Slightly Broken Quotes

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This story is for all the slightly broken people out there. I am one of you. You are not alone. You are all beautiful to me.
Patrick Rothfuss (The Slow Regard of Silent Things (The Kingkiller Chronicle, #2.5))
I cannot help but wonder how many of us walk through our lives, day after day, feeling slightly broken and alone, surrounded all the time by others who feel exactly the same way.
Patrick Rothfuss (The Slow Regard of Silent Things (The Kingkiller Chronicle, #2.5))
No more Internet. No more social media, no more scrolling through litanies of dreams and nervous hopes and photographs of lunches, cries for help and expressions of contentment and relationship-status updates with heart icons whole or broken, plans to meet up later, pleas, complaints, desires, pictures of babies dressed as bears or peppers for Halloween. No more reading and commenting on the lives of others, and in so doing, feeling slightly less alone in the room. No more avatars.
Emily St. John Mandel (Station Eleven)
That's a sweet piece," said Jean, briefly forgetting to be aggravated. "You didn't snatch that off a street." "No," said Locke, before taking another deep draught of the warm water in the decanter. "I got it from the neck of the governor's mistress." "You can't be serious." "In the governor's manor." "Of all the -" "In the governor's bed." "Damned lunatic!" "With the governor sleeping next to her." The night quiet was broken by the high, distant trill of a whistle, the traditional swarming noise of city watches everywhere. Several other whistles joined in a few moments later. "It is possible," said Locke with a sheepish grin, "that I have been slightly too bold.
Scott Lynch (Red Seas Under Red Skies (Gentleman Bastard, #2))
There was a scuffling and a great thump: someone else had clambered out of the tunnel, overbalanced slightly and fallen. He pulled himself up on the nearest chair, looked around through lopsided horn - rimmed glasses and said, 'Am I too late? Has it started? I only just found out, so I - I -' Percy spluttered into silence. Evidently he had not expected to run into most of his family. There was a long moment of astonishment, broken by Fleur turning to Lupin and saying, in a wildly transparent attempt to break the tension, 'So - 'ow eez leetle Teddy?' Lupin blinked at her, startled. The silence between the Weasleys seemed to be solidifying, like ice. 'I - oh yes - he's fine!' Lupin said loudly. 'Yes, Tonks is with him - at her mother's.' Percy and the other Weasleys were still staring at one another, frozen. 'Here, I've got a picture!' Lupin shouted, pulling a photograph from inside his jacket and showing it to Fleur and Harry, who saw a tiny baby with a tuff of bright turquoise hair, waving fat fists at the camera. 'I was a fool!' Percy roared, so loudly that Lupin nearly dropped his photograph 'I was an idiot, I was a pompous prat, I was a - a -' 'Ministry - loving, family - disowning, power - hungry moron,' said Fred. Percy swallowed. 'Yes I was!
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
When Ava turned away, Jules leaned in and whispered, “He’s totally whipped. Watch.” She raised her voice to a panicked level. “Oh my God! Ava, are you bleeding?” Alex’s head snapped up. Less than five seconds later, he ended his call and crossed the room to a confused-looking Ava, whose hand froze halfway to the scones on the table. “I’m fine,” Ava said as Alex searched her for injuries. She glared at Jules. “What did I just say?” “I can’t help it.” Jules’s eyes sparkled with mischief. “It’s so much fun. It’s like playing with a windup toy.” “Until the toy comes alive and kills you,” Stella murmured loud enough for everyone to hear. Alex stared at Jules with displeasure scrawled all over his face. His features were so perfect it was a little unnerving, like seeing a carefully sculpted statue come to life. Some people were into that, but I preferred men with a little more grit. Give me scars and a nose that was slightly crooked from being broken too many times over perfection. “Pray you and Ava stay friends forever,” Alex said, icy enough to elicit a rash of goosebumps on my arms.
Ana Huang (Twisted Games (Twisted, #2))
Towards midnight the rain ceased and the clouds drifted away, so that the sky was scattered once more with the incredible lamps of stars. Then the breeze died too and there was no noise save the drip and tickle of water that ran out of clefts and spilled down, leaf by leaf, to the brown earth of the island. The air was cool, moist, and clear; and presently even the sound of the water was still. The beast lay huddled on the pale beach and the stains spread, inch by inch. The edge of the lagoon became a streak of phosphorescence which advanced minutely, as the great wave of the tide flowed. The clear water mirrored the clear sky and the angular bright constellations. The line of phosphorescence bulged about the sand grains and little pebbles; it held them each in a dimple of tension, then suddenly accepted them with an inaudible syllable and moved on. Along the shoreward edge of the shallows the advancing clearness was full of strange, moonbeam-bodied creatures with fiery eyes. Here and there a larger pebble clung to its own air and was covered with a coat of pearls. The tide swelled in over the rain-pitted sand and smoothed everything with a layer of silver. Now it touched the first of the stains that seeped from the broken body and the creatures made a moving patch of light as they gathered at the edge. The water rose further and dressed Simon's coarse hair with brightness. The line of his cheek silvered and the turn of his shoulder became sculptured marble. The strange, attendant creatures, with their fiery eyes and trailing vapours busied themselves round his head. The body lifted a fraction of an inch from the sand and a bubble of air escaped from the mouth with a wet plop. Then it turned gently in the water. Somewhere over the darkened curve of the world the sun and moon were pulling; and the film of water on the earth planet was held, bulging slightly on one side while the solid core turned. The great wave of the tide moved further along the island and the water lifted. Softly, surrounded by a fringe of inquisitive bright creatures, itself a silver shape beneath the steadfast constellations, Simon's dead body moved out towards the open sea.
William Golding (Lord of the Flies)
Do you love her?” I ask hoarsely. His head whirls toward me. “No.” “You sure about that?” “I don’t. Not the way you do.” I relax, just slightly. “Still. You care about her.” Of course he does. We all do, because that girl flew into our house like a whirlwind and made everything come alive again. She brought steel and fire. She made us laugh again. She gave us a purpose—at first, it was us uniting against her. Then it turned into us standing beside her. Protecting her. Loving her.
Erin Watt (Broken Prince (The Royals, #2))
An incomplete list: No more diving into pools of chlorinated water lit green from below. No more ball games played out under floodlights. No more porch lights with moths fluttering on summer nights. No more trains running under the surface of cities on the dazzling power of the electric third rail. No more cities. No more films, except rarely, except with a generator drowning out half the dialogue, and only then for the first little while until the fuel for the generators ran out, because automobile gas goes stale after two or three years. Aviation gas lasts longer, but it was difficult to come by. No more screens shining in the half-light as people raise their phones above the crowd to take pictures of concert states. No more concert stages lit by candy-colored halogens, no more electronica, punk, electric guitars. No more pharmaceuticals. No more certainty of surviving a scratch on one's hand, a cut on a finger while chopping vegetables for dinner, a dog bite. No more flight. No more towns glimpsed from the sky through airplane windows, points of glimmering light; no more looking down from thirty thousand feet and imagining the lives lit up by those lights at that moment. No more airplanes, no more requests to put your tray table in its upright and locked position – but no, this wasn't true, there were still airplanes here and there. They stood dormant on runways and in hangars. They collected snow on their wings. In the cold months, they were ideal for food storage. In summer the ones near orchards were filled with trays of fruit that dehydrated in the heat. Teenagers snuck into them to have sex. Rust blossomed and streaked. No more countries, all borders unmanned. No more fire departments, no more police. No more road maintenance or garbage pickup. No more spacecraft rising up from Cape Canaveral, from the Baikonur Cosmodrome, from Vandenburg, Plesetsk, Tanegashima, burning paths through the atmosphere into space. No more Internet. No more social media, no more scrolling through litanies of dreams and nervous hopes and photographs of lunches, cries for help and expressions of contentment and relationship-status updates with heart icons whole or broken, plans to meet up later, pleas, complaints, desires, pictures of babies dressed as bears or peppers for Halloween. No more reading and commenting on the lives of others, and in so doing, feeling slightly less alone in the room. No more avatars.
Emily St. John Mandel (Station Eleven)
I realized how common this feeling is. I’ve had person after person tell me that they empathize with Auri. That they know where she’s coming from. I didn’t expect that. I cannot help but wonder how many of us walk through our lives, day after day, feeling slightly broken and alone, surrounded all the time by others who feel exactly the same way.
Patrick Rothfuss (The Slow Regard of Silent Things (The Kingkiller Chronicle, #2.5))
This story is for all the slightly broken people out there. I am one of you. You are not alone. You are all beautiful to me. Pat Rothfuss
Patrick Rothfuss (The Slow Regard of Silent Things (The Kingkiller Chronicle, #2.5))
These memories of happiness are fleeting things, reflections in a stream, glimpsed all broken for a second and then swept away in the current of grief that is our life now. I can't say that I ever feel what it felt like then, when I was happy. But sometimes something will touch the place where that feeling was, a touch as slight and swift as the brush of a moth's wing in the dark.
Geraldine Brooks (Year of Wonders)
I'm glad you came here and got the help you needed," Neil says, and he shakes my hand in that way that people do in here to remind themselves that you're the patient and they're the doctor/volunteer/ employee. They like you, and they genuinely want you to do better, but when they shake your hand you feel that distance, that slight disconnect because they know that you're still broken somewhere, that you might snap at any moment.
Ned Vizzini (It's Kind of a Funny Story)
How ... how fragile situations are. But not tenuous. Delicate, but not flimsy, not indulgent. Delicate, that's why they keep breaking, they must break and you must get the pieces together and show it before it breaks again, or put them aside for a moment when something else breaks and turn to that, and all this keeps going on. That's why most writing now, if you read it they go on one two three four and tell you what happened like newspaper accounts, no adjectives, no long sentences, no tricks they pretend, and they finally believe that they really believe that the way they saw it is the way it is ... it never takes your breath away, telling you things you already know, laying everything out flat, as though the terms and the time, and the nature and the movement of everything were secrets of the same magnitude. They write for people who read with the surface of their minds, people with reading habits that make the smallest demands on them, people brought up reading for facts, who know what's going to come next and want to know what's coming next, and get angry at surprises. Clarity's essential, and detail, no fake mysticism, the facts are bad enough. But we're embarrassed for people who tell too much, and tell it without surprise. How does he know what happened? unless it's one unshaven man alone in a boat, changing I to he, and how often do you get a man alone in a boat, in all this ... all this ... Listen, there are so many delicate fixtures, moving toward you, you'll see. Like a man going into a dark room, holding his hands down guarding his parts for fear of a table corner, and ... Why, all this around us is for people who can keep their balance only in the light, where they move as though nothing were fragile, nothing tempered by possibility, and all of a sudden bang! something breaks. Then you have to stop and put the pieces together again. But you never can put them back together quite the same way. You stop when you can and expose things, and leave them within reach, and others come on by themselves, and they break, and even then you may put the pieces aside just out of reach until you can bring them back and show them, put together slightly different, maybe a little more enduring, until you've broken it and picked up the pieces enough times, and you have the whole thing in all its dimensions. But the discipline, the detail, it's just ... sometimes the accumulation is too much to bear.
William Gaddis (The Recognitions)
Ordinarily we are swept away by habitual momentum. We don't interrupt our patterns even slightly. With practice, however, we learn to stay with a broken heart, with a nameless fear, with the desire for revenge. Sticking with uncertainty is how we learn to relax in the midst of chaos, how we learn to be cool when the ground beneath us suddenly disappears.
Pema Chödrön
bare feet slapped against cool flooring. The room swam, reminding me all too much of Nila and her imbalance. We’re perfect for each other. Both slightly broken. Both slightly flawed. But perfectly whole once we let our hearts become one.
Pepper Winters (Fourth Debt (Indebted, #5))
All I can think about is that boy’s skull, bashed in, the way his head was caved in and how it wasn’t like a heid at all, just like a broken silly puppet face, about how when you destroy something, when you brutalise it, it always looks warped and disfigured and slightly unreal and unhuman and that’s what makes it easier for you to go on brutalising it, go on fucking it and hurting it and mashing until you’ve destroyed it completely, proving that destruction is natural in the human spirit, that nature has devices to enable us to destroy, to make it easier for us; a way of making righteous people who want to act do things without the fear of consequence, a way of making us less than human, as we break the laws . . .
Irvine Welsh (Filth)
You will not remember much from school. School is designed to teach you how to respond and listen to authority figures in the event of an emergency. Like if there's a bomb in a mall or a fire in an office. It can, apparently, take you more than a decade to learn this. These are not the best days of your life. They are still ahead of you. You will fall in love and have your heart broken in many different, new and interesting ways in college or university (if you go) and you will actually learn things, as at this point, people will believe you have a good chance of obeying authority and surviving, in the event of an emergency. If, in your chosen career path, there are award shows that give out more than ten awards in one night or you have to pay someone to actually take the award home to put on your mantlepiece, then those awards are more than likely designed to make young people in their 20's work very late, for free, for other people. Those people will do their best to convince you that they have value. They don't. Only the things you do have real, lasting value, not the things you get for the things you do. You will, at some point, realise that no trophy loves you as much as you love it, that it cannot pay your bills (even if it increases your salary slightly) and that it won't hold your hand tightly as you say your last words on your deathbed. Only people who love you can do that. If you make art to feel better, make sure it eventually makes you feel better. If it doesn't, stop making it. You will love someone differently, as time passes. If you always expect to feel the same kind of love you felt when you first met someone, you will always be looking for new people to love. Love doesn't fade. It just changes as it grows. It would be boring if it didn't. There is no truly "right" way of writing, painting, being or thinking, only things which have happened before. People who tell you differently are assholes, petrified of change, who should be violently ignored. No philosophy, mantra or piece of advice will hold true for every conceivable situation. "The early bird catches the worm" does not apply to minefields. Perfection only exists in poetry and movies, everyone fights occasionally and no sane person is ever completely sure of anything. Nothing is wrong with any of this. Wisdom does not come from age, wisdom comes from doing things. Be very, very careful of people who call themselves wise, artists, poets or gurus. If you eat well, exercise often and drink enough water, you have a good chance of living a long and happy life. The only time you can really be happy, is right now. There is no other moment that exists that is more important than this one. Do not sacrifice this moment in the hopes of a better one. It is easy to remember all these things when they are being said, it is much harder to remember them when you are stuck in traffic or lying in bed worrying about the next day. If you want to move people, simply tell them the truth. Today, it is rarer than it's ever been. (People will write things like this on posters (some of the words will be bigger than others) or speak them softly over music as art (pause for effect). The reason this happens is because as a society, we need to self-medicate against apathy and the slow, gradual death that can happen to anyone, should they confuse life with actually living.)
pleasefindthis
You can tell a lot about a person from seeing them in the water. Some people freak out and spaz their way around like giant insects, others slide in like seals, turn over, dive down, effortlessly. Some people kind of tread water with big goofy smiles, others look slightly broken-armed and broken-legged or as if they are in some kind of serious pain.
