“
Bridget von Ascheberg was mine and mine alone. It didn’t matter that she wasn’t mine to take. I was taking her anyway, and if I could tattoo myself onto her skin, bury myself into her heart, and etch myself onto her soul, I would. Her eyes widened, but before she could respond, I closed the distance between us and grasped her chin with my hand. “But first, I want to make one thing clear. From this point on, you’re mine. No other man touches you. If they do…” My fingers dug into her skin. “I know seventy-nine ways to kill a man, and I can make seventy of them look like an accident. Understand?” She nodded, her chest rising and falling more rapidly than usual. “I mean it, princess.” “I understand.” Definitely breathless. “Good.” I swiped my thumb over her bottom lip. “I want to hear you say it. Who do you belong to?” “You,” she whispered. I could smell her arousal already, sweet and heady, and I couldn’t hold back any longer. “That’s right,” I growled. “Me.
”
”
Ana Huang (Twisted Games (Twisted, #2))
“
My breath got stuck in my chest as he moved his thumb just under the tattoo--ever so softly--while he was so close to me that I couldn't remember what the world looked like beyond his face.
”
”
Lynn Painter (The Do-Over)
“
I know what I want for a souvenir,” he said.
“Yeah?”
He took her wrist and brushed a thumb over the delicate skin there. “Let’s get matching tattoos, so we never, ever, forget this day.”
Her lips parted in a gasp of delight. “That’s a great idea!”
“Really? So you’ll come with me?”
“Of course I will,” she said. “Let’s hurry before we change our minds.
”
”
Melissa Landers (Starflight (Starflight, #1))
“
Kaz snagged her wrist. "Inej." His gloved thumb moved over her pulse, traced the top of the feather tattoo. "If we don't make it out, I want you to know..."
She waited. She felt hope rustling its wings inside her, ready to take flight at the right words from Kaz. She willed that hope in to stillness. Those words would never come. The heart is an arrow.
She reached up and touched his cheek. She thought he might flinch again, even knock her hand away. In nearly two years of battling side by side with Kaz, of late-night scheming, impossible heists, clandestine errands, and harried meals of fried potatoes and hutspot gobbled down as they rushed from one place to another, this was the first time she had touched him skin to skin, without the barrier of gloves or coat or shirtsleeve. She let her hand cup his cheek. His skin was cool and damp from the rain. He stayed still, but she saw a tremor pass through him, as if he were waging a war with himself.
"If we don't die this night, I will die unafraid, Kaz. Can you say the same?"
His eyes were nearly black, the pupils dilated. She could see it took every last bit of his terrible will for him to remain still beneath her touch. And yet, he did not pull away. She knew it was the best he could offer. It was not enough.
She dropped her hand. He took a deep breath.
Kaz had said he didn't want her prayers and she wouldn't speak them, but she wished him safe nonetheless. She had her aim now, her heart had direction, and though it hurt to know that path led away from him, she could endure it.
”
”
Leigh Bardugo (Six of Crows (Six of Crows, #1))
“
I have only one memory of getting here, and even that is just a single image: black ink curling around the side of a neck, the corner of a tattoo, and the gentle sway that could only mean he was carrying me.
He turns off the bathroom light and gets an ice pack from the refrigerator in the corner of the room. As he walks toward me, I consider closing my eyes and pretending to be asleep,but then our eyes meet and it's too late.
"Your hands," I croak.
"My hands are none of your concern," he replies. He rests his knee on the mattress and leans over me,slipping the ice pack under my head. Before he pulls away,I reach out to touch the cut on the side of his lip but stop when I realize what I am about to do, my hand hovering.
What do you have to lose? I ask myself. I touch my fingertips lightly to his mouth.
"Tris," he says, speaking against my fingers. "I'm all right."
"Why were you there?" I ask, letting my hand drop.
"I was coming back from the control room. I heard a scream."
"What did you do to them?" I say.
"I deposited Drew at the infirmary a half hour ago," he says. "Peter and Al ran. Drew claimed they were just trying to scare you.At least,I think that's what he was trying to say."
"He's in bad shape?"
"He'll live," he replies. He adds bitterly, "In what condition, I can't say."
It isn't right to wish pain on other people just because they hurt me first. But white-hot triumph races through me at the thought of Drew at the infirmary, and I squeeze Four's arm.
"Good," I say.My voice sounds tight and fierce.Anger builds inside me, replacing my blood with bitter water and filling me, consuming me.I wantt o break something,or hit something, but I am afraid to move,so I start crying instead.
Four crouches by the side of the bed, and watches me. I see no sympathy in his eyes.I would have been disappointed if I had. He pulls his wrist free and, to my surprise, rests his hand on the side of my face, his thumb skimming my cheekbone.His fingers are careful.
"I could report this," he says.
"No," I reply. "I don't want them to think I'm scared."
He nods.He moves his thumb absently over my cheekbone, back and forth. "I figured you would say that."
"You think it would be a bad idea if I sat up?"
"I'll help you."
Four grips my shoulder with one hand and holds my head steady with the other as I push myself up.Pain rushes through my body in sharp bursts,but I try to ignore it,stifling a groan.
He hands me the ice pack. "You can let yourself be in pain," he says. "It's just me here.
”
”
Veronica Roth (Divergent (Divergent, #1))
“
Luna pockets the note about Donnelly, and the tattooed, chestnut-haired bodyguard keeps his thumb up for Luna. Close to each other, he uses his thumb to pick an eyelash off her cheek. “Make a wish.”
“You make it. I’m not as lucky.
”
”
Krista Ritchie (Fearless Like Us (Like Us, #9))
“
Grabbing my hand he pulls me to him, and grabs my hips, digging his hand in. "I have the perfect spot for your first tattoo." Reaching for the bottom of my dress, he lifts the front so only he can see, and runs his thumb over my hipbone. "Perfect.
”
”
Victoria Ashley (Royal Savage (Savage & Ink, #1))
“
Kaz snagged her wrist. “Inej.” His gloved thumb moved over her pulse, traced the top of the feather tattoo. “If we don’t make it out, I want you to know…”
She waited. She felt hope rustling its wings inside her, ready to take flight at the right words from Kaz. She willed that hope into stillness. Those words would never come. The heart is an arrow.
She reached up and touched his cheek. She thought he might flinch again, even knock her hand away. In nearly two years of battling side by side with Kaz, of late-night scheming, impossible heists, clandestine errands, and harried meals of fried potatoes and hutspot gobbled down as they rushed from one place to another, this was the first time she had touched him skin to skin, without the barrier of gloves or coat or shirtsleeve. She let her hand cup his cheek. His skin was cool and damp from the rain. He stayed still, but she saw a tremor pass through him, as if he were waging a war with himself.
“If we don’t survive this night, I will die unafraid, Kaz. Can you say the same?
”
”
Leigh Bardugo (Six of Crows (Six of Crows, #1))
“
The tattoo artist inflicts pain and I take it. With each breath I count to one again. Each inhale, each exhale, time passes in the smallest of pieces, and pieces still smaller than those.
