Aisle Story Quotes

We've searched our database for all the quotes and captions related to Aisle Story. Here they are! All 97 of them:

Jesus waited three days to come back to life. It was perfect! If he had only waited one day, a lot of people wouldn't have even heard he died. They'd be all, "Hey Jesus, what up?" and Jesus would probably be like, "What up? I died yesterday!" and they'd be all, "Uh, you look pretty alive to me, dude..." and then Jesus would have to explain how he was resurrected, and how it was a miracle, and the dude'd be like "Uhh okay, whatever you say, bro..." And he's not gonna come back on a Saturday. Everybody's busy, doing chores, workin' the loom, trimmin' the beard, NO. He waited the perfect number of days, three. Plus it's Sunday, so everyone's in church already, and they're all in there like "Oh no, Jesus is dead", and then BAM! He bursts in the back door, runnin' up the aisle, everyone's totally psyched, and FYI, that's when he invented the high five. That's why we wait three days to call a woman, because that's how long Jesus wants us to wait.... True story.
Matt Kuhn
Violet, the Dowager Countess: “I mean, one way or another, everyone goes down the aisle with half the story hidden.
Jessica Fellowes (The World of Downton Abbey)
[in reference to turkey bowling] He [Tommy] squinted and picked his target, then took his steps and sent the bird sliding down the aisle. A collective gasp rose from the crew as the fourteen-pound, self-basting, fresh-frozen projectile of wholesome savory goodness plowed into the soap bottles like a freight train into a chorus line of drunken grandmothers.
Christopher Moore (Bloodsucking Fiends (A Love Story, #1))
At the Unitarian Universalist Christmas pageant in Cambridge, Massachusetts, it didn't matter that Mary insisted on keeping her nails painted black or that Joseph had come out of the closet. On December 25 at seven and nine p.m., three wise women would follow the men down the aisle -- one wearing a kimono and another, African garb; instead of myrrh they would bring chicken soup, instead of frankincense they'd play lullabies. The shepherds had a line on protecting the environment and the innkeeper held a foreclosure sign. No one quite believed in God and no one quite didn't -- so they made it about the songs and the candles and the pressing together of bodies on lacquered wooden pews.
Marina Keegan (The Opposite of Loneliness: Essays and Stories)
At last either Betsie or I would open the Bible. Because only the Hollanders could understand the Dutch text, we would translate aloud in German. And then we would hear the life-giving words passed back along the aisles in French, Polish, Russian, Czech, back into Dutch. They were little previews of heaven, these evenings beneath the lightbulb.
Corrie ten Boom (The Hiding Place: The Triumphant True Story of Corrie Ten Boom)
All proper libraries include a trace of everlasting magic.
Erin Forbes (Fire & Ice: The Kindred Woods (Fire & Ice, #3))
Ted: Barney, the 3 days rule is insane. I mean, who even came up with that? Barney: Jesus. Marshall: Barney, don't do this, not with Jesus. Barney: Seriously, Jesus started the whole wait-three-days thing. He waited three days to come back to life. It was perfect. Barney: If he'd have only waited one day, a lotta people wouldn't have even heard that he died. They'd be all "Hey, Jesus. What up?" And Jesus would probably be like, "What up? I died yesterday." Barney: Then they'd be all, "Uh, look pretty alive to me dude." And then Jesus would have to explain how he was resurrected and how it was a miracle. And then the dude would be like "Ah, oh-kay, whatever you say "bro"." Robin: Wow, ancient dialogue sounds so stilted now. Barney: And you're not gonna come back on a Saturday, everybody's busy! Doin' chores, workin' the loom, trimmin' their beards. No, he waits the exact, right number of days - three. Ted: Ok, I promise, I'll wait 3 days. Just please stop talking. Barney: Plus, it's Sunday, so everyone's in church already. They're all in there - "Oh no, Jesus is dead." Barney: Then BAM! He bursts through the back door, runs up the aisle, everyone's totally psyched and FYI, that's when he invented the high-five. Barney: Three days, Ted. We wait three days to call a woman because that's how long Jesus wants us to wait. True story.
Neil Patrick Harris
Let the only things higher than the airplanes in the sky, be the stories that I tell to others and the castles that i build for myself.
Rishi Piparaiya (Aisle Be Damned)
One of the young men she had just met had obviously paid for her ride. Her face was red when he came down the aisle. “I guess,” he said, grinning, “if I pay your fare I can sit by you.
Katherine Paterson (Stories of My Life)
You can’t just come out and say what you have to say. That’s what people do on airplanes, when a man plops down next to you in the aisle seat of your flight to New York, spills peanuts all over the place (back when the cheapskate airlines at least gave you peanuts), and tells you about what his boss did to him the day before. You know how your eyes glaze over when you hear a story like that? That’s because of the way he’s telling his story. You need a good way to tell your story.
Adair Lara (Naked, Drunk, and Writing: Writing Essays and Memoirs for Love and for Money)
God first appeared on the scene of human history in the role of a matchmaker. What a profound and exciting revelation! Is it too much to suggest that Eve came to Adam on the arm of the Lord Himself in the same way that a bride today walks down the aisle of the church on her father’s arm? What human mind can fathom the depth of love and joy that filled the heart of the great Creator as He united the man and woman in this first marriage ceremony? Surely this account is one among countless indications that the Bible is not a work of merely human authorship. Moses is generally accepted as the author of the creation record. But apart from supernatural inspiration, he would never have dared to open human history with a scene of such amazing intimacy—first between God and man, and then between man and woman.
Derek Prince (God Is a Matchmaker)
During the descent, she gave the doily to the man across the aisle, worried about his ailing son, and the needlework was so elegant it made him feel better just to hold it. That’s the thing with handmade items. They still have the person’s mark on them, and when you hold them, you feel less alone. This is why everyone who eats a Whopper leaves a little more depressed than they were when they came in.
Aimee Bender (The Color Master: Stories)
Gus the driver is everywhere and yet he appears nowhere, not in portraits or photographs, not even in the stories of men like Barthelme and Carver, who were all about guys with jobs and prospects like Gus's but who insisted on more sorrow, more angst, than Gus remotely manifests. If Gus weeps sometimes for no reason, if he stands despairing in the aisle of a Wal-Mart, it is not apparent in his daily demeanor...
Michael Cunningham (By Nightfall)
A story is a wedding in which we listeners are the groom watching the bride coming up the aisle. It is together, in an act of imaginary consummation, that the story is born. This act wholly involves us, as any marriage would, and just as no marriage is exactly the same as another, so each of us interprets a story differently, feels for it differently. A story calls upon us...as individuals-and we like that. Stories benefit the human mind.
Yann Martel
The only love Red knew was that simple, uncomplicated, lonely love one feels for oneself in the quiet moments of the day. It was there, steady and solid in the laughter and talk of the television and with her in the grocery aisles on the weekends. It was there every night, in the dark, spectacular and sprawling in the quiet. And it all belonged to her.
Souvankham Thammavongsa (How to Pronounce Knife: Stories)
We’re the main characters of our story, and the secondary characters of other people’s stories, so in the end, if you’re not happy, then your story has yet to be told.
Aisling Magie (Darling, Dance with Me)
when Jake had been a toddler we’d caught him in the plumbing aisle, pants around his ankles, climbing onto one of the toilets on display.
Deborah Vadas Levison (THE CRATE: A Story Of War, A Murder, And Justice)
so visibly shaken by some recent loss of principle that it would have been noticed by a stranger across the aisle
John Cheever (The Stories of John Cheever)
Since the moment we met, my wife and I have not stopped kissing. I’m Catholic and she’s Islamic, so there were complications. Throughout the delicate negotiations with our families, our lips did not part for a moment. Eventually they accepted our love, so we married. We walked, tongues tangled, down the aisle. Now after six years of marriage, we are still fused. We had our first child without stopping kissing for the conception, pregnancy or birth. Our lips are four broken scabs, and our chins always covered in blood, but we still never stop. We are far too much in love.
Dan Rhodes (Anthropology: And a Hundred Other Stories)
That night in my apartment, and other nights, too, burrowed under the covers, I watch the shadows on the wall and think of meeting men, meeting men like in movies, and meeting men like Alice and her mysterious friends seem to - seem to at least in Alice’s stories - men met on buses between stops, in the frozen foods aisle, at Woolworth’s when buying a spool of thread, at the newsstand, perusing Look, in hotel lobbies, at supper clubs, while hailing cabs or looking in shop windows. Men with smooth felt hats and pencil mustaches, men with Arrow shirts and shiny hair, men eager to rush ahead for the doors and to steady your arm as you step over a wet patch on the road, men with umbrellas just when you need them, men who hold you up with a firm grip as the bus lurches before you can reach a seat, men with flickering eyes who seem to know just which coat you are trying to reach off the rack in the coffee shop, men with smooth cheeks smelling of tangy lime aftershave who would order you a gin and soda before you even knew you wanted one.
Megan Abbott (Die a Little)
The law dictates how much politicians can collect in campaign contributions, limits their ability to make money on the side, and requires the disclosure of those contributors. Hopefully, politicians are also limited to some extent by their conscience. A sense of decency and good judgment ought to prevent politicians on both sides of the aisle from engaging in certain transactions—even if they think they can get away with it.
Peter Schweizer (Clinton Cash: The Untold Story of How and Why Foreign Governments and Businesses Helped Make Bill and Hillary Rich)
The white woman across the aisle from me says 'Look, look at all the history, that house on the hill there is over two hundred years old, ' as she points out the window past me into what she has been taught. I have learned little more about American history during my few days back East than what I expected and far less of what we should all know of the tribal stories whose architecture is 15,000 years older than the corners of the house that sits museumed on the hill. 'Walden Pond, ' the woman on the train asks, 'Did you see Walden Pond? ' and I don't have a cruel enough heart to break her own by telling her there are five Walden Ponds on my little reservation out West and at least a hundred more surrounding Spokane, the city I pretended to call my home. 'Listen, ' I could have told her. 'I don't give a shit about Walden. I know the Indians were living stories around that pond before Walden's grandparents were born and before his grandparents' grandparents were born. I'm tired of hearing about Don-fucking-Henley saving it, too, because that's redundant. If Don Henley's brothers and sisters and mothers and father hadn't come here in the first place then nothing would need to be saved.' But I didn't say a word to the woman about Walden Pond because she smiled so much and seemed delighted that I thought to bring her an orange juice back from the food car. I respect elders of every color. All I really did was eat my tasteless sandwich, drink my Diet Pepsi and nod my head whenever the woman pointed out another little piece of her country's history while I, as all Indians have done since this war began, made plans for what I would do and say the next time somebody from the enemy thought I was one of their own.
