Enchanted To Meet You Quotes

We've searched our database for all the quotes and captions related to Enchanted To Meet You. Here they are! All 78 of them:

This night is sparkling, don't you let it go I'm wonderstruck, blushing all the way home I'll spend forever wondering if you knew I was enchanted to meet you too.
Owl City
And I want to play hide-and-seek and give you my clothes and tell you I like your shoes and sit on the steps while you take a bath and massage your neck and kiss your feet and hold your hand and go for a meal and not mind when you eat my food and meet you at Rudy's and talk about the day and type up your letters and carry your boxes and laugh at your paranoia and give you tapes you don't listen to and watch great films and watch terrible films and complain about the radio and take pictures of you when you're sleeping and get up to fetch you coffee and bagels and Danish and go to Florent and drink coffee at midnight and have you steal my cigarettes and never be able to find a match and tell you about the tv programme I saw the night before and take you to the eye hospital and not laugh at your jokes and want you in the morning but let you sleep for a while and kiss your back and stroke your skin and tell you how much I love your hair your eyes your lips your neck your breasts your arse your and sit on the steps smoking till your neighbour comes home and sit on the steps smoking till you come home and worry when you're late and be amazed when you're early and give you sunflowers and go to your party and dance till I'm black and be sorry when I'm wrong and happy when you forgive me and look at your photos and wish I'd known you forever and hear your voice in my ear and feel your skin on my skin and get scared when you're angry and your eye has gone red and the other eye blue and your hair to the left and your face oriental and tell you you're gorgeous and hug you when you're anxious and hold you when you hurt and want you when I smell you and offend you when I touch you and whimper when I'm next to you and whimper when I'm not and dribble on your breast and smother you in the night and get cold when you take the blanket and hot when you don't and melt when you smile and dissolve when you laugh and not understand why you think I'm rejecting you when I'm not rejecting you and wonder how you could think I'd ever reject you and wonder who you are but accept you anyway and tell you about the tree angel enchanted forest boy who flew across the ocean because he loved you and write poems for you and wonder why you don't believe me and have a feeling so deep I can't find words for it and want to buy you a kitten I'd get jealous of because it would get more attention than me and keep you in bed when you have to go and cry like a baby when you finally do and get rid of the roaches and buy you presents you don't want and take them away again and ask you to marry me and you say no again but keep on asking because though you think I don't mean it I do always have from the first time I asked you and wander the city thinking it's empty without you and want what you want and think I'm losing myself but know I'm safe with you and tell you the worst of me and try to give you the best of me because you don't deserve any less and answer your questions when I'd rather not and tell you the truth when I really don't want to and try to be honest because I know you prefer it and think it's all over but hang on in for just ten more minutes before you throw me out of your life and forget who I am and try to get closer to you because it's beautiful learning to know you and well worth the effort and speak German to you badly and Hebrew to you worse and make love with you at three in the morning and somehow somehow somehow communicate some of the overwhelming undying overpowering unconditional all-encompassing heart-enriching mind-expanding on-going never-ending love I have for you.
Sarah Kane (Crave)
You know, this isn’t how I imagined meeting Sophie’s first real boyfriend.” “Mom.” Archer gave me a little squeeze. “You mean I’m the first guy your parents have rescued from an enchanted island via use of a magic mirror? I feel so special.” ~ Grace, Sophie, Archer
Rachel Hawkins (Spell Bound (Hex Hall, #3))
No one is here," Char said. "You need resist temptation no longer." "Only if you slide too." "I'll go first so I can catch you at the bottom." He flew down so incautiously that I suspected him of years of practice in his own castle. It was my turn. The ride was a dream, longer and steeper than the rail at home. The hall rose to meet me, and Char was there. He caught me and spun me around.
Gail Carson Levine (Ella Enchanted (Ella Enchanted, #1))
I know all about you," Char announced after we'd taken a few more steps. "You do? How could you?" "Your cook and our cook meet at the market. She talks about you." He looked sideways at me. "Do you know much about me?
Gail Carson Levine (Ella Enchanted (Ella Enchanted, #1))
You're not the way everyone says you are," Kaye said, looking at him so fiercely that he couldn't meet her gaze. "I know you're not." "You know nothing of me," he said. He wanted to punish her for the trust he saw on her face, to raze it from her now so that he would be spared the sight of her when that trust was betrayed. He wanted to tell her he found her impossibly alluring, at least half enchanted, body bruised and scratched, utterly unaware she would not live past dawn. He wondered what she would say in the face of that.
Holly Black (Tithe (Modern Faerie Tales, #1))
Cats don’t have dark sides. That’s all a shadow is—and though you might be prejudiced against the dark, you ought to remember that that’s where stars live, and the moon and raccoons and owls and fireflies and mushrooms and cats and enchantments and a rather lot of good, necessary things. Thieving, too, and conspiracies, sneaking, secrets, and desire so strong you might faint dead away with the punch of it. But your light side isn’t a perfectly pretty picture, either, I promise you. You couldn’t dream without the dark. You couldn’t rest. You couldn’t even meet a lover on a balcony by moonlight. And what would the world be worth without that? You need your dark side, because without it, you’re half gone. Cats, on the other hand, have a more sensible setup. We just have the one side, and it’s mostly the sneaking and sleeping side anyway. So the other Iago and I feel very companionable toward each other. Whereas I expect my drowsy mistress Above would loathe this version of herself, who is kind and quiet and lonely and rather dear, all the things the original is not. My love stands for both. This one pets me more; that one let me pounce on anything I wanted.
Catherynne M. Valente (The Girl Who Fell Beneath Fairyland and Led the Revels There (Fairyland, #2))
As I walked out one evening, Walking down Bristol Street, The crowds upon the pavement Were fields of harvest wheat. And down by the brimming river I heard a lover sing Under an arch of the railway: "Love has no ending. "I'll love you, dear, I'll love you Till China and Africa meet, And the river jumps over the mountain And the salmon sing in the street, "I'll love till the ocean Is folded and hung up to dry And the seven stars go squawking Like geese about the sky. "The years shall run like rabbits, For in my arms I hold The Flower of the Ages, And the first love of the world." But all the clocks in the city Began to whirr and chime: "O let not Time deceive you, You cannot conquer Time. "In the burrows of the Nightmare Where Justice naked is, Time watches from the shadow And coughs when you would kiss. "In headaches and in worry Vaguely life leaks away, And Time will have his fancy Tomorrow or today. "Into many a green valley Drifts the appalling snow; Time breaks the threaded dances And the diver's brilliant bow. "O plunge your hands in water, Plunge them in up to the wrist; Stare, stare in the basin And wonder what you've missed. "The glacier knocks in the cupboard, The desert sighs in the bed, And the crack in the teacup opens A lane to the land of the dead. "Where the beggars raffle the banknotes And the Giant is enchanting to Jack, And the Lily-white Boy is a Roarer, And Jill goes down on her back. "O look, look in the mirror, O look in your distress; Life remains a blessing Although you cannot bless. "O stand, stand at the window As the tears scald and start; You shall love your crooked neighbor With all your crooked heart." It was late, late in the evening, The lovers they were gone; The clocks had ceased their chiming, And the deep river ran on.
W.H. Auden
A precious mouldering pleasure 't is To meet an antique book, In just the dress his century wore; A privilege, I think, His venerable hand to take, And warming in our own, A passage back, or two, to make To times when he was young. His quaint opinions to inspect, His knowledge to unfold On what concerns our mutual mind. The literature of old; What interested scholars most, What competitions ran When Plato was a certainty, And Sophocles a man; When Sappho was a living girl, And Beatrice wore The gown that Dante deified. Facts, centuries before, He traverses familiar, As one should come to town And tell you all your dreams were true: He lived where dreams were born. His presence is enchantment, You beg him not to go; Old volumes shake their vellum heads And tantalize just so.
