Snap Attitude Quotes

We've searched our database for all the quotes and captions related to Snap Attitude. Here they are! All 43 of them:

Living is a risk,” I snapped at him. “Every decision, every interaction, every step, every time you get out of bed in the morning, you take a risk. To survive is to know you’re taking that risk and to not get out of bed clutching illusions of safety.
Maria V. Snyder (Magic Study (Study, #2))
Yeah, you lose this attitude, I can help you work that hurt out.” Who was this man? He held onto his tragedy for seventeen fucking years, how could he stand there and tell me he could help me work through mine? “Really, Joe? Like you helped me work out my grief at losing Tim?” I asked sarcastically. “That’s not what I was offerin’, buddy, but you want it like that I’ll give it to you.” “You’re unbelievable,” I snapped. “I’m yours.” That socked me in the gut too, so hard it winded me and all I could do was stare up at him. Taking advantage, his face dipped close and his hands curled around both sides of my head. “First fuckin’ time you smiled at me in my bed, that’s when it happened,” he murmured.
Kristen Ashley (At Peace (The 'Burg, #2))
To encapsulate the notion of Mardi Gras as nothing more than a big drunk is to take the simple and stupid way out, and I, for one, am getting tired of staying stuck on simple and stupid. Mardi Gras is not a parade. Mardi Gras is not girls flashing on French Quarter balconies. Mardi Gras is not an alcoholic binge. Mardi Gras is bars and restaurants changing out all the CD's in their jukeboxes to Professor Longhair and the Neville Brothers, and it is annual front-porch crawfish boils hours before the parades so your stomach and attitude reach a state of grace, and it is returning to the same street corner, year after year, and standing next to the same people, year after year--people whose names you may or may not even know but you've watched their kids grow up in this public tableau and when they're not there, you wonder: Where are those guys this year? It is dressing your dog in a stupid costume and cheering when the marching bands go crazy and clapping and saluting the military bands when they crisply snap to. Now that part, more than ever. It's mad piano professors converging on our city from all over the world and banging the 88's until dawn and laughing at the hairy-shouldered men in dresses too tight and stalking the Indians under Claiborne overpass and thrilling the years you find them and lamenting the years you don't and promising yourself you will next year. It's wearing frightful color combination in public and rolling your eyes at the guy in your office who--like clockwork, year after year--denies that he got the baby in the king cake and now someone else has to pony up the ten bucks for the next one. Mardi Gras is the love of life. It is the harmonic convergence of our food, our music, our creativity, our eccentricity, our neighborhoods, and our joy of living. All at once.
Chris Rose (1 Dead in Attic: Post-Katrina Stories)
Maybe I should let my faithful manservant answer the rest of your questions, since he seems to have all the answers." "I'm saving her time," Bodie replied. "She brings you a redhead, you'll give her grief. Look for women with class, Annabelle. That's most important. The sophisticated types who went to boarding schools and speak French. She has to be the real thing because he can spot a phony a mile away. And he likes them athletic." "Of course he does," she said dryly. "Athletic, domestic, gorgeous, brilliant, socially connected, and pathologically submissive. It'll be a snap." "You forgot hot." Heath smiled. "And defeatist thinking is for losers. If you want to be a success in this world, Annabelle, you need a positive attitude. Whatever the client wants, you get it for him. First rule of a successful business." "Uh-huh. What about career women?" "I don't see how that would work." "The kind of potential mate you're describing isn't going to be sitting around waiting for her prince to show up. She's heading a major corporation. In between those Victoria's Secret modeling gigs." He lifted an eyebrow. "Attitude, Annabelle. Attitude.
Susan Elizabeth Phillips (Match Me If You Can (Chicago Stars, #6))
He tries again, swallowing hard to ease away the painful lump in his throat. "It's just important. I love you. I'm yours. I need people to know." "Alright," Lindsay says suddenly. He leans down to grab at Pip's bag, throwing stuff out onto the carpet, his iPod and phone and wallet and gloves and Attitude magazine until he finds what he's looking for, a green marker pen, and holds it between his teeth while he starts tugging at the hem of Pip's t-shirt. Pip's too surprised to do anything but submit, he lets Lindsay peel off his t-shirt and throw that on top of all the things from his bag then just watches as Lindsay pulls the pen out of the cap in his mouth and signs his name in big green letters on the side of Pip's stomach. He holds his breath, trying not to suck in the belly fat everybody else keeps telling him is imaginary. "There, you're mine, are you fucking happy now?" Lindsay snaps, and throws the recapped pen across the room to get lost in the bookcase somewhere.
Richard Rider (No Beginning, No End (Stockholm Syndrome, #3))
Oh my god, chip my steal, you’re so annoying.” Alexis snapped. “Maybe if you fixed your attitude and took a bath once in a while, women would talk to you. You smell like old cheese and a mother’s regret.
Kimberly Lemming (That Time I Got Drunk and Yeeted a Love Potion at a Werewolf (Mead Mishaps, #2))
I don't care whose son he is. I won't go belly-up like a timid pup. If he's fool enough to take a poke at me, I'll snap the finger clean off that does the poking.
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
I’d loved women who were old and who were young; those extra kilos and large rumps, and others so thin there was barely even skin to pinch, and every time I held them, I worried I would snap them in two. But for all of these: where they had merited my love was in their delicious smell. Scent is such a powerful tool of attraction, that if a woman has this tool perfectly tuned, she needs no other. I will forgive her a large nose, a cleft lip, even crossed-eyes; and I’ll bathe in the jouissance of her intoxicating odour.
Roman Payne
Seriously, no. Go be weird somewhere else.” I want people to stop hating me, not treat me like a sideshow.
Adriana Mather (How to Hang a Witch (How to Hang a Witch, #1))
Oooh. Barbie has a brain, huh?" The smile was gone. His voice low, gravelly. "Oooh. Ken has an attitude," she snapped back.
Francine Pascal (Can't Stay Away (SVH Senior Year, #1))
Still, I also had grasped enough of the West’s views of such fatalism—that it made of us primitives, naïfs, and fools—to keep such beliefs to myself. In the West, it was believed that attitude and ambition saved you. In Africa, we had learned no one was immune to capricious tragedy. What I didn’t know then was that ignoring my own southern African knowledge was its own kind of mischief: it rendered me speechless when I should have spoken, helpless when I was profoundly capable, and broken when in fact the very places inside me that had been damaged and snapped were their own kind of strength. I saw the landscape around us as tattooed with death, fraught with the possibility of unrecovered land mines and undetonated ordnance.