Sherman Alexie
Occasionally she would come to church, stalking unconcernedly up the aisle to a prominent seat. She never put on hat or shoes on such occasions, but when she wanted to be especially grand she powdered face, arms and legs with flour!
L.M. Montgomery (The Alpine Path: The Story of My Career)
And left alone to sleep within a shuttered room, with the thick sunlight printed in bars upon the floor, unfathomable loneliness and sadness crept through him: he saw his life down the solemn vista of a forest aisle, and he knew he would always be the sad one: caged in that little round of skull, imprisoned in that beating and most secret heart, his life must always walk down lonely passages. Lost. He understood that men were forever strangers to one another, that no one ever comes really to know any one, that imprisoned in the dark womb of our mother, we come to life without having seen her face, that we are given to her arms a stranger, and that, caught in that insoluble prison of being, we escape it never, no matter what arms may clasp us, what mouth may kiss us, what heart may warm us. Never, never, never, never, never.
Thomas Wolfe (Look Homeward, Angel. A Story of the Buried Life.)
A friend of mine, Phil Lomax, told me this story about a blind man with a pistol shooting at a man who had slapped him on the subway train and killing an innocent bystander peacefully reading his newspaper across the aisle and I thought, damn right, sounds just like today’s news, riots in the ghettos, war in Vietnam, masochistic doings in the Middle East. And then I thought of some of our loudmouthed leaders urging our vulnerable soul brothers on to getting themselves killed, and thought further that all unorganized violence is like a blind man with a pistol. (Preface)
Chester Himes (Blind Man with a Pistol (Harlem Cycle, #8))
A chance for the adventure we’d read about. For the love we’d witnessed on the pages of books.” “And you never did? Never dreamed of that, I mean?” “No.” Another quick answer. “It was a fantasy. Something to be read on the page, as real for me as the dragons and elves in fantasy stories. Something I’d never see or feel in real life.
Vanessa Rasanen (On These Black Sands (Aisling Sea #1))
A story is a wedding in which we listeners are the groom watching the bride coming up the aisle. It is together, in an act of imaginary consummation, that the story is born. This act wholly involves us, as any marriage would, and just as no marriage is exactly the same as another, so each of us interprets a story differently, feels for it differently.
Yann Martel
One," said the recording secretary. "Jesus wept," answered Leon promptly. There was not a sound in the church. You could almost hear the butterflies pass. Father looked down and laid his lower lip in folds with his fingers, like he did sometimes when it wouldn't behave to suit him. "Two," said the secretary after just a breath of pause. Leon looked over the congregation easily and then fastened his eyes on Abram Saunders, the father of Absalom, and said reprovingly: "Give not sleep to thine eyes nor slumber to thine eyelids." Abram straightened up suddenly and blinked in astonishment, while father held fast to his lip. "Three," called the secretary hurriedly. Leon shifted his gaze to Betsy Alton, who hadn't spoken to her next door neighbour in five years. "Hatred stirreth up strife," he told her softly, "but love covereth all sins." Things were so quiet it seemed as if the air would snap. "Four." The mild blue eyes travelled back to the men's side and settled on Isaac Thomas, a man too lazy to plow and sow land his father had left him. They were not so mild, and the voice was touched with command: "Go to the ant, thou sluggard, consider her ways and be wise." Still that silence. "Five," said the secretary hurriedly, as if he wished it were over. Back came the eyes to the women's side and past all question looked straight at Hannah Dover. "As a jewel of gold in a swine's snout, so is a fair woman without discretion." "Six," said the secretary and looked appealingly at father, whose face was filled with dismay. Again Leon's eyes crossed the aisle and he looked directly at the man whom everybody in the community called "Stiff-necked Johnny." I think he was rather proud of it, he worked so hard to keep them doing it. "Lift not up your horn on high: speak not with a stiff neck," Leon commanded him. Toward the door some one tittered. "Seven," called the secretary hastily. Leon glanced around the room. "But how good and how pleasant it is for brethren to dwell together in unity," he announced in delighted tones as if he had found it out by himself. "Eight," called the secretary with something like a breath of relief. Our angel boy never had looked so angelic, and he was beaming on the Princess. "Thou art all fair, my love; there is no spot in thee," he told her. Laddie would thrash him for that. Instantly after, "Nine," he recited straight at Laddie: "I made a covenant with mine eyes; why then should I think upon a maid?" More than one giggled that time. "Ten!" came almost sharply. Leon looked scared for the first time. He actually seemed to shiver. Maybe he realized at last that it was a pretty serious thing he was doing. When he spoke he said these words in the most surprised voice you ever heard: "I was almost in all evil in the midst of the congregation and assembly." "Eleven." Perhaps these words are in the Bible. They are not there to read the way Leon repeated them, for he put a short pause after the first name, and he glanced toward our father: "Jesus Christ, the SAME, yesterday, and to-day, and forever!" Sure as you live my mother's shoulders shook. "Twelve." Suddenly Leon seemed to be forsaken. He surely shrank in size and appeared abused. "When my father and my mother forsake me, then the Lord will take me up," he announced, and looked as happy over the ending as he had seemed forlorn at the beginning. "Thirteen." "The Lord is on my side; I will not fear; what can man do unto me?" inquired Leon of every one in the church. Then he soberly made a bow and walked to his seat.
Gene Stratton-Porter (Laddie: A True Blue Story (Library of Indiana Classics))
It's an old story," Julia says, leaning back in her chair. "Only for me, it's new. I went to school for industrial design. All my life I've been fascinated by chairs - I know it sounds silly, but it's true. Form meets purpose in a chair. My parents thought I was crazy, but somehow I convinced them to pay my way to California. To study furniture design. I was all excited at first. It was totally unlike me to go so far away from home. But I was sick of the cold and sick of the snow. I figured a little sun might change my life. So I headed down to L.A. and roomed with a friend of an ex-girlfriend of my brother's. She was an aspiring radio actress, which meant she was home a lot. At first, I loved it. I didn't even let the summer go by. I dove right into my classes. Soon enough, I learned I couldn't just focus on chairs. I had to design spoons and toilet-bowl cleaners and thermostats. The math never bothered me, but the professors did. They could demolish you in a second without giving you a clue if how to rebuild. I spent more and more time in the studio, with other crazed students who guarded their projects like toy-jealous kids. I started to go for walks. Long walks. I couldn't go home because my roommate was always there. The sun was too much for me, so I'd stay indoors. I spent hours in supermarkets, walking aisle to aisle, picking up groceries and then putting them back. I went to bowling alleys and pharmacies. I rode buses that kept their lights on all night. I sat in Laundromats because once upon a time Laundromats made me happy. But now the hum of the machines sounded like life going past. Finally, one night I sat too long in the laundry. The woman who folded in the back - Alma - walked over to me and said, 'What are you doing here, girl?' And I knew that there wasn't any answer. There couldn't be any answer. And that's when I knew it was time to go.
David Levithan (Are We There Yet?)
My love isn’t destroying me. It’s giving me strength. When two people love each other, that love can cripple you, the other person can cripple you because that love is divided between two persons. My love isn’t unrequited either. Unrequited love is where no one holds power to destroy you but yourself. Mine is incomplete, and there’s a difference. An incomplete love holds on to hope until the very end.
Aisling Magie (Silent Music)
The gentle smile, the burning sting, the anticipation of the follow-up appointment—their first meeting was like the very essence of love. A distillation of love. No wonder they’d gotten married. A whirlwind courtship; they were walking down the aisle less than six months after their first date. Yet no friend or family member protested or raised a single doubt—it was clear they were meant to be together.
Katherine Heiny (Games and Rituals)
You’d think someone as resourceful as Rachel would know whether or not Toraf was the identical twin of a known terrorist. But nooooo. So we wait by our guard in the corridor of the security office of LAX airport while about a dozen people work to verify our identity. My identity comes back fine and clean and boring. Toraf’s identity doesn’t come back for a few hours. Which is not cool, because he’s been puking in the trash can next to our bench seats and it’s got to be almost full by now. Because of the regional storms in Jersey, we’d had a rough takeoff. Coupled with the reaction Toraf had to the Dramamine-excitability, no less-it was all I could do to coax him out of the tiny bathroom to get him to sit still and not puke while doing so. His fingerprints could not be matched and his violet eyes were throwing them for a loop, since they physically verified that they aren’t contacts. A lady security officer asked us several times in several different ways why our tickets would be one-way to Hawaii if we lived in Jersey and only had a carry-on bag full of miscellaneous crap that you don’t really need. Where were we going? What were we doing? I’d told them we were going to Honolulu to pick a place to get married and weren’t in a hurry to come back, so we only purchased one-way tickets and blah blah blah. It’s a BS story and they know it, but sometimes BS stories can’t be proven false. Finally, I asked for an attorney, and since they hadn’t charged us with anything, and couldn’t charge us with anything, they decided to let us go. For crying out loud. I can’t decide if I’m relieved or nervous that Toraf’s seat is a couple of rows back on our flight to Honolulu. On the plus side, I don’t have to be bothered every time he goes to the bathroom to upchuck. Then again, I can’t keep my eye on him, either, in case he doesn’t know how to act or respond to nosy strangers who can’t mind their own business. I peek around my seat and roll my eyes. He’s seated next to two girls, about my age and obviously traveling together, and they’re trying nonstop to start a conversation with him. Poor, poor Toraf. It must be a hard-knock life to have inherited the exquisite Syrena features. It’s all he can do not to puke in their laps. A small part of me wishes that he would, so they’d shut up and leave him alone and I could maybe close my eyes for two seconds. From here I can hear him squirm in his seat, which is about four times too small for a built Syrena male. His shoulder and biceps protrude into the aisle, so he’s constantly getting bumped. Oy.
