Sorry Famous Quotes

I’M SORRY. I HAVE BEEN VERY LONELY AND STRUGGLED WITH A LOT OF THINGS. NO ONE UNDERSTANDS THE FEELINGS I’VE HAD. NO ONE IS ON MY SIDE. IT’S LIKE I’M COMPLETELY ALONE. I REALIZE THIS IS THE COWARDLY WAY OUT BUT I CAN’T STOP MYSELF FROM BEING A COWARD. MY WHOLE LIFE IS LIKE A BAD DREAM. THE KIND OF DREAM YOU DON’T WAKE UP FROM. PAIGE

I promise to write your story, I’m sorry I stopped. I’ll write you the best story, I-I’ll make you a classic, the most famous ever and you’ll never die!

I think that before he turned and walked away from me I said that I was sorry. In this life there are those that apologise and those that do not. I am a person who says sorry if a passer-by stands on my foot.

That's the famous vampire Helgarson you're riding with, isn't it? Is he fond of lattes?" "I don't know." I looked over at Leif, who was grinning-he was hearing both sides of the conversation, of course-and said, "Malina wants to know if you like lattes, and I want to know if you're famous." "No to both," he said, as we screamed onto the 202 on-ramp. "Sorry, Malina," I said to the phone. "He's not famous." "Perhaps it would be better to call infamous. It is irrelevant at this point. What is relevant is that my sisters and I are not great warriors. Were the odds even and they did not cheat with modern weapons, I would say, yes, we could walk in and win a magical battle against most opponents. But we are outnumbered more than three to one." "How many are there?" "Twenty-two. Some of them have firearms, but they are not great warriors either. And while they may be expecting you, Mr. O'Sullivan, they will not be expecting Mr. Helgarson to get involved. I imagine the two of you together will be quite formidable." "She's complimenting our martial prowess, Leif," I said to him. "I feel more manly already," He said. The short distance on the 202 was already covered and we were merging onto the southbound 101. "Hey, Malina, tell me how much you want to see us play with our swords.

I have a boy problem,” I said. “DELICIOUS,” Kaitlyn responded. I told her all about it, complete with the awkward face touching, leaving out only Amsterdam and Augustus’s name. “You’re sure he’s hot?” she asked when I was finished. “Pretty sure,” I said. “Athletic?” “Yeah, he used to play basketball for North Central.” “Huh,” Kaitlyn said. “Out of curiosity, how many legs does this guy have?” “Like, 1.4,” I said, smiling. Basketball players were famous in Indiana, and although Kaitlyn didn’t go to North Central, her social connectivity was endless. “Augustus Waters,” she said. “Um, maybe?” “Oh, my God. I’ve seen him at parties. The things I would do to that boy. I mean, not now that you’re interested in him. But, oh, sweet holy Lord, I would ride that one-legged pony all the way around the corral.” “Kaitlyn,” I said. “Sorry. Do you think you’d have to be on top?” “Kaitlyn,” I said. “What were we talking about. Right, you and Augustus Waters. Maybe…are you gay?

This is a great wedding. I like weddings." "It is a good one, isn't it?" she agreed. "But it was always going to be--Emma so efficient." "Isn't she," he said. "I like weddings." Lulu said nothing. "Weddings," he said after a moment. "Funny things, but I like them." Lulu stopped dancing and drew back to look up into his eyes. "If you say that one more time," she said levelly, "I won't take you to the Cheddar cheese shop." "Sorry," he said quickly "I like funerals, too, if that's any help? We do marvelous ones in Ireland, we're famous for them.

I have been enormously impressed by the role that pure chance plays in determining our life history. I was reminded of some famous lines of Robert Frost: Two roads diverged in a yellow wood, And sorry I could not travel both I took the one less travled by, And that has made all the difference. As I recalled my own experience and development, I was impressed by the series of lucky accidents that determined the road I traveled. > From "Lives of the Laureates" pg.67

Cam says, “Look at me, lass. Look at this body.” He throws out his arms, juts out his chin, and puffs out his chest. “You think I got this perfect physique by starvin’ myself? You think I became the world’s most famous, beloved athlete by tryin’ to be skinny?” “I’m sorry, could you repeat the question? Your ego is blocking my ears.” “The human body is a complex machine. A temple, as they say. You have to treat it like one!” “Yeah, well, my temple is more like an abandoned ruin the jungle has taken over and a herd of billy goats is living in.

Mr Murray was sorry to find that his two authors could not agree better, but he reflected that it probably could not be helped since both men were famous for quarrelling: Strange with Norrell, and Byron with practically everybody.3 When

The guards at the gate nodded and smiled at them. “I hate that,” Royce muttered as they passed. “What?” “They didn’t even think to stop us, and they actually smiled. They know us by sight now—by sight. Alric used to have the decency to send word discreetly and receive us unannounced. Now uniformed soldiers knock on the door in daylight, waving and saying, ‘Hello, we have a job for you.’” “He didn’t wave.” “Give it time, he will be—waving and grinning. One day Jeremy will be buying drinks for his soldier buddies at The Rose and Thorn. They’ll all be there, the entire sentry squad, laughing, smiling, throwing their arms over our shoulders and asking us to sing ‘Calide Portmore’ with them—‘Once more, with gusto!’ And at some point one particularly sweaty ox will give me a hug and say how honored he is to be in our company.” “Jeremy?” “What? That’s his name.” “You know the name of the soldier at the gate?” Royce scowled. “You see my point? Yes, I know his name and they know ours. We might as well wear uniforms and move into Arista’s old room.” They climbed the stone steps to the main entrance, where a soldier quickly opened a door for them and gave a slight bow. “Master Melborn, Master Blackwater.” “Hey, Digby.” Hadrian waved as he passed. When he caught Royce scowling, he added, “Sorry.” “It’s a good thing we’re both retired. You know, there’s a reason there are no famous living thieves

I was famous already! Brilliant! Except of course, I wasn’t famous. I was entirely unknown. Turns out that with my angelic little face, my beanie and my puffa jacket they thought I was Macaulay Culkin in full Home Alone garb, or maybe his little brother. Sorry, Macaulay, for stealing your fans, even if it was just for one day.

Anything Bunny wrote was bound to be alarmingly original, since he began with such odd working materials and managed to alter them further by his befuddled scrutiny, but the John Donne paper must have been the worst of all the bad papers he ever wrote (ironic, given that it was the only thing he ever wrote that saw print. After he disappeared, a journalist asked for an excerpt from the missing young scholar's work and Marion gave him a copy of it, a laboriously edited paragraph of which eventually found its way into People magazine). Somewhere, Bunny had heard that John Donne had been acquainted with Izaak Walton, and in some dim corridor of his mind this friendship grew larger and larger, until in his mind the two men were practically interchangeable. We never understood how this fatal connection had established itself: Henry blamed it on Men of Thought and Deed, but no one knew for sure. A week or two before the paper was due, he had started showing up in my room about two or three in the morning, looking as if he had just narrowly escaped some natural disaster, his tie askew and his eyes wild and rolling. 'Hello, hello,' he would say, stepping in, running both hands through his disordered hair. 'Hope I didn't wake you, don't mind if I cut on the lights, do you, ah, here we go, yes, yes…' He would turn on the lights and then pace back and forth for a while without taking off his coat, hands clasped behind his back, shaking his head. Finally he would stop dead in his tracks and say, with a desperate look in his eye: 'Metahemeralism. Tell me about it. Everything you know. I gotta know something about metahemeralism.' 'I'm sorry. I don't know what that is.' 'I don't either,' Bunny would say brokenly. 'Got to do with art or pastoralism or something. That's how I gotta tie together John Donne and Izaak Walton, see.' He would resume pacing. 'Donne. Walton. Metahemeralism. That's the problem as I see it.' 'Bunny, I don't think "metahemeralism" is even a word.' 'Sure it is. Comes from the Latin. Has to do with irony and the pastoral. Yeah. That's it. Painting or sculpture or something, maybe.' 'Is it in the dictionary?' 'Dunno. Don't know how to spell it. I mean' – he made a picture frame with his hands – 'the poet and the fisherman. Parfait. Boon companions. Out in the open spaces. Living the good life. Metahemeralism's gotta be the glue here, see?' And so it would go, for sometimes half an hour or more, with Bunny raving about fishing, and sonnets, and heaven knew what, until in the middle of his monologue he would be struck by a brilliant thought and bluster off as suddenly as he had descended. He finished the paper four days before the deadline and ran around showing it to everyone before he turned it in. 'This is a nice paper, Bun -,' Charles said cautiously. 'Thanks, thanks.' 'But don't you think you ought to mention John Donne more often? Wasn't that your assignment?' 'Oh, Donne,' Bunny had said scoffingly. 'I don't want to drag him into this.' Henry refused to read it. 'I'm sure it's over my head, Bunny, really,' he said, glancing over the first page. 'Say, what's wrong with this type?' 'Triple-spaced it,' said Bunny proudly. 'These lines are about an inch apart.' 'Looks kind of like free verse, doesn't it?' Henry made a funny little snorting noise through his nose. 'Looks kind of like a menu,' he said. All I remember about the paper was that it ended with the sentence 'And as we leave Donne and Walton on the shores of Metahemeralism, we wave a fond farewell to those famous chums of yore.' We wondered if he would fail.

There are more guys than girls in jazz. Next-to-no lady trumpeters (oh, there are a few) but it doesn't matter because, for me, jazz trumpet is all about one guy Miles Davis. He made this famous album in 1959 called Kind of Blue which is kind of, always, how I feel. That album gets into your bones goes and goes starts, hesitates, reaches out, feels for the music, the sound, the thing you want to change. Always grasping for the unattainable makes you kind of excited, kind of sorry.