Emily Dickinson (The Complete Poems of Emily Dickinson)
Perhaps tonight you'll meet someone who'll make you want it that much." Alex rolled her eyes at the idea. "It's a night at Almack's, Eliza, not an enchanted ball. Let's not get too carried away.
Sarah MacLean (The Season)
Put it this way, how do you feel about the supernatural?” “I’m fine with it,” Molly replied coolly. “I used to watch Charmed and Buffy and all those shows.” Gabriel winced slightly. “This isn’t quite the same thing.” “Okay, well, listen to this. Last week my horoscope in Cosmo told me I was going to meet an enchanting stranger and this guy on the bus gave me his phone number. I’m a total believer now.” “Yeah, you’ve really seen the light,” Xavier said under his breath. “Did you know that Sagittarians have a problem with sarcasm?” Molly snapped. “That would be very enlightening, except I’m a Leo.” “Yeah, well, everyone knows they’re a pack of assholes!” “My God, you’re like talking to a rock.” “You’re a rock!
Alexandra Adornetto (Hades (Halo, #2))
There I was again tonight Forcing laughter, faking smiles Same old tired lonely place Walls of insincerity, Shifting eyes and vacancy Vanished when I saw your text All I can say is it was enchanting to meet you The playful conversation starts Counter all your quick remarks Like passing notes in secrecy And it was enchanting to meet you All I can say is I was enchanted to meet you This night is sparkling, don't you let it go I'm wonderstruck, blushing all the way home I'll spend forever wondering if you knew I was enchanted to meet you The lingering question kept me up 2 AM, who do you love? I wonder 'til I'm wide awake And now I'm pacing back and forth Wishing you were at my door I'd open up and you would say, "Hey, It was enchanting to meet you, All I know is I was enchanted to meet you.
EJR
I think we’ve met our quota for tearful reunions,” she chuckled against the top of my head. “When this is done, I promise I’m never going to leave the house ever again. We’ll just stay in and order pizza and watch bad television.” Mom pulled away and looked over my shoulder. “Oh, I think you might want to get out every now and then,” she said. I felt the warm weight of Archer’s hand on my waist. “Hey, I like pizza and bad TV.” I turned to him, surprised. “Your chest-“ “Cal,” he said by way of explanation. “I owe that guy, like, a mountain of burgers. It’s getting embarrassing.” Mom flashed me a little smile before saying, “You know, this isn’t how I imagined meeting Sophie’s first real boyfriend.” “Mom.” Archer gave me a little squeeze. “You mean I’m the first guy your parents have rescued from an enchanted island via use of a magic mirror? I feel so special.
Rachel Hawkins (Spell Bound (Hex Hall, #3))
That’s all a shadow is—and though you might be prejudiced against the dark, you ought to remember that that’s where stars live, and the moon and raccoons and owls and fireflies and mushrooms and cats and enchantments and a rather lot of good, necessary things. Thieving, too, and conspiracies, sneaking, secrets, and desire so strong you might faint dead away with the punch of it. But your light side isn’t a perfectly pretty picture, either, I promise you. You couldn’t dream without the dark. You couldn’t rest. You couldn’t even meet a lover on a balcony by moonlight. And what would the world be worth without that? You need your dark side, because without it, you’re half gone.
Catherynne M. Valente (The Girl Who Fell Beneath Fairyland and Led the Revels There (Fairyland, #2))
[A dark side] is all a shadow is—and though you might be prejudiced against the dark, you ought to remember that that’s where stars live, and the moon and raccoons and owls and fireflies and mushrooms and cats and enchantments and a rather lot of good, necessary things. Thieving, too, and conspiracies, sneaking, secrets, and desire so strong you might faint dead away with the punch of it. But your light side isn’t a perfectly pretty picture, either, I promise you. You couldn’t dream without the dark. You couldn’t rest. You couldn’t even meet a lover on the balcony by moonlight. And what would the world be without that? You need your dark side, because without it, you’re half gone.
Catherynne M. Valente (The Girl Who Fell Beneath Fairyland and Led the Revels There (Fairyland, #2))
Understand that relativity is everywhere, and that we view everything through its lens - rose-colored or otherwise. When you meet someone in a different country or city and it seems that you have magical connection, realize that the enchantment might be limited to the surrounding circumstances.
Dan Ariely (Predictably Irrational: The Hidden Forces That Shape Our Decisions)
people are always trying to brush off the things that women love, like fashion and makeup, as superficial or frivolous. But they’re not, because for some people, those things are armor they put on to feel more confident in a world that can sometimes feel cruel. They’re transformative and empowering.
Meg Cabot (Enchanted to Meet You)
Flore and I were very different people, but that is what made me so enchanted with her. I was very sensible, and methodical and I like to work with machines and numbers. She loved meeting new people, to listen to music, cook good food and go to the theater. When we went to a show together she would know the works off by heart and could whisper the lines of the same time the actors did! But this is what made us such a good pair. You don't want to fall in love with the reflection of yourself! A strong partnership is with a man or a woman who is different from you, who challenges you to try new things, to become a better person.
Eddie Jaku
In 1917 I went to Russia. I was sent to prevent the Bolshevik Revolution and to keep Russia in the war. The reader will know that my efforts did not meet with success. I went to Petrograd from Vladivostok, .One day, on the way through Siberia, the train stopped at some station and the passengers as usual got out, some to fetch water to make tea, some to buy food and others to stretch their legs. A blind soldier was sitting on a bench. Other soldiers sat beside him and more stood behind. There were from twenty to thirty.Their uniforms were torn and stained. The blind soldier, a big vigorous fellow, was quite young. On his cheeks was the soft, pale down of a beard that has never been shaved. I daresay he wasn't eighteen. He had a broad face, with flat, wide features, and on his forehead was a great scar of the wound that had lost him his sight. His closed eyes gave him a strangely vacant look. He began to sing. His voice was strong and sweet. He accompanied himself on an accordion. The train waited and he sang song after song. I could not understand his words, but through his singing, wild and melancholy, I seemed to hear the cry of the oppressed: I felt the lonely steppes and the interminable forests, the flow of the broad Russian rivers and all the toil of the countryside, the ploughing of the land and the reaping of the wild corn, the sighing of the wind in the birch trees, the long months of dark winter; and then the dancing of the women in the villages and the youths bathing in shallow streams on summer evenings; I felt the horror of war, the bitter nights in the trenches, the long marches on muddy roads, the battlefield with its terror and anguish and death. It was horrible and deeply moving. A cap lay at the singer's feet and the passengers filled it full of money; the same emotion had seized them all, of boundless compassion and of vague horror, for there was something in that blind, scarred face that was terrifying; you felt that this was a being apart, sundered from the joy of this enchanting world. He did not seem quite human. The soldiers stood silent and hostile. Their attitude seemed to claim as a right the alms of the travelling herd. There was a disdainful anger on their side and unmeasurable pity on ours; but no glimmering of a sense that there was but one way to compensate that helpless man for all his pain.
