Bat Boy Quotes

We've searched our database for all the quotes and captions related to Bat Boy. Here they are! All 100 of them:

You really want to know what being an X-Man feels like? Just be a smart bookish boy of color in a contemporary U.S. ghetto. Mamma mia! Like having bat wings or a pair of tentacles growing out of your chest.
Junot Díaz (The Brief Wondrous Life of Oscar Wao)
They took a baseball bat and whacked open his head. Mummy Boy fell to the ground; he finally was dead. Inside of his head were no candy or prizes, just a few stray beetles of various sizes.
Tim Burton (The Melancholy Death of Oyster Boy and Other Stories)
Alright, macho babe boy, I'm not some little ditz to bat my eyelashes at the buff stud in black leather. Don't try your he-man tactics with me. I'll have you know, in my office, I'm known as the ball-breaker. (Amanda)
Sherrilyn Kenyon (Night Pleasures (Dark-Hunter #1))
SHANE:WANT SOME SHANE ASKED.COME AND GET IT BAT BOY MICHAEL:YOUR NOT MY BLOOD TYPE BRO
Rachel Caine (Feast of Fools (The Morganville Vampires, #4))
Juliet laughed. “You all are crazy, you know that?” “Oh, for sure,” he said with a nod. “Does it rub off?” “If you’re lucky.
Erin Nicholas (Beauty and the Bayou (Boys of the Bayou, #3))
You stir up more hornets' nests than a twelve-year-old boy with a baseball bat. You‘re like Lois Lane on crack.
Darynda Jones (Second Grave on the Left (Charley Davidson, #2))
You're Nephilim," he said. "The Clave owes us protection in these circumstances." ... "I dont see anything you need protecting from here," said the boy. "Except some bad décor and a possible mold problem. But you can usually clear that up with bleach." "There's a dead body outside this bar's front door," said Bat, enunciating carefully. "Dont you think-" "I think it's a little too late for him to need protection," said the boy, "if he's already dead." -Freaky Pete, Jace, & Bat, pg.35 & 36-
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
See, girls have it easy. Smile and bat you lashes and we're defenseless.
Nyrae Dawn (What a Boy Wants (What a Boy Wants, #1))
I couldn’t help myself. This woman whom I’d seen handle an entire boardroom full of cocky sons of bitches without batting an eye was crazy adorable. She was tough as nails and hotter than sin. And Christ, she was hilarious. I wanted more of her. A lot fucking more.
Max Monroe (Tapping the Billionaire (Billionaire Bad Boys, #1))
About the time he threatened her nose with his finger, Peaseblossom lost her grip on the situation with the boys. The door crashed open, and three irate fairies launched themselves at the Stage Manager. Cobweb and Moth pelted him with sequins while Mustardseed rammed beads into his ears. "Dance!" they commanded, and dance he did, hopping with impotent anger and pain from one foot to the other as he batted his meaty hands at them.
Lisa Mantchev (Eyes Like Stars (Théâtre Illuminata, #1))
I like holding it at the base.” It’s too long for you,” he insisted, “which is why you pull your swing just before you hit the ball—” “I like a long bat,” Lillian argued, even as he adjusted her hands on the willow handle. “The longer the better, as a matter of fact.” A distant snicker from one of the stable boys caught her attention, and she glanced at him suspiciously before turning to face Westcliff. His face was expressionless, but there was a glitter of laughter in his eyes. “Why is that amusing?” she asked. “I have no idea,” Westcliff said blandly, and turned her toward the pitcher again.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
All the books were beginning to turn against me. Indeed, I must have been blind as a bat not to have seen it long before, the ludicrous contradiction between my theory of life and my actual experiences as a reader. George MacDonald had done more to me than any other writer; of course it was a pity that he had that bee in his bonnet about Christianity. He was good in spite of it. Chesterton has more sense than all the other moderns put together; bating, of course, his Christianity. Johnson was one of the few authors whom I felt I could trust utterly; curiously enough, he had the same kink. Spenser and Milton by a strange coincidence had it too. Even among ancient authors the same paradox was to be found. The most religious (Plato, Aeschylus, Virgil) were clearly those on whom I could really feed. On the other hand, those writers who did not suffer from religion and with whom in theory my sympathy ought to have been complete -- Shaw and Wells and Mill and Gibbon and Voltaire -- all seemed a little thin; what as boys we called "tinny". It wasn't that I didn't like them. They were all (especially Gibbon) entertaining; but hardly more. There seemed to be no depth in them. They were too simple. The roughness and density of life did not appear in their books.
C.S. Lewis (Surprised by Joy: The Shape of My Early Life)
Recalling his childhood in later life, Adams wrote of the unparalleled bliss of roaming in the open fields and woodlands of the town, of exploring the creeks, hiking the beaches, "of making and sailing boats...swimming, skating, flying kites and shooting marbles, bat and ball, football...wrestling and sometimes boxing," shooting at crows and ducks, and "running about to quiltings and frolics and sances among the boys and girls." The first fifteen years o fhis life, he said, :went off like a fairytale".
David McCullough (John Adams)
All boys are swines. They snog you and dump you. Or lick your face. Or put bats in your mouth.
Louise Rennison (A Midsummer Tights Dream (The Misadventures of Tallulah Casey, #2))
A little boy went out to the backyard to play with a baseball bat and a ball. He said to himself, “I am the best hitter in the world.” Then he threw the ball up in the air and took a swing at it, but he missed. Without a moment’s hesitation, he picked up the ball and tossed it in the air again, saying as he swung the bat, “I’m the best hitter in all the world.” He swung and missed. Strike two. He tossed the ball up again, concentrating more intensely, even more determined, saying, “I am the best hitter in all the world!” He swung the bat with all his might. Whiff! Strike three. The little boy laid down his bat and smiled real big. “What do you know?” he said. “I’m the best pitcher in all the world!
Joel Osteen (Your Best Life Now: 7 Steps to Living at Your Full Potential)
It looked like girls were controlled by their feelings but the opposite was true. Girls had excellent control of their feelings. They spun them around like batons: Now I’m crying! Now I’m laughing! Who knows what I’ll do next! Not you! A boy’s emotions were like baseball bats that blindsided him.
Liane Moriarty (Nine Perfect Strangers)
Discouraged? As I was driving home from work one day, I stopped to watch a local Little League baseball game that was being played in a park near my home. As I sat down behind the bench on the first-baseline, I asked one of the boys what the score was. "We’re behind 14 to nothing,” he answered with a smile. “Really,” I said. “I have to say you don’t look very discouraged.” “Discouraged?” the boy asked with a puzzled look on his face. “Why should we be discouraged? We haven’t been up to bat yet.
Jack Canfield
What do you have to say for yourself, boy?" Cgerise "Sorry, Ma, I'm a sexy demon magnet?" Nick "Cherise!" Bubba "Don't you even take that tone with me, Mr. Triple-Threat-I-don't-have-to-listen-to-anyone-because-I'm-the-size-of-a-tabk. You're in the doghouse, buster. You might as well pack a bag 'cause you're going to be in there so long your name's going to be engraved on the mailbox." Cherise "Ah, what'd I do, cher?" Bubba "You dragged my baby into danger, and you-- Are you one of them?" Cherise "I'm going with whatever answer doesn't get me swatted with that bat." Savitar "Cherise, calm down. What are you doing here?" Bubba "What do you think? I'm protecting my boys. Both of you ... Because Mark values his own life and inparticular his male body parts, he called me after he got off the phone with you to tell me what the two of you were doing. You didn't honestly believe that I've been ignorant of what you and Mark do at night all these years? Did you?" Cherise "Um, yeah." Bubba "Well then you're a fool,Michael Burdette. And I'm not." Cherise
Sherrilyn Kenyon (Illusion (Chronicles of Nick, #5))
I shall be as brave as a my Toad, he thought, for my Toad never hides under the bed when she is afraid of lightning or bats. She sticks out her tongue and eats them.
Catherynne M. Valente (The Boy Who Lost Fairyland (Fairyland, #4))
Yeah, and you love that shit you inject into your veins more.” She batted my hand away. “I don’t want anything to do with that kind of love. Keep your love for the drugs.
Chloe Walsh (Redeeming 6 (Boys of Tommen, #4))
Look around, Dollface. Make those ovaries light up. I want them to shine the bat signal for my boys.
Alexa Riley (Kingpin (Breeding, #4))
No. The boy didn’t hurt me. Not yet, anyway. In fact, he was kind of an angel at the end. An angel with really black bat wings. Psycho.
Penelope Douglas (Kill Switch (Devil's Night, #3))
No. The boy didn’t hurt me. Not yet, anyway. In fact, he was kind of an angel at the end. An angel with really black bat wings.
Penelope Douglas (Kill Switch (Devil's Night, #3))
Umm," Jack said,reminding me that he was still standing beside me, "any ideas, Evie? I seem to be fresh out of baseball bats." Uber-vamp directed a chilling glare in Jack's direction. I inwardly cursed the idiot boy for bringing it up and putting himself in danger,too. "I'm guessing you didn't bring your communicator." "In hindsight,not a clever move on my part.
Kiersten White (Supernaturally (Paranormalcy, #2))
Fat Charlie thought it highly likely that Rosie’s mum went out at night in bat form to suck the blood from sleeping innocents. He had mentioned this theory to Rosie once, but she had failed to see the humor in it. Rosie
Neil Gaiman (Anansi Boys)
Do you want to know the first time I ever saw you?" he said with his lips at my ear. I knew the story,but I nodded anyway, frantically. "Your family had just moved in. You were...how old were you,Becks?" I shrugged,and he ran his fingers over my head, calming me.He knew the answer. "You were eleven," he said. "I was twelve.I remember Joey Velasquez talking about the pretty new girl in the neighborhood.Actually his exact words were 'the hot chick.' But I didn't think a thing about it until I saw you at the baseball field. We were having practice at the park and your family showed up for a picnic.You had so much dark hair,and it was hiding your face.Remember?" I nodded. "I know what you're trying to do." He ignored me. "I had to see if Joey was right,about the hot chick part, and I kept trying to get a good look at your face, but you never looked over our way.I hit home run after home run trying to get your attention, but you couldn't be bothered with my record-shattering, supherhuman performance." I smiled,and breathed in slowly. I'd heard this story so many times before.The familiarity of it enveloped me with warmth. "So what did you do?" I asked, fully aware of the answer. "I did the only thing I could think of. I went up to the bat,lined my feet up in the direction of your head,and swung away." "Hitting the foulest foul ball anyone had ever seen," I continued the story. I felt him chuckle next to me. "Yep. I figured in order to return the ball,you'd have to get really close to me, because..." He waited for me to fill in the blank. "Because someone made the mistake of assuming I would throw like a girl," I said softly. He pressed his lips against my head before he went on. "Which,of course, was stupid of me to think. You stood right where you were and chucked the ball farther than I'd ever seen a girl, or even any guy,chuck it." "It was all those years of Bonnet Ball my parents forced on me." "The entire team went nuts. You gave a little tiny shrug, like it was no big deal, and sat back down with your family. Completely ignoring me again. So my plan totally backfired. Not only did you get the attention of every boy on the field-which was not my intention-but I got reamed by the coach, who couldn't understand why I suddenly decided to stand perpendicular to home plate.