There is one terrible weakness you can have if you amusedly and self-deprecatingly describe yourself as an artist and become famous. One letdown if you become loved by millions and your work is meaningful work and that is if some of the millions that know you and love you are teenage girls. There is nothing more shaming than to be loved by teenage girls. The love of teenage girls is not merely substandard or worthless it is an active mortification to an artist. Our language is full of how little we think of artists that are loved by teenage girls, we talk of mad fans and teenyboppers and little girls wetting their knickers. Ohh, you can take those girls' money and become elevated on their devotion and enjoy them putting you at number one. You can do all those things, no band ever refused them but you do not respect those girls, you do not want to talk to them or look them in the eye, or hang out with them or love them back. You do not talk about them unless it is to turn to your cool fans, the men, and mouth "Sorry, these mad girls have crushed the party. So embarrassing!" (...)Men are the right fans to have. This is why rock is cooler than pop, acid house is cooler than disco, prog is cooler than boy bands. Things boys love are cooler than things girls love. That is a simple fact. Boys love clever things cleverly, girls love foolish things foolishly. How awful it would be love bands like teenage girls do? How awful it would be to be the wrong kind of fan? A girl. How awful it would be to be a dumb, hysterical, screaming teenage girl? How amazing it is to be a dumb, hysterical, screaming teenage girl? ...

The love of my life is gone, and I can’t just call her and say I’m sorry and have her come back. She’s gone forever. So yes, Monique, that is something I do regret. I regret every second I didn’t spend with her. I regret every stupid thing I did that caused her an ounce of pain. I should have chased her down the street the day she left me. I should have begged her to stay. I should have apologized and sent roses and stood on top of the Hollywood sign and shouted, ‘I’m in love with Celia St. James!’ and let them crucify me for it. That’s what I should have done. And now that I don’t have her, and I have more money than I could ever use in this lifetime, and my name is cemented in Hollywood history, and I know how hollow it is, I am kicking myself for every single second I chose it over loving her proudly. But that’s a luxury. You can do that when you’re rich and famous. You can decide that wealth and renown are worthless when you have them. Back then, I still thought I had all the time I needed to do everything I wanted. That if I just played my cards right, I could have it all.

Evelyn looks at me as if I am stupid. “She’s gone now,” Evelyn says. “The love of my life is gone, and I can’t just call her and say I’m sorry and have her come back. She’s gone forever. So yes, Monique, that is something I do regret. I regret every second I didn’t spend with her. I regret every stupid thing I did that caused her an ounce of pain. I should have chased her down the street the day she left me. I should have begged her to stay. I should have apologized and sent roses and stood on top of the Hollywood sign and shouted, ‘I’m in love with Celia St. James!’ and let them crucify me for it. That’s what I should have done. And now that I don’t have her, and I have more money than I could ever use in this lifetime, and my name is cemented in Hollywood history, and I know how hollow it is, I am kicking myself for every single second I chose it over loving her proudly. But that’s a luxury. You can do that when you’re rich and famous. You can decide that wealth and renown are worthless when you have them. Back then, I still thought I had all the time I needed to do everything I wanted. That if I just played my cards right, I could have it all.

Here is the voice of my main Character in my Talon book series, I’ll let her introduce herself to you: My name is Matica and I am a special needs child with a growth disability. I am stuck in the body of a two year old, even though I am ten years old when my story begins in the first book of the Talon series, TALON, COME FLY WITH ME. Because of that disability, (I am saying ‘that’ disability, not ‘my’ disability because it’s a thing that happens to me, nothing more and because I am not accepting it as something bad. I can say that now after I learned to cope with it.) I was rejected by the local Indians as they couldn’t understand that that condition is not a sickness and so it can’t be really cured. It’s just a disorder of my body. But I never gave up on life and so I had lots of adventures roaming around the plateau where we live in Peru, South America, with my mother’s blessings. But after I made friends with my condors I named Tamo and Tima, everything changed. It changed for the good. I was finally loved. And I am the hero and I embrace my problem. In better words: I had embraced my problem before I made friends with my condors Tamo and Tima. I held onto it and I felt sorry for myself and cried a lot, wanting to run away or something worse. But did it help me? Did it become better? Did I grow taller? No, nothing of that helped me. I didn’t have those questions when I was still in my sorrow, but all these questions came to me later, after I was loved and was cherished. One day I looked up into the sky and saw the majestic condors flying in the air. Here and now, I made up my mind. I wanted to become friends with them. I believed if I could achieve that, all my sorrow and rejection would be over. And true enough, it was over. I was loved. I even became famous. And so, if you are in a situation, with whatever your problem is, find something you could rely on and stick to it, love that and do with that what you were meant to do. And I never run from conflicts.

Ponyboy, Well I guess you got into some trouble, huh? Darry and me nearly went nuts when you ran out like that. Darry is awful sorry he hit you. You know he didn’t mean it. And then you and Johnny turned up mising and what with that dead kid in the park and Dally getting hauled into the station, well it scared us something awful. The police came by to question us and we told them as much as we could. I can’t believe little old Johnny could kill somebody. I know Dally knows where you are, but you know him. He keeps his trap shut and won’t tell me nothing. Darry hasn’t got the slightest notion where you’re at and it is nearly killing him. I wish you’d come back and turn your selfves in but I guess you can’t since Johnny might get hurt. You sure are famous. You got a paragraph in the newspaper even. Take care and say hi to Johnny for us. Sodapop Curtis

 I walk away, feeling Brody’s gaze on me. There’s no doubt that as soon as we get back in the car, I’m going to get it—good. Instead, Brody stays quiet while I assemble the paperwork. He may not be speaking, but he’s saying a whole lot in the silence. “Just say it,” I mumble and finally look over. “I’m not saying a word.” He raises his hands. “Clearly, you two know each other, and it ain’t from growing up here. You tell me everything, so there is no way you wouldn’t have told me you know him,” Brody pauses and leans back. “I’m not saying a word about who you may or may not have slept with recently. Even though, it’s pretty obvious.” “You know, you not saying a word took you a long time.” “It’s not like you’ve had a five-year drought since your divorce. Or that you slept with a singer/actor. Nope. I have nothing to say about that. Not a thing.” I groan. “Could you not say anything for real this time?” “Sure thing, boss. I’ll just be over here, watching Hell start to thaw.” This is not going to get any better. I’d almost rather hear the questions. This is Brody Webber. My partner, my friend, and the one person who I have enough dirt on to make his life hell if he repeats this. “Okay, fine. Yes, I slept with Eli Walsh. I was crazy and dumb. I also had about six beers, which is two over my threshold, and I was trying to be in the moment for once. Fucking Nicole and her pep talks.” Brody coughs a laugh and then recovers. “Sorry, go on.” “I swear, you better keep this to yourself. If you tell anyone . . .” I give him my best threatening face. “I mean anyone, I’ll make your life a living nightmare.” He shakes his head and laughs again. “I won’t say a word, but you had a one-night stand with one of the most famous men in the boy band atmosphere. You’re too cool for me, Heather. I don’t think we can be friends. I’m sure you and the band will be happy without me.” I huff and grab the papers. “I’m getting a new partner.” I walk back over to the car, praying this will be painless

Metahemeralism. Tell me about it. Everything you know. I gotta know something about metahemeralism." "I'm sorry. I don't know what that is." "I don't either," Bunny would say brokenly. "Got to do with art or pastoralism or something. That's how I gotta tie together John Donne and Izaak Walton, see." He would resume pacing. "Donne. Walton. Metahemeralism. That's the problem as I see it." "Bunny, I don't think "metahemeralism" is even a word." "Sure it is. Comes from the Latin. Has to do with irony and the pastoral. Yeah. That's it. Painting or sculpture or something, maybe." "Is it in the dictionary?" "Dunno. Don't know how to spell it. I mean" — he made a picture frame with his hands — "the poet and the fisherman. Parfait. Boon companions. Out in the open spaces. Living the good life. Metahemeralism's gotta be the glue here, see?" And so it would go on, for sometimes half an hour or more, with Bunny raving about fishing, and sonnets, and heaven knew what, until in the middle of his monologue he would be struck by a brilliant thought and bluster off as suddenly as he had descended. He finished the paper four days before the deadline and ran around showing it to everyone before he turned it in. "This is a nice paper, Bun — ," Charles said cautiously. "Thanks, thanks." "But don't you think you ought to mention John Donne more often? Wasn't that your assignment?" "Oh, Donne," Bunny had said scoffingly. "I don't want to drag him into this." Henry had refused to read it. "I'm sure it's over my head, Bunny, really," he said, glancing over the first page. "Say, what's wrong with this type?" "Tripled spaced it," said Bunny proudly. "These lines are about an inch apart." "Looks kind of like free verse, doesn't it?" Henry made a funny little snorting noise through his nose. "Looks kind of like a menu," he said. All I remember about the paper was that it ended with the sentence "And as we leave Donne and Walton on the shores of Metahemeralism, we wave a fond farewell to those famous chums of yore.

The chef stepped out of the kitchen for a chat with Aomame and noted that the wine would be on the house. “Sorry, it’s already been uncorked, and one tasting’s worth is gone. A customer complained about the taste yesterday and we gave him a new bottle, but in fact there is absolutely nothing wrong with this wine. The man is a famous politician who likes to think he’s a wine connoisseur, but he doesn’t know a damn thing about wine. He did it to show off. ‘I’m afraid this might have a slight edge,’ he says. We had to humor him. ‘Oh, yes, you may be right about that, sir. I’m sure the importer’s warehouse is at fault. I’ll bring another bottle right away. But bravo, sir! I don’t think another person in the country could have caught this!’ That was the best way to make everybody happy, as you can imagine. Now, I can’t say this too loudly, but we had to inflate the bill a little to cover our loss. He was on an expense account, after all. In any case, there’s no way a restaurant with our reputation could serve a returned bottle.

Pixie was still looking a little shell-shocked when they walked over to the desk. “This is Pixie, our studio manager. She’ll take your details when you’re ready.” “Hey, Pixie, pleased to meet you.” Trent had never seen Pixie so inanimate. She didn’t move to take the hand Dred had offered. “Pix?” Trent smirked as she quickly collected herself with a shake of her head, reaching her hand out. “Sorry. Miles away. Welcome to Second Circle.” “Nice tattoo you got there, Pixie. What are those?” “Flowers,” she mumbled. What the hell was up with Pixie? They’d had famous people in the studio before. Dred laughed. “I can see that. I was curious what kind.” The phone rang and Pixie jumped all over it, effectively cutting Dred off. “Sorry,” Trent apologized. “Fortunately, we’re generally pretty busy here. Want to take a seat and we can figure out what you’re looking for?” Trent started to walk to one of the beds toward the back of the studio. “We have a setup in the room back here if you want a bit more privacy.” Realizing Dred was no longer with him, he turned to see him still staring at Pixie’s back. “Hey dude,” he whispered, “we charge extra for checking out the staff’s asses.” “What? Oh … right, yeah. How much? I’d definitely pay extra for a closer view.