W. Somerset Maugham
I think that there is only one way to science – or to philosophy, for that matter: to meet a problem, to see its beauty and fall in love with it; to get married to it and to live with it happily, till death do ye part – unless you should meet another and even more fascinating problem or unless, indeed, you should obtain a solution. But even if you do obtain a solution, you may then discover, to your delight, the existence of a whole family of enchanting, though perhaps difficult, problem children…
David Deutsch (The Beginning of Infinity: Explanations That Transform the World)
BRIDE SONG Too late for love, too late for joy, Too late, too late! You loitered on the road too long, You trifled at the gate: The enchanted dove upon her branch Died without a mate; The enchanted princess in her tower Slept, died, behind the grate; Her heart was starving all this while You made it wait. Ten years ago, five years ago, One year ago, Even then you had arrived in time, Though somewhat slow; Then you had known her living face Which now you cannot know: The frozen fountain would have leaped, The buds gone on to blow, The warm south wind would have awaked To melt the snow. Is she fair now as she lies? Once she was fair; Meet queen for any kingly king, With gold-dust on her hair, Now these are poppies in her locks, White poppies she must wear; Must wear a veil to shroud her face And the want graven there: Or is the hunger fed at length, Cast off the care? We never saw her with a smile Or with a frown; Her bed seemed never soft to her, Though tossed of down; She little heeded what she wore, Kirtle, or wreath, or gown; We think her white brows often ached Beneath her crown, Till silvery hairs showed in her locks That used to be so brown. We never heard her speak in haste; Her tones were sweet, And modulated just so much As it was meet: Her heart sat silent through the noise And concourse of the street. There was no hurry in her hands, No hurry in her feet; There was no bliss drew nigh to her, That she might run to greet. You should have wept her yesterday, Wasting upon her bed: But wherefore should you weep today That she is dead? Lo we who love weep not today, But crown her royal head. Let be these poppies that we strew, Your roses are too red: Let be these poppies, not for you Cut down and spread.
Christina Rossetti (Poems of Christina Rossetti)
IN A LIBRARY. A precious, mouldering pleasure 't is To meet an antique book, In just the dress his century wore; A privilege, I think, His venerable hand to take, And warming in our own, A passage back, or two, to make To times when he was young. His quaint opinions to inspect, His knowledge to unfold On what concerns our mutual mind, The literature of old; What interested scholars most, What competitions ran When Plato was a certainty. And Sophocles a man; When Sappho was a living girl, And Beatrice wore The gown that Dante deified. Facts, centuries before, He traverses familiar, As one should come to town And tell you all your dreams were true; He lived where dreams were sown. His presence is enchantment, You beg him not to go; Old volumes shake their vellum heads And tantalize, just so.
Emily Dickinson (The Complete Poems of Emily Dickinson (ReadOn Classics))
Prince Arctic?” A silvery white dragon poked her head around the door, tapping three times lightly on the ice wall. Arctic couldn’t remember her name, which was the kind of faux pas his mother was always yelling at him about. He was a prince; it was his duty to have all the noble dragons memorized along with their ranks so he could treat them according to exactly where they fit in the hierarchy. It was stupid and frustrating and if his mother yelled at him about it one more time, he would seriously enchant something to freeze her mouth shut forever. Oooo. What a beautiful image. Queen Diamond with a chain of silver circles wound around her snout and frozen to her scales. He closed his eyes and imagined the blissful quiet. The dragon at his door shifted slightly, her claws making little scraping sounds to remind him she was there. What was she waiting for? Permission to give him a message? Or was she waiting for him to say her name — and if he didn’t, would she go scurrying back to the queen to report that he had failed again? Perhaps he should enchant a talisman to whisper in his ear whenever he needed to know something. Another tempting idea, but strictly against the rules of IceWing animus magic. Animus dragons are so rare; appreciate your gift and respect the limits the tribe has set. Never use your power frivolously. Never use it for yourself. This power is extremely dangerous. The tribe’s rules are there to protect you. Only the IceWings have figured out how to use animus magic safely. Save it all for your gifting ceremony. Use it only once in your life, to create a glorious gift to benefit the whole tribe, and then never again; that is the only way to be safe. Arctic shifted his shoulders, feeling stuck inside his scales. Rules, rules, and more rules: that was the IceWing way of life. Every direction he turned, every thought he had, was restricted by rules and limits and judgmental faces, particularly his mother’s. The rules about animus magic were just one more way to keep him trapped under her claws. “What is it?” he barked at the strange dragon. Annoyed face, try that. As if he were very busy and she’d interrupted him and that was why he was skipping the usual politic rituals. He was very busy, actually. The gifting ceremony was only three weeks away. It was bad enough that his mother had dragged him here, to their southernmost palace, near the ocean and the border with the Kingdom of Sand. She’d promised to leave him alone to work while she conducted whatever vital royal business required her presence. Everyone should know better than to disturb him right now. The messenger looked disappointed. Maybe he really was supposed to know who she was. “Your mother sent me to tell you that the NightWing delegation has arrived.” Aaarrrrgh. Not another boring diplomatic meeting.
Tui T. Sutherland (Darkstalker (Wings of Fire: Legends, #1))
Now, Potter,” said McGonagall, “you and Miss Lovegood had better return to your friends and bring them to the Great Hall--I shall rouse the other Gryffindors.” They parted at the top of the next staircase, Harry and Luna running back toward the concealed entrance to the Room of Requirement. As they ran, they met crowds of students, most wearing traveling cloaks over their pajamas, being shepherded down to the Great Hall by teachers and prefects. “That was Potter!” “Harry Potter!” “It was him, I swear, I just saw him!” But Harry did not look back, and at last they reached the entrance to the Room of Requirement. Harry leaned against the enchanted wall, which opened to admit them, and he and Luna sped back down the steep staircase. “Wh--?” As the room came into view, Harry slipped down a few stairs in shock. It was packed, far more crowded than when he had last been in there. Kingsley and Lupin were looking up at him, as were Oliver Wood, Katie Bell, Angelina Johnson and Alicia Spinnet, Bill and Fleur, and Mr. and Mrs. Weasley. “Harry, what’s happening?” said Lupin, meeting him at the foot of the stairs. “Voldemort’s on his way, they’re barricading the school--Snape’s run for it--What are you doing here? How did you know?” “We sent messages to the rest of Dumbledore’s Army,” Fred explained. “You couldn’t expect everyone to miss the fun, Harry, and the D.A. let the Order of the Phoenix know, and it all kind of snowballed.” “What first, Harry?” called George. “What’s going on?” “They’re evacuating the younger kids and everyone’s meeting in the Great Hall to get organized,” Harry said. “We’re fighting.” There was a great roar and a surge toward the foot of the stairs; he was pressed back against the wall as they ran past him, the mingled members of the Order of the Phoenix, Dumbledore’s Army, and Harry’s old Quidditch team, all with their wands drawn, heading up into the main castle.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
May I never stop needing you, May you never stop needing me, May we always need one another, Not so much to full our emptiness, But to help us blossom into fullness. So, all that was aching inside, Finds an enchanting fulfillment, The fulfillment that you longed for, The fulfillment that I longed for, Found its way at last, on the Pebbled shores of love. May we need one another As a mountain needs a valley. As in this needing, a mountain Never loses the greatness, Neither does a valley seem so small, In the retreat of its majesty. May we open to each other, As a flower opens to the sun. As in this opening, The sunlight never ceases its splendor, As the flower never fails to kiss the light. May we mingle with each other, As a river mingles with the ocean. As in this mingling does the river fill the thirst, And the ocean finds its delight. May we meet each other, As “the sand meets the sea.” As in this meeting, does the sand greet the love That springs from the madness of sea.
