He projected an air of absolute honor, but honorable men didn’t trick women into marrying them. “You lied to me,” she seethed. “You told me you’d help me get home.” “And I will,” he said. “Do ye nay remember what I told you before Steafan came in?” She remembered the words verbatim. “Whatever happens tonight, Malina, ye need no’ fash that I’ll keep my word to you.” Malina. The mere memory of her name spoken that way softened her, damn her romantic heart. “Trust me,” he urged.
Jessi Gage (Wishing for a Highlander (Highland Wishes Book 1))
What do you need that for?” he asks about the Jack Daniel’s. “We might have to hit her over the head.” “Why are you smiling?” “Because this is a happy time,” I tell him honestly, even after I push aside the image of knocking Shannon unconscious with a bottle of JD. “This is fun. This is good. When this is all over, we’re going to have a baby.” He doesn’t look all that convinced, but he trots after me as we take our equipment into Shannon’s room. She’s sitting propped up on the bed with every pillow in my house behind her, blowing out air like a stalled locomotive. “You’re going to ruin my pillows,” I moan. “I’ll buy you new pillows,” she spits at me. “I’ll buy you a new bed. I’ll buy you a new fucking house.” “Watch your language,” I tell her. “There’s a little kid here.” “You think I care about a fucking little kid? Why is there a little kid here?” “Can we hit her yet?” Kenny asks. “Not yet.” Fanci
Tawni O'Dell (Sister Mine)
Ignoring her protests, he swept her up in his arms and carried her toward the hut. “Put me down!” Elizabeth cried. “I said put me down!” Her mouth tasted of ashes, and the sudden knowledge that she was afraid turned her fear into white-hot anger. “Release me at once, you . . . you red savage!” Balling her right hand into a fist, she struck him as hard as she could on the side of the face. Cain gasped, and Elizabeth felt his muscles tense. “Tshingue,” he muttered between clenched teeth. She raised her fist to strike him again. “Do not,” he warned softly. His stride quickened. They were past the hut and moving swiftly toward the beach. “Where are you taking me?” she demanded as the sound of the ocean grew louder. “Cain!” Her voice took on a shrill edge. “Cain!” “You want down,” he said. “You get down.” “Cain, no!” Water splashed around his ankles. “Cain!” “If you have fever, cool.” Without warning, Elizabeth was in the air. Before she could catch her breath, she plunged into the icy water of the Atlantic. “Ohhh!” Coughing and sputtering, she struggled to get her feet under her. An incoming wave tripped her, and before she could recover her balance, an iron hand closed around hers and dragged her back to the beach. She sank down on the warm ground, spitting out sand and salt water. “Damn you,” she choked. “You tried to drown me.” Cain’s answering chuckle was almost more than she could bear. “You’re inhuman!” “This one does not know this word inhuman,″ he said solemnly. “Stop it! Stop taunting me. I hate you!” she cried. He dropped to the sand beside her. “I do not think you hate me.” ″I do! I—” Fiercely, Cain pulled her into his arms and silenced her words with his mouth against hers. Elizabeth tried to pull away, but he was too strong. Her struggles went unheeded as Cain seared her lips with a fiery, all-consuming kiss. Then, as suddenly as he had begun his assault, he released her. “Look into your heart, Englishwoman,” he said huskily. “Wipe the salt from your eyes and truly look. Tell me then if it is hate you feel for Shaakhan Kihittuun.” Before she could reply, he was gone, walking back toward the hut.
Judith E. French (Lovestorm)
GRACE’S HANDS SHOOK AS SHE TRIED to put the key in the ignition. She looked back at the house, threw the gear in reverse, and backed out of the drive, the tires spitting up gravel. Shifting into drive, she slammed her foot on the accelerator and flew down the road. The neighborhood was quiet, the sun still hidden, just an orange and pink glow rising through the barren trees. The car bounced over the railroad tracks, jolting her body into the air, smacking her head against the roof. She slowed as she reached Red Arrow Highway and made a right onto the empty road.