Brodi Ashton (Everneath (Everneath, #1))
Are you planning on asking my daughter's permission to ravish me as I deserve? If so, please take heed when she informs you that I am lonely and need a woman in my life. She's been nagging me for the last five years to find one." "In your dreams, bat boy.
Katie MacAlister (A Tale of Two Vampires (Dark Ones, #10))
But as soon as we grasp this—and I appreciate it takes quite a bit of latching onto for people who have spent their whole lives thinking the other way—we see that if salvation is that sort of thing, it can’t be confined to human beings. When human beings are saved, in the past as a single coming-to-faith event, in the present through acts of healing and rescue, including answers to the prayer “lead us not into temptation, but deliver us from evil,” and in the future when they are finally raised from the dead, this is always so that they can be genuine human beings in a fuller sense than they otherwise would have been. And genuine human beings, from Genesis 1 onward, are given the mandate of looking after creation, of bringing order to God’s world, of establishing and maintaining communities. To suppose that we are saved, as it were, for our own private benefit, for the restoration of our own relationship with God (vital though that is!), and for our eventual homecoming and peace in heaven (misleading though that is!) is like a boy being given a baseball bat as a present and insisting that since it belongs to him, he must always and only play with it in private. But of course you can only do what you’re meant to do with a baseball bat when you’re playing with other people. And salvation only does what it’s meant to do when those who have been saved, are being saved, and will one day fully be saved realize that they are saved not as souls but as wholes and not for themselves alone but for what God now longs to do through them.
N.T. Wright (Surprised by Hope: Rethinking Heaven, the Resurrection, and the Mission of the Church)
In baseball, when you get into the batter's box, that's it. It's just you. It's one man against the world. All that matters in that moment is your individual achievement and your individual skill. There is literally nothing that anyone else on your team can do for you. Hell, they're all sitting on the bench, waiting to see what happens, just like the fans in the crowd! It's just you and your bat. And the ball.
Barry Lyga (Boy Toy)
She wanted to go to school with him. She wanted to don a gang jacket and sit in the back of the classroom with a bat so that everyone understood what would happen to them if they messed with her kid. She wanted to go in and give a speech she'd actually rehearsed over and over in her head. The rest of you may be gender-conforming children, she'd say, but you're not nearly as smart, funny, or interesting as Claude, so you tell me which is better: awesome, dynamic boy in a skirt, or tiresome, whiney child with a runny nose who has nothing to offer but compliance.
Laurie Frankel (This Is How It Always Is)
It looked like girls were controlled by their feelings but the opposite was true. Girls had excellent control of their feelings. They spun them around like batons: Now I'm crying! Now I'm laughing! Who know what I'll do next! Not you! A boy's emotions were like baseball bats that blindsided them.
Liane Moriarty (Nine Perfect Strangers)
There is only one thing in criket and that is the STRATE BAT. Keep yore bat strate boy and all will be all right in life as in criket. So headmasters sa, but when my bat is strate i still get bowled is that an omen chizz, Aktually i usually prefer to hav a slosh: i get bowled just the same but it is more satisfactory.
Geoffrey Willans (How to Be Topp)
Karen: It was a man's world. The whole world was a man's world but the recording industry .... it wasn't easy. You had to get some guy's approval to do just about anything and it seemed there were two ways to go about it. You either acted like one of the boys, which is the way I had found. Or you acted real girlie and flirty and batted your eyelashes. They liked that. But Daisy, from the beginning, was sort of outside of all that. She was just sort of "Take me or leave me." Daisy: I didn't care if I was famous or not. I didn't care if I got to sing on your record or not. All I wanted to do was make something interesting and original and cool.
Taylor Jenkins Reid (Daisy Jones & The Six)
I sigh, realizing that the boy I'm talking about is a different iteration of myself from a separate past life, removed from who I am here. All the previous me's have been chunked off, lopped into little figurines in a Dickens-style display that represent old hurts. Oh, how I want to take a bat to the table and smash them all to smithereens.
Timothy Janovsky (You're a Mean One, Matthew Prince (Boy Meets Boy, #2))
I did it like this, I did it like that, I did it with a wiffleball bat.
Beastie Boys
I like to have my ‘Boys Young, Dumb & Full of Cum! Are you full of Cum Baby?
Bat Maxwell (The Color of Honey)
watching her new ‘Boy Toy’ grow erect and dampen his blue jeans. His eyes trailing down her front to discover her perfectly trimmed landing strip.
Bat Maxwell (The Color of Honey)
Just delighted to make your acquaintance.” Mom was batting her lashes, but it looked like she had something in her eye. Confirmed when Razor asked, “What’s wrong with your eye?” Mom
L.A. Fiore (Devil You Know (Lost Boys #1))
The Lord was living with a great colony of bats in a cave. Two boys with BB guns found the cave and killed many of the bats outright, leaving many more to die of their injuries. The boys didn’t see the Lord. He didn’t make His presence known to them. On the other hand, the Lord was very fond of the bats but had done nothing to save them. He was becoming harder and harder to comprehend. He liked to hang with the animals, everyone knew that, the whales and bears, the elephants and bighorn sheep and wolves. They were rather wishing He wasn’t so partial to their company. Hang more in the world of men, they begged Him. But the Lord said He was lonely there.
Joy Williams (Ninety-Nine Stories of God)
The first day after the merger, Brad got a call from a worried female employee, who whispered, “There is a guy in here with suspenders walking around with a baseball bat in his hands, taking swings.” That turned out to be Carlin’s CEO, Jeremy Frommer, who, whatever else he was, was not RBC nice. One of Frommer’s signature poses was feet up on his desk, baseball bat swinging wildly over his head while some poor shoeshine guy tried to polish his shoes.
Michael Lewis (Flash Boys: A Wall Street Revolt)
The Fool in the Tarot deck frequently depicted a boy with a dog at his heels, staring at the sky while he walked blithely off a cliff, burdened only by a bundle on a stick. The diabolist had admitted a relationship to the card. No single detail was quite right, but much as something might appear similar if one were to unfocus their vision… The young diabolist walked with the sparrow at his shoulder, eyes on the windows without looking through the windows, walking forward as if he were afraid to stop. His burden here was the gas containers. No, he was burdened not just by the gas containers, but by some notion of responsibility. A man, when facing death, aspires to finish what he started. What had the custodian of the Thorburn estate started? What drove him? She knew he sought to do good and to vanquish evil, and she could surmise that both good acts and the existence of evil had touched him deeply. The Fool card was akin to the ace. Depending on the game being played, it was often the lowest card or the highest. Valueless or highly valued. Powerless or powerful. It all depended on context. He sought to kill the demon, and he would either catastrophically fail or succeed. This Fool sought to slay the metaphorical dragon. He felt his own mortality, which was quite possibly her fault, in part, and now he rushed to finish the task he’d set for himself. To better the world. The Fool was wrought with air – the clouds he gazed at, the void beyond the cliff, the feather in his cap, even the dog could often be found mid-step, bounding, just above the ground. He was a Fool wrought with a different element. The familiar didn’t quite fit for the departure from the air, but the traditional dog didn’t conjure ideas of air right off the bat either. What was he wrought with? That was another question that begged an answer.
Wildbow (Pact)
Jared laughed. “Come on, I brought a spare helmet for you,” he said, reaching into his locker again. As he spoke, she reached for him in her mind, and felt the pleasure he felt in his motorbike. She could taste some of the thrill, the speed and the danger. “Ahahaha!” said Kami. “No, you didn’t. You brought it for someone else, someone who doesn’t know that you have crashed that bike fifty-eight times!” “Technically speaking, only fifty-one of those times were my fault.” “Technically speaking, you drive like a rabid chicken who has hijacked a tractor.” “Like a bat out of hell,” Jared said. “Nice simile. Sounds sort of dangerous and cool. Consider it.” “Not a chance. I like my brains the way they are, not lightly scrambled and scattered across a road. And speaking of bad boy clichés, really, a motorcycle?” “Again, I say: rugged,” Jared told her. “Manly.” “I often see Holly on hers,” Kami said solemnly. “When she stops for traffic, sometimes she puts on some manly lip gloss. I’m not getting on a bike.
Sarah Rees Brennan (Unspoken (The Lynburn Legacy, #1))
However difficult the future might prove, anything was worth this single, exhilarating moment. Absolutely anything. Absolutely nothing would stop him from wreaking vengeance on the menace who had brought him to his knees. Grimly, Dragon set his mind apart from the waves of pain still resonatng within him and turned to the far more pleasant contemplation of the punishment he would inflict. No one,not even a green boy,could be pardoned for such an assault. He would have to pay and pay dearly.The only question was how. First he had to be caught,but that was no matter. Had the imp of hell deliberately set out to mark his trail,he could not have left it clearer. Granted, Dragon was a hunter of rare skill, but it required no special talent to see where the boy had gone. His way was littered with broken branches, trampled grass, even bits of wool caught on prickler bushes. By the length of his stride, he had run as fast as a bat out of hell, which suggested he at least had a brain, much good that it would do him.
Josie Litton (Come Back to Me (Viking & Saxon, #3))
I feel,” Simon went on, “that this evening DJ Bat is doing a singularly exceptional job. Don’t you agree?” Clary rolled her eyes and didn’t answer; Simon hated trance music. Her attention was on the girl in the white dress. Through the darkness, smoke, and artificial fog, her pale dress shone out like a beacon. No wonder the blue-haired boy was following her as if he were under a spell, too distracted to notice anything else around him—even the two dark shapes hard on his heels, weaving after him through the crowd.