This is how you count a life. This is how you go through it. Each second of hurt is a second that's already passed, one you never have to go through again. I have counted in pieces that small, when walking from the bed to the fridge seemed an insurmountable goal. I have counted my breaths, my steps, my eye-blinks, my hiccups, the tiny pulse in my thumb. And when I started getting tattooed, two of the things I used to need were gone: to write on myself, and to find irrelevant things to count. A second of intense pain is the most profound thing you can live through. And another, and another, and another, and then you know what it is to feel, and to struggle through that feeling one small agonizing increment at a time, and if you know that, you know what it is to live with mental illness.
”
”
Stacy Pershall (Loud in the House of Myself: Memoir of a Strange Girl)
“
The dads in those tv shows spend a great deal of time talking to their kids in their living rooms. Steven Keaton - the dad of my dreams - seems to do nothing but sit on his couch or at his kitchen table talking to his children about their myriad teenage calamities. He listens and listens to his kids and he pours glasses of orange juice and hands them to his kids as he listens some more. He tells his kids he loves them by telling his kids he loves them. Dad tells me he loves me when he forms a pistol out of this forefinger and thumb and points it at me as he farts. He tells us he loves us by showing us the tattoo we never knew he had on the inside of his bottom lip: Fuck you.
”
”
Trent Dalton (Boy Swallows Universe)
“
I used to read in books how our fathers persecuted mankind. But I never appreciated it. I did not really appreciate the infamies that have been committed in the name of religion, until I saw the iron arguments that Christians used. I saw the Thumbscrew—two little pieces of iron, armed on the inner surfaces with protuberances, to prevent their slipping; through each end a screw uniting the two pieces. And when some man denied the efficacy of baptism, or may be said, 'I do not believe that a fish ever swallowed a man to keep him from drowning,' then they put his thumb between these pieces of iron and in the name of love and universal forgiveness, began to screw these pieces together. When this was done most men said, 'I will recant.' Probably I should have done the same. Probably I would have said: 'Stop; I will admit anything that you wish; I will admit that there is one god or a million, one hell or a billion; suit yourselves; but stop.'
But there was now and then a man who would not swerve the breadth of a hair. There was now and then some sublime heart, willing to die for an intellectual conviction. Had it not been for such men, we would be savages to-night. Had it not been for a few brave, heroic souls in every age, we would have been cannibals, with pictures of wild beasts tattooed upon our flesh, dancing around some dried snake fetich.
Let us thank every good and noble man who stood so grandly, so proudly, in spite of opposition, of hatred and death, for what he believed to be the truth.
Heroism did not excite the respect of our fathers. The man who would not recant was not forgiven. They screwed the thumbscrews down to the last pang, and then threw their victim into some dungeon, where, in the throbbing silence and darkness, he might suffer the agonies of the fabled damned. This was done in the name of love—in the name of mercy, in the name of Christ.
I saw, too, what they called the Collar of Torture. Imagine a circle of iron, and on the inside a hundred points almost as sharp as needles. This argument was fastened about the throat of the sufferer. Then he could not walk, nor sit down, nor stir without the neck being punctured, by these points. In a little while the throat would begin to swell, and suffocation would end the agonies of that man. This man, it may be, had committed the crime of saying, with tears upon his cheeks, 'I do not believe that God, the father of us all, will damn to eternal perdition any of the children of men.'
I saw another instrument, called the Scavenger's Daughter. Think of a pair of shears with handles, not only where they now are, but at the points as well, and just above the pivot that unites the blades, a circle of iron. In the upper handles the hands would be placed; in the lower, the feet; and through the iron ring, at the centre, the head of the victim would be forced. In this condition, he would be thrown prone upon the earth, and the strain upon the muscles produced such agony that insanity would in pity end his pain.
I saw the Rack. This was a box like the bed of a wagon, with a windlass at each end, with levers, and ratchets to prevent slipping; over each windlass went chains; some were fastened to the ankles of the sufferer; others to his wrists. And then priests, clergymen, divines, saints, began turning these windlasses, and kept turning, until the ankles, the knees, the hips, the shoulders, the elbows, the wrists of the victim were all dislocated, and the sufferer was wet with the sweat of agony. And they had standing by a physician to feel his pulse. What for? To save his life? Yes. In mercy? No; simply that they might rack him once again.
This was done, remember, in the name of civilization; in the name of law and order; in the name of mercy; in the name of religion; in the name of Christ.
”
”
Robert G. Ingersoll (The Liberty Of Man, Woman And Child)
“
She had a chain of blue forget-me-nots tattooed around her left wrist, and she rubbed them, absently, with her right thumb. Another
”
”
Neil Gaiman (American Gods)
“
I have something for you,” she said as she pulled his leather gloves from the sleeve of her prison tunic.
He stared at them. “How—”
“I got them from the discarded clothes. Before I made the climb.”
“Six stories in the dark.”
She nodded. She wasn’t going to wait for thanks. Not for the climb, or the gloves, or for anything ever again.
He pulled the gloves on slowly, and she watched his pale, vulnerable hands disappear beneath the leather. They were trickster hands—long, graceful fingers made for prying open locks, hiding coins, making things vanish.
“When we get back to Ketterdam, I’m taking my share, and I’m leaving the Dregs.”
He looked away. “You should. You were always too good for the Barrel.”
It was time to go. “Saints’ speed, Kaz.”
Kaz snagged her wrist. “Inej.” His gloved thumb moved over her pulse, traced the top of the feather tattoo. “If we don’t make it out, I want you to know…”
She waited. She felt hope rustling its wings inside her, ready to take flight at the right words from Kaz. She willed that hope into stillness. Those words would never come. The heart is an arrow.
She reached up and touched his cheek. She thought he might flinch again, even knock her hand away. In nearly two years of battling side by side with Kaz, of late-night scheming, impossible heists, clandestine errands, and harried meals of fried potatoes and hutspot gobbled down as they rushed from one place to another, this was the first time she had touched him skin to skin, without the barrier of gloves or coat or shirtsleeve. She let her hand cup his cheek. His skin was cool and damp from the rain. He stayed still, but she saw a tremor pass through him, as if he were waging a war with himself.
“If we don’t survive this night, I will die unafraid, Kaz. Can you say the same?”
His eyes were nearly black, the pupils dilated. She could see it took every last bit of his terrible will for him to remain still beneath her touch. And yet, he did not pull away. She knew it was the best he could offer. It was not enough.
She dropped her hand. He took a deep breath.
Kaz had said he didn’t want her prayers and she wouldn’t speak them, but she wished him safe nonetheless. She had her aim now, her heart had direction, and though it hurt to know that path led away from him, she could endure it.
”
”
Leigh Bardugo (Six of Crows (Six of Crows, #1))
“
Why do you have king tattooed across your fingers?” A letter on each one, from pinky to pointer. A crown on his thumb. Midnight eyes met mine as he spoke in that rich, bourbon tone. “For the same reason I’m going to ink yours with queen someday.” His broad hand covered the small of my back, strengthening my unsteady frame. “It is what fate demands.
”
”
Jaclyn Kot (Between Life and Death (Between Life and Death, #1))
“
We are not just gods walking around steering human bodies. We are also humans housing the souls of gods. Okay? And if it really matters that the Mountain is never a colonizer'--I brush my thumb against the tattoos on her chin--'that must mean you couldn't just be colonizing a native body. And if it really matters that we've fallen in love over and over again across lifetimes, that must mean those lifetimes mattered.