E.C. Diskin (Broken Grace)
Imagined from within the abstractions of celestial geometry, water’s movement is orderly, imbued with mathematical elegance. Even with the overtones and ornaments of irregular shorelines and ocean depths are worked into the score, all seems harmonious; Earth and ocean are governed by the steady, predictable hand of the skies. No sunlight, no Moon. A storm pounds offshore. I hear nothing but the violence of water. A few waves hiss, most give a deeper complaint as they charge, then punch. Embayments and spits impede and deflect the assault, causing waves to turn on one another, releasing slaps so loud they resonate in my chest. Every few seconds, lightning cracks the dark: surf sliced by a giant oak that lies dead on the beach; spilling breakers overtopping beaten, limp palm crowns; sea spray so dense that the lightning fires the air with silver. Then darkness. At my feet, shudders emerge from what was steady ground. Waves slam into the knee-high escarpment that marks the highest edge of the beach; body-size fragments of soil cleave away; the roots that held the soil are entirely powerless. The moon presses the tide so tight against the land that spent waves have no room to run back before the next breaker arrives. By my clock, the tide is at its highest point, it should ease back soon, but my whole being tells me, you’re next. There is no celestial harmony but atonal panic, sensory tumult that overwashes all else. Not Newtonian elegance but Prospero’s rough magic and roaring war.
David George Haskell (The Songs of Trees: Stories from Nature's Great Connectors)
When it was in range, Zrebnightlingrir jumped up and slapped Max in the face with that hand.  Max felt the sting of a needle before an almost instant feeling of extreme nausea overwhelmed him.  Unable to bend over or move in any way, his stomach could not force the rising bile past his esophagus and out of his system.  Max wailed soundlessly as he began to suffocate on what was left of the stale sandwiches rising up from his stomach. “Fool!  Did you honestly believe you had any hope of defeating me?” The lich stared up at Max, a look of disgust on his pale-skinned face.  Max glared at him, unable to even move his head.  A moment later the lich waved a hand, he felt his face muscles loosening, and he was able to move his mouth.  “Answer me!” the lich demanded. The feeling returned to Max’s face, then his neck, and his chest.  Though his arms and legs still refused to move.  Max spewed vomit all over the dwarf, then gasped in a deep lungful of much-needed air. The lich ignored the nastiness that now coated his face and robe, jabbing Max in the belly with his staff.  “Answer!” “I did not know you existed ten minutes ago.” Max croaked, spitting out some remaining bile.  “But yes, I will defeat you!  Boom!”  Max cast the spell, then jerked his head backwards, throwing his frozen body off balance enough to begin to fall.
Dave Willmarth (Battleborne (Battleborne, #1))
Gross,” Keefe whined, spitting out his mouthpiece. “The air tastes like Dex breath.” “Keefe breath’s just as nasty,” Dex snapped.
Shannon Messenger (Neverseen (Keeper of the Lost Cities, #4))
Do it, Zhian urges. Let me out, Zahra. Let me out. Listen to me first, I demand. There are jinn charmers out here—did you hear them? They are playing, filling the hills with their charms. You must not go near the humans, or we will both end up right back where we started. We could take them together, he replies. You and I—working as a team. We would be unstoppable! To that, I only send him an image of the lamp, and he curses. I quickly relay to him the deal I made with Nardukha. Zhian stews in his jar, his impatience hammering through my thoughts. When I finish, he spits, So do it! Let me out! I glance around, making sure we’re alone, then lift the jar high before dashing it against a rock. The pottery shatters, as does the charm that held Zhian captive inside. A burst of smoke fills the air, red and angry. It swells and thunders. “Quiet!” I hiss. “They’ll come!” I do not fear mortals! “Then you’re an idiot. If it weren’t for me, they’d still have you bottled up in their crypts.” My father would not allow it! Zhian swirls around me, his wind pulling at my hair and my black cloak. Dragon heads materialize in the smoke, snapping and hissing dangerously close to my face. He would burn their city for my sake! He would sink their ships and wreck their walls!
Jessica Khoury (The Forbidden Wish (The Forbidden Wish, #1))
Lana leveled the gun at Penny. “Stop,” Lana said. Penny’s reddened face grew pale. Whatever visions she was inflicting on the people below her stopped. Kids cried in pain, sobbed from the memories. “Oh, everyone has to kiss your butt, don’t they, Healer.” Penny spit that last word. She made her hands into claws and pawed at the air. Her lips were drawn back in a teeth-baring animal snarl. “If I shoot you, I won’t heal you,” Lana said calmly. That caught Penny off guard. But she recovered quickly. She put her head down and started to laugh. It began low and rose a few decibels at a time. Lana’s arm burst into flame. A noose was flung from the ruined church wall. The rope dropped over her head, landed on her shoulders, and tightened around her throat. The limestone beneath her feet was suddenly a forest of knives all stabbing up at her. “Yeah,” Lana said. “That won’t work on me. I’ve gone one-on-one with the gaiaphage. He could teach you a few things. Stop it. Now. Or bang.” Penny’s laugh choked off. She looked hurt. As if someone had said something cruel to her. The visions ceased as suddenly as if someone had switched off a TV. “I’m kind of opposed to murder,” Lana said. “But if you don’t turn and walk away, I’ll blow a hole right where your heart is supposed to be.” “You can’t…” Penny said. “You… No.” “I missed killing a monster once. I’ve always regretted it,” Lana said. “But you’re a human. Sort of. So you get this chance: walk. Keep walking.” For what felt like a very long time Penny stood staring at Lana. Not with hatred, but with disbelief. Lana saw her very, very clearly: a head resting atop the sights of her pistol. Penny took a step back. Then another. There was a wild look of defiance, but then it died. Penny spun on her heel and walked quickly away.
