Sometimes It Just Clicks Quotes

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Sometimes I arrive just when God's ready to have somone click the shutter.
Ansel Adams
Sometimes you meet a person and you just click--you're comfortable with them, like you've known them your whole life and you don't have to pretend to be anyone or anything.
Alexandra Ardonetto
Walter Issacson biographer of Steve Jobs: I remember sitting in his backyard in his garden, one day, and he started talking about God. He [Jobs] said, “ Sometimes I believe in God, sometimes I don’t. I think it’s 50/50, maybe. But ever since I’ve had cancer, I’ve been thinking about it more, and I find myself believing a bit more, maybe it’s because I want to believe in an afterlife, that when you die, it doesn’t just all disappear. The wisdom you’ve accumulated, somehow it lives on.” Then he paused for a second and said, “Yea, but sometimes, I think it’s just like an On-Off switch. Click. And you’re gone.” And then he paused again and said, “ And that’s why I don’t like putting On-Off switches on Apple devices.” Joy to the WORLD! There IS an after-life!
Walter Isaacson (Steve Jobs)
So what don't you get?" "The way people talk and act like they're crazy in love, and then, ding, suddenly they're not. It's like it was all just pretend. Like it's just a game." He crunched on an ice cube. "Well, sometimes it is just a game." "Then how are you supposed to believe someone when it isn't?
Elizabeth Chandler (Love at First Click (First Kisses, #6))
For Jenn At 12 years old I started bleeding with the moon and beating up boys who dreamed of becoming astronauts. I fought with my knuckles white as stars, and left bruises the shape of Salem. There are things we know by heart, and things we don't. At 13 my friend Jen tried to teach me how to blow rings of smoke. I'd watch the nicotine rising from her lips like halos, but I could never make dying beautiful. The sky didn't fill with colors the night I convinced myself veins are kite strings you can only cut free. I suppose I love this life, in spite of my clenched fist. I open my palm and my lifelines look like branches from an Aspen tree, and there are songbirds perched on the tips of my fingers, and I wonder if Beethoven held his breath the first time his fingers touched the keys the same way a soldier holds his breath the first time his finger clicks the trigger. We all have different reasons for forgetting to breathe. But my lungs remember the day my mother took my hand and placed it on her belly and told me the symphony beneath was my baby sister's heartbeat. And I knew life would tremble like the first tear on a prison guard's hardened cheek, like a prayer on a dying man's lips, like a vet holding a full bottle of whisky like an empty gun in a war zone… just take me just take me Sometimes the scales themselves weigh far too much, the heaviness of forever balancing blue sky with red blood. We were all born on days when too many people died in terrible ways, but you still have to call it a birthday. You still have to fall for the prettiest girl on the playground at recess and hope she knows you can hit a baseball further than any boy in the whole third grade and I've been running for home through the windpipe of a man who sings while his hands playing washboard with a spoon on a street corner in New Orleans where every boarded up window is still painted with the words We're Coming Back like a promise to the ocean that we will always keep moving towards the music, the way Basquait slept in a cardboard box to be closer to the rain. Beauty, catch me on your tongue. Thunder, clap us open. The pupils in our eyes were not born to hide beneath their desks. Tonight lay us down to rest in the Arizona desert, then wake us washing the feet of pregnant women who climbed across the border with their bellies aimed towards the sun. I know a thousand things louder than a soldier's gun. I know the heartbeat of his mother. Don't cover your ears, Love. Don't cover your ears, Life. There is a boy writing poems in Central Park and as he writes he moves and his bones become the bars of Mandela's jail cell stretching apart, and there are men playing chess in the December cold who can't tell if the breath rising from the board is their opponents or their own, and there's a woman on the stairwell of the subway swearing she can hear Niagara Falls from her rooftop in Brooklyn, and I'm remembering how Niagara Falls is a city overrun with strip malls and traffic and vendors and one incredibly brave river that makes it all worth it. Ya'll, I know this world is far from perfect. I am not the type to mistake a streetlight for the moon. I know our wounds are deep as the Atlantic. But every ocean has a shoreline and every shoreline has a tide that is constantly returning to wake the songbirds in our hands, to wake the music in our bones, to place one fearless kiss on the mouth of that brave river that has to run through the center of our hearts to find its way home.
Andrea Gibson
Sometimes I do get to places just when God's ready to have somebody click the shutter.
Ansel Adams
Sometimes in life there are these random moments when everything just clicks. When all the fragments of your fractured past fall together, merging in your mind to form a lucid image of your future. Each mistake made becomes a vital piece as it serves whatever purpose necessary to complete the picture as a whole and suddenly everything becomes so clear.
L.B. Simmons (The Resurrection of Aubrey Miller)
It felt like a puzzle, mostly put together but with a piece missing, waiting to be filled. There were plenty of pieces to fill it- gay, straight, bisexual- but none fit quite right. Sometimes I thought I could make one fit if I pressed hard enough, but it would never lie flat. The word asexual took the puzzle piece and turned it, letting it click into place where before it'd been better to just leave the space empty. I wasn't broken. I wasn't empty. I wasn't nothing at all. Just a little differently shaped.
Amanda DeWitt (Aces Wild: A Heist)
Sometimes you just click with someone in a way that sets your soul on fire,
Morgan Bridges (Once You're Mine (Possessing Her, #1))
There are two different kinds of glee club in this world. The first sing barbershop favourites and Gershwin tunes, they swing gently, moving from side to side and sometimes clicking their fingers and winking. Howard could basically deal with that type. He had got through those occasions graced by glee clubs of that type. But these boys were not of that type. Swaying and clicking and winking were just how they got warmed up. Tonight this glee club had chosen as their opener ‘Pride (In the Name of Love)’ by U2, which they had taken the trouble to transform into a samba. They swayed, they clicked, they winked. They did coordinated spins. They switched places with each other. They moved forward, they moved back – always retaining their formation. They smiled the kind of smile you might employ when trying to convince a lunatic to quit holding a gun to your mother’s head.
Zadie Smith (On Beauty)
Sometimes you just click with someone in a way that sets your soul on fire, and that’s okay.
Morgan Bridges (Once You're Mine (Possessing Her, #1))
I quite love memorizing lines, actually. I sort of enjoy... quoting them to narrate my own life in some ways." He laughs, self-conscious. "That sounds absurd, I'm sure. I promise you it makes more sense than it seems." "No, I think it makes perfect sense," Louis replies with a shrug. "That's what I enjoy about reading, you know? Remembering certain poignant lines. Spewing 'em out later and keeping them with you. Sometimes you'll be in a certain situation and you'll be a bit speechless almost? You know?" Harry nods, now watching him with light in his eyes, a smile barely hidden. "And suddenly this borrowed line will just pop into your head and it just clicks into place with you. Sometimes you need someone else to fill in your blanks, I reckon.