Lidia Yuknavitch (The Chronology of Water)
Brokenness can be a remarkable gift. If we allow it, it can expand our space to transform - this potential space that is slight, humble, and unassuming. It may seem counterintuitive to claim the benefits of having been broken, but it is precisely when cracks appear in the bedrock of what we thought we knew that the gravity of what has fallen away becomes evident. When that bedrock is blown up by illness, a death, a breakup, a breakdown of any kind, we get the chance to look beyond the rubble to see a whole new way of life. The landscape that had been previously obscured by the towers of what we thought we knew for sure is suddenly revealed, showing us the limitations of the way things used to be.
Michele Harper (The Beauty in Breaking)
Evangeline's heart raced as she took her first step. During her search for the missing door, she'd read that the Prince of Hearts's church held a different aroma for everyone who visited. It was supposed to smell like a person's greatest heartbreak. But as Evangeline entered the cool cathedral, the air did not remind her of Luc - there were no hints of suede or vetiver. The dim mouth of the church was slightly sweet and metallic: apples and blood.
Stephanie Garber (Once Upon a Broken Heart (Once Upon a Broken Heart, #1))
I found him very sexy because I love difference. An unbearably handsome face bores me unless something beneath it surface is crooked or askew: even a broken nose or one eye slightly higher than the other, or something psychological, something unfamiliar and maybe even suspect.
David Wojnarowicz (Close to the Knives: A Memoir of Disintegration)
He had only just made the Elysian deadline; hanging onto the typescript until the last moment in case there was something still to be done; two sentences turned into one, one sentence broken into two, the substitution of a slightly resistant adjective to engender a moment’s reflection, in short, the joys of editing, all carried out without forgetting the art that disguises art.
Edward St. Aubyn (Lost for Words)
When Magnus looked at Imasu, he saw Imasu had dropped his head into his hands. "Er," Magnus said. "Are you quite all right?" "I was simply overcome," Imasu said in a faint voice. Magnus preened slightly. "Ah. Well." "By how awful that was," Imasu said. Magnus blinked. "Pardon?" "I can't live a lie any longer!" Imasu burst out. "I have tried to be encouraging. Dignitaries of the town have been sent to me, asking me to plead with you to stop. My own sainted mother begged me, with tears in her eyes - " "It isn't as bad as all that - " "Yes, it is!" It was like a dam of musical critique had broken. Imasu turned on him with eyes that flashed instead of shining. "It is worse than you can possibly imagine! When you play, all of my mother's flowers lose the will to live and expire on the instant. The quinoa has no flavor now. The llamas are migrating because of your music, and llamas are not a migratory animal. The children now believe there is a sickly monster, half horse and half large mournful chicken, that lives in the lake and calls out to the world to grant it the sweet release of death. The townspeople believe that you and I are performing arcane magic rituals - " "Well, that one was rather a good guess," Magnus remarked. " - using the skull of an elephant, an improbably large mushroom, and one of your very peculiar hats!" "Or not," said Magnus. "Furthermore, my hats are extraordinary." "I will not argue with that." Imasu scrubbed a hand through his thick black hair, which curled and clung to his fingers like inky vines. "Look, I know that I was wrong. I saw a handsome man, thought that it would not hurt to talk a little about music and strike up a common interest, but I don't deserve this. You are going to get stoned in the town square, and if I have to listen to you play again, I will drown myself in the lake." "Oh," said Magnus, and he began to grin. "I wouldn't. I hear there is a dreadful monster living in that lake." Imasu seemed to still be brooding about Magnus's charango playing, a subject that Magnus had lost all interest in. "I believe the world will end with a noise like the noise you make!" "Interesting," said Magnus, and he threw his charango out the window. "Magnus!" "I believe that music and I have gone as far as we can go together," Magnus said. "A true artiste knows when to surrender." "I can't believe you did that!" Magnus waved a hand airily. "I know, it is heartbreaking, but sometimes one must shut one's ears to the pleas of the muse." "I just meant that those are expensive and I heard a crunch.
Cassandra Clare (The Bane Chronicles)
No more countries, all borders unmanned. No more fire departments, no more police. No more road maintenance or garbage pickup. No more spacecraft rising up from Cape Canaveral, from the Baikonur Cosmodrome, from Vandenburg, Plesetsk, Tanegashima, burning paths through the atmosphere into space. No more Internet. No more social media, no more scrolling through litanies of dreams and nervous hopes and photographs of lunches, cries for help and expressions of contentment and relationship-status updates with heart icons whole or broken, plans to meet up later, pleas, complaints, desires, pictures of babies dressed as bears or peppers for Halloween. No more reading and commenting on the lives of others, and in so doing, feeling slightly less alone in the room. No more avatars.
Emily St. John Mandel (Station Eleven)
And what, you think you can fix me?” she asks, turning in her stool to face me, shifting her body closer, so close I can smell the liquor on her warm breath as she whispers, “Think you can make me whole again? Save me from the world? Save me from myself? Fill me up, maybe fuck the feeling back into me, like the big, strong, man you are? Make me a real woman, instead of a broken little girl?” There’s a sickening sweetness to her voice that sends a chill down my spine. If I never heard a thinly veiled ‘fuck you’ before, that was certainly one for the books. I move closer to her, uncomfortably so, cocking my head slightly as I lean in, watching as her body tenses. She thinks I’m about to kiss her, my mouth just inches from hers, before I stop, my voice gritty as I say, “On the contrary, Scarlet, I don’t think you need to be fixed at all.” “No?” “No,” I say. “I think you’re perfect the way you are.
J.M. Darhower (Menace (Scarlet Scars, #1))
Ice-cold chills ran through my body as I stared at this little soldier beneath me, slight but with a heart of steel. Lifting her head, she pressed her forehead to mine and said, “We are different. Me weak and you strong. Me a Georgian and you Russian, but our broken hearts are tired and old. Our spirits are low, though not broken. But our souls, though thoroughly tested and hardened through pain, are resilient.” Her lips twitched, and she added, “They are the same.
Tillie Cole (Ravage (Scarred Souls, #3))
He bared his teeth, his voice an angry hiss. "I do what the hell I like." The dramatic effect was spoiled slightly when he slumped sideways and was violently sick all over his lovely new coat.
Anna Smith Spark (The Court of Broken Knives (Empires of Dust, #1))
Sometimes hesed is translated “steadfast love.” It combines commitment with sacrifice. Hesed is one-way love. Love without an exit strategy. When you love with hesed love, you bind yourself to the object of your love, no matter what the response is. So if the object of your love snaps at you, you still love that person. If you’ve had an argument with your spouse in which you were slighted or not heard, you refuse to retaliate through silence or withholding your affection. Your response to the other person is entirely independent of how that person has treated you. Hesed is a stubborn love. Love like this eliminates moodiness, the touchiness that is increasingly common in people today.
Paul E. Miller (A Loving Life: In a World of Broken Relationships)
And then he cocked his head a little bit. A slight smile tugged at Tristan’s lips. “You talked to her. This was the first day of college you missed, and it was because you spoke with her all day on the phone.
Riley Hart (Broken Pieces (Broken Pieces, #1))
And if, behind closed eyes, Cerris saw a face other than hers, a face so slightly younger, gazing at him sadly across a gulf of lost years and broken promises... Well, it would never hurt her if she never knew.
Ari Marmell (The Warlord's Legacy)
Don’t be sorry,” he said, smirking slightly. “I’d bet that’s the first time in your life you’ve ever been impulsive. Don’t apologize for it.” “Nah” I said, waving my hand in dismissal. “I hauled off and punched a girl a few weeks ago when I caught her kissing my boyfriend. That was the most impulsive I’ve ever been.
Monica Alexander (Broken Fairytales (Broken Fairytales, #1))
Would you teach me, Seth?’ Seth smiled and leaned back in his seat. ‘You do realise, of course, that you have no idea what you ask of me?’ Seth replied after a moment. ‘Of course,’ Christopher replied quietly. ‘Could you tell me?’ ‘No. That is the problem you see,’ Seth said. ‘Magic is something you can never prepare someone for. Magic will make you, Christopher. It will find all the secret empty places of longing in you and fill them more surely than any other love. And magic will break your heart.’ A slight, rather sad smile crossed Christopher’s face for a moment. ‘I know what you’re thinking. You think your heart is already broken, you think that this crooked and winding way is the only path left for you now. But you’re wrong. The heart breaks like every wave on the beach and there’s a darkness you’ll have to pass through that you can’t even see from where you are now.
Lee Morgan (Wooing the Echo: Book One of the Christopher Penrose Novels)
Deemer asked about his first meeting with Sebring. It had occurred in a London restaurant, Polanski said, describing how nervous he had been, and how Jay had broken the ice by saying, “I dig you, man. I dig you.” More important, “he seemed happy to see Sharon happy.” Roman had remained slightly uncomfortable through their next several meetings. “But when I came to Los Angeles, started living here, he came to our parties, etc. And I started liking Jay very very much. He was a
Vincent Bugliosi (Helter Skelter)
Are you checking me out?” he asked, smirking slightly. His sexy southern accent made him exponentially hotter. I felt my face blush scarlet and instantly looked down at my lap. Then I decided that I wouldn’t let that embarrass me. I was checking him out, and there was absolutely nothing wrong with that. The new, more confident me was pushing her way to the surface. “I was,” I said, trying to sound bold, as I took a long pull from my drink. I wasn’t nearly intoxicated enough for this conversation.
Monica Alexander (Broken Fairytales (Broken Fairytales, #1))
I smack into him as if shoved from behind. He doesn't budge, not an inch. Just holds my shoulders and waits. Maybe he's waiting for me to find my balance. Maybe he's waiting for me to gather my pride. I hope he's got all day. I hear people passing on the boardwalk and imagine them staring. Best-case scenario, they think I know this guy, that we're hugging. Worst-case scenario, they saw me totter like an intoxicated walrus into this complete stranger because I was looking down for a place to park our beach stuff. Either way, he knows what happened. He knows why my cheek is plastered to his bare chest. And there is definite humiliation waiting when I get around to looking up at him. Options skim through my head like a flip book. Option One: Run away as fast as my dollar-store flip flops can take me. Thing is, tripping over them is partly responsible for my current dilemma. In fact, one of them is missing, probably caught in a crack of the boardwalk. I'm getting Cinderella didn't feel this foolish, but then again, Cinderella wasn't as clumsy as an intoxicated walrus. Option two: Pretend I've fainted. Go limp and everything. Drool, even. But I know this won't work because my eyes flutter too much to fake it, and besides, people don't blush while unconscious. Option Three: Pray for a lightning bolt. A deadly one that you feel in advance because the air gets all atingle and your skin crawls-or so the science books say. It might kill us both, but really, he should have been paying more attention to me when he saw that I wasn't paying attention at all. For a shaved second, I think my prayers are answered because I go get tingly all over; goose bumps sprout everywhere, and my pulse feels like electricity. Then I realize, it's coming from my shoulders. From his hands. Option Last: For the love of God, peel my cheek off his chest and apologize for the casual assault. Then hobble away on my one flip-flop before I faint. With my luck, the lightning would only maim me, and he would feel obligated to carry me somewhere anyway. Also, do it now. I ease away from him and peer up. The fire on my cheeks has nothing to do with the fact that it's sweaty-eight degrees in the Florida sun and everything to do with the fact that I just tripped into the most attractive guy on the planet. Fan-flipping-tastic. "Are-are you all right?" he says, incredulous. I think I can see the shape of my cheek indented on his chest. I nod. "I'm fine. I'm used to it. Sorry." I shrug off his hands when he doesn't let go. The tingling stays behind, as if he left some of himself on me. "Jeez, Emma, are you okay?" Chloe calls from behind. The calm fwopping of my best friend's sandals suggests she's not as concerned as she sounds. Track star that she is, she would already be at my side if she thought I was hurt. I groan and face her, not surprised that she's grinning wide as the equator. She holds out my flip-flop, which I try not to snatch from her hand. "I'm fine. Everybody's fine," I say. I turn back to the guy, who seems to get more gorgeous by the second. "You're fine, right? No broken bones or anything?" He blinks, gives a slight nod. Chloe setts her surfboard against the rail of the boardwalk and extends her hand to him. He accepts it without taking his eyes off me. "I'm Chloe and this is Emma," she says. "We usually bring her helmet with us, but we left it back in the hotel room this time.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
Kusha pushes the last of her long screw into the soil, another expensive thing she bought from the Old City. The almost-broken, two-inch seedling now stands supported. Guilt, partly for a tiny seedling, slightly more for being an unobservant, untouchable human who isn’t graded yet.