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
Nelson! Stop that this minute!" She turns rigid in the glider but does not rise to see what is making the boy cry. Eccles, sitting by the screen, can see. The Fosnacht boy stands by the swing, holding two red plastic trucks. Angstrom's son, some inches shorter, is batting with an open hand toward the bigger boy's chest, but does not quite dare to move forward a step and actually strike him...Nelson's face turns up toward the porch and he tries to explain, "Pilly have - Pilly -" But just trying to describe the injustice gives it unbearable force, and as if struck from behind he totters forward and slaps the thief's chest and receives a mild shove that makes him sit on the ground. He rolls on his stomach and spins in the grass, revolved by his own incoherent kicking. Eccles' heart seems to twist with the child's body; he knows so well the propulsive power of a wrong, the way the mind batters against it and each futile blow sucks the air emptier until it seems the whole frame of blood and bone must burst in a universe that can be such a vacuum.
John Updike (Rabbit, Run (Rabbit Angstrom, #1))
i get why manufacturers play to pink- it makes good business sense. A marketing executive i spoke with at LeapFrog which is based in Emeryville, California, told me that her company even had a name for it> the pink factor. If you make a pink baseball bat, parents will buy one for their daughter, she explained. then if they subsequently have a son, they'll have to buy a second bat in a different color. Or, if they have a boy first and then a daughter, they'll want to buy a pink one for their precious little girl. Either way, you double the sales.
Peggy Orenstein (Cinderella Ate My Daughter: Dispatches from the Frontlines of the New Girlie-Girl Culture)
Yeah," Shelly agreed, joining in on the eyelash batting. "I hope it's nothing serious." "Why are you two still here?" Lizzie asked in a flat tone. "Liz," Claire snickered. "Be nice." "I am being nice," Lizzie countered. "I could have said fuck off." She gave the girls a pointed look.
Chloe Walsh (Keeping 13 (Boys of Tommen #2))
So Tony played baseball. That is, indeed, just about all that Tony did do. I don't know why it appealed so much to Tony. I suppose it was because in baseball you a part of something, the team, but at the same time you are alone. No one can get close to you, everyone is at his specific position on the field. Mostly, Tony liked to hit. That's what baseball is about, finally - one person with one stick of wood finding that one spot on the baseball that makes everything connect. Everything. Not just the bat and ball. It makes everything connect.' Tanya tilted her head and raised her eyebrows. 'Do you know what I mean?' Crybaby nodded violently - he'd had a few nips at the bottle himself. 'A guy I played with called it 'the sweet spot.' Oh boy, do I know what you mean! Sometimes you could smack that ball and everything would make sense. As long as that ball was up in the air, everything would make sense. I used to have a dream, when I was younger, that one day I'd pop one, and it'd go up in the air and over the infield and over the outfield and out of the park and just keep going. Around and around the world, just like the moon. And everything would make sense.
Paul Quarrington (Home Game)
All they could do was flutter their fans and bat their eyes. The matchmaker Mother hired bragged that they were perfect porcelain dolls. What she didn't say was they had no minds of their own." Shang grimaced at the memory without looking at her. "They'd say anything to make me like them." How familiar that sounds. Mulan put her hands on her hips. "Not all girls are like that. You have to look at it from their perspective, too. Girls are raised to be pretty and graceful, and quiet." She made a face. "They aren't allowed to speak their minds, and they don't have a choice in who they marry. My parents were lucky that they fell in love, but their marriage was arranged, too. And my mother, she doesn't even belong to her family anymore after they got married. It wasn't my mother's decision, but her family's. They told her that a woman's only role in life is to bear sons." Shang leaned forward. "You sound quite passionate about this." His closeness made Mulan hunch back. Remembering who she was pretending to be, she felt her cheeks burn. "I just... I mean, I bet there are some girls who'd make better soldiers than boys. If they were given the chance." "A female soldier? That's the craziest thing I've heard." "Girls can be strong, too." "Not like us, Ping." Mulan hid a smile. "You'd be surprised.
Elizabeth Lim (Reflection)
Dear John Ambrose McClaren, I know the exact day it all started. Fall, eighth grade. We got caught in the rain when we had to put all the softball bats away after gym. We started to run back to the building, and I couldn’t run as fast as you, so you stopped and grabbed my bag too. It was even better than if you’d grabbed my hand. I still remember the way you looked--your T-shirt was stuck to your back, your hair wet like you just came out of the shower. When it started to pour, you whooped and hollered like a little kid. There was this moment--you looked back at me, and your grin was as wide as your face. You said, “Come on, LJ!” It was right then. That’s when I knew, all the way down to my soaking-wet Keds. I love you, John Ambrose McClaren. I really love you. I might have loved you for all of high school. I think you might have loved me back. If only you weren’t moving away, John! It’s so unfair when people move away. It’s like their parents just decide something and no one else gets a say in it. Not that I even deserve a say--I’m not your girlfriend or anything. But you at least deserve a say. I was really hoping that one day I would get to call you Johnny. Your mom came to get you after school once, and a bunch of us were hanging out on the front steps. And you didn’t see her car, so she honked and called out, “Johnny!” I loved the sound of that. Johnny. One day, I bet your girlfriend will call you Johnny. She’s really lucky. Maybe you already have a girlfriend right now. If you do, know this--once upon a time in Virginia, a girl loved you. I’m going to say it just this once, since you’ll never hear it anyway. Good-bye, Johnny. Love, Lara Jean I let out a scream, so loud and so piercing that Jamie barks in alarm. “Sorry,” I whisper, falling back against my pillows. I cannot believe that John Ambrose McClaren read that letter. I didn’t remember it to be so…naked. With so much…yearning. God, why do I have to be a person who yearns so much? How horrible. How perfectly horrible. I’ve never been naked in front of a boy before, but now I feel like I have.
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
Megan Meade’s Guide to the McGowan Boys Entry One Observation #1: When they’re beautiful, they know they’re beautiful. Like the second-to-oldest one, Evan. He’s a senior. He is perfection personified. And he knows it. You can tell because he just sort of smiles knowingly when you gape at him. Not that I’ve been gaping at him. Not at all. Anyway, too soon yet to tell if it negatively affects his behavior. (Like Mike Blukowsi and his Astrodome-sized ego problem.) Observation #2: They like skin. Especially skin they think they’re not necessarily supposed to be seeing. Like the space between your belly tee and your waistband. Observation #3: They have no problem bringing up events that would mortify me into shamed silence if the roles were reversed. Like Evan totally brought up the wiffleball bat incident, when if that had happened to me, I’d be wishing on every one of my birthday cakes for everyone to forget it. Observation #4: They gossip. Can you believe it? I overheard Finn and Doug in the backyard talking about some girl named Dawn who blew off some guy named Simon for some other guy named Rick for like TWENTY MINUTES! They sounded like those old mole-hair ladies at Sal’s Milkshakes. ‘Member the ones who lectured us for a whole hour that day about how young women shouldn’t wear shorts? Wait, okay, I got sidetracked. Observation #5: The older ones are so cute with the younger ones. They were playing ultimate Frisbee when I first got here and Evan totally let Caleb and Ian tackle him. It was soooooo cute. **sigh.** Observation #6: They’re cliquey. I mean, eye-rolling, secret-handshake, don’t-talk-to-us-unless-you’ve-got-an-X-and-a-Y cliquey. Very schooled in the art of the freeze-out. Observation #7: They have no sense of personal space. I need a lock on my door. STAT. Observation #8: Boys are icky. Do not even get me started on the state of the bathroom. I’m thinking of calling in a haz-mat team. Seriously. Observation #9: They have really freaky things going on down there. Yeah, I don’t think I’m ready to elaborate on that one yet. Observation #10: They know how to make enemies. Big time.
Kate Brian (Megan Meade's Guide to the McGowan Boys)
In a proud fatherly sadomasicisticly way, I am thrilled when I get hit. As every deep purple bruise on my body represented a perfect swing. If I were to lift my shirt at any time there would be 4-5 bruises on my body. ... As soon as I was able to, I would throw batting practice again from the short distance, and take another shot if necessary to keep the boys in the zone.
JohnA Passaro (In the Zone and Other Sports Essays)
… and one day, after Mahlke had learned to swim, we were lying in the grass, in the Schlagball field. I ought to have gone to the dentist, but they wouldn't let me because I was hard to replace on the team. My tooth was howling. A cat sauntered diagonally across the field and no one threw anything at it. A few of the boys were chewing or plucking at blades of grass. The cat belonged to the caretaker and was black. Hotten Sonntag rubbed his bat with a woolen stocking. My tooth marked time. The tournament had been going on for two hours. We had lost hands down and were waiting for the return game. It was a young cat, but no kitten. In the stadium, handball goals were being made thick and fast on both sides. My tooth kept saying one word, over and over again. On the cinder track the sprinters were practicing starts or limbering up. The cat meandered about. A trimotored plane crept across the sky, slow and loud, but couldn't drown out my tooth. Through the stalks of grass the caretaker's black cat showed a white bib. Mahlke was asleep. The wind was from the east, and the crematorium between the United Cemeteries and the Engineering School was operating. Mr. Mallenbrandt, the gym teacher, blew his whistle: Change sides. The cat practiced. Mahlke was asleep or seemed to be. I was next to him with my toothache. Still practicing, the cat came closer. Mahlke's Adam's apple attracted attention because it was large, always in motion, and threw a shadow. Between me and Mahlke the caretaker's black cat tensed for a leap. We formed a triangle. My tooth was silent and stopped marking time: for Mahlke's Adam's apple had become the cat's mouse. It was so young a cat, and Mahlke's whatsis was so active – in any case the cat leaped at Mahlke's throat; or one of us caught the cat and held it up to Mahlke's neck; or I, with or without my toothache, seized the cat and showed it Mahlke's mouse: and Joachim Mahlke let out a yell, but suffered only slight scratches. And now it is up to me, who called your mouse to the attention of this cat and all cats, to write. Even if we were both invented, I should have to write. Over and over again the fellow who invented us because it's his business to invent people obliges me to take your Adam's apple in my hand and carry it to the spot that saw it win or lose.