Alexandra Fuller (Leaving Before the Rains Come)
Agnes shut her eyes, clenched her fists, opened her mouth and screamed. It started low. Plaster dust drifted down from the ceiling. The prisms on the chandelier chimed gently as they shook. It rose, passing quickly through the mysterious pitch at fourteen cycles per second where the human spirit begins to feel distinctly uncomfortable about the universe and the place in it of the bowels. Small items around the Opera House vibrated off shelves and smashed on the floor. The note climbed, rang like a bell, climbed again. In the Pit, all the violin strings snapped, one by one. As the tone rose, the crystal prisms shook in the chandelier. In the bar, champagne corks fired a salvo. Ice jingled and shattered in its bucket. A line of wine-glasses joined in the chorus, blurred around the rims, and then exploded like hazardous thistledown with attitude. There were harmonics and echoes that caused strange effects. In the dressing-rooms the No. 3 greasepaint melted. Mirrors cracked, filling the ballet school with a million fractured images. Dust rose, insects fell. In the stones of the Opera House tiny particles of quartz danced briefly... Then there was silence, broken by the occasional thud and tinkle. Nanny grinned. 'Ah,' she said, 'now the opera's over.
Terry Pratchett (Maskerade (Discworld, #18; Witches, #5))
As happens in dreams, when a perfectly harmless object inspires us with fear and thereafter is frightening every time we dream of it (and even in real life retains disquieting overtones), so Dreyer's presence became for Franz a refined torture, an implacable menace. [ ... H]e could not help cringing when, with a banging of doors in a dramatic draft, Martha and Dreyer entered simultaneously from two different rooms as if on a too harshly lit stage. Then he snapped to attention and in this attitude felt himself ascending through the ceiling, through the roof, into the black-brown sky, while, in reality, drained and empty, he was shaking hands with Martha, with Dreyer. He dropped back on his feet out of that dark nonexistence, from those unknown and rather silly heights, to land firmly in the middle of the room (safe, safe!) when hearty Dreyer described a circle with his index finger and jabbed him in the navel; Franz mimicked a gasp and giggled; and as usual Martha was coldly radiant. His fear did not pass but only subsided temporarily: one incautious glance, one eloquent smile, and all would be revealed, and a disaster beyond imagination would shatter his career. Thereafter whenever he entered this house, he imagined that the disaster had happened—that Martha had been found out, or had confessed everything in a fit of insanity or religious self-immolation to her husband; and the drawing room chandelier invariably met him with a sinister refulgence.
Vladimir Nabokov
We had better want the consequences of what we believe or disbelieve, because the consequences will come! . . . But how can a society set priorities if there are no basic standards? Are we to make our calculations using only the arithmetic of appetite? . . . The basic strands which have bound us together socially have begun to fray, and some of them have snapped. Even more pressure is then placed upon the remaining strands. The fact that the giving way is gradual will not prevent it from becoming total. . . . Given the tremendous asset that the family is, we must do all we can within constitutional constraints to protect it from predatory things like homosexuality and pornography. . . . Our whole republic rests upon the notion of “obedience to the unenforceable,” upon a tremendous emphasis on inner controls through self-discipline. . . . Different beliefs do make for different behaviors; what we think does affect our actions; concepts do have consequences. . . . Once society loses its capacity to declare that some things are wrong per se, then it finds itself forever building temporary defenses, revising rationales, drawing new lines—but forever falling back and losing its nerve. A society which permits anything will eventually lose everything! Take away a consciousness of eternity and see how differently time is spent. Take away an acknowledgement of divine design in the structure of life and then watch the mindless scurrying to redesign human systems to make life pain-free and pleasure-filled. Take away regard for the divinity in one’s neighbor, and watch the drop in our regard for his property. Take away basic moral standards and observe how quickly tolerance changes into permissiveness. Take away the sacred sense of belonging to a family or community, and observe how quickly citizens cease to care for big cities. Those of us who are business-oriented are quick to look for the bottom line in our endeavors. In the case of a value-free society, the bottom line is clear—the costs are prohibitive! A value-free society eventually imprisons its inhabitants. It also ends up doing indirectly what most of its inhabitants would never have agreed to do directly—at least initially. Can we turn such trends around? There is still a wealth of wisdom in the people of this good land, even though such wisdom is often mute and in search of leadership. People can often feel in their bones the wrongness of things, long before pollsters pick up such attitudes or before such attitudes are expressed in the ballot box. But it will take leadership and articulate assertion of basic values in all places and in personal behavior to back up such assertions. Even then, time and the tides are against us, so that courage will be a key ingredient. It will take the same kind of spunk the Spartans displayed at Thermopylae when they tenaciously held a small mountain pass against overwhelming numbers of Persians. The Persians could not dislodge the Spartans and sent emissaries forward to threaten what would happen if the Spartans did not surrender. The Spartans were told that if they did not give up, the Persians had so many archers in their army that they would darken the skies with their arrows. The Spartans said simply: “So much the better, we will fight in the shade!
Neal A. Maxwell
Well, it’s not swollen,” he stated, rewrapping the bandage, “or bleeding or leaking, so I think it’s okay.” “I know. I’m training to be a nurse,” I replied. “Thanks though.” “Explains the curiosity and attitude.” “What?” I snapped. “I’m a trainee paramedic.” “Oh.” I looked away, chewing my lower lip. “Right.” “There’s a sense of rivalry between Emergency Medical Technicians, paramedics, and nurses—I don’t know the reason behind it.” “I know.
Shaye Evans (Rescued (The Salvaged Series Book 1))
You need to turn into a badass criminal with an attitude. The reason I’m telling you this is that when we turn you into her type, she may fall for you, and I don’t want personnel problems here.” “What a line of malarkey,” came from the door. Raider winced and looked over his shoulder to find Brigid standing there, her pale skin flushed a very pretty pink. “I do not have a type, and no way on God’s green earth would I fall for Raider Tanaka.” Her Irish brogue came out stronger than usual. If that wasn’t a challenge, Raider didn’t know what was. “Don’t push it, sweetheart.” Her chin snapped up. “Bite me, Tanaka.