Michael Grant (Fear (Gone, #5))
in.’ Kellock hauled his huge mass over the driver’s seat and across the gearstick to the passenger seat. Jarrett climbed in after him, first motioning the shotgun at Ellen and Pam. ‘We’ve leaving now. You two won’t try to stop us.’ Ellen said, ‘Don’t do this, Laurie,’ and Pam began to circle around him. In answer, he shot out the tyres of their car. They froze, their insides spasming, pellets and grit spitting and pinging. He said again, ‘You won’t stop me.’ Ellen glanced around at Pam, who gave her a complicated look. ‘We won’t stop you,’ she murmured. The Toyota threw gravel at them as it started away but it wasn’t speeding. It moved sedately through the trees, exhaust toxins hanging in the still air, and they heard it pause at the main road above, and turn right. Waterloo lay in that direction, where the land levelled out to meet the sea. But before that there were many other roads, and back roads, full
Garry Disher (Chain of Evidence (Peninsular Crimes, #4))
Michaels ran the flat of his tongue over the back of Judge’s balls, stopping right before he got to his hole. “Yessss. Let me hear you. I could look at your fine ass all night, Judge, but I’m making myself crazy with want. Damn, I fuckin’ want you bad, man.” Michaels’ hands were roughly kneading and rubbing Judge’s ass cheeks. “I’m gonna slick all this sexy hair down with my spit.” Michaels moaned and licked Judge again before he took a mouthful of his flesh and sucked on it hard enough to leave a mark. Judge’s cock was so hard he could’ve drilled a hole through the counter. Michaels really was turned on by him, by his ass… by his hair. Judge released the air that had built up in his lungs and tried to relax. Michaels did exactly what he said he was going to do. Judge’s cock jerked and leaked precome down the cabinet every time he felt Michaels’ warm spit hit his ass. “Fuck,” he hissed. “Feels
A.E. Via (Don't Judge (Nothing Special, #4))
You do not lie so good, Yellow Hair. Your eyes make big talk against you. But that is okay. We have had this one moment together, no? And you did not spit.” Chuckling, he ducked his head and tightened his arm around her with such crushing strength that she couldn’t breathe, let alone fight. Then he wheeled his horse, yelling gibberish. The young man who held Amy nudged his pony out of the ranks and galloped it toward the house. In a skid of hooves and flying dust, he dumped her none too gently onto the dirt and rode off. Amy scrambled to her feet, holding out her arms. “Loretta, no…Loretta, please…” To Loretta’s relief, Rachel burst out of the cabin, grabbed Amy, and dragged her up the steps. After shoving the child through the door, she reappeared with a rifle in her hands. Lifting the stock to her shoulder, she took careful aim. At Loretta… It happened so fast that even the Comanche was taken by surprise. His body snapped taut. For the space of a heartbeat, Loretta felt a shattering sense of betrayal, of fear. Then she understood. Aunt Rachel was going to kill her rather than see her taken by Comanches. The blast of the gun and a roar from the Comanche came almost simultaneously. He threw his body forward, slamming Loretta against the stallion’s neck. Pain exploded in her chest, a flattening, mind-searing pain. Insane as it was, the thought crossed her mind that the Comanche hadn’t won after all. The stallion reared, striking the air, then leaped forward, nearly tossing both his riders. Loretta was squashed between the long ridge of the animal’s neck and the Comanche’s chest. Sitting sideways as she was, her body was twisted at an impossible angle. Instinctively she clutched the horse’s mane to hold her seat. She was going to fall. The hooves of the other horses thundered all around her. If she lost her grip, the other riders would surely trample her. Desperation filled her. She was slipping. At the last moment, when her fingers lost their hold and she felt herself falling, her captor’s arm clamped around her ribs, pulling her back onto the horse. Then the weight of his chest anchored her, so heavy she couldn’t breathe. Wind blew against her face. Slack-jawed, she labored for air, pressure building to a pulsating intensity in her temples. The Indians rode a safe distance from the house before stopping. When Hunter finally drew rein and leaped off the horse, Loretta fell with him and landed in a heap at his feet. Dust plumed around her. Men dismounted, yelling, running in her direction. For a moment she thought they were going to swoop down on her, but they circled her captor instead, jabbering and touching his shoulder. There were so many legs, some naked. Brown buttocks flashed everywhere she looked. Hunter snarled something and peeled off his shirt. A furrowed flesh wound angled across his right shoulder. Pressing a hand to her chest, Loretta glanced down in bewilderment. She had been so sure…Laughter bubbled up her throat. Aunt Rachel had missed? She never missed when she could draw a steady bead on a still target. Loretta’s throat tightened. The Comanche. She looked up, confusion clouding her blue eyes. He had shielded her with his own body?