Misba (The High Auction (Wisdom Revolution, #1))
The alley is a pitch for about twenty women leaning in doorways, chain-smoking. In their shiny open raincoats, short skirts, cheap boots, and high-heeled shoes they watch the street with hooded eyes, like spies in a B movie. Some are young and pretty, and some are older, and some of them are very old, with facial expressions ranging from sullen to wry. Most of the commerce is centred on the slightly older women, as if the majority of the clients prefer experience and worldliness. The younger, prettier girls seem to do the least business, apparent innocence being only a minority preference, much as it is for the aging crones in the alley who seem as if they’ve been standing there for a thousand years. In the dingy foyer of the hotel is an old poster from La Comédie Française, sadly peeling from the all behind the desk. Cyrano de Bergerac, it proclaims, a play by Edmond Rostand. I will stand for a few moments to take in its fading gaiety. It is a laughing portrait of a man with an enormous nose and a plumed hat. He is a tragic clown whose misfortune is his honour. He is a man entrusted with a secret; an eloquent and dazzling wit who, having successfully wooed a beautiful woman on behalf of a friend cannot reveal himself as the true author when his friend dies. He is a man who loves but is not loved, and the woman he loves but cannot reach is called Roxanne. That night I will go to my room and write a song about a girl. I will call her Roxanne. I will conjure her unpaid from the street below the hotel and cloak her in the romance and the sadness of Rostand’s play, and her creation will change my life.
Sting (Broken Music: A Memoir)
In the long ago, in the gentle days, Brother Grumlow carved wood, worked with saw and chisel. When hard times come carpenters are apt to get nailed to crosses. Grumlow took up the knife and learned to carve men. He looks soft, my brother of the blade, slight in build, light in colour, weak chin, sad eyes, all of him drooping like the moustache that hangs off his lip. Yet he has fast hands and no fear of a sharp edge. Come against him with just a dagger for company and he will cut you a new opinion.
Mark Lawrence (King of Thorns (The Broken Empire, #2))
I poisoned my skin,” Genya said harshly, “my lips. So that every time he touched me—” She shuddered slightly and glanced at David. “Every time he kissed me, he took sickness into his body.” She clenched her fists. “He brought this on himself.” “But the poison would have affected you too,” Nikolai said. “I had to purge it from my skin, then heal the burns the lye would leave. Every single time.” Her fists clenched. “It was well worth it.” Nikolai rubbed a hand over his mouth. "Did he force you?" Genya nodded once. A muscle in Nikolai's jaw ticked.” -//- She held up her hands, warding us off. “I don’t want your pity,” she said ferociously. Her voice was raw, wild. We stood there helplessly. “You don’t understand.” She covered her face with her hands. “None of you do.” “Genya—” David tried. “Don’t you dare,” she said roughly, tears welling up again. “You never looked at me twice before I was like this, before I was broken. Now I’m just something for you to fix.” I was desperate for words to soothe her, but before I could find any, David bunched up his shoulders and said, “I know metal.” “What does that have to do with anything?” Genya cried. David furrowed his brow. “I … I don’t understand half of what goes on around me. I don’t get jokes or sunsets or poetry, but I know metal.” His fingers flexed unconsciously as if he were physically grasping for words. “Beauty was your armor. Fragile stuff, all show. But what’s inside you? That’s steel. It’s brave and unbreakable. And it doesn’t need fixing.
Leigh Bardugo (Ruin and Rising (The Shadow and Bone Trilogy, #3))
Faye tilted her head slightly. “When was your first kill?” Winston met her stare for a long while, then exhaled. “I was nineteen, fighting a war I probably shouldn’t have been fighting, but it’s not like I knew that at the time.” “Mm. Did you regret it?” Winston grinned, but she could see the dark edges to it. “What? You think I come from some tragic backstory, blondie? That I’m a broken little boy who kills to fill that hole inside of my chest where my soul used to be? Nah. This ain’t one of them stories. I can’t dance or roll my tongue, but I can kill people pretty good. It’s the only thing I’ve ever been good at and when I lay my head down at night, I sleep like a baby. I don’t see their faces. Never have. Probably never will.” A chill spilled through her. The matter-of-fact nature of his confession scared her more than almost anything else she’d ever heard him say.
Kyoko M. (Of Claws & Inferno (Of Cinder & Bone, #5))
The most beautiful among us all seem to be slightly broken, women especially. The ones worth knowing are beyond repair. She’ll always be slightly off centered. A clock, never set perfectly, but you knew could still sing beautifully. And fools we are for attempting to fix her. Just read her, learn her, love her. Don’t try to make sense of her past, or dare predict her future. Who she was, is not who she is, and is certainly not who she would be. You’re not meant to understand her entirely. Because she’s not sure who she is exactly. Let her sing her song. Watch her dance wildly to it. It’s her time. Repairing that would only break her heart. And I’d rather be ripped apart from her than rip a part from her.
J Raymond
Give me scars and a nose that was slightly crooked from being broken too many times over perfection.
Ana Huang (Twisted Games (Twisted, #2))
I don’t need a shrink to interpret my actions. When a man has already lost all he’s held dear, it’s normal for him to become slightly unhinged and scared it may happen again.
Neva Altaj (Broken Whispers (Perfectly Imperfect, #2))
His eyes were a deep brown, almost pretty, but remote and flat. Dark hair was cut short, bristly. His nose was prominent and slightly crooked, like it had been broken. Maybe more than once.
Skye Warren (Rough (Chicago Underground, #1))
I began to imagine orchestration where before I heard only the cacophony of randomness. Crazy people do that all the time, unless you buy into the notion that we have the ability to perceive order and connotation in ways closed off to the minds of "sane" people. I don't. Subscribe to that notion, I mean. We are not gifted. We are not magical. We are slightly or profoundly broken.
Caitlín R. Kiernan (The Drowning Girl)
It’s a slightly humbling thought that the genes you carry are immensely ancient and possibly—so far anyway—eternal. You will die and fade away, but your genes will go on and on so long as you and your descendants continue to produce offspring. And it is surely astounding to reflect that not once in the three billion years since life began has your personal line of descent been broken.
Bill Bryson (The Body: A Guide for Occupants)
But Amarantha rolled her eyes and slouched in her throne. “Shatter him, Rhysand.” She flicked a hand at the High Lord of the Summer Court. “You may do what you want with the body afterward.” The High Lord of the Summer Court bowed—as if he’d been given a gift—and looked to his subject, who had gone still and calm on the floor, hugging his knees. The male faerie was ready—relieved. Rhys slipped a hand out of his pocket, and it dangled at his side. I could have sworn phantom talons flickered there as his fingers curled slightly. “I’m growing bored, Rhysand,” Amarantha said with a sigh, again fiddling with that bone. She hadn’t looked at me once, too focused on her current prey. Rhysand’s fingers curled into a fist. The faerie male’s eyes went wide—then glazed as he slumped to the side in the puddle of his own waste. Blood leaked from his nose, from his ears, pooling on the floor. That fast—that easily, that irrevocably … he was dead. “I said shatter his mind, not his brain,” Amarantha snapped. The crowd murmured around me, stirring. I wanted nothing more than to fade back into it—to crawl back into my cell and burn this from my mind. Tamlin hadn’t flinched—not a muscle. What horrors had he witnessed in his long life if this hadn’t broken that distant expression, that control? Rhysand shrugged, his hand sliding back into his pocket. “Apologies, my queen.” He turned away without being dismissed, and didn’t look at me as he strode for the back of the throne room. I fell into step beside him, reining in my trembling, trying not to think about the body sprawled behind us, or about Clare—still nailed to the wall. The crowd stayed far, far back as we walked through it. “Whore,” some of them softly hissed at him, out of her earshot; “Amarantha’s whore.” But many offered tentative, appreciative smiles and words—“Good that you killed him; good that you killed the traitor.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
I was crazy. I was broken. I was dead. And then, one day I wasn't. It took months and it took grace and it took some unexpected slight shift of sadness that slipped just enough, just barely enough to make room for beauty.
Lynne Branard (The Art of Arranging Flowers)
With a strange smile and slightly bending her face she looked up at the sky and noticed the birds sitting in silence and a horse with the broken legs and the strange part was that she saw herself in a tigress that is lonely and lost with a sly sheep
Jyoti Patel
Bishop?" My voice is slightly broken, soft, gentle, it doesn't even sound like me. "Vallie?" "It's always been us, right?" The pained expression that spans across his face almost brings tears to my eyes. The mask of the confident man I know is gone, and in its place is just B. He looks so broken, and all I want to do is open up my arms and let him find refuge inside my skin. I want to protect him from the pain. He drops his head to my forehead and kisses the tip of my nose. "It'll always be us, Val.
Monty Jay (Love & Hockey (Fury, #1))
Say!” Benedict exclaimed. “Why don’t you save her, Hastings?” Simon took one look at Lady Bridgerton (who at that point had her hand firmly wrapped around Macclesfield’s forearm) and decided he’d rather be branded an eternal coward. “Since we haven’t been introduced, I’m sure it would be most improper,” he improvised. “I’m sure it wouldn’t,” Anthony returned. “You’re a duke.” “So?” “So?” Anthony echoed. “Mother would forgive any impropriety if it meant gaining an audience for Daphne with a duke.” “Now look here,” Simon said hotly, “I’m not some sacrificial lamb to be slaughtered on the altar of your mother.” “You have spent a lot of time in Africa, haven’t you?” Colin quipped. Simon ignored him. “Besides, your sister said—” All three Bridgerton heads swung round in his direction. Simon immediately realized he’d blundered. Badly. “You’ve met Daphne?” Anthony queried, his voice just a touch too polite for Simon’s comfort. Before Simon could even reply, Benedict leaned in ever-so-slightly closer, and asked, “Why didn’t you mention this?” “Yes,” Colin said, his mouth utterly serious for the first time that evening. “Why?” Simon glanced from brother to brother and it became perfectly clear why Daphne must still be unmarried. This belligerent trio would scare off all but the most determined— or stupid— of suitors. Which would probably explain Nigel Berbrooke. “Actually,” Simon said, “I bumped into her in the hall as I was making my way into the ballroom. It was”— he glanced rather pointedly at the Bridgertons—“ rather obvious that she was a member of your family, so I introduced myself.” Anthony turned to Benedict. “Must have been when she was fleeing Berbrooke.” Benedict turned to Colin. “What did happen to Berbrooke? Do you know?” Colin shrugged. “Haven’t the faintest. Probably left to nurse his broken heart.” Or broken head, Simon thought acerbically. “Well, that explains everything, I’m sure,” Anthony said, losing his overbearing big-brother expression and looking once again like a fellow rake and best friend. “Except,” Benedict said suspiciously, “why he didn’t mention it.” “Because I didn’t have the chance,” Simon bit off, about ready to throw his arms up in exasperation. “In case you hadn’t noticed, Anthony, you have a ridiculous number of siblings, and it takes a ridiculous amount of time to be introduced to all of them.” “There are only two of us present,” Colin pointed out. “I’m going home,” Simon announced. “The three of you are mad.” Benedict, who had seemed to be the most protective of the brothers, suddenly grinned. “You don’t have a sister, do you?” “No, thank God.
Julia Quinn (The Duke and I (Bridgertons, #1))
I noticed Xander had subtly adjusted his posture. He slouched slightly to the side, let his head hang, and then looked up through his bangs to gaze at something in the middle distance. Uber James Dean. Xander managed to pull it off as if he was looking at nothing, just having deep thoughts about the far away adventures he would be having if he wasn’t stuck waiting for a flowered suitcase at Hopkins International. I casually let my eyes slide across the room. There had to be cute girls somewhere close at hand. Otherwise Xander wouldn’t have broken out his middle distance gazing Tyrone Power eyes.
Adrianne Ambrose (Fangs for Nothing (Vampire Hunting and Other Foolish Endeavors, #1))
The list of correlations to that night is as long as the Jersey coast. And so is the list of reasons I shouldn't be looking forward to seeing him at school. But I can't help it. He's already texted me three times this morning: Can I pick you up for school? and Do u want 2 have breakfast? and R u getting my texts? My thumbs want to answer "yes" to all of the above, but my dignity demands that I don't answer at all. He called my his student. He stood there alone with me on the beach and told me he thinks of me as a pupil. That our relationship is platonic. And everyone knows what platonic means-rejected. Well, I might be his student, but I'm about to school, him on a few things. The first lesson of the day is Silent Treatment 101. So when I see him in the hall, I give him a polite nod and brush right by him. The zap from the slight contact never quite fades, which mean he's following me. I make it to my locker before his hand is on my arm. "Emma." The way he whispers my name sends goose bumps all the way to my baby toes. But I'm still in control. I nod to him, dial the combination to my locker, then open it in his face. He moves back before contact. Stepping around me, he leans his hand against the locker door and turns me around to face him. "That's not very nice." I raise my best you-started-this brow. He sighs. "I guess that means you didn't miss me." There are so many things I could pop off right now. Things like, "But at least I had Toraf to keep my company" or "You were gone?" Or "Don't feel bad, I didn't miss my calculus teacher either." But the goal is to say nothing. So I turn around. I transfer books and papers between my locker and backpack. As I stab a pencil into my updo, his breath pushes against my earlobe when he chuckles. "So your phone's not broken; you just didn't respond to my texts." Since rolling my eyes doesn't make a sound, it's still within the boundaries of Silent Treatment 101. So I do this while I shut my locker. As I push past him, he grabs my arm. And I figure if stomping on his toe doesn't make a sound... "My grandmother's dying," he blurts. Commence with the catching-Emma-off-guard crap. How can I continue Silent Treatment 101 after that? He never mentioned his grandmother before, but then again, I never mentioned mine either. "I'm sorry, Galen." I put my hand on his, give it a gentle squeeze. He laughs. Complete jackass. "Conveniently, she lives in a condo in Destin and her dying request is to meet you. Rachel called your mom. We're flying out Saturday afternoon, coming back Sunday night. I already called Dr. Milligan." "Un-freaking-believable.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
I lick my lips as I take her in; she’s an enigma. Earlier as I watched her I was sure I had her pegged; pretty, rich, party girl, slightly shy but up for some fun. With my profile of her character in mind I had felt in control. Now that she’s surprised me my grasp on control feels looser. I don’t know what to expect from her and it leaves me feeling off kilter.