Anna Banks (Of Triton (The Syrena Legacy, #2))
Everywhere I looked, I saw how seeds were holding the world together. They planted forests, covered meadows with wildflowers, sprouted in the cracks of sidewalks, or lay dormant until the long-awaited moment came, signaled by fire or rain or warmth. They filled the produce aisle in grocery stores. Seeds breathed and spoke in a language all their own. Each one was a miniature time capsule, capturing years of stories in its tender flesh. How ignorant I felt compared to the brilliance contained in a single seed.
Diane Wilson (The Seed Keeper)
But avid readers know a great book doesn’t exist only in the realm of the material. The words between those covers bring whole worlds to life. When I think of the characters and stories and ideas contained on a single shelf of my personal library, it boggles my mind. To readers, those books—the ones we buy and borrow and trade and sell—are more than objects. They are opportunities beckoning us. When we read, we connect with them (or don’t) in a personal way. Sometimes the personal nature of reading is kind of a pain, making it difficult to find a great book for an individual reader. Sometimes finding the right book feels like a hassle—especially if you’re standing in the bookstore aisle or perusing the library stacks or even scrutinizing the teetering pile on your nightstand, debating what to read next—when all you want to do is find a book you will love, that you’ll close in the span of a few hours or days or weeks and say, “That was amazing.” A great book. That’s all you want. But reading is personal. We can’t know what a book will mean to us until we read it. And so we take a leap and choose.
Anne Bogel (I'd Rather Be Reading: The Delights and Dilemmas of the Reading Life)
All the words floating around in this room. It's crazy to think we’re lying here in a library, surrounded by stories that have gone through people's heads first. This aisle alone is completely made up of characters and worlds that have been thought of first, and now exist." I lifted my hand above our heads and gestured around us in amazement. "All around us are moments of death, tragedy, first kisses, last kisses, moments of weakness, intimacy, and tears cried … and I can't help but think I will never be able to know or possibly understand any of those feelings.
Nicole Fiorina (Stay With Me (Stay with Me, #1))
Preface A friend of mine, Phil Lomax, told me this story about a blind man with a pistol shooting at a man who had slapped him on a subway train and killing an innocent bystander peacefully reading his newspaper across the aisle and I thought, damn right, sounds just like today’s news, riots in the ghettos, war in Vietnam, masochistic doings in the Middle East. And then I thought of some of our loudmouthed leaders urging our vulnerable soul brothers on to getting themselves killed, and thought further that all unorganized violence is like a blind man with a pistol. CHESTER HIMES
Chester Himes (Blind Man with a Pistol (Harlem Cycle, #8))
Ableism can be hard to hold on to or pinpoint, because it morphs. It lives in distinctly personal stories. It takes on ten thousand shifting faces, and for the world we live in today, it’s usually more subtle than overt cruelty. Some examples to start the sketch: the assumption that all people who are deaf would prefer to be hearing—the belief that walking down the aisle at a wedding is obviously preferable to moving down that aisle in a wheelchair—the conviction that listening to an audiobook is automatically inferior to the experience of reading a book with your eyes—the expectation that a nondisabled person who chooses a partner with a disability is necessarily brave, strong, and especially good—the belief that someone who receives a disability check contributes less to our society than the full-time worker—the movie that features a disabled person whose greatest battle is their own body and ultimately teaches the nondisabled protagonist (and audience) how to value their own beautiful life. All of these are different flashes of the same, oppressive structure. Ableism separates, isolates, assumes. It’s starved for imagination, creativity, and curiosity. It’s fueled by fear. It oppresses. All of us.
Rebekah Taussig (Sitting Pretty: The View from My Ordinary Resilient Disabled Body)
As the last passengers boarded the aircraft, the constant slamming of the overhead bins started to hurt Hero's ears. The infant began to cry, and everyone in the cabin glared in Jack and Goldilocks's direction. "Everyone is looking at us like we've personally offended them," Jack remarked. "It's because you brought a baby on a plane," Bree said. "They're worried he's going to cry the whole way to New York." Goldilocks was not going to put up with this. She passed Hero to Jack and stood in the aisle where all the passengers could see her. "Now, wait just one Hickory Dickory second," she called out. "I don't care if you have to listen to my baby cry! Eight days ago I experienced the worst pain humanly possible by pushing him out of my body! It's something all mothers must endure for the survival of our species! It's natural, it's brave, it's beautiful, and I will NOT be disrespected for it! Now, I suggest you all wipe those foul looks off your faces or YOU"LL be the ones crying all the way to New York!" "I'd listen to my wife if I were you," Jack added. "She's on caffeine." All the passengers quickly diverted their gazes elsewhere. Bree tried to start a round of applause for Goldilocks, but no one joined her.
Chris Colfer (Worlds Collide (The Land of Stories, #6))
I was only hit on once at the grocery store. I remember it was early one Saturday morning and I was buying my daily bacon, when I got tapped on the shoulder. I turned around and I saw a rather short and very feeble eighty-year-old lady looking up at me. She said in a weak, scratchy voice, "Excuse me, young man, could you reach up and grab some ketchup for me?" Well I'm no dummy. I know when I'm getting hit on. I smiled politely and reached up for the ketchup, knowing full well that she just wanted to get a gander at my derriere. As I handed her the ketchup, she said, "Thank you," like I was some piece of meat, a boy toy, or something. Finally I just blurted out, "Look, I'm married, lady!" She acted all surprised and confused. "Excuse me? I don't understand!" I shook my head with a smirk, raised my left hand, and showed her my wedding ring. "Married!" I loudly told her. "I'm taken!" A stock boy at the end of the aisle looked at us and inquired, "Is everything okay?" "I'm fine," I assured him. "I know how to deal with predators." Well, suddenly this sex-crazed lady got all angry at me. Like I was out of line. She huffed off. "Well, I never!" "And you ain't gonna with me either, " I yelled after her. I have to admit, it was nice to get the attention.
Jim Gaffigan (Food: A Love Story)
Drake skidded to a stop at the end of the hallway, his eyes narrow as he looked over our little group. Behind him, Pal appeared, followed by a couple of dragons I didn’t recognize. “Aisling.” Drake lowered his sword and walked slowly toward us, a frown darkening his eyes. “Where have you been? And what are you wearing?” I pinched the back of Renaldo’s hand until he released his hold on my face. “To hell and back, but that’s a really long story, and not one I want to go into here. This is a curtain. I’d really rather not talk about it right now,either.” “Very well. We will leave the discussion of why you are clad in drapery for another time. The challenge has started.
Katie MacAlister (Light My Fire (Aisling Grey, #3))
Letter 4 As I lay dreaming, Montezuma introduced himself and put his hand on my shoulder. The palm of the Aztec king felt like ancient papyrus. When I looked up at him, I saw that his nose was chipped like that of a sphinx. His arms were like long ivory ropes that frayed into hands. He led me down to the river, where we sat together and shared the river’s silence. Then he spoke: „Allow me to tell you my story. It may help you understand your own. At dusk, in the year of one thousand rivers, the Spanish explorer Cortés arrived at the gates of my city. I welcomed him with open arms. I showed Cortés hundreds of aviaries that had built in the city, and finally I took him to the most aviary of sighs. These birds carried only love letters. Cortes laughed and said that all the bird songs made him feel like a virgin bride who is drunk with faith as she walks down the aisle of the church. On her wedding night, she undresses for her husband and he takes her in his arms. She believes everything is possible. When Cortés stared straight into my eyes and said 'It is a night that is always colored in blood'." He paused for a long time before he spoke. Then he said, „Cortés returned with a small army of soldiers on horseback. When they ransacked the city, I was Cortes's own hand that lit the torch that set fire to the aviary of sighs. The fires raged. The birds painted the blue sky black with the ashes of their wings. The gardens were reddened with the blood of our children. The sun rose behind a sky filled with plumes of dark smoke. But during night, three birds of phoenix had risen from the burning aviaries. They closed their eyes and soared straight up into the dark clouds. When they opened their eyes they could see the stars clearly, though they could not see the ground below.
Gregory Colbert (Ashes and Snow: A Novel in Letters)
History is storytelling,’” Yaw repeated. He walked down the aisles between the rows of seats, making sure to look each boy in the eye. Once he finished walking and stood in the back of the room, where the boys would have to crane their necks in order to see him, he asked, “Who would like to tell the story of how I got my scar?” The students began to squirm, their limbs growing limp and wobbly. They looked at each other, coughed, looked away. “Don’t be shy,” Yaw said, smiling now, nodding encouragingly. “Peter?” he asked. The boy who only seconds before had been so happy to speak began to plead with his eyes. The first day with a new class was always Yaw’s favorite. “Mr. Agyekum, sah?” Peter said. “What story have you heard? About my scar?” Yaw asked, smiling still, hoping, now to ease some of the child’s growing fear. Peter cleared his throat and looked at the ground. “They say you were born of fire,” he started. “That this is why you are so smart. Because you were lit by fire.” “Anyone else?” Timidly, a boy named Edem raised his hand. “They say your mother was fighting evil spirits from Asamando.” Then William: “I heard your father was so sad by the Asante loss that he cursed the gods, and the gods took vengeance.” Another, named Thomas: “I heard you did it to yourself, so that you would have something to talk about on the first day of class.” All the boys laughed, and Yaw had to stifle his own amusement. Word of his lesson had gotten around, he knew. The older boys told some of the younger ones what to expect from him. Still, he continued, making his way back to the front of the room to look at his students, the bright boys from the uncertain Gold Coast, learning the white book from a scarred man. “Whose story is correct?” Yaw asked them. They looked around at the boys who had spoken, as though trying to establish their allegiance by holding a gaze, casting a vote by sending a glance. Finally, once the murmuring subsided, Peter raised his hand. “Mr. Agyekum, we cannot know which story is correct.” He looked at the rest of the class, slowly understanding. “We cannot know which story is correct because we were not there.” Yaw nodded. He sat in his chair at the front of the room and looked at all the young men. “This is the problem of history. We cannot know that which we were not there to see and hear and experience for ourselves. We must rely upon the words of others. Those who were there in the olden days, they told stories to the children so that the children would know, so that the children could tell stories to their children. And so on, and so on. But now we come upon the problem of conflicting stories. Kojo Nyarko says that when the warriors came to his village their coats were red, but Kwame Adu says that they were blue. Whose story do we believe, then?” The boys were silent. They stared at him, waiting. “We believe the one who has the power. He is the one who gets to write the story. So when you study history, you must always ask yourself, Whose story am I missing? Whose voice was suppressed so that this voice could come forth? Once you have figured that out, you must find that story too. From there, you begin to get a clearer, yet still imperfect, picture.