Catherine Anderson (Comanche Moon (Comanche, #1))
After a time I saw what I believed, at the time, to be a radio relay station located out on a desolate sand spit near Villa Bens. It was only later that I found out that it was Castelo de Tarfaya, a small fortification on the North African coast. Tarfaya was occupied by the British in 1882, when they established a trading post, called Casa del Mar. It is now considered the Southern part of Morocco. In the early ‘20s, the French pioneering aviation company, Aéropostale, built a landing strip in this desert, for its mail delivery service. By 1925 their route was extended to Dakar, where the mail was transferred onto steam ships bound for Brazil. A monument now stands in Tarfaya, to honor the air carrier and its pilots as well as the French aviator and author Antoine Marie Jean-Baptiste Roger, comte de Saint-Exupéry better known as Antoine de Saint-Exupéry. As a newly acclaimed author in the literary world. “Night Flight,” or “Vol de nuit,” was the first of Saint-Exupéry’s literary works and won him the prix Femina, a French literary prize created in 1904. The novel was based on his experiences as an early mail pilot and the director of the “Aeroposta Argentina airline,” in South America. Antoine is also known for his narrative “The Little Prince” and his aviation writings, including the lyrical 1939 “Wind, Sand and Stars” which is Saint-Exupéry’s 1939, memoir of his experiences as a postal pilot. It tells how on the week following Christmas in 1935, he and his mechanic amazingly survived a crash in the Sahara desert. The two men suffered dehydration in the extreme desert heat before a local Bedouin, riding his camel, discovered them “just in the nick of time,” to save their lives. His biographies divulge numerous affairs, most notably with the Frenchwoman Hélène de Vogüé, known as “Nelly” and referred to as “Madame de B.
Hank Bracker
Grasping her chin, Hunter dug his fingertips and thumb into her cheeks. When at last her jaws parted, he held the canteen over her yawning mouth and began trickling water down her. To his surprise, she went perfectly still. By breathing carefully through her nose, she was able to let him fill her mouth without swallowing. The excess water sluiced out onto her cheeks and ran into her hair. Hunter couldn’t plug the canteen and lay it down, not without turning her loose. And if he turned her loose, she’d spit out the water. “Warrior!” he yelled. Several fires away, Warrior shot up from his bed. After looking around in befuddlement, he spied Hunter and broke into a run. Within seconds he was standing by the pallet, his sleepy brown eyes riveted on the yellow-hair. “Tah-mah, what are you trying to do, drown her?” “Yes. Squeeze her nose.” “What?” “Do it!” Warrior knelt at her head. “Hunter, are you--” “Do I have to call Swift Antelope?” Warrior pinched the girl’s nose. “If she dies, it is your doing.” “She isn’t going to die. I’m trying to make her drink.” Hunter watched the girl’s face turn red from lack of air. After a few seconds the muscles in her throat became distended. Then, at last, she swallowed part of the water and began to choke. “Turn loose. Warrior, turn loose!” Warrior, who always seemed to be one thought behind everyone else, finally released her nose and sat back on his heels. The girl gasped and sucked water the wrong way. Grimly, Hunter watched while she fought to get her breath. When at last she stopped coughing, he said, “You will drink?” Her eyes glittered up at him, so filled with hatred that a chill ran up his spine. Hunter grasped her chin again. “Her nose, Warrior. And this time, turn loose when she starts to swallow or we will drown her.” “You will drown her. I’m just helping.