Jayita Bhattacharjee (The Ecstatic Dance of Soul)
It was my father who called the city the Mansion on the River. He was talking about Charleston, South Carolina, and he was a native son, peacock proud of a town so pretty it makes your eyes ache with pleasure just to walk down its spellbinding, narrow streets. Charleston was my father’s ministry, his hobbyhorse, his quiet obsession, and the great love of his life. His bloodstream lit up my own with a passion for the city that I’ve never lost nor ever will. I’m Charleston-born, and bred. The city’s two rivers, the Ashley and the Cooper, have flooded and shaped all the days of my life on this storied peninsula. I carry the delicate porcelain beauty of Charleston like the hinged shell of some soft-tissued mollusk. My soul is peninsula-shaped and sun-hardened and river-swollen. The high tides of the city flood my consciousness each day, subject to the whims and harmonies of full moons rising out of the Atlantic. I grow calm when I see the ranks of palmetto trees pulling guard duty on the banks of Colonial Lake or hear the bells of St. Michael’s calling cadence in the cicada-filled trees along Meeting Street. Deep in my bones, I knew early that I was one of those incorrigible creatures known as Charlestonians. It comes to me as a surprising form of knowledge that my time in the city is more vocation than gift; it is my destiny, not my choice. I consider it a high privilege to be a native of one of the loveliest American cities, not a high-kicking, glossy, or lipsticked city, not a city with bells on its fingers or brightly painted toenails, but a ruffled, low-slung city, understated and tolerant of nothing mismade or ostentatious. Though Charleston feels a seersuckered, tuxedoed view of itself, it approves of restraint far more than vainglory. As a boy, in my own backyard I could catch a basket of blue crabs, a string of flounder, a dozen redfish, or a net full of white shrimp. All this I could do in a city enchanting enough to charm cobras out of baskets, one so corniced and filigreed and elaborate that it leaves strangers awed and natives self-satisfied. In its shadows you can find metalwork as delicate as lace and spiral staircases as elaborate as yachts. In the secrecy of its gardens you can discover jasmine and camellias and hundreds of other plants that look embroidered and stolen from the Garden of Eden for the sheer love of richness and the joy of stealing from the gods. In its kitchens, the stoves are lit up in happiness as the lamb is marinating in red wine sauce, vinaigrette is prepared for the salad, crabmeat is anointed with sherry, custards are baked in the oven, and buttermilk biscuits cool on the counter.
Pat Conroy (South of Broad)
Write me a story, Kitt,” she whispered, kissing his brow, the hollow of his cheek. His lips and his throat, until she felt like love was an axe that had cleaved her chest open. Her very heart was beating in the air. “Write me a story where you keep me up late every night with your typing, and I hide messages in your pockets for you to find while you’re at work. Write me a story where we first met on a street corner, and I spilled coffee on your expensive trench coat, or when we crossed paths at our favorite bookshop, and I recommended poetry, and you recommended myths. Or that time when the deli got our sandwich orders wrong, or when we ended up sitting next to each other at the ball game, or I dared to take the train west just to see how far I could go, and you just so happened to be there too.” She swallowed the ache in her throat, leaning back to meet his gaze. Gently, as if he were a dream, she touched his hair. She smoothed the dark tendrils from his brow. “Write me a story where there is no ending, Kitt. Write to me and fill my empty spaces.” Ronan held her gaze, desperation gleaming in his eyes. An expression flickered over his face, one she had never seen before. It looked like both pleasure and pain, like he was drowning in her and her words. They were iron and salt, a blade and a remedy, and he was taking a final gasp of air.
Rebecca Ross (Ruthless Vows (Letters of Enchantment, #2))
The Mysterious Visitor Spirit, lovely guest, who are you? Whence have you flown down to us? Taciturn and without a sound Why have you abandoned us? Where are you? Where is your dwelling? What are you, where did you go? Why did you appear, Heavenly, upon the Earth? Mayhap you are youthful Hope, Who arrives from time to time Cloaked in magic From a land unknown? Merciless as Hope, Sweetest joy you show us For a moment, then Take it back and fly away. Was it Love that you enacted For us all in mystery? . . . Days of love, when one beloved Rendered this world beautiful Ah! then, sighted through the veil Earth did seem unearthly... Now the veil has lifted; Love is gone; Life is empty, joy - a dream. Was it Thought, enchanting You embodied for us here? Far removed from every worry, With a dreamy finger pointing To her lips, she sallies forth Just like you, from time to time, Ushers us without a sound Back to bygone days. Or within you dwells the sacred spirit Of Dame Poetry? . . . Just like you, she came from Heaven Veiling us twofold: Using azure for the skies, And clear white for earth; What lies near is lovely through her; All that's distant - known. Or perhaps 'twas premonition That descended in your guise And to us with clarity described All that's sacred and divine? Thus it often happens in this life: Something brilliant flies to meet us, Raises up the veil And then beckons us beyond.
Vasily Zhukovsky
Desire is… " Desire is the glow of bathing lunatics. Starlight is the liquid used to power a whispering machine. Humming is the music of a forest moving in unison with your eyes. * A slip of the tongue and the hummingbird’s empty throne make the acquaintance of the word frenzy, which in turn adopts the phrase: “I am closest to you when we are furthest apart,” and together they follow the anxious doorway that leads far out of the city, where travelers always meet, alone and abandoned with only their mysteries to guide them… and when the sun bleeds out of the dampness of the earth, like pale limbs entwined and exhausted, they all pause in their own fashion to reflect not upon themselves but on the white wolves in the garden shivering like mist, in the mirror hiding your face. * The nature of movement is an image lost between the objects of an eclipse fervently scratched into the face of a sleeping woman when she approaches the liquid state of a circle, wandering aimlessly in search of lucidity and those moments of inarticulate suspicion… when the riddle is only half solved and the alphabet is still adding letters according to the human motors that have not yet arrived, as a species, scintillating in the grass, burning time. Not far from your name there is always a question mark, followed by silent paws… * It is not without the mask of the Enchanter’s dance of unreason, that joy follows the torment of seductive shapes, and sudden appearances in the whisper of long corridors. Tribal veils rising out of fingerprints on invisible entrances in the middle of the landscape, assume the form of her shoulders and the intimacy of her bones making dust, taking flight. * The axis of revolt and the nobility of a springtime stripped of its flowers, expertly balanced with a murmur of the heart on the anvil of chance. Your voice arcing between the two points of day and night, where the oracle of water spinning rapidly above, that is your city of numerology, mixes with the flux of a long voyage more stone-like and absurdly graceful then either milkweed or deadly nightshade, when it acclimatizes the elements of transparency in the host of purity. * The dream birds of a lost language are growing underground in the bed of sorcery. It is all revealed in the arms of your obsession, Arachne, (crawling to kiss) pale Ariadne, (kneeling to feed) in a pool of light that exceeds the dimensions of the loveliest crime. She turns into your evidence, gaining speed and recognition, becoming a brightness never solved, and a clarity that makes crystals. * The early morning hours share their nakedness with those who bare fruit and corset fireflies in long slender bath-like caresses. “Your serum, Sir Moor’s Head, follows the grand figures of the sea, ignites them, throws them like vessels out of fire, raising the sand upwards into oddly repetitive enchantments. Drown me in flight, daughter of wonder…
J. Karl Bogartte (Luminous Weapons)