Hanleigh Bradley (Broken Rules)
Diary entry, summer 1973. It may be there in a distracted glance out of an open window or in the split second of an absent look when you speak to her, or in the guarded inflections of her voice as she replies, or in the subtle chemistry of touch or smell or the taste of her skin in your mouth, or in some unspecified sixth sense that you can’t name, but when love is over, its signals are louder than disclosure, if only you are willing and open enough to acknowledge them. But of course we shake off these feelings as if they were mere irritations, as if they were unimportant and uninvited guests at a feast. “Not now,” you say, fobbing them off with shallow excuses and feigning more urgent business elsewhere. But they linger long after the party, and skulk in a corner where they plot and fester and return to ask their impertinent questions in the still of night, when she’s sleeping and wearing her child’s face. When she looks so beautiful and vulnerable with her mouth slightly open, and her hair a mess on the pillow, but as you reach to touch her, she turns unconsciously away toward the window, and then the questions start again, and you can’t sleep….
Sting (Broken Music: A Memoir)
David Copperfield had a fever when he’d gone to bed, and Larch went to check on the boy. Dr. Larch was relieved to feel that young Copperfield’s fever had broken; the boy’s forehead was cool, and a slight sweat chilled the boy’s neck, which Larch carefully rubbed dry with a towel. There was not much moonlight; therefore, Larch felt unobserved. He bent over Copperfield and kissed him, much in the manner that he remembered kissing Homer Wells. Larch moved on to the next bed and kissed Smokey Fields, who tasted vaguely like hot dogs; yet the experience was soothing to Larch. How he wished he had kissed Homer more, when he’d had the chance! He went from bed to bed, kissing the boys; it occurred to him, he didn’t know all their names, but he kissed them anyway. He kissed all of them. When he left the room, Smokey Fields asked the darkness, ‘What was that all about?’ But no one else was awake, or else no one wanted to answer him. I wish he would kiss me like that, thought Nurse Edna, who had a very alert ear for unusual goings-on. ‘I think it’s nice,’ Mrs. Grogan said to Nurse Angela, when Nurse Angela told her about it. ‘I think it’s senile,’ Nurse Angela said. But Homer Wells, at Wally’s window, did not know that Dr. Larch’s kisses were out in the world, in search of him. He didn’t know, either – he could never have imagined it! – that Candy was also awake, and also worried. If he does stay, if he doesn’t go back to St. Cloud’s, she was thinking, what will I do? The sea tugged all around her. Both the darkness and the moon were failing.
John Irving (The Cider House Rules)
All the giants of the spirit whom I’ve broken. I don’t think anybody ever realized how much I enjoyed doing it. It’s a kind of lust. I’m perfectly indifferent to slugs like Ellsworth Toohey or my friend Alvah, and quite willing to leave them in peace. But just let me see a man of a slightly higher dimension—and I’ve got to make a sort of Toohey out of him. I’ve got to. It’s like a sex urge.
Ayn Rand (The Fountainhead)
As she slipped back into the house, Travis mumbled, “It’s about time.” Everett Hayes had the gall to wink at him. “Better get used to it, Archer. Things are never the same after you install a woman in your house.” “That is true,” the parson said as he pushed up out of his chair, his expression slightly censorious as he glanced at Everett. “But if the Lord is installed, as well, the changes can bring blessing to a man.” He shifted his attention and peered at Travis. “Marriage is a sacred union, son, and not something to dread. As Ecclesiastes says, ‘Two are better than one, because they have a good reward for their labor. . . . A threefold cord is not quickly broken.’ Keep God woven into your relationship and this union will make you stronger. But if you treat it as a burden, it will become one.
Karen Witemeyer (Short-Straw Bride (Archer Brothers, #1))
A minute later, his limbs twitch, and his hand over mine falls slightly away. His head sinks into the pillow and his shoulders relax. And I’m holding him. I’m holding Ezra Masters. My stepbrother. The most infuriating guy I’ve ever met. The smirkiest and the cockiest and by far the most confusing. The most gorgeous… and I think maybe the most broken. I’ve got him, safe with me. And I don’t ever want to let him go.
Ella James (Wrath (Sinful Secrets, #4))
There’s nothing wrong with Xander. He doesn’t need fixing. In any way.” “Exactly. Don’t fuck with who he is, if he isn’t broken. He’s cranky, but he’s a good person, and he makes great art. You’re a good person too, and you’re more than functional. Don’t fuck with who you are. You have low sexual desire. Almost none, from the sounds of things. You’ve discovered a slightly different kink that aligns with Xander, and that’s great. Chase that happiness. This world is a nightmare full of pain. You found someone you can make beauty with. Don’t question how it happens or worry you aren’t doing it the right way. Call yourself demi or an ace or gray, or refuse to take a name. It’s all up to you. Call yourself the man who loves Xander Fairchild, the grumpiest, most antisocial asshole who ever lived. The one who made Xander love someone back
Heidi Cullinan (Antisocial)
It seemed as if nothing were to break that tie — as if the years were merely to compact and cement it; and as if those years were to be all the years of their natural lives. Eighteen-forty-two turned into eighteen-forty-three; eighteen-forty-three into eighteen- forty-four; eighteen-forty-four into eighteen-forty-five. Flush was no longer a puppy; he was a dog of four or five; he was a dog in the full prime of life — and still Miss Barrett lay on her sofa in Wimpole Street and still Flush lay on the sofa at her feet. Miss Barrett’s life was the life of “a bird in its cage.” She sometimes kept the house for weeks at a time, and when she left it, it was only for an hour or two, to drive to a shop in a carriage, or to be wheeled to Regent’s Park in a bath-chair. The Barretts never left London. Mr. Barrett, the seven brothers, the two sisters, the butler, Wilson and the maids, Catiline, Folly, Miss Barrett and Flush all went on living at 50 Wimpole Street, eating in the dining-room, sleeping in the bedrooms, smoking in the study, cooking in the kitchen, carrying hot-water cans and emptying the slops from January to December. The chair-covers became slightly soiled; the carpets slightly worn; coal dust, mud, soot, fog, vapours of cigar smoke and wine and meat accumulated in crevices, in cracks, in fabrics, on the tops of picture-frames, in the scrolls of carvings. And the ivy that hung over Miss Barrett’s bedroom window flourished; its green curtain became thicker and thicker, and in summer the nasturtiums and the scarlet runners rioted together in the window-box. But one night early in January 1845 the postman knocked. Letters fell into the box as usual. Wilson went downstairs to fetch the letters as usual. Everything was as usual — every night the postman knocked, every night Wilson fetched the letters, every night there was a letter for Miss Barrett. But tonight the letter was not the same letter; it was a different letter. Flush saw that, even before the envelope was broken. He knew it from the way that Miss Barrett took it; turned it; looked at the vigorous, jagged writing of her name.
Virginia Woolf (Flush)
The monstrous versions of himself and Hermione were gone: There was only Ron, standing there with the sword held slackly in his hand, looking down at the shattered remains of the locket on the flat rock. Slowly, Harry walked back to him, hardly knowing what to say or do. Ron was breathing heavily: His eyes were no longer red at all, but their normal blue; they were also wet. Harry stooped, pretending he had not seen, and picked up the broken Horcrux. Ron had pierced the glass in both windows: Riddle’s eyes were gone, and the stained silk lining of the locket was smoking slightly. The thing that had lived in the Horcrux had vanished; torturing Ron had been its final act. The sword clanged as Ron dropped it. He had sunk to his knees, his head in his arms. He was shaking, but not, Harry realized, from cold. Harry crammed the broken locket into his pocket, knelt down beside Ron, and placed a hand cautiously on his shoulder. He took it as a good sign that Ron did not throw it off. “After you left,” he said in a low voice, grateful for the fact that Ron’s face was hidden, “she cried for a week. Probably longer, only she didn’t want me to see. There were loads of nights when we never even spoke to each other. With you gone…” He could not finish; it was only now that Ron was here again that Harry fully realized how much his absence had cost them. “She’s like my sister,” he went on. “I love her like a sister and I reckon she feels the same way about me. It’s always been like that. I thought you knew.” Ron did not respond, but turned his face away from Harry and wiped his nose noisily on his sleeve. Harry got to his feet again and walked to where Ron’s enormous rucksack lay yards away, discarded as Ron had run toward the pool to save Harry from drowning. He hoisted it onto his own back and walked back to Ron, who clambered to his feet as Harry approached, eyes bloodshot but otherwise composed. “I’m sorry,” he said in a thick voice. “I’m sorry I left. I know I was a--a--” He looked around at the darkness, as if hoping a bad enough word would swoop down upon him and claim him. “You’ve sort of made up for it tonight,” said Harry. “Getting the sword. Finishing off the Horcrux. Saving my life.” “That makes me sound a lot cooler than I was,” Ron mumbled. “Stuff like that always sounds cooler than it really was,” said Harry. “I’ve been trying to tell you that for years.” Simultaneously they walked forward and hugged, Harry gripping the still-sopping back of Ron’s jacket. “And now,” said Harry as they broke apart, “all we’ve got to do is find the tent again.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
We got a call from across the street that a black woman had broken into this house.” “And you were going to arrest her without even knocking on the door?” “We had to secure her first. Um. Are you okay, ma’am?” “Of course I am. Don’t you see me?” “Because we have her in custody. You don’t have to be afraid.” “I’m not afraid of my daughter-in-law, Mrs. Theon Pinkney. She’s the one who should be afraid. Four big men grabbing her and putting her in chains. What’s wrong with you?” The police stood there, slightly confused. I could see that they felt justified, even righteous, for grabbing me in Marcia’s driveway. There was no question in their minds that I was a criminal and that they were on the side of the Law. Marcia glanced at me then. We’d spent hours together but it was as if she hadn’t really gotten a good look at me until seeing the tableau in her driveway.
Walter Mosley (Debbie Doesn't Do It Anymore)
AT DAY’S END, when I leave the rectory for home, I prefer to walk through the orchard on the hill rather than go by the road and risk meeting people. After all we’ve been through together, it’s just not possible to pass with a polite, “Good night t’ye.” And yet I haven’t the strength for more. Sometimes, not often, the orchard can bring back better times to me. These memories of happiness are fleeting things, reflections in a stream, glimpsed all broken for a second and then swept away in the current of grief that is our life now. I can’t say that I ever feel what it felt like then, when I was happy. But sometimes something will touch the place where that feeling was, a touch as slight and swift as the brush of a moth’s wing in the dark. In the orchard of a summer night, if I close my eyes, I can hear the small voices of children: whispers and laughter, running feet and rustling leaves.
Geraldine Brooks (Year of Wonders)
No more social media, no more scrolling through litanies of dreams and nervous hopes and photographs of lunches, cries for help and expressions of contentment and relationship-status updates with heart icons whole or broken, plans to meet up later, pleas, complaints, desires, pictures of babies dressed as bears or peppers for Halloween. No more reading and commenting on the lives of others, and in so doing, feeling slightly less alone in the room. No
Emily St. John Mandel (Station Eleven)
She looked at her own image and removed the bandana, shaking down her hair, not fixed in a braid today but with a sticky twistiness still in it. As her voice had come out of her startled mouth younger than she was, she looked younger in this antique, forgiving mirror. It was slightly tipped; she looked up into it, pleased that the flesh beneath her chin did not show. In the bathroom mirror at home she looked terrible, a hag with cracked lips and a dented nose with broken veins in her septum, and when, driving in the Subaru, she stole a peek of herself in the rearview mirror, she looked worse yet, corpselike in color, the eyes wild and a single stray lash laid like a beetle-leg across one lower lid. As a tiny girl Alexandra had imagined that behind every mirror a different person waited to peek back out, a different soul. Like so much of what we fear as a child, it turned out to be in a sense true.
John Updike (The Witches of Eastwick)
She suddenly became aware of his keen blue eyes upon her, taking her all in. Instantly her broken boots and her frayed old frock hurt her. She resented his seeing everything. Even he knew that her stocking was not pulled up. She went into the scullery, blushing deeply. And afterwards her hands trembled slightly at her work, she nearly dropped all she handled. When her inside dream was shaken, her body quivered with trepidation. She resented that he saw so much.
D.H. Lawrence (Sons and Lovers)
The gruff murmur, irregularly broken by the taking out of pipes and the putting in of pipes which had kept on assuring her, though she could not hear what was said (as she sat in the window which opened on the terrace), that the men were happily talking; this sound, which had lasted now half an hour and had taken its place soothingly in the scale of sounds pressing on top of her, such as the tap of balls upon bats, the sharp, sudden bark now and then, "How's that? How's that?" of the children playing cricket, had ceased; so that the monotonous fall of the waves on the beach, which for the most part beat a measured and soothing tattoo to her thoughts and seemed consolingly to repeat over and over again as she sat with the children the words of some old cradle song, murmured by nature, "I am guarding you––I am your support," but at other times suddenly and unexpectedly, especially when her mind raised itself slightly from the task actually in hand, had no such kindly meaning, but like a ghostly roll of drums remorselessly beat the measure of life, made one think of the destruction of the island and its engulfment in the sea, and warned her whose day had slipped past in one quick doing after another that it was all ephemeral as a rainbow––this sound which had been obscured and concealed under the other sounds suddenly thundered hollow in her ears and made her look up with an impulse of terror.