Yaa Gyasi (Homegoing)
She stumbled along, knocking into a man in a wide straw hat who was running down the aisle of vendors. When he caught hold of her, she saw that his eyes were green as grass. "You,” she said, her voice syrup-slow. She stumbled and fell on her hands and knees. People were shouting at each other, but that wasn't so bad because at least no one was making her get up. Her necklace had fallen in the dirt beside her. She forced herself to close her hand over it. The elf pushed the mananambal, saying something that she couldn't quite understand because all the words seemed to slur together. The old man shoved back and then, grabbing the enkanto's arm at the wrist, bit down with his golden tooth. The elf gasped in pain and brought down his fist on the old man's head, knocking him backwards. The bitten arm hung limply from the elf's side. Tomasa struggled to her feet, fighting off the thickness that threatened to overwhelm her. Something was wrong. The potion vender had done this to her. She narrowed her eyes at him. The mananambal grinned, his tooth glinting in the floodlights.
Holly Black (The Poison Eaters and Other Stories)
Why can't we sit together? What's the point of seat reservations,anyway? The bored woman calls my section next,and I think terrible thoughts about her as she slides my ticket through her machine. At least I have a window seat. The middle and aisle are occupied with more businessmen. I'm reaching for my book again-it's going to be a long flight-when a polite English accent speaks to the man beside me. "Pardon me,but I wonder if you wouldn't mind switching seats.You see,that's my girlfriend there,and she's pregnant. And since she gets a bit ill on airplanes,I thought she might need someone to hold back her hair when...well..." St. Clair holds up the courtesy barf bag and shakes it around. The paper crinkles dramatically. The man sprints off the seat as my face flames. His pregnant girlfriend? "Thank you.I was in forty-five G." He slides into the vacated chair and waits for the man to disappear before speaking again. The guy onhis other side stares at us in horror,but St. Clair doesn't care. "They had me next to some horrible couple in matching Hawaiian shirts. There's no reason to suffer this flight alone when we can suffer it together." "That's flattering,thanks." But I laugh,and he looks pleased-until takeoff, when he claws the armrest and turns a color disturbingy similar to key lime pie. I distract him with a story about the time I broke my arm playing Peter Pan. It turned out there was more to flying than thinking happy thoughts and jumping out a window. St. Clair relaxes once we're above the clouds. Time passes quickly for an eight-hour flight. We don't talk about what waits on the other side of the ocean. Not his mother. Not Toph.Instead,we browse Skymall. We play the if-you-had-to-buy-one-thing-off-each-page game. He laughs when I choose the hot-dog toaster, and I tease him about the fogless shower mirror and the world's largest crossword puzzle. "At least they're practical," he says. "What are you gonna do with a giant crossword poster? 'Oh,I'm sorry Anna. I can't go to the movies tonight. I'm working on two thousand across, Norwegian Birdcall." "At least I'm not buying a Large Plastic Rock for hiding "unsightly utility posts.' You realize you have no lawn?" "I could hide other stuff.Like...failed French tests.Or illegal moonshining equipment." He doubles over with that wonderful boyish laughter, and I grin. "But what will you do with a motorized swimming-pool snack float?" "Use it in the bathtub." He wipes a tear from his cheek. "Ooo,look! A Mount Rushmore garden statue. Just what you need,Anna.And only forty dollars! A bargain!" We get stumped on the page of golfing accessories, so we switch to drawing rude pictures of the other people on the plane,followed by rude pictures of Euro Disney Guy. St. Clair's eyes glint as he sketches the man falling down the Pantheon's spiral staircase. There's a lot of blood. And Mickey Mouse ears. After a few hours,he grows sleepy.His head sinks against my shoulder. I don't dare move.The sun is coming up,and the sky is pink and orange and makes me think of sherbet.I siff his hair. Not out of weirdness.It's just...there. He must have woken earlier than I thought,because it smells shower-fresh. Clean. Healthy.Mmm.I doze in and out of a peaceful dream,and the next thing I know,the captain's voice is crackling over the airplane.We're here. I'm home.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
Meeting the Prince of Wales I’ve known her [the Queen] since I was tiny so it was no big deal. No interest in Andrew and Edward--never thought about Andrew. I kept thinking, ‘Look at the life they have, how awful’ so I remember him coming to Althorp to stay, my husband, and the first impact was ‘God, what a sad man.’ He came with his Labrador. My sister was all over him like a bad rash and I thought, ‘God, he must really hate that.’ I kept out of the way. I remember being a fat, podgy, no make-up, unsmart lady but I made a lot of noise and he liked that and he came up to me after dinner and we had a big dance and he said: ‘Will you show me the gallery?’ and I was just about to show him the gallery and my sister Sarah comes up and tells me to push off and I said ‘At least, let me tell you where the switches are to the gallery because you won’t know where they are,’ and I disappeared. And he was charm himself and when I stood next to him the next day, a 16-year old, for someone like that to show you any attention--I was just so sort of amazed. ‘Why would anyone like him be interested in me?’ and it was interest. That was it for about two years. Saw him off and on with Sarah and Sarah got frightfully excited about the whole thing, then she saw something different happening which I hadn’t twigged on to, i.e. when he had his 30th birthday dance I was asked too. ‘Why is Diana coming as well?’ [my] sister asked. I said: ‘Well, I don’t know but I’d like to come.’ ‘Oh, all right then,’ that sort of thing. Had a very nice time at the dance--fascinating. I wasn’t at all intimidated by the surroundings [Buckingham Palace]. I thought, amazing place. Then I was asked to stay at the de Passes in July 1980 by Philip de Pass who is the son. ‘Would you like to come and stay for a couple of nights down at Petworth because we’ve got the Prince of Wales staying. You’re a young blood, you might amuse him.’ So I said ‘OK.’ So I sat next to him and Charles came in. He was all over me again and it was very strange. I thought ‘Well, this isn’t very cool.’ I thought men were supposed not to be so obvious, I thought this was very odd. The first night we sat down on a bale at the barbecue at this house and he’d just finished with Anna Wallace. I said: ‘You looked so sad when you walked up the aisle at Lord Mountbatten’s funeral.’ I said: ‘It was the most tragic thing I’ve ever seen. My heart bled for you when I watched. I thought, “It’s wrong, you’re lonely--you should be with somebody to look after you.
Andrew Morton (Diana: Her True Story in Her Own Words)
Meeting the Prince of Wales Then I was asked to stay at the de Passes in July 1980 by Philip de Pass who is the son. ‘Would you like to come and stay for a couple of nights down at Petworth because we’ve got the Prince of Wales staying. You’re a young blood, you might amuse him.’ So I said ‘OK.’ So I sat next to him and Charles came in. He was all over me again and it was very strange. I thought ‘Well, this isn’t very cool.’ I thought men were supposed not to be so obvious, I thought this was very odd. The first night we sat down on a bale at the barbecue at this house and he’d just finished with Anna Wallace. I said: ‘You looked so sad when you walked up the aisle at Lord Mountbatten’s funeral.’ I said: ‘It was the most tragic thing I’ve ever seen. My heart bled for you when I watched. I thought, “It’s wrong, you’re lonely--you should be with somebody to look after you.”’ The next minute he leapt on me practically and I thought this was very strange, too, and I wasn’t quite sure how to cope with all this. Anyway we talked about lots of things and anyway that was it. Frigid wasn’t the word. Big F when it comes to that. He said: ‘You must come to London with me tomorrow. I’ve got to work at Buckingham Palace, you must come to work with me.’ I thought this was too much. I said: ‘No, I can’t.’ I thought ‘How will I explain my presence at Buckingham Palace when I’m supposed to be staying with Philip?’ Then he asked me to Cowes on Britannia and he had lots of older friends there and I was fairly intimidated but they were all over me like a bad rash. I felt very strange about the whole thing, obviously somebody was talking. I came in and out, in and out, then I went to stay with my sister Jane at Balmoral where Robert [Fellowes, Jane’s husband] was assistant private secretary [to the Queen]. I was terrified--shitting bricks. I was frightened because I had never stayed at Balmoral and I wanted to get it right. The anticipation was worse than actually being there. I was all right once I got in through the front door. I had a normal single bed! I have always done my own packing and unpacking--I was always appalled that Prince Charles takes 22 pieces of hand luggage with him. That’s before the other stuff. I have four or five. I felt rather embarrassed. I stayed back at the castle because of the press interest. It was considered a good idea. Mr and Mrs Parker-Bowles were there at all my visits. I was the youngest there by a long way. Charles used to ring me up and say: ‘Would you like to come for a walk, come for a barbecue?’ so I said: ‘Yes, please.’ I thought this was all wonderful.
Andrew Morton (Diana: Her True Story in Her Own Words)
I have always been a teller of stories. When I was a young girl, my mother carried me out of a grocery store as I screamed about toes in the produce aisle. Concerned women turned and watched as I kicked the air and pounded my mother’s slender back. “Potatoes!” she corrected when we got back to the house. “Not toes!” She told me to sit in my chair—a child-sized thing, built for me—until my father returned. But no, I had seen the toes, pale and bloody stumps, mixed in among those russet tubers. One of them, the one that I had poked with the tip of my index finger, was cold as ice, and yielded beneath my touch the way a blister did. When I repeated this detail to my mother, something behind the liquid of her eyes shifted quick as a startled cat. “You stay right there,” she said. My father returned from work that evening, and listened to my story, each detail. “You’ve met Mr. Barns, have you not?” he asked me, referring to the elderly man who ran this particular market. I had met him once, and I said so. He had hair white as a sky before snow, and a wife who drew the signs for the store windows. “Why would Mr. Barns sell toes?” my father asked. “Where would he get them?” Being young, and having no understanding of graveyards or mortuaries, I could not answer. “And even if he got them somewhere,” my father continued, “what would he have to gain by selling them amongst the potatoes?” They had been there. I had seen them with my own eyes. But beneath the sunbeam of my father’s logic, I felt my doubt unfurl. “Most importantly,” my father said, arriving triumphantly at his final piece of evidence, “why did no one notice the toes except for you?” As a grown woman, I would have said to my father that there are true things in this world observed only by a single set of eyes. As a girl, I consented to his account of the story, and laughed when he scooped me from the chair to kiss me and send me on my way.