Günter Grass (Cat and Mouse)
Yeah, Jules!" Chelsea said in a voice thick with envy. "Go away, you're making the rest of us look bad." She winked at Jule's date wickedly. "I bet you just want to eat her up, don't ya?" He stared at Chelsea with bewilderment and glanced back at Jules for help. "Just ignore her," Jules explained over the noise from the sound system. "She doesn't get out much." Chelsea tried to look hurt by Jule's words, but she couldn't quite pull it off. "I'm just sayin', Jules, he'd better watch his back tonight, or I might be trying to take you away from him." Chelsea loved to play the potentially bi-curious card, even though everyone knew she liked boys far too much to go to bat for the other team. "Gross!" cried Claire, who wasn't pretending at all. Claire hated it when the conversation deviated too far off her straight and narrow path. The operative word being straight. "Don't worry, Claire-bear," Chelsea soothed condescendingly. "I'm not going to hook up with Jules." She wrapped her arm around Claire's waist and then said suggestively in he ear, "I'm much more likely to make a move on you." "Eww!" Claire shrieked, shoving Chelsea away. "Get away from me!" "Leave her alone, Chels," Jules interrupted. "Or you're gonna make her start her 'It's Adam and Eve not Adam and Steve' speech. And sorry, Claire, but none of us really want to hear that." Jay pulled Violet close to him as they listened to the familiar, playful bantering. He slid his arm around her waist from behind, and let his lips gently tease her earlobe while no one was paying attention to the two of them. Violet wanted to turn around right there, in his arms, and forget this whole dance thing altogether. "Hey!" Chelsea's voice interrupted them, and Violet jumped a little, realizing that everyone was staring at them. "Did you hear me?" Violet leaned forward on her crutches and away from Jay, still feeling bemused by the close and intimate contact. "What?" she asked, trying to focus on what had been said. "I said, 'I gotta pee.' Let's go to the bathroom," Chelsea repeated as if Violet were some sort of imbecile, incapable of understanding normal human speech. "Keep it up, Chels, and none of us is gonna want to hook up with you tonight," Violet promised jokingly. Chelsea grinned at Violet. "I like the way you think, Violet Ambrose. Maybe you'll be the lucky girl I choose.' And then she turned to Jay. "Don't worry, I've got her from here," Chelsea announced. Jules and Claire followed. Violet laughed and glanced back at him. "I'll only be a few." Jay gave her a skeptical look that no one else would have even noticed, as he assessed the three girls who would be escorting Violet. And then he finally nodded. "Okay, I'm gonna show these guys my car." He was beaming again. "I'll be right outside, but I won't be long." Violet did her best to keep up with the trio ahead of her, but it was hard on one high heel and two crutches. Finally she yelled at them exasperatedly, "If you guys don't wait, I'm not going!" They all three stopped and turned around. Chelsea tapped her lovely silver shoe impatiently. "Hurry up, Violet, or I swear I'll take you off my list.
Kimberly Derting (The Body Finder (The Body Finder, #1))
John's particular talents hadn't gone unnoticed but they weren't his artistic talents. They were his talents for having his fellow students fall about with shocked, uncontrollable laughter at his wicked, disrespectful wit. His ability to disrupt a lecture had to be seen to be believed and John's appearance was even worse than his humour. I think he was the last stronghold of the Teddy Boys - totally aggressive and anti-establishment. My first impression of John, as he slouched reluctantly into the lettering class for the first time, was one of apprehension. I felt that I had nothing in common with this individual and as far as I was concerned I never would. In fact he frightened me to death. The only thing that John and I had in common was that we were both blind as bats without our glasses.
Cynthia Lennon (A Twist Of Lennon)
The child was a boy – beautiful in the face, with a great mop of silky black hair. He was perfectly formed, but there was something attached to his back. Estelle gasped with horror when she discovered the baby had black, leathery wings, like those of a bat, neatly folded on his back. The Fae did not have wings! Somewhere she had heard that they used to have – long ago. Maybe her child was a throwback? But what would her father think of a baby with wings? She tried again to call Griff, to tell him his child was born. There was a terrible sharp pain in her head, then a fierce whisper that seemed to fill her mind. ‘Don't call HIM! I forbid you to call HIM ever!’ The child's eyes had opened. They were beautiful Faen eyes – an impossible colour of violet-black and much too intelligent for a new-born baby. Worse than that – they were evil!
Bernie Morris (The Fury of the Fae)
Because sometimes evil didn’t show its ugly self; it could put on the clothes of an ordinary boy. The boy could sit across the table from you, a stray lock of hair hanging in his eyes. He could be doing all the regular things boys do, shoveling in the mashed potatoes, pushing the peas around on his plate, preferring peach cobbler over rhubarb in the late summer while the wasps batted the window screen and the fan on the sideboard rotated.
Minrose Gwin (Promise)
Elwood dressed in the dark slacks from last year’s Emancipation Day play. He’d grown a few inches, so he let them out and they showed the barest sliver of his white socks. A new emerald tie clip held his black tie in place and the knot only took six attempts. His shoes glinted with polish. He looked the part, even if he still worried for his glasses if the police brought out nightsticks. If the whites carried iron pipes and baseball bats.
Colson Whitehead (The Nickel Boys)
Or there, in the clay-baked piedmont of the South, that lean and tan-faced boy who sprawls there in the creaking chair among admiring cronies before the open doorways of the fire department, and tells them how he pitched the team to shut-out victory to-day. What visions burn, what dreams possess him, seeker of the night? The packed stands of the stadium, the bleachers sweltering with their unshaded hordes, the faultless velvet of the diamond, unlike the clay-balked outfields down in Georgia. The mounting roar of eighty thousand voices and Gehrig coming up to bat, the boy himself upon the pitching mound, the lean face steady as a hound’s; then the nod, the signal, and the wind-up, the rawhide arm that snaps and crackles like a whip, the small white bullet of the blazing ball, its loud report in the oiled pocket of the catcher’s mitt, the umpire’s thumb jerked upwards, the clean strike.
Thomas Wolfe (You Can't Go Home Again)
Above the decorous walking around me, sounds of footsteps leaving the verandas of far-flung buildings and moving toward the walks and over the walks to the asphalt drives lined with whitewashed stones, those cryptic messages for men and women, boys and girls heading quietly toward where the visitors waited, and we moving not in the mood of worship but of judgement; as though even here in the filtering dusk, here beneath the deep indigo sky, here, alive with looping swifts and darting moths, here in the hereness of the night not yet lighted by the moon that looms blood-red behind the chapel like a fallen sun, its radiance shedding not upon the here-dusk of twittering bats, nor on the there-night of cricket and whippoorwill, but focused short-rayed upon our place of convergence; and we drifting forward with rigid motions, limbs stiff and voices now silent, as though on exhibit even in the dark, and the moon a white man's bloodshot eye.
Ralph Ellison (Invisible Man)
Already it is twilight down in the Laredito. Bats fly forth from their roostings in courthouse and tower and circle the quarter. The air is full of the smell of burning charcoal. Children and dogs squat by the mud stoops and gamecocks flap and settle in the branches of the fruit trees. They go afoot, these comrades, down along a bare adobe wall. Band music carries dimly from the square. They pass a watercart in the street and they pass a hole in the wall where by the light of a small forgefire an old man beats out shapes of metal. They pass in a doorway a young girl whose beauty becomes the flowers about. They arrive at last before a wooden door. It is hinged into a larger door or gate and all must step over the foot-high sill where a thousand boots have scuffled away the wood, where fools in their hundreds have tripped or fallen or tottered drunkenly into the street. They pass along a ramada in a courtyard by an old grape arbor where small fowl nod in the dusk among the gnarled and barren vines and they enter a cantina where the lamps are lit and they cross stooping under a low beam to a bar and belly up one two three. There is an old disordered Mennonite in this place and he turns to study them. A thin man in a leather weskit, a black and straightbrim hat set square on his head, a thin rim of whiskers. The recruits order glasses of whiskey and drink them down and order more. There are monte games at tables by the wall and there are whores at another table who look the recruits over. The recruits stand sideways along the bar with their thumbs in their belts and watch the room. They talk among themselves of the expedition in loud voices and the old Mennonite shakes a rueful head and sips his drink and mutters. They'll stop you at the river, he says. The second corporal looks past his comrades. Are you talking to me? At the river. Be told. They'll jail you to a man. Who will? The United States Army. General Worth. They hell they will. Pray that they will. He looks at his comrades. He leans toward the Mennonite. What does that mean, old man? Do ye cross that river with yon filibuster armed ye'll not cross it back. Don't aim to cross it back. We goin to Sonora. What's it to you, old man? The Mennonite watches the enshadowed dark before them as it is reflected to him in the mirror over the bar. He turns to them. His eyes are wet, he speaks slowly. The wrath of God lies sleeping. It was hid a million years before men were and only men have power to wake it. Hell aint half full. Hear me. Ye carry war of a madman's making into a foreign land. Ye'll wake more than the dogs. But they berated the old man and swore at him until he moved off down the bar muttering, and how else could it be? How these things end. In confusion and curses and blood. They drank on and the wind blew in the streets and the stars that had been overhead lay low in the west and these young men fell afoul of others and words were said that could not be put right again and in the dawn the kid and the second corporal knelt over the boy from Missouri who had been named Earl and they spoke his name but he never spoke back. He lay on his side in the dust of the courtyard. The men were gone, the whores were gone. An old man swept the clay floor within the cantina. The boy lay with his skull broken in a pool of blood, none knew by whom. A third one came to be with them in the courtyard. It was the Mennonite. A warm wind was blowing and the east held a gray light. The fowls roosting among the grapevines had begun to stir and call. There is no such joy in the tavern as upon the road thereto, said the Mennonite. He had been holding his hat in his hands and now he set it upon his head again and turned and went out the gate.
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
The orders resting on BATS were typically just the 100-share minimum required for an order to be at the front of any price queue, as their only purpose was to tease information out of investors. The HFT firms posted these tiny orders on BATS—orders to buy or sell 100 shares of basically every stock traded in the U.S. market—not because they actually wanted to buy and sell the stocks but because they wanted to find out what investors wanted to buy and sell before they did it. BATS, unsurprisingly, had been created by high-frequency traders.