Virginia Woolf (To the Lighthouse)
Meet the fans, smile for the camera, charm the venue management, chuck anything that smacked of weakness or desperation or fear of the rapidly approaching future, secure the best possible bed for the night. The trick of it was to be ever-so-slightly too honest. No one warmed up to a perfectly professional musician, not even other musicians. They wanted you to be a little more real, a little more raw, a little more broken than they were, so they could feel magnanimous
Catherynne M. Valente (Space Opera (Space Opera, #1))
Did you just say you got away from the Snatchers with a spare wand?” “What?” said Ron, who had been watching Hermione examining the locket. “Oh--oh yeah.” He tugged open a buckle on his rucksack and pulled a short, dark wand out of its pocket. “Here. I figured it’s always handy to have a backup.” “You were right,” said Harry, holding out his hand. “Mine’s broken.” “You’re kidding?” Ron said, but at that moment Hermione got to her feet, and he looked apprehensive again. Hermione put the vanquished Horcrux into the beaded bag, then climbed back into her bed and settled down without another word. Ron passed Harry the new wand. “About the best you could hope for, I think,” murmured Harry. “Yeah,” said Ron. “Could’ve been worse. Remember those birds she set on me?” “I still haven’t ruled it out,” came Hermione’s muffled voice from beneath her blankets, but Harry saw Ron smiling slightly as he pulled his maroon pajamas out of his rucksack.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
RECIPE FOR MAKING WONKA-VITE Take a block of finest chocolate weighing one ton (or twenty sackfuls of broken chocolate, whichever is the easier). Place chocolate in very large cauldron and melt over red-hot furnace. When melted, lower the heat slightly so as not to burn the chocolate, but keep it boiling. Now add the following, in precisely the order given, stirring well all the time and allowing each item to dissolve before adding the next: THE HOOF OF A MANTICORE THE TRUNK (AND THE SUITCASE) OF AN ELEPHANT THE YOLKS OF THREE EGGS FROM A WHIFFLE-BIRD A WART FROM A WART-HOG THE HORN OF A COW (IT MUST BE A LOUD HORN) THE FRONT TAIL OF A COCKATRICE SIX OUNCES OF SPRUNGE FROM A YOUNG SLIMESCRAPER TWO HAIRS (AND ONE RABBIT) FROM THE HEAD OF A HIPPOCAMPUS THE BEAK OF A RED-BREASTED WILBATROSS A CORN FROM THE TOE OF A UNICORN THE FOUR TENTACLES OF A QUADROPUS THE HIP (AND THE PO AND THE POT) OF A HIPPOPOTAMUS THE SNOUT OF A PROGHOPPER A MOLE FROM A MOLE THE HIDE (AND THE SEEK) OF A SPOTTED WHANGDOODLE THE WHITES OF TWELVE EGGS FROM A TREE-SQUEAK THE THREE FEET OF A SNOZZ-WANGER (IF YOU CAN’T GET THREE FEET, ONE YARD WILL DO) THE SQUARE-ROOT OF A SOUTH AMERICAN ABACUS THE FANGS OF A VIPER (IT MUST BE A VINDSCREEN VIPER) THE CHEST (AND THE DRAWERS) OF A WILD GROUT When all the above are thoroughly dissolved, boil for a further twenty-seven days but do not stir. At the end of this time, all liquid will have evaporated and there will be left in the bottom of the cauldron only a hard brown lump about the size of a football. Break this open with a hammer and in the very centre of it you will find a small round pill. This pill is WONKA-VITE.
Roald Dahl (Charlie and the Great Glass Elevator (Charlie Bucket, #2))
Sophia had been hard pressed not to laugh when MacLean had tripped over one of the floorboards she and Angus had pried loose. Better yet, MacLean had ripped his lace-edged sleeve on a broken nail in the doorframe of his bedchamber. She knew because she'd heard his loud curse from the hallway. Sophia had expected him to roar at the servants and demand things be repaired, but all he did was ask Angus for a hammer to protect himself from the loose boards and stray nails that seemed to plague MacFarlane House. To Sophia's delight, Angus had gloomily replied that there weren't enough hammers in the whole of Scotland to do that. Since Angus had left MacLean in his bedchamber, they hadn't heard a word from him. Perhaps the man was sleeping, although how could anyone sleep in such a damp room and with such a lumpy mattress and smoky chimney? More likely, he was awake and seething at being forced to endure such horrid conditions. She wished she had been there to witness his reaction to the threadbare furniture with broken springs and flat cushions, the inadequate bed coverings for the chilly chamber (it faced north, where the wind was fiercest), a window that was nailed slightly open, and more.
Karen Hawkins (To Catch a Highlander (MacLean Curse, #3))
Tate won’t like it that we kept the truth from him.” “I’m resigned to that,” Cecily said half-truthfully. “He would never have turned to me, anyway, even if he knew he had mixed blood. I’ve been living on dreams too long already.” “If you go away from him, he’ll follow you,” Leta said unexpectedly. “There’s a tie, a bond, between you that can’t be broken.” “There’s Audrey,” Cecily pointed out. “Honey, there have been other Audreys,” she replied. “He never brought them home or talked about them. They were loose relationships, and not very many at all-never any who were innocent.” “Audrey’s lasted a long time.” Leta searched her eyes. “If he’s sleeping with Audrey, Cecily, why can’t he keep his hands off you?” Cecily’s heart turned over twice. “Wh…what?” “Simple question,” came the droll reply. She grinned at the younger woman’s embarrassment. “When you came in the kitchen that last time you were here, before Tate left, your mouth was swollen and you wouldn’t look straight at him. He was badly shaken. It doesn’t take a mind-reader to know what was going on in my living room. It isn’t like Tate to play games with innocent girls.” “He doesn’t think I am, anymore,” she returned curtly. “I let him think that Colby and I are…very close.” “Uh-oh.” She scowled. “Uh-oh, what?” “The only thing that’s kept him away from you this long is that he didn’t want to take advantage of you,” Leta replied. “If he thinks you’re even slightly experienced, he’ll find a reason not to hold back anymore. You’re playing a dangerous game. Your own love will be your downfall if he puts on the heat. I know. How I know!” Cecily refused to think about it. She’d put Tate out of her mind, and she was going to keep him there for the time being. “I’ll worry about that when I have to,” she said finally. “Now you dry up those tears and drink some more coffee. Then we have to plan strategy. We’re going to take down the enemy by any means possible!
Diana Palmer (Paper Rose (Hutton & Co. #2))
Adorable Yet, at the same time that adorable says everything, it also says what is lacking in everything. I encounter millions of bodies in my life; of these millions, I may desire some hundreds, but of these hundreds, I love only one. The choice, so vigorous that it retains only the Unique, constitutes, it is said, the difference between the analytical transference and the amorous transference; one is universal, the other specific. It has taken many accidents, many surprising coincidences (and perhaps many efforts), for me to find the Image which, out of thousand, suits my desire. Herein a great enigma, to which I shall never possess the key: why is it that I desire so-and-so? Why is it that I desire so-and-so lastingly, longingly? It is the whole so-and-so I desire. In that case, what is it in this loved body which has the vocation of a fetish for me? what perhaps incredibly tenuous portion -- what accident? The way a nail is cut, a tooth broken slightly aslant, a lock of hair, a way of spreading fingers while talking, while smoking? About all these folds of the body, I want to say that they are adorable. Adorable means: this is my desire, insofar as it is unique. The adorable is what is adorable. Or again, I adore you because you are adorable, I love you because I love you.
Roland Barthes (A Lover's Discourse: Fragments)
His eyes dragged over her. “Arin, your slave looks positively wild.” Lack of sleep made her thoughts broken and shiny, like pieces of mirrors on strings. Cheat’s words spun in her head. Arin tensed beside her. “No offense,” Cheat told him. “It was a compliment to your taste.” “What do you want, Cheat?” Arin said. The man stroked a thumb over his lower lip. “Wine.” He looked straight at Kestrel. “Get some.” The order itself wasn’t important. It was how Cheat had meant it: as the first of many, and how, in the end, they translated into one word: obey. The only thing that kept Kestrel’s face clean of her thoughts was the knowledge that Cheat would take pleasure in any resistance. Yet she couldn’t make herself move. “I’ll get the wine,” Arin said. “No,” Kestrel said. She didn’t want to be left alone with Cheat. “I’ll go.” For an uncertain moment, Arin stood awkwardly. Then he walked to the door and motioned a Herrani girl into the room. “Please escort Kestrel to the wine cellar, then bring her back here.” “Choose a good vintage,” Cheat said to Kestrel. “You’ll know the best.” As she left the room, his eyes followed her, glittering. She returned with a clearly labeled bottle of Valorian wine dated to the year of the Herran War. She placed it on the table in front of the two seated men. Arin’s jaw set, and he shook his head slightly. Cheat lost his grin. “This was the best,” Kestrel said.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
He who has known the other days, the angry ones of gout attacks, or those with that wicked headache rooted behind the eyeballs that casts a spell on every nerve of eye and ear with a fiendish delight in torture, or soul-destroying, evil days of inward vacancy and despair, when, onthis distracted earth, sucked dry by the vampires of finance, the world of men and of so-called culture grins back at us with the lying, vulgar, brazen glamor of a Fair and dogs us with the persistence of an emetic, and when all is concentrated and focused to the last pitch of the intolerable upon your own sick self—he who has known these days of hell may be contente indeed with normal half-and-half days like today. Thankfully you sit by the warm stove, thankfully you assure yourself as you read your morning paper that another day has come and no war broken out, no new dictatorship has been set up, no particularly disgusting scandal been unveiled in the worlds of politics or finance. Thankfully you tune the strings of your moldering lyre to a moderated, to a passably joyful, nay, to an even delighted psalm of thanksgiving and with it bore your quiet, flabby and slightly stupefied half-and-half god of contentment; and in the thick warm air of a contented boredom and very welcome painlessness the nodding mandarin of a half-and-half god and the nodding middle-aged gentleman who sings his muffled psalm look as like each other as two peas.
Hermann Hesse (Steppenwolf)
1:261-262 THROW IT TO THE THIEVES The fear of the Lord is different from other trepidation. You need a healthy fear of what is dangerous before you can reach to the fear of the Lord. Many never reach. You may be like a very slight, limber branch. You look weak, but the wet center connects with a taproot. Hold there and fear not (20:21). Moses trembled, but he was sound to the core. They said to the people, A great army has gathered against you. You should be afraid. But that increased their faith. They repied, God is our sufficient guardian (3:173). Overly cautious merchants do not prosper because of their fear of loss. Brave merchants get broken ten times in a row, then rise at the end. Whatever you fear losing, throw it to the thieves following your caravan, especially if it's your faith. Whatever you deeply love, give time to that, and if you're drawn away, come back as soon as you can. There may even be a conflict sometime between what you love, your faith, and protecting your children. Stay with what is most in harmony with the love, and the other will fade. Fear has two forms. One is a worry about whether the effort is worth it. People caught in this bottleneck between yes and no stay tortured and confused. The second form of fear is for whether you will ever be able to make it to what you love. Let that one dissolve. Keep moving in the adored direction, and unless you're shown it is absolutely impossible, continue going there.
Bahauddin (The Drowned Book: Ecstatic and Earthy Reflections of the Father of Rumi)
Crossing my arms over my chest, I said, a little too heartily, “So this is the library.” There certainly couldn’t be any doubt on that score; never had a room so resembled popular preconception. The walls were paneled in rich, dark wood, although the finish had worn off the edges in spots, where books had scraped against the wood in passing one too many times. A whimsical iron staircase curved to the balcony, the steps narrowing into pie-shaped wedges that promised a broken neck to the unwary. I tilted my head back, dizzied by the sheer number of books, row upon row, more than the most devoted bibliophile could hope to consume in a lifetime of reading. In one corner, a pile of crumbling paperbacks—James Bond, I noticed, squinting sideways, in splashy seventies covers—struck a slightly incongruous note. I spotted a moldering pile of Country Life cheek by jowl with a complete set of Trevelyan’s History of England in the original Victorian bindings. The air was rich with the smell of decaying paper and old leather bindings. Downstairs, where I stood with Colin, the shelves made way for four tall windows, two to the east and two to the north, all hung with rich red draperies checked with blue, in the obverse of the red-flecked blue carpet. On the west wall, the bookshelves surrendered pride of place to a massive fireplace, topped with a carved hood to make Ivanhoe proud, and large enough to roast a serf. In short, the library was a Gothic fantasy.
Lauren Willig (The Masque of the Black Tulip (Pink Carnation, #2))
Surgeons don’t cut you open for fun. They would probably rather be playing rugby or getting very drunk and accusing each other of being gay. That is what they like doing best. They will only cut you open if they really have to. If you decide you don’t want to be operated on, they will be only too happy to have one less patient on their ever-growing waiting lists. Very few surgeons are good at the touchy-feely sensitive stuff, but then us touchy-feely GPs would be rubbish at fixing a broken pelvis or repairing a burst aorta. You should see the mess I make trying to carve a roast chicken! We each have our skills and if it were me that was in need of an operation, I would happily put up with a slightly insensitive posh rugby boy if I knew that he was a good surgeon and could put me back together again.