”
”
H.E. Edgmon (Godly Heathens (The Ouroboros, #1))
“
I have something to show you."
He sank down next to me and handed me a sketchbook. I opened it.
And saw the mermaid. She was drawn in colored ink, exquisitely detailed; each scale had a little picture in it: a pyramid, a rocket, a peacock, a lamp. Her torso was patterened red, like a tattoo, like coral. She had a thin strand of seaweed around her neck, with a starfish holding on to the center. Her hair was a tumble of loose black curls. She had my face.
I turned the page.And another and another. There she was fighting a creature that was half human, half octopus. Exploring a cave. Riding a shark. Laughing and petting a stingray that rested on her lap.
"I'm calling her Cora Lia for the moment," Alex told me. "I thought about Corella, but it sounded like cheap dishware."
"She's...amazing."
"She's fierce. Fighting the Evil Sea-Dragon King and his minions."
I traced the red tattoo on her chest. "This is beautiful."
Alex reached into my sweater, pulled the loose neck of the T-shirt away from my shoulder. I didn't stop him. "It looks like coral to me."
He touched me, then,the pad of his thumb tracing the outline of the scar. It felt strange, partly because of the difference in the tissue, but more because in the last few years, the only hands that had touched me there were mine.
I set the book aside carefully. "Guess I don't see what you do."
"That's too bad, because I see you perfectly."
I curved myself into him. "Maybe you're exactly what I need."
"Like there's any doubt?" He buried his face in my neck.I didn't stop him. "So."
"So?"
"We'll kill a few hours, watch the sunrise, have pancakes, and you'll drive home."
"What?"
I felt him smile against my skin. "I got you swimming with sharks. Next on the Conquer Your Fears list is driving a stick shift.Right?"
"One thing at a time," I said. Then, "Oh. Do that again."
In another story, the intrepid heroine would have gone running out and splashed in the surf, hypothermia be damned. She would have driven the Mustang home, booked a haircut, taken up stand-up comedy, and danced on the observation deck of the Empire State Building.
But this was me, and I was moving at my own pace.
Truth: My story started a hundred years ago. There's time.
”
”
Melissa Jensen (The Fine Art of Truth or Dare)
“
Toadvine glanced at the man's forehead but the man's hat was pushed down almost to his eyes. The man smiled and forked the hat back slightly with his thumb. The print of the hatband lay on his forehead like a scar but there was no mark other. Only on the inside of his lower arm was there tattooed a number which Toadvine would see in a Chihuahua bathhouse and again when he would cut down the man's torso where it hung skewered by its heels from a treelimb in the wastes of Pimeria Alta in the fall of that year.
”
”
Cormac McCarthy (Blood Meridian)
“
You do know, right,
that between the no-
longer & the still-
to-come
you are being continually
tattooed, inked
with the skulls of
everyone
you’ve ever loved—the you
& the you
& the you & the you—you don’t
sit in a chair, thumb
through a binder, pick a
design, it simply
happens each time you
bring your fingers to your face
to inhale him back into you . . .
tiny skulls, some of us are
covered. You, love, could
simply tattoo an open
door, light
pouring in from somewhere
outside, you
could make your body a door
so it appears you
(let her fill you) are made
of light.
”
”
Nick Flynn
“
Thank you for coming with me.”
She knew it was no small thing. Dom was Monarch of Iona now, the leader of an enclave shattered by war and betrayal. He should have been at home with his people, helping them restore what was nearly lost forever.
Instead, he looked grimly down a sand dune, his clothes poorly suited to the climate, his appearance sticking sticking out of the desert like the sorest of thumbs. While so many things had changed, Dom’s ability to look out of place never did. He even wore his usual cloak, a twin to the one he lost months ago. The gray green had become a comfort like nothing else, just like the silhouette of his familiar form. He loomed always, never far from her side.
It was enough to make Sorasa’s eyes sting, and turn her face to hide in her hood for a long moment.
Dom paid it no notice, letting her recover. Instead, he fished an apple from his saddlebags and took a noisy bite.
“I saved the realm,” he said, shrugging. The least I can do is try to see some of it.”
Sorasa was used to Elder manners by now. Their distant ways, their inability to understand subtle hints. The side of her mouth raised against her hood, and she turned back to face him, smirking.
“Thank you for coming with me,” she said again.
“Oh,” he answered, shifting to look at her. The green of his eyes danced, bright against the desert. “Where else would I go?”
Then he passed the rest of the apple over to her. She finished the rest without a thought.
His hand lingered, though, scarred knuckles on a tattooed arm.
She did not push him away. Instead, Sorasa leaned, so that her shoulder brushed his own, putting some of her weight on him.
“Am I still a waste of arsenic?” he said, his eyes never moving from her face.
Sorasa stopped short, blinking in confusion. “What?”
“When we first met.” His own smirk unfurled. “You called me a waste of arsenic.”
In a tavern in Byllskos, after I dumped poison in his cup, and watched him drink it all. Sorasa laughed at the memory, her voice echoing over the empty dunes. In that moment, she thought Domacridhan was her death, another assassin sent to kill her. Now she knew he was the opposite entirely.
Slowly, she raised her arm and he did not flinch. It felt strange still, terrifying and thrilling in equal measure.
His cheek was cool under under her hand, his scars familiar against her palm. Elders were less affected by the desert heat, a fact that Sorasa used to her full advantage.
“No,” she answered, pulling his face down to her own. “I would waste all the arsenic in the world on you.”
“Is that a compliment, Amhara?” Dom muttered against her lips.
No, she tried to reply.
On the golden sand, their shadows met, grain by grain, until there was no space left at all.
”
”
Victoria Aveyard (Fate Breaker (Realm Breaker, #3))
“
with “This is a class assignment,” and (2) they had to engage the interactions with a straight face. They couldn’t give away the punchline. The exchanges went something like this: Students (walking in a group toward a stranger in a mall): “Excuse me, sir!” Stranger (looking around and awkwardly shifting bags of clothes): “Uhh, yeah? Me?” Students: “Yes! You. I was walking by, saw you, and wondered: Will you be my friend? Can I see pictures of your family? What are your political preferences? Can I see the pictures of your tattoos? What are your religious preferences? Why? Are you pro-choice? How come? Who are your favorite musicians? We’re going to read you a list of probing, introspective quotes, and you simply give us a thumbs up or a thumbs down if you like them or don’t like them. If you feel angry about a quote, tell us why.” And so on. My students had to video each interaction. And yes, it was as awkward and cringey as you can imagine. According to the papers they had to write after the fact, the assignment stirred up quite a bit of reflection. In a few short years, my students had come to believe they had “friends” because they knew some information about people. They thought they were connecting with those people. The exercise helped them see that our social media exchanges are anything but normal. The thumbs ups and thumbs downs are anything but connecting. The reality is that most of us don’t have any friends. Until recently, friendship was about enduring the awkwardness and ugliness of human
”
”
John Delony (Own Your Past Change Your Future: A Not-So-Complicated Approach to Relationships, Mental Health & Wellness)
“
Without warning, he fingered the small, black tattoo on her lower back. “What does this script mean?”