Catherine Anderson (Comanche Moon (Comanche, #1))
Legal and political theory have committed much mischief by failing to pinpoint physical invasion as the only human action that should be illegal and that justifies the use of physical violence to combat it." In the law of torts, "harm" is generally treated as physical invasion of person or property. The outlawing of defamation (libel and slander) has always been a glaring anomaly in tort law. Words and opinions are not physical invasions. Analogous to the loss of property value from a better product or a shift in consumer demand, no one has a property right in his "reputation." Reputation is strictly a function of the subjective opinions of other minds, and they have the absolute right to their own opinions whatever they may be. Hence, outlawing defamation is itself a gross invasion of the defamer's right of freedom of speech, which is a subset of his property right in his own person. An even broader assault on freedom of speech is the modern Warren-Brandeis-inspired tort of invasion of the alleged right of "privacy," which outlaws free speech and acts using one's own property that are not even false or "malicious." In the law of torts, "harm" is generally treated as physical invasion of person or property and usually requires payment of damages for "emotional" harm if and only if that harm is a consequence of physical invasion. Thus, within the standard law of trespass — an invasion of person or property — "battery" is the actual invasion of someone else's body, while "assault" is the creation by one person in another of a fear, or apprehension, of battery. To be a tortious assault and therefore subject to legal action, tort law wisely requires the threat to be near and imminent. Mere insults and violent words, vague future threats, or simple possession of a weapon cannot constitute an assault18; there must be accompanying overt action to give rise to the apprehension of an imminent physical battery. Or, to put it another way, there must be a concrete threat of an imminent battery before the prospective victim may legitimately use force and violence to defend himself. Physical invasion or molestation need not be actually "harmful" or inflict severe damage in order to constitute a tort. The courts properly have held that such acts as spitting in someone's face or ripping off someone's hat are batteries. Chief Justice Holt's words in 1704 still seem to apply: "The least touching of another in anger is a battery." While the actual damage may not be substantial, in a profound sense we may conclude that the victim's person was molested, was interfered with, by the physical aggression against him, and that hence these seemingly minor actions have become legal wrongs. (2/2)
Murray N. Rothbard (Law, Property Rights, and Air Pollution)
Tuberculosis is an airborne disease. Carried out of the lungs with each cough are thousands of fluid droplets, plumes of minuscule crusaders. Some of them will contain the tiny rod-shaped TB bacteria, each only three-thousandths of a millimetre long. The fluid droplets themselves start off fairly big, perhaps a few tenths of a millimetre. These droplets are being pulled downwards by gravity and once they hit the floor, at least they’re not going anywhere else. But it doesn’t happen quickly, because it’s not just liquids that are viscous. Air is too – it has to be pushed out of the way as things move through it. As the droplets drift downwards, they are bumped and jostled by air molecules that slow their descent. Just as the cream rises slowly through viscous milk to the top of the bottle, these droplets are on course to slide through the viscous air to reach the floor. Except they don’t. Most of that droplet is water, and in the first few seconds in the outside air, that water evaporates. What was a droplet big enough for gravity to pull it through the viscous air now becomes a mere speck, a shadow of its former self. If it was originally a droplet of spit with a tuberculosis bacterium floating about in it, it’s now a tuberculosis bacterium neatly packaged up in some leftover organic crud. The gravitational pull on this new parcel is no match for the buffeting of the air. Wherever the air goes, the bacterium goes. Like the miniaturized fat droplets in today’s homogenized milk, it’s just a passenger. And if it lands in a person with a weak immune system, it might start a new colony, growing slowly until new bacteria are ready to be coughed out all over again.