Michael Lewis (Flash Boys: A Wall Street Revolt)
Wilbury, my dear,” Caroline said, “would you mind taking the children and keeping them occupied for a bit?” "Twould be the high point of my golden years, my lady,” he replied with frigid politeness. “The culmination of a lifelong dream I had nearly abandoned in favour of waiting peacefully for the Grim Reaper to come and relieve me of my earthly duties.” Immune to his sarcasm, Caroline beamed fondly at him. “Thank you, Wilbury. I thought that’s what you would say.” Shuffling toward the hearth, the butler muttered under his breath, “I just love children, you know. I simply dote upon the overindulged little darlings with their grasping little hands and their sticky little fingers that foul up every freshly polished surface in the house”. As he leaned toward the hearth, the twins paused in play to gape at him. Baring his pointed yellowing teeth in a grimace of a smile, he rasped, “Come now, lads. I’ll take you to the kitchen for some nice hot chocolate.” Eyes widening in terror, the two boys leapt to their feet and ran shrieking from the room. Wilbury straightened as much as his hunched back would allow, rolling his eyes. “Wilbuwy!” Eloisa crowed, scrambling from her mother’s lap and toddling across the room. Wrapping her arms around one of the butler’s scrawny legs, she looked up and batted her long eyelashes at him. “Me want cocoa!” With a long-suffering sigh, he scooped the plump child into his arms, every one of his ancient bones creaking in protest. She joyfully tugged at his misshapen ears as he carried her toward the door. His curdled expression never varied, but as he passed Portia he gave her a nearly imperceptible wink.
Teresa Medeiros (The Vampire Who Loved Me (Cabot, #2))
I remember, for example, the time at prep school when I was chosen for the under nines’ rugby team. Well, to be more accurate, I was chosen to be linesman, as I wasn’t good enough for the actual team. Anyway, it was a cold, miserable winter’s day, and there were no spectators out watching, which was uncommon. (Normally, at least a few boys or teachers would come out to watch the school matches.) But on this cold, blustery day the touchlines were deserted, except for one lone figure. It was my dad, standing in the rain, watching me, his son, perform my linesman duties. I felt so happy to see him, but also felt guilty. I mean, I hadn’t even made the team and here he was to watch me run up and down waving a silly flag. Yet it meant the world to me. When the halftime whistle blew it was my big moment. On I ran to the pitch, the plate of oranges in my hands, with Dad applauding from the touchline. Lives are made in such moments. Likewise, I remember Dad playing in the fathers-and-sons cricket match. All the other fathers were taking it very seriously, and then there was Dad in an old African safari hat, coming in to bat and tripping over his wicked--out for a duck. I loved that fun side of Dad, and everyone else seemed to love him for it as well. To be a part of that always made me smile.
Bear Grylls (Mud, Sweat and Tears)
The music still came from the house. It was past midnight. What kind of old lady plays rock music after midnight? One who still plays old vinyl records. One who keeps a weird tombstone in her wooded backyard. One who has strange visitors in a black car with a license plate number engraved on that same weird tombstone. One who told a teenage boy that his dead father was still alive. “What’s this?” Ema asked. I snapped back to the present. “What?” “Behind here.” She was pointing to the back of the tombstone. “There’s something carved into the back.” I walked over slowly, but I knew. I just knew. And when I reached the back of the tombstone and shined the light on it, I was barely surprised. A butterfly with animal eyes on its wings. Ema gasped. The music in the house stopped. Just like that. Like someone had flicked the off switch the moment my eyes found that dang symbol. Ema looked up at my face and saw something troubling. “Mickey?” Nope, there was no surprise. Not anymore. There was rage now. I wanted answers. I was going to get them, no matter what. I wasn’t going to wait for Mr. Shaved Head with the British accent to contact me. I wasn’t going to wait for Bat Lady to fly down and leave me another cryptic clue. Heck, I wasn’t even going to wait until tomorrow. I was going to find out now. “Mickey?
Harlan Coben (Shelter (Micky Bolitar, #1))
Egil asked Thord to let him go with him to the game; he was then in his seventh winter. Thord let him do so, and Egil mounted behind him. But when they came to the play-meeting, then the men made up sides for the play. Many small boys had come there too, and they made up a game for themselves. For this also sides were chosen. Egil was matched to play against a boy named Grim, son of Hegg, of Hegg-stead. Grim was ten or eleven years old, and strong for his age. But when they played together Egil got the worst of it. And Grim made all he could of his advantage. Then Egil got angry and lifted up the bat and struck Grim, whereupon Grim seized him and threw him down with a heavy fall, and handled him rather roughly, and said he would thrash him if he did not behave. But when Egil got to his feet, he went out of the game, and the boys hooted at him. Egil went to Thord and told him what had been done. Thord said: 'I will go with you, and we will be avenged on them.' He gave into his hands a halberd that he had been carrying. Such weapons were then customary. They went where the boys' game was. Grim had now got the ball and was running away with it, and the other boys after him. Then Egil bounded upon Grim, and drove the axe into his head, so that it at once pierced his brain. (...) when Egil came home, Skallagrim said little about it; but Bera said Egil had in him the makings of a freebooter, and that 'twould be well, so soon as he were old enough, to give him a long-ship.
Egill Skallagrímsson (Egil's Saga)
He’s a murdering chud,” Zil was yelling. “What do you want to do? Lynch him?” Astrid demanded. That stopped the flow for a second as kids tried to figure out what “lynch” meant. But Zil quickly recovered. “I saw him do it. He used his powers to kill Harry.” “I was trying to stop you from smashing my head in!” Hunter shouted. “You’re a lying mutant freak!” “They think they can do anything they want,” another voice shouted. Astrid said, as calmly as she could while still pitching her voice to be heard, “We are not going down that path, people, dividing up between freaks and normals.” “They already did it!” Zil cried. “It’s the freaks acting all special and like their farts don’t stink.” That earned a laugh. “And now they’re starting to kill us,” Zil cried. Angry cheers. Edilio squared his shoulders and stepped into the crowd. He went first to Hank, the kid with the shotgun. He tapped him on the shoulder and said, “Give me that thing.” “No way,” Hank said. But he didn’t seem too certain. “You want to have that thing fire by accident and blow someone’s face off?” Edilio held his hand out. “Give it to me, man.” Zil rounded on Edilio. “You going to make Hunter give up his weapon? Huh? He’s got powers, man, and that’s okay, but the normals can’t have any weapon? How are we supposed to defend ourselves from the freaks?” “Man, give it a rest, huh?” Edilio said. He was doing his best to sound more weary than angry or scared. Things were already bad enough. “Zil, you want to be responsible if that gauge goes off and kills Astrid? You want to maybe give that some thought?” Zil blinked. But he said, “Dude, I’m not scared of Sam.” “Sam won’t be your problem, I will be,” Edilio snapped, losing patience. “Anything happens to her, I’ll take you down before Sam ever gets the chance.” Zil snorted derisively. “Ah, good little boy, Edilio, kissing up to the chuds. I got news for you, dilly dilly, you’re a lowly normal, just like me and the rest of us." “I’m going to let that go,” Edilio said evenly, striving to regain his cool, trying to sound calm and in control, even though he could hardly take his eyes off the twin barrels of the shotgun. “But now I’m taking that shotgun.” “No way!” Hank cried, and the next thing was an explosion so loud, Edilio thought a bomb had gone off. The muzzle flash blinded him, like camera flash going off in his face. Someone yelled in pain. Edilio staggered back, squeezed his eyes shut, trying to adjust. When he opened them again the shotgun was on the ground and the boy who’d accidentally fired it was holding his bruised hand, obviously shocked. Zil bent to grab the gun. Edilio took two steps forward and kicked Zil in the face. As Zil fell back Edilio made a grab for the shotgun. He never saw the blow that turned his knees to water and filled his head with stars. He fell like a sack of bricks, but even as he fell he lurched forward to cover the shotgun. Astrid screamed and launched herself down the stairs to protect Edilio. Antoine, the one who had hit Edilio, was raising his bat to hit Edilio again, but on the back swing he caught Astrid in the face. Antoine cursed, suddenly fearful. Zil yelled, “No, no, no!” There was a sudden rush of running feet. Down the walkway, into the street, echoing down the block.
Michael Grant (Hunger (Gone, #2))
Then, Zil and a half dozen of his crew swaggered into the plaza from the far side. Astrid clenched her jaw. Would the crowd turn on them? She almost hoped so. People thought because she wouldn’t let Sam go after Zil she must not really despise the Human Crew’s Leader. That was wrong. She hated Zil. Hated everything he had done and everything he had tried to do. Edilio moved quickly between Zil and a few of the boys who had started toward him, sticks and knives at the ready. Zil’s kids were armed with knives and bats, and so were those who wanted to take them on. Edilio was armed with an assault rifle. Astrid hated that this was what life so often came down to: my weapon is bigger than your weapon. If Sam were here it would be about his hands. Everyone had either seen what Sam could do, or heard the stories retold in vivid detail. No one challenged Sam.