She did gasp then, as much from the shock of his touch as from her visceral reaction to it. She wanted to arch up to his hand and couldn’t understand why. She snapped, “Are you done groping me?”
“Canna say. Tell me what the marking means.”
Mari had no idea. She’d had it ever since she could remember. All she knew was that her mother used to write out that mysterious lettering in all of her correspondence. Or, at least her mother had before she’d abandoned Mari in New Orleans to go on her two-hundred-year-long druid sabbatical—
He tapped her there, impatiently awaiting an answer.
“It means ‘drunk and lost a bet.’ Now keep your hands to yourself unless you want to be an amphibian.” When the opening emerged ahead, she crawled heedlessly for it and scrambled out with her lantern swinging wildly. She’d taken only three steps into the new chamber before he’d caught her wrist, spinning her around.
As his gaze raked over her, he reached forward and pulled a lock of her long hair over her shoulder. He seemed unaware that he was languidly rubbing his thumb over the curl. “Why hide this face behind a cloak?” he murmured, cocking his head to the side as he studied her. “No’ a damn thing’s wrong with you that I can tell. But you look fey. Explains the name.”
“How can I resist these suave compliments?” He was right about the name though. Many of the fey had names beginning in Mari or Kari.
She gave his light hold on her hair a pointed look, and he dropped it like it was hot, then scowled at her as if she were to blame.
”
”
Kresley Cole (Wicked Deeds on a Winter's Night (Immortals After Dark, #3))
“
Hey Princess.” Good God I missed hearing his voice. “Chase,” I had to clear my throat to continue, “I didn’t think you were going to be here.” “I asked if you were coming to the house.” He replied hesitantly. “Right, I just figured you meant your house.” The room was thick with the tension that always followed us around. My heart started racing from his nearness and I silently cursed myself. I really didn’t want any kind of feelings for this guy, and here I was wishing he would try to kiss me again. We sat there watching each other for who knows how long before he walked over and sank down on the floor next to me, handing me a small wrapped box. “Merry Christmas Harper.” I picked it up and just stared at it, all I could say was “Why?” “Because you’re my favorite, remember?” he huffed and his lips tilted up a little, “When I saw it, there was no way I couldn’t get it for you. Please open it.” So slowly I probably drove him crazy, I took off the wrapping and opened the little leather box. I gasped when I saw the ring inside there. It was a silver band that wrapped into the trinity symbol on top. I’d always wanted that symbol as a tattoo. I looked up at Chase and shook my head in wonder. “How did you know?” “You doodle it on everything put in front of you.” He was right of course, if I had a pen and paper or napkin, it always ended up on there at some point. I just hadn’t realized anyone other than Brandon noticed that, especially him. “Chase …” I couldn’t hold them back any longer, tears started falling down my cheeks and I quickly dropped my head hoping he wouldn’t notice. He did. “Don’t cry Harper. If you don’t like it, or you don’t like that it’s from me I’ll take it back.” My laugh sounded more like a sob than anything else. “I love it, please don’t take it.” “Then what’s wrong?” He tilted my head up and brushed away a few tears with his thumbs. I had to force myself to not lean into his hands, it was the first time we’d had any type of physical contact in over a month. He was a whole new kind of Chase on Sundays, but I’d never seen him like this. So gentle and kind. It made my entire being crave him. “I’ve never had this before. Not just the presents … the love that your family has for me. I’ve never had it until now, and it’s so overwhelming. I don’t know what I did to deserve it and I don’t know if I show them that too.” “You do. Trust me.” He searched my face for a long time and wiped the remaining tears from my cheeks. “You’re special Harper, it’s not hard to love you.
”
”
Molly McAdams (Taking Chances (Taking Chances, #1))
“
She said, “Why can’t you see that people care for you?”
She said, “I care for you.”
“I know that you care. But…” He searched her face. “Anyone would, for a friend.”
“You’re more than a friend.”
“On the battlefield, you stayed--”
“Of course I did.”
“You have a strong sense of honor. You always have. I think you think you owe me something.”
“I stayed because I love you.”
He flinched and looked away. “You don’t mean that.”
“Yes, I do.”
The night outside seemed to swell against the tent. The lamp smelled like a hot stone. His face slowly opened. He touched her hand as it pressed against his heart. His caress was light, secret, almost unsure of her knuckles, the thin tendons as strong as bone. She felt him become sure.
There was no sound when he kissed her. None when she unthreaded the ties of his shirt and found his skin.
He grasped her dagger belt, flexed his fingers once around the leather, then simply held on. He whispered something into her mouth that was almost a word. It lost its shape, became something else.
He let go. She heard the brush of linen as he drew the shirt over his head, his fingertips grazing the tent’s sloped ceiling as if for balance. His ribs were bound with gauze, his body marked by scars. Old ones, badly healed and raised. Others, pink and fresh. His shoulders bore pale gouges; they looked like sets of claws, almost deliberate, like tattoos. Curious, she touched them.
He bit his lip.
“That hurts?”
“No.”
“What is this? What happened?”
“I’ll tell you,” he said. “Later.”
His hand strayed over her shirt, which was eastern, as Arin’s was, with no collar. Threadbare in places. Frayed at the neck. He worried the cloth there, rubbing it between fingers and thumb. Then he drew her shirt open, and she felt as if reality had grown larger and tremulous: a drop of water on the point of a pin.
“Kestrel…I’ve never--”
She whispered that this was new for her, too.
There was a long pause. “Are you certain you want--”
“Yes.”
“Because…”
“Arin.”
“Maybe you--”
“Arin.” She laughed, and then so did he, aware that they’d already found the bed. Words had fallen away. Maybe the words lay on the earth, nestled among clothes, curled into the undone dagger belt. Maybe later, language would be recovered and pieced together. Made to make sense. But not now. Now there was touch and taste and sound.
When he eased into her, she was glad for the burning lamp, the fuzzy glow of it on his skin. The way it showed the black fall of his wet hair, the flesh and scars that made him. She didn’t look away.
”
”
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
“
I leaned into Tamlin, sighing. 'It feels- feels as if some of it was a dream, or a nightmare. But... But I remembered you. And when I saw you there today, I started clawing at it, fighting, because I knew it might be my only chance, and-'
'How did you break free of his control,' Lucien said flatly from behind us.
Tamlin gave him a warning growl.
I'd forgotten he was there. My sister's mate. The Mother, I decided, did have a sense of humour. 'I wanted it- I don't know how. I just wanted to break free of him, so I did.'
We stared each other down, but Tamlin brushed a thumb over my shoulder. 'Are- are you hurt?'
I tried not to bristle. I knew what he meant. That he thought Rhysand would do anything like that to anyone- 'I- I don't know,' I stammered. 'I don't... I don't remember those things.'
Lucien's metal eye narrowed, as if he could sense the lie.
But I looked up at Tamlin, and brushed my hand over his mouth. My bare, empty skin. 'You're real,' I said. 'You freed me.'
It was an effort not to turn my hands into claws and rip out his eyes. Traitor- liar. Murderer.