Velvetoscar (The Actor)
I found the world of the Little House books to be so much less confusing, not just because it was "simpler," as plenty of people love to insist, but because it reconciled all the little contradictions of my modern girlhood. On the Banks of Plum Creek clicked with me especially, with its perfect combination of pinafores and recklessness. (I will direct your attention to the illustration on page 31 of my Plum Creek paperback, where you will note how fabulous Laura looks as she pokes the badger with a stick; her style is casual yet feminine, perfect for precarious nature adventures!) At an age when I found myself wanting both a Webelos uniform and a head of beautiful Superstar Barbie hair, On the Banks of Plum Creek was a reassuring book. Being a girl sometimes made more sense in Laura World than it did in real life.
Wendy McClure (The Wilder Life: My Adventures in the Lost World of Little House on the Prairie)
Today’s dating sites mean easy access to countless singles tailored to your exact desires, with your perfect match only a click of a button away. Or at least that’s how we think it should be—but sometimes too much choice can just make it harder to weed out the bad options. For some of us, online dating is a succession of frogs with no prince at the end of it. For others, more choice seems to equal more rejection. The good news, as ever, is that math can help.
Hannah Fry (The Mathematics of Love: Patterns, Proofs, and the Search for the Ultimate Equation)
Yeah, I was still into her, but I’d kind of resigned myself to the fact that we couldn’t be anything more than friends. At least for now. Because the fact of the matter was, we actually made pretty great friends. It was kind of weird to think we’d only known each other for two weeks. It felt like I’d known her a lot longer. And I know she felt the same. What can I say? Sometimes, when it comes to certain people, you just click. I still wanted to suck her face, however.
T. Torrest (Trip)
We all lie. We all guard secrets—sometimes terrible ones—a side to us so dark, so shameful, that we quickly avert our own eyes from the shadow we might glimpse in the mirror. Instead we lock our dark halves deep in the basement of our souls. And on the surface of our lives, we work industriously to shape the public story of our selves. We say, “Look, world, this is me.” We craft posts on social media . . . See this wonderful lunch I’m eating at this trendy restaurant with my besties, see my sexy shoes, my cute puppy, boyfriend, tight ass in a bikini. See my gloriously perfect life . . . see what a fucking fabulous time I’m having drunk and at this party with my boobs swelling out of my sparkly tank top. Just look at those hot guys draped all over me. Aren’t you jealous . . . And then you wait to see how many people LIKE this fabricated version of yourself, your mood hinging on the number of clicks. Comments. Who commented. But darkness has a way of seeping through the cracks. It seeks the light . . .
Loreth Anne White (The Drowned Girls (Angie Pallorino, #1))
Different ideas will capture my imagination and ask if they can be in a story. Sometimes they fit together and sometimes they don't. One notion leads to another and I might write pages that will have to go away later, but I'm sketching, getting to know a character, how he or she speaks or lives, so I just let it flow. Things start to click. I don't outline before starting, nor do I write one chapter at a time or even in chronological order. If I'm thinking about a scene, conversation, or event that will come later, I page down and write away.
Lisa Preston
Another thing I liked about the Dewey decimal system was that it could sometimes function as a secret code. Every once in a while during my high school years, I would hesitantly and cautiously type “gay” into a search bar in a card catalog. Just “gay,” as if more specificity would kill me right on the spot. Libraries were the only space I felt remotely comfortable even acknowledging the question—which didn’t yet even have words or language, just the faint outline of the punctuation. And where if not a library could I go to understand the unknown, to expand my world, to make sense out of gibberish? I would type “gay” and then survey the titles that came up and then click the window closed without ever doing any further exploring. I didn’t know what I thought I might find if I actually went to the aisle where the books were. A very quiet gay bar, perhaps? I figured it wasn’t worth the risk. But as I closed the screen, I memorized the Dewey decimal number of the section where, I presumed, a mirror ball sprinkled stardust across the aging carpet and the rows of books waiting to be opened.
R. Eric Thomas (Here for It; Or, How to Save Your Soul in America: Essays)
Mom?” Then again, louder. “Mom?” She turned around so quickly, she knocked the pan off the stove and nearly dropped the gray paper into the open flame there. I saw her reach back and slap her hand against the knobs, twisting a dial until the smell of gas disappeared. “I don’t feel good. Can I stay home today?” No response, not even a blink. Her jaw was working, grinding, but it took me walking over to the table and sitting down for her to find her voice. “How—how did you get in here?” “I have a bad headache and my stomach hurts,” I told her, putting my elbows up on the table. I knew she hated when I whined, but I didn’t think she hated it enough to come over and grab me by the arm again. “I asked you how you got in here, young lady. What’s your name?” Her voice sounded strange. “Where do you live?” Her grip on my skin only tightened the longer I waited to answer. It had to have been a joke, right? Was she sick, too? Sometimes cold medicine did funny things to her. Funny things, though. Not scary things. “Can you tell me your name?” she repeated. “Ouch!” I yelped, trying to pull my arm away. “Mom, what’s wrong?” She yanked me up from the table, forcing me onto my feet. “Where are your parents? How did you get in this house?” Something tightened in my chest to the point of snapping. “Mom, Mommy, why—” “Stop it,” she hissed, “stop calling me that!” “What are you—?” I think I must have tried to say something else, but she dragged me over to the door that led out into the garage. My feet slid against the wood, skin burning. “Wh-what’s wrong with you?” I cried. I tried twisting out of her grasp, but she wouldn’t even look at me. Not until we were at the door to the garage and she pushed my back up against it. “We can do this the easy way or the hard way. I know you’re confused, but I promise that I’m not your mother. I don’t know how you got into this house, and, frankly, I’m not sure I want to know—” “I live here!” I told her. “I live here! I’m Ruby!” When she looked at me again, I saw none of the things that made Mom my mother. The lines that formed around her eyes when she smiled were smoothed out, and her jaw was clenched around whatever she wanted to say next. When she looked at me, she didn’t see me. I wasn’t invisible, but I wasn’t Ruby. “Mom.” I started to cry. “I’m sorry, I didn’t mean to be bad. I’m so sorry, I’m so sorry! Please, I promise I’ll be good—I’ll go to school today and won’t be sick, and I’ll pick up my room. I’m sorry. Please remember. Please!” She put one hand on my shoulder and the other on the door handle. “My husband is a police officer. He’ll be able to help you get home. Wait in here—and don’t touch anything.” The door opened and I was pushed into a wall of freezing January air. I stumbled down onto the dirty, oil-stained concrete, just managing to catch myself before I slammed into the side of her car. I heard the door shut behind me, and the lock click into place; heard her call Dad’s name as clearly as I heard the birds in the bushes outside the dark garage. She hadn’t even turned on the light for me. I pushed myself up onto my hands and knees, ignoring the bite of the frosty air on my bare skin. I launched myself in the direction of the door, fumbling around until I found it. I tried shaking the handle, jiggling it, still thinking, hoping, praying that this was some big birthday surprise, and that by the time I got back inside, there would be a plate of pancakes at the table and Dad would bring in the presents, and we could—we could—we could pretend like the night before had never happened, even with the evidence in the next room over. The door was locked. “I’m sorry!” I was screaming. Pounding my fists against it. “Mommy, I’m sorry! Please!” Dad appeared a moment later, his stocky shape outlined by the light from inside of the house. I saw Mom’s bright-red face over his shoulder; he turned to wave her off and then reached over to flip on the overhead lights.