Carmen Maria Machado (Her Body and Other Parties)
And by the end of March one of them had already begun his journey. Twenty-two years old, an A.B. and LL.B. of Harvard, Francis Parkman was back from a winter trip to scenes in Pennsylvania and Ohio that would figure in his book and now he started with his cousin, Quincy Adams Shaw, for St. Louis. He was prepared to find it quite as alien to Beacon Hill as the Dakota lands beyond it, whither he was going. He was already an author (a poet and romancer), had already designed the great edifice his books were to build, and already suffered from the mysterious, composite illness that was to make his life a long torture. He hoped, in fact, that a summer on the prairies might relieve or even cure the malady that had impaired his eyes and, he feared, his heart and brain as well. He had done his best to cure it by systematic exercise, hard living in the White Mountains, and a regimen self-imposed in the code of his Puritan ancestors which would excuse no weakness. But more specifically Parkman was going west to study the Indians. He intended to write the history of the conflict between imperial Britain and imperial France, which was in great part a story of Indians. The Conspiracy of Pontiac had already taken shape in his mind; beyond it stretched out the aisles and transepts of what remains the most considerable achievement by an American historian. So he needed to see some uncorrupted Indians in their native state. It was Parkman’s fortune to witness and take part in one of the greatest national experiences, at the moment and site of its occurrence. It is our misfortune that he did not understand the smallest part of it. No other historian, not even Xenophon, has ever had so magnificent an opportunity: Parkman did not even know that it was there, and if his trip to the prairies produced one of the exuberant masterpieces of American literature, it ought instead to have produced a key work of American history. But the other half of his inheritance forbade. It was the Puritan virtues that held him to the ideal of labor and achievement and kept him faithful to his goal in spite of suffering all but unparalleled in literary history. And likewise it was the narrowness, prejudice, and mere snobbery of the Brahmins that insulated him from the coarse, crude folk who were the movement he traveled with, turned him shuddering away from them to rejoice in the ineffabilities of Beacon Hill, and denied our culture a study of the American empire at the moment of its birth. Much may rightly be regretted, therefore. But set it down also that, though the Brahmin was indifferent to Manifest Destiny, the Puritan took with him a quiet valor which has not been outmatched among literary folk or in the history of the West.
Bernard DeVoto (The Year of Decision 1846)
The story goes that the vicar looked up to see them bounding towards him down the aisle. "Oh Lord," he prayed in his terror. "turn these ravenous beasts into Christians."" "What happend?" I asked, agog. "Well," said Hobbes, "on hearing his words, the lions stopped, bowing their heads before the altar. The vicar rejoiced, certain a miracle had been granted to him, until he heard what they were saying." "The lions could speak? What did they say?" "For what we are about to receive...
Wilkie Martin (Inspector Hobbes and the Curse (Unhuman #2))
Because you were wearing a badge, customers assumed you were an oracle. 'What aisle is the desiccated coconut' 'How long do you cook a butternut squash?' 'What would you have with a pan fried red mullet?' 'Where can I find the holy grail?' Enough already! Some people obviously misread the 'Here to help' as 'Hello I'm your bitch!
Alan Carr (Look Who It Is! Alan Carr, My Story)
But he loves the empty hours best of all, when he can walk the aisles and bask in the warmth of the books, their glittering gold letters, their stories softly pulsing between pages just waiting to be opened and read and loved." The Dress Shop of Dreams p.21
Meena van Praag
In this village I attended three meetings on Sunday two and a half hours in the morning, two and a half hours in the afternoon, and two hours at night, when I had to leave to catch the train. At all these meetings the same kind of thing went on, the same kind of congregations assembled, the same strained, intense emotion was manifest. Aisles were crowded. Pulpit stairs were packed and, mirabile dictu! two-thirds of the congregation were men and at least one-half young men.
Evan Roberts (The Story of the Welsh Revival by Eyewitnesses)
In the last couple of years, I really hadn’t found the time to read more than a handful of books, usually the most popular books that had been made into movies, and I was sure those books had a plethora of reviews. As I entered the aisle for mystery fiction, I skidded to a stop. A man stood in front of the shelves
Carmen DeSousa (Unlucky In Love: Jana's Story Part 1)
The wedding I was very calm the next morning when we were getting up at Clarence House. Must have been awake about 5am. Interesting--they put me in a bedroom overlooking the Mall which meant I didn’t get any sleep. I was very, very calm, deathly calm. I felt I was a lamb to the slaughter. I knew it and couldn’t do anything about it. My last night of freedom with Jane at Clarence House. Father was so thrilled he waved himself stupid. We went past St Martin-in-the-Fields and he thought we were at St Paul’s. He was ready to get out. It was wonderful, that. As I walked up the aisle I was looking for her [Camilla]. I knew she was in there, of course. I looked for her. Anyway I got up to the top. I thought the whole thing was hysterical, getting married, in the sense that it was just like it was so grown up and here was Diana--a kindergarten teacher. The whole thing was ridiculous! I cried a lot on the Monday when we had done the rehearsal because the tension had suddenly hit me. But by Wednesday I was fine and I had to get my father basically up the aisle and that’s what I concentrated on and I remember being terribly worried about curtseying to the Queen. I remember being so in love with my husband that I couldn’t take my eyes off him. I just absolutely thought I was the luckiest girl in the world. He was going to look after me. Well, was I wrong on that assumption.
Andrew Morton (Diana: Her True Story in Her Own Words)
I will not be blackmailed by a nine year old boy. No sweets, and I mean it. Now behave!” “I saw you with Daddy’s willy in your mouth!” The mother had told Miss Jones that as those words were shouted out, everything seemed to suddenly go into slow motion as she saw heads turn towards her from every direction. She could feel a hot flush start from her feet and spread upwards, burning her cheeks en route. Everything fell silent as those words echoed down the aisles. Just as quickly, everything slipped into normal speed again, noises returned as the trolleys clashed into each other and chatter filled the store. She quickly put her head down and reached out to the nearest object she could find. “Oooh, chocolate buttons, they’re nice, let’s get some of them.” Back to class Four…
John Donoghue (Police, Crime & 999 - The True Story of a Front Line Officer)
During the weekend she drove to nearby Cowdray Park to watch the Prince play polo for his team, Les Diables Bleus. At the end of the game the small house party trooped back to Petworth for a barbecue in the grounds of the de Pass’ country home. Diana was seated next to Charles on a bale of hay and, after the usual pleasantries, the conversation moved on to Earl Mountbatten’s death and his funeral in Westminster Abbey. In a conversation which she later recalled to friends Diana told him: “You looked so sad when you walked up the aisle at the funeral. It was the most tragic thing I’ve ever seen. My heart bled for you when I watched it. I thought: “It’s wrong, you are lonely, you should be with somebody to look after you.’” Her words touched a deep chord. Charles saw Diana with new eyes. Suddenly, as she later told her friends, she found herself overwhelmed by his enthusiastic attentions. Diana was flattered, flustered and bewildered by the passion she had aroused in a man twelve years her senior.
Andrew Morton (Diana: Her True Story in Her Own Words)
An hour before the ceremony, I met up with Russ.  He immediately began trying to talk me out of getting married.  He kept it up all the way to the altar.  We were standing there waiting for Marguerite and her dad to walk down the aisle.  “Come on, Spice, you really don’t want to do this.  There are two exit doors right over there.  We can be out those doors and out of here in just a couple of seconds.  These clods won’t know what hit ‘em.”      “Russ, this is something I really want to do.”      At that very moment, the wedding march started.  I looked down the aisle to see Marguerite.  She was absolutely stunning.  I thought to myself how lucky I was to be here and about to marry someone that beautiful.      Russ said, “Never mind what I said.  I take it all back.  I just hope I can find someone like her someday.
W.R. Spicer (Sea Stories of a U.S. Marine, Book 1, Stripes to Bars)
Writing is a two-party democracy. To the left are those who write stories from their heart, or according to the other side of the aisle, from the seat of their pants. On the right are those who write stories from a meticulously constructed outline.
Larry Brooks (Story Engineering)
Laugh, and the world laughs with you; Weep, and you weep alone; For the sad old earth must borrow its mirth, But has trouble enough of its own. Sing, and the hills will answer; Sigh, it is lost on the air; The echoes bound to a joyful sound, But shrink from voicing care. Rejoice, and men will seek you; Grieve, and they turn and go; They want full measure of all your pleasure, But they do not need your woe. Be glad, and your friends are many; Be sad, and you lose them all— There are none to decline your nectared wine, But alone you must drink life’s gall. Feast, and your halls are crowded; Fast, and the world goes by. Succeed and give, and it helps you live, But no man can help you die. There is room in the halls of pleasure For a large and lordly train, But one by one we must all file on Through the narrow aisles of pain.
William J. Bennett (The Book of Virtues: A Treasury of Great Moral Stories)
They also must have been roaming the aisles hoping to be surprised, because that’s any treasure hunter’s dream—in this case, to stumble upon a book whose scarcity or beauty or history or provenance is even more seductive than the story printed between its covers.
Allison Hoover Bartlett (The Man Who Loved Books Too Much: The True Story of a Thief, a Detective, and a World of Literary Obsession)
We are, not as a nation but as human beings, fascinated by crime stories, even obsessed with them. The Bible is full of them. On your television at this moment there are four channels covering true crime stories, and five more doing detective fiction. And yet, on a certain level, we are profoundly ashamed of this fascination. If you go into a good used book store and ask if they have a section of crime books, you will get one of two reactions. One is, the clerk will look at you as if you had asked whether they had any really good pornography. The other is, they will tell you that the crime books are down the aisle on your left, in the alcove beside the detective stories. Right next to the pornography.