'You freed yourself,' Tamlin breathed. He gestured to the house. 'Rest- and then we'll talk. I... need to find Ianthe. And make some things very, very clear.'
'I- I want to be a part of it this time,' I said, halting when he tried to herd me back into that beautiful prison. 'No more... No more shutting me out. No more guards. Please. I have so much to tell you about them- bits and pieces, but... I can help. We can get my sisters back. Let me help.'
Help lead you in the wrong direction. Help bring you and your court to your knees, and take down Jurian and those conniving, traitorous queens. And then tear Ianthe into tiny, tiny pieces and bury them in a pit no one can find.
Tamlin scanned my face, and finally nodded. 'We'll start over. Do things differently. When you were gone, I realised... I'd been wrong. So wrong, Feyre. And I'm sorry.'
Too late. Too damned late. But I rested my head on his arm as he slipped it around me and led me toward the house. 'It doesn't matter. I'm home now.'
'Forever,' he promised.
'Forever,' I parroted, glancing behind- to where Lucien stood in the gravel drive.
His gaze on me. Face hard. As if he'd seen through every lie.
As if he knew of the second tattoo beneath my glove, and the glamour I now kept on it.
As if he knew that they had let a fox into a chicken coop- and he could do nothing.
Not unless he never wanted to see his mate- Elain- again.
I gave Lucien a sweet, sleepy smile. So our game began.
We hit the sweeping marble stairs to the front doors of the manor.
And so Tamlin unwittingly led the High Lady of the Night Court into the heart of his territory.
”
”
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
“
She glanced down at the triangle of three dots tattooed on the fleshy web between her index finger and thumb. The day she got jumped into Ninth Street, Veto had tattooed the dots into her skin using ink and a pin. Later, he had tattooed the teardrop under her right eye when she got out of Youth Authority Camp. The second teardrop was for her second stay in Youth Authority. She would have gone back a third time for firing a gun, if a lenient judge hadn't sentenced her to do community service work instead. She had fired the gun in frustration when she couldn't stop her homegirls from doing a throw-down. The cops had caught her, but she wouldn't turn rata. She was willing to go back to camp to protect her homegirls. That was the code. But the judge had seen something different in her eyes this time and let her off with community service.
Jimena had known about her destiny by then, and she had changed. It amazed her even now, if she thought about it. Who would have thought she was meant for something so important?
”
”
Lynne Ewing (Night Shade (Daughters of the Moon, #3))
“
I would have you beside me,” he told her huskily.
“But you promised to take me home.”
The stallion nickered and sidestepped, pulling both of them off balance. Hunter released the horse to catch her, his arm encircling her waist. Loretta snapped taut when his hard thighs pressed intimately against hers.
He bent his head and nuzzled her hair, his breath sifting through the strands to her scalp. A shiver ran through her. For a moment she struggled against him, but then she felt as if an invisible web were entwining itself around her, the silken threads binding her so she couldn’t move, couldn’t think.
She closed her eyes, wildly afraid, of him and what he was making her feel. She tried desperately to conjure an image of her mother, anything to break the spell. Perhaps he knew how to be gently persuasive after all. She knew she should pull away, yet an unnameable something held her transfixed. His mouth trailed to the slope of her neck, sending tingles down her spine. A treacherous languor stole into her limbs. Heat spread through her belly. For an instant she wanted to lean against him, to let his wonderfully strong arms mold her to his length.
The shock of his hand on her bare back brought her to her senses. Her eyes flew open, and she gasped. She tried to arch away from him and succeeded only in accommodating his mouth when her head fell back. He pressed his lips to the hollow of her throat, where her pulse beat a rapid tattoo. His callused palm slid slowly but inexorably to her side, his thumb feathering against the underside of her breast. Horrified, she groped for his wrist, her fingers finding feeble purchase through the leather.
“Ah, nei mah-tao-yo,” he whispered. “You tremble.
”
”
Catherine Anderson (Comanche Moon (Comanche, #1))
“
The shock of his hand on her bare back brought her to her senses. Her eyes flew open, and she gasped. She tried to arch away from him and succeeded only in accommodating his mouth when her head fell back. He pressed his lips to the hollow of her throat, where her pulse beat a rapid tattoo. His callused palm slid slowly but inexorably to her side, his thumb feathering against the underside of her breast. Horrified, she groped for his wrist, her fingers finding feeble purchase through the leather.
“Ah, nei mah-tao-yo,” he whispered. “You tremble.
”
”
Catherine Anderson (Comanche Moon (Comanche, #1))
“
You don’t remember putting on a strip show for your friends in The Orb?” he asked, looking into my eyes.
I frowned a little. I could remember playing some Fae drinking game and forgetting the rules so that I lost a hell of a lot and consumed more than my share of the drinks. I had to admit that I wouldn’t have shied away from a dare like that but it didn’t really explain our current situation.
“No,” I said eventually.
“Well you ripped all the buttons off of your shirt right before you passed out. I brought you back here to keep an eye on you - much to the disgust of your little Pegasus friend I might add.”
“Sofia?” Yeah, I could imagine she wouldn’t have wanted Darius Acrux taking me off to his room after all the shit he’d put me through. He obviously hadn’t listened to her complaints though.
“She’s pretty loyal to you,” he said. “But as she couldn’t exactly challenge me, she had to accept that I was just going to look after you. You took care of stripping off the rest of your clothes after that. Right before you straddled me and stole my shirt.”
I opened my mouth to protest against the idea of that but it actually sounded vaguely familiar.
Darius was just watching me like I was somehow fascinating to him and I couldn’t help but stare back into his deep brown eyes. His thumb shifted, painting a line of fire across my thigh and my heart thumped a little harder in response.
“And then we just... slept?” I confirmed.
“I wouldn’t have touched you while you were wasted like that,” he said, his gaze travelling over my face and landing on my mouth.
But I’m not wasted now...
I reached out slowly and pressed my palm down on his chest so that I could feel his heart pounding to the same fierce tune as my own. I dropped my gaze to the back of my hand so that I didn’t have to see the way he was looking at me anymore.
His skin was flaming hot beneath my palm, the depth of his fire magic burning within him like an inferno. I wanted to look up again and catch his gaze with mine but if I did then I was fairly sure that I knew what would happen. And this dark temptation before me was so much more monster than man.
I’d never had an opportunity to really study the tattoos which marked his flesh before and I let myself look at the patterns which wove their way over his shoulders and chest in the dim light. A wing swept across his ribs from some design on his back, the feathers burning like they were made of fire themselves. The red Libra symbol on his forearm began a network of constellations and star signs which formed a sleeve over his bicep, though it stood out starkly as the only image with any colour in it.
Flames climbed over his left shoulder from the tattoo covering his back which I knew spurted from the mouth of a dragon. I was sure I could have lost myself in the art on his back if I could see it and I itched to ask him about them but it seemed too personal somehow and I held my tongue.
I shifted my gaze back to my hand above his pounding heart where his skin was bare of any marks. I cast about for something else to ask him as the silence spread and a kind of expectant energy seemed to build between us. I could still feel him watching me, waiting for me to look up and give him the answer to the question which was hanging between us.