Benjamin Daniels (Confessions of a Gp: A Matter Life, Death and Earwax)
AN INCOMPLETE LIST: No more diving into pools of chlorinated water lit green from below. No more ball games played out under floodlights. No more porch lights with moths fluttering on summer nights. No more trains running under the surface of cities on the dazzling power of the electric third rail. No more cities. No more films, except rarely, except with a generator drowning out half the dialogue, and only then for the first little while until the fuel for the generators ran out, because automobile gas goes stale after two or three years. Aviation gas lasts longer, but it was difficult to come by. No more screens shining in the half-light as people raise their phones above the crowd to take photographs of concert stages. No more concert stages lit by candy-colored halogens, no more electronica, punk, electric guitars. No more pharmaceuticals. No more certainty of surviving a scratch on one’s hand, a cut on a finger while chopping vegetables for dinner, a dog bite. No more flight. No more towns glimpsed from the sky through airplane windows, points of glimmering light; no more looking down from thirty thousand feet and imagining the lives lit up by those lights at that moment. No more airplanes, no more requests to put your tray table in its upright and locked position—but no, this wasn’t true, there were still airplanes here and there. They stood dormant on runways and in hangars. They collected snow on their wings. In the cold months, they were ideal for food storage. In summer the ones near orchards were filled with trays of fruit that dehydrated in the heat. Teenagers snuck into them to have sex. Rust blossomed and streaked. No more countries, all borders unmanned. No more fire departments, no more police. No more road maintenance or garbage pickup. No more spacecraft rising up from Cape Canaveral, from the Baikonur Cosmodrome, from Vandenburg, Plesetsk, Tanegashima, burning paths through the atmosphere into space. No more Internet. No more social media, no more scrolling through litanies of dreams and nervous hopes and photographs of lunches, cries for help and expressions of contentment and relationship-status updates with heart icons whole or broken, plans to meet up later, pleas, complaints, desires, pictures of babies dressed as bears or peppers for Halloween. No more reading and commenting on the lives of others, and in so doing, feeling slightly less alone in the room. No more avatars.
Emily St. John Mandel (Station Eleven)
he who has known these days of hell may be content indeed with normal half-and-half days like today. Thankfully you sit by the warm stove, thankfully you assure yourself as you read your morning paper that another day has come and no war broken out, no new dictatorship has been set up, no particularly disgusting scandal been unveiled in the worlds of politics or finance. Thankfully you tune the strings of your moldering lyre to a moderated, to a passably joyful, nay, to an even delighted psalm of thanksgiving and with it bore your quiet, flabby and slightly stupefied half-and-half god of contentment; and in the thick warm air of a contented boredom and very welcome painlessness the nodding mandarin of a half-and-half god and the nodding middle-aged gentleman who sings his muffled psalm look as like each other as two peas.
Hermann Hesse (Steppenwolf)
The important parts of my story, I was realizing, lay less in the surface value of my accomplishments and more in what undergirded them—the many small ways I’d been buttressed over the years, and the people who’d helped build my confidence over time. I remembered them all, every person who’d ever waved me forward, doing his or her best to inoculate me against the slights and indignities I was certain to encounter in the places I was headed—all those environments built primarily for and by people who were neither black nor female. I thought of my great-aunt Robbie and her exacting piano standards, how she’d taught me to lift my chin and play my heart out on a baby grand even if all I’d ever known was an upright with broken keys. I thought of my father, who showed me how to box and throw a football, same as Craig. There were Mr. Martinez and Mr. Bennett, my teachers at Bryn Mawr, who never dismissed my opinions. There was my mom, my staunchest support, whose vigilance had saved me from languishing in a dreary second-grade classroom. At Princeton, I’d had Czerny Brasuell, who encouraged me and fed my intellect in new ways. And as a young professional, I’d had, among others, Susan Sher and Valerie Jarrett—still good friends and colleagues many years later—who showed me what it looked like to be a working mother and consistently opened doors for me, certain I had something to offer. These were people who mostly didn’t know one another and would never have occasion to meet, many of whom I’d fallen out of touch with myself. But for me, they formed a meaningful constellation. These were my boosters, my believers, my own personal gospel choir, singing, Yes, kid, you got this! all the way through. I’d never forgotten it. I’d tried, even as a junior lawyer, to pay it forward, encouraging curiosity when I saw it, drawing younger people into important conversations.
Michelle Obama (Becoming)
Cheat wore a Valorian jacket Kestrel was sure she had seen on the governor the night before. He sat at the right hand of the empty head of the dining table, but stood when Kestrel and Arin entered. He approached. His eyes dragged over her. “Arin, your slave looks positively wild.” Lack of sleep made her thoughts broken and shiny, like pieces of mirrors on strings. Cheat’s words spun in her head. Arin tensed beside her. “No offense,” Cheat told him. “It was a compliment to your taste.” “What do you want, Cheat?” Arin said. The man stroked a thumb over his lower lip. “Wine.” He looked straight at Kestrel. “Get some.” The order itself wasn’t important. It was how Cheat had meant it: as the first of many, and how, in the end, they translated into one word: obey. The only thing that kept Kestrel’s face clean of her thoughts was the knowledge that Cheat would take pleasure in any resistance. Yet she couldn’t make herself move. “I’ll get the wine,” Arin said. “No,” Kestrel said. She didn’t want to be left alone with Cheat. “I’ll go.” For an uncertain moment, Arin stood awkwardly. Then he walked to the door and motioned a Herrani girl into the room. “Please escort Kestrel to the wine cellar, then bring her back here.” “Choose a good vintage,” Cheat said to Kestrel. “You’ll know the best.” As she left the room, his eyes followed her, glittering. She returned with a clearly labeled bottle of Valorian wine dated to the year of the Herran War. She placed it on the table in front of the two seated men. Arin’s jaw set, and he shook his head slightly. Cheat lost his grin. “This was the best,” Kestrel said. “Pour.” Cheat shoved his glass toward her. She uncorked the bottle and poured--and kept pouring, even as the red wine flowed over the glass’s rim, across the table, and onto Cheat’s lap. He jumped to his feet, swatting wine from his fine stolen clothes. “Damn you!” “You said I should pour. You didn’t say I should stop.” Kestrel wasn’t sure what would have happened next if Arin hadn’t intervened. “Cheat,” he said, “I’m going to have to ask you to stop playing games with what is mine.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
There was a scuffling and a great thump: Someone else had clambered out of the tunnel, overbalanced slightly, and fallen. He pulled himself up on the nearest chair, looked around through lopsided horn-rimmed glasses, and said, “Am I too late? Has it started? I only just found out, so I--I--” Percy spluttered into silence. Evidently he had not expected to run into most of his family. There was a long moment of astonishment, broken by Fleur turning to Lupin and saying, in a wildly transparent attempt to break the tension, “So--’ow eez leetle Teddy?” Lupin blinked at her, startled. The silence between the Weasleys seemed to be solidifying, like ice. “I--oh yes--he’s fine!” Lupin said loudly. “Yes, Tonks is with him--at her mother’s--” Percy and the other Weasleys were still staring at one another, frozen. “Here, I’ve got a picture!” Lupin shouted, pulling a photograph from inside his jacket and showing it to Fleur and Harry, who saw a tiny baby with a tuft of bright turquoise hair, waving fat fists at the camera. “I was a fool!” Percy roared, so loudly that Lupin nearly dropped his photograph. “I was an idiot, I was a pompous prat, I was a--a--” “Ministry-loving, family-disowning, power-hungry moron,” said Fred. Percy swallowed. “Yes, I was!” “Well, you can’t say fairer than that,” said Fred, holding out his hand to Percy. Mrs. Weasley burst into tears. She ran forward, pushed Fred aside, and pulled Percy into a strangling hug, while he patted her on the back, his eyes on his father. “I’m sorry, Dad,” Percy said. Mr. Weasley blinked rather rapidly, then he too hurried to hug his son. “What made you see sense, Perce?” inquired George. “It’s been coming on for a while,” said Percy, mopping his eyes under his glasses with a corner of his traveling cloak. “But I had to find a way out and it’s not so easy at the Ministry, they’re imprisoning traitors all the time. I managed to make contact with Aberforth and he tipped me off ten minutes ago that Hogwarts was going to make a fight of it, so here I am.” “Well, we do look to our prefects to take a lead at times such as these,” said George in a good imitation of Percy’s most pompous manner. “Now let’s get upstairs and fight, or all the good Death Eaters’ll be taken.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
She broke off abruptly as she heard her name being called, and glanced over her shoulder, fearing that St. Vincent had discovered her escape. Her entire body stiffened in battle readiness. But there was no sign of St. Vincent, no betraying gleam of golden-amber hair. She heard the voice again, a deep sound that penetrated to her soul. “Lillian.” Her legs quivered beneath her as she saw a lean, dark-haired man coming from the front entryway. It can’t be, she thought, blinking hard to clear her vision, which must surely have been playing tricks on her. She stumbled a little as she turned to face him. “Westcliff,” she whispered, and took a few hesitant steps forward. The rest of the room seemed to vanish. Marcus’s face was pale beneath its tan, and he stared at her with searing intensity, as if he feared she might disappear. His stride quickened, and as he reached her, she was seized and caught in a biting grip. He wrapped his arms around her, pulling her hard against him. “My God,” he muttered, and buried his face in her hair. “You came,” Lillian gasped, trembling all over. “You found me.” She couldn’t conceive how it was possible. He smelled of horses and sweat, and his clothes were chilled from the outside air. Feeling her shiver, Marcus drew her tightly inside his coat, murmuring endearments against her hair. “Marcus,” Lillian said thickly. “Have I gone mad? Oh, please be real. Please don’t go away—” “I’m here.” His voice was low and shaken. “I’m here, and I’m not going anywhere.” He drew back slightly, his midnight gaze scouring her from head to toe, his hands searching urgently over her body. “My love, my own… have you been hurt?” As his fingers slid along her arm, he encountered the locked manacle. Lifting her wrist, he stared at the handcuffs blankly. He inhaled sharply, and his body began to shake with primitive fury. “G**damn it, I’ll send him to hell—” “I’m fine,” Lillian said hastily. “I haven’t been hurt.” Bringing her hand to his mouth, Marcus kissed it roughly, and kept her fingers against his cheek while his breath struck her wrist in swift repetitions. “Lillian, did he…” Reading the question in his haunted gaze, the words he couldn’t yet bring himself to voice, Lillian whispered scratchily, “No, nothing happened. There wasn’t time.” “I’m still going to kill him.” There was a deadly note in his voice that made the back of her neck crawl. Seeing the open bodice of her gown, Marcus released her long enough to pull off his coat and place it over her shoulders. He suddenly went still. “That smell… what is it?” Realizing that her skin and clothes still retained the noxious scent, Lillian hesitated before replying. “Ether,” she finally said, trying to form her trembling lips into a reassuring smile as she saw his eyes dilate into pools of black. “It wasn’t bad, actually. I’ve slept through most of the day. Other than a touch of queasiness, I’m—” An animal growl came from his throat, and he pulled her against him once more. “I’m sorry. I’m so sorry. Lillian, my sweet love… you’re safe now. I’ll never let anything happen to you again. I swear it on my life. You’re safe.” He took her head in his hands, and his mouth slid over hers in a kiss that was brief, soft, and yet so shockingly intense that she swayed dizzily. Closing her eyes, she let herself rest against him, still fearing that none of this was real, that she would awaken to find herself with St. Vincent once more. Marcus whispered comforting words against her parted lips and cheeks, and held her with a grip that seemed gentle but could not have been broken by the combined efforts of ten men.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
Colin was silent for a long moment. It hadn’t ever occurred to him that he enjoyed his writing; it was just something he did. He did it because he couldn’t imagine not doing it. How could he travel to foreign lands and not keep a record of what he saw, what he experienced, and perhaps most importantly, what he felt? But when he thought back, he realized that he felt a strange rush of satisfaction whenever he wrote a phrase that was exactly right, a sentence that was particularly true. He distinctly remembered the moment he’d written the passage Penelope had read. He’d been sitting on the beach at dusk, the sun still warm on his skin, the sand somehow rough and smooth at the same time under his bare feet. It had been a heavenly moment—full of that warm, lazy feeling one can truly only experience in the dead of summer (or on the perfect beaches of the Mediterranean), and he’d been trying to think of the exact right way to describe the water. He’d sat there for ages—surely a full half an hour—his pen poised above the paper of his journal, waiting for inspiration. And then suddenly he’d realized the temperature was precisely that of slightly old bathwater, and his face had broken into a wide, delighted smile. Yes, he enjoyed writing. Funny how he’d never realized it before.
Julia Quinn (Romancing Mister Bridgerton (Bridgertons, #4))
I hurt my hip, too.” “Let me see.” She made a face and yelped when her cheek protested even that slight movement. “You don’t need to see my hip. It’s fine.” “If the skin’s broken, it’ll need cleaning, too,” he said, unbuckling her belt. “Stop that.” “Think of me as your doctor,” he said, as he unsnapped and then unzipped her jeans. “My doctor doesn’t usually undress me,” she snapped. “And my patients already come undressed.” He laughed. “Life your hips,” he said. “Up!” he ordered, when she hesitated. She put her one good hand on his shoulder to brace herself and lifted her hips as he pulled her torn jeans down. To her surprise, her bikini underwear was shredded, and the skin underneath was bloody. “Uh-oh.” She was still staring at the injury on her hip when she felt him pulling off her boots. She started to protest, saw the warning look in his eyes, and shut her mouth. He pulled her jeans off, leaving her legs bare above her white boot socks. “Was that really necessary?” “You’re decent,” he said, straightening the tails of her Western shirt over her shredded bikini underwear. “I can put your boots back on if you like.” Bay shook her head and laughed. “Just get the first-aid kit, and let me take care of myself.” He grimaced. “If I’m not mistaken, you packed the first-aid kit in your saddlebags.” Bay winced. “You’re right.” She stared down the canyon as far as she could see. There was no sign of her horse. “How long do you think it’ll take him to stop running?” “He won’t have gone far. But I need to set up camp before it gets dark. And I’m not hunting for your horse in the dark, for the same reason I’m not hunting for your brother in the dark.” “Where am I supposed to sleep? My bedroll and tent are with my horse.” “You should have thought of that before you started that little striptease of yours.” “You’re the one who shouted and scared me half to death. I was only trying to cool off.” “And heating me up in the process!” “I can’t help it if you have a vivid imagination.” “It didn’t take much to imagine to see your breasts,” he shot back. “You opened your blouse right up and bent over and flapped your shirt like you were waving a red flag at a bull” “I was getting some air!” “You slid your butt around that saddle like you were sitting right on my lap.” “That’s ridiculous!” “Then you lifted your arms to hold your hair up and those perfect little breasts of yours—” “That’s enough,” she interrupted. “You’re crazy if you think—” “You mean you weren’t inviting me to kiss my way around those wispy curls at your nape?” “I most certainly was not!” “Could’ve fooled me.” She searched for the worst insult she could think of to sling at him. “You—you—Bullying Blackthorne!” “Damned contentious Creed!
