Farming Give Happiness Quotes

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We are not encouraged, on a daily basis, to pay careful attention to the animals we eat. On the contrary, the meat, dairy, and egg industries all actively encourage us to give thought to our own immediate interest (taste, for example, or cheap food) but not to the real suffering involved. They do so by deliberately withholding information and by cynically presenting us with idealized images of happy animals in beautiful landscapes, scenes of bucolic happiness that do not correspond to anything in the real world. The animals involved suffer agony because of our ignorance. The least we owe them is to lessen that ignorance.
Jeffrey Moussaieff Masson (The Face on Your Plate: The Truth About Food)
I just believe,' he said, 'that the whole thing is going to be reduced to the human body, once and for all. I want to be ready.... I think the machines are going to fail, the political systems are going to fail, and a few men are going to take to the hills and start over.... I had an air-raid shelter built,' he said. 'I'll take you down there sometime. We've got double doors and stocks of bouillon and bully beef for a couple of years at least. We've got games for the kids, and a record player and a whole set of records on how to play the recorder and get up a family recorder group. But I went down there one day and sat for a while. I decided that survival was not in the rivets and the metal, and not in the double-sealed doors and not in the marbles of Chinese checkers. It was in me. It came down to the man, and what he could do. The body is the one thing you can't fake; it's just got to be there.... At times I get the feeling I can't wait. Life is so fucked-up now, and so complicated, that I wouldn't mind if it came down, right quick, to the bare survival of who was ready to survive. You might say I've got the survival craze, the real bug. And to tell you the truth I don't think most other people have. They might cry and tear their hair and be ready for some short hysterical violence or other, but I think most of them wouldn't be too happy to give down and get it over with.... If everything wasn't dead, you could make a kind of life that wasn't out of touch with everything, with other forms of life. Where the seasons would mean something, would mean everything. Where you could hunt as you needed to, and maybe do a little light farming, and get along. You'd die early, and you'd suffer, and your children would suffer, but you'd be in touch.
James Dickey (Deliverance)
I can't give people back their loved ones. I can't restore their happiness or innocence, can't give back their lives the way they were. But I can give them the truth. Then they will be free to grieve for the dead, and then free to start living again. Truth like that can be a humbling and sacred gift for a scientist to give.
William M. Bass (Death's Acre: Inside the Legendary Forensic Lab the Body Farm Where the Dead Do Tell Tales)
Torrens kicked at the door until it was finally opened. The farm couple and three youngsters had been eating breakfast in the common room. The yard dog would have bounded in had not Torrens kicked the door shut. 'I want a bed. Quilts. A hot drink. I am a doctor. This woman is my patient.' The farm couple was terrified. The look on the face of Torrens cut short any questions. They did as he ordered. One of the children ran to fetch his medical kit from the cart. The woman motioned for Torrens to set Caroline on a straw pallet. The farmer kept his distance, but his wife, shyly, fearffully, ventured closer. She glanced at Torrens, as if requesting his permission to help. Between them, they made Caroline as comfortable as they could. Torrens knelt by the pallet. Caroline reached for his hand. 'Leave while you can. Do not burden yourself with me.' 'A light burden.' 'I wish you to find Augusta.' 'You have my promise.' 'Take this.' Caroline had slipped off a gold ring set with diamonds. 'It was a wedding gift from the king. It has not left my finger since then. I give it to you now - ' Torrens protested, but Caroline went on - 'not as a keepsake. You and I have better keepsakes in our hearts. I wish you to sell it. You will need money, perhaps even more than this will bring. But you must stary alive and find my child. Help her as you have always helped me.' 'We shall talk of this later, when you are better. We shall find her together.' 'You have never lied to me.' Caroline's smile was suddenly flirtacious. 'Sir, if you begin now, I shall take you to task for it.' Her face seemed to grow youthful and earnest for an instant. Torrens realized she held life only by strength of will. 'I am thinking of the Juliana gardens,' Caroline said. 'How lovely they were. The orangerie. And you, my loving friend. Tell me, could we have been happy?' 'Yes.' Torrens raised her hand to his lips. 'Yes. I am certain of it.' Caroline did not speak again. Torrens stayed at her side. She died later that morning. Torrens buried her in the shelter of a hedgerow at the far edge of the field. The farmer offered to help, but Torrens refused and dug the grave himself. Later, in the farmhouse, he slept heavily for the first time since his escape. Mercifully, he did not dream. Next day, he gave the farmer his clothing in trade for peasant garb. He hitched up the cart and drove back to the road. He could have pressed on, lost himself beyond search in the provinces. He was free. Except for his promise. He turned the cart toward Marianstat.