In the uncertain hour before the morning Near the ending of interminable night At the recurrent end of the unending After the dark dove with the flickering tongue Had passed below the horizon of his homing While the dead leaves still rattled on like tin Over the asphalt where no other sound was Between three districts whence the smoke arose I met one walking, loitering and hurried As if blown towards me like the metal leaves Before the urban dawn wind unresisting. And as I fixed upon the down-turned face That pointed scrutiny with which we challenge The first-met stranger in the waning dusk I caught the sudden look of some dead master Whom I had known, forgotten, half recalled Both one and many; in the brown baked features The eyes of a familiar compound ghost Both intimate and unidentifiable. So I assumed a double part, and cried And heard another's voice cry: 'What! are you here?' Although we were not. I was still the same, Knowing myself yet being someone other— And he a face still forming; yet the words sufficed To compel the recognition they preceded. And so, compliant to the common wind, Too strange to each other for misunderstanding, In concord at this intersection time Of meeting nowhere, no before and after, We trod the pavement in a dead patrol. I said: 'The wonder that I feel is easy, Yet ease is cause of wonder. Therefore speak: I may not comprehend, may not remember.' And he: 'I am not eager to rehearse My thoughts and theory which you have forgotten. These things have served their purpose: let them be. So with your own, and pray they be forgiven By others, as I pray you to forgive Both bad and good. Last season's fruit is eaten And the fullfed beast shall kick the empty pail. For last year's words belong to last year's language And next year's words await another voice. But, as the passage now presents no hindrance To the spirit unappeased and peregrine Between two worlds become much like each other, So I find words I never thought to speak In streets I never thought I should revisit When I left my body on a distant shore. Since our concern was speech, and speech impelled us To purify the dialect of the tribe And urge the mind to aftersight and foresight, Let me disclose the gifts reserved for age To set a crown upon your lifetime's effort. First, the cold friction of expiring sense Without enchantment, offering no promise But bitter tastelessness of shadow fruit As body and soul begin to fall asunder. Second, the conscious impotence of rage At human folly, and the laceration Of laughter at what ceases to amuse. And last, the rending pain of re-enactment Of all that you have done, and been; the shame Of motives late revealed, and the awareness Of things ill done and done to others' harm Which once you took for exercise of virtue. Then fools' approval stings, and honour stains. From wrong to wrong the exasperated spirit Proceeds, unless restored by that refining fire Where you must move in measure, like a dancer.' The day was breaking. In the disfigured street He left me, with a kind of valediction, And faded on the blowing of the horn. -T.S. Eliot, "Little Gidding
T.S. Eliot
me into quite the chatterbox. There are a thousand things I wish to tell you. But where should I begin? Where should I stop? And yet I confess I find that a written letter is a poor substitute for being able to look into your eyes and listen while you talk in that lively and inimitable way you have. Please permit me to say that since we met, I have not stopped thinking of you. The evening we spent together, and then the walk we took through that incomparable landscape enchanted me. You, Ruth, enchanted me! I am a man of numbers, a sober-headed chief clerk, and yet I find myself asking Fate what it could mean that we met. I hardly dare hope that you might consider our meeting anything more than a commercial transaction. Though this, too, has its charm—it seldom happens that I find myself negotiating with such a charming partner. Mr. Woolworth, by the way, says that he found the way you did business very “American.” You may be assured that he means that as a compliment. As I sit in my office and look out the window, I see steamers setting out for the New World every day. In only a few weeks I, too, will set foot aboard one of these oceangoing giants to accompany your Christmas baubles—and the many other glasswares from your home village—to America. But before that time comes, I wish you to know that I am considering a visit to Sonneberg on the 29th of September. Given the quantity of goods that are to be transported to Hamburg on the 30th, it might be a good idea for me to supervise the loading and packing of these wares myself. Most respected Ruth, if you chose to come from Lauscha to Sonneberg, we could be certain that the wares are treated with the due respect. After all, glass is very fragile, is it not? I would be very pleased indeed to receive a few lines with your reply. I have already given you my address in Hamburg. You will also find it on the back of the envelope to this letter. With hopes of a positive reply, I remain, Yours sincerely, Steven Miles Lauscha, 9 September 1892   Dear Steven, Thank you for being so kind as to write. Your letter was delightful! (If one may say this sort of thing of a letter.) I would be very pleased if we could meet in Sonneberg on the 29th of September. Of course I plan to accompany our Christmas decorations—after all, I must make sure that they don’t end up in a ditch by the side of the road somewhere between Lauscha and Sonneberg!
Petra Durst-Benning (The Glassblower (The Glassblower Trilogy, #1))
jacket that gives you a little hug when someone likes your Facebook post; a paintbrush that samples any color or pattern you tap the brush on and turns it into digital paint; tables that listen, furniture that melts into the floor or into the wall when it’s not needed; lights that understand your activity and adjust their intensity and focus appropriately; watches that help students meet other people like them and prompt face-to-face conversation; E Ink Post-it notes that dynamically update to show place-based messages; a key fob that displays the traffic situation on your commute ahead.
David Rose (Enchanted Objects: Design, Human Desire, and the Internet of Things)
He sat on the edge of the mattress, his nerves sizzling as Daisy gathered up the loose folds of her nightgown. She crawled into his lap with the delicacy of a cat. The scent of sweet female skin filled his nostrils, and her weight settled on his thighs. Linking her slender arms around his neck, she said gravely, “I missed you.” His palms charted the shape of her body; the tender curves, the slender waist, the firm heart-shaped bottom. But as enchanting as he found Daisy’s physical charms, they didn’t affect him a fraction as intensely as the warm, lively intelligence of her nature. “I missed you too.” Daisy’s fingers played in his hair, the delicate touch sending jolts of pleasure from the base of his skull to his groin. Her voice turned provocative. “Did you meet many women in Bristol? Westcliff mentioned something about a dinner, and a soirée given by your host—” “I didn’t notice any women.” Matthew found it hard to think over the exquisite writhing desire. “You’re the only one I’ve ever wanted.” She touched the tip of her nose to his in a playful nudge. “You weren’t celibate in the past, however.” “No,” Matthew admitted, closing his eyes as he felt the caress of her breath against his skin. “It’s a lonely feeling, wishing the woman in your arms was someone else. Not long before I left New York, I realized that every woman I’d been with in the past seven years had resembled you in some way. One would have your eyes, another your hands, or your hair…I thought I would spend the rest of my life searching for little reminders of you. I thought—” Her mouth pressed against his, absorbing the raw confession.
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
I treat my writing life like a fabulous, enchanting lover, because that is what it is to me. Something that is terribly time consuming, delicious and time-stopping. I have missed important meetings for love, and I will continue to put my writing life in the same position. My writing life is the lover at the center, not the neglected cranky demanding millstone, my ball and chain. When you are love, truly and passionately, you don't have to write down in your daily schedule "Spend quality time with Lover today. You can't not.
Heather Sellers (Page After Page: Discover the Confidence & Passion You Need to Start Writing & Keep Writing (No Matter What!))
I treat my writing life like a fabulous, enchanting lover, because that is what it is to me. Something that is terribly time consuming, delicious and time-stopping. I have missed important meetings for love, and I will continue to put my writing life in the same position. My writing life is the lover at the center, not the neglected cranky demanding millstone, my ball and chain. When you are love, truly and passionately, you don't have to write down in your daily schedule "Spend quality time with Lover today." You can't not.
Heather Sellers (Page After Page: Discover the Confidence & Passion You Need to Start Writing & Keep Writing (No Matter What!))