(Darius POV)
”
”
Caroline Peckham (The Reckoning (Zodiac Academy, #3))
“
Your tattoo looks great. It healed up nicely.” I glance down at the simple design peeking out from under my long sleeve. I lift my arm to give her a better look, grazing the pad of my thumb over my pulse point. It’s a heartbeat tattoo, a little EKG symbol, etched across the tiny scars I carved into my wrist with my own fingernails. It’s drawn along the exact spot Dean would comfort me, giving me a daily reminder of everything I’ve suffered through and have overcome.
”
”
Jennifer Hartmann (Still Beating)
“
You like it? Got you a necklace to match.” His hand leaves my leg and, for a split second, I’m longing for him to put it back. He shifts so the glow of a distant pole light catches, and I can see what he’s trying to show me. Below the dense forest of black ink trees sprawling up his forearm, there’s a tattoo along the back of his hand, running from thumb to index finger. Barbed wire. Before I can question what he means, his hand slips around my neck like a collar. A barbed wire necklace. “Fits perfectly, Cass. Looks sexy as hell, too.
”
”
Bailey Hannah (Seeing Red (Wells Ranch, #2))
“
It hit her like a stone—the wanting. She was a fool to have dodged it, denied it, even when a part of her had screamed it every morning that she’d blindly reached for the empty half of the bed. She lifted her other hand to his face and his eyes locked onto hers, his breathing ragged as she traced the lines of the tattoo along his temple. His hands tightened slightly on her waist, his thumbs grazing the bottom of her ribcage. It was an effort not to arch into his touch.
”
”
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
“
Reaching the brow of a stunted hill, Amelia paused in bewilderment at the sight of a towering contraption made of metal. It appeared to be a chute propped up on legs, tilted at a steep angle.
Her attention was caught by a minor commotion farther afield … two men emerging from behind a small wooden shelter … they were shouting and waving their arms at her.
Amelia instantly realized she had stumbled into danger, even before she saw the smoldering trail of sparks move, snakelike, along the ground toward the metal chute.
A fuse?
Although she didn’t know much about explosive devices, she was aware that once a fuse had been lit, nothing could be done to stop it. Dropping to the sun-warmed grass, Amelia covered her head with her arms, having every expectation of being blown to bits. A few heartbeats passed, and she let out a startled cry as she felt a large, heavy body fall on hers … no, not fall, pounce. He covered her completely, his knees digging into the ground on either side of her as he made a shelter of his body.
At the same moment, a deafening explosion pierced the air, and there was a violent whoosh over their heads, and a shock went through the ground beneath them. Too stunned to move, Amelia tried to gather her wits. Her ears were filled with a high-pitched buzz.
Her companion remained motionless over her, breathing heavily in her hair. The air was sharp with smoke, but even so, Amelia was aware of a pleasant masculine scent, skin-salt and soap and an intimate spice she couldn’t quite identify. The noise in her ears faded. Raising up on her elbows, feeling the solid wall of his chest against her back, she saw shirtsleeves rolled up over forearms cabled with muscle … and there was something else …
Her eyes widened at the sight of a small, stylized design inked on his arm. A tattoo of a black winged horse with eyes the color of brimstone. It was an Irish design, of a nightmare horse called a pooka: a malevolent mythical creature that spoke in a human voice and carried people away at midnight.
Her heart stopped as she saw the heavy rounded band of a thumb ring.
Wriggling beneath him, Amelia tried to turn over.
The strong hand curved around her shoulder, helping her. His voice was low and familiar. “Are you hurt? I’m sorry. You were in the way of—”
He stopped as Amelia rolled to her back. The front of her hair had come loose, pulled free of a strategically anchored pin. The lock fanned over her face, obscuring her vision. Before she could reach up to push it away, he did it for her, and the brush of his fingertips sent ripples of liquid fire along intimate pathways of her body.
“You,” he said softly.
Cam Rohan.
”
”
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
“
Jeremy’s T-Shirts by book:
Hard As It Gets
“ROUTE 69”
“This guy loves BACON” with two hands with their thumbs pointing back at him
“Orgasm Donor” with a red cross
Big Johnson’s Tattoo Parlor, “You’re going to feel more than a Little Prick”
“I’m not Santa but you can still sit on my lap”
Hard As You Can
Log-holding beaver that says, “Are you looking at my wood?”
“I put the long in schlong”
Hard to Hold On To
"Blink if you're horny"
Hard to Come By
Hand pointing downward and the words, "May I suggest the sausage?"
Charlie (who starts borrowing Jeremy's t-shirts): A smiling fire extinguished that says, "I put out"
Charlie: Schnauzer wearing a saddle that says, "Weiner Rides, 25 cents"
"HEAD Foundation. Please give generously"
Charlie: Mr. T with the words "Mr. T Shirt"
There's a party in my pants. You're invited.
”
”
Laura Kaye
“
I want to show you something,” I say. “But I’m afraid you’re going to be angry at me.” She’s suddenly on guard. “Why? What is it?” I turn my wrist over and point to her tattoo on my inner wrist. It’s a bare spot I’d been saving for something special. She leans toward it, and all of her breath rushes from her body. I can feel it across my hand when she exhales. “That’s my tat,” she says. She takes my hand in hers and lifts it toward her face. “Are you angry?” I ask. She looks up at me briefly and then back down at the tattoo. She’s taking in every facet of it. Her hand trembles as she holds tightly to mine. “You changed it.” “I felt like you needed a way out.” I put it on my wrist because I was intrigued by the secrets inside. It’s art, and I appreciate art in all its forms. She swallows. Hard. Then her eyes start to fill with tears. She blinks them back for as long as she can. And then she gets up and runs toward the bathroom. Shit. Now I fucked up. I made her cry. She runs by the waitress, who startles. The waitress starts in my direction, a sway in her hips, but I get up and follow Kit. I stop outside the door to the ladies’ room and press my hand against it. I don’t know what I’m waiting for. She’s in there crying, and I obviously can’t hear her to be sure she’s all right. Fuck it. I’m not leaving her in there upset. I push through the door, and I don’t see any feet in the stalls when I bend over. Where the fuck did she go? I push doors open, but the last one is locked. I stand up on my tiptoes and look over the top. She’s standing there with her forearms pressed against the wall, her head down between her arms, and her back is shaking. She’s crying. I knock on the stall door and say, “Let me in, Kit.” The door doesn’t open. I step back onto my tiptoes and look over. She’s still crying. “Let me in,” I repeat. She doesn’t move, so I walk into the stall next to hers and stand up on the toilet. I rock the partition between the stalls gently. It might hold my weight. There’s only one way to find out. I hoist myself up and over the wall, bringing my legs over the top slowly and carefully, and then I hop down. Before I can reach for her, she’s in my arms, her hands sliding around my neck. She’s still sobbing, and her body shakes against mine. I tilt her face up because I can’t see her lips to tell if she’s saying anything to me or not. I need to apologize. I didn’t expect her to get so upset. I’ll have it covered up with something else if it bothers her this much. My heart twists inside my chest. I really fucked up. “I’m sorry,” I tell her, looking down into her face. Her cheeks are soaked with tears, and she freezes, looking up at me. I can feel her like a heartbeat in my chest. She steps on the toes of my boots and then rocks onto her tiptoes. She pulls my head down with a hand at the back of my neck. Her brown eyes are smoldering, and black shit is running down her cheeks again, but I don’t care. She’s never looked more beautiful to me. I hold her face in my hands and wipe beneath her eyes with my thumbs. Her breath tickles my lips, and she leans even closer. She’s standing on my fucking boots, and I don’t care. She can do whatever it takes to get closer to me. “Why did you do it?” she asks, moving back enough that I can see her lips. I already told her: I thought she needed a way out. All I added to the tattoo was a keyhole right in the center of the guitar. It’s a simple design really. “I don’t know,” I say. I want to explain it to her, but I can’t. Not right now.