Lloyd Alexander (The Beggar Queen (Westmark, #3))
It’s okay if you can’t. No worries. Just an idea,” I say quickly, looking away so she won’t see how disappointed I am. “No—I mean, I want to, but—” Hana sucks in a breath. I hate this, hate how awkward we both are. “I kind of have this party”—she corrects herself quickly— “this thing I’m supposed to go to with Angelica Marston.” My stomach gets that hollowed-out feeling. It’s amazing how words can do that, just shred your insides apart. [...] A rush of hatred overwhelms me. Hatred for my life, for its narrowness and cramped spaces; hatred for Angelica Marston, with her secretive smile and rich parents; hatred for Hana, for being so stupid and careless and stubborn, first and foremost, and for leaving me behind before I was ready to be left; and underneath all those layers something else, too, some white-hot blade of unhappiness flashing in the very deepest part of me. I can’t name it, or even focus on it clearly, but somehow I understand that this—this other thing—makes me the angriest of all. [...] Despite everything, this gives me pause. In the days after the party at Roaring Brook Farms, snatches of music seemed to follow me everywhere: I heard it winging in and out of the wind, I heard it singing off the ocean and moaning through the walls of the house. Sometimes I woke up in the middle of the night, drenched in sweat, my heart pounding, with the notes sounding in my ears. But every time I was awake and trying to remember the melodies consciously, hum a few notes or recall any of the chords, I couldn’t. Hana’s staring at me hopefully, waiting for my response. For a second I actually feel bad for her. I want to make her happy, like I always did, want to see her give a whoop and put her fist in the air and flash me one of her famous smiles. But then I remember she has Angelica Marston now, and something hardens in my throat, and knowing that I’m going to disappoint her gives me a kind of dull satisfaction.
Lauren Oliver (Delirium (Delirium, #1))
For a moment, she could do nothing but stare at the vaulted ceiling, sucking in deep breaths. She didn’t know. Stars above, she didn’t know it could feel like this. The attentions she’d given herself had never felt that good. In her dreams, it had never felt that good. But then, it wasn’t him in the flesh. Not like now. Nikolai removed his fingers, then placed a gentler openmouthed kiss on her sex, licking slowly with the flat of his tongue. Sienna whimpered and scooted up the bed, far too sensitive there now. He gazed up and grinned, licking his bottom lip before he sucked the two fingers he’d had inside of her with a long slide from his mouth. “I could taste you forever.” “My heart would give out in a day,” she panted, incredulous he would do and say something so naughty. “Perhaps in an hour.” He chuckled and launched himself up and over her. “I like seeing that flush in your cheeks.” He nipped her lips. “And hearing that smile in your voice.” She wondered how he could see anything, but then again, he was vampire. “Well, I like breathing.” She panted heavily still. “So give me a moment to catch my breath.” He settled beside her, pulled the covers over them, and wrapped a strong arm around her waist, pulling her over till her head rested on his chest. “Take all the time you need.” His voice was light and airy, unlike his usual brooding self. She tilted her head toward him. “You’re happy with yourself, aren’t you?” “Quite.” “I’ve never experienced something like that before.” She had no experience with men, but she thought she knew enough from watching farm animals. Apparently not. “I am certainly glad to hear that,” he said only slightly more serious. “If another man tried to do that to you, I’d have to rip out his tongue.” “You’re very territorial.” “Very. Glad you’ve noted.” Strange how that act of intimacy had washed away the angst and tension from before. Then she realized that was exactly what he was trying to do. He’d wanted her pleasure alone, he’d said. He’d certainly gotten it. “Is it always like that?” she asked, almost too shy, but enjoying the intimacy that had grown between them in the dark. “No.” He flatted his palm, fingers spread, over her abdomen under the covers. “It will be better next time.” “Better?” He laughed and lowered his head, sweeping his lips across hers. Not a kiss, but a reminder that they’d knocked down a wall between them and there was no rebuilding it. Then he whispered, “Wait till you see what it feels like when I’m buried deep inside you.