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
Through the fall, the president’s anger seemed difficult to contain. He threatened North Korea with “fire and fury,” then followed up with a threat to “totally destroy” the country. When neo-Nazis and white supremacists held a rally in Charlottesville, Virginia, and one of them killed a protester and injured a score of others, he made a brutally offensive statement condemning violence “on many sides … on many sides”—as if there was moral equivalence between those who were fomenting racial hatred and violence and those who were opposing it. He retweeted anti-Muslim propaganda that had been posted by a convicted criminal leader of a British far-right organization. Then as now, the president’s heedless bullying and intolerance of variance—intolerance of any perception not his own—has been nurturing a strain of insanity in public dialogue that has been long in development, a pathology that became only more virulent when it migrated to the internet. A person such as the president can on impulse and with minimal effort inject any sort of falsehood into public conversation through digital media and call his own lie a correction of “fake news.” There are so many news outlets now, and the competition for clicks is so intense, that any sufficiently outrageous statement made online by anyone with even the faintest patina of authority, and sometimes even without it, will be talked about, shared, and reported on, regardless of whether it has a basis in fact. How do you progress as a culture if you set out to destroy any common agreement as to what constitutes a fact? You can’t have conversations. You can’t have debates. You can’t come to conclusions. At the same time, calling out the transgressor has a way of giving more oxygen to the lie. Now it’s a news story, and the lie is being mentioned not just in some website that publishes unattributable gossip but in every reputable newspaper in the country. I have not been looking to start a personal fight with the president. When somebody insults your wife, your instinctive reaction is to want to lash out in response. When you are the acting director, or deputy director, of the FBI, and the person doing the insulting is the chief executive of the United States, your options have guardrails. I read the president’s tweets, but I had an organization to run. A country to help protect. I had to remain independent, neutral, professional, positive, on target. I had to compartmentalize my emotions. Crises taught me how to compartmentalize. Example: the Boston Marathon bombing—watching the video evidence, reviewing videos again and again of people dying, people being mutilated and maimed. I had the primal human response that anyone would have. But I know how to build walls around that response and had to build them then in order to stay focused on finding the bombers. Compared to experiences like that one, getting tweeted about by Donald Trump does not count as a crisis. I do not even know how to think about the fact that the person with time on his hands to tweet about me and my wife is the president of the United States.
Andrew G. McCabe (The Threat: How the FBI Protects America in the Age of Terror and Trump)
from the upcoming novel, Agent White: A figure dressed all in black ran across the rooftops in the rain. A black cloak fluttered behind him as he ran two and sometimes three stories above the sidewalk where Ezra Beckitt stood. Long silver hair tied back in a ponytail flew out behind him, exposing ears that came to sharp points. His left ear was pierced with a silver ring, high up in the cartilage. Like the old man, this black figure wore a sword; but this weapon was long and thin, slightly curved. The blade stuck out behind him for three and a half feet, almost seeming to glow against the grey backdrop of the rain-soaked cityscape. Suddenly, the figure in black looked down into the street and saw Ezra there. More, he saw Ezra seeing him. Startled, he lost his sure footing and slid down the steep incline of an older building’s metal roof, the busy street below waiting to catch him in an asphalt embrace. The figure in black got his feet under himself and pushed, flying out into space above the street. For an eternity Ezra watched him, suspended in the air and the rain with his cloak spread in midnight ripples around him, and then the figure in black flipped neatly and landed on the sidewalk half a block away. The pavement cracked, pushing up in twisted humps around the figure in black’s tall leather boots. Before the sound of this impact even reached Ezra the figure was up and gone, dashing through the morning throngs waiting for buses or headed to the ‘tram station. Ezra saw a girl’s hair blow back in the wind created by his passing, but she never noticed him. A young techie blinked his 20-20’s (Ezra’s own enhanced senses picked up the augmented eyes because of a strange, silvery glow in the pupils) and turned halfway around, almost seeing him. And then the figure in black darted into an alley, gone. Ezra drew his service weapon and ran after, pushing his way through the sidewalk traffic. Turning into the alley he skidded to a stop, stunned; the figure in black was still there. The alley was just wide enough to accommodate Ezra’s shoulders- he couldn’t have held his arms out at his sides. Dumpsters spilled their trash out onto the wet pavement. The alley ended in a fire door, the back exit of a store on the next street over. Even if it was locked, Ezra didn’t think it would pose a real problem for the figure in black. No, he was waiting for him. Ezra advanced with his gun out in front of him, and his eyes locked with the figure in black’s. His were completely black- no pupils, no corneas, only solid black that held no light. The figure in black smiled, exposing teeth that looked very sharp, and laid his hand on the hilt of his sword. He wore leather gloves with the fingers cut off. His fingers were very long and very white. “Don’t even think about it,” Ezra said, clicking the safety off his weapon. “I am a Hatis City Guard, an if you move I will put you down.” This only seemed to amuse the figure in black, whose smiled widened as he drew his sword. Ezra opened fire.
Michael Kanuckel
Are you ready, children?” Father Mikhail walked through the church. “Did I keep you waiting?” He took his place in front of them at the altar. The jeweler and Sofia stood nearby. Tatiana thought they might have already finished that bottle of vodka. Father Mikhail smiled. “Your birthday today,” he said to Tatiana. “Nice birthday present for you, no?” She pressed into Alexander. “Sometimes I feel that my powers are limited by the absence of God in the lives of men during these trying times,” Father Mikhail began. “But God is still present in my church, and I can see He is present in you. I am very glad you came to me, children. Your union is meant by God for your mutual joy, for the help and comfort you give one another in prosperity and adversity and, when it is God’s will, for the procreation of children. I want to send you righteously on your way through life. Are you ready to commit yourselves to each other?” “We are,” they said. “The bond and the covenant of marriage was established by God in creation. Christ himself adorned this manner of life by his first miracle at a wedding in Cana of Galilee. A marriage is a symbol of the mystery of the union between Christ and His Church. Do you understand that those whom God has joined together, no man can put asunder?” “We do,” they said. “Do you have the rings?” “We do.” Father Mikhail continued. “Most gracious God,” he said, holding the cross above their heads, “look with favor upon this man and this woman living in a world for which Your Son gave His life. Make their life together a sign of Christ’s love to this sinful and broken world. Defend this man and this woman from every enemy. Lead them into peace. Let their love for each other be a seal upon their hearts, a mantle upon their shoulders, and a crown upon their foreheads. Bless them in their work and in their friendship, in their sleeping and in their waking, in their joys and their sorrows, in their life and in their death.” Tears trickled down Tatiana’s face. She hoped Alexander wouldn’t notice. Father Mikhail certainly had. Turning to Tatiana and taking her hands, Alexander smiled, beaming at her unrestrained happiness. Outside, on the steps of the church, he lifted her off the ground and swung her around as they kissed ecstatically. The jeweler and Sofia clapped apathetically, already down the steps and on the street. “Don’t hug her so tight. You’ll squeeze that child right out of her,” said Sofia to Alexander as she turned around and lifted her clunky camera. “Oh, wait. Hold on. Let me take a picture of the newlyweds.” She clicked once. Twice. “Come to me next week. Maybe I’ll have some paper by then to develop them.” She waved. “So you still think the registry office judge should have married us?” Alexander grinned. “He with his ‘of sound mind’ philosophy on marriage?” Tatiana shook her head. “You were so right. This was perfect. How did you know this all along?” “Because you and I were brought together by God,” Alexander replied. “This was our way of thanking Him.” Tatiana chuckled. “Do you know it took us less time to get married than to make love the first time?” “Much less,” Alexander said, swinging her around in the air. “Besides, getting married is the easy part. Just like making love. It was the getting you to make love to me that was hard. It was the getting you to marry me…” “I’m sorry. I was so nervous.” “I know,” he said. He still hadn’t put her down. “I thought the chances were twenty-eighty you were actually going to go through with it.” “Twenty against?” “Twenty for.” “Got to have a little more faith, my husband,” said Tatiana, kissing his lips.