Michael Grant (Lies (Gone, #3))
Taking the catcher’s place, he sank to his haunches and gestured to Arthur. “Throw some easy ones to begin with,” he called, and Arthur nodded, seeming to lose his apprehensiveness. “Yes, milord!” Arthur wound up and released a relaxed, straight pitch. Squinting in determination, Lilian gripped the bat hard, stepped into the swing, and turned her hips to lend more impetus to the motion. To her disgust, she missed the ball completely. Turning around, she gave Westcliff a pointed glance. “Well, your advice certainly helped,” she muttered sarcastically. “Elbows,” came his succinct reminder, and he tossed the ball to Arthur. “Try again.” Heaving a sigh, Lillian raised the bat and faced the pitcher once more. Arthur drew his arm back, and lunged forward as he delivered another fast ball. Lillian brought the bat around with a grunt of effort, finding an unexpected ease in adjusting the swing to just the right angle, and she received a jolt of visceral delight as she felt the solid connection between the bat and the leather ball. With a loud crack the ball was catapulted high into the air, over Arthur’s head, beyond the reach of those in the back field. Shrieking in triumph, Lillian dropped the bat and ran headlong toward the first sanctuary post, rounding it and heading toward second. Out of the corner of her eye, she saw Daisy hurtling across the field to scoop up the ball, and in nearly the same motion, throwing it to the nearest boy. Increasing her pace, her feet flying beneath her skirts, Lillian rounded third, while the ball was tossed to Arthur. Before her disbelieving eyes, she saw Westcliff standing at the last post, Castle Rock, with his hands held up in readiness to catch the ball. How could he? After showing her how to hit the ball, he was now going to tag her out? “Get out of my way!” Lillian shouted, running pellmell toward the post, determined to reach it before he caught the ball. “I’m not going to stop!” “Oh, I’ll stop you,” Westcliff assured her with a grin, standing right in front of the post. He called to the pitcher. “Throw it home, Arthur!” She would go through him, if necessary. Letting out a warlike cry, Lillian slammed full-length into him, causing him to stagger backward just as his fingers closed over the ball. Though he could have fought for balance, he chose not to, collapsing backward onto the soft earth with Lillian tumbling on top of him, burying him in a heap of skirts and wayward limbs. A cloud of fine beige dust enveloped them upon their descent. Lillian lifted herself on his chest and glared down at him. At first she thought that he had been winded, but it immediately became apparent that he was choking with laughter. “You cheated!” she accused, which only seemed to make him laugh harder. She struggled for breath, drawing in huge lungfuls of air. “You’re not supposed…to stand in front…of the post…you dirty cheater!” Gasping and snorting, Westcliff handed her the ball with the ginger reverence of someone yielding a priceless artifact to a museum curator. Lillian took the ball and hurled it aside. “I was not out,” she told him, jabbing her finger into his hard chest for emphasis. It felt as if she were poking a hearthstone. “I was safe, do you…hear me?” She heard Arthur’s amused voice as he approached them. “Actually, miss—” “Never argue with a lady, Arthur,” the earl interrupted, having managed to regain his powers of speech, and the boy grinned at him. “Yes, milord.” “Are there ladies here?” Daisy asked cheerfully, coming from the field. “I don’t see any.” Still smiling, the earl looked up at Lillian.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
Westcliff’s assessing gaze slid from her tumbled hair to the uncorseted lines of her figure, not missing the unbound shapes of her breasts. Wondering if he was going to give her a public dressing-down for daring to play rounders with a group of stable boys, Lillian returned his evaluating gaze with one of her own. She tried to look scornful, but that wasn’t easy when the sight of Westcliff’s lean, athletic body had brought another unnerving quiver to the pit of her stomach. Daisy had been right—it would be difficult, if not impossible, to find a younger man who could rival Westcliff’s virile strength. Still holding Lillian’s gaze, Westcliff pushed slowly away from the paddock fence and approached. Tensing, Lillian held her ground. She was tall for a woman, which made them nearly of a height, but Westcliff still had a good three inches on her, and he outweighed her by at least five stone. Her nerves tingled with awareness as she stared into his eyes, which were a shade of brown so intense that they appeared to be black. His voice was deep, textured like gravel wrapped in velvet. “You should tuck your elbows in.” Having expected criticism, Lillian was caught off-guard. “What?” The earl’s thick lashes lowered slightly as he glanced down at the bat that was gripped in her right hand. “Tuck your elbows in. You’ll have more control over the bat if you decrease the arc of the swing.” Lillian scowled. “Is there any subject that you’re not an expert on?” A glint of amusement appeared in the earl’s dark eyes. He appeared to consider the question thoughtfully. “I can’t whistle,” he finally said. “And my aim with a trebuchet is poor. Other than that…” The earl lifted his hands in a helpless gesture, as if he was at a loss to come up with another activity at which he was less than proficient.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
But, for now, the university wrote back that they hardly dared do my play—it had no women in it! And the ERA ladies on campus would descend with ball-bats if the drama department even tried! Grinding my bicuspids into powder, I suggested that would mean, from now on, no more productions of Boys in the Band (no women), or The Women (no men). Or, counting heads, male and female, a good lot of Shakespeare that would never be seen again, especially if you count lines and find that all the good stuff went to the males! I wrote back maybe they should do my play one week, and The Women the next. They probably thought I was joking, and I’m not sure that I wasn’t. For it is a mad world and it will get madder if we allow the minorities, be they dwarf or giant, orangu­tan or dolphin, nuclear-head or water-conversation­ist, pro-computerologist or Neo-Luddite, simpleton or sage, to interfere with aesthetics.
Ray Bradbury (Fahrenheit 451)
Wondering if Westcliff was going to reprimand the boys for allowing her and Daisy to play, Lillian said uneasily, “Arthur and the others—it wasn’t their fault—I made them let us into the game—” “I don’t doubt it,” the earl said over her shoulder. “You probably gave them no chance to refuse.” “You’re not going to punish them?” “For playing rounders on their off-time? Hardly.” Removing his coat, Westcliff tossed it to the ground. He turned to the catcher, who was hovering nearby, and said, “Jim, be a good lad and help field a few balls.” “Yes, milord!” The boy ran in a flash to the empty space on the west side of the green beyond the sanctuary posts. “What are you doing?” Lillian asked as Westcliff stood behind her. “I’m correcting your swing,” came his even reply. “Lift the bat, Miss Bowman.” She turned to look at him skeptically, and he smiled, his eyes gleaming with challenge. “This should be interesting,” Lillian muttered. Taking up a batter’s stance, she glanced across the field at Daisy, whose face was flushed and eyes over-bright in the effort to suppress a burst of laughter. “My swing is perfectly fine,” Lillian grumbled, uncomfortably aware of the earl’s body just behind hers. Her eyes widened as she felt his hands slide to her elbows, pushing them into a more compact position. As his husky murmur brushed her ears, her excited nerves seemed to catch fire, and she felt a flush spreading over her face and neck, as well as other body parts that, as far as she knew, there were no names for. “Spread your feet wider,” Westcliff said, “and distribute your weight evenly. Good. Now bring your hands closer to your body. Since the bat is a few inches too long for you, you’ll have to choke up on it—” “I like holding it at the base.” “It’s too long for you,” he insisted, “which is why you pull your swing just before you hit the ball—” “I like a long bat,” Lillian argued, even as he adjusted her hands on the willow handle. “The longer the better, as a matter of fact.” A distant snicker from one of the stable boys caught her attention, and she glanced at him suspiciously before turning to face Westcliff. His face was expressionless, but there was a glitter of laughter in his eyes. “Why is that amusing?” she asked. “I have no idea,” Westcliff said blandly, and turned her toward the pitcher again.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
What the devil was Davy doing up there with a marlinespike? That’s what I’d like to know. It’s a sailors duty.” She put her head in her hands. “I’m afraid that’s my fault, too. I’d been talking to him about moving up to the forecastle, and I…I think he wanted to impress me.” Gray choked on a laugh. “Well, of course he did. You ought to take care how you bat those eyelashes, sweetheart. One of these days, you’re likely to knock a man overboard.” The legs of her chair scraped the floor as she stood. The color returned to her cheeks. “If Davy was trying to impress me, it’s as much your fault as mine.” “How is that my fault?” Gray’s frustration came right back to a boil. He hated himself for growling at her, but he couldn’t seem to help it. “You’re the one who humiliated him in front of the crew, with all those questions. You goaded him into saying he…well, you know what he said.” “Yes, I know what he said.” Gray stepped toward her until only the table separated them. “I know what he said. And don’t pretend you didn’t enjoy it. Don’t pretend you don’t use those men to feed your vanity.” “My vanity? What would you know about feeding my vanity? You don’t so much as breathe in my direction. At least the sailors speak to me. And if that entire ‘Kind of the Sea’ display wasn’t one long exercise in feeding your own vanity, I’m sure I don’t know what is.” She jabbed one finger on the tabletop and lowered her voice. “Those men may flirt with me, but they worship you. You know it. You wanted to feel it. Bask in it. And you did so at Davy’s expense.” “At least I only teased the boy. I’m not the one poised to break his heart.” She blinked. “It’s only infatuation. He’s not really in love with me.” He pounded the table. “Of course the boy’s in love with you! They all are. You talk to them, you listen to their stories-even Wiggins’s prattling, God only knows why. You draw them little sketches, you make them paintings for Christmas. You remind them of everything they’ve left behind, everything they pray they’ll one day hold again. And you do it all looking like some sort of Botticelli goddess, surely the most beautiful thing they’ve ever laid eyes on. Damn it, how’s a man to keep from falling in love with you?” Silence. She stared at him. She blinked. Her lips parted, and she drew a quick breath. Say something, Gray silently pleaded. Anything. But she only stared at him. What the hell had he just said? Was it truly that bad? He frowned, reliving the past minute in his mind. Oh, God. Gray rubbed his face with one hand, then gave a sharp tug on his hair. It was that bad. Damn it to hell. If Joss were here, he’d have a good laugh at his expense.
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
Knock, knock. Who's there? A: Lettuce Q: Lettuce who? A: Lettuce in, it's freezing out here.. . 2. Q: What do elves learn in school? A: The elf-abet . 3. Q: Why was 6 afraid of 7? A: Because: 7 8 9 . . 4. Q. how do you make seven an even number? A. Take out the s! . 5. Q: Which dog can jump higher than a building? A: Anydog – Buildings can’t jump! . 6. Q: Why do bananas have to put on sunscreen before they go to the beach? A: Because they might peel! . 7. Q. How do you make a tissue dance? A. You put a little boogie in it. . 8. Q: Which flower talks the most? A: Tulips, of course, 'cause they have two lips! . 9. Q: Where do pencils go for vacation? A: Pencil-vania . 10. Q: What did the mushroom say to the fungus? A: You're a fun guy [fungi]. . 11. Q: Why did the girl smear peanut butter on the road? A: To go with the traffic jam! . 11. Q: What do you call cheese that’s not yours? A: Nacho cheese! . 12. Q: Why are ghosts bad liars? A: Because you can see right through them. . 13. Q: Why did the boy bring a ladder to school? A: He wanted to go to high school. . 14. Q: How do you catch a unique animal? A: You neak up on it. Q: How do you catch a tame one? A: Tame way. . 15. Q: Why is the math book always mad? A: Because it has so many problems. . 16. Q. What animal would you not want to pay cards with? A. Cheetah . 17. Q: What was the broom late for school? A: Because it over swept. . 18. Q: What music do balloons hate? A: Pop music. . 19. Q: Why did the baseball player take his bat to the library? A: Because his teacher told him to hit the books. . 20. Q: What did the judge say when the skunk walked in the court room? A: Odor in the court! . 21. Q: Why are fish so smart? A: Because they live in schools. . 22. Q: What happened when the lion ate the comedian? A: He felt funny! . 23. Q: What animal has more lives than a cat? A: Frogs, they croak every night! . 24. Q: What do you get when you cross a snake and a pie? A: A pie-thon! . 25. Q: Why is a fish easy to weigh? A: Because it has its own scales! . 26. Q: Why aren’t elephants allowed on beaches? A:They can’t keep their trunks up! . 27. Q: How did the barber win the race? A: He knew a shortcut! . 28. Q: Why was the man running around his bed? A: He wanted to catch up on his sleep. . 29. Q: Why is 6 afraid of 7? A: Because 7 8 9! . 30. Q: What is a butterfly's favorite subject at school? A: Mothematics. Jokes by Categories 20 Mixed Animal Jokes Animal jokes are some of the funniest jokes around. Here are a few jokes about different animals. Specific groups will have a fun fact that be shared before going into the jokes. 1. Q: What do you call a sleeping bull? A: A bull-dozer. . 2. Q: What to polar bears eat for lunch? A: Ice berg-ers! . 3. Q: What do you get from a pampered cow? A: Spoiled milk.