Rebecca Zanetti (Fallen (Deep Ops, #2))
Think of progressives as a species of religious fundamentalists planning a redemption. Like fundamentalists, they look at the world as fallen – a place corrupted by racism, sexism and class division. But the truly religious understand that we are the source of corruption and that redemption is only possible through the work of a Divinity. In contrast, progressives see themselves as the redeemers, which is why they are so dangerous, because they regard those who oppose them as the eternally damned. Progressives are on a mission to create the kingdom of heaven on earth by redistributing income and using the state to enforce politically correct attitudes and practices in everyone’s life.3
David Kupelian (The Snapping of the American Mind: Healing a Nation Broken by a Lawless Government and Godless Culture)
Katarina wasn’t afraid of Baden. Not anymore. He took a step to the side, intending to move around her. Oh, no. She flattened her hands on his shoulders, keeping him in place. “I want to know what’s wrong with you.” She said. “Tell me.” He snapped his teeth at her in a show of dominance. “You think you want to know my problem. You’re wrong.” Her tone dry, she said, “I’m so glad you know my mind better than I do.” “Very well. I need sex.” He threw the words at her as if they were weapons. “Badly.” Whoa. Blindside! Heart pounding, she jerked her hands away from him. “Sex...from me?” “Yesss.” A hiss. “Only from you.” Only. Amazing how one little word could send pleasure soaring through her, warming her. “You told me never to touch you.” Which she’d just done, she realized. My bad. “I’ve changed my mind.” His gaze dropped, lingered on her lips. Burning her... “But you and I...we’re a different species.” As if that mattered to her body. Gimme!
 He took a step closer, invading her personal space. “We’ll fit, I promise you.”
 Tristo hrmenych! The raspy quality of his voice, all smoke and gravel...she shivered with longing. Must resist his allure. But...but...why? Before she’d committed to Peter, she’d dated around, had made out in movie theaters, cars and on couches. She’d liked kissing and touching and “riding the belt buckle,” as her friends had called it. Then, after committing to Peter, she’d gifted him with her virginity. At first, he hadn’t known what to do with her—he’d been just as inexperienced—and she’d left each encounter disappointed. When finally she’d gathered the courage to tell him what she wanted, he’d satisfied her well. She missed sex. But connection...intimacy...she thought she missed those more. The dogs barked, jolting her from her thoughts. They’d cleaned their food bowls, and now wanted to play. She clasped Baden’s hand to lead him out of the kennel. He jerked away, severing contact. One action. Tons of hurt. “I’m allowed to touch you and you want to have sex with me, but you’re still disgusted by me.” She stomped outside the kennel, done with him. “Well, I’m leaving. Good riddance! Your do-what-I-say-or-else attitude was annoying, anyway.” He darted in front of her, stopping her. Breath caught in her throat as sunlight streamed over him, paying his chiseled features absolute tribute, making his bronzed skin glimmer. So beautiful. Too beautiful. “I’m not disgusted by you. You need me. I’ve come to accept it,” he admitted, looking away from her. “But being skin-to-skin with another is painful for me. We’ll have to proceed carefully. And you’ll get over your annoyance.” Another order! She would show him the error of his ways.
Gena Showalter (The Darkest Torment (Lords of the Underworld, #12))
May I inquire what is the point?” he snapped impatiently. “Indeed you may,” Lucinda said, thinking madly for some way to prod him into remembering his long-ago desire for Elizabeth and to prick his conscience. “The point is that I am well apprised of all that transpired between Elizabeth and yourself when you were last together. I, however,” she decreed grandly, “am inclined to place the blame for your behavior not on a lack of character, but rather a lack of judgment.” He raised his brows but said nothing. Taking his silence as assent, she reiterated meaningfully, “A lack of judgment on both your parts.” “Really?” he drawled. “Of course,” she said, reaching out and brushing the dust from the back of a chair, then rubbing her fingers together and grimacing with disapproval. “What else except lack of judgment could have caused a seventeen-year-old girl to rush to the defense of a notorious gambler and bring down censure upon herself for doing it?” “What indeed?” he asked with growing impatience. Lucinda dusted off her hands, avoiding his gaze. “Who can possibly know except you and she? No doubt it was the same thing that prompted her to remain in the woodcutter’s cottage rather than leaving it the instant she discovered your presence.” Satisfied that she’d done the best she was able to on that score, she became brusque again-an attitude that was more normal and, therefore, far more convincing. “In any case, that is all water under the bridge. She has paid dearly for her lack of judgment, which is only right, and even though she is now in the most dire straits because of it, that, too, is justice.” She smiled to herself when his eyes narrowed with what she hoped was guilt, or at least concern. His next words disabused her of that hope: “Madam, I do not have all day to waste in aimless conversation. If you have something to say, say it and be done!” “Very well,” Lucinda said, gritting her teeth to stop herself from losing control of her temper. “My point is that it is my duty, my obligation to see to Lady Cameron’s physical well-being as well as to chaperon her. In this case, given the condition of your dwelling, the former obligation seems more pressing than the latter, particularly since it is obvious to me that the two of you are not in the least need of a chaperon to keep you from behaving with impropriety. You may need a referee to keep you from murdering each other, but a chaperon is entirely superfluous. Therefore, I feel duty-bound to now ensure that adequate servants are brought here at once. In keeping with that, I would like your word as a gentleman not to abuse her verbally or physically while I am gone. She has already been ill-used by her uncle. I will not permit anyone else to make this terrible time in her life more difficult than it already is.” “Exactly what,” Ian asked in spite of himself, “do you mean by a ‘terrible time’?” “I am not at liberty to discuss that, of course,” she said, fighting to keep her triumph from her voice. “I am merely concerned that you behave as a gentleman. Will you give me your word?” Since Ian had no intention of laying a finger on her, or even spending time with her, he didn’t hesitate to nod. “She’s perfectly safe from me.” “That is exactly what I hoped to hear,” Lucinda lied ruthlessly.