Bill James (Popular Crime: Reflections on the Celebration of Violence)
The quiet aisles of the book store, with the almost-vanilla scent of old paper, distanced him from the event on the sidewalk. This was his familiar world, as if all used book stores were actually one enormous magical building that you could enter through different doorways in Long Beach or Portland or Albuquerque. Always, reliably, there were the books with no spines that you had to pull out and identify, and the dust jackets that had to be checked for the dismissive words Book Club Edition, and the poetry section to be scanned for possibly underpriced Nora May French or George Sterling.
Tim Powers (The Bible Repairman and Other Stories)
I love my sister dearly, but she is everything I am not. Sweet, friendly, outgoing…and borderline delusional. She is an avid believer in fate, happy endings, and everything else that she has been told she should believe in. I sometimes wondered if a part of her still believed in Santa Claus. She is naïve, and it drives me bonkers. Denise has never challenged herself to think outside the proverbial box. She’s never thought about expanding her horizons regarding the plausible. She’s just lived her whole life doing what she was told, making all the “right” choices. Actually, maybe choices isn’t the right word. They’re more like steps. And she’s followed the staircase that was put in front of her, one precise step at a time. She’s a puppet. She’s an adorable, likable, bubbly little puppet. My thoughts amused me while I watched my sister bounce from person to person—chatting with them, helping them look for their seats, and laughing a little too hard when Samantha started down the wrong aisle. I sighed, jealous of her freedom. Life had to be easier when lived like Denise. Often, I’ve wondered how much easier my life would be if I had been able to just accept the stories that others did. But it was too late for me. I knew those stories were nonsense. Life wasn’t fair. It wasn’t tidy. It sure as hell wasn’t easy, and it never would be. Life is hard, and “Happily Ever Afters” don’t exist. They were manufactured and marketed to keep the masses, people like my sister, dumb and happy. Watching my happy, naïve sister, I longed for the freedom of ignorance. Because once you know the aforementioned things, you can’t un-know them. You become a ‘realist’ (i.e. a major buzz-kill). And you can’t go back.
Michael Wojciechowski (Three Days)
...My niece Peggy is at camp in the Adirondacks so I am staying in her room. It's essence of teenage girl: soft lilac walls, colored photographs of rock stars, nosegays of artificial flowers, signs on the door: THIS ROOM IS A DISASTER AREA, and GARBAGEDUMP. 'Some ashcan at the world's end...' But this is not my family's story, nor is it Molly's: the coon hound pleading silently for table scraps. The temperature last night dipped into the forties: a record for August 14th. There is a German down pouff on the bed and I was glad to wriggle under it and sleep the sleep of the just. Today is a perfection of blue: the leaves go lisp in the breeze. I wish I were a better traveler; I love new places, the arrival in station after the ennui of a trip. On the train across the aisle from me there was a young couple. He read while she stroked the flank of his chest in a circular motion, motherly, covetous. They kissed. What is lovelier than young love? Will it only lead to barren years of a sour marriage? They were perfect together. I wish them well. This coffee is cold. The eighteen-cup pot like most inventions doesn't work so well. A few days: how to celebrate them? It's today I want to memorialize but how can I? What is there to it? Cold coffee and a ham-salad sandwich? A skinny peach tree holds no peaches. Molly howls at the children who come to the door. What did they want? It's the wrong time of year for Girl Scout cookies. My mother can't find her hair net. She nurses a cup of coffee substitute, since her religion (Christian Science) forbids the use of stimulants. On this desk, a vase of dried blue flowers, a vase of artificial roses, a bottle with a dog for a stopper, a lamp, two plush lions that hug affectionately, a bright red travel clock, a Remington Rand, my Olivetti, the ashtray and the coffee cup....
James Schuyler (A Few Days)
Men and women complement each other’s strengths well. However, when a male perspective dominates female ones, the world ends up living narratives that may be successful in some situations but simply cannot get us the results we want in others. For example, if we want peace, why do we keep telling war stories? Why don’t we turn to the half of the human race that has fostered other means of resolving conflict? Force can stop violent behaviors temporarily, but authentic sharing through story, which often has been nurtured by women, can move antagonists toward understanding one another and building the trust that leads to lasting peace. Similarly, in our politics, warlike competition prevails when candidates run for office, but to govern successfully, they need to utilize more feminine modes, reaching across the aisle to solve problems together. All of the major religions in the world instruct us to love one another as a road to a better collective and personal quality of life. Jesus repeated this decree over and over, in slightly different words: “A new command I give you: Love one another. As I have loved you, so you must love one another” (John 13:34, NIV). “If you love me, feed my sheep” (adapted from John 21:17). And quoting the Torah, “Love thy neighbor as thyself” (Lev. 19:18; Matt. 22:39, ASV). It was his major message. Rabbi Sefer Baal Shem Tov, founder of Hasidic Judaism, spoke to the deep roots of love in the Hebrew faith: “‘Thou shalt love thy neighbor as thyself.’ Why? Because every human being has a root in the Unity, and to reject the minutest particle of the Unity is to reject it all.”1 The sayings of Muhammad, selected and translated by the Sufi Kabir Helminski, include the very strong statement, “You will not enter paradise until you believe, and you will not believe until you love one another.”2 Rumi, the thirteenth-century Sufi mystic and poet, proclaimed, “It is Love that holds everything together.”3 The Buddha enjoined us to “radiate boundless love towards the entire world—above, below, and across—unhindered, without ill will, without enmity.”4 Loving-kindness remains a cardinal practice of modern Buddhism. In the Hindu tradition, love also is the religion’s central tenet. Swami Sivananda sums this up in these words: “Your duty is to treat everybody with love as a manifestation of the Lord.”5
Carol S. Pearson (Persephone Rising: Awakening the Heroine Within)
I sobbed out the story of the day thus far, too far gone in my relief to see Drake to care that I was watering his tux again. “Kincsem, I understand that it was difficult to be banished in that way. I do not understand why you believe your hands are possessed, but I am confident you will fill me in on that aspect of your day. We must leave now, however. I cannot protect this house, and I will not have you at further risk.” I sniffled and accepted the tissues that he had recently started carrying. “I know. And I want to go. I’m just so glad you’re here. Sometimes things get so overwhelming, and only when you’re around do I feel better.” Drake tipped my chin up, his eyes sparkling with a brilliant emerald light. “That has to be one of the nicest things you’ve said to me. You have made yourself necessary to me, as well.” I balled up my fingers and punched him in the stomach. He laughed as he rubbed his belly, then pulled me tightly against his chest. “All right, I will say it, but you must make note that this fulfills the requirement for the day.” “Too much talking and not enough kissing,” I said as I grabbed his head and pulled it down to me. His kiss was as hot as his dragon fire, scorching more than just my lips. His tongue danced along mine, driving me into squirming against him, wanting what only he could give me. “Give it,” I whispered into his mouth, and quivered to the tips of my toes when he opened his mouth and let his fire sweep through me. It blazed a trail along my veins, burning my blood, carrying me along in an inferno of desire, love, and need. “I love you more than all the treasures of the world, Aisling. Our love will burn for an eternity until we have taken our last breaths, and even then it will continue to shine as a testament to that which we are together, a beacon of passion for all to see like a glittering star in the darkness of the night sky.” “You sure know how to sweep a girl off her feet,” I said, kissing the corners of his delectable mouth as his dragon fire faded away. I felt empty inside without it, as if a part of me was missing, a sadness so profound it made my soul weep. “I love you, too.” “We must leave. I do not like this place.” “I know the feeling
Katie MacAlister (Holy Smokes (Aisling Grey, #4))
He has always loved to read aloud, to hear words float about a room, to swim in stories and breathe in poetry. And he has a powerful voice, a beautiful voice, as deep, thick and rich as melted chocolate. Characters seem to come alive when he speaks, sliding off the page to stalk the bookshop aisles and relive their fictional lives in 3-D and Technicolor. At night, after Walt flips over the "closed" sign on the front door, he sits back behind the counter and opens doors to other worlds: bookshelves transmute into swamp trees, floors into muddy marshes, the ceiling into a purple sky cracked with lightning as he floats down the Mississippi with Huck Finn. When he meets Robinson Crusoe, the trees become heavy with coconuts, the floorboards a barren desert of sand dunes whipped by screeching winds. When he fights pirates off the coasts of Treasure Island, the floors dip and heave, the salty splash of ocean waves stings his eyes and clouds of gunpowder stain the air. As a rule Walt sticks with adventures and leaves romances untouched, preferring to escape his own aching heart rather than being reminded of it.
Menna Van Praag (The Dress Shop of Dreams)
A friend of mine, Phil Lomax, told me this story about a blind man with a pistol shooting at a man who had slapped him on a subway train and killing an innocent bystander peacefully reading his newspaper across the aisle and I thought, damn right, sounds just like today’s news, riots in the ghettos, war in Vietnam, masochistic doings in the Middle East. And then I thought of some of our loudmouthed leaders urging our vulnerable soul brothers on to getting themselves killed, and thought further that all unorganized violence is like a blind man with a pistol. CHESTER HIMES
Chester Himes (Blind Man with a Pistol (Harlem Cycle, #8))
The aisle was narrower than a normal bus; paramedics knew not to bring a normal-sized stretcher onto a school bus, he later learned, because it wouldn’t fit down the aisle. “I couldn’t design a system better for transmitting disease than our school system,” he said after his visit.
Michael Lewis (The Premonition: A Pandemic Story)
This is a UN bus?’ I ask. One of the Somali guys with the guns comes up behind me. As I stand there in the aisle, ready to punch the silent fat guy in the head, the Somali gunman, nodding and smiling, says to me, ‘Yeah, UN, UN.’ ‘Three kids armed with AK-47s, that’s some way to greet people,’ I tell the fat guy. ‘Yeah,’ he says, ‘welcome to Mogadishu.
Kenneth Cain (Emergency Sex (And Other Desperate Measures): True Stories from a War Zone)
Writing: When Rock Around the Clock was shown in the cinemas in 1956, teenagers got so excited by the music that there was dancing in the aisles. Imagine that you are a newspaper reporter who has just been to see the film. Write your 'story' for tomorrow's paper.
Paul Farmer
It's crazy to think we’re lying here in a library, surrounded by stories that have gone through people's heads first. This aisle alone is completely made up of characters and worlds that have been thought of first, and now exist." I lifted my hand above our heads and gestured around us in amazement. "All around us are moments of death, tragedy, first kisses, last kisses, moments of weakness, intimacy, and tears cried … and I can't help but think I will never be able to know or possibly understand any of those feelings.