There are croakers in every country, always boding its ruin. Such a one then lived in Philadelphia; a person of note, an elderly man, with a wise look and a very grave manner of speaking; his name was Samuel Mickle. This gentleman, a stranger to me, stopt one day at my door, and asked me if I was the young man who had lately opened a new printing-house. Being answered in the affirmative, he said he was sorry for me, because it was an expensive undertaking, and the expense would be lost; for Philadelphia was a sinking place, the people already half-bankrupts, or near being so; all appearances to the contrary, such as new buildings and the rise of rents, being to his certain knowledge fallacious; for they were, in fact, among the things that would soon ruin us. And he gave me such a detail of misfortunes now existing, or that were soon to exist, that he left me half melancholy. Had I known him before I engaged in this business, probably I never should have done it. This man continued to live in this decaying place, and to declaim in the same strain, refusing for many years to buy a house there, because all was going to destruction; and at last I had the pleasure of seeing him give five times as much for one as he might have bought it for when he first began his croaking.

Honest to God, I hadn’t meant to start a bar fight. “So. You’re the famous Jordan Amador.” The demon sitting in front of me looked like someone filled a pig bladder with rotten cottage cheese. He overflowed the bar stool with his gelatinous stomach, just barely contained by a white dress shirt and an oversized leather jacket. Acid-washed jeans clung to his stumpy legs and his boots were at least twice the size of mine. His beady black eyes started at my ankles and dragged upward, past my dark jeans, across my black turtleneck sweater, and over the grey duster around me that was two sizes too big. He finally met my gaze and snorted before continuing. “I was expecting something different. Certainly not a black girl. What’s with the name, girlie?” I shrugged. “My mother was a religious woman.” “Clearly,” the demon said, tucking a fat cigar in one corner of his mouth. He stood up and walked over to the pool table beside him where he and five of his lackeys had gathered. Each of them was over six feet tall and were all muscle where he was all fat. “I could start to examine the literary significance of your name, or I could ask what the hell you’re doing in my bar,” he said after knocking one of the balls into the left corner pocket. “Just here to ask a question, that’s all. I don’t want trouble.” Again, he snorted, but this time smoke shot from his nostrils, which made him look like an albino dragon. “My ass you don’t. This place is for fallen angels only, sweetheart. And we know your reputation.” I held up my hands in supplication. “Honest Abe. Just one question and I’m out of your hair forever.” My gaze lifted to the bald spot at the top of his head surrounded by peroxide blonde locks. “What’s left of it, anyway.” He glared at me. I smiled, batting my eyelashes. He tapped his fingers against the pool cue and then shrugged one shoulder. “Fine. What’s your question?” “Know anybody by the name of Matthias Gruber?” He didn’t even blink. “No.” “Ah. I see. Sorry to have wasted your time.” I turned around, walking back through the bar. I kept a quick, confident stride as I went, ignoring the whispers of the fallen angels in my wake. A couple called out to me, asking if I’d let them have a taste, but I didn’t spare them a glance. Instead, I headed to the ladies’ room. Thankfully, it was empty, so I whipped out my phone and dialed the first number in my Recent Call list. “Hey. He’s here. Yeah, I’m sure it’s him. They’re lousy liars when they’re drunk. Uh-huh. Okay, see you in five.” I hung up and let out a slow breath. Only a couple things left to do. I gathered my shoulder-length black hair into a high ponytail. I looped the loose curls around into a messy bun and made sure they wouldn’t tumble free if I shook my head too hard. I took the leather gloves in the pocket of my duster out and pulled them on. Then, I walked out of the bathroom and back to the front entrance. The coat-check girl gave me a second unfriendly look as I returned with my ticket stub to retrieve my things—three vials of holy water, a black rosary with the beads made of onyx and the cross made of wood, a Smith & Wesson .9mm Glock complete with a full magazine of blessed bullets and a silencer, and a worn out page of the Bible. I held out my hands for the items and she dropped them on the counter with an unapologetic, “Oops.” “Thanks,” I said with a roll of my eyes. I put the Glock back in the hip holster at my side and tucked the rest of the items in the pockets of my duster. The brunette demon crossed her arms under her hilariously oversized fake breasts and sent me a vicious sneer. “The door is that way, Seer. Don’t let it hit you on the way out.” I smiled back. “God bless you.” She let out an ugly hiss between her pearly white teeth. I blew her a kiss and walked out the door. The parking lot was packed outside now that it was half-past midnight. Demons thrived in darkness, so I wasn’t surprised. In fact, I’d been counting on it.

I'll tell you this,though, Frankie makes me happy. So does Sadie. I don't want to canoodle with either of them, but I love them to death." "Must you use those words in my presence?" "Sorry.But.Truth:You are dead as the spat." Edward sighed. "You're right.You're absolutely right. So I suppose you'd best go to sleep, darling Ella. It's late. And,as was famously said, 'tomorrow-'" "-is another day? Thank you, Scarlett O'Hara." "Actually-" -he scowled at me- "I was going to say, 'Tomorrow comes. Tomorrow brings, tomorrow brings love, in the shape of things.'" "Shakespeare?" I asked. "Queen," he shot back. "Not nearly as good as 'Bohemian Rhapsody' or 'Fat Bottomed Girls,' but certainly poetic." "Good night, Edward." "Good night, lovely girl." I turned off the light and climbed into bed. "Oh.By the way." "Yes?" "I think I figured out why you called Diana all those nicknames. 'Spring,' 'Cab,' 'Post'..." "Yes?" "They're all things you wait for. I think Diana was making you wait, and it was making you crazy. Am I right?" "Oh,Ella. You know I can't tell you that. I will,however, leave you with one more lovely old chestnut-" "'All good things are worth waiting for?'" "I really wish you would let me finish a thought tonight. I was going to say, 'Ain't nothing like the real thing, baby.'" "Marvin Gaye," I said. "The one and only.

If you give me the name of the contraceptive shot you had, I will source for more of them. I am keen that nothing interrupts our enjoyment of each other.” His tone indicated the understatement of the millennium. “It’s called Depo-Provera. It’s supposed to last three months or so, and Paul has a few more doses.” When he’d injected me, I’d said, “The idea of living another three months feels far-fetched right now.” He’d replied, “Better safe than sorry, huh?” Aric nodded. “I will be on the lookout for it.” Aric raised a brow at that. Then, seeming to make a decision, he eased me aside to get out of the bed. “I have something for you.” As he strode to our closet, I gawked at the sight of his flawless body. The return view was even more rewarding. He sat beside me and handed me a small jewelry box. “I want you to have this.” I opened the box, finding a gorgeous gold ring, engraved with runes that called to mind his tattoos. An oval of amber adorned the band. Beautiful. The warm color reminded me of his eyes whenever he was pleased. “My homeland was famous for amber—from pine.” He slipped the ring on my finger, and it fit perfectly. Holding my gaze, he said, “We are wed now.” First priest I find, I’m goan to marry you. Jack’s words. I recalled the love blazing from his gray gaze before I stifled the memory. “Aric, th-this is so beautiful. Thank you.” The symbol of his parents’ marriage had been derived from trees. Another waypoint.

From Walt: The Grapes of Wrath, Les Misérables, To Kill a Mockingbird, Moby-Dick, The Ox-Bow Incident, A Tale of Two Cities, The Adventures of Huckleberry Finn, The Three Musketeers, Don Quixote (where your nickname came from), The Complete Works of William Shakespeare, and anything by Anton Chekhov. From Henry: Bury My Heart at Wounded Knee, Cheyenne Autumn, War and Peace, The Things They Carried, Catch-22, The Sun Also Rises, The Blessing Way, Beyond Good and Evil, The Teachings of Don Juan, Heart of Darkness, The Human Comedy, The Art of War. From Vic: Justine, Concrete Charlie: The Story of Philadelphia Football Legend Chuck Bednarik, Medea (you’ll love it; it’s got a great ending), The Kama Sutra, Henry and June, The Onion Field, Fear and Loathing in Las Vegas, Zorba the Greek, Madame Bovary, Richie Ashburn’s Phillies Trivia (fuck you, it’s a great book). From Ruby: The Holy Bible (New Testament), The Pilgrim’s Progress, Inferno, Paradise Lost, My Ántonia, The Scarlet Letter, Walden, Poems of Emily Dickinson, My Friend Flicka, Our Town. From Dorothy: The Gastronomical Me, The French Chef Cookbook (you don’t eat, you don’t read), Last Suppers: Famous Final Meals From Death Row, The Bonfire of the Vanities, The Scarlet Pimpernel, Something Fresh, The Sound and the Fury, The Maltese Falcon, Pride and Prejudice, Brides-head Revisited. From Lucian: Thirty Seconds over Tokyo, Band of Brothers, All Quiet on the Western Front, The Virginian, The Basque History of the World (so you can learn about your heritage you illiterate bastard), Hondo, Sackett, The Man Who Shot Liberty Valance, Bobby Fischer: My 60 Memorable Games, The Rise and Fall of the Third Reich, Quartered Safe Out Here. From Ferg: Riders of the Purple Sage, Kiss Me Deadly, Lonesome Dove, White Fang, A River Runs Through It (I saw the movie, but I heard the book was good, too), Kip Carey’s Official Wyoming Fishing Guide (sorry, kid, I couldn’t come up with ten but this ought to do).