Judith McNaught (Almost Heaven (Sequels, #3))
Willow turned her gaze from him as he sat down on the bed and smoothed her tangled hair off her face. "I'm sorry I wasn't here for you, sweetheart. Are you all right now?" Willow couldn't help flinching from his touch. "Of course I'm all right," she snapped. Rider jerked his hand back as if bitten. "Freckles, honey, is something wrong, something you're not telling me?" The angry redhead shrugged. "What could possibly be wrong?" "I don't know. You just seem a little....out of sorts." Bastard, she silently cursed. But aloud she said, "I'm fine. Just tired, I guess." "Do you want me to bring your supper to you in here? I'd be happy to keep you company." "I would like to have my supper in here but don't bother yourself on my account. I'm sure you have things to discuss with Pa and the boys." Rider stood abruptly, obviously at a loss over her attitude. "Fine,Willow, if that's what you want." "It is." He opened the door to leave but halted when she called, "Rider." "Yes?" "You better move your things in with one of the boys. Miriam is sharing my bed tonight." "Tonight? But I'm leaving tomorrow and won't be back until-" "Really,Rider, it's only for one night and I ain't,er, am not in any shape for fooling around!" "I know that," he bit out, his ire piqued now. "I just thought it might be nice to hold you." With that, he slammed out the door and Willow broke into tears. Before they stopped, her head was pounding all over again.
Charlotte McPherren (Song of the Willow)
Our fatalism goes beyond, even if it springs from, the Hindu acceptance of the world as it is ordained to be. I must tell you a little story – a marvellous fable from our Puranas that illustrates both our resilience and our self-absorption in the face of circumstance.’ I sat up against my bolsters and assumed the knowingly expectant attitude of those who are about to tell stories or perform card tricks. ‘A man, someone very like you, Arjun – a symbol, shall we say, of the people of India - is pursued by a tiger. He runs fast, but his panting heart tells him he cannot run much longer. He sees a tree. Relief! He accelerates and gets to it in one last despairing stride. He climbs the tree. The tiger snarls below him, but he feels that he has at last escaped its snapping jaws. But no – what’s this? The branch on which he is sitting is weak, and bends dangerously. That is not all: wood-mice are gnawing away at it; before long they will eat through it and it will snap and fall. The branch sags down over a well. Aha! Escape? Perhaps our hero can swim? But the well is dry, and there are snakes writhing and hissing on its bed. What is our hero to do? As the branch bends lower, he perceives a solitary blade of grass growing on the wall of the well. On the top of the blade of grass gleams a drop of honey. What action does our Puranic man, our quintessential Indian, take in this situation? He bends with the branch, and licks up the honey.’ I laughed at the strain, and the anxiety, on Arjun’s face. ‘What did you expect? Some neat solution to his problem? The tiger changes its mind and goes away? Amitabh Bachhan leaps to the rescue? Don’t be silly, Arjun. One strength of the Indian mind is that it knows some problems cannot be resolved, and it learns to make the best of them. That is the Indian answer to the insuperable difficulty. One does not fight against that by which one is certain to be overwhelmed; but one finds the best way, for oneself, to live with it. This is our national aesthetic. Without it, Arjun, India as we know it could not survive.
Shashi Tharoor (The Great Indian Novel)
But…but that’s tragic! To go through life without color? Unable to appreciate art, or beauty?” He laughed. “Now, sweet-hold your brush before you paint me a martyr’s halo. It’s not as though I’m blind. I have a great appreciation for art, as I believe we’ve discussed. And as for beauty…I don’t need to know whether your eyes are blue or green or lavender to know that they’re uncommonly lovely.” “No one has lavender eyes.” “Don’t they?” His gaze caught hers and refused to let go. Leaning forward, he continued, “Did that tutor of yours ever tell you this? That your eyes are ringed with a perfect circle a few shades darker than the rest of the…don’t they call it the iris?” Sophia nodded. “The iris.” He propped his elbow on the table and leaned forward, his gaze searching hers intently. “An apt term it is, too. There are these lighter rays that fan out from the center, like petals. And when your pupils widen-like that, right there-your eyes are like two flowers just coming into bloom. Fresh. Innocent.” She bowed her head, mixing a touch of lead white into the sea-green paint on her palette. He leaned closer still, his voice a hypnotic whisper. “But when you take delight in teasing me, looking up through those thick lashes, so saucy and self-satisfied…” She gave him a sharp look. He snapped his fingers. “There! Just like that. Oh, sweet-then those eyes are like two opera dancers smiling from behind big, feathered fans. Coy. Beckoning.” Sophia felt a hot blush spreading from her bosom to her throat. He smiled and reclined in his chair. “I don’t need to know the color of your hair to see that it’s smooth and shiny as silk. I don’t need to know whether it’s yellow or orange or red to spend an inordinate amount of time wondering how it would feel brushing against my bare skin.” Opening his book to the marked page, he continued, “And don’t get me started on your lips, sweet. If I endeavored to discover the precise shade of red or pink or violet they are, I might never muster the concentration for anything else.” He turned a leaf of his book, then fell silent. Sophia stared at her canvas. Her pulse pounded in her ears. A bead of sweat trickled down the back of her neck, channeling down between her shoulder blades, and a hot, itchy longing pooled at the cleft of her legs. Drat him. He’d known she was taunting him with her stories. And now he sat there in an attitude of near-boredom, making love to her with his teasing, colorless words in a blatant attempt to fluster her. It was as though they were playing a game of cards, and he’d just raised the stakes. Sophia smiled. She always won at cards. “Balderdash,” she said calmly. He looked up at her, eyebrow raised. “No one has violet lips.” “Don’t they?” She laid aside her palette and crossed her arms on the table. “The slope of your nose is quite distinctive.” His lips quirked in a lopsided grin. “Really.” “Yes.” She leaned forward, allowing her bosom to spill against her stacked arms. His gaze dipped, but quickly returned to hers. “The way you have that little bump at the ridge…It’s proving quite a challenge.” “Is that so?” He bent his head and studied his book. Sophie stared at him, waiting one…two…three beats before he raised his hand to rub the bridge of his nose. Quite satisfactory progress, that. Definite beginnings of fluster.