”
”
Tammy Falkner (Tall, Tatted and Tempting (The Reed Brothers, #1))
“
And the winner is,” he sings. He waits, opening the folded piece of paper slowly, drawing out the suspense. I can barely hear him over my own heartbeat, which is thumping like crazy. Is it too late to back out? Shit. I don’t want to do this. “The winner is the person who guessed twelve hundred and forty-eight!” The crowd is silent, and all the participants look to one another. But then I hear a thump, thump, thump, thump as someone comes up the stairs onto the platform. I see the baseball cap before I see the rest of him, and I hope to God that’s Sean’s cap. But Sean didn’t even buy a ticket. Not a single one. Yet it’s his brown gaze that meets mine. It’s his baseball cap, and they are his tattoos. They’re his broad shoulders and his long strides that eat up the distance between us. He turns his hat backward and looks down at me. He stops with less than an inch to spare between us. “Congratulations,” I squeak out. “You didn’t even buy a ticket. How did you…?” “I bought one hundred and forty-two tickets, dummy,” he says. My heart trips a beat. “You did?” All he had to buy was one. I put the winning number on the piece of paper I gave him. He nods, and he takes my face in his hands. His thumbs draw little circles on my cheeks as his fingers thread into the hair at my temples. “You didn’t look at the paper I gave you….” My heart is pounding like mad. “What paper?” he asks. His smile is soft and inviting, and I want to fall into him. “The one you put in your pocket.” His brow furrows. “Never mind,” I say, breathless. He spent 142 dollars for a kiss he already owned in more ways than one. If I loved this man any more, it would be dangerous. He looks down into my eyes, not moving. He’s going to kiss me, right? “What’s the plan here?” “I’m going to kiss my girl,” he says, smiling at me. My breath hitches. “But you have to say yes, first.” He hasn’t let me go. He’s holding me tightly, forcing me to meet his eyes. “This isn’t going to be a one-time thing.” I can’t even think, and he wants me to commit? “It’s not,” I breathe. “You promise?” His gaze searches mine like he’s going to find the secrets to the universe there. “I swear on your life,” I say. He chuckles. “My life?” I nod. His eyebrows draw together. “Aren’t you supposed to swear on your own life?” “My life means nothing if you’re not in it.” His hands start to tremble against my face, and he closes his eyes and takes a deep breath. Logan’s brothers start to chant, “Kiss, kiss, kiss, kiss…,” and the crowd joins in. “You better kiss me,” I say, “or they’re going to get restless.” A tear rolls down my cheek, and he brushes it back with his thumb, his gaze soft and warm. His eyes open, and he leans closer to me. I step onto my tiptoes to get to him because I can’t wait one more second. He stops a breath away from me, just like he did in the room. He waits. “You have to close the distance,” he says to me. He’s making me choose. I fall into him and press my lips to his. He freezes. But then he starts to kiss me. And all the fireworks at the state fair couldn’t compare to the ones that go off in my head.
”
”
Tammy Falkner (Just Jelly Beans and Jealousy (The Reed Brothers, #3.4))
“
Intertwining our fingers, he brought my hand up to his mouth and placed a gentle kiss against it before kissing the inside of my wrist and rubbing a thumb across my newest tattoo. Brandon and I got “his and hers” tattoos, on my left wrist read “i love him”, and on his right read “i love her”. Cheesy? Definitely. But we love them.
”
”
Molly McAdams (Taking Chances (Taking Chances, #1))
“
I understand. I’ll call my brother and he’ll come get me.” Gracie’s hand flew up and her eyes went wide. “Wait, what?” “I don’t want to hurt anyone.” After thirteen years, she was used to giving up her desires to do the right thing; she only wished it wasn’t so hard. “You’re right, it’s best if I go home.” “No!” Gracie shouted. She straightened and stepped closer to Maddie. “No! That’s not what I meant. I was only trying to say, ‘be careful.’” The men chose that moment to burst in the door like a bunch of rambunctious puppies, filling the room with chaos and testosterone. Gracie placed her hand over her forehead. “Oh, shit, he’s going to kill me.” Mitch stopped on a dime, his attention going first to Maddie and then to Gracie. A muscle in his jaw jumped. “What did you do?” All three men turned to Gracie. They advanced on her, gleaming with sweat. Alarm stirred. Maddie didn’t need to see their faces. The aggression was clear in their stance. The sheriff crossed his arms over his broad chest, and the muscles in his back rippled with the movement. Like Mitch, he also had a tribal-looking tattoo, although it was on his left shoulder instead of wrapping around his bicep. “You couldn’t keep your mouth shut, huh?” Gracie seemed to regain some of her composure, and her chin tilted. “I was only . . .” She cleared her throat. “Being friendly. And helpful.” Sam pinched the bridge of his nose with his thumb and forefinger. “Didn’t I tell you to leave it alone?” “Yes, but . . .” Gracie glanced at Maddie. “I was worried, and—” Mitch sliced a hand through the air. “What happened?” The men reminded Maddie so much of her brothers and their tactics lit her temper. “That’s enough!” They all swung around. The men’s eyes were sharp, hard with leftover adrenaline. It gave her a moment of pause, before she brushed their daunting presence aside and vaulted off her position by the sink. They tracked her as she stomped around them to stand in front of Gracie. “Stop intimidating her.” Charlie laughed, a wry, amused sound. “Honey, we couldn’t intimidate her if we tried.” His gaze slid over Gracie in a familiar, intimate way. “Although I do think she’s angling for a spanking.” “Ha! You wish.” Gracie placed a hand on Maddie’s shoulder. “Thanks for trying to rescue me. You’re a doll.” She sniffed. “It’s nice to have another female here. I never have anyone on my side.” Sam shook his head. “What did I tell you?” Maddie planted her hands on her hips. “She didn’t do anything, so stop it.” Mitch’s eyes narrowed. “What did she say, Maddie?” “I was just—” Gracie said. “Nothing.” Maddie cut her off as a sudden loyalty toward the woman behind her swelled in her chest. “It has nothing to do with any of you. Now back off.” Charlie’s lips curled into a smile. “Aren’t you a feisty little thing?” “I might be little,” Maddie said, in a righteous tone. “But I’m used to dealing with my brothers, who are all bigger and scarier than you.” Charlie laughed and elbowed Mitch in the ribs. “That sounds like a challenge.” Maddie risked a glance at Mitch to find his expression still hard, not amused at all. He crossed his arms. “I want to talk to Maddie. Alone.” Sam jutted his chin toward the door. “Let’s go.” Gracie squeezed Maddie’s shoulders. “Thanks for sticking up for me. And remember, I’m right next door if you need anything.” “She won’t,” Mitch said, his tone matching the dark expression he wore. Strangely,
”
”
Jennifer Dawson (Take a Chance on Me (Something New, #1))
“
Cal opens a drawer, pulls out a sketch pad and charcoal and sets them down on a drafting table.
