Forty Fifth Birthday Quotes

Today was my forty-fifth birthday. Impending old age and a problem marriage were staring me in the face. Not a good place to be. I figured that right now, I had two choices — crawl out of the pit, or wallow and die. To wallow or not to wallow? That was the question. Look at Scarlett O’Hara. Did she cry and whine when Rhett walked out the door not giving a damn? Well, okay, she did. But not for long, I’ll bet. Not Scarlett. Same story here, baby, same story here.

The years passed unnoticed and unremembered, and one autumn morning I found myself suddenly forty-five years old. It was a time for weighing youthful hopes against mature accomplishment, for it was quite certain that I had by then done all I was ever going to do. Sitting alone at my desk that evening of my forty-fifth birthday I asked that least original of introspective questions: Where had it all gone? And the somewhat less banal question: What, after all, had it been? My

And Caravaggio when he had heard it in the last few years of the war never really liked it, never liked to listen to it. In his heart he had Hana’s version from many years before. Now he listened with a pleasure because she was singing again, but this was quickly altered by the way she sang. Not the passion of her at sixteen but echoing the tentative circle of light around her in the darkness. She was singing it as if it was something scarred, as if one couldn’t ever again bring all the hope of the song together. It had been altered by the five years leading to this night of her twenty-first birthday in the forty-fifth year of the twentieth century. Singing in the voice of a tired traveller, alone against everything. A new testament. There was no certainty to the song anymore, the singer could only be one voice against all the mountains of power. That was the only sureness. The one voice was the single unspoiled thing.

After Arvid had learned in fall 2018 the cancer had returned, he devoted two months crafting letters to each of his children that he instructed be read on their twenty-first, twenty-eighth, thirty-fifth, and forty-fifth birthdays. He chose each year because those years were significant in his own life: official adulthood, the age he got married, the age he became vice principal, and the age he learned the cancer had returned. The letters were personalized to each Shastri-Persson for each milestone. The twenty-first-birthday letter was an assortment of memories and anecdotes about each child; the twenty-eighth letter was advice on love, friendships, and relationships; the thirty-fifth letter was Arvid's thoughts on the importance of kindness and generosity, on both a grand scale and small; and the forty-fifth was simply a list of songs Arvid asked that they listen to on their birthdays at a location of great significance to them. He signed off with the same sentence in all four letters: "Celebrate each remaining birthday in a way that is meaningful to you. Each one is precious and extraordinary, and so you are to me. I love you, and I am with you always. Take care of each other. Love, Dad.

He sang, Farewell to the homeworld forever, Farewell to each warm, golden day, Farewell to the seas and the forests, For we’re bound out for Botany Bay! ‘Botany Bay was better than where we’re bound for,’ said Clayton. ‘But my ancestors weren’t real criminals. They only picked a few pockets or burgled a few houses. They weren’t guilty of the real crime — passing their forty-fifth birthdays!’ Singing, tooral I ooral I addy, Singing torool I ooral I ay, Singing tooral I ooral I addy — And we’re bound out for Botany Bay!

Flora died in her bed at home on 23 August 1908—Albert Lewis’s forty-fifth birthday. The somewhat funereal quotation for that day on her bedroom calendar was from Shakespeare’s King Lear: “Men must endure their going hence.” For the rest of Albert Lewis’s life, Warnie later discovered, the calendar remained open at that page.

May 30: Shooting is on hiatus for Memorial Day. Marilyn stays home working on a watercolor of a red rose she wants to present to President Kennedy for his forty-fifth birthday.

Of all his years, 1986 was truly a landmark. His mandolin, truly a part of himself, had been saved. A half century earlier, in 1936, he had made his first recordings with the Monroe Brothers; forty years earlier had seen his historic first recordings with Flatt and Scruggs; thirty-five years ago he had begun recording for Decca; twenty years before he had started his summer bluegrass festival at Bean Blossom (and exactly ten years later he had added the autumn festival). And 1986 would see his seventy-fifth birthday. In

Death was a constant fact of life. The reaper struck with fire and drowning; typhus, malaria, yellow fever, and a host of other diseases; accidents that ranged from the swift shock of a horse’s kick to a slow-spreading infection from a cut finger; and suicide and murder. More than one-fifth of the children born died before their first birthday; at birth the average life expectancy for an adult was little more than forty.6 Medicine at best could offer a patient little help and at worst was lethal, an excruciating matter of bleeding, blistering, and purging with potions such as laudanum, a mixture of opium and alcohol.