Juliette Cross (The Red Lily (Vampire Blood, #2))
The "kindness of giving you a body" means that, at first, our bodies are not fully matured nor are our pleasant complexions. We started in the mother's womb as just an oval spot and oblong lump, and from there we developed through the vital essence of the mother's blood and flesh. We grew through the vital essence of her food while she endured embarrassment, pain, and suffering. After we were born, from a small worm until we were fully grown, she developed our body. The "kindness of undergoing hardships for you" means that, at first, we were not wearing any clothes with all their ornamentation, did not possess any wealth, and did not bring any provisions. We just came with a mouth and stomach-empty-handed, without any material things. When we came to this place where we knew no one, she gave food when we were hungry, she gave drink when we were thirsty, she gave clothes when we were cold, she gave wealth when we had nothing. Also, she did not just give us things she did not need. Rather, she has given us what she did not dare use for herself, things she did not dare eat, drink, or wear for herself, things she did not dare employ for the happiness of this life, things she did not dare use for her next life's wealth. In brief, without looking for happiness in this life or next, she nurtured her child. She did not obtain these things easily or with pleasure. She collected them by creating various negative karmas, by sufferings and hardships, and gave them all to the child. For example, creating negative karma: she fed the child through various nonvirtuous actions like fishing, butchering, and so forth. For example, suffering: to give to the child, she accumulated wealth by working at a business or farm and so forth, wearing frost for shoes, wearing stars as a hat, riding on the horse of her legs, her hem like a whip, giving her legs to the dogs and her face to the people. Furthermore, she loved the unknown one much more than her father, mother, and teachers who were very kind to her. She watched the child with eyes of love, and kept it warm in soft cloth. She dandled the child in her ten fingers, and lifted it up in the sky. She called to it in a loving, pleasant voice, saying, "Joyful one, you who delight Mommy. Lu, lu, you happy one," and so forth. The "kindness of giving you life" means that, at first, we were not capable of eating with our mouth and hands nor were we capable of enduring all the different hardships. We were like feeble insects without strength; we were just silly and could not think anything. Again, without rejection, the mother served us, put us on her lap, protected us from fire and water, held us away from precipices, dispelled all harmful things, and performed rituals. Out of fear for our death or fear for our health, she did divinations and consulted astrologers. Through many ritual ceremonies and many other different things, in inconceivable ways, she protected the life of her child. The "kindness of showing you the world" means that, at first, we did not come here knowing various things, seeing broadly, and being talented. We could only cry and move our legs and hands. Other than that, we knew nothing. The mother taught us how to eat when we did not know how. She taught us how to wear clothes when we did not know how. She taught us how to walk when we did not know how. She taught us how to talk when we did not know how to say "Mama," or "Hi," and so forth. She taught us various skills, creative arts, and so forth. She tried to make us equal when we were unequal, and tried to make the uneven even for us. Not only have we had a mother in this lifetime, but from beginningless samsara she served as a mother countless times.
Gampopa (The Jewel Ornament of Liberation: The Wish-Fulfilling Gem of the Noble Teachings)
Farmers are not looking for special favors. They ask only an even chance as compared with other workers. But people don't understand. Perhaps the many books on pioneer life with the usual successful and happy outcome have helped to give a wrong impression and perpetuate the idea that country people live on wild game and fish and fruits and in general on the free bounty of heaven. Many people have no idea of the cash expense of operating a farm to-day, or the work and planning required to keep the wheels going round, to say nothing of a decent living or suitable education for the children.