Helen Czerski (Storm in a Teacup: The Physics of Everyday Life)
You walk outside your studio apartment to a hot Oakland summer day, an Oakland you remember as gray, always gray. Oakland summer days from your childhood. Mornings so gray they filled the whole day with gloom and cool even when the blue broke through. This heat’s too much. You sweat easy. Sweat from walking. Sweat at the thought of sweating. Sweat through clothes to where it shows. You take off your hat and squint up at the sun. At this point you should probably accept the reality of global warming, of climate change. The ozone thinning again like they said in the nineties when your sisters used to bomb their hair with Aqua Net and you’d gag and spit in the sink extra loud to let them know you hated it and to remind them about the ozone, how hair spray was the reason the world might burn like it said in Revelation, the next end, the second end after the flood, a flood of fire from the sky this time, maybe from the lack of ozone protection, maybe because of their abuse of Aqua Net—and why did they need their hair three inches in the air, curled over like a breaking wave, because what? You never knew. Except that all the other girls did it too. And hadn’t you also heard or read that the world tilts on its axis ever so slightly every year so that the angle made the earth like a piece of metal when the sun hits it just right and it becomes just as bright as the sun itself? Hadn’t you heard that it was getting hotter because of this tilt, this ever increasing tilt of the earth, which was inevitable and not humanity’s fault, not our cars or emissions or Aqua Net but plain and simple entropy, or was it atrophy, or was it apathy? —
Tommy Orange (There There)
Let’s see how you handle this!” D’tort spit out one fireball after the other. “Protesters, defense form!” Hogg shouted. Immediately, the crowd equipped themselves with improvised shields made out of ordinary items like pots and pans and protected themselves. The Piglin shield kept everyone safe from the fireballs while completely nullifying the fiery effects of the Dragon’s attack. “What the… how did…” D’tort was running out of air thanks to his furious attack, and had to land again to recover his breath.” “Take the opportunity and attack him now!” Pegg Hogg ordered. “Attack him now!” The protesters repeated. As for our group, we could barely do anything to help. Intervening could potentially hurt the Piglins so all we could do was sit and watch. “This is marvelous! Crimson City is no longer a hostage to the Nether Dragon, D’tort. It’s the other way around!” Krop said. “I guess I underestimated Pegg Hogg. He truly is a fantastic leader, after all.” I said. Eventually, D’tort freed himself from the Piglin mob clinging to his tail and his paws and flew away in an effort to save his skin. We went after him. Now it was time for D’tort to face another Dragon in battle!
Mark Mulle (Diary of a Piglin Book 11: An Unknown Enemy)
How did the senator know that children meant happiness? Could he see into their souls? What if, the moment they were out of sight, three of them jumped the fourth and began beating him up? The senator had only one argument in his favor: his feeling. When the heart speaks, the mind finds it indecent to object. In the realm of kitsch, the dictatorship of the heart reigns supreme. The feeling induced by kitsch must be a kind the multitudes can share. Kitsch may not, therefore, depend on an unusual situation; it must derive from the basic images people have engraved in their memories: the ungrateful daughter, the neglected father, children running on the grass, the motherland betrayed, first love. Kitsch causes two tears to flow in quick succession. The first tear says: How nice to see children running on the grass! The second tear says: How nice to be moved, together with all mankind, by children running on the grass! It is the second tear that makes kitsch kitsch. The brotherhood of man on earth will be possible only on a base of kitsch. And no one knows this better than politicians. Whenever a camera is in the offing, they immediately run to the nearest child, lift it in the air, kiss it on the cheek. Kitsch is the aesthetic ideal of all politicians and all political parties and movements. Those of us who live in a society where various political tendencies exist side by side and competing influences cancel or limit one another can manage more or less to escape the kitsch inquisition: the individual can preserve his individuality; the artist can create unusual works. But whenever a single political movement corners power, we find ourselves in the realm of totalitarian kitsch. When I say totalitarian, what I mean is that everything that infringes on kitsch must be banished for life: every display of individualism (because a deviation from the collective is a spit in the eye of the smiling brotherhood); every doubt (because anyone who starts doubting details will end by doubting life itself); all irony (because in the realm of kitsch everything must be taken quite seriously); and the mother who abandons her family or the man who prefers men to women, thereby calling into question the holy decree Be fruitful and multiply. In this light, we can regard the gulag as a septic tank used by totalitarian kitsch to dispose of its refuse.
Milan Kundera (The Unbearable Lightness of Being)
Bury all your secrets in my skin Come away with innocence and leave me with my sins The air around me still feels like a cage And love is just a camouflage for what resembles rage again So if you love me let me go And run away before I know My heart is just too dark to care I can't destroy what isn? t there Deliver me into my fate If I'm alone I cannot hate I don't deserve to have you Ooh, my smile was taken long ago If I can change I hope I never know I still press your letters to my lips And cherish them in parts of me that savor every kiss I couldn't face a life without your lights But all of that was ripped apart when you refused to fight So save your breath, I will not care I think I made it very clear You couldn't hate enough to love Is that supposed to be enough? I only wish you weren't my friend Then I could hurt you in the end I never claimed to be a saint Ooh, my own was banished long ago It took the death of hope to let you go So break yourself against my stones And spit your pity in my soul You never needed any help You sold me out to save yourself And I won't listen to your shame You ran away, you? re all the same Angels lie to keep control Ooh, my love was punished long ago If you still care don't ever let me know If you still care don't ever let me know
Slipknot Snuff
He likes you this way, I think,' Cardan says. 'Flush-cheeked and furious.' 'I don't care what he likes,' I spit out. 'You seem to not care quite a lot.' His voice is dry, and when I look at him, I cannot read his face.