Paullina Simons (The Bronze Horseman (The Bronze Horseman, #1))
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RobertSoliz
What can I say? Sometimes, when it comes to certain people, you just click. I still wanted to suck her face, however.
T. Torrest (Trip (Remember When #1))
Thanks for reading all the way through. I hope that you enjoyed this book. As a new writer, it is hard to get started; it is difficult to find an audience that wants to read my books. There are millions of books out there and sometimes it is super hard to find one specific book. But that’s where you come in! You can help other readers find my books by leaving a simple review. It doesn’t have to be a lengthy or well written review; it just has to be a few words and then click on the stars. It would take less than 5 minutes.  Seriously, that would help me so much, you don’t even realize it. Every time I get a review, good or bad, it just fills me with motivation to keep on writing. It is a great feeling to know that somewhere out there, there are people who actually enjoy reading my books. Anyway, I would super appreciate it, thanks. If you see new books from me in the future, you will know that I wrote them because of your support. Thank you for supporting my work. Special thanks again to previous readers and reviewers. Thank you for encouraging me to keep writing. I’ll do my best to provide high quality books for you all. My Other Books
Steve the Noob (Diary of Steve the Noob 22 (An Unofficial Minecraft Book) (Diary of Steve the Noob Collection))
Or maybe you’ve been watching everyone else in your life find love, walk down the aisle, and start the life you’ve dreamed of for yourself. Then a few months ago you met someone who was everything you’ve been hoping for. You clicked with them. You told your friends you thought this might be the one. And then this week you felt that person pulling back. It’s hard to understand. You feel panicked. But the more you press in, the more distance you feel between the two of you. There are thousands of scenarios that evoke these feelings of uncertainty, fear, and exhaustion from life not being like you thought it would be. Whatever your situation is, you probably feel like you can’t change it, but you still have to live through the realities of what’s happening right now. Sometimes you just have to walk in your “I don’t know.
Lysa TerKeurst (It's Not Supposed to Be This Way: Finding Unexpected Strength When Disappointments Leave You Shattered)
Where are your parents, then?” “I don’t have them,” he says stiffly. “That’s ridiculous. Everyone has parents.” “Fine,” he shoots back. “where are yours?” “My mother’s on an adventure,” she says proudly. “And one day I’ll join her.” To the effervescent sea under the sun. To the northern witches in their deep forest homelands. Her skin tingles at the thought. Aleksander looks dubious. “Adventures are for fairy tales.” “Well she went on one. When I was ten—but she’ll be back.” She knows it. Sometimes her belief is so strong, she’s surprised the force itself doesn’t whisk her mother back to their doorstep. The thought of he mother makes her pause, as she listens for the click in the lock, the sound of her mother’s voice ringing through the house again. She says she’s too old for fairy tales, but if she just believes hard enough, wishes enough—
Georgia Summers (The City of Stardust)
Once he clicked onto the idea of turning off her offs, he started noticing more and more things he could do to help Laurie let go of the brakes. Sometimes it was a simple thing like doing the dishes and wiping down the kitchen counters. Sometimes it was, “Let’s take a night off of worrying about whether we’re going to have sex and just lie together and talk.” Sometimes it was setting up a date night with plenty of time for her to unwind.
Emily Nagoski (Come As You Are: The Surprising New Science That Will Transform Your Sex Life)
Sometimes - more often than not - he thought that Rachel and her classmates were just playing at being caring and open-minded, at noticing that there was a world wider than them, their college, their peers. They'd experience poverty in two-hour chunks twice a month. like it was a movie they were going to see or a TV show they were watching, something they'd click off or walk out of when it was done, something they sat through just so they could talk about it with everyone else who'd seen it and had something to say.
Jennifer Weiner (Who Do You Love)
About MC Steve Even when I was a kid, I knew I wanted to be a writer. Stories always fascinated me. And I did not just see them in books and movies… I saw them everywhere - especially in video games. When I looked at the characters in the video games I loved, I always wondered: What is their story? What do they spend their time thinking about? What great adventures will they have? Now, as an adult, and living in the greatest city in the world, I still wonder the same things. Living in New York means that ten thousand times a day I pass by strangers, each with rich and complicated lives I know nothing about. But I want to know! And when I want to know, I write. There is a medium for stories that I think many people – especially adults – ignore: and that is video games. So long and complicated are the plots of video games that sometimes they are richer than movies, or even books! In fact, it was Minecraft that actually got me going in my writing career. I saw it as a channel where the audience could not only engage in the stories, but actively participate in them. Hence, my desire to write my first book - Diary of a Minecraft Wimpy Zombie. When I first published my story, I was terrified. What will people think of me? Will they like my stories? However, given some time, kids have come up to me and told me how much they loved my book. They were not only reading, but enjoying my book! It was this feeling - reaching and connecting with kids – that inspired me to write some more. And, as I continued to write, the more positive feedback I got! Before I knew it, Readers’ Favorite rated my book 5 Stars and I became a #1 Amazon best-selling author, all from following my passion and responding to the passion I saw in others. Wimpy Zombie says, “Because zombies can’t go out into the sun, most of them tend to be afraid of anything that can go into the sun and live to tell the tale.” Let me say this: in a writer’s sense, I used to be a zombie. I was afraid to display my work to the light of day, for fear of the scorching rays of ridicule, embarrassment, or failure. But, like Wimpy Zombie eventually learns, and I learned myself, everyone needs to, at some point in their lives, be brave enough to venture into the sun. If you’d like to post a review, click on the button below and it will take you to the reviews page straightaway:  
M.C. Steve (Diary of a Noob Stev: Book 2 (Diary of a Noob Steve #2))
Incrementalism can lead to local maxima. Be willing to explore to find the big wins before testing smaller changes and tweaks. Conversely, sometimes it's the incremental refinements that prove or disprove your hypotheses about what your users respond to. Use the insights from small tests to guide and inform your thinking about bigger changes. Consider entirely new alternative approaches to your principal business goals. Be willing to go beyond just testing “variations on a theme”—you might be surprised. If you're working on a major site redesign or overhaul, don't wait until the new design is live to A/B test it. A/B test the redesign itself.