Nicole Fiorina (Stay With Me (Stay with Me, #1))
BERNARDINE QUINN: We’re calling marriage equality ‘equality’ as if the day that there’s a bill stamped saying lesbian and gay people can get married that we’ll have full equality. Yet in Meath, there isn’t one single support service for a young lesbian or gay person to attend; there isn’t one qualified full-time youth worker to work with young LGBT people; there is absolutely zero trans services, where the trans services in Dublin are mediocre at best. There’s something about ‘marriage equality’ – that we’ll all be equal when marriage comes in, when a kid in west Kerry doesn’t even have a telephone number of a helpline that he can ring for support. This was raised by our young people to Mairead McGuinness and to Mary Lou McDonald when they were here, just to say, thinking that your work around marriage equality – that that’s not all. The allocation of finances to LGBT work in this country is tiny compared to what is given to most other services. There’s something about calling it ‘equality’. It’s another step on the ladder and it’s a hugely important step … But it isn’t all. There’s another battle after that, and that is to get services to west Donegal, to Mayo, into the Midlands, to get real, solid support in these areas so that a young LGBT person has something in every county, trained qualified people to talk to. In some areas where those services aren’t available, where there isn’t training for schools, where there’s nobody that a kid can talk to, to say that they think they’re transgender – I don’t want to sound negative – I think marriage equality is going to be fantastic for a lot of lesbian and gay people. I think if you were 14 and coming out today, your story is going to be so much more different than when I was 14. The prospects of you considering yourself what every other young person considers themselves of 14 when you think about your future and what you’re going to do: you’re going to meet the person that you love, you’re going to get married, going to have kids, going to have the house and the picket fence. That will be an option for a kid. When I came out, those dreams were put very firmly away. I was never going to get married, I was never going to have children, I was never going to make my family proud, my dad was never going to walk me up the aisle. All of those kinds of things were not even an option when I came out. As a matter of fact, there was a better chance that I was going to have to go to London, I was going to bring huge shame on my family, I probably would end up not speaking to half my siblings and my parents, having to go away and fend for myself. That was my option. I think that option has dramatically changed. People can live in their home towns easier now … Anything that makes a young person’s life easier, and gives them more opportunities, is fantastic. I think that a young person, 14, 15, only starting to discover themselves, they’ve got a whole other suite of options. They can talk about, ‘I’ll eventually marry my partner.’ I think I’m only after saying that for the first time in my life, that there will be an option to marry my partner.
Una Mullally (In the Name of Love: The Movement for Marriage Equality in Ireland. An Oral History)
Safety rules didn’t apply to a berry bud being used for passengers from a notorious housing scheme in Scotland. All shapes and sizes of kids and adults would be squashed onto the bus. Kids sat on their parents’ knees people crammed in the space usually reserved for suitcases m, and the aisles were packed so tight with bodies you could smell what they had for breakfast. Which would be anything from Carlsberg Special to black coffee and a fag.
Anthony Camilleri (Hunters: Wee Stories From The Crescent: A Reminiscence of Perth's Hunter Crescent)
If you were my girlfriend, I don’t think I’d be able to breathe right if I didn’t kiss you every chance I had.
Aisling Magie (My December Balcony Neighbor)
Football is more than just a business. No one has their ashes scattered down the aisle at Tesco.
Matt Riley (Kit and Caboodle: Football's Shirt Stories)
I’m not suggesting that you juggle a dozen different guys and put your heart on the line, emotionally attaching yourself to every single one of them—far from it. You can play the field without trying to date the whole team! All I’m suggesting is that you try a bit to ease off the frantic search for happily ever after and start being happy right now. Allow yourself to date some “wrong” people. Spend time with people whose company you happen to enjoy, even if you don’t see yourself marching down the aisle with them tomorrow. Maintain a healthy perspective on dating and stop setting your heart, your soul, your emotions, and especially your self-worth out on the line with every single person you encounter. When the time is right, you will know, and the safeguards you’ve put in place will fall away naturally. But until then—relax! Have fun! Be yourself in an outfit you didn’t go out and buy specifically for the date. I have found, oddly enough, that most men tend to think women look a lot cuter in sweats and a ponytail than in a little black dress and Louboutins, anyway. (But ultimately, you should always dress for you and not for someone who may or may not end up becoming a significant part of your life.) Most of all, no more letting the swipe rule your life. Stop looking for any dating app or anyone you might meet on a dating app to bring you the happiness and completeness you should be giving yourself. Engage, converse, get out of your safe little comfort zone, and just get to know people with no other agenda than getting to know people. Approach dating from a place of, Do I like him? instead of always obsessing over, Does he like me? Sometimes we get so caught up in trying to make a good impression on someone we don’t even stop to ask ourselves if we are impressed with them. Finally, stop looking to every person to be the great love of your life, and allow dating to be a great adventure in your life. You’ll likely make some amazing friends out of it, you’ll definitely get some great stories out of it, and, who knows . . . having the time of your life just might lead you to the love of your life.
Mandy Hale (Don't Believe the Swipe: Finding Love without Losing Yourself)
I smiled. “All the words floating around in this room. It’s crazy to think we’re lying here in a library, surrounded by stories that have gone through people’s heads first. This aisle alone is completely made up of characters and worlds that have been thought of first, and now exist.” I lifted my hand above our heads and gestured around us in amazement. “All around us are moments of death, tragedy, first kisses, last kisses, moments of weaknesses, intimacy, and tears cried…and I can’t help but think I will never be able to know or possibly understand any of those feelings.
Nicole Fiorina (Stay with Me (Stay with Me, #1))
See what you did? You were a model for all of us. You bring us here together tonight, both sides of the aisle.
David M. Rubenstein (The American Story: Conversations with Master Historians (Gift for History Buffs))
The Kathakali man dances out the stories of your people. His ancient spinning filled your childhood nightmares. Years later, you met him again. Smiling, as always, on a jar of mango jam, in Target’s ‘International aisle’. Trapped in glass, he was still, for once—limbs frozen in incomplete twirls. Patel Brothers’ Mango Jam, he proclaimed. Bursting with the authentic regional flavours of India! The f reverberates: fff-flavour … Green face. Red eyes. The stories of your ancestors. The nightmares of your childhood. Infused, now, with Authentic Regional Flavour.
Namrata Verghese (The Juvenile Immigrant: Indian Stories from America)
However, it’s worth keeping in mind that “one side of the aisle” was pushing a conspiracy theory in partnership with intelligence bureaucrats, political operatives, and a media industry that cloaked its role behind a pretense of objectivity.
Lee Smith (The Plot Against the President: The True Story of How Congressman Devin Nunes Uncovered the Biggest Political Scandal in U.S. History)
Clover and Jotter’s names are still remembered in the botany and river running communities. A hedgehog cactus with pink flowers and dense spines that grows in New Mexico is named Clover’s cactus (Sclerocactus cloverae); it’s now under consideration for endangered species protection. River rafters in Cataract Canyon, rediscovering places once buried beneath Lake Powell and now revealed by drought, informally call two side canyons Clover Canyon and Jotter Canyon, in a stretch of river known as Botany Aisle. Scientists raft the Grand Canyon every year, carrying a plant guide shaped in part by Clover and Jotter’s findings. Their story matters. It adds to the unfolding record of how life, human and nonhuman, finds ways to flourish even in the most unlikely of circumstances. Like others before them, Elzada Clover and Lois Jotter valued their curiosity about the world more than their presumed place within it. They go ahead and, like stars reflected on the river, show the way.
Melissa L. Sevigny (Brave the Wild River: The Untold Story of Two Women Who Mapped the Botany of the Grand Canyon)
Sasha sleeps as Richard and his companions goof around, play fighting. Sleeps as Richard’s cousin Lloyd bounds up and down the aisle flirting with a girl up front. Sleeps as Richard surreptitiously flicks a lighter and touches it to the hem of that gauzy white skirt. Wait. In a moment, Sasha will wake inside a ball of flame and begin to scream. In a moment, everything will be set in motion. Taken by ambulance to a San Francisco burn unit, Sasha will spend the next three and a half weeks undergoing multiple surgeries to treat second- and third-degree burns running from calf to thigh. Arrested at school the following day, Richard will be charged with two felonies, each with a hate-crime clause that will add time to his sentence if he is convicted. Citing the severity of the crime, the district attorney will charge him as an adult, stripping him of the protections normally given to juveniles. Before the week is out, he will be facing the possibility of life imprisonment. But none of that has happened yet. For now, both teenagers are just taking the bus home from school. Surely it’s not too late to stop things from going wrong. There must be some way to wake Sasha. Divert Richard. Get the driver to stop the bus. There must be something you can do.
Dashka Slater (The 57 Bus: A True Story of Two Teenagers and the Crime That Changed Their Lives)
Let me tell you a story about how you are living for you, searching for beach glass on a foreign beach, far from any boy you've ever loved, thinking about the book you're reading, a novel about a woman who goes crazy, and how you'll begin worrying, fearing, knowing, that one day you'll go crazy, too, even if only for a little bit, for a hot second, when you see the madness of your existence glimmer like it sometimes does, in the steam from a pot of soup, in the middle of sex, in the aisle seat as the plane rises away from the earth.
Molly Prentiss (Old Flame)
Walking on a train isn’t free and open, like walking on a sidewalk or in a building. Nor is it stiff and uncomfortable, like walking on an airplane. There’s a steady, rhythmic comfort to strolling leisurely down the aisle, balancing hands on the heads of seats as you go. Christi’s direction was clear, but her destination was not. She was in no hurry to get there, wherever “there” was." —Eric D. Goodman, “Futures,” from TRACKS: A NOVEL IN STORIES
Eric D. Goodman (Tracks: A Novel in Stories)
Walking on a train isn’t free and open, like walking on a sidewalk or in a building. Nor is it stiff and uncomfortable, like walking on an airplane. There’s a steady, rhythmic comfort to strolling leisurely down the aisle, balancing hands on the heads of seats as you go. Christi’s direction was clear, but her destination was not. She was in no hurry to get there, wherever “there” was.