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
Jimena sensed their fear. That brought a smile to her face. Her reputation was still so big that even tough enimigas wouldn't face her down. She strutted past them, her heels snapping loudly on the sidewalk. She enjoyed the feel of their admiring eyes, their sideways glances and the wonder she saw on their faces. Jimena wasn't choloed out in khakis, a tight T, and long, boyfriend-borrowed Pendletons. She wore a slinky dress and ankle-breaking high-heels. The rain made the dress cling to her body, so they knew she wasn't strapping. No gun. Still, they were afraid to confront her. This time she stopped for the red light, pausing to let the chicas know she didn't fear them. It felt good to be the toughest chola en el condado de Los Angeles. She was still down for Ninth Street, her old gang, but at age fifteen, already a veterana. A leyenda, her homegirls told her with pride. Jimena had been a real badass before she understood her destiny. She glanced at the scars and tattoos on her hand. What would the klika-girls do if they knew her true identity?
Lynne Ewing (Night Shade (Daughters of the Moon, #3))
So it is necessary that we have a means of monitoring the tension developed by muscular activity, and equally necessary that the threshold of response for the inhibitory function of that monitor be a variable threshold that can be readily adjusted to suit many purposes, from preventing tissue damage due to overload, to providing a smooth and delicate twist of the tuning knob of a sensitive shortwave receiver. And such a marvelously adaptable tension-feedback system we do have in our Golgi tendon organs, reflex arcs which connect the sensory events in a stretching tendon directly to the motor events which control that degree of stretch, neural feed-back loops whose degree of sensory and motor stimulation may be widely altered according to our intent, our conscious training, and our unconscious habits. This ingenious device does, however, contain a singular danger, a danger unfortunately inherent in the very features of the Golgi reflex which are the cleverest, and the most indispensable to its proper function. The degree of facilitation of the feed-back loop, which sets the threshold value for the “required tension,” is controlled by descending impulses from higher brain centers down into the loop’s internuncial network in the brain stem and the spinal cord. In this way, conscious judgements and the fruits of practice are translated into precise neuromuscular values. But judgement and practice are not the only factors that can be involved in this facilitating higher brain activity. Relative levels of overall arousal, our attitudes towards our past experience, the quality of our present mood, neurotic avoidances and compulsions of all kinds, emotional associations from all quarters—any of these things can color descending messages, and do in fact cause considerable alterations in the Golgi’s threshold values. It is possible, for instance, to be so emotionally involved in an effort—either through panic or through exhilaration—that we do not even notice that our exertions have torn us internally until the excitement has receded, leaving the painful injury behind to surprise us. Or acute anxiety may drive the value of the “required tension” so high that our knuckles whiten as we grip the steering wheel, the pencil suddenly snaps in our fingers, or the glass shatters as we set it with too much force onto the table. On the other hand, timidity or the fear of being rejected can so sap us of “required tension” that it is difficult for us to produce a loud, clear knock upon a door that we tremble to enter.
Deane Juhan (Job's Body: A Handbook for Bodywork)
Shasta was a brilliant sidekick. She would go into Malina’s enclosure and find any little scraps of meat that might be left over after dinner. Malina didn’t appreciate this much, but every time she tried to defend her territory, Shasta would bark, growl, and snap, quickly putting the cougar in her place. Soon Malina realized she wasn’t top dog, and her attitude problems were quickly resolved. She would sit passively in the corner and look slightly annoyed as Shasta went through every square inch looking for little scraps. This turned out to keep Malina in check and made the situation a lot safer as I came and went, cleaning her enclosure.
Terri Irwin (Steve & Me)
I stared at Jim in horror, my skin crawling. “A Guardian banished me. Me! But I’m a Guardian. Can we banish each other? Oh, crap!” Jim nodded. “You’re not just a Guardian, you’re a Guardian Plus! Now with extra ‘prince of Abaddon’ cleaning power.” I’d like to point out—the dark power’s voice started to say. “I have enough on my plate right now!” I snapped at it. The voice sulked into silence. “Yeah, well, you may just have to deal with it,” Jim said, moseying over to where I’d been standing. “What were you looking for?” “I can’t believe another Guardian banished me just because I happen to be a prince of Abaddon. There should be some rule about not banishing demon lords who are also Guardians.” Jim cocked an eyebrow. “Like you think this is a normal situation?” “Normal? I don’t even know what’s normal anymore,” I fumed, marching around the room while wringing my hands. “And now look, I’m wringing my hands. Have you ever known me to be a hand-wringer? I detest the sort of woman who wrings her hands! It signifies weakness, and lack of coherence, and a totally unprofessional attitude!” “And if we know anything about you, it’s that you’re a professional, and you’re confident,” Jim said, nosing a spot on the floor. “Damn straight I am!” I yelled, forcing my hands apart so they couldn’t wring themselves. “Look, they’re trying to do it again. It’s like my hands are possessed or something! Dear god, it’s the dark power. The dark power has taken over my hands and is trying to wring me into insanity!” “Is this little drama going to take long? ’Cause if it is, I want popcorn and a Diet Coke with extra ice.” “You’re not going to like where I put the popcorn and extra ice,” I said, ignoring my possessed hands to glare at the demon with much intent. Jim’s eyes widened as it backed away. “You’ve got that evil, slightly insane look down pat. Have you been practicing? We’re talking seriously scary, Ash. Hannibal-Lecter-has-nothing-on-you sort of scary.” “Enough banter from you, buster,” I said, trying to pull myself together. “Let’s go over this situation again calmly. One: the dark power has taken over my hands.” I have not! “Not listening! Two: there is a Guardian out there who can banish me at will. Which means that every other Guardian can probably do the same. Lovely. Just what I need—more people trying to do me in.” I slumped down into a chair and thought seriously about crying, but dropped that thought when my hands crept to ward each other.
Katie MacAlister (Holy Smokes (Aisling Grey, #4))
Flick the switch! You have the power to change your attitude in a snap!