Joan Johnston (The Texan (Bitter Creek, #2))
Camille heard the rustle of grass. She opened one eye and saw Oscar settling down beside her. “We can spare a few minutes,” he said. She sat up and cradled her knees in her arms. He plucked a blade of grass and commenced peeling it down the center. They heard the Australian snoring from his spot a few yards away, completely hidden in a blanket of green. “I guess we can spare more than a few minutes.” Oscar smiled and met her gaze, holding it a moment. She suddenly realized how horrible she must look-her hair, her clothes, her skin. “Do you miss him?” he asked, not seeming to notice any of those things. Camille uprooted a purple flower and a white daisy near it. “Of course I do. But I’m hoping with the stone I won’t have to very long.” “Not your father, Camille. Randall.” She took a deep breath, shocked she hadn’t thought of her fiancé for so long. How many days had it been? A full week, maybe more. “Oh. Well…I suppose I do.” Oscar raised an eyebrow and laughed at her clear lack of conviction. Camille shrugged. “What? A lot has happened and right now getting back to San Francisco isn’t something I’m concerned about.” Oscar nodded and chewed on the tip of his blade of grass. “It’s not that Randall isn’t a perfectly good man,” she said, fiddling with the flowers in her hands. The roots crumbled dirt onto her lap. “He’s kind and caring and handsome and an excellent businessman.” Oscar continued to nod. “And he’ll make a fine husband, I’m sure,” she added, knowing he really was all those things. If only all of them combined could make up for what she didn’t feel while with him. “I’m sure,” Oscar repeated. Had he been mocking her? She thought she had caught a trace of sarcasm. All this talk about Randall had her itching. “Why do you ask?” “Just wondered if you missed home,” Oscar answered and threw the mangled blade of grass behind him. “Do you?” she asked, ashamed to her Oscar know how little she desired to return. He thought for a moment, tugging up another switch of grass and rolling it between his fingers. “No,” he answered with stark certainty. “I have everything I’d miss right here.” Every inch of Camille’s body smoldered under Oscar’s gentle, and so very forward, gaze. He’d miss her. She looked into his gray-blue eyes, rimmed by thick, honey-colored lashes-had they always been so full? The bridge of his nose crooked to the left slightly, perhaps broken in a fight after he’d moved from her father’s carriage house to a small apartment along the San Francisco harbor front. She’d never noticed the charming imperfection before. She watched as his eyes traveled over her own features, touching on the wound by her temple and settling on the heart-shaped fullness of her lips. Oscar held his piercing stare. “We probably won’t arrive home in time for your wedding.
Angie Frazier (Everlasting (Everlasting, #1))
But here, as she turned the page, suddenly her search for the picture of a rake or a mowing-machine was interrupted. The gruff murmur, irregularly broken by the taking out of pipes and the putting in of pipes which had kept on assuring her, though she could not hear what was said (as she sat in the window), that the men were happily talking; this sound, which had lasted now half an hour and had taken its place soothingly in the scale of sounds pressing on top of her, such as the tap of balls upon bats, the sharp, sudden bark now and then, “How’s that? How’s that?” of the children playing cricket, had ceased; so that the monotonous fall of the waves on the beach, which for the most part beat a measured and soothing tattoo to her thoughts and seemed consolingly to repeat over and over again as she sat with the children the words of some old cradle song, murmured by nature, “I am guarding you—I am your support”, but at other times suddenly and unexpectedly, especially when her mind raised itself slightly from the task actually in hand, had no such kindly meaning, but like a ghostly roll of drums remorselessly beat the measure of life, made one think of the destruction of the island and its engulfment in the sea, and warned her whose day had slipped past in one quick doing after another that it was all ephemeral as a rainbow—this sound which had been obscured and concealed under the other sounds suddenly thundered hollow in her ears and made her look up with an impulse of terror.
Virginia Woolf (Virginia Woolf: The Complete Works)
The company was now come to a halt and the first shots were fired and the grey riflesmoke rolled through the dust as the lancers breached their ranks. The kid's horse sank beneath him with a long pneumatic sigh. He had already fired his rifle and now he sat on the ground and fumbled with his shotpouch. A man near him sat with an arrow hanging out of his neck. He was bent slightly as if in prayer. The kid would have reached for the bloody hoop-iron point but then he saw that the man wore another arrow in his breast to the fletching and he was dead. Everywhere there were horses down and men scrambling and he saw a man who sat charging his rifle while blood ran from his ears and he saw men and he saw men with their revolvers disassembled trying to fit the fit the spare loaded cylinders they carried and he saw men kneeling who tilted and clasped their shadows on the ground and he saw men lanced and caught up by the hair and scalped standing and he saw the horses of war trample down the fallen and a little whitefaced pony with one clouded eye leaned out of the murk and snapped at him like a dog and was gone. Among the wounded some seemed dumb and without understanding and some were pale through the masks of dust and some had fouled themselves or tottered brokenly onto the spears of the savages. Now driving in a wild frieze of headlong horses with eyes walled and teeth cropped and naked riders with clusters of arrows clenched in their jaws and their shields winking in the dust and up the far side of the ruined ranks in a pipping of boneflutes and dropping down off the side of their mounts with one heel hung in the the withers strap and their short bows flexing beneath the outstretched necks of the ponies until they had circled the company and cut their ranks in two and then rising up again like funhouse figures, some with nightmare faces painted on their breasts, ridding down the unhorsed Saxons and spearing and clubbing them and leaping from their mounts with knives and running about on the ground with a peculiar bandylegged like creatures driven to alien forms of locomotion and stripping the clothes from the dead and seizing them up by the hair and passing their blades about the skulls of the living and the dead alike and snatching aloft the bloody wigs and hacking and chopping at the naked bodies, ripping off limbs, heads, gutting the strange white torsos and holding up great handfuls of viscera, genitals, some of the savages so slathered up with gore they might have rolled in it like dogs and some who fell upon the dying and sodomized them with loud cries to their fellows. And now the horses of the dead came pounding out of the smoke and dust and circled with flapping leather and wild manes and eyes whited with fear like the eyes of the blind and some were feathered with arrows and some lanced through and stumbling and vomiting blood as they wheeled across the killing ground and clattered from sight again. Dust stanched the wet and naked heads of the scalped who with the fringe of hair beneath their wounds and tonsured to the bone now lay like maimed and naked monks in the bloodsoaked dust and everywhere the dying groaned and gibbered and horses lay screaming
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
Dear Familiar Place, I am lost. I wonder who lives behind my eyes. I guess a lost little child who never grew up. However, I was forced to grow up, but I never had a chance to experience the sweet and playful side of life. I notice that at the moment, it is only me sitting on you—usually, I would have to share you with two or three people. After I leave, you will not be marked until a lonely broken soul will claim you. Just for tonight, they will have something to claim as their own. I wonder who will claim you tonight? I thank you for keeping me warm the best way you could. I am sure you are one of everyone’s best friends. I bet you have a lot of stories to tell. I am looking at the clouds and wondering how long the cloud will last in my life. I’ve had so many cloudy days; sadly, I forget how the sun looks and feels. My eyes are sensitive to the daylight, but they are immune to the darkness with just the right kind of light from the stars. During the day, my mood is cloudy, uncertain, blurred, depressing, and there is so much fog I can’t see the sun, nor do I have a head's up that the rain is coming. I wish just one day my mood could at least be fair skies. I’ll accept cool and fair skies. I mean, at least for once, could my life be fair instead of constantly feeling anxiety and my soul tied in two knots or more? I retraced my thoughts and noticed the wind was blowing. I smile slightly because the leaves are playing with each other as the breeze shows them some unconditional love. I wonder what unconditional love is? In my world, unconditional love is blowing dandelions in the daytime and hugging the stars during the night. I guess that’s all the love I need. Wishing for brighter days.
Charlena E. Jackson (Pinwheels and Dandelions)
In order to explain what that was, I must start by describing the encounter between myself and the sun. In fact, this experience occurred on two occasions. It often happens that, long before the decisive meeting with a person from whom only death can thereafter part one, there is a brief brush elsewhere with that same person occurring with almost total unawareness on both sides. So it was with my encounter with the sun. My first—unconscious—encounter was in the summer of the defeat, in the year 1945. A relentless sun blazed down on the lush grass of that summer that lay on the borderline between the war and the postwar period—a borderline, in fact, that was nothing more than a line of barbed wire entanglements, half broken down, half buried in the summer weeds, tilting in all directions. I walked in the sun’s rays, but had no clear understanding of the meaning they held for me. Finespun and impartial, the summer sunlight poured down prodigally on all creation alike. The war ended, yet the deep green weeds were lit exactly as before by the merciless light of noon, a clearly perceived hallucination stirring in a slight breeze; brushing the tips of the leaves with my fingers, I was astonished that they did not vanish at my touch. That same sun, as the days turned to months and the months to years, had become associated with a pervasive corruption and destruction. In part, it was the way it gleamed so encouragingly on the wings of planes leaving on missions, on forests of bayonets, on the badges of military caps, on the embroidery of military banners; but still more, far more, it was the way it glistened on the blood flowing ceaselessly from the flesh, and on the silver bodies of flies clustering on wounds. Holding sway over corruption, leading youth in droves to its death in tropical seas and countrysides, the sun lorded it over that vast rusty-red ruin that stretched away to the distant horizon.
Yukio Mishima (Sun & Steel)
Mike continued to walk unhurriedly toward the crowd until he loomed up in the stereo tank in life size, as if he were in the room with his water brothers. He stopped on the grass verge in front of the hotel, a few feet from the crowd. "You called me?" He was answered with a growl. The sky held scattered clouds; at that instant the sun came out from behind one and a shaft of golden light hit him. His clothes vanished. He stood before them, a golden youth, clothed only in his own beauty, beauty that made Jubal's heart ache, thinking that Michelangelo in his ancient years would have climbed down from his high scaffolding to record it for generations unborn. Mike said gently, "Look at me. I am a son of man." . . . . "God damn you!" A half brick caught Mike in the ribs. He turned his face slightly toward his assailant. "But you yourself are God. You can damn only yourself and you can never escape yourself." "Blasphemer!" A rock caught him just over his left eye and blood welled forth. Mike said calmly, "In fighting me, you fight yourself... for Thou art God and I am God * . . and all that groks is God-there is no other." More rocks hit him, from various directions; he began to bleed in several places. "Hear the Truth. You need not hate, you need not fight, you need not fear. I offer you the water of life-" Suddenly his hand held a tumbler of water, sparkling in the sunlight. "-and you may share it whenever you so will . . . and walk in peace and love and happiness together." A rock caught the glass and shattered it. Another struck him in the mouth. Through bruised and bleeding lips he smiled at them, looking straight into the camera with an expression of yearning tenderness on his face. Some trick of sunlight and stereo formed a golden halo back of his head. "Oh my brothers, I love you so! Drink deep. Share and grow closer without end. Thou art God." Jubal whispered it back to him. . . . "Lynch him! Give the bastard a nigger necktie!" A heavy-gauge shotgun blasted at close range and Mike's right arm was struck off at the elbow and fell. It floated gently down, then came to rest on the cool grasses, its hand curved open in invitation. "Give him the other barrel, Shortie-and aim closer!" The crowd laughed and applauded. A brick smashed Mike's nose and more rocks gave him a crown of blood. "The Truth is simple but the Way of Man is hard. First you must learn to control yourself. The rest follows. Blessed is he who knows himself and commands himself, for the world is his and love and happiness and peace walk with him wherever he goes." Another shotgun blast was followed by two more shots. One shot, a forty-five slug, hit Mike over the heart, shattering the sixth rib near the sternum and making a large wound; the buckshot and the other slug sheered through his left tibia five inches below the patella and left the fibula sticking out at an angle, broken and white against the yellow and red of the wound. Mike staggered slightly and laughed, went on talking, his words clear and unhurried. "Thou art God. Know that and the Way is opened." "God damn it-let's stop this taking the Name of the Lord in vain!"- "Come on, men! Let's finish him!" The mob surged forward, led by one bold with a club; they were on him with rocks and fists, and then with feet as he went down. He went on talking while they kicked his ribs in and smashed his golden body, broke his bones and tore an ear loose. At last someone called out, "Back away a little so we can get the gasoline on him!" The mob opened up a little at that waning and the camera zoomed to pick up his face and shoulders. The Man from Mars smiled at his brothers, said once more, softly and clearly, "I love you." An incautious grasshopper came whirring to a landing on the grass a few inches from his face; Mike turned his head, looked at it as it stared back at him. "Thou art God," he said happily and discorporated.