Take the famous slogan on the atheist bus in London … “There’s probably no God. Now stop worrying and enjoy your life.” … The word that offends against realism here is “enjoy.” I’m sorry—enjoy your life? Enjoy your life? I’m not making some kind of neo-puritan objection to enjoyment. Enjoyment is lovely. Enjoyment is great. The more enjoyment the better. But enjoyment is one emotion … Only sometimes, when you’re being lucky, will you stand in a relationship to what’s happening to you where you’ll gaze at it with warm, approving satisfaction. The rest of the time, you’ll be busy feeling hope, boredom, curiosity, anxiety, irritation, fear, joy, bewilderment, hate, tenderness, despair, relief, exhaustion … This really is a bizarre category error. But not necessarily an innocent one … The implication of the bus slogan is that enjoyment would be your natural state if you weren’t being “worried” by us believer … Take away the malignant threat of God-talk, and you would revert to continuous pleasure, under cloudless skies. What’s so wrong with this, apart from it being total bollocks? … Suppose, as the atheist bus goes by, that you are the fifty-something woman with the Tesco bags, trudging home to find out whether your dementing lover has smeared the walls of the flat with her own shit again. Yesterday when she did it, you hit her, and she mewled till her face was a mess of tears and mucus which you also had to clean up. The only thing that would ease the weight on your heart would be to tell the funniest, sharpest-tongued person you know about it: but that person no longer inhabits the creature who will meet you when you unlock the door. Respite care would help, but nothing will restore your sweetheart, your true love, your darling, your joy. Or suppose you’re that boy in the wheelchair, the one with the spasming corkscrew limbs and the funny-looking head. You’ve never been able to talk, but one of your hands has been enough under your control to tap out messages. Now the electrical storm in your nervous system is spreading there too, and your fingers tap more errors than readable words. Soon your narrow channel to the world will close altogether, and you’ll be left all alone in the hulk of your body. Research into the genetics of your disease may abolish it altogether in later generations, but it won’t rescue you. Or suppose you’re that skanky-looking woman in the doorway, the one with the rat’s nest of dreadlocks. Two days ago you skedaddled from rehab. The first couple of hits were great: your tolerance had gone right down, over two weeks of abstinence and square meals, and the rush of bliss was the way it used to be when you began. But now you’re back in the grind, and the news is trickling through you that you’ve fucked up big time. Always before you’ve had this story you tell yourself about getting clean, but now you see it isn’t true, now you know you haven’t the strength. Social services will be keeping your little boy. And in about half an hour you’ll be giving someone a blowjob for a fiver behind the bus station. Better drugs policy might help, but it won’t ease the need, and the shame over the need, and the need to wipe away the shame. So when the atheist bus comes by, and tells you that there’s probably no God so you should stop worrying and enjoy your life, the slogan is not just bitterly inappropriate in mood. What it means, if it’s true, is that anyone who isn’t enjoying themselves is entirely on their own. The three of you are, for instance; you’re all three locked in your unshareable situations, banged up for good in cells no other human being can enter. What the atheist bus says is: there’s no help coming … But let’s be clear about the emotional logic of the bus’s message. It amounts to a denial of hope or consolation, on any but the most chirpy, squeaky, bubble-gummy reading of the human situation. St Augustine called this kind of thing “cruel optimism” fifteen hundred years ago, and it’s still cruel.

Looks like everybody's asleep. Don't they keep a light on for you?" "They probably figured I wouldn't be needing it." "Sorry to disappoint your cousins." "Not to mention me.I'm gravely disappointed at the way this evening has ended.You're going to ruin my reputation as a lady-killer." He flashed her one of his famous smiles. He opened the door and climbed down.When he rounded the front of the truck, he paused beside her open window. "Good night,Marilee. I appreciate the ride home. I just wish you didn't have to make that long drive back to town all alone." "I'll be fine.I've got my radio to keep me company." "You could always coe inside and bunk in my room." "What a generous offer.But once again, I'm afraid I'll have to decline,though I have to admit that I've had more fun in a few hours with you than I've had in years." The minute the words were out of her mouth,she wanted to call them back. What was it about Wyatt that had her trusting him enough to reveal such a thing? Though she barely knew him,he'd uncovered an inherent goodness in him that was rare and wonderful. This had been one of the best nights of her life. Still,he'd gone very quiet.As though digesting her words and searching for hidden meanings. As he turned away she called boldly, "What? No kiss good night? Just because I refused to spend the night with you?" He turned back with a smile, but it wasn't his usual silly grin.Instead, she noted,there was a hint of danger in that smile. He studied her intently before reaching out as though to touch her face. Then he seemed to think better of it and withdrew his hand as if he'd been burned. His eyes locked on hers. "I've already decided that I'll never be able to just kiss you and walk away.So a word of warning,pretty little Marilee. When I kiss you,and I fully intend to kiss you breathless,be prepared to go the distance. There's a powerful storm building up inside me,and when it's unleashed,it's going to be one hell of an earth-shattering explosion.For both of us." He walked away then and didn't look back until he'd reached the back door. Startled by the unexpected intensity of his words,Marilee put the truck in gear and started along the gravel lane. As her vehicle ate up the miles back to town,she couldn't put aside the look she'd seen in his eyes.The carefully banked passion she'd taken such pains to hide had left her more shaken than she cared to admit. In truth,she was still trembling. And he hadn't even touched her.

He called back with an incredible report: there were people lined up around the store already. Wow, I thought. Wow! Wow didn’t begin to cover it. People lined up on two floors of the store to talk to Chris and get their books signed, hours before he was even scheduled to arrive. Chris was overwhelmed when he got there, and so was I. The week before, he’d been just another guy walking down the street. Now, all of a sudden he was famous. Except he was still the same Chris Kyle, humble and a bit abashed, ready to shake hands and pose for a picture, and always, at heart, a good ol’ boy. “I’m so nervous,” confided one of the people on the line as he approached Chris. “I’ve been waiting for three hours just to see you.” “Oh, I’m sorry,” said Chris. “Waitin’ all that time and come to find out there’s just another redneck up here.” The man laughed, and so did Chris. It was something he’d repeat, in different variations, countless times that night and over the coming weeks. We stayed for three or four hours that first night, far beyond what had been advertised, with Chris signing each book, shaking each hand, and genuinely grateful for each person who came. For their part, they were anxious not just to meet him but to thank him for his service to our country-and by extension, the service of every military member whom they couldn’t personally thank. From the moment the book was published, Chris became the son, the brother, the nephew, the cousin, the kid down the street whom they couldn’t personally thank. In a way, his outstanding military record was beside the point-he was a living, breathing patriot who had done his duty and come home safe to his wife and kids. Thanking him was people’s way of thanking everyone in uniform. And, of course, the book was an interesting read. It quickly became a commercial success beyond anyone’s wildest dreams, including the publisher’s. The hardcover debuted at number two on the New York Times bestseller list, then rose to number one and stayed there for more than two months. It’s remained a fixture on the bestseller lists ever since, and has been translated into twenty-four languages worldwide. It was a good read, and it had a profound effect on a lot of people. A lot of the people who bought it weren’t big book readers, but they ended up engrossed. A friend of ours told us that he’d started reading the book one night while he was taking a bath with his wife. She left, went to bed, and fell asleep. She woke up at three or four and went into the bathroom. Her husband was still there, in the cold water, reading. The funny thing is, Chris still could not have cared less about all the sales. He’d done his assignment, turned it in, and got his grade. Done deal.

I don’t think I’ve ever seen a girl ditch Darius like that,” an amused voice came from behind me and I turned to find a guy looking at me from a seat at a table in the corner. He had dark hair that curled in a messy kind of way, looking like it had broken free of his attempts to tame it. His green eyes sparkled with restrained laughter and I couldn’t help but stare at his strong features; he looked almost familiar but I was sure I’d never met him before. “Well, even Dragons can’t just get their own way all of the time,” I said, moving closer to him. Apparently that had been the right thing to say because he smiled widely in response to it. “What’s so great about Dragons anyway, right?” he asked, though a strange tightness came over his posture as he said it. “Who’d want to be a big old lizard with anger management issues?” I joked. “I think I’d rather be a rabbit shifter - at least bunnies are cute.” “You don’t have a very rabbity aura about you,” he replied with a smile which lit up his face. “I’m not sure if that’s a compliment or not.” “It is. Although a rabbit might be exactly the kind of ruler we need; shake it up from all these predators.” “Maybe that’s why I can’t get on board with this fancy food. It’s just not meant for someone of my Order... although I’m really looking for a sandwich rather than a carrot,” I said wistfully. He snorted a laugh. “Yeah I had a pizza before I came to join the festivities. I’m only supposed to stay for an hour or so anyway... show my face, sit in the back, avoid emotional triggers...” He didn’t seem to want to elaborate on that weird statement so I didn’t push him but I did wonder why he’d come if that was all he was going to do. “Well, I didn’t really want to come at all so maybe I can just hide out back here with you?” I finished the rest of my drink and placed my glass on the table as I drifted closer to him. Aside from Hamish, he was the first person I’d met at this party who seemed at least halfway genuine. “Sure. If you don’t mind missing out on all the fun,” he said. “I’m sorry but am I talking to Roxanya or Gwendalina? You’re a little hard to tell apart.” I rolled my eyes at those stupid names. “I believe I originally went by Roxanya but my name is Tory.” “You haven’t taken back your royal name?” he asked in surprise. “I haven’t taken back my royal anything. Though I won’t say no to the money when it comes time to inherit that. You didn’t give me your name either,” I prompted. You don’t know?” he asked in surprise. “Oh sorry, dude, are you famous? Must be a bummer to meet someone who isn’t a fan then,” I teased. He snorted a laugh. “I’m Xavier,” he said. “The Dragon’s younger brother.” “Oh,” I said. Well that was a quick end to what had seemed like a pleasant conversation. “Actually... I should probably go... mingle or something.” I started to back away, searching the crowd for Darcy. I spotted her on the far side of the room, engaged in conversation with Hamish and a few of his friends. The smile on her face was genuine enough so I was at least confident she didn’t need rescuing. (Tory)