Karen Budzinski (How to Build an Enduring Marriage)
The catcalls and screams didn’t surprise Leo, nor did discovering Meena at the heart of chaos. There was his delicate flower, on the ground wrestling Loni, a lioness who’d come to town for the wedding. The same Loni who’d made numerous passes at him over the years, but whose high maintenance attitude made him steer clear. He wondered what had triggered the hair pulling and wrestling. He also really wished, once again, that Meena had worn panties. The occasional flash of her girly bits dragged the possessive side of him out— which really wanted to snarl, “Mine. Don’t look.” It also woke the hungry lover that wanted to toss her over a shoulder and take her somewhere private for ravishing. At least those closest to the fight and witness to her bare bottom were all women. The bad? They were all women. His usual method of smacking a few heads together to save time wouldn’t work in this situation. Boys shouldn’t hit girls. So how to stop the catfight? He stuck fingers in his mouth and blew, the whistle strident and cutting through the noise. In the sudden quiet, he said, “Vex, what the hell are you doing?” Meena, fist held back, poised for a serious blow, froze. She swiveled her head and smiled sweetly. No sign of repentance at being caught misbehaving. “Just give me a second, Pookie. I am almost done here.” He arched a brow. “Vex.” He used his warning tone. “Maybe you should let Loni go and forget about hitting her.” “Probably. But the thing is, I really want to smash her face in.” Sensing an out, Loni turned her head and whined, “Get this crazy bitch off me. I didn’t do a damned thing. She started it. She always starts shit. She should have never been unbanned. She’s trouble. Always has been.” Reba and Zena opened their mouths, ready to leap to Meena’s defense, but Leo raised a hand. They held their tongues— not an easy feat for cats— but their eyes spoke quite eloquently. Leo focused his attention on Meena. “Vex, is this true? Did you jump her?” Her shoulders slumped. “Yeah.” “Why?” “Does it matter?” she asked. “It does to me. Why do you want to rearrange her nose?” “She said we didn’t belong together and that maybe she should show you why she’s a better choice.” Meena couldn’t help but growl as she recounted the reason for her ire aloud. “Punch her.” To say a few mouths O’d in surprise would be an understatement. No one was more surprised than Meena at his order. “Seriously?” “Yeah, seriously. Given any idiot with eyes could see we were together, then that makes what she said mean and uncalled for. If you’re going to talk the talk, then you have to be prepared to pay the price. Since I can’t very well smack Loni for causing trouble, as pride omega”— and, yes, he thrust out his chest and put on his most serious mien—“ I am giving you permission to do so.” Permission granted, and yet Meena didn’t hit Loni. On the contrary, she stood, smoothed down her skirt, and tossed her head, sending her ponytail flying. “No need to rearrange her face. You just admitted in front of an audience we are together. That calls for a round of shots. Whee!” Meena did a fist pump and yelled, “In your face, bitch!
Eve Langlais (When an Omega Snaps (A Lion's Pride, #3))
It was Lippmann who gave us the concept of the “stereotype” (1922), which was basically a continuation of the Jungian concept of the archetype (1919) by other means. To Lippmann, the world outside our borders exists in a different space, consciously, from our own. We develop notions about life in those countries, their cultures, attitudes, and values, without ever go­ing there. Yet, their political situation affects our own; they exert a political influence—either through trade, communications, or transportation—on life in our own country even though we live in a constant state of unawareness of those countries, cultures, politics. The effect of these forces on us is invis­ible, but real. We then develop mental images—stereotypes—of the citizens of these countries, and it is upon the stereotypes that we act. The stereotypes determine our actions and reactions; like the stereotypes of the Islamic fun­damentalist, the Vietcong revolutionary, the Red Peril, they are easy targets, and the stereotype communicates a specific message, is, in terms familiar to the deconstructionism of Derrida, a text. Stereotypes can be created, and manipulated, by the gurus of mass com­munication and psychological warfare. Stereotypes are culturally-loaded and therefore not “value neutral.” We make snap judgments based on the nature of the stereotype; in the hands of the psy-war expert, a stereotype does not contain much complexity or depth. The idea is not to make the target think too clearly or too profoundly about the “text” but instead to react, in a Pav­lovian manner, to the stimulus it provides.
Jim Hougan (Sinister Forces—The Nine: A Grimoire of American Political Witchcraft (Sinister Forces: A Grimoire of American Political Witchcraft (Paperback) Book 1))
I am not going to help you start a dynasty of giant babies.” “I never said you had to be willing.” “And you wonder why you have a hard time getting a woman.” She rolled her eyes. “You know, it is precisely that attitude that has made me revise my plan to abscond with you and make you my bride.” “About time. But if you’re not here to kidnap me, what the heck are you doing here then? And why isn’t anyone tossing you out on your striped ear?” “I was invited.” “Who was stupid enough to do that?” she asked. “I was.” Spinning on her heel, she finally found Leo, holding two bottles of sweating beer, one brown and skunky, the other pale with a wedge of lime shoved inside the glass. She grabbed the dark one and chugged it before he could saddle her with the girly one. Once she’d satisfied her thirst— without belching because she was, after all, a lady— she asked, “Why did you invite the king of misogyny?” “So I could show him this.” This comprised of Leo spinning Meena in his arms and plastering her mouth with his. A surprise smooch. A welcome lashing of tongues. An unimpressed audience. A gagging noise ruined the mood. “Is that necessary? I’ve already withdrawn my suit for the lady.” “Just making sure you get the point,” Leo remarked when he came up for air. “And to think I’d heard you were the sporting one,” Dmitri said in a dry tone of voice. Leo fixed Dmitri with a stare, a cold and menacing one. So hot. “I might be sporting, but I play to win. I also don’t share. Meena is mine.
Eve Langlais (When an Omega Snaps (A Lion's Pride, #3))
I’ve decided to make you my mistress.” A small thread of temper mixed in with the fear traveling through her veins. “Have you now?” “I bought this building just for you, and had the top floor decorated in a manner I was quite certain, given your dramatic attitude, you’d appreciate.” Lucetta drew in a breath—refusing to allow Silas the satisfaction of even glancing at some of the more gaudy pieces in the room he was pointing out—and waited until he’d run out of words before she lifted her chin another notch. “I’d like to know, if you please, how you came to the conclusion I’d be receptive to the idea of becoming your mistress.” Silas settled back in the chair, folding his hands across a stomach that strained against the buttons of the jacket he was wearing. “Come now, dear. There’s no need to continue playing coy. You’ve led me on a merry chase these past few years, never affording me an audience after your performances, and neglecting to answer the notes I sent asking you to join me for a late-night dinner here or there.” He wiggled a finger in her direction. “You and I know full well that you did so in order to increase your value.” “I wouldn’t be so certain about that.” He continued speaking as if she hadn’t voiced a reply. “I’m willing to allow you to live here, amongst this lavish setting, and will provide you with your very own personal maid, a carriage with matching bays, a driver for that carriage, and . . . give you the pleasure of my company until I tire of you.” She dug her fingernails into the tender skin of her palm so that she wouldn’t be tempted to rake them across the man’s face. “I have my own carriage, thank you very much, as well as a lovely place to stay, and while I’m flattered you want to spend time in my company, I do have a profession I need to get back to. That means I am—regretfully, of course—going to have to refuse your simply charming offer to become your mistress.” Her head snapped back from his slap before she’d even realized he’d gotten up from his chair. Blinking to hold back tears that longed to fall, she lifted her chin and ignored the pain in her cheek as Silas retook his seat and immediately took to staring at her. His eyes were filled with something hot, something she was certain verged on the edge of true insanity, and that insanity chilled her straight through her bones. “It wasn’t an offer, my dear,” he finally said quite pleasantly.