Dan Siroker (A/B Testing: The Most Powerful Way to Turn Clicks Into Customers)
email to the target-company’s employees. If just one employee clicked the email’s attachment (and all it took was one), the computer would download a webpage crammed with malware, including a “Remote Access Trojan,” known in the trade as a RAT. The RAT opened a door, allowing the intruder to roam the network, acquire the privileges of a systems administrator, and extract all the data he wanted. They did this with economic enterprises of all kinds: banks, oil and gas pipelines, waterworks, health-care data managers—sometimes to steal secrets, sometimes to steal money, sometimes for motives that couldn’t be ascertained. McAfee,
Fred Kaplan (Dark Territory: The Secret History of Cyber War)
Why won’t you give up this silly idea of homesteading?” Gertrude went on. Her tone of voice was moderate, but her blue eyes were snapping. “I can’t help thinking you’re just being stubborn, Lily. Caleb is well able to provide for you, I assure you. He comes from one of the finest families in Pennsylvania—I’ve known the Hallidays a long time.” Lily looked down at the floor for a moment, gathering her courage. “You wouldn’t understand,” she said softly. Gertrude sighed. “Do sit down,” she told Lily kindly, taking a chair herself. “Now what is it that I would find so difficult to understand?” “I love Caleb very much,” Lily began in a shaky voice, “but I’m not the woman for him.” Mrs. Tibbet raised her eyebrows. “Oh? And why not?” Lily leaned forward in her chair and lowered her voice to a whisper. “I think I may be like my mother.” “How so?” Mrs. Tibbet asked, smoothing her skirts. “She was—she drank. And there were men. Lots of men.” “Oh, dear,” said Mrs. Tibbet seriously. “And you drink?” Lily swallowed. “Well—no.” “Then there are men.” “Only Caleb,” Lily said quietly. “But he can make me do and say the most shameful things. I’m so afraid it’s because I’m—er—hot-blooded.” Mrs. Tibbet looked as though she might be trying to suppress a smile. “You wouldn’t be the first girl who’d given herself to a man before marriage, Lily. It isn’t a wise course of action, but it happens often enough.” Lily drew in a deep breath. “I suppose the drinking would come later,” she said, discounting Mrs. Tibbet’s remarks as mere kindness. “And then the men. No, I’m sure I’m better off going on with my life just as I’ve planned.” There was a rap at the door, and then Velvet put her head inside. “Pardon, missus, but dinner’s ready, and the men say they’re going to eat without you if you don’t hurry.” “We’ll be there in a moment,” Mrs. Tibbet answered. “And tell the men that if they don’t wait, they’ll have me to deal with.” “Yes, ma’am,” Velvet replied with a hint of laughter in her voice. The door closed with a click. Mrs. Tibbet turned back to her guest. “If you were my own daughter, Lily, I would tell you the same thing. You couldn’t do better than Caleb Halliday if you searched the world over for a man. Don’t throw away a chance at real happiness—it might be the only one you get.” Lily pushed herself out of her chair and went to stand at the window. From there she could see the moon rising above the roof of the house next door; it looked as though it had just squeezed out of the chimney. “Sometimes I think I know what I want. I’ll decide that I want to marry Caleb and forget all about having a homestead. But then I remember what Mama was like.” “Lily, you’re not your mother.” “No,” Lily agreed sadly, turning to face Mrs. Tibbet, her hands clasped in front of her. “But Mama was young and happy once, and she must have thought she was in love with my father. She married him, she had his children. And then something changed, and she began to drink. Papa went away—I don’t even remember him—and the men started coming around, one after the other …” Gertrude came to take Lily’s hands in her own. “Things will be different for you,” she said quietly. “You’re strong, and so is Caleb. Oh, Lily, don’t be afraid to take a chance.” At that moment the colonel thundered from the hallway that he was going to have his supper right then whether the women cared to come to the table or not, and Lily smiled. “I promise I’ll think things through very carefully, Mrs. Tibbet.” “Don’t take too long,” Gertrude answered, ushering her toward the door of the study. “Fate can take the strangest twists and turns, sealing us off from someone when we least expect it.” At
Linda Lael Miller (Lily and the Major (Orphan Train, #1))
pops her head out of her room, scrubs her eyes, and toddles over to me. She looks up at me, sleepy-eyed. She’s so damn cute in her frilly jammies that it makes my chest ache sometimes just to look at her. I force myself to stop and take mental pictures of her so I won’t forget these moments. I stop time in my head—click!—and try to remember the frame for a while. She won’t be this little forever.
Tammy Falkner (Proving Paul's Promise (The Reed Brothers, #5))
Thanks for reading all the way through. I hope that you enjoyed this book. As a new writer, it is hard to get started; it is difficult to find an audience that wants to read my books. There are millions of books out there and sometimes it is super hard to find one specific book. But that’s where you come in! You can help other readers find my books by leaving a simple review. It doesn’t have to be a lengthy or well written review; it just has to be a few words and then click on the stars. It would take less than 5 minutes.  Seriously, that would help me so much, you don’t even realize it. Every time I get a review, good or bad, it just fills me with motivation to keep on writing. It is a great feeling to know that somewhere out there, there are people who actually enjoy reading my books. Anyway, I would super appreciate it, thanks. If you see new books from me in the future, you will know that I wrote them because of your support. Thank you for supporting my work. Special thanks again to previous readers and reviewers. Thank you for encouraging me to keep writing. I’ll do my best to provide high quality books for you all. My Other Books Check Out My Author Page Steve the Noob
Steve the Noob (Diary of Steve the Noob 19 (An Unofficial Minecraft Book) (Diary of Steve the Noob Collection))
Sometimes in life, you can’t be one hundred percent sure…” She gives me a hard, meaningful look. Something tells me she isn’t talking about floor tiles anymore. “Sometimes, you have to take a risk. Even when you aren’t ready. When you aren’t sure.” “Uh…yeah.” I turn my attention back to the work in front of me. Eventually, she sighs in frustration and spins on her heel but then she pauses again. She just can’t control herself. “You do realize that that was a metaphor, right?” I laugh deep in my throat. “Yes, Sophia. I get the deeper meaning.” She’s telling me to take a risk on Reese even though I have no idea what the hell I’m doing. She looks pleased with herself and smiles wide. “There’s more cupcakes in the kitchen if you want.” Her heels click loudly as she disappears back down the hall.