Should I be scared?” “I think you should get ready for quite an inquiry, but they’re necessary questions that must be answered if I want to ask you out on a second date.” “What if I don’t want to go on a second date?” “Hmm.” He taps his chin with his fork, ready to dig in the minute the plate arrives at our table. “That’s a good point. All right. If the question arose, would you go on a second date with me?” “Well, now I feel pressured to say yes just so I can hear the inquiry.” “You’re going to have to deal with the pressure, sweet cheeks.” “Fine. Hypothetically, if you were to ask me out on a second date, I would hypothetically, possibly say yes.” “Great.” He bops his own nose with his fork and then sets it down on the table. “Here goes.” He looks serious; both his hands rest palm down on the table and his shoulders stiffen. Looking me dead in the eyes, he asks, “Bobbies and Rebels are in the World Series, what shirt do you wear?” “Bobbies obviously.” He blinks. Sits back. “What?” “Bobbies for life.” “But I’m on the Rebels.” “Yes, but are we dating, are we married? Are we just fooling around? There’s going to have to be a huge commitment on my part in order to put a Rebels shirt on. Sorry.” “We’re dating.” “Eh.” I wave my hand. “Fine. We’re living together.” “Hmm, I don’t know.” I twist a strand of hair in my finger. “Christ, we’re married.” “Ugh.” I wince. “I’m sorry, I just don’t think it will ever happen.” “Not even if we’re married, for fuck’s sake?” he asks, dumbfounded. It’s endearing, especially since he’s pushing his hand through his hair in distress, tousling it. “Do we have kids?” I ask. “Six.” “Six?” Now it’s time for my eyes to pop out of their sockets. “Do you really think I want to birth six children?” “Hell, no.” He shakes his head. “We adopted six kids from all around the world. We’re going to have the most diverse and loving family you’ll ever see.” Adopting six kids, now that’s incredibly sweet. Or mad? No, it’s sweet. In fact, it’s extremely rare to meet a man who not only knows he wants to adopt kids, but is willing to look outside of the US, knowing how much he could offer that child. Good God, this man is a unicorn. “We have the means for it, after all,” he says, continuing. “You’re taking over the city of Chicago, and I’ll be raining home runs on every opposing team. We would be the power couple, the new king and queen of the city. Excuse me, Oprah and Steadman, a new, hip couple is in town. People would wear our faces on their shirts like the royals in England. We’re the next Kate and William, the next Meghan and Harry. People will scream our name and then faint, only for us to give them mouth-to-mouth because even though we’re super famous, we are also humanitarians.” “Wow.” I sit back in my chair. “That’s quite the picture you paint.” I know what my mom will say about him already. Don’t lose him, Dorothy. He’s gold. Gorgeous and selfless. “So . . . with all that said, our six children at your side, would you wear a Rebels shirt?” I take some time to think about it, mulling over the idea of switching to black and red as my team colors. Could I do it? With the way Jason is smiling at me, hope in his eyes, how could I ever deny him that joy—and I say that as if we’ve been married for ten years. “I would wear halfsies. Half Bobbies, half Rebels, and that’s the best I can do.” He lifts his finger to the sky. “I’ll take it.

Isn’t this the weekend of Xander Eckhart’s party?” “Yes.” Jordan held her breath in a silent plea. Don’t ask if I’m bringing anyone. Don’t ask if I’m bringing anyone. “So are you bringing anyone?” Melinda asked. Foiled. Having realized there was a distinct possibility the subject would come up, Jordan had spent some time running through potential answers to this very question. She had decided that being casual was the best approach. “Oh, there’s this guy I met a few days ago, and I was thinking about asking him.” She shrugged. “Or maybe I’ll just go by myself, who knows.” Melinda put down her forkful of gnocchi, zoning in on this like a heat-seeking missile to its target. “What guy you met a few days ago? And why is this the first we’re hearing of him?” “Because I just met him a few days ago.” Corinne rubbed her hands together, eager for the details. “So? Tell us. How’d you meet him?” “What does he do?” Melinda asked. “Nice, Melinda. You’re so shallow.” Corinne turned back to Jordan. “Is he hot?” Of course, Jordan had known there would be questions. The three of them had been friends since college and still saw each other regularly despite busy schedules, and this was what they did. Before Corinne had gotten married, they talked about her now-husband, Charles. The same was true of Melinda and her soon-to-be-fiancé, Pete. So Jordan knew that she, in turn, was expected to give up the goods in similar circumstances. But she also knew that she really didn’t want to lie to her friends. With that in mind, she’d come up with a backup plan in the event the conversation went this way. Having no choice, she resorted to the strategy she had used in sticky situations ever since she was five years old, when she’d set her Western Barbie’s hair on fire while trying to give her a suntan on the family-room lamp. Blame it on Kyle. I’d like to thank the Academy . . . “Sure, I’ll tell you all about this new guy. We met the other day and he’s . . . um . . .” She paused, then ran her hands through her hair and exhaled dramatically. “Sorry. Do you mind if we talk about this later? After seeing Kyle today with the bruise on his face, I feel guilty rattling on about Xander’s party. Like I’m not taking my brother’s incarceration seriously enough.” She bit her lip, feeling guilty about the lie. So sorry, girls. But this has to stay my secret for now. Her diversion worked like a charm. Perhaps one of the few benefits of having a convicted felon of a brother known as the Twitter Terrorist was that she would never lack for non sequiturs in extracting herself from unwanted conversation. Corinne reached out and squeezed her hand. “No one has stood by Kyle’s side more than you, Jordan. But we understand. We can talk about this some other time. And try not to worry—Kyle can handle himself. He’s a big boy.” “Oh, he definitely is that,” Melinda said with a gleam in her eye. Jordan smiled. “Thanks, Corinne.” She turned to Melinda, thoroughly skeeved out. “And, eww—Kyle?” Melinda shrugged matter-of-factly. “To you, he’s your brother. But to the rest of the female population, he has a certain appeal. I’ll leave it at that.” “He used to fart in our Mr. Turtle pool and call it a ‘Jacuzzi.’ How’s that for appeal?” “Ah . . . the lifestyles of the rich and famous,” Corinne said with a grin. “And on that note, my secret fantasies about Kyle Rhodes now thoroughly destroyed, I move that we put a temporary hold on any further discussions related to the less fair of the sexes,” Melinda said. “I second that,” Jordan said, and the three women clinked their glasses in agreement

And what of colonizing additional dimensions beyond the third? Colonize Time. Why not?” “Because, sir,” objected Dr. Templeton Blope, of the University of the Outer Hebrides, “—we are limited to three.” “Quaternionist talk,” shouted his collegial nemesis Hastings Throyle. “Everything, carnal and spiritual, invested in the given three dimensions—for what use, as your Professor Tate famously asked, are any more than three?” “Ever so frightfully sorry. The given world, in case you hadn’t noticed. Planet Earth.” “Which not so long ago was believed to be a plane surface.” So forth. A recurring argument. Quaternionism in this era still enjoyed the light and warmth of a cheerful noontide. Rival systems might be acknowledged now and then, usually for some property considered bothersome, but those of the Hamiltonian faith felt an immunity to ever being superseded, children imagining they would live forever—though the sizable bloc of them aboard the Malus were not quite certain what the closely guarded Mission Document meant when it described the present journey as being taken “at right angles to the flow of time.

When admitting you are wrong, you gain back the control others took away from you when making you lose it. That's why you must say sorry. It represents a change of attitude but not really a change of personality; The changes on the personality come later on, when, by controlling yourself better, you don't express anger. Because saying sorry means nothing but anger means a lot. You should not want to be an angry person. When you get angry, those who make you angry, win; They win control over your emotional state, your thoughts, your words and your behaviors. They may then accuse you of always being angry and never apologizing, but that's not where you should focus your attention. The main point here, is that you’re living on the basis of instinctive reaction and not awareness or consciousness. So, when you say sorry, you are acknowledging that there is no excuse for losing control over yourself. You should not be sorry for being angry. That's an emotion; and you can't feel sorry for feeling. When you’re angry, you are feeling. When you insult, however, you are losing, yourself, your self-control, your self-respect, and even your capacity to use what you know. More knowledge, makes you more aware, more frustrated, having more and higher expectations on others, and more angry too, more often as well. But that's your problem! No other people's problem! They are just being themselves. Most people really think they are perfect as they are, and that the problems they experience are all outside themselves. And by realizing that, you say sorry as if saying sorry for not being who you really are. And when doing it, you get back the control another person took away from you. It is actually not good when someone needs to say sorry too often to someone else, especially if it’s always the same individual. But that someone else often likes it, as it makes them feel superior. That’s because their ego needs that. They have low self-esteem. Most people do! And that’s why most people's behavior is wired to their ego. Their likes and dislikes are connected to a sense of self-importance and a desperate need to feel important, which they project on their idols, the famous and most popular among them. They admire what they seek the most. When they think they are not important, they offend, to get aggression, which is a desperate need for attention; and to feel like victims of life, which is a deeper state of need, in this case, related to sympathy; and they then blame the other for what he does, for his reactions; and when that other says sorry, they think they have power over that insane cycle in which they now live, and in which they incorporate anyone else, and which they now perfectly master. Their pride is built on arrogance, an arrogance emerged out of ignorance, ignorance composed from delusional cycles within a big illusion; but an illusion that makes sense to them, as if they were succeeding at merging truth with lie, darkness with light. Because the arrogant, the abusive and the violent are desperate. God made them blind after witnessing their crimes against moral and ethics - His own laws. And they want to see again, and feel the same pleasure they once felt when witnessing the true colors of the world during childhood. The arrogant want to reaffirm their sanity by acting insanely because they know no other way. And when you say sorry, you are saying to them that you don't belong there, to their world, and that you are sorry for playing their games. That drama belongs to them only, and not you. And yet, people interpret the same paradox as they choose. That is their experience of truth and how they put sense on a life without any. And when so much nonsense becomes popular, we call it common sense. When common sense becomes a reality, we call it science. And when science is able to theorize common sense, we call it wisdom. Then, we wonder why the wisdom of those we name wise, does not help.

One of my former girlfriends asked me: 'Why do I need to say sorry but you never do?' And I answered her: 'If you had as many relationships, as you had sex with strangers in one night stands, you would not need to ask that question. If you did not have any one night stands, you would know the answer. But as that is not the case, if you are not willing to be my own personal whore, but you have chosen to be the whore of others, then you will never reach the level of understanding love. And I don’t expect you to understand what I just said. If many other people knew what I know, I wouldn’t be so famous as an author. Despite the cruelty of my language and words, they do reveal and represent a very high true, far above what the humans of earth can comprehend and accept, even if it manifests every day, in many lives, in front of their own eyes, and even inside their own life.

One of my former girlfriends asked me: 'Why do I need to say sorry but you never do?' And I answered her: 'If you had as many relationships, as you had sex with strangers in one night stands, you would not need to ask that question. If you did not have any one night stands, you would know the answer. But as that is not the case, if you are not willing to be my own personal whore, but you have chosen to be the whore of others, then you will never reach the level of understanding love. And I don’t expect you to understand what I just said. If many other people knew what I know, I wouldn’t be so famous as an author. Despite the cruelty of my language and words, they do reveal and represent a very high truth, far above what the humans of earth can comprehend and accept, even if it manifests every day, in many lives, in front of their own eyes, and even inside their own life.