Jen Turano (Playing the Part (A Class of Their Own, #3))
Being numb no longer suits me. It’s ill-fitting and I’m antsy about it. I find myself snapping back at people more. Or writing little Bailey-esque rants into my emails when someone’s upset me. I don’t want to be numb. I want to tell someone who has upset me to take their attitude and shove it right up their— Well, let’s just say that I am starting to prefer it to shoving some food in my mouth on top of my hurt feelings.
Shonda Rhimes (Year of Yes)
Gabe, it’s Christmas Eve! No fucker’s working! Not even me. Go fuck off, relax, enjoy the holidays, and try to spread some Christmas cheer.” “Do I look like a fucking elf?” I snap again, the irritation clear in my voice. “Well, go find some Christmas pussy and fuck that attitude out of ya for all I care. Just get the fuck off the phone. Me and my little angel are making Christmas cookies, aren’t we?” he coos in some pathetic baby voice. “That kid’s made you fucking weak man,” I scoff. “Remember who you’re talking to. I may have not brought you into this world but I’m more than happy to take you out of it. Now f.u.c.k. off, before I kick your a.s.s.,” he spells out because of his granddaughter’s proximity to him.
C.B. Halliwell (Gabriel's Salvation: small town, misunderstood MMC, overcoming trauma, first love romance (Fire and Ice Trilogy Book 1))
I'm like a butterfly that you held on to too tight Who's wings you snapped before they could take flight Who's spirit you crushed because you loved to harshly And I blamed you so much for my sadness oddly When you were just afraid... too afraid to lose me
Sharnice Miles (You're welcome)
I'm like a butterfly that you held on to too tight Who's wings you snapped before they could take flight Who's spirit you crushed because you loved too harshly And I blamed you so much for my sadness oddly When you were just afraid... too afraid to lose me
Sharnice Miles (You're welcome)
Work Takes On New Meaning In addition, according to Hunnicutt, during the last half century we’ve begun to lose the fabric of family, culture, and community that give meaning to life outside the workplace. The traditional rituals, the socializing, and the simple pleasure of one another’s company all provided structure for nonwork time, affording people a sense of purpose and belonging. Without this experience of being part of a people and a place, leisure leads more often to loneliness and boredom. Because life outside the workplace has lost vitality and meaning, work has ceased being a means to an end and become an end in itself. Hunnicutt notes: Meaning, justification, purpose, and even salvation were now sought in work, without a necessary reference to any traditional philosophic or theological structure. Men and women were answering the old religious questions in new ways, and the answers were more and more in terms of work, career, occupation, and professions.8 Arlie Hochschild, in her 2001 book, The Time Bind, says that families now have three jobs—work, home, and repair of relationships damaged by ever more time at the office. Even corporations with “family-friendly” policies subtly reward people who spend more time at work (whether they are more productive or not). Some offices are even getting more comfortable, while homes are more hectic, inducing a guilty desire to spend more time working because it’s more restful!9 The final piece of the puzzle snaps into place when we look at the shift in the religious attitude toward work that came with the rise of the Protestant ethic. Before that time, work was profane and religion was sacred. Afterward, work was seen as the arena where you worked out your salvation—and the evidence of a successful religious life was a successful financial life. So here we are in the twenty-first century. Our paid employment has taken on myriad roles. Our jobs now serve the function that traditionally belonged to religion: They are the place where we seek answers to the perennial questions “Who am I?” and “Why am I here?” and “What’s it all for?” They also serve the function of families, giving answers to the questions “Who are my people?” and “Where do I belong?
Vicki Robin (Your Money or Your Life)
I feel like the industry hasn’t caught up to the fact that people don’t want to see clothes only in cool fashion pictures but in a context. This attitude is also completely mad when houses lend to street-style girls to be snapped by hordes of Japanese photographers as a way of marketing. Yet they won’t, for instance, want to lend something to be worn by a head of pathology in a hospital. How are we meant to inspire young girls…when worlds they admire, like high fashion, don’t encourage the notion that you can mix being a fashion plate with working in other fields?
Alexandra Shulman (Inside Vogue: A Diary Of My 100th Year)
The instinct is an activity established from within but that possesses a blindness and does not know its object. And so the starling, without ever having presented such a behavior, nor even having seen it in a fellow creature, presents the whole development of the hunt for flies, even though there was absolutely no fly in its surrounding. Perched on a statue, it observes the sky and suddenly it has the attitude characteristic of its species at the moment when the prey is in view. Its eyes and head follow the prey which does not exist, then it takes off, makes the snapping gesture, and strikes the (nonexistent) herbivore with its beak to kill it; it makes a movement of ingestion, then shakes as if it were satisfied. This instinct is not accomplished in view of an end, it is an activity for pleasure...Thus a sort of reference to the non-actual, an oneiric life, is manifested in these instinctive activities in activity pure state. Even if these acts are produced most of the time by reference to an object, they are something altogether different from reference to an object, i.e., they are the manifestation of a certain style...The trigger acts only by actualizing a certain style of behavior. It is not the cause, but is evocative of an innate complex...Here action is the anticipation of a possible situation...Instinct is before all else a theme, a style that meets up with that which evokes it in the milieu, but which does not have goals; it is an activity for pleasure.