Cassie-Ann L. Miller (Lover Boy (Blue Collar Bachelors, #1))
A click of a smile donates the sweetness of love and beautifies the world.” “A smile is not a sign of consent; it’s just the goodness and charity of one’s lips.” “Smiling is free healing power for oneself and others.” “A smile hides the pain that one bears.” “The smile of a common one gives pleasure, but the smile of a special one becomes the treasure of life.” “Smiling makes you beautiful; if you are beautiful, that makes you brilliant.” “Don’t look at my smile; realize the pain that I never tell” “The smile constitutes harmony; conversely, love embraces peace since that both aspires and inspires positive power and notion.” “Smile is a beautiful beauty of one’s character and heart since that inspires love.” “There are always reasons to smile; any pleasure and love are the main reasons. Sometimes, sadness, madness, worries, critique, and defeat make you also smile. Although the smile, with love, gives happy feelings, it also hurts people if it is in a way of insulting.” “Crying or Smiling is a universal language; every human understands and experiences that.” “Smiling is sometimes a sign of invitation, but do not take it seriously if it is only someone’s habit.” “Keep smiling; it’s a peaceful defeat of your opponents and a victory for the universe of your inner self.” “Smile fragrances one’s reflection of the inner, which inspires others’ pleasure feeling.” “No matter if you remain hurting, hating, and insulting me, I will always give you my love and smile without expecting any kind of best return.” Disguise of Smile *** Tears are my life And life is my tears I cover and bear The disguise of a smile To hide my pain I know the world is More painful than my tears Pain Behind The Smile *** What would I say, What is behind the whispering lips? No one knows how much pain I carry and bear behind the smile Life has become tired of tiredness Something is behind that journey sound. Smile and Tears *** In the gatherings, I smile for my friends But in solitude, I drop tears on my destiny
Ehsan Sehgal
The first bell went off just as I got to my locker. After spinning the combination into the padlock, I yanked on the handle while pressing my shoulder into the door. It was my usual routine whenever I visited my locker so none of my stuff would fall out. Sure, we have a locker clean out every two weeks, but you know how life can get busy sometimes, right? That and I was pretty sure I was feeding a small family of rodents living at the bottom of it. I’m not sure I could live with myself if I did anything to take food off their table. Squeezing my fingers into the cold, dark, and somehow damp locker, I managed to scrape the top of my math book just enough so that it would tip into my hand. “Gotcha!” I exclaimed as I slid the book out slowly. After it was free from the locker, I slammed the door shut with my knee since that was the spot where it clicked shut. Suddenly, like she materialized out of thin air, Naomi was standing
Marcus Emerson (Spirit Week Shenanigans (Diary of a 6th Grade Ninja, #8))
Because we sit there in the gap for a long time saying [gasps]. And that’s when you begin to learn the meaning of ‘Lord Have Mercy’. I can’t do anything to raise my state but what I can do is stay honestly ahead of, in plain sight, what’s happened, acknowledging. Here I am. And I think it’s from that repeated acknowledgement of my own helplessness at that level, but refusing to simply hide from that helplessness, that gradually, gradually, gradually the energy that had originally gone into your, sort of, ego programmes gets recaptured to begin to hold this other kind of field of awareness, of attentiveness, that’s not identified with that small self acting out and can begin to become a nest for that deeper and fuller and truer wiser self to live in. And then we begin to Be. Then we begin to have Being. And it’s from that Being that sometimes we can pull ourselves out of that spiral we were heading into, and it’s from that Being that we can begin to offer our force of Being to the world as love, as assistance, as a shift in the energy field for someone else. ‘Baraka’ the Sufis call it. But it comes slowly, because you can’t just, kind of, click your heels together and have Being. It has to accumulate slowly in your being for a life of painfully bearing the crucifixion of inner honesty, and slowly it emerges. Interviewer: So that brings up the question in me, what is then freedom? Because you go on this journey. We start out on this journey to become free, which we call enlightenment. Cynthia: Well, you know, we have so many mixed metaphors as Western and Eastern ways of contexting reality come together like tectonic plates. And they don’t often match up. I think, in a very obvious way, freedom is easy. At the obvious level, what it means is what you’d call ‘freedom from the false self’. Most of us think we’re free, and yet we are not free at all because we are under the absolute compulsion of agendas, addictions and aversions that have been programmed into us from early life, and sometimes from the womb. We have our values, we have our triggers, we have our flash points, we have our agendas. And, as A.H. Almaas said so famously, “Freedom to be your ego is not freedom.” Because that’s slavery. You’re being pulled around by a bull ring in the nose. So part of the work of freedom begins when you can stabilise in yourself this thing that some of the Eastern traditions helpfully call ‘witnessing presence’, which is something deeper that’s not dependent on the pain-pleasure principle, that’s not attracted by attraction, or repulsed by aversion. You know, as my teacher Rafe, the hermit monk of Snowmass, Colorado, used to say, “I want to have enough Being to be nothing.” Which means he is not dependant on the world to give him his identity, because he’s learned his identity nests in something much deeper. [...] And as you finally become free to follow what you might call the ‘homing beacon of your own inner calling’, you realise that it’s only in that complete obedience that freedom lies. And, of course, the trick to that is the word ‘obedience’, which we usually thinks means knuckling under, or capitulating, really comes from the Latin ‘ob audire’, which means ‘to listen deeply’. So, as we listen deeply to the fundamental, what you might call the ‘tuning fork’ of our being – which is given to us not by ourself and is never about self-realisation because the self melts as that realisation comes closer – you find the only freedom is to be your own cell in the vast mystical body of God.
Cynthia Bourgeault
Mom clicked her tongue. “Men and fire. You’re not letting lava pour all over the ground. That’s dangerous and a fire hazard. What if a poor animal wanders into it by accident?” Jack thought about it. “Okay, I know how to fix that.” “Sometimes I think you just like playing with lava,” Mom said with a shake of her head.
Pixel Ate (The Accidental Minecraft Family: Book 21)
Well, I suppose for the same reason you gave me those bad directions.” “Because you’re just a bastard sometimes?” She clicked her tongue. “Okay, maybe not that. I guess I should have said for the same reason you helped that cat.
A.K. Caggiano (Throne in the Dark (Villains & Virtues, #1))
What’s perhaps strange to say is that I’m not sure I would have gotten there without the period of enforced stillness and the steadiness I found inside of knitting. I’d had to go small in order to think big again. Shaken by the enormity of everything that was happening, I’d needed my hands to reintroduce me to what was good, simple, and accomplishable. And that turned out to be a lot. I now knit while talking to my mom on the phone, during Zoom meetings with my team from the office, and on summer afternoons when friends come to sit on our back patio. Knitting has made watching the evening news a little less stressful. It has made certain hours of the day less lonely, and it’s helped me think more reasonably about the future. I’m not here to tell you that knitting is a cure for anything. It won’t end racism or demolish a virus or vanquish depression. It won’t create a just world or slow climate change or heal anything big that’s broken. It’s too small for that. It’s so small that it hardly seems to matter. And this is part of my point. I’ve come to understand that sometimes the big stuff becomes easier to handle when you deliberately put something small alongside it. When everything starts to feel big and therefore scary and insurmountable, when I hit a point of feeling or thinking or seeing too much, I’ve learned to make the choice to go toward the small. On days when my brain apprehends nothing but monolithic catastrophe and doom, when I feel paralyzed by not-enoughness and my agitation begins to stir, I pick up the knitting needles and give my hands a chance to take over, to quietly click us out of that hard place. In knitting, when you create the first stitch of a new project, you cast on. When an item is finished, you bind off. Both of these actions, I’ve found, are incredibly satisfying—the bookends of something manageable and finite. They give me a sense of completion in a world that will always and forever feel chaotic and incomplete.