Holly Black (The Wicked King (The Folk of the Air, #2))
that moment, he shook his head. “Come on. You can’t fool me.” Isaac managed to spit out the truth. His brother’s mocking laughter filled the air. “Cinnamon buns? You looked all”—Andrew lowered his lids halfway and assumed a dreamy expression. “D-did not.” “Jah, you did.” In a falsetto voice, Andrew warbled, “Ach, Sovilla, you are the most beautiful girl I’ve ever seen.” He exhaled a long, shuddery breath. For the first time in his life, Isaac longed to punch his brother in the stomach. How dare he make fun of Sovilla! And of the tender feelings Isaac held for her. Andrew laughed. “You look like Mamm’s teakettle.” Huh? “All steamed.” With a snicker, he danced out of Isaac’s reach. That was probably for the best. Isaac would never forgive himself if he hit his twin. But he needed to find a way to get these feelings under control. If even remembering her cinnamon rolls made him as dreamy eyed as his brother said, he had to erase Sovilla from his mind. Yet the harder he tried, the more it proved impossible. In fact, he woke at dawn on Thursday hungering for cinnamon rolls and a glimpse of the angel who baked them. Her name replayed as a lilting melody. Sovilla, Sovilla, Sovilla. Had he ever heard a prettier name? Or seen a lovelier face? At breakfast, he missed his plate when he dished out scrambled eggs and almost knocked over his glass of milk when he tried to scoop up the slippery mess. “Goodness, Isaac, what’s gotten into you this morning?” Mamm peered at him over the top of her glasses. “Don’t mind him, Mamm. He’s in love.” Andrew sang the last word. Daed’s stern glance sobered Andrew, but everyone else stared at Isaac. He shook his head and lowered his gaze to his plate. “Leave your brother alone.” Mamm passed a bowl of applesauce. “Eat up so you won’t be late to market.” To Isaac’s relief, Daed turned the conversation to a new brand of chicken feed he’d heard about at the market. Mamm asked questions, and his brothers and sisters concentrated on eating. In his eagerness to see Sovilla again, Isaac practically inhaled his breakfast. Once they reached the auction, he waited impatiently for a chance. He intended to slip off without being noticed, but Andrew spied him and Snickers edging in the direction of the market. “Bet you’re going to get a cinnamon bun, right?” His brother waggled his eyebrows. “I’m hungry for one too.” Pinching his lips together as Andrew walked beside him, Isaac stewed.
Rachel J. Good (An Unexpected Amish Courtship (Surprised by Love #2))
Nick Papanides,” I say, spitting into the sink. “Let me tell you a little something, Mister. You can rot in Hell for all I care. You can …” I watch my saliva clinging to the rim of the basin and wonder where the bubbles come from. Is that air or are we all naturally carbonated?