Maurice Merleau-Ponty (Nature: Course Notes from the Collège de France)
I was autographing books at one of those little rattan tables in the bookstore when I found myself looking into the saddest eyes I had ever seen. “The doctor wanted me to buy something that would make me laugh,” she said. I hesitated about signing the book. It would have taken corrective surgery to make that woman laugh. “Is it a big problem?” I asked. The whole line of people was eavesdropping. “Yes. My daughter is getting married.” The line cheered. “Is she twelve or something?” “She’s twenty-four,” said the woman, biting her lip. “And he’s a wonderful man. It’s just that she could have stayed home a few more years.” The woman behind her looked wistful. “We’ve moved three times, and our son keeps finding us. Some women have all the luck.” Isn’t it curious how some mothers don’t know when they’ve done a good job or when it’s basically finished? They figure the longer the kids hang around, the better parents they are. I guess it all depends on how you regard children in the first place. How do you regard yours? Are they like an appliance? The more you have, the more status you command? They’re under warranty to perform at your whim for the first 18 years; then, when they start costing money, you get rid of them? Are they like a used car? You maintain it for years, and when you’re ready to sell it to someone else, you feel a great responsibility to keep it running or it reflects on you? (That’s why some parents never let their children marry good friends.) Are they like an endowment policy? You invest in them for 18 or 20 years, and then for the next 20 years they return dividends that support you in your declining years or they suffer from terminal guilt? Are they like a finely gilded mirror that reflects the image of its owner in every way? On the day the owner looks in and sees a flaw, a crack, a distortion, one tiny idea or attitude that is different from his own, he casts it aside and declares himself a failure? I see children as kites. You spend a lifetime trying to get them off the ground. You run with them until you’re both breathless...they crash...you add a longer tail...they hit the rooftop...you pluck them out of the spout. You patch and comfort, adjust and teach. You watch them lifted by the wind and assure them that someday they’ll fly. Finally they are airborne, but they need more string so you keep letting it out. With each twist of the ball of twine there is a sadness that goes with the joy, because the kite becomes more distant, and somehow you know it won’t be long before that beautiful creature will snap the lifeline that bound you together and soar as it was meant to soar—free and alone. Only then do you know that you did your job.
Erma Bombeck (Forever, Erma)
Gregori was an impressive figure. Shea watched him as he knelt beside Raven, his entire attention seemed to be concentrated on the woman lying so still. “Have you attended to Shea’s injuries?” The soft inquiry startled Shea. He addressed Jacques, asking the male, as was his irritating way. “The wounds are closing,” Jacques assured him. Rand drew Shea alone into the woods. He is the betrayer, healer. I walked away from him because he is linked to Shea. He could make her feel whatever I did to him. He is very dangerous. I cannot be the ne to bring him to justice. Shea would never forgive me. “Don’t do that, Jacques,” Shea said with a little bite in her voice. She was exasperated with him. “I know you’re talking to Gregori. If you have something to say, say it out loud so that I can hear you. You think Rand is the vampire, don’t you?” The thought was in her mind also, and it made her feel disloyal. She knew something was wrong with Rand; perhaps Maggie’s death had twisted his mind so he was living in the past. But something rand had said in the course of their strange conversation was niggling at her brain. Something she couldn’t put a finger on. Gregori passed a hand over Raven’s stomach, his fingers splayed wide. His touch lingered for a moment, a surprisingly tender gesture, then he turned to Shea. “Jacques knows his duty to you, Shea. This man, Rand, the one who is your birth father, was never in your life. Hold on to what is real, not to your childhood fantasies.” “You don’t know the first thing about my childhood, fantasy or not,” Shea snapped, goaded beyond endurance by his unruffled, superior attitude. Gregori definitely grated on her. She suspected it was because he was always using logic. She was the one who was supposed to do that. “I have my own mind, Gregori, and it is a perfectly good one. Perhaps the first couple of times we met gave you a false impression. I am not a hysterical woman who runs at the first sign of danger. I don’t faint at the sight of blood, and I can make my own decisions.
Christine Feehan (Dark Desire (Dark, #2))
Gregori passed a hand over Raven’s stomach, his fingers splayed wide. His touch lingered for a moment, a surprisingly tender gesture, then he turned to Shea. “Jacques knows his duty to you, Shea. This man, Rand, the one who is your birth father, was never in your life. Hold on to what is real, not to your childhood fantasies.” “You don’t know the first thing about my childhood, fantasy or not,” Shea snapped, goaded beyond endurance by his unruffled, superior attitude. Gregori definitely grated on her. She suspected it was because he was always using logic. She was the one who was supposed to do that.
Christine Feehan (Dark Desire (Dark, #2))
Jacques knows his duty to you, Shea. This man, Rand, the one who is your birth father, was never in your life. Hold on to what is real, not to your childhood fantasies.” “You don’t know the first thing about my childhood, fantasy or not,” Shea snapped, goaded beyond endurance by his unruffled, superior attitude. Gregori definitely grated on her. She suspected it was because he was always using logic. She was the one who was supposed to do that. “I have my own mind, Gregori, and it is a perfectly good one. Perhaps the first couple of times we met gave you a false impression. I am not a hysterical woman who runs at the first sign of danger. I don’t faint at the sight of blood, and I can make my own decisions.” “If I gave you the idea that I thought those things of you, then I must apologize,” Gregori said gently, courteously. “It is not my impression of you at all. You have much courage, and you are a natural healer, but you have little knowledge of our way of life. It takes much to maintain proper health. You have the human aversion to taking blood, as Raven does.” Her chin lifted. “I am well aware I have a problem in that area. In my own time I will deal with it. But there are other much more important things going on at the moment.” Beside her Jacques stirred as if to protest, but he remained silent. “That is where you are wrong. Nothing is more important,” Gregori replied, his voice velvet soft, a whisper of power. “Your health is essential to every member of our race. You are a woman. You are able to create life within you. You represent hope to every male who has no lifemate.
Christine Feehan (Dark Desire (Dark, #2))
It’s a whole plot of flowers ranging from a few inches to a foot high. They have petals like roses, but in the center of each blossom is a bright white set of teeth. They snap and snarl at me when I get close enough to give them a once-over. The front teeth are sharp with big canine fangs at the edges. The big ones are like Rottweiler flowers, while the little ones bark and nip like Pomeranians with an attitude. There’s a good six feet of them between me and the tree. I look around for something to smash them with, but everything in here is as mean as these mutt posies.
Richard Kadrey (The Kill Society (Sandman Slim, #9))