Michelle Obama (The Light We Carry: Overcoming in Uncertain Times)
You and I are close friends now, reader. So you know how I feel about writing. Writing is the hum. Writing is laying track. Writing is the high. Now imagine that hum, that high, that track to be laid is behind a door. And that door is five miles away. Those five miles are just . . . writing crap and doodling and trying to have an idea and surfing the internet and hoping like hell not to get so distracted that you give up. Worse? Those five miles are lined with brownies and cupcakes and episodes of Game of Thrones and Idris Elba waiting to talk to only you and really good novels to read. Every time I sit down to write, I have to mentally run those five miles past all of that to get to that door. It’s a long, hard five-mile run. Sometimes I am almost dead by the time I reach the door. That’s why I have to keep doing it. The more often I run the five miles, the fitter I become. And the fitter I become, the easier the run begins to feel and the less fresh and exciting all that stuff on the side of the road seems. I mean, how long has it been there? More important, as I get fitter, I can run faster. And the faster I can run, the faster I can get to that door. The faster you can too, writers out there. When you sit down to write every day, it becomes easier and easier to tap into that creative space inside your mind. The faster I can get to that door, the quicker I can get to the good stuff. Behind that door is the good stuff. So when I reach the door and open it . . . that’s when my creativity clicks in and that special spot in my brain starts working and I go from exertion to exultation and suddenly I can write forever and ever and ever and eve— And then someone opens the door and asks me if I want coffee or water and I am FIVE MILES AWAY all over again. I grit my teeth and try to smile and say No thank you, see, I have coffee AND water both already, right here. And then I start running that five miles all over. That happens roughly thirty-five times a day at the office.
Shonda Rhimes (Year of Yes: How to Dance It Out, Stand In the Sun and Be Your Own Person)
As corporations have amassed more market power, they’ve made every effort to keep wages low and productivity high. Increasingly, workers are providing far more value to their companies than their pay reflects, and employers are constantly finding new avenues to squeeze their labor force. Algorithms have proven to be more exacting bosses than people. Those algorithms powering just-in-time scheduling have allowed bosses to fine-tune staffing levels to demand, leading to unpredictable hours that cause paychecks to grow and shrink from week to week. Companies have deployed programs that record workers’ keystrokes and mouse clicks and capture screenshots at random intervals and have even made use of devices that sense heat and motion. Warehouse workers, cashiers, delivery drivers, fast food managers, copy editors, and millions of other kinds of workers—even therapists and hospice chaplains—are now monitored by software with names like Time Doctor and WorkSmart. Most large private firms track worker productivity, sometimes docking pay for “idle time,” including when employees use the bathroom or consult with clients. Such technological advances have increased workers’ efficiency and their precarity: You produce more profit but enjoy less of it, which is the textbook definition of exploitation.
Matthew Desmond (Poverty, by America)
Writing is the hum. Writing is laying track. Writing is the high. Now imagine that hum, that high, that track to be laid is behind a door. And that door is five miles away. Those five miles are just...writing crap and doodling and trying to have an idea and surfing the internet and hoping like hell not to get so distracted that you give up. Worse? Those file miles are lined with brownies and cupcakes and episodes of Game of Thrones and Idris Elba waiting to talk to only you and really good novels to read. Every time I sit down to write, I have to mentally those five miles past all of that to get to that door. It’s a long, hard five-mile run. Sometimes I almost dead by the time I reach the door. That’s why I have to keep doing it. The more often I run the five miles, the fitter I become.l And the fitter I become, the easier the run begins to feel and the less fresh and exciting all that stuff on the side of the road seems. I mean, how long has it been there? More important, as I get fitter, I can run faster. And the faster I can run, the faster I can get to that door. The faster you can too, writers out there. When you sit down to write every day, it becomes easier and easier to tap into that creative space inside your mind. The faster I can get to that door, the quicker I can get to the good stuff. Behind that door is the good stuff. So when I reach the door and open it…that’s where my creativity clicks in and that special spot in my brain starts working and I go from exertion to exultation and suddenly I can write forever and ever and ever and eve[r].
Shonda Rhimes (Year of Yes)
Party time Part 1 After school, we go to Maddie’s. When we were little, like freshman year and even some of the sophomore year, we would sometimes stay in her room and put on x-out and pluck out eyebrows into that fine little line, and color our hair with highlights, and order pizza, cramming down as much as we could eat. Those days are going, we can’t get fat. Now Jenny hardly eats anything, and if she does, she can hardly keep it down. I think maybe that’s what I get so lightheaded, I only eat like once a day now. Jenny back then had a little extra around the middle, and now you can see her ribs, she even has that two-defined line on her tummy that goes into her underwear. I remember sneaking around late at night in her hose stealing a cookie from the jar on the top shelf in the old wood cabinet, that is also where her mom would hide her cigarettes that Jenny loved also, and the condoms were in a trinity box on top of the fridge, I sorry but I find that hilarious. At that time, we would stretch out on one of her, old enormous worn-out couches and watch, TV or movies until we fell asleep in our nightshirts’-the TV in Maddie’s living room is like 80 inches it’s like being in a movie theater our legs tangled together under an enormous fleece blanket. Maddie and liv are always entangled more passionately than Jenny and me on the loveseat! Maddie has an ancient TV in her room from the 1990s. It sucks and is small, it’s one of those with the big back on it, and the color is green, like looking into a fish tank. It’s funny her mom and dad don’t have money blinds on the windows, yet they have a big ass TV. You can sometimes see the people in the next condo overlooking us like we can see them get busy in their room! Yet nothing beats the hot guy taking a leak in room 302, he looks to be in his late twenties. He takes the boxes off at 10 pm and we get a free show. He knows we can see him because he makes it look inflexible and you are no more personable. Jenny and we girls love to press upon the glass, and just have fun and be a little crazy, like lifting our nighties and flashing the goods. Facebook stocking gets boring quickly anymore, so some nights the webcam comes out too. After her mom and dad are asleep… I like it’s more fun to be bad! Like we all have profiles and fake names because none of us are eighteen yet. Any- how’s mine is ‘Angel Pink Wings 01’ Maddie goes by: ‘Mad kitty 69’ Jenny goes by: ‘Ms. Little Lover 14’ Liv goes by: ‘Olivia O 123’ Yet everyone knows her by Liv so that name is okay- I guess. We make good money- ‘Double Clicking the Mouse.’ You would not believe all the pervs on this cam the site, just wanting to see us doing it. Like old guys like our PE teacher! Man- that I didn’t even think about how to turn on a computer. Just like him, I guess they need too to see more of us close up. We have our checks mailed to Jenny's college boyfriend’s PO Box. Me this is what I do and yes- I come for you all, I just put in fake blue hair dye in, and have fake long lashes, and put in my blue contacts, and you don’t even know me. And then pen in more eyebrows. Fake, fake, fake, fake FAKE! Boys don’t like it when you fake it or do, they look at me, that's why I am Bi.