David Sedaris (Barrel Fever)
My dear Marwan, in the long summers of childhood, when I was a boy the age you are now, your uncles and I spread our mattress on the roof of your grandfathers’ farmhouse outside of Hom. We woke in the mornings to the stirring of olive trees in the breeze, to the bleating of your grandmother's goat, the clanking of her cooking pots, the air cool and the sun a pale rim of persimmon to the east. We took you there when you were a toddler. I have a sharply etched memory of your mother from that trip. I wish you hadn’t been so young. You wouldn't have forgotten the farmhouse, the soot of its stone walls, the creek where your uncles and I built a thousand boyhood dams. I wish you remembered Homs as I do, Marwan. In its bustling Old City, a mosque for us Muslims, a church for our Christian neighbours, and a grand souk for us all to haggle over gold pendants and fresh produce and bridal dresses. I wish you remembered the crowded lanes smelling of fried kibbeh and the evening walks we took with your mother around Clock Tower Square. But that life, that time, seems like a dream now, even to me, like some long-dissolved rumour. First came the protests. Then the siege. The skies spitting bombs. Starvation. Burials. These are the things you know You know a bomb crater can be made into a swimming hole. You have learned dark blood is better news than bright. You have learned that mothers and sisters and classmates can be found in narrow gaps between concrete, bricks and exposed beams, little patches of sunlit skin shining in the dark. Your mother is here tonight, Marwan, with us, on this cold and moonlit beach, among the crying babies and the women worrying in tongues we don’t speak. Afghans and Somalis and Iraqis and Eritreans and Syrians. All of us impatient for sunrise, all of us in dread of it. All of us in search of home. I have heard it said we are the uninvited. We are the unwelcome. We should take our misfortune elsewhere. But I hear your mother's voice, over the tide, and she whispers in my ear, ‘Oh, but if they saw, my darling. Even half of what you have. If only they saw. They would say kinder things, surely.' In the glow of this three-quarter moon, my boy, your eyelashes like calligraphy, closed in guileless sleep. I said to you, ‘Hold my hand. Nothing bad will happen.' These are only words. A father's tricks. It slays your father, your faith in him. Because all I can think tonight is how deep the sea, and how powerless I am to protect you from it. Pray God steers the vessel true, when the shores slip out of eyeshot and we are in the heaving waters, pitching and tilting, easily swallowed. Because you, you are precious cargo, Marwan, the most precious there ever was. I pray the sea knows this. Inshallah. How I pray the sea knows this.
Khaled Hosseini (Sea Prayer)
No matter how great and glorious the making, time will unmake it. No matter how strong the word, strong the thought, strong the law, all must return to chaos.’ Skifr jerked her head back and sent spit spinning high into the air, arcing neatly down and spattering on rusted metal. ‘King Uthil says steel is the answer. I say his sight is short. Dust is the last answer to every question, now and always.
Joe Abercrombie (Half a War (Shattered Sea, #3))
Do something!” someone says, but in my delirium, I can’t tell who is speaking. Abruptly, Valerian is kicked off me. I roll onto my side, coughing. Cardan is looming there. Tears and snot are running down my face, but all I can do is lie in the dirt and spit out pieces of sweet, fleshy pulp. I have no idea why I am crying.
Holly Black (The Cruel Prince (The Folk of the Air, #1))
I breathe in the fresh summer air as I pass a table covered with all sorts of cakes---Victorian sponge, Madeira, Battenberg, lemon drizzle. Again my mind drifts to my childhood, this time to the Michigan State Fair, which my family would visit at the end of every summer. It had all sorts of contests---pie eating, hog calling, watermelon seed spitting (Stevie's favorite)---but the cake competition was my favorite challenge of all. Every year I'd eye the confections longingly: the fluffy coconut cakes, the fudge chocolate towers filled with gooey caramel or silky buttercream, the cinnamon-laced Bundts topped with buttery streusel. The competition was divided into adult and youth categories, and when I turned twelve, I decided to enter a recipe for chocolate cupcakes with peanut butter buttercream and peanut brittle. My mom was a little befuddled by my participation (her idea of baking involved Duncan Hines and canned, shelf-stable frosting, preferably in a blinding shade of neon), but she rode along with my dad, Stevie, and me as we carted two-dozen cupcakes to the fairgrounds in Novi. The competition was steep---pumpkin cupcakes with cream cheese frosting, German chocolate cupcakes, zucchini cupcakes with lemon buttercream---but my entry outshone them all, and I ended up taking home the blue ribbon, along with a gift certificate to King Arthur Flour.
Dana Bate (Too Many Cooks)
He begun to tease air through the brass. At first we all just stood there with our axes at the ready, staring at him. Nothing happened. I glanced at Chip, shook my head. But then I begun to hear, like a pinprick on the air--it was that subtle--the voice of a hummingbird singing at a pitch and speed almost beyond hearing. Wasn't like nothing I ever heard before. The kid come in at a strange angle, made the notes glitter like crystal. Pausing, he took a huge breath, started playing a ear-spitting scale that drawn out the invisible phrase he'd just played.
Esi Edugyan (Half Blood Blues)
I suck on her cunt like it’s my own personal honey-flavored sucker, filling my mouth with her sweet taste. Her body sags to the table, her legs falling off my shoulders. Pulling away, I lean over the table, standing over her body, and grip her face. She looks up at me through heavy eyes. They’re still unfocused from my hand around her throat, restricting her air. Squeezing her cheeks, she understands what I want and the tip of her pink tongue darts out, slowly running across her lips before she parts them for me, opening wide. Leaning down, I spit into her mouth.
Shantel Tessier (The Ritual (L.O.R.D.S., #1))