I am very sorry to deny the existence of a political Santa Claus, or a non-aggression Easter Bunny, but the Allies only won World War II because they finally created superior military forces with which to stop the Germans and Japanese. The United States and NATO, after decades of weakening, are acting toward Russia today as the Indians acted in Tibet. They are pushing on Russia, subverting Russia’s position in Ukraine, without giving sufficient weight to the fact that Russia has the most modern nuclear forces on the planet and Europe is dependent on Russian natural gas. That is to say, we are threatening Russia with an unloaded gun; and that is dangerous, because Russia’s gun is loaded. As the example of India in 1962 shows, those who play at war without serious preparations are headed for defeat. In practical terms, we should have bombers in the air as Russia does. We should be matching them division for division. But we cannot do this because we believed in the “peace dividend” which we have spent. And we had conservative politicians like Newt Gingrich, who famously said, “I am a hawk. But I am a cheap hawk.” J.R.Nyquist

Damn if Oprah wasn't yakking with three movie actresses about what a hassle it was to be famous and have photographers snooping around, following you to the grocery and the ATM, whatever. Tool didn't feel one tiny bit sorry for her and them other gals, on account of they was rich enough to build twenty-foot walls around their mansions if they wanted. Butlers, bodyguards, the best of everything. Tool found himself thinking about Maureen, the old lady at Elysian Manor, alone and dying of God knows what kind of rotten cancer. Damn nurses won't even let her out of the sack to take a shower or go to the can. There's somebody would trade places with them actresses in a heartbeat, Tool thought, Maureen would. She'd be smilin' and wavin' at them photographers, she'd be so grateful not to be sick.

You think I became the world’s most famous, beloved athlete by tryin’ to be skinny?” “I’m sorry, could you repeat the question? Your ego is blocking my ears.

THIRD EMENDED VERSION , SOME OMISSIONS HAVING BEEN ADDED TO MY LAST '' PUBLICATION '' TO KEEP THE LOGIC MORE LUCID SORRY FOR SETTING EVERYTHING DOWN SO QUICKLY - ''SCALE THE HUMAN MOUNTAIN OF SUMLESS LIES UNTIL YOU LABORIOUSLY REACH THE SUMMIT THEN CAUSE IT TO CRUMBLE BY YOUR EQUALLY SUMLESS BURDEN OF VERITY THAT NO HUMAN MAY FAVOUR YOU WITH A GLANCE ANY MORE AND THOSE WHO DO ARE NO LONGER HUMAN HAVING DIVESTED THEMSELVES OF THEIR HUMANITY AS YOU DID BY VIRTUE OF THE FACT OF WHAT MAN HAS DONE TO HIMSELF BESIDES , YOU ARE ABLE TO ASCERTAIN HOW MANY '' FRIENDS '' YOU HAVE WHICH IS THE EMPTY SET CONTAINING ONE ELEMENT ONLY : VERITY ! , TO WHICH YOU PERTAIN AS WELL IT IS WHY IT IS THE HARDEST THING TO FIND THE PATH LEADING TO YOURSELF AND IT IS BY THE EMPTY SET THAT ALL OF MATHEMATICS HAS BEEN MADE AN EGREGIOUS LIE TOO IT IS MORE FACILE TO KILL SOMEONE OR , IF YOU ARE UNABLE TO , YOURSELF THAN IT IS TO LIVE ! DO YOU SEE THE POPLAR AND THE ROBIN THAT IS PERCHED ON IT ? ASK THEM ! THEY KNOW HOW TO LIVE YOU DON'T BECAUSE YOU ARE HUMAN AND INTELLIGENT : MAN IS ENDUED WITH HIS SPIRIT OF INVENTION WHICH HAS REDUCED LIFE TO ABSURDITY AS ALL THOSE THEORIES AND TEACHINGS SPRINGING FROM IT HAVE NEVER BENEFITED LIFE , ON THE CONTRARY , DESTROYED IT ! AN APPRECIATION OF THE MAJESTY OF VERITY ALSO ENTAILS THE INEVITABLE CATASTROPHE OF '' BEING '' AND HENCE THE INFELICITY OF YOURSELF WHICH HAS TO BE ASCRIBED TO THOSE PROFOUND TEACHINGS OF MAN AND THE IMPRECATIONS WHICH THEY HEAPED UPON LIFE AND BEHIND WHICH EVERYONE STRIVES TO CONCEAL HIMSELF AS SOMETHING SUBLIME , BROTHERLY , CUNNING , INGENIOUS CONVINCED OF THE '' SUCCESS '' OF SUCH BEING ! INGENUITY AND SUCCESS , DO THOSE TWO WORDS DIFFER ? , AS MAN IS DETREMINED BY THOSE CRITERIA AND HENCE LIFE !... WHAT ALSO COMES TO MIND HERE IS THIS - THERE IS SOMETHING VASTLY ABOMINABLE ABOUT SOCIETY : ITS MEMBERS ARE EVER SO FOND OF ALL THOSE MOVIE STARS AND ALL THOSE OTHER LUMINARIES AND WHAT IS LUMINOUS ABOUT THEM I DO NOT KNOW ! YET THEY ARE IN THE HABIT OF TREATING THOSE VERY SIGNIFICANT PEOPLE DIFFERENTLY FROM ORDINARY PEOPLE SUCH AS A HOUSEMAID OR A GROCER OR A SALESMAN AND SO FORTH , THEREBY CREATING SOMETHING UTTERLY CORRUPT : A FALSE IDEALISM ! THEY NEED THOSE LUMINARIES AS THEY LACK ANY IDEALISM THEMSELVES IN THEIR EVERYDAY REALITY WHICH HAS DEPRAVED THEM OF IT , OVERLOOKING HOWEVER , HOW TRULY ORDINARY IN TRUTH ALL THOSE STARS ARE ! AND ALLOWING THEIR LACK OF IDEALISM TO BE SUPERSEDED BY OTHER PEOPLE'S NONPRESENT IDEALISM ON ACCOUNT OF THEIR PROMINENCE MAKES EVERYTHING LOOK EVEN DARKER IN LIFE , AS THOUGH LIFE CONSISTED IN FAME ! IS THIS WHY IT IS SO DARK IN THE HUMAN WORLD ? AM I THE ONLY PERSON TO APPREHEND DARKNESS IN THEIR LIGHTNESS ? OR WHY IS SO DARK IN THIS WORLD ? SOMETHING LIKE THAT NEEDS TO BE SHRUGGED OFF AS SOMETHING INEXPLICABLY RATIONAL , WHENCE I HAVE ALWAYS THOUGHT MYSELF IRRATIONAL IN NOT GROVELLING BEFORE THOSE WHO ARE EVEN MORE ORDINARY THAN ALL THE OTHER ORDINARY NON-FAMOUS PEOPLE ARE ! IT IS IN PARTICULAR THOSE ALL-IMPORTANT DIGNITARIES WHO TASTE OF METHYLATED SPIRITS IN A MOST ACRID AND NAUSEATING FASHION ! SO MUCH FOR CLEANLINESS !... VENERABLE ANCIENT SHADES HOVERING OVER THIS LAKE THAT IS NO MORE AND OF WHICH I AM PART THE WORLD AROUND ME FADES I DISPEL ALL THOSE BLANK AND GRAINED IDEAS MAKING UP HUMAN EXISTENCE I AM NO MORE I DREAM AND HOPEFULLY I WILL NEVER TURN BACK SO AS TO SEE THAT BLANK AND GRAINED HUMAN EXISTENCE AGAIN WHICH CAUSES LIFE TO BLUR SO MUCH THAT I AM NO LONGER IN A POSITION TO SUFFER FOR THIS MUCH GUILT , WHAT IS LIFE ? AMEN !...

A wealthy man and his son loved to collect works of art. They had in their collection works ranging from Picasso to Raphael and Rembrandt. When the Vietnam War broke out, the son was drafted and sent to fight in ’Nam. He was very courageous and died in battle. The father was notified and grieved deeply for his only son. About a month later, a young lad appeared at the door to his house and said, “Sir, you don’t know me, but I am the soldier for whom your son gave his life that fateful day. He was carrying me to safety when a bullet struck him in the heart. He died instantly. He used to often talk about you and your love for art. Here’s something for you,” he added, holding out a package. “It is something that I drew. I know I am not much of an artist, but I wanted you to have this from me as a small measure of memory and thanks.” It was a portrait of his son, painted by the young man. It captured the personality of his son. The father’s eyes welled up with tears as he thanked the young man for the painting. He offered to pay for the picture, but the man replied, “Oh! No, sir. I could never repay what your son did for me. It is my gift to you.” The father hung the portrait over his mantel and showed it proudly to all his visitors along with all of the great works of art he possessed. Some time later, the old man died. As decreed in his will, his paintings were all to be auctioned. Many influential and rich people gathered together, excited over the prospect of owning one of the masterpieces. On a platform nearby also sat the painting of his son. The auctioneer pounded his gavel. “Let’s start the bidding with the picture of his son. Who will bid for this picture?” There was silence. A voice shouted from the back, “Let’s skip this one. We want the famous masters.” But the auctioneer persisted. “Ten dollars, twenty dollars, what do I hear?” Another voice came back angrily, “We didn’t come here for this. Let’s have the Picassos, the Matisses, the van Goghs.” Still the auctioneer persisted. “The son. Anyone for the son? Who’ll take the son?” Finally a quavering voice came from the back. It was the longtime gardener of the house. “I’ll take the son for ten dollars. I am sorry, but that’s all I have.” “Ten dollars once, ten dollars twice, anybody for twenty dollars? Sold for ten dollars.” “Now let’s get on with the auction,” said a wealthy art aficionado sitting in the front row. The auctioneer laid down his gavel and spoke. “I am sorry, but the auction is over.” “But what about the other paintings? The masters?” “The auction is over,” said the auctioneer. “I was asked to conduct the auction with a stipulation, a secret stipulation that said that only the painting of the son would be auctioned. Whoever bought that painting would inherit the entire estate, paintings and all. The one who took the son gets everything.

Overrated A famous author told me, 'Fame is overrated.' "Sorry," I said, "but I want to know first hand if it's overrated.

I'm not afraid of her," she said. "That's just the way old women are. I'm not afraid of anybody. I feel sorry for them, coming to me someday begging me to forgive 'em because they didn't realize I was going to turn out so rich and famous.