You might just be compelled to hear, that there is folklore about a boy so dear, a legend the fairies readily discern, of a good King’s rule upon his return. A boy, a boy is in front of me, I know not who this human could be. I will just become a part of this tree! Unless he cries a desperate plea, I shall then be allowed to reach out to thee.” Deetkatu, Meet the Little People…An Enchanting Adventure
Chris DiSano-Davenport (See the Little People...An Enchanting Adventure)
Growing inside comes from trusting what you believe in and keeping a smile, even when confronted with misery and trial.” Deetkatu, Meet the Little People…An Enchanting Adventure
Chris DiSano-Davenport (See the Little People...An Enchanting Adventure)
Be aware! Bad things can happen and the bigger they are, the greater the test. You can learn from them or pity yourself and focus on the negative, which will never get you out of the lesson, remember you hold the key!” Den the Wise Oak Tree, Meet the little people…An Enchanting Adventure
Chris DiSano-Davenport (See the Little People...An Enchanting Adventure)
Whatever ‘I AM,’ you are! You are, I AM, not me you see, but you are ‘I AM’ is what will be!” Deetkatu, Meet the Little People…An Enchanting Adventure
Chris DiSano-Davenport (See the Little People...An Enchanting Adventure)
When you are open and aware, it allows for all magical possibilities! We, here in the forest, can see all that goes on in our environment on the surface; but we have true awareness that sees beyond the shallow! This belief comes from the depths of wisdom that there is more than meets the eyes!” Den the Wise Oak Tree, Meet the Little People…An Enchanting Adventure
Chris DiSano-Davenport (See the Little People...An Enchanting Adventure)
Bad in good and good in bad, see the life you could have had? Your life is the keyhole, and you are the key, don’t look back, NOW choose to be happy!” Deetkatu, Meet the Little People…An Enchanting Adventure
Chris DiSano-Davenport (See the Little People...An Enchanting Adventure)
Grampa says the grass is not greener on the other side. All grass changes with the seasons, it grows, it browns, and it can die if you do not nurture it. You must accept the changes, yet the grass is as green as you make it right here and now! Going from one meadow to another does not change the season! Or the meadow!" Deetkatu, Meet the Little People…An Enchanting Adventure
Chris DiSano-Davenport (See the Little People...An Enchanting Adventure)
You mean to tell me that you have made a human friend? It could be dangerous and I must urge it to end! Deetkatu, where is your sense?” Grampa's tone was abruptly tense. Grampa Foster, Meet the Little People…An Enchanting Adventure
Chris DiSano-Davenport (See the Little People...An Enchanting Adventure)
she’s a lady, my lord. And you know as well as anyone that I am the furthest thing from being a gentleman you’ll ever meet.” Throughout
Catherine Gayle (To Enchant an Icy Earl (Cavendish Brothers #2))
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Just as Adaira was taking a step forward to beseech the spirits, their gathering parted to make way for one of their own to come forward. Jack saw the threads of gold in the air; he felt the rock tremble beneath him. He watched as the south, the east, and the west drew in their wings, watched the spirits quiver and bow to the one who was coming to meet Adaira. He was taller than the others. His skin was pale, as if he had forged himself from the clouds, his wings were the shade of blood, veined with silver, and his hair was long, the color of the moon. His face was beautiful, terrifying to look upon, and his eyes smoldered. A lance was in his hand; its arrowhead flickered with tendrils of lightning. A chain of stars crowned him, and the longer he stood, held by Jack’s music, the stormier the sky churned and the deeper the mountain quaked. It was Bane, king of the northern wind. A name that Jack had only heard whispered in children’s stories, in old legends that flowed with fear and reverence. Bane brought storms, death, famine. He was a wind one wanted to evade. And yet, Jack knew the answers they sought were held in his hands; he had been the one to seal the mouths of the other spirits, to keep the truth concealed from them. Bane motioned for Adaira to approach him, and Jack’s heart blazed with fear. “Come, mortal woman. You have been clever, tricking this bard into summoning me. Come and speak to me, for I have long awaited this moment.
Rebecca Ross (A River Enchanted (Elements of Cadence, #1))
This is very unusual,” he said as Sidra knotted a sling around his arm. “Me being tossed from my horse, that is. I can’t remember the last time it happened. It rarely happens, you know. Or perhaps you wouldn’t know, since this is our first time meeting.” He was stammering, as if words were thistledown in his mouth. Sidra only smiled.
Rebecca Ross (A River Enchanted (Elements of Cadence, #1))
Connor, we should be worried. These girls are forming a sisterhood. They’re planning on holding their cult gatherings out under the stars on the full moon whispering death enchantments.” Connor laughed and looked up from his plate. “So, we’ll make a brotherhood. We’ll hold our meetings in a super creepy cave, but inside it’s decked out with everything we could possibly need. It’ll be our bro cave.” Hope snorted. “Stars, you made me cringe.
Tiana Richter (The Hidden Protector)
We discovered that we shared a birthday, though she was two years behind me. She was enchanted by the coincidence, but I had just been told to expect them and thus had no reaction. The DJ probably had our birthday too. She confessed that meeting people with her birthday was jarring if they were younger, because she imagined them coming out of their mothers’ vaginas at the same moment she was eating her cake. She tried to will herself to stop imagining it but all she saw was icing and blood. “Cake, placenta, cake, placenta, cake, placenta.” I was exempt from this imagery because I was older. “Though,” she mused, “if you want to imagine me coming out of my mother’s vagina, I can’t stop you.” “Well, I wouldn’t want to ruin cake for myself.” “I wouldn’t want to ruin vaginas for myself.
Sloane Crosley (Cult Classic)
LIKE CARS, FOR INSTANCE?” Mrs. Weasley had appeared, holding a long poker like a sword. Mr. Weasley’s eyes jerked open. He stared guiltily at his wife. “C-cars, Molly, dear?” “Yes, Arthur, cars,” said Mrs. Weasley, her eyes flashing. “Imagine a wizard buying a rusty old car and telling his wife all he wanted to do with it was take it apart to see how it worked, while really he was enchanting it to make it fly.” Mr. Weasley blinked. “Well, dear, I think you’ll find that he would be quite within the law to do that, even if — er — he maybe would have done better to, um, tell his wife the truth. . . . There’s a loophole in the law, you’ll find. . . . As long as he wasn’t intending to fly the car, the fact that the car could fly wouldn’t —” “Arthur Weasley, you made sure there was a loophole when you wrote that law!” shouted Mrs. Weasley. “Just so you could carry on tinkering with all that Muggle rubbish in your shed! And for your information, Harry arrived this morning in the car you weren’t intending to fly!” “Harry?” said Mr. Weasley blankly. “Harry who?” He looked around, saw Harry, and jumped. “Good lord, is it Harry Potter? Very pleased to meet you, Ron’s told us so much about —” “Your sons flew that car to Harry’s house and back last night!” shouted Mrs. Weasley. “What have you got to say about that, eh?” “Did you really?” said Mr. Weasley eagerly. “Did it go all right? I — I mean,” he faltered as sparks flew from Mrs. Weasley’s eyes, “that — that was very wrong, boys — very wrong indeed. . . .
J.K. Rowling (Harry Potter and the Chamber of Secrets (Harry Potter, #2))
But through the ash and darkness I saw him. My dragon. Beautiful, terrible, fierce. The scars of his stories still evident, even in this form. I remembered the ones who'd come before me, those who had also pried open his shuttered heart. The ones who had left him. But I wasn't ready to go yet; I wouldn't leave my dragon in that dark place again to pick up the pieces of his fallen loved ones in isolation. And Ryker wouldn't let me go. "Ryker!" I screamed as I fell. He was enormous, beating his wings and trying to rise up to meet me. One of his wings was a tattered mess, but still he pushed up, his body beginning to shift and change. He shrank and shed his scales, turning back into the human shape I'd known him in but keeping the wings that helped push him to me in a desperate gust. My eyes were flooding, tears falling every which way in the wind as I fell. I stretched out my arms to him, and he reached up and grabbed me. "Dani!" he growled over the wind. I was pulled into his chest, my head tucked under his chin as my hot, wet tears soaked us both. "It's over, he's dead. I told you my fire would never hurt you.
Sabrina Blackburry (Dirty Lying Dragons (The Enchanted Fates, #2))
Your heart and my heart have known the language of enchantment all along. That's what brought you to me. That's what brought me to you in the first place. So our meeting would melt every other thing, and would shake us for something profound.
Jayita Bhattacharjee
Of course a guy started it. In ancient times, it was usually women who practiced the art of healing. Every society had goddesses to whom they prayed for health, who helped supply the herbs they needed to cure what ailed them, and midwives and priestesses to apply them. It was men who began accusing these women of being witches, and the medicine they used magic, because they were fearful of losing their power and status in society. So they had them killed. Because men are and always have been jealous of women’s power, especially our innate psychic power, and always attempt to co-opt it whenever—
Meg Cabot (Enchanted to Meet You)
The French might be known for their cooking, but do you know what else they’re really good at? That’s right: sex. But with all my experience, I’d never met a guy who was as good with his hands as Derrick.
Meg Cabot (Enchanted to Meet You)
Do you remember much, Kitt? After the grenade went off?” Roman raked his hand through his hair, mussing it even more than it already was. “A bit, yes. I think the pain had me quite dazed, but I vividly remember you, Iris.” “So you remember how stubborn you were, then? How you insisted I grab your bag and leave you.” “I remember feeling like I was about to die, and I wanted you to know who I was,” he said, meeting her gaze.