Peter MacDonald (Best Joke Book for Kids: Best Funny Jokes and Knock Knock Jokes (200+ Jokes) : Over 200 Good Clean Jokes For Kids)
You boys need anything else?” Nick started. The older waitress was there beside the table. He hadn’t heard her approach. Worse—he hadn’t felt her approach. Would she say something? He should probably start disentangling himself from Adam. His voice wouldn’t work and his face felt like his cheeks were going to burn clean off. “No, thanks,” Adam said. He sounded amused. She ripped a piece of paper from her pad and set it on the table. “You two are just the cutest ever.” Nick froze. She didn’t care. They’d been head to head at this table, and she hadn’t batted an eye. Adam winked at her. “Sounds like someone’s looking for a tip.” “Here’s a tip,” she said. “Don’t flirt with old married ladies when you’ve got a sure thing in your arms.” “Am I the sure thing in this scenario?” said Nick. “I don’t know,” Adam said. “Are you?” The waitress laughed and left them with the check. “She didn’t care,” said Nick softly. “I know it’s stupid, but I thought—” “What, that people would come out with pitchforks? Flaming torches?” “Maybe.” Adam kissed him on the cheek. “You’re adorable. People surprise you sometimes. Especially when you give them the chance.” The words hit Nick hard, the way words you need to hear usually do. He held them in his head for examination later. When they walked back to Adam’s apartment, he reached out to hold the other boy’s hand. And Nick didn’t care one bit who saw.
Brigid Kemmerer (Secret (Elemental, #4))
In retrospect, however, her mother's irreverence might have been one of her greatest gifts as a parent. Such as the day when Merritt had run crying to her because a group of boys hadn't wanted her to play rounders with them. Lillian had hugged and comforted her, and said, "I'll go tell them to give you a turn." "No, Mama," Merritt had sobbed. "They don't want me to play because I'm not good at it. I mostly can't hit the ball, and when I do, it doesn't go anywhere. They said I have baby arms." The indignity of that had been intolerable. But Mama, who'd always understood the fragility of a child's pride, had curved her fingers around Merritt's upper arm and said, "Make a muscle for me." After feeling Merritt's biceps, her mother had lowered to her haunches until their faces were level. "You have very strong arms, Merritt," she'd said decisively. "You're as strong as any of those boys. You and I are going to practice until you're able to hit that blasted ball over all their heads." For many an afternoon after that, Mama had helped her to learn the right stance, and how to transfer her weight to the front foot during the swing, and how to follow through. They had developed her eye-hand coordination and had practiced until the batting skills felt natural. And the next time Merritt played rounders, she'd scored more points than anyone else in the game. Of the thousands of embraces Mama had given her throughout childhood, few stood out in Merritt's mind as much as the feel of her arms guiding her in a batting stance. I want you to attack the ball, Merritt. Be fierce." Not everyone would understand, but "Be fierce" was one of the best things her mother had ever told her.
Lisa Kleypas (Devil in Disguise (The Ravenels, #7))
We had something real,” Nobley said, starting to sound a little desperate. “You must have felt it, seeping through the costumes and pretenses.” The brunette nodded. “Seeping through the pretenses? Listen to him, he’s still acting.” Martin turned to the brunette in search of an ally. “Do I detect any jealousy there, my flagpole-like friend?” Nobley said. “Still upset that you weren’t cast as a gentleman? You do make a very good gardener.” Martin took a swing. Nobley ducked and rammed into his body, pushing them both to the ground. The brunette squealed and bounced on the balls of her feet. “Stop it!” Jane pulled at Nobley, then slipped. He put out an arm and caught her midfall across her middle. “Here, let me…” Nobley tried to give her a hand up and push Martin away at the same time. “Get off me,” Martin said. “I’ll help her.” He kicked Nobley in the rear, followed by some swatting of hands. Jane planted her feet, grabbed Nobley’s arm, and pulled him off. Martin was still swiping at Nobley from the ground. Nobley’s cap fell off, then his trench coat twisted up around Martin, who batted at it crazily. “Cut it out!” Jane said, pushing Nobley back and putting herself between them. She felt more like a teacher stopping a schoolboy scuffle than an ingénue with two brawling beaus. “M-m-martin’s gay!” Nobley said. “I am not! You’re thinking of Edgar.” “Who the hell is Edgar?” “You know, that other gardener who always smells of fish.” “Oh, right.” Jane raised her hands in exasperation. “Would you two…” A stuffed-up voice over the PA announced preboarding for Jane’s flight. The brunette made an audible moan of disappointment. Martin struggled to his feet with a hand up from Nobley, and they both stood before Jane, silent, pathetic as wet dogs who want to be let back in the house. She felt very sure of herself just then, tall and sleek and confident. “Well, they’re playing my song, boys,” she said melodically.
Shannon Hale (Austenland (Austenland, #1))
[On Socrates] My decision to prove reincarnation to the sophomoric cavemen of Athens, quite possibly, was the best decision I made for both myself and humanity. Another dominant behavioral trait is displayed by my efforts to perform selfish acts selflessly, which is significantly unique because the majority of people perform selfless acts selfishly. In the former modus operandi the virtue is preserved through the honesty of being selfish, but in the latter the virtue is corrupted by the dishonesty since the intent is disguised to appear virtuous. Therefore, people are the most evil when performing selfish acts selfishly, and would therefore be the most benevolent when performing selfless acts selflessly. To performs acts selfishly for the mere sake of acting, is irresponsible and destructive and to perform acts selflessly for the sake of acting, is reckless and self-destructive. The interesting dynamic of this newest revelation is how Aristotle knew, innately, to seek out Plato upon his father's death. Once Socrates reunited with Plato, as Aristotle, they proved metaphysics; except the trial of Socrates was so traumatizing they made the decision not to make it known. Instead they channeled the knowledge constructively ("selfishly"- because self-preservation is ultimately selfish) which was done selflessly by cultivating it through education. They were so successful, that the King of Macedonia (my father's previous employer) made a formal request ordering me to tutor his son, Alexander. That's interesting because I have memory of Alexander the Great. He was a passionate boy with incredible sex drive that was equal to that of a honey badger's virulence. He allowed his power to intoxicate him and I was the only one he trusted, and when I made the attempt to slow him down by reminding of of the all powerful mighty God, something happened that caused his death and some Athenian imbecile (probably out of guilt) tried to hang me up on a cross for being a traitor. I got the hell of out doge like a bat of hell the minute that fool said something about me not "honoring" the "gods" - I may have even said something to the effect of 'I am God.' Although, the quote that did survive was when I refused to allow Athens to commit the same crime twice prior to fleeing the city to seek sanctuary at a family's estate.
Alejandro C. Estrada
It led on and on; vistas of forgotten metal; moribund, stiff in a thousand attitudes of mortality; with not a rat, not a mouse; not a bat, not a spider. Only the Lamb, sitting in his high chair with a faint smile upon his lips; alone in the luxury of his vaulted chamber, where the red carpet was like blood, and the walls were lined with books that rose up...up... volume after volume until the shadows engulfed them.
Mervyn Peake (Boy in Darkness and Other Stories)
I’ve not only learned the name of the dead girl, but I also know where she lives.” Falco arched an eyebrow. “All that, and you still found the time to bat your eyelashes at some traveling con man? That is impressive.” “I wasn’t batting anything,” Cass said. “I was appreciating his performance. Come on. I’ll fill you in on the way to her place.” As the two passed the conjurer, Falco’s grip on her was so tight, she was afraid he was going to leave a bruise. “Good-bye, Maximus,” she called behind her. “Thank you for the magic.” Outside the house, Falco kept his hand wrapped around Cass as they headed down the marble staircase. The tall boy in the vest was gone. “So who’s Paolo?” she asked, pausing at the bottom of the steps to catch her breath. The night had definitely taken a turn for the better. “My roommate,” Falco answered shortly. “Friendly,” Cass said, remembering how the boy had looked straight through her. “Seems to me you have no shortage of admirers,” Falco said. And then, abruptly: “You know conjurers are nothing but common criminals, right? I’d check your pockets--I wouldn’t be surprised if several coins are missing.” Cass’s eyes widened. “I believe I’ve heard the same about artists. And it almost sounds like…But surely it’s not in the nature of a patron of a common prostitute to be jealous.” One of her ankles wobbled, and Cass had to grab on to Falco’s waist to keep from falling over. Falco pushed her away playfully and then pulled her tightly to his chest. “Funny,” he whispered in her ear. “But I doubt there’s anything common about you.” He shook his dark hair back from his face. “Ready to get serious now?” “What do you mean, Master?” she asked, half reeling from the heat of Falco’s breath on her jawbone. A rush of warmth surged through her body. “You’re the one who figured out where our murdered prostitute lived,” Falco said. “Lead the way, Signorina Avogadore.” Falco linked his arm through hers.
Fiona Paul (Venom (Secrets of the Eternal Rose, #1))
A little farther on, in the old playing-field, there were the wickets, and the bats, and the jumping poles, and four or five boys, in their shirt sleeves and their straw hats, enjoying their half-holiday, as we had done before them. So life goes on; when one is bowled out, another is ready to step into his shoes, and, no matter how many the ball of death may knock over, the cricket of life is kept up the same, and players are never wanting!
Ouida (Delphi Collected Works of Ouida (Illustrated) (Delphi Series Eight Book 26))
genuine human beings, from Genesis 1 onward, are given the mandate of looking after creation, of bringing order to God’s world, of establishing and maintaining communities. To suppose that we are saved, as it were, for our own private benefit, for the restoration of our own relationship with God (vital though that is!), and for our eventual homecoming and peace in heaven (misleading though that is!) is like a boy being given a baseball bat as a present and insisting that since it belongs to him, he must always and only play with it in private. But of course you can only do what you’re meant to do with a baseball bat when you’re playing with other people.