Caroline Henderson (Letters from the Dust Bowl)
She knew how unhappy Rafe and Loreda were. The two of them, as alike as grains of sand, had more trouble these days than the rest of them. Not that anyone on the farm was happy. How could they be? But Tony and Rose and Elsa were the kind of people who expected life to be hard and had become tougher to survive. Her in-laws had worked for years—him on the railroad, her in a shirtwaist factory—to earn the money to buy their land. Their first dwelling here had been a dugout made of sod bricks that they’d built themselves. They might have come off the boat as Anthony and Rosalba, but hard work and the land had turned them into Tony and Rose. Americans. They would die of thirst and hunger before they’d give that up. And although Elsa hadn’t been born a farmer, she’d become one
Kristin Hannah (The Four Winds)
What do you have”, she said , “that binds you to life? Love doesn't follow you, glory doesn't seek you, and power doesn't find you. The house that you inherit was in ruins. The lands you received had already lost their first fruits to frost, and the sun had withered their promises. You have never found water in your farm's well. And before you ever saw them, the leaves had all rotted in your pools; weeds covered the paths and walkways where your feet had never trod. “But in my domain, where only the night reigns, you will be consoled, for you hopes will have ceased; you will be able to forget, for your desire will have died; you will finally rest, for you'll have no life”. And she showed me the futility of hoping for better days when one isn't born with a soul that can know better days. She showed me how dreaming never consoles, for life hurts all the more when we wake up. She showed me how sleep gives no rest, for it is haunted by phantoms, shadows of things, ghost of gestures, stillborn desires, the flotsam from the shipwreck of living. (…) „Why try to be like others if you're condemned to being yourself? Why laugh if, when you laugh, even your genuine happiness is false, since it is born of forgetting who you are? Why cry if you feel it's of no use, and if you cry not because tears console you but because it grieves you that they don't?
Fernando Pessoa
The three ladies perused the menu. Muriel let out a sigh. "I don't like it when they give too much detail about the meat," she said, "It says here the roast pork is made from Gloucester Old Spot pigs that were raised at Tyler's Green Farm. I've been there and can picture the little piglets running around. It's put me off ordering that." "And the beef," Diana told her, not looking up, "They're serving Daisy. She had a happy life on the farm until an unfortunate accident with the combine harvester led to her being something delicious on your plate today." "Oh God," Muriel replied, "I think I'll have the spinach quiche.
Stuart Bone, Nothing Ventured
After the miscarriage I was surrounded by dead-baby flowers, dead-baby books, and lots of boxes of dead-baby tea. I felt like I was drowning in a dead-baby sea. My mother didn’t know how to help but knew that I needed her. She sent me a soft bathrobe and a teapot, and I wept for hours on the phone with her. Mostly, she listened as I sorted through all my thoughts and feelings. If I’m angry or upset about something, or even if I’m happy about something, it isn’t real until I articulate it. I need a narrative. I guess that’s something Jeff and I share. We both need a story to fit into. The Burton ability to turn misfortune into narrative is something I’m grateful I was taught. It helps me think, Well, okay, that’s just a funny story. You should hear my father talking about his mother and those damn forsythia bushes. My sisters-in-law sent me lovely, heartfelt packages. Christina sent me teas and a journal and a letter I cherish. She included Cheryl Strayed’s book Tiny Beautiful Things: Advice on Love and Life from Dear Sugar. Christina is a mother. I felt like she understood the toll this sadness was taking on me, and she encouraged me to practice self-care. Jess gave me the book Reveal: A Secret Manual for Getting Spiritually Naked by Meggan Watterson and some other books about the divine feminine. She knew that there was nothing she could say, but everything she wanted to articulate was in those books. Jess has always had an almost psychic ability to understand my inner voice. She is quiet and attuned to what people are really saying rather than what they present to the world. I knew her book choices were deliberate, but I couldn’t read them for a while because they were dead-baby books. If people weren’t giving me dead baby gifts, they wanted to tell me dead-baby stories. There’s nothing more frustrating than someone saying, “Well, welcome to the club. I’ve had twelve miscarriages." It seemed like there was an unspoken competition between members of this fucked up sorority. I quickly realized this is a much bigger club than I knew and that everyone had stories and advice. And as much as I appreciated it, I had to find my own way. Tara gave me a book called Vessels: A Love Story, by Daniel Raeburn, about his and his wife’s experience of a number of miscarriages. His book helped because I couldn’t wrap my head around Jeff’s side of the story, and he certainly wasn’t telling it to me. He was out in the garage until dinnertime every day. He would come in, eat, help Gus shower, and then disappear for the rest of the night. I often read social media posts from couples announcing, “Hey we miscarried but it brought us closer together." I think it’s fair to say that miscarriage did not bring Jeffrey and me closer together. We were living in the same space but leading parallel lives. To be honest, most of the time we weren’t even living in the same space. That spring The Good Wife was canceled. We had banked on that being a job Jeff would do for a couple of years, one that would keep him in New York City. Then he landed Negan on The Walking Dead, and suddenly he would be all the way down in Georgia for the next three to five years. We were never going to have another child. It had been so hard to get pregnant. I felt like I was pulling teeth trying to coordinate dates when Jeff would be around and I’d be ovulating. It felt like every conversation was about having a baby. He’d ask, “What do you want for dinner?" I’d say, “A baby." “Hey, what do you want to do this weekend?" I’d say, “Have a baby.