Rebecca Ross (Divine Rivals (Letters of Enchantment #1))
The forest, I believe, will stay with Bert as he ages. It is a deep terrain, a place of unending variance and subtle meaning. It is a complete sensory environment, whispering with sounds that nourish rather than enervate, with scents that carry information more significant than 'nasty' or 'nice.' It is different each time you meet it, changing with the seasons, the weather the life cycles of its inhabitants. It is marked by history and mythologies; stories effortlessly spin from its depths. It is safe from the spite of suburban playgrounds, and dangerous in a way that insurance won't indemnify. Dig beneath its soil, and you will uncover layers of life: the frail networks of mycelia, the burrows of animals, the roots of trees. Bring questions into this space and you will receive a reply, though not an answer. Deep terrain offers up multiplicity, forked paths, symbolic meaning. It schools you in compromise, in shifting interpretation. It will mute your rationality and make you believe in magic. It removes time from the clock face and revelas the greater truth of its operation, its circularity and its vastness. It will show you rocks of unfathmoable age and bursts of life so ephemeral that they are barely there. It will show you the crawl of geological ages, the gradual change of the seasons, and the countless micro-seasons that happen across the year. It will demand your knowledge: the kind of knowledge that comes with study. Know it--name it--and it will reward you only with more layers of detail, more frustrating revelations of your own ignorance. A deep terrain is a life's work. It will beguile, nourish, and sustain you through decades, only to finally prove to you, too, are ephemeral compared to the rocks and the trees.
Katherine May (Enchantment: Awakening Wonder in an Anxious Age)
Judgment is the source of most failed relationships, whether we see this and label it as such or not.  And where does judgment come from? Why, it's ego-based of course.  With Spirit, there is no judgment.  Consider a strong personal relationship that you have - it can be a love relationship or one with a very close friend.   When you first meet this person, there are probably some very strong feelings and you may be so enchanted that something within you moves.
Taite Adams (E-Go: Ego Distancing Through Mindfulness, Emotional Intelligence, and the Language of Love)
After being together with someone for a few years, their attractions stand to become grievously familiar. We will ignore them and become experts on their most trying dimensions. But we are never without a chance to reverse the process. It might be that we watch them when they are with friends. We pick up again on their shy smile, their sympathetic look, or the purposeful way they push back the sleeves of their pullover. Or perhaps we hear that a casual acquaintance thinks that they are fascinating and elegant and – mixed in with a dose of jealous irritation – via this potential rival’s eye, we see again all that we could conceivably lose. We are adaptable creatures. Disenchantment is not a one-way street. We are capable of a second, more accurate look. We can turn to art for hints on how to perform the manoeuvre of re-enchantment. Many works of art look with particular focus at what has been ignored and taken for granted. In the 18th century, the French painter Chardin didn’t paint the grand things that other painters of the period went in for: heroic battles, majestic landscapes or dramatic scenes from history. Instead he looked around him and portrayed the quiet, ordinary objects of everyday life: kitchen utensils, a basket of fruit, a teacup. He brought to these objects a deeply loving regard. Normally you might not have given them a moment’s thought. But, encouraged by Chardin, we start to see their allure. He’s not pretending; he’s showing us their real but easily missed virtues. He isolates them, he concentrates attention, he carefully notes what is worthy of respect. He re-enchants our perception. In the 19th century, the English painter John Constable did something similar for clouds. Nothing, perhaps, sounds duller. Maybe as children we liked to watch the grey banks of cloud drift and scud across the arc of the sky. We had favourites among them; we saw how they merged and separated; how they were layered; how a blue patch could be revealed and then swiftly covered. Clouds are lovely things, we once knew. Then we forgot. Constable’s many cloud paintings remind us of the ethereal poetry unfolding above our heads at all moments, ready to delight us when we have the imagination to look up. Imagine meeting your partner through the lens of art. You would find again the allure of things about them that – through familiarity and haste – had been neglected. We could study once more the magic of a palm that we once longed to caress; we could attend again to a way of tilting the head that once seemed so suggestive. In the early days, we knew how to see. Now as artists of our lives – in our own fashion – we can rediscover, we can select, refocus, appreciate. We can become the explorers of lost continents filled with one another’s overlooked qualities.
The School of Life (How to Get Married)
The tree had not changed at all since his childhood. As a boy of six, he had climbed it, not realizing its age, and lacking the experience to know the signs of a rotten branch. The wood beneath his feet had crumbled, and he had tumbled with a cry, hands reaching for branches, but only scraping against bark. And then he hadn't been falling anymore. A man caught him before he struck the ground, and tossed him up into the air again with a chuckle before setting him safe and whole onto his feet. He had been enormous, especially to his child's eyes. A giant of a man, with shoulders so wide they would barely fit through his bedroom door, and eyes as blue as summer. Red-gold hair spilled from a scrap of leather, tying it back, and even crouched before him, Ryam had fairly craned his neck to meet his eyes. "Best to test the branches first, boy," the man had said, smiling. "Never give your weight fully to any one limb when you climb. I cannot promise I will always be in time to catch you, otherwise.
Elise Forier Edie (A Winter's Enchantment)
there are brief enchanted moments in history and in the short lives of men and women, there is wonder and there is cynicism, there are dreams that can come true, and dreams that can’t. And there was a time, you know, not so long ago, as recently as my own childhood in fact, when everyone believed in the future and eagerly awaited it or rushed to meet it. But now nearly everyone I know or used to know is trying to slow the speed of the world as the future starts to look more and more like someplace you don’t want to be.
Nelson DeMille (The Gold Coast)
When you are open and aware, it allows for all magical possibilities! We, here in the forest, can see all that goes on in our environment on the surface; but we have true awareness that sees beyond the shallow! This belief comes from the depths of wisdom that there is more than meets the eyes!” Den the Wise Oak Tree, See the Little People…An Enchanting Adventure
Chris DiSano-Davenport (See the Little People...An Enchanting Adventure)
I rehearsed my mental motto in my mind. Be courteous, and be prepared to kill everyone you meet.