Robert A. Heinlein
Unchopping a Tree. Start with the leaves, the small twigs, and the nests that have been shaken, ripped, or broken off by the fall; these must be gathered and attached once again to their respective places. It is not arduous work, unless major limbs have been smashed or mutilated. If the fall was carefully and correctly planned, the chances of anything of the kind happening will have been reduced. Again, much depends upon the size, age, shape, and species of the tree. Still, you will be lucky if you can get through this stages without having to use machinery. Even in the best of circumstances it is a labor that will make you wish often that you had won the favor of the universe of ants, the empire of mice, or at least a local tribe of squirrels, and could enlist their labors and their talents. But no, they leave you to it. They have learned, with time. This is men's work. It goes without saying that if the tree was hollow in whole or in part, and contained old nests of bird or mammal or insect, or hoards of nuts or such structures as wasps or bees build for their survival, the contents will have to repaired where necessary, and reassembled, insofar as possible, in their original order, including the shells of nuts already opened. With spider's webs you must simply do the best you can. We do not have the spider's weaving equipment, nor any substitute for the leaf's living bond with its point of attachment and nourishment. It is even harder to simulate the latter when the leaves have once become dry — as they are bound to do, for this is not the labor of a moment. Also it hardly needs saying that this the time fro repairing any neighboring trees or bushes or other growth that might have been damaged by the fall. The same rules apply. Where neighboring trees were of the same species it is difficult not to waste time conveying a detached leaf back to the wrong tree. Practice, practice. Put your hope in that. Now the tackle must be put into place, or the scaffolding, depending on the surroundings and the dimension of the tree. It is ticklish work. Almost always it involves, in itself, further damage to the area, which will have to be corrected later. But, as you've heard, it can't be helped. And care now is likely to save you considerable trouble later. Be careful to grind nothing into the ground. At last the time comes for the erecting of the trunk. By now it will scarcely be necessary to remind you of the delicacy of this huge skeleton. Every motion of the tackle, every slightly upward heave of the trunk, the branches, their elaborately reassembled panoply of leaves (now dead) will draw from you an involuntary gasp. You will watch for a lead or a twig to be snapped off yet again. You will listen for the nuts to shift in the hollow limb and you will hear whether they are indeed falling into place or are spilling in disorder — in which case, or in the event of anything else of the kind — operations will have to cease, of course, while you correct the matter. The raising itself is no small enterprise, from the moment when the chains tighten around the old bandages until the boles hands vertical above the stump, splinter above splinter. How the final straightening of the splinters themselves can take place (the preliminary work is best done while the wood is still green and soft, but at times when the splinters are not badly twisted most of the straightening is left until now, when the torn ends are face to face with each other). When the splinters are perfectly complementary the appropriate fixative is applied. Again we have no duplicate of the original substance. Ours is extremely strong, but it is rigid. It is limited to surfaces, and there is no play in it. However the core is not the part of the trunk that conducted life from the roots up to the branches and back again. It was relatively inert. The fixative for this part is not the same as the one for the outer layers and the bark, and if either of these is involved
W.S. Merwin
The moment I put it in my mouth and bit down... ... an exquisite and entirely unexpected flavor exploded in my mouth! It burst across my tongue, rushed up through my nose... ... and rose all the way up to my brain!" "No! It can't be!" "How is that possible?! Anyone with eyes can see there's nothing special to that dish! Its fragrance was entirely inferior to Asahi's dish from the get-go!" "That there. That's what it is. I knew something wasn't right." "Asahi?" "Something felt off the instant the cloche was removed. His dish is fried rice. It uses tons of butter, soy sauce and spices. Yet it hardly had any aroma!" "Good catch. The secret is in one of the five grand cuisine dishes I melded together... A slightly atypical take on the French Oeuf Mayonnaise. ." "Ouef Mayonnaise, or eggs and mayonnaise, is an appetizer you can find in any French bistro. Hard-boiled eggs are sliced, coated with a house-blend mayo and garnished with vegetables. Though, in your dish, I can tell you chose very soft-boiled eggs instead. Hm. Very interesting, Soma Yukihira. He took those soft-boiled eggs and some homemade mayo and blended them into a sauce...... which he then poured over his steamed rice and tossed until each and every grain was coated, its flavor sealed inside! To cook them so that each individual grain is completely covered... ... takes incredibly fast and precise wok handling over extremely high heat! No average chef could manage that feat!" " Whaaa?! Ah! It's so thin I didn't notice it at first glance, but there it is, a very slight glaze! That makes each of these grains of rice a miniature, self-contained Omurice! The moment you bite into them, that eggy coating is broken... ... releasing all the flavors and aromas of the dish onto your palate in one explosive rush!" No wonder! That's what entranced the judges. That sudden, powerful explosion of flavor! "Yep! Even when it's served, my dish still hides its fangs. Only when you bite into it does it bite back with all it's got. I call it my Odorless Fried Rice.
Yūto Tsukuda (食戟のソーマ 36 [Shokugeki no Souma 36] (Food Wars: Shokugeki no Soma, #36))
Thus I was sick and tormented, reproaching myself more bitterly than ever, rolling and writhing in my chain till it should be utterly broken. By now I was held but slightly, but still was held. And thou, O Lord, didst press upon me in my inmost heart with a severe mercy, redoubling the lashes of fear and shame; lest I should again give way and that same slender remaining tie not be broken off, but recover strength and enchain me yet more securely. I kept saying to myself, "See, let it be done now; let it be done now." And as I said this I all but came to a firm decision. I all but did it -- yet I did not quite. Still I did not fall back to my old condition, but stood aside for a moment and drew breath. And I tried again, and lacked only a very little of reaching the resolve -- and then somewhat less, and then all but touched and grasped it. Yet I still did not quite reach or touch or grasp the goal, because I hesitated to die to death and to live to life. And the worse way, to which I was habituated, was stronger in me than the better, which I had not tried. And up to the very moment in which I was to become another man, the nearer the moment approached, the greater horror did it strike in me. But it did not strike me back, nor turn me aside, but held me in suspense. It was, in fact, my old mistresses, trifles of trifles and vanities of vanities, who still enthralled me. They tugged at my fleshly garments and softly whispered: "Are you going to part with us? And from that moment will we never be with you any more? And from that moment will not this and that be forbidden you forever?" What were they suggesting to me in those words "this or that"? What is it they suggested, O my God? Let thy mercy guard the soul of thy servant from the vileness and the shame they did suggest! And now I scarcely heard them, for they were not openly showing themselves and opposing me face to face; but muttering, as it were, behind my back; and furtively plucking at me as I was leaving, trying to make me look back at them. Still they delayed me, so that I hesitated to break loose and shake myself free of them and leap over to the place to which I was being called -- for unruly habit kept saying to me, "Do you think you can live without them?" But now it said this very faintly; for in the direction I had set my face, and yet toward which I still trembled to go ... for I still heard the muttering of those "trifles" and hung suspended ... This struggle raging in my heart was nothing but the contest of self against self.
Augustine of Hippo (Confessions of St Augustine)
You!’ the first guard yelled. ‘Hands on your head, don’t move.’ Wing slowly put his hands on his head, showing no hint of emotion. ‘What the hell?’ the other guard said. ‘He’s just a kid.’ He pulled a pair of handcuffs from his belt and slowly moved behind Wing and grasped one of his wrists. In one fluid motion, Wing grabbed the guard’s own wrist with his free hand and twisted hard. There was a sickening crunch, the guard howling in pain as Wing stepped backwards, too close for the man to bring his gun to bear. He pulled the guard’s wounded arm further over his own shoulder, dragging the man closer, and jerked his head backwards, his skull connecting with the man’s nose with a crunch. Wing rotated around the guard, pressing the wounded arm up into the small of the man’s back and ducking behind him, giving the other guard no clean shot without hitting his associate. He pushed hard, sending the stunned guard staggering towards his partner, and delivered a sharp kick to the base of his spine. The wounded guard’s momentum sent him careering into the other man, yowling with pain and confusion. Wing took two short steps and in a blur of movement pulled the handcuffs from the wounded man’s belt and snapped them closed around both his broken wrist and the wrist of the unwounded guard’s gun hand. Wing pressed his fingers into the pressure point behind the wounded guard’s ear and he collapsed, instantly unconscious, pulling the other guard down with him and pinning his gun to the ground. The conscious guard snatched for the gun with his free hand, but Wing dropped on to him, his knee pressing into his throat hard enough to choke him but without crushing his windpipe. Wing delivered a sharp knuckle jab to the guard’s shoulder and his free arm was instantly disabled too. Wing could hear the sound of at least half a dozen more guards racing up the stairs from below. He knew there would be more than he could handle. He reached down and took a smoke grenade from the webbing on the pinned guard’s chest and pulled the pin with his teeth, tossing it through the doorway into the stairwell. There were cries of confusion from just below as the confined space filled with impenetrable clouds of white smoke. Wing pulled a flashbang stun grenade from the other side of the pinned guard’s webbing and waited a couple of seconds before tossing it into the stairwell too. He closed his eyes, the flash of the grenade clear even through his eyelids. ‘Who the hell are you?’ the guard pinned beneath Wing gasped. ‘Just a kid,’ Wing said with a slight smile and punched him unconscious.
Mark Walden (Escape Velocity (H.I.V.E., #3))
Kanya looks away. "You deserve it. It's your kamma. Your death will be painful." "Karma? Did you say karma?" The doctor leans closer, brown eyes rolling, tongue lolling. "And what sort of karma is it that ties your entire country to me, to my rotting broken body? What sort of karma is it that behooves you to keep me, of all people, alive?" He grins. "I think a great deal about your karma. Perhaps it's your pride, your hubris that is being repaid, that forces you to lap seedstock from my hand. Or perhaps you're the vehicle of my enlightenment and salvation. Who knows? Perhaps I'll be reborn at the right hand of Buddha thanks to the kindnesses I do for you." "That's not the way it works." The doctor shrugs. "I don't care. Just give me another like Kip to fuck. Throw me another of your sickened lost souls. Throw me a windup. I don't care. I'll take what flesh you throw me. Just don't bother me. I'm beyond worrying about your rotting country now." He tosses the papers into the pool. They scatter across the water. Kanya gasps, horrified, and nearly lunges after them before steeling herself and forcing herself to draw back. She will not allow Gibbons to bait her. This is the way of the calorie man. Always manipulating. Always testing. She forces herself to look away from the parchment slowly soaking in the pool and turn her eyes to him. Gibbons smiles slightly. "Well? Are you going to swim for them or not?" He nods at Kip. "My little nymph will help you. I'd enjoy seeing you two little nymphs frolicking together." Kanya shakes her head. "Get them out yourself." "I always like it when an upright person such as yourself comes before me. A woman with pure convictions." He leans forward, eyes narrowed. "Someone with real qualifications to judge my work." "You were a killer." "I advanced my field. It wasn't my business what they did with my research. You have a spring gun. It's not the manufacturer's fault that you are likely unreliable. That you may at any time kill the wrong person. I built the tools of life. If people use them for their own ends, then that is their karma, not mine." "AgriGen paid you well to think so." "AgriGen paid me well to make them rich. My thoughts are my own." He studies Kanya. "I suppose you have a clean conscience. One of those upright Ministry officers. As pure as your uniform. As clean as sterilizer can make you." He leans forward. "Tell me, do you take bribes?" Kanya opens her mouth to retort, but words fail her. She can almost feel Jaidee drifting close. Listening. Her skin prickles. She forces himself not to look over her shoulder. Gibbons smiles. "Of course you do. All of your kind are the same. Corrupt from top to bottom.
Paolo Bacigalupi (The Windup Girl)
Her enormous eyes were staring straight into his silver ones. He couldn’t look away, couldn’t let go of her hand. He couldn’t have moved if his life depended on it. He was lost in those blue-violet eyes, somewhere in their mysterious, haunting, sexy depths. What was it he had decided? Decreed? He was not going to allow her anywhere near Peter’s funeral. Why was his resolve fading away to nothing? He had reasons, good reasons. He was certain of it. Yet now, drowning in her huge eyes, his thoughts on the length of her lashes, the curve of her cheek, the feel of her skin, he couldn’t think of denying her. After all, she hadn’t tried to defy him; she didn’t know he had made the decision to keep her away from Peter’s funeral. She was including him in the plans, as if they were a unit, a team. She was asking his advice. Would it be so terrible to please her over this? It was important to her. He blinked to keep from falling into her gaze and found himself staring at the perfection of her mouth. The way her lips parted so expectantly. The way the tip of her tongue darted out to moisten her full lower lip. Almost a caress. He groaned. An invitation. He braced himself to keep from leaning over and tracing the exact path with his own tongue. He was being tortured. Tormented. Her perfect lips formed a slight frown. He wanted to kiss it right off her mouth. “What is it, Gregori?” She reached up to touch his lips with her fingertip. His heart nearly jumped out of his chest. He caught her wrist and clamped it against his pumping heart. “Savannah,” he whispered. An ache. It came out that way. An ache. He knew it. She knew it. God, he wanted her with every cell in his body. Untamed. Wild. Crazy. He wanted to bury himself so deep inside her that she would never get him out. Her hand trembled in answer, a slight movement rather like the flutter of butterfly wings. He felt it all the way through his body. “It is all right, mon amour,” he said softly. “I am not asking for anything.” “I know you’re not. I’m not denying you anything. I know we need to have time to become friends, but I’m not going to deny what I feel already. When you’re close to me, my body temperature jumps about a thousand degrees.” Her blue eyes were dark and beckoning, steady on his. He touched her mind very gently, almost tenderly, slipped past her guard and knew what courage it took for her to make the admission. She was nervous, even afraid, but willing to meet him halfway. The realization nearly brought him to his knees. A muscle jumped in his jaw, and the silver eyes heated to molten mercury, but his face was as impassive as ever. “I think you are a witch, Savannah, casting a spell over me.” His hand cupped her face, his thumb sliding over her delicate cheekbone. She moved closer, and he felt her need for comfort, for reassurance. Her arms slid tentatively around his waist. Her head rested on his sternum. Gregori held her tightly, simply held her, waiting for her trembling to cease. Waiting for the warmth of his body to seep into hers. Gregori’s hand came up to stroke the thick length of silken, ebony hair, taking pleasure in the simple act. It brought a measure of peace to both of them. He would never have believed what a small thing like holding a woman could do to a man. She was turning his heart inside out; unfamiliar emotions surged wildly through him and wreaked havoc with his well-ordered life. In his arms, next to his hard strength, she felt fragile, delicate, like an exotic flower that could be easily broken. “Do not worry about Peter, ma petite,” he whispered into the silken strands of her hair. “We will see to his resting place tomorrow.” “Thank you, Gregori,” Savannah said. “It matters a lot to me.” He lifted her easily into his arms. “I know. It would be simpler if I did not. Come to my bed, chérie, where you belong.
Christine Feehan (Dark Magic (Dark, #4))