Hilarie Burton Morgan (The Rural Diaries: Love, Livestock, and Big Life Lessons Down on Mischief Farm)
As she walked back to their own tent and sat down outside, she tried to feel guilty so that her promise would be for real, but she felt only a vague sense of having protected them. Maybe she did wrong. She had never wanted to steal anything, and this did not seem like stealing. Who were They? There weren’t any big houses around where They lived. The fields were just there by themselves as if they were growing for everybody. She knew nothing like that ever happened, but where were They, those mysterious people whom everyone was afraid of? She was not afraid. But she would have to find out who They were before she could defy Them. She began to imagine ways of helping these poor people she knew. In her thoughts she walked strongly through tale after tale, finding out what they needed, giving them back their farms, giving them houses instead of tents, giving them herds of cows and gallons of milk, giving them happiness.
Sanora Babb (Whose Names Are Unknown)
(Home) ‘This land is beautiful, but the people are horrible.’ The people took this beautiful land and raped it, and put up a bunch of ugly boxes, however, my home is in the Victorian-style and it is old and has a handcrafted personality. There is an ancient oak tree outside my window, sometimes I step out my window then onto the roof of the porch, and sit in the tree branch that hangs over, and watches all the stars as they appear to turn on and off. Yes, I have wished upon a shooting star, that things will change, and that the towers will be no more. Looking straight ahead, I can see all the lights that go on the horizon, some days the sunsets are blazing before the lights turn on. Then there are some days that the window is shut because it is cold windy while everything is chilled with the color of blue. (Frame of mind) My mood can change just like this and that it seems. Yes, just like all the summer turns into winter, and the winters turn into spring, and all of these thoughts running in my mind fall like the leaves through my brain, and they most likely do not mean a thing. I guess you could blame it on my ADD, ADHD, dyslexia, bipolar disorder, or OCD. I do not have any of these… I do not have anything wrong with me. But, if you are like one of the sisters or someone from my school, you would say my mood changes are because of my- STD’s, HIV, or being as they say GAY or BI, and LEZ-BO. They have also said, I am a pedophile and a child stocker, and I get moody if I do not get some from them. That is why I am so sober at times, or so they say. Whatever…! They also have said that I am a schizophrenic- psycho and that I could not even buy love. I would not try that anyways. I think that having money does not give you happiness; I am okay being a humble farm- girl, the guy that finds me… needs to be happy with that also. I am sure there are more things they say. However, those are just some of them that I can dredge up as of now, off the top of my head. They have murdered me and my life, in so many ways. So now, do you wonder as to why I am afraid of talking to people or even looking at them? You know you and they can try to destroy me, and my life. However, I do not have any of those listed either; none of these random arrangements of letters defines me as the person I truly am. (Sight) Looking out the windows, I can see the golden hayfields of ecstasy, I see the windmills that twist and tumble. I can see the abandoned railroad track that lies not far from my home. I can hear the cries of the swing as the wind gusts in spurts. But yet I am still in my room, but that is just okay with me. Because I know that there will someday soon be someone there for me. (Household) My room is a land of peace and tranquility without all the gloom, with a bed and a canopy overhead but still, I am not truly happy? There is nothing- like the sounds of the crickets speaking up often in the cool August night breeze. It is relaxing to me, however; it is a reminder to me of how the last glimmers of summer are ending. Besides the sounds slowly fade away, yes- I can hear this music from my bedroom window. It is just like in the spring the birds sing in the morning and leave in the cool gusts to come. It is just like the hummingbirds that flutter by, and then before I know it, all has changed; so, it seems by the time I walk out my bedroom door, to start my day. ‘Life goes in cycles of tunes it seems, and nature is its synchronization in its symphony you just have to listen.