Our special today is a Peach Pop Jack. That’s a generous helping of rotted peach peel mixed with our special blend of puréed poppyseed and a splash of arsenic to give it a kick.” “Rotted peach peel and arsenic!” Imogenia interrupted. “Are you trying to kill—” She stopped herself and smiled. “Sorry, I’m not used to being dead. You were saying?” “We also have our standard Boo Tea, curdled milk shakes, Soggy Surprise, and our famous Blackened Booger Sludge.

The red caravan, picked out with black and yellow, is ours,’ said Dick. ‘The blue one, picked out in black and yellow, is yours and Anne’s.’ ‘Woof,’ said Timmy at once. ‘Oh, sorry – yours too, Timmy,’ said Dick at once, and everyone chuckled.

Looks like we found it." John said. "Where are we?" As far as Link could tell, there was nothing to find. John pointed up at the white signs at the intersection that read 61 and 49, and Liv checked her selonometer as if they weren't standing in the middle of nowhere. "Are those numbers supposed to mean something to us?" Floyd asked. "We're at the intersection of Highways 61 and 49 in Clarksdale, Mississippi," John said. Sampson shook his head. " I feel like an idiot. Any guitar player worth his strings knows about this place. It's where Robert Johnson made a deal with the Devil." Floyd's eyes widened. "Seriously? We're at the crossroads?" John nodded. "The one and only." Liv glanced at John. "I'm assuming this is an American thing?" He put his arm around her. "Yeah, sorry. It's an old rock and roll myth- at least as far as mortals are concerned. In the 1930s, a blues musician named Robert Johnson disappeared for a couple of weeks. According to the story, he brought his guitar right here to this crossroads-" Link jumped in. "Then he traded his soul to become the most famous blues guitarist in history." Sampson tugged on his leather pants, which weren't the best choice in the Mississippi heat. "Totally a fair trade, as far as I'm concerned." "Thought the same thing myself," a man's voice called out from behind them. Link wheeled around. A young man wearing a wrinkled white shirt, a black jacket, and a Panama hat stood on the side of the road with a three-legged black Labrador. There was a weariness in the man's eyes of someone much older. A battered guitar hung from a strap slung around his back.

Dorian? Is that an important publisher?" "Count Dorian is really famous. How do you not know him?" "I can only think of the Dorian in the painting. You know, Oscar Wilde’s beautiful, cursed one?" he says. "Sorry. And, anyway, why is he important?" he asks, noting her apprehension. "Well, for one thing, he’s a Count." "Pardon..." he mocks, in a French accent. "Why is this Count famous?" "Because he cultivates young talent. He’s launched a lot of young people in different fields: music, painting, sculpture, fashion, theater, movies." She pauses for breath. "And writers, too." "So he’s a type of patron." She nods. "And he’s contacted you about your novels?" She nods again. "And what’s the problem?" "He has an estate in Tuscany, as well as houses in New York and Hong Kong. And he’s asked to meet me." "Are you embarrassed to go on your own? I can take you if you want. But if he’s a talent hunter, you just need to act as natural as possible and you'll be fine. I imagine he’s used to it. He can’t not like you," he says, caressing her face. "He thinks I’m a man..," she whispers. Andrea freezes. "Eh?!" he exclaims, looking at her and suddenly feeling a strange foreboding. "I

with you, as your date?” Liam asks me. “Yes,” I say quietly. “I’m so sorry. What can I do for you in return?” “Well, since you offered,” Liam responds, “I would like some information.” “Information?” I ask with a frown. “Yes,” Liam says. “Remember all those deep, dark secrets I said I’d extract from you? Well, if you share them with us, then I’ll be your date for your sister’s wedding.” This is probably the worst thing he could have requested. My mouth feels suddenly very dry. “Um. Isn’t there anything else you might want? Maybe I could dedicate my next book to you?” He laughs lightly. “You’re going to do that anyway once I get your sight back.” I rack my brain, searching for something I could give him. “I’ll have my publisher put out a press release,” I offer, “or maybe schedule an event, like a book launch. We can publicly declare that you’re the hero who helped the semi-famous blind author Winter Rose to see. Even if it doesn’t work, and I can’t see, I’ll pretend like I can, and you’ll probably get tons of research grants and stuff.” “I’m pretty sure that you’re going to do that anyway,” Liam tells me, “because it’s a good story that will sell books.” “Okay,” I mumble, getting desperate. “How about I name a character after you?” “That would be nice,” Liam says. “I’ll take all of the above, but I’ll still need one additional thing to sweeten the pot. Information.” “Why?” I moan in protest. “Because I’m curious,” he answers in a good-natured way. “Come on. It can’t be that bad. Tell me your deepest, darkest secrets.” I sigh. “Are you sure?” “Yes.” “Really? Right here. Right now? In front of Owen?” “Yeah, why not?” Liam says cheerfully. “He’s been telling us way more than we need to know for a while.” “I want to hear, too,” Owen chimes in.  “Entertain us, storyteller!” I spend a moment gathering my composure. I smooth my hands over my legs, and look around uneasily. Taking a deep breath, I try to mentally prepare myself for what I’m about to say to two complete strangers. “Well... three years ago, I was raped.” A hush falls over the car. I can feel the men looking

pity [celebrities]. No, I do. [Celebrities] were once perfectly pleasant human beings . . . but now . . . their wrath is awful. . . . More than any of us, they wanted fame. They worked, they pushed. . . . The morning after . . . each of them became famous, they wanted to take an overdose . . . because that giant thing they were striving for, that fame thing that was going to make everything okay, that was going to make their lives bearable, that was going to provide them with personal fulfillment and . . . happiness, had happened. And nothing changed. They were still them. The disillusionment turned them howling and insufferable. She was sorry for them. They had the thing they had thought would make everything okay—and it didn’t. Then Heimel added a statement that took my breath away: “I think when God wants to play a really rotten practical joke on you, he grants your deepest wish.”20 You know what Jesus is saying to the paralyzed man? I’m not going to play that rotten joke on you. I’m not going to just heal your body and let you think you’ve gotten your deepest wish. Going Deeper

I pity [celebrities]. No, I do. [Celebrities] were once perfectly pleasant human beings . . . but now . . . their wrath is awful. . . . More than any of us, they wanted fame. They worked, they pushed. . . . The morning after . . . each of them became famous, they wanted to take an overdose . . . because that giant thing they were striving for, that fame thing that was going to make everything okay, that was going to make their lives bearable, that was going to provide them with personal fulfillment and . . . happiness, had happened. And nothing changed. They were still them. The disillusionment turned them howling and insufferable. She was sorry for them. They had the thing they had thought would make everything okay—and it didn’t. Then Heimel added a statement that took my breath away: “I think when God wants to play a really rotten practical joke on you, he grants your deepest wish.”20 You know what Jesus is saying to the paralyzed man? I’m not going to play that rotten joke on you. I’m not going to just heal your body and let you think you’ve gotten your deepest wish. Going Deeper

You really want my honest opinion?” I ask. Anton gestures for me to go on. “Please, this is why I hired you, devochka.” I detect a little hint of sarcasm, but I go ahead and say, “I hate restaurants like this.” “Why?” He seems genuinely curious to know why. “Because—because they’re expensive.” “What is the problem? I’m paying for everything.” I shake my head. “It’s not that—you see,” I lower my voice, “ this is where famous people eat.” “Famous?” Anton pretends to look around. “Where?” “I think that’s the guy from that prank show. And there’s that guy from those vampire movies. And Maya Findlay.” “Yeah? I don’t know who they are.” “Really?” I ask dubiously. “I’m not into the famous people thing too.” “Really.” “Yes.” “Which is why you only date models who want to become actresses.” I notice him giving me a look. “Sorry,” I say sheepishly.

Why should sinners prosper and sins suffer? It is ignorant; don't think that the poorer you are the quicker you will see God, sorry no unclean thing shall see heaven. Poverty is a disgrace to God. The earth is the Lord's and the fullness thereof. You can be free, you can perform a miracle if you are a born again. I do not mean Church goers.

Lonely and feeling sorry for herself, she regularly wandered from her second floor apartment to the kitchens to chat to the staff. On one famous occasion Diana, barefoot and casually dressed in jeans, buttered toast for an astonished footman.

You see, it's this way. It is inme. I can't help it. And Father said I was always to keep on writing. He said I would be famous some day. Wouldn't you like to have a famous niece, Aunt Elizabeth?" "I am not going to argue the matter," said Aunt Elizabeth. "I'm not arguing—only explaining." Emily was exasperatingly respectful. "I just want you to understand how it is that I have to go on writing stories, even though I am so very sorry you don't approve." "If you don't give up this—this worse than nonsense, Emily, I'll—I'll—" Aunt Elizabeth stopped, not knowing what to say she would do. Emily was

Writing a clean, lean, simple story is one of the hardest things in the world to do. When stories are first born, they’re always big and complicated, but simple stories are more powerful and meaningful. Think of Blaise Pascal’s famous postscript: “I’m sorry for writing such a long letter, but I didn’t have the time to write a shorter one.” Writers are always inclined to make their stories bigger and more complicated than anyone else wants them to be. Luckily, there are gatekeepers to cut us off at the pass. Editors chop novels down to size. Theater directors chop out scenes that don’t work. Producers slice the fat out of screenplays. They take sprawling, complicated messes and find the lean, simple story hiding inside. Ghostbusters was sold to the studio in the form of a forty-page treatment. It was set in the future. New York had been under siege by ghosts for years. There were dozens of teams of competing ghostbusters. Our heroes were tired and bored with their job when the story began. The Marshmallow Man showed up on page 20. The budget would have been bigger than any movie ever made, and far more than anybody was willing to spend. So why did the studio buy it? Because it liked one image: a bunch of guys who live in a firehouse slide down a pole and hop in an old-fashioned ambulance, then go out to catch ghosts. So the studio stripped away all the other stuff, put that image in the middle of the story, spent the first half gradually moving us from a normal world gradually that moment, and spent the second half creating a heroic payoff to that situation. That’s it. That’s all they had time to do. A few years after the success of Ghostbusters, one of the writers/stars of that movie, Harold Ramis, found himself on the other side of the fence. He wanted to direct a script called Groundhog Day, written by first-time screenwriter Danny Rubin. This was a very similar situation: In the first draft of that movie, the weatherman had already repeated the same day 3,650,000 times before the movie began! Everybody loved the script, so Rubin had his pick of directors, but most of them told him up front they wanted him to rewrite the story to begin with the origin of the situation. Ramis won the bidding war by promising Rubin he would stick to the in medias res version. Guess what happened? By the time the movie made it to the screen, Ramis had broken his promise. The final movie spends the first half getting the weatherman into the situation and the second half creating the most heroic payoff.