N.T. Wright (Surprised by Hope: Rethinking Heaven, the Resurrection, and the Mission of the Church)
Boy, was she putting on a show, trying to herd them all exactly where she wanted them. But Bailey wouldn’t be led by the nose. Time to stampede. He picked up an empty chair from the nearest table with one hand and slung it between his legs, dropping into it backwards. “There’s nowhere in the world that I’d rather be than here, becoming better acquainted with Mr. Fenton.” Molly’s eyes widened. “Oh?” “Yes, I’ve long been fascinated with the banking business. I’m sure it’s a breathtaking and dangerous venture. And your house, Mr. Fenton?” He batted his eyes and raised the pitch of his voice an octave. “Oh, I so admire everyone who lives on San Antonio Street.” Molly’s attempts to incinerate him with her eyes failed. He was fireproof. “Bailey,
Regina Jennings (Love in the Balance (Ladies of Caldwell County, #2))
This is it?” he asked. “Yeah,” Megan replied. “Wow. I thought girls were notorious for overpacking.” “I’m not much of a girl,” Megan replied. What? What did you just say? He looked her up and down and smiled. “Could’ve fooled me.” If the human form could melt spontaneously, Megan would have turned to a puddle of liquid skin right then and there. This six-foot-four, gorgeous hunk of half-naked hottie was flirting with her! Inarticulate, tomboyish, freckle-nosed Megan Meade! He hoisted the mesh bag of soccer balls out of the trunk and flung it over his shoulder. With his other hand he grabbed the large suitcase, leaving only her laptop bag and the smaller suitcase, filled with Megan’s underwear, bras, and pj’s, for her. Even though he had no idea what was in it, Megan was glad that she didn’t have to watch him carry her lingerie up to the house. “I’m Evan, by the way,” he said as she reached up to slam the door. Megan almost choked. “No.” Evan laughed. “Uh…yeah.” “You’re Evan?” Pudgy, stringy-haired, snot-bubble-blowing Evan had morphed into this WB-worthy god of Olympic proportions? “Yeah, I am,” he said, narrowing his eyes. “Didn’t you hit me over the head with a baseball bat once?” “It was a wiffleball bat,” she said. “And I think you hung me from a tree first.” “Huh. I always thought it was a baseball bat,” Evan said. “I’m freakishly strong,” she said. Right. Stop talking now. Stop…talking…now! But Evan was, in fact, still smiling. They started up the lawn toward the rest of the family. But Evan was, in fact, still smiling. They started up the lawn toward the rest of the family. “So, you’re a soccer player, huh?” Evan said as they approached. “Good thing. You’re gonna need to be quick to survive this crowd.
Kate Brian (Megan Meade's Guide to the McGowan Boys)
I’m Evan, by the way,” he said as she reached up to slam the door. Megan almost choked. “No.” Evan laughed. “Uh…yeah.” “You’re Evan?” Pudgy, stringy-haired, snot-bubble-blowing Evan had morphed into this WB-worthy god of Olympic proportions? “Yeah, I am,” he said, narrowing his eyes. “Didn’t you hit me over the head with a baseball bat once?” “It was a wiffleball bat,” she said. “And I think you hung me from a tree first.” “Huh. I always thought it was a baseball bat,” Evan said. “I’m freakishly strong,” she said. Right. Stop talking now. Stop…talking…now! But Evan was, in fact, still smiling. They started up the lawn toward the rest of the family. But Evan was, in fact, still smiling. They started up the lawn toward the rest of the family. “So, you’re a soccer player, huh?” Evan said as they approached. “Good thing. You’re gonna need to be quick to survive this crowd.
Kate Brian (Megan Meade's Guide to the McGowan Boys)
Your….your bat cave?” Emily responded. “Yes, I’m quite proud of it. I put those visiting Boy Scouts to good use building bat houses, and now I’ve got dozens of them lining the walls of my tool shed.” She ran a hand down her long, witchy hair. “Bat houses, I mean. Not Boy Scouts. I don’t have any Boy Scouts in my shed.” She looked around, and Ryan couldn’t help but wonder if anyone might indeed be missing a Boy Scout.
Tracy Brogan (My Kind of You (Trillium Bay #1))
Forty-five minutes and two-hundred wires later, Nate had transformed the spare bedroom upstairs into a video game haven. Scarlet listened to the three boys argue about the most efficient way to destroy an AWOL robot and realized she’d rather listen to Heather complain about last year’s footwear styles than one more minute of nerd-talk. Nate pulled a few speakers from his bag. “Surround sound, Nate? Really?” Gabriel pointed to the hall. “My bedroom is right next door. How am I supposed to sleep when you’re blasting aliens all night? Why couldn’t you just use the downstairs guest room?” “First of all,” Nate adjusted a speaker and looked back at Gabriel, “the aliens are on my team—so I don’t ‘blast’ them. Second,” Nate’s eyes grew wide, “you know I have a wicked fear of sleeping underground. Basements are for bats and axe-murders.” He looked at Tristan. “No offense.” Tristan shrugged.
Chelsea Fine (Anew (The Archers of Avalon, #1))
The old fables, myths, and follies associated with the idea of woman's incompetence to handle bat and oar, bridle and rein, and at last the cross-bar of the bicycle, are passing into contempt in presence of the nimbleness, agility, and skill of "that boy's sister"... - Frances E. Willard, women's suffragist, author of A Wheel Within a Wheel, 1895
Mike H. Mizrahi (The Great Chattanooga Bicycle Race)
Each one of use carries his own baggage, the baggage of his past, the record of his experiences and deeds, his foibles and his minor triumphs. It’s all there in the every-heavier baggage we bear through life.
Lawn Griffiths (BATTING ROCKS OVER THE BARN: An Iowa Farm Boy’s Odyssey)
Off across the dark fields from spring to late fall, farmers break the blackness with lighted machinery – ever mindful of the caprice of weather that could make that night work the only guarantee for crucial field work to be done on schedule.
Lawn Griffiths (BATTING ROCKS OVER THE BARN: An Iowa Farm Boy’s Odyssey)
A common farm expression was, “If you don’t have anything else to do, you can fix fence.” Fences are like friendships. They need constant maintenance to keep them up.
Lawn Griffiths (BATTING ROCKS OVER THE BARN: An Iowa Farm Boy’s Odyssey)
The hungry boy on a farm may not be able to get into the cookie jar at times, but it’s hard to keep him out of the garden.
Lawn Griffiths (BATTING ROCKS OVER THE BARN: An Iowa Farm Boy’s Odyssey)
Winter’s continuum – its prolonged and erratic way of mingling pleasant days with cheerless weeks – holds farm activities in somber check until that season finally breaks its hold.
Lawn Griffiths (BATTING ROCKS OVER THE BARN: An Iowa Farm Boy’s Odyssey)
Plus, I was the youngest boy in my grade, so I was small. This size deficit led to me always being picked last in gym class—every day for thirteen years. When you’re always picked last, you always get the worst position, like right field in baseball. Then, since you are always in the worst position, the ball never comes your way, so you never get a chance to show anyone that you are, in fact, good at this sport. But the truth is, you are not good at this sport because you are never involved in a play, because you are always in the worst position. When it is time to step up to bat, you feel so much pressure to do something incredible, like hit a home run, that you usually whiff. If you somehow manage to get a hit, your accomplishment is ignored by your peers, who chalk it up to luck. (No child in history has ever gone from last one picked to first one picked. That is a universal law that will never be broken.) Then the kid who is picked last never gets a girl to like him, because he has been labeled a loser. Therefore, what else is there to do except decide that everyone else is the loser and you are the cool one? That is how the cocky nerd comes to be. So
Judd Apatow (Sick in the Head: Conversations About Life and Comedy)
My father believed all children had work potential, no matter how young they were. Play was okay for town kids, he’d say, but country youth had to learn responsibility. More importantly, their labor was genuinely needed.
Lawn Griffiths (BATTING ROCKS OVER THE BARN: An Iowa Farm Boy’s Odyssey)
Congrats, buddy. It's going to be hysterical seeing you try to parent. You're a disaster." "Thanks, asshole," he says, but he's smiling because he sees the humor in my expression. "I hope it's a girl and she grows up to be hot like her mom because that'll make it even more hysterical," I added and chuckle. "You're going to have to buy a baseball bat to keep the boys away." "Oh God, don't even joke about that," he warns.
Victoria Denault (Game On (Hometown Players #6))
Chet dashed from the room. Moments later he reappeared, his stout form draped in a white sheet. The others roared with laughter as Chet leaped playfully about the room with the sheet swirling behind him. “Better watch where you’re going!” Frank warned the cavorting phantom. Chet now spread his arms wide under the sheet. Looking like a huge white bat, he took a high running jump across the room. Coming down hard, he tripped on one corner of the sheet. Chet lost his balance, stumbled, then fell and rolled across the room in a tangled mass of cloth. The girls joined in the Hardys’ fresh outburst of laughter. “What’s so funny?” Chet groaned as he struggled to free himself. “I thought I looked pretty scary.
Franklin W. Dixon (The Great Airport Mystery (Hardy Boys, #9))
He caught a lucky break, got a tip from a CI, a schizophrenic who’s spent the last two decades creating a concordance for the Weekly World News, “the World’s Only Reliable News,” painstakingly cataloging and correlating everything from Jersey Devil sightings to Bat Boy, from Israeli mermaids to the discovery of an alien spacecraft at the bottom of the Baltic Sea.
Caitlín R. Kiernan (Agents of Dreamland (Tinfoil Dossier, #1))
Frank gained a couple of yards on the next play on a smash-through tackle. Then, on the following play, Joe faded back and tossed a short pass to the left end, Tony Prito. The dark-haired, wiry youth, a close friend of the Hardys, took the ball for a first down on the Hopkinsville thirty-five. A couple of line bucks by Biff Hooper, another of their special friends, gained a few yards, and finally on the fourth down Joe faded back for a long pass. Frank shot down the field like a streak of lightning, the ball sailing straight toward him. But just as he was reaching for it, a Hopkinsville player batted it down, and the opponents took over.
Franklin W. Dixon (Hardy Boys 32: The Crisscross Shadow (The Hardy Boys))
I can’t take any more of this intense classical shit, it sounds like we’re on our way to destroy the fucking Death Star or take down Voldemort or compete on The Apprentice. If I have to listen to any more of it then I’m gonna take my bat to the motherfucking speakers back here.
Caroline Peckham (Kings of Lockdown (Brutal Boys of Everlake Prep, #2))