Marcel Ray Duriez (Nevaeh The Lusting Sapphire Blue Eyes)
Back then, I would never have thought- this was an option with me. I did what I believed was right, and I am happy. With all of the choices, but will I be able to finish school? Is being seventeen too young to be a mom? What is it like to be a mother? Why doesn’t the hellhole cover this in their health class? They just give you ways to prevent, yet not how to be a mother, who is supposed to teach this? I remember bringing her home for the first time, we made a nursery for her in my room, and we had a white bassinet for her. She keeps me tending to her nonstop, on the weekends he and I stayed together, maybe someday soon we can get our place. Her first bath was in the farm sink, and his mom got her all kinds of cute things to where it was hard to choose what to put on her. She always looked so adorable. A real-life baby doll. (People talking) Nevaeh- Talk is cheap… in all honesty, most people just need to mind their own business, I think. Either somebody wants to kick the shit out of you, or steal your joy. Stop making judgments about us! It all comes down to the fact that they need to feel needed. Just stop bothering me, go get what you need, and fight for it as I did, stop trying to take it away from me. Besides, keep this in mind as you are doing it- ‘Do to others, as you would want them to do to you.’ Why do you ask? Just because you might end up worse, off in what you are doing, than what you are seeing, and saying about others. ‘Just remember when you point a finger at someone three fingers are pointing back at you.’ Just like you can always tell when someone is on the dark side. They have to dance around the fires of destruction and torment, the flame within their eyes sparkles as you look at them, as they are children of the night and immorality. Let's just say the sisters finally got their turn, for trying to kill my baby Jaylynn with her small pillow in my own home, in my room they stood over her one night. When hope was the only one home, and we were out for the first time all night without her. Hope caught and fought with all of them before they got the job done. Baby Jaylynn is still alive, yet it is a wonder that she is.
Marcel Ray Duriez (Nevaeh The Miracle)
Once you enter into nature and participate from the inside instead of as a visitor from the outside ... then we will intuitively know how to make a living in the world, how to feed ourselves and give ourselves shelter in a way which also allows other forms of life to live.
Larry Korn
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Darshan Saravana
Rapunzel, I'm not anything heroic or wonderful or whatever you thought," he said sadly. "I'm a sneak thief mostly out for my own good. The rest of it's a lie. My name isn't even Flynn Rider." "Um, what?" Of all the many things she thought he might say, this was not one of them. "My real name is Eugene Fitzherbert. At least, that was what was on record at the orphanage." There might have been a glint from inside a guard's helmet at that, as if he couldn't help sniggering a little. Rapunzel's jaw actually fell open. "Eugene?" she asked. "Yes." "And doesn't Fitz mean--" "Yes, it does," he interrupted in annoyance. "But who knows if that's really my family name, or a real name, or whatever. I think of myself as Flynn Rider. Daring hero, escape artist, adventurer extraordinaire... Eugene is someone who wastes away in an orphanage, who nobody wants. Eugene eats porridge once or twice a day, maybe, and wears the old clothes that bigger kids grew out of a generation ago." "I like Eugene," Rapunzel protested, patting his hand. "I like it better than Flynn. It sounds more... real. Like who you really are." "Thanks," he muttered. "No, really! Eugene doesn't abandon his friends. Eugene makes snarky remarks... and then hangs around witchy goat farms to see how he can help. Eugene pauses his wild, adventurous life to make sure the people around him get their happy endings. Eugene gives crowns back to their rightful owners." "Eugene winds up drained of his blood in a castle ruled by a demonic she-beast," Flynn said, looking up to gauge his captors' possibly violent response. They didn't move. "Flynn Rider is somewhere off riding into the sunset--" "Without his princess," Rapunzel interrupted, hands on hips. Flynn smiled sadly at her.
Liz Braswell (What Once Was Mine)