Metahemeralism. Tell me about it. Everything you know. I gotta know something about metahemeralism." "I'm sorry. I don't know what that is." "I don't either," Bunny would say brokenly. "Got to do with art or pastoralism or something. That's how I gotta tie together John Donne and Izaak Walton, see." He would resume pacing. "Donne. Walton. Metahemeralism. That's the problem as I see it." "Bunny, I don't think "metahemeralism" is even a word." "Sure it is. Comes from the Latin. Has to do with irony and the pastoral. Yeah. That's it. Painting or sculpture or something, maybe." "Is it in the dictionary?" "Dunno. Don't know how to spell it. I mean" — he made a picture frame with his hands — "the poet and the fisherman. Parfait. Boon companions. Out in the open spaces. Living the good life. Metahemeralism's gotta be the glue here, see?" And so it would go on, for sometimes half an hour or more, with Bunny raving about fishing, and sonnets, and heaven knew what, until in the middle of his monologue he would be struck by a brilliant thought and bluster off as suddenly as he had descended. He finished the paper four days before the deadline and ran around showing it to everyone before he turned it in. "This is a nice paper, Bun — ," Charles said cautiously. "Thanks, thanks." "But don't you think you ought to mention John Donne more often? Wasn't that your assignment?" "Oh, Donne," Bunny had said scoffingly. "I don't want to drag him into this." Henry had refused to read it. "I'm sure it's over my head, Bunny, really," he said, glancing over the first page. "Say, what's wrong with this type?" "Tripled spaced it," said Bunny proudly. "These lines are about an inch apart." "Looks kind of like free verse, doesn't it?" Henry made a funny little snorting noise through his nose. "Looks kind of like a menu," he said. All I remember about the paper was that it ended with the sentence "And as we leave Donne and Walton on the shores of Metahemeralism, we wave a fond farewell to those famous chums of yore.

Everyone thinks I’m special,” he said at last. “All those people in the Leaky Cauldron, Professor Quirrell, Mr. Ollivander . . . but I don’t know anything about magic at all. How can they expect great things? I’m famous and I can’t even remember what I’m famous for. I don’t know what happened when Vol-, sorry — I mean, the night my parents died.

• I am that I am As Moses asked for his name, God's response to Moses was ‘Ham-Sah’ or ‘I am that I am’ according to the famous lines of the Hebrew Torah. ‘I am that I am’ reaffirms God's eternal existence which is all, where all that is the God of nature. Breathe in whilst meditating whilst saying ‘ham’. With that, you understand your identity and all you are-your perceptions, your thoughts, and your memories. Breathing out and trying to say ‘sa’ to identify with all that you are, with all that's there. Through their senses, feelings and experiences, the lives of those before you. • Aham-Prema The mantra is said to be ‘Aah-ham-pree-mah’. In ‘I am Divine Love’ it translates. Chanting this mantra, you surround yourself with divine love–all that is and can be unconditional love to you. These are the traits; acceptance, innocence, respect, admiration, love, thanks, forgiveness, empathy, feeling, unity. Aham Prema' is a simple mantra which should be repeated 108 times in a chant. This puts together, in harmony, spirit, body and soul. That will allow you to leave behind your history. It will clear your mind and give you focus from distraction. Aham Prema' will give you energy and fresh start. • Ho’oponopono It is an old Hawaiian word, declared ‘ho-oh-pono-pono’. The meaning is: ‘I love you; I'm sorry; excuse me, please; thank you’. People who find themselves overcome with feelings of anger, guilt, which have problems caused by complicated interpersonal relationships who find themselves unable to express their feelings about their loved ones are chosen to do so. People who feel wrong and find it hard to obtain forgiveness for themselves. It opens your heart to say ‘I love you’. Saying ‘I'm sorry’ makes you calm. Saying ‘Please forgive me’ accepts your imperfections and expresses your thanks for saying' thank you.' The chant will cure your karmic effect and give you a chance to start fresh.

A student of the Great Depression drawn into the topic by Friedman and Schwartz, Bernanke retained a keen awareness of the Fed’s role and responsibility. Only a few years earlier, at a conference celebrating Friedman’s ninetieth birthday, Bernanke famously paid homage to the pair: “Regarding the Great Depression. You’re right, we did it. We’re very sorry. But thanks to you, we won’t do it again.”1 This connection between the Fed and economic depression—burned into public consciousness by Friedman and Schwartz’s pathbreaking book—would be the essential starting point for navigating the crisis.

He sets the Gatorade down and strides toward me. “Wait, hold up. I’ll still help you with training, when I can. I jog most mornings anyway.” “That’s not necessary. I’ll just walk the marathon if I have to.” Conor shakes his head. “What is it with you and this damn marathon? Just drop out of it, Harlow.” “I can’t.” “Why?” “Because it’s being run in my hometown in memory of my parents.” Conor exhales. “Why didn’t you just tell me that?” “I’m sick of people feeling sorry for me. I didn’t want your help because I’m an orphan and you pitied me.

Almost as famous as Wallenstein himself is his dictum: It is easier to maintain an army of one hundred thousand men than one of twelve thousand. And the army of which we are speaking consisted largely of men under his command who had laid waste to Germany in the course of the war so celebrated for itself and for its effects, later known, for its duration, as the Thirty Years’ War, which was then in its eleventh year. There was also Wallenstein’s own regiment, led by one of his lieutenants. Most of the other condottieri had served under his command, including more than one who, four years later, would contribute to his meeting the sorry end that everyone knows.[*8]

Have you ever looked at a picture of yourself when you were a kid? Or pictures of famous people when they were kids? It seems to me that they can either make you happy or sad. There's a lovely picture of Paul McCartney as a little boy, and the first time I saw it, it made me feel good: all that talent, all that money, all those years of blissed-out domesticity, a rock-solid marriage and lovely kids, and he doesn't even know it yet. But then there are others — JFK and all the rock deaths and fuckups, people who went mad, people who came off the rails, people who murdered, who made themselves or other people miserable in ways too numerous to mention, and you think, stop right there! This is as good as it gets! Over the last couple of years, the photos of me when I was a kid, the ones that I never wanted old girlfriends to see . . . well, they've started to give me a little pang of something, not unhappiness, exactly, but some kind of quiet, deep regret. There's one of me in a cowboy hat, pointing a gun at the camera, trying to look like a cowboy but failing, and I can hardly bring myself to look at it now. Laura thought it was sweet (she used that word! Sweet, the opposite of sour!) and pinned it up in the kitchen, but I've put it back in a drawer. I keep wanting to apologize to the little guy: 'I'm sorry, I've let you down. I was the person who was supposed to look after you, but I blew it: I made wrong decisions at bad times, and I turned you into me.

Well, you're just going to have o try harder, Ava," Mom snapped. "Whatever happened just suck it up and tell them you're sorry even if you weren't wrong. It's not every day a girl gets to go to school with one of the most famous heiresses in the country.

Howard looked annoyed but nodded. “Go ahead, audience member. I’ll repeat the question: What were the famous last words of Arthur Conan Doyle?” Nina stood up tall. “His last words were, ‘I have made a terrible mistake, Tom. There is room for you in my life, plenty of room. Please give me a second chance.’” Total silence. QuizDick frowned and flipped over the card in his hand. “Uh, that’s not what I have here.” “Wait,” said Tom, “he also said, ‘What about the next time you freak out? I don’t want to be with someone who’s ready to throw me under the bus every time she loses her composure.’” “He has a point,” muttered Lydia. “Shut up,” said Nina. The Quizzly Bear captain said, “Wait a minute, are you allowed two guesses?” “I know,” replied Nina. “I’m sorry. I can only promise to try harder.” She swallowed and raised her voice. “Being with you is as good as being alone.

Never and forever are not opposites," Cecibel read, "'They are two parts of a whole. Like love and pain. Joy and sorry. Life and death. Like monster and princess. But between love and pain there is comfort. Between joy and sorry there is contentment. Between life and death there is experience. Between monster and princess there is courage. And between never and forever, there is everything.

I'm in deep mourning' (Max) 'Oh. I'm sorry. Who-' (Phoebe) 'My phone.' 'I'd feel manipulated here if this was anybody but you.

Bucket!” I tried to say, clawing at my throat, but the words came out garbled. “BERGHED!” Lucius heard me and his eyes brightened. “Ah! Of course! You wish me to sing the ballad of Berghed, the famous maiden whose hand in marriage could only be won by defeating her in combat. You will not be sorry; my mother always said I had a wonderful voice.” Lucius opened his jaws and inhaled a giant gulp of air.

I was about to call you,’ she says. ‘Is everything OK?’ Libby nods, takes her phone out of her bag, then her lip balm and her cardigan, tucks the bag under her desk, unties her hair, ties it up again, pulls out her chair and sits down heavily. ‘Sorry,’ she says eventually. ‘I didn’t sleep last night.’ ‘I was going to say,’ says Dido. ‘You look awful. The heat?’ She nods. But it wasn’t the heat. It was the insides of her head. ‘Well, let me get you a nice strong coffee.’ Normally Libby would say no, no, no, I can get my own coffee. But today her legs are so heavy, her head so woolly, she nods and says thank you. She watches Dido as she makes her coffee, feeling reassured by the sheen of her dyed black hair, the way she stands with one hand in the pocket of her black tunic dress, her tiny feet planted wide apart in chunky dark green velvet trainers. ‘There,’ says Dido, resting the cup on Libby’s table. ‘Hope that does the trick.’ Libby has known Dido for five years. She knows all sorts of things about her. She knows that her mother was a famous poet, her father was a famous newspaper editor, that she grew up in one of the most illustrious houses in St Albans and was taught at home by a

famous saying, “If at first you don’t succeed, quit and try something else.” Great advice.

Angela Lansbury is famous. Everyone knows who that is. This Brittany person—I’ve never heard of her.