Eric D. Goodman (Tracks: A Novel in Stories)
I suddenly remember what my mom used to repeat to me on a daily basis when I was in high school: nothing good can come from staying out past 11:00 p.m. or going on Craigslist. But where else could I test this idea with real results? I could post a Facebook status about it, but all people would do is comment with an LOL or smiley face emojis. I could call up my closest friends, but I’d probably be interrupting them in the middle of clinking glasses of some fancy vintage of Merlot with their SigNif to celebrate the end of a long workweek. But Kerri thought it sounded good, and she’s my voice of reason, even if she does have a 102-degree fever. “What section, Moose?” I say. Moose sits there, stuffed and still, not trying to stop me, so I proceed. Women looking for women. That seemed like a good home for this sort of thing. I open up a new post and I begin typing.
Jen Glantz (Always a Bridesmaid (For Hire): Stories on Growing Up, Looking for Love, and Walking Down the Aisle for Complete Strangers)
Title: Professional Bridesmaid for Hire—w4w—26 (NYC) Post: When all of my friends started getting engaged, I decided to make new friends. So I did—but then they got engaged also, and for what felt like the hundredth time, I was asked to be a bridesmaid. This year alone, I’ve been a bridesmaid 4 times. That’s 4 different chiffon dresses, 4 different bachelorette parties filled with tequila shots and guys in thong underwear twerking way too close to my face, 4 different prewedding pep talks to the bride about how this is the happiest day of her life, and how marriage, probably, is just like riding a bike: a little shaky at first, but then she’ll get the hang of it. Right, she’ll ask as she wipes the mascara-stained tears from her perfectly airbrushed face. Right, I’ll say, though I don’t really know. I only know what I’ve seen and that’s a beautiful-looking bride walking down, down, down the aisle, one two, three, four times so far this year. So let me be there for you this time if: — You don’t have any other girlfriends except your third cousin, twice removed, who is often found sticking her tongue down an empty bottle of red wine. — Your fiancé has an extra groomsman and you’re looking to even things out so your pictures don’t look funny and there’s not one single guy walking down the aisle by himself. — You need someone to take control and make sure bridesmaid #4 buys her dress on time and doesn’t show up 3 hours late the day of the wedding or paint her nails lime green. Bridesmaid skills I’m exceptionally good at: — Holding up the 18 layers of your dress so that you can pee with ease on your wedding day. — Catching the bouquet and then following that moment up with my best Miss America–like “OMG, I can’t believe this” speech. — Doing the electric and the cha-cha slide. — Responding in a timely manner to prewedding email chains created by other bridesmaids and the maid of honor.
Jen Glantz (Always a Bridesmaid (For Hire): Stories on Growing Up, Looking for Love, and Walking Down the Aisle for Complete Strangers)
Okay, now you’re finally sounding crazy. Of course not. I’m forwarding you a new email from a bride named Amy.” I keep Jay on the line and check my email. Dear Jen, Let me preface this by saying that I have never been a bridesmaid. I am one of the first of my friends to be getting married and am 25 years old. I am getting married this September, weekend after Labor Day, and it has been quite a learning experience at that. I had to let my maid of honor go, due to her issues of not being able to be part of the big day and rearrange. That was a stressful part of planning. :/ I knock the pizza box off my bed and put my brother on speakerphone, tapping the reply button as my eyes begin to flutter shut. My body clearly isn’t on the same page with my brain, which is screaming that professional bridesmaids don’t get to nap. Dear Amy, Thanks so much for taking the time to write to me. Congratulations on your upcoming wedding! It’s great to hear about your interest in having me as a professional bridesmaid at your wedding, especially since you’ve had some problems with your maid of honor. I’m very sorry about that, by the way. I’d be happy to see what I can do to help between now and September. I would love to jump on a call with you to chat more about this. Please let me know when is best for you. All my love, Jen Glantz “I really hope she says yes, Jay. I think I could really be there for her. I think I could really help.
Jen Glantz (Always a Bridesmaid (For Hire): Stories on Growing Up, Looking for Love, and Walking Down the Aisle for Complete Strangers)
I repeated the facts over and over to an empty hallway of sleeping hotel guests, singing them like they were the lyrics of a new Justin Bieber song. Jessica, thirty-two, studied business, likes jazz. (Jen certainly does not.) Jessica is in a long-term, long-distance relationship with a guy she met at Rutgers. Rose introduced them, and now they’re about to get engaged. (Jen is certainly not even close to getting engaged.)
Jen Glantz (Always a Bridesmaid (For Hire): Stories on Growing Up, Looking for Love, and Walking Down the Aisle for Complete Strangers)
Monica is the sixteenth bride I’ve worked with this year, and I realize now that each one I’ve worked with got married for a different kind of love. Some brides married the first person they kissed; some married for the third time to the fourth person they loved. There were times I watched brides get married to grooms who didn’t seem to love them at all.
Jen Glantz (Always a Bridesmaid (For Hire): Stories on Growing Up, Looking for Love, and Walking Down the Aisle for Complete Strangers)
Lord, Forgive Me When I Whine! Today, upon a bus, I saw a lovely girl with golden hair, I envied her … she seemed so gay … and wished I were as fair. When suddenly she rose to leave, I saw her hobble down the aisle; She had one leg and wore a crutch; But as she passed … a smile! Oh, God forgive me when I whine, I have two legs. The world is mine! I stopped to buy some candy. The lad who sold it had such charm. I talked with him. He seemed so glad. If I were late ’twould do no harm. And as I left he said to me, “I thank you. You have been so kind. It’s nice to talk with folks like you. You see,” he said, “I’m blind.” Oh, God, forgive me when I whine, I have two eyes. The world is mine. Later, while walking down the street, I saw a child with eyes of blue. He stood and watched the others play. He did not know what to do. I stopped a moment, then I said, “Why don’t you join the others, dear?” He looked ahead without a word, and then I knew he could not hear. Oh, God forgive me when I whine. I have two ears. The world is mine. With feet to take me where I’d go, with eyes to see the sunset’s glow, With ears to hear what I would know … Oh, God forgive me when I whine. I’m blessed indeed. The world is mine. Author Unknown
Og Mandino (A Better Way to Live: Og Mandino's Own Personal Story of Success Featuring 17 Rules to Live By)
One particular incident had seared itself into Wences’s memory. In 1984, during the first major episode of hyperinflation after the Argentinian military junta lost power, Wences’s mother came to get him and his two sisters from school. His mom was carrying two grocery bags filled with money—the salary she had just been given in cash. She rushed with Wences and his sisters to the grocery store and had them run through the aisles, grabbing as much food as possible before the hyperinflation caused the goods to be repriced. A man walked through the aisles all day doing nothing but repricing the items on the shelves to keep up with the rapidly changing value of the peso. When Wences and his mother got to the register, he and his sisters would run back and grab more food if they still had any money left. Holding on to money was equal to losing it. These experiences gave Wences insights into the nature of money that most people in the world learn only from textbooks. In America, the dollar seamlessly serves the three functions of money: providing a medium of exchange, a unit for measuring the cost of goods, and an asset where value can be stored. In Argentina, on the other hand, while the peso was used as a medium of exchange—for daily purchases—no one used it as a store of value. Keeping savings in the peso was equivalent to throwing away money. So people exchanged any pesos they wanted to save for dollars, which kept their value better than the peso. Because the peso was so volatile, people usually remembered prices in dollars, which provided a more reliable unit of measure over time.
Nathaniel Popper (Digital Gold: Bitcoin and the Inside Story of the Misfits and Millionaires Trying to Reinvent Money)
Well, bring a scarf, or better yet a small blanket, with you tomorrow. In the meantime, here.” Annie untied the lace scarf around her neck. Bowen stiffened and Elsie gasped as they stared at Annie’s neck. It was covered in scars, as if someone had taken a knife to her and cut just enough to make marks, but not to kill. “Oh!” Elsie exclaimed. “How … er, what happened to …?” “We all have scars, dear,” Annie said softly. “Mine have made me who I am today.” Tears formed in Elsie’s eyes. “I’m so sorry! I can’t imagine what it must be like …” “To have these? Mine are visible, that’s all. They’re a reminder of a part of my life that was indeed horrible. But what kind of person would I be without them? My life might have been better, perhaps, but I wouldn’t understand the healing love of the Lord or of the people in this town.” She smiled again and put a hand on her neck. “One day I’ll tell you the story behind these. But right now, we need to practice.” She turned, strode up the aisle to the front of the church, and gathered the three wise men together to inspect their costumes.
Kit Morgan (Christmas in Clear Creek (Prairie Brides, #7))
Ifemelu told her about the vertigo she had felt the first time she went to the supermarket; in the cereal aisle, she had wanted to get corn flakes, which she was used to eating back home, but suddenly confronted by a hundred different cereal boxes, in a swirl of colors and images, she had fought dizziness. She told this story because she thought it was funny; it appealed harmlessly to the American ego.
Chimamanda Ngozi Adichie (Americanah)
I got tapped on the shoulder. I turned around and I saw a rather short and very feeble eighty-year-old lady looking up at me. She said in a weak, scratchy voice, “Excuse me, young man, could you reach up and grab some ketchup for me?” Well, I’m no dummy. I know when I’m getting hit on. I smiled politely and reached up for the ketchup, knowing full well that she just wanted to get a gander at my derriere. As I handed her the ketchup, she said, “Thank you,” like I was some piece of meat, a boy toy, or something. Finally I just blurted out, “Look, I’m married, lady!” She acted all surprised and confused. “Excuse me? I don’t understand!” I shook my head with a smirk, raised my left hand, and showed her my wedding ring. “Married!” I loudly told her. “I’m taken!” A stock boy at the end of the aisle looked at us and inquired, “Is everything okay?” “I’m fine,” I assured him. “I know how to deal with predators.” Well, suddenly this sex-crazed lady got all angry at me. Like I was out of line. She huffed off. “Well, I never!” “And you ain’t gonna with me either,” I yelled after her. I have to admit, it was nice to get the attention.
Jim Gaffigan (Food: A Love Story)
I entered theaters—where the happy lotus-eaters sat slumped in their massage chairs, transfixed by the glowing tridim images—and capered down the aisles.
Robert Silverberg (To the Dark Star: The Collected Stories of Robert Silverberg, Volume Two (The Collected Stories of Robert Silverberg, #2))