C.N. Crawford (Agent of Enchantment (Dark Fae FBI, #1))
Love MINECRAFT? **Over 18,000 words of kid-friendly fun!** This high-quality fan fiction fantasy diary book is for kids, teens, and nerdy grown-ups who love to read epic stories about their favorite game! Meet the Skull Kids. They're three Minecraft players who hop from world to world, hunting zombies and searching for the elusive Herobrine--the ghost in the machine. Teleporting down into a new world, the group is surprised to find that the game has changed once again, rendering almost ALL of their technology and mods useless. And when two of the Skull Kids are starving and distracted by exploring a desert village on Day 1 of their new adventure, the whole group is in danger when the sun goes down. Will the Skull Kids survive? Thank you to all of you who are buying and reading my books and helping me grow as a writer. I put many hours into writing and preparing this for you. I love Minecraft, and writing about it is almost as much fun as playing it. It’s because of you, reader, that I’m able to keep writing these books for you and others to enjoy. This book is dedicated to you. Enjoy!! After you read this book, please take a minute to leave a simple review. I really appreciate the feedback from my readers, and love to read your reactions to my stories, good or bad. If you ever want to see your name/handle featured in one of my stories, leave a review and tell me about it in there! And if you ever want to ask me any questions, or tell me your idea for a cool Minecraft story, you can email me at steve@skeletonsteve.com. Are you on my Amazing Reader List? Find out at the end of the book! June 29th, 2016 Now I’m going to try something a little different. Tell me what you guys think! This ‘Players Series’ is going to be a continuing series of books following my new characters, the players Renzor51, Molly, and quantum_steve. Make sure to let me know if you like it or not! Would you still like to see more books about mobs? More books about Cth’ka the Creeper King? I’m planning on continuing that one. ;) Don’t forget to review, and please say hi and tell me your ideas! Thanks, Ryan Gallagher, for the ideas to continue the wolf pack book! Enjoy the story. P.S. - Have you joined the Skeleton Steve Club and my Mailing List?? You found one of my diaries!! This particular book is the continuing story of some Minecraft players—a trio of friends who leap from world to world, searching for the elusive Herobrine. They’re zombie hunters and planeswalkers. They call themselves “The Skull Kids”. Every time these Skull Kids hop into a new world, they start with nothing more than the clothes they’re wearing, and they end up dominating the realm where they decide to live. What you are about to read is the first collection of diary entries from Renzor51, the player and member of the Skull Kids who documents their adventures, from the day they landed on Diamodia and carved out their own little empire, and beyond. Be warned—this is an epic book! You’re going to care about these characters. You’ll be scared for them, feel good for them, and feel bad for them! It’s my hope that you’ll be sucked up into the story, and the adventure and danger will be so intense, you’ll forget we started this journey with a video game! With that, future readers, I present to you the tale of the Skull Kids, Book 1. The Skull Kids Ka-tet Renzor51 Renzor51 is the warrior-scribe of the group, and always documents the party’s adventures and excursions into game worlds. He’s a sneaky fighter, and often takes the role of a sniper, but can go head to head with the Skull Kids’ enemies when needed. A natural artist, Renzor51 tends to design and build many of the group’s fortresses and structures, and keeps things organized. He also focuses a lot on weapon-smithing and enchanting, always seeking out ways to improve his gear. Molly
Skeleton Steve (Diary of a Zombie Hunter Player Team - The Skull Kids, Book 1 (Diary of a Zombie Hunter Player Team - The Skull Kids, #1))
Come," he said gently, for he knew she'd been through travail. "I sought you out amongst your labors to bend my knee and plead that you leave the dust and spiders and mouse droppings to come and lounge awhile and perhaps partake of luncheon." Interestingly, she blushed. "I can't do that," she hissed under her breath. "Why not?" he asked, deeply diverted by her reaction. "The other servants." He blinked. "I assure you, I do let all my servants partake of luncheon." "But if I am with you..." Her blush deepened. He cocked his head, studying her, entirely baffled. "I didn't mean luncheon as a euphemism; however, I'm entirely happy to adjourn to my rooms right at this moment if that is-" "No," she said with what some might take as unflattering emphasis. She rolled her eyes as if he were the one being difficult, which, to be fair, he often was. "Let's go have luncheon." He smiled. "Splendid!" She looked at him a little shyly. Absolutely enchanting. "I'm dusty. I'll go wash first and meet you in the dining room, shall I?" He bowed with a flourish. "I await your presence." She looked flustered at that and he was very tempted to perhaps lean her up against one of the tables and-
Elizabeth Hoyt (Duke of Sin (Maiden Lane, #10))
The forest, I believe, will stay with Bert as he ages. It is a deep terrain, a place of unending variance and subtle meaning. It is a complete sensory environment, whispering with sounds that nourish rather than enervate, with scents that carry information more significant than “nasty” or “nice.” It is different each time you meet it, changing with the seasons, the weather, the life cycles of its inhabitants. It is marked by history and mythologies; stories effortlessly spin from its depths. It is safe from the spite of suburban playgrounds, and dangerous in a way that insurance won’t indemnify. Dig beneath its soil, and you will uncover layers of life: the frail networks of mycelia, the burrows of animals, the roots of trees. Bring questions into this space and you will receive a reply, though not an answer. Deep terrain offers up multiplicity, forked paths, symbolic meaning. It schools you in compromise, in shifting interpretation. It will mute your rationality and make you believe in magic. It removes time from the clock face and reveals the greater truth of its operation, its circularity and its vastness. It will show you rocks of unfathomable age and bursts of life so ephemeral that they are barely there. It will show you the crawl of geological ages, the gradual change of the seasons, and the countless micro-seasons that happen across the year. It will demand your knowledge: the kind of knowledge that’s experiential, the kind of knowledge that comes with study. Know it—name it—and it will reward you only with more layers of detail, more frustrating revelations of your own ignorance. A deep terrain is a life’s work. It will beguile, nourish, and sustain you through decades, only to finally prove that you, too, are ephemeral compared to the rocks and the trees.
Katherine May (Enchantment: Awakening Wonder in an Anxious Age)
Later, he had wandered off. The huge ship was an enchanted ocean in which you could never drown, and he threw himself into it to try to understand if not it, then the people who had built it. He walked for days, stopping at bars and restaurants whenever he felt thirsty, hungry or tired; mostly they were automatic and he was served by little floating trays, though a few were staffed by real people. They seemed less like servants and more like customers who’d taken a notion to help out for a while. “Of course I don’t have to do this,” one middle-aged man said, carefully cleaning the table with a damp cloth. He put the cloth in a little pouch, sat down beside him. “But look, this table’s clean.” He agreed that the table was clean. “Usually,” the man said. “I work on alien — no offense — alien religions; Directional Emphasis In Religious Observance; that’s my speciality . . . like when temples or graves or prayers always have to face in a certain direction; that sort of thing? Well, I catalog, evaluate, compare; I come up with theories and argue with colleagues, here and elsewhere. But . . . the job’s never finished; always new examples, and even the old ones get reevaluated, and new people come along with new ideas about what you thought was settled . . . but” — he slapped the table — “when you clean a table you clean a table. You feel you’ve done something. It’s an achievement.” “But in the end, it’s still just cleaning a table.” “And therefore does not really signify on the cosmic scale of events?” the man suggested. He smiled in response to the man’s grin, “Well, yes.” “But then, what does signify? My other work? Is that really important, either? I could try composing wonderful musical works, or day-long entertainment epics, but what would that do? Give people pleasure? My wiping this table gives me pleasure. And people come to a clean table, which gives them pleasure. And anyway” — the man laughed — “people die; stars die; universes die. What is any achievement, however great it was, once time itself is dead? Of course, if all I did was wipe tables, then of course it would seem a mean and despicable waste of my huge intellectual potential. But because I choose to do it, it gives me pleasure. And,” the man said with a smile, “it’s a good way of meeting people. So where are you from, anyway?
Iain M. Banks (Use of Weapons (Culture, #3))
Your words have moved me deeply. I also hunger for them, for you, and feel as if I could devour tomes of your writing and never be satiated. These letters will hold me over until we meet again.
Rebecca Ross (Ruthless Vows (Letters of Enchantment, #2))
So glad I could be there to rescue you when the rift beneath your town tore open and unleashed meteorological death upon you. Does this kind of thing happen often around here? Because weirdly, they didn't mention it on TripAdvisor
Meg Cabot (Enchanted to Meet You (Witches of West Harbor, #1))
She reached out to lay a finger on his chest. Just one fingertip, on the bare patch of skin that showed though the V of his shirt. It felt like... Home.
Meg Cabot (Enchanted to Meet You (Witches of West Harbor, #1))
Not what" he said. "Who. Jessica Gold, you're the Chosen One
Meg Cabot (Enchanted to Meet You (Witches of West Harbor, #1))
You know I love you, don't you? You're the only thing my heart beats for
Meg Cabot (Enchanted to Meet You (Witches of West Harbor, #1))
Thank you" she said, in a voice so quiet he wouldn't have heard her if his very being hadn't become attuned, over the past few days, to her every word, her every movement, her every breath
Meg Cabot (Enchanted to Meet You (Witches of West Harbor, #1))
I didn't care. I didn't care because I was the Chosen One. Chosen by him.
Meg Cabot (Enchanted to Meet You (Witches of West Harbor, #1))
If I'd had to have sex with him - in order to save my town - it would not have been the worst thing imaginable
Meg Cabot (Enchanted to Meet You (Witches of West Harbor, #1))