Marcel Ray Duriez (Young Taboo (Nevaeh))
Party time Part 1 After school, we go to Maddie’s. When we were little, like freshman year and even some of the sophomore year, we would sometimes stay in her room and put on x-out and pluck out eyebrows into that fine little line, and color our hair with highlights, and order pizza, cramming down as much as we could eat. Those days are going, we can’t get fat. Now Jenny hardly eats anything, and if she does, she can hardly keep it down. I think maybe that’s what I get so lightheaded, I only eat like once a day now. Jenny back then had a little extra around the middle, and now you can see her ribs, she even has that two-defined line on her tummy that goes into her underwear. I remember sneaking around late at night in her hose stealing a cookie from the jar on the top shelf in the old wood cabinet, that is also where her mom would hide her cigarettes that Jenny loved also, and the condoms were in a trinity box on top of the fridge, I sorry but I find that hilarious. At that time, we would stretch out on one of her, old enormous worn-out couches and watch, TV or movies until we fell asleep in our nightshirts’-the TV in Maddie’s living room is like 80 inches it’s like being in a movie theater our legs tangled together under an enormous fleece blanket. Maddie and liv are always entangled more passionately than Jenny and me on the loveseat! Maddie has an ancient TV in her room from the 1990s. It sucks and is small, it’s one of those with the big back on it, and the color is green, like looking into a fish tank. It’s funny her mom and dad don’t have money blinds on the windows, yet they have a big ass TV. You can sometimes see the people in the next condo overlooking us like we can see them get busy in their room! Yet nothing beats the hot guy taking a leak in room 302, he looks to be in his late twenties. He takes the boxes off at 10 pm and we get a free show. He knows we can see him because he makes it look inflexible and you are no more personable. Jenny and we girls love to press upon the glass, and just have fun and be a little crazy, like lifting our nighties and flashing the goods. Facebook stocking gets boring quickly anymore, so some nights the webcam comes out too. After her mom and dad are asleep… I like it’s more fun to be bad! Like we all have profiles and fake names because none of us are eighteen yet. Any- how’s mine is ‘Angel Pink Wings 01’ Maddie goes by: ‘Mad kitty 69’ Jenny goes by: ‘Ms. Little Lover 14’ Liv goes by: ‘Olivia O 123’ Yet everyone knows her by Liv so that name is okay- I guess. We make good money- ‘Double Clicking the Mouse.’ You would not believe all the pervs on this cam. the site, just wanting to see us doing it. Like old guys like our PE teacher! Man- that I didn’t even think about how to turn on a computer. Just like him, I guess they need too to see more of us close up. We have our checks mailed to Jenny's college boyfriend’s PO Box. Me this is what I do and yes- I come for you all, I just put in fake blue hair dye in, and have fake long lashes, and put in my blue contacts, and you don’t even know me. And then pen in more eyebrows. Fake, fake, fake, fake FAKE! Boys don’t like it when you fake it or do, they look at me, that's why I am Bi.
Marcel Ray Duriez (Young Taboo (Nevaeh))
Then she said, “My sister told me you asked how it felt to be pretty.” “Yes,” he said. “You knew about me by then.” “It made sense.” “I’m sure she gave a conflicted answer. She’s still pretty. Deep down pretty people know other people feel they’re getting something for nothing. They have to be aw-shucks about it. They have to say it makes them feel shallow. But now I can tell you. It makes them feel great. It’s like bringing a gun to a knife fight. Sometimes I would dial it up and just mow them down, one by one, bam, bam, bam. It’s a superpower. Like clicking the phasers from stun to kill. There’s no point denying it. It’s a significant evolutionary advantage. Like being as big as you are.
Lee Child (The Midnight Line (Jack Reacher, #22))
Sometimes we just don't read and click on 'Ok' and our computer restarts. Then we realise that we had clicked on 'Restart the computer' option and our data was not saved and so we have lost it... Well, life is just the same... Think before taking any step!
Kankane Rakhi Surendra
We might not have as much money as we want to give, but we have as much love as we can think of ways to give it out: sweet words, considerate gestures, clicking Send, hitting Like, or sometimes even just staying quiet. When kind words are directed at someone who needs them, they can change the world.
Jolene Stockman (Jawbreaker - Unlock the (U)niverse)
You know, he said when I opened the door to get out of the car, I can remember almost every murder I ever worked on. I dream about them. It's all in my head. And sometimes something just clicks. Sometimes you got it. It's like with a broad. Sometimes you just know. Know what? I asked. If it's a fit, he said.
Susanna Moore (In the Cut)
Writing is the hum. Writing is laying track. Writing is the high. Now imagine that hum, that high, that track to be laid is behind a door. And that door is five miles away. Those five miles are just...writing crap and doodling and trying to have an idea and surfing the internet and hoping like hell not to get so distracted that you give up. Worse? Those file miles are lined with brownies and cupcakes and episodes of Game of Thrones and Idris Elba waiting to talk to only you and really good novels to read. Every time I sit down to write, I have to mentally run those five miles past all of that to get to that door. It’s a long, hard five-mile run. Sometimes I am almost dead by the time I reach the door. That’s why I have to keep doing it. The more often I run the five miles, the fitter I become. And the fitter I become, the easier the run begins to feel and the less fresh and exciting all that stuff on the side of the road seems. I mean, how long has it been there? More important, as I get fitter, I can run faster. And the faster I can run, the faster I can get to that door. The faster you can too, writers out there. When you sit down to write every day, it becomes easier and easier to tap into that creative space inside your mind. The faster I can get to that door, the quicker I can get to the good stuff. Behind that door is the good stuff. So when I reach the door and open it…that’s where my creativity clicks in and that special spot in my brain starts working and I go from exertion to exultation and suddenly I can write forever and ever and ever and eve[r].
Shonda Rhimes (Year of Yes)
Thanks for Helping Me with Your Reviews! Thank you for reading the series all the way through. I hope that you enjoyed this book series. As a new writer, it is hard to get started; it is difficult to find an audience that wants to read my books. There are millions of books out there and sometimes it is super hard to find one specific book. But that’s where you come in! You can help other readers find my books by leaving a simple review. It doesn’t have to be a lengthy or well written review; it just has to be a few words and then click on the stars. It would take less than 5 minutes.  Seriously, that would help me so much, you don’t even realize it. Every time I get a review, good or bad, it just fills me with motivation to keep on writing. It is a great feeling to know that somewhere out there, there are people who actually enjoy reading my books. Anyway, I would super appreciate it, thanks. If you see new books from me in the future, you will know that I wrote them because of your support. Thank you for supporting my work. Special thanks again to previous readers and reviewers. Thank you for encouraging me to keep writing. I’ll do my best to provide high quality books for you all.
Steve the Noob (Diary of Steve the Noob 45 (An Unofficial Minecraft Book) (Diary of Steve the Noob Collection))
Internet Addiction Test Select the response that best represents the frequency of each behavior listed using the scale below: 0 = Not applicable 1 = Rarely 2 = Occasionally 3 = Frequently 4 = Often 5 = Always How often do you find that you stay online longer than you intended? ____ How often do others in your life complain to you about the amount of time you spend online? ___ How often do you check your email before something else that you need to do? ___ How often do you lose sleep because of late night log-ins? ____ How often do you find yourself saying “just a few minutes” when online? ___ If you scored 7 or below, you show no signs of Internet addiction. A score of 8–12 suggests mild Internet addiction—you may spend too long on the web sometimes, but you’re generally in control of your usage. A score of 13–20 indicates moderate Internet addiction, which implies that your relationship with the Internet is causing you “occasional or frequent problems.” A score between 21 and 25 suggests severe Internet addiction, and implies that the Internet is causing “significant problems in your life.
Adam Alter (Irresistible: Why We Can’t Stop Checking, Scrolling, Clicking and Watching)