'Let's draw.'
I smile the way I did as a child when receiving a fresh box of 64 Crayola crayons, unabashedly showing all my teeth. I remember how much I used to love to draw, and I wonder why I don't do it anymore. I write, I guess. I draw with words, but when I see Cal's pad and charcoal, I'm overwhelmed with the feeling that it's not the same. I use my words, my artist's charcoal to describe what I'm thinking. He draws with an imperfect fluidity, pausing only occasionally to shade the drawing with his thumb or brush the paper with the back of his hands. He listens and nods and doesn't interrupt. And when I'm done speaking he looks at the drawing, and his eyes get really big. Slowly, he turns his pad around for me to see. My heart stops and then starts.
'Yes,' I say.
It's perfect. Alive with added detail and beautiful Inuit soulfulness I couldn't have even imagined sitting outside in my car. My fear is gone. There's a tingling in my skin, like I can feel the thousand needle pricks to come. I am alive.
”
”
Steven Rowley (Lily and the Octopus)
“
Deerfield, Massachusetts
February 29, 1704
Temperature 0 degrees
Mercy could not keep up the pace. Gradually the line passed her by, until she was walking with Eben Nims, and she must not fall farther behind than that, because the Indians behind Eben were the end of the line. Daniel held tight and sucked his thumb. But not only did Marah refuse to walk, she kept yelling that her feet were cold, and she wanted Stepmama, and she needed her mittens, and she was hungry.
Mercy could walk, though not fast enough, and she could carry, though not easily. But she could not supply food, warmth or Stepmama.
Mercy tried to believe that Stepmama was up ahead of her with the baby; that it was so crowded and chaotic Mercy could not spot her. But in her heart, she did not think Stepmama had left the stockade.
“The savage put food in my pack, Mercy,” said Eben quietly. “If you slip your hand into the opening near my left shoulder, there’s a loaf of bread on top.”
They walked on, considering whether the Indians would tomahawk her for stealing Eben’s own bread. Well, they’d shortly tomahawk Marah for whining, so Mercy might as well get on with it. She set the two children down, and Eben bent his knees so she could reach and Mercy fished around in the pack. She slid the loaf out. It was long and fat and crusty.
Her Indian was watching. Mercy looked straight at him while she ripped off a chunk for Marah. He did nothing. Mercy decided to give some to Jemima too, which would give her something to do besides whine. She would give bread to Eliza and hope food would break Eliza’s grieving stupor.
Marah didn’t take a single bite. She threw the bread across the snow. “I want Mama!” she said fiercely. She glared at Mercy, as if all this hiking and shivering were Mercy’s fault.
Mercy could not abandon the bread out there in the snow. She was going to need that bread. It was all they had, and somehow Mercy had become responsible for Marah and Daniel and Ruth and Eliza and Jemima, and probably even for Eben. Mercy stepped off the trodden path to retrieve the crust, but her Indian stopped her, shaking his head.
On his face was no expression but the one painted in black. His arms were tattooed with snakes that curled their fangs when he tightened his muscles. How could he go half bare in this weather? she thought, and then remembered that she wore his rabbit-lined cloak.
Daniel, sitting happily on her hip, reached out from under the rabbit fur and patted the snake. The Indian tensed his upper arm to make the snake slither. Daniel giggled, so the Indian did it again, and it seemed to Mercy that he actually smiled at Daniel.
Then, blessedly, he took Marah for her.
”
”
Caroline B. Cooney (The Ransom of Mercy Carter)
“
Yes,” I call. “Sky,” the receptionist says quietly. I pick up the handset. “Yes,” I say again. “What’s up?” “There’s a really hunky guy standing in front of me, and he’s asking for you,” she whispers into the phone. What hunky guy would be asking about me? “What does he look like?” “He’s about six two,” she starts. “Six three,” I hear someone say. “Oh, six three,” she says. “He’s a big one.” She giggles. My heart jumps. “What color is his hair?” “Blond. And long.” It’s Matt. Oh shit. It’s Matt. “I’ll be right there,” I say. But my heart is thumping like crazy. What is Matt doing here? I hunt around under my desk for my shoes and slide them on. Then I straighten my skirt and run a hand down my hair to smooth it. A minute ago, I had it held up with a pencil. It’s just Matt, I tell myself. It’s Matt. “Do you want me to send him back?” the receptionist asks. She laughs again. “Or I can just keep him?” Definitely not. He’s mine. “I’ll be right there,” I repeat. I look down at my business suit. I hope I look all right. I guess it’s too late now to worry about it. I walk into the reception area and find Matt leaning against the glass doorway. He turns to face me and smiles. “Hi,” he says quietly. I walk toward him, my legs shaky. “What are you doing here?” I ask, but I’m grinning, too. I stop in front of him, one move short of leaning into him for a hug. The receptionist is watching really closely. “I came to see if you want to go to lunch.” He shrugs. He’s wearing black jeans and lace-up boots. A black T-shirt is stretched across his broad chest, and it’s tucked neatly into his jeans. I can see his tattoos. A piece of hair has fallen from his ponytail, and I want to reach up and tuck it behind his ear. “How did you find out where I work?” I ask. I motion for him to follow me. Thank you, I mouth at the receptionist, and she winks at me and gives me a thumbs-up. I shake my head, and Matt walks quietly behind me. “I texted Seth,” he says. “Traitor,” I say, but inside, I’m thrilled. “Did I come at a bad time?” he asks. He looks down at his wrist, even though there’s no watch on it. “I can come back later.” “No, no.” I don’t want him to leave. Ever. I lean against the edge of my desk. “I’m glad you’re here.” His voice is deep and soft when he responds. “I’ve been thinking about you all morning.” He shrugs, looking a little sheepish. “So I figured I’d drop by. I totally understand if you’re too busy, though.” He looks into my eyes. “I might cry if you send me away, but I’ll go.” I’m not going to send him away. Not a chance. “I don’t want you to go,” I say. He grins. “Good.” He looks around my office. “Do you have time for lunch?” “Oh!” I cry. “I thought you were just going to stand there and let me look at you. You actually want to go somewhere?” He laughs. “Yeah. I told you. I’m going to make you fall in love with me. Lunch is step one.” “What’s step two?” I ask impulsively. “If I told you, it wouldn’t work.” I nod. I want it to work. “Don’t tell me.” “Guy’s got to have some secrets.
”
”
Tammy Falkner (Maybe Matt's Miracle (The Reed Brothers, #4))
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Police caught the guy responsible for smashing windows and painting swastikas outside Jewish businesses on Devon Avenue. He’s out on bail now, and this morning’s paper included a picture of him. What strikes me is that he has a very small mouth, smaller than a baby’s. I mean, tiny. If you wanted him to suck your thumb, you’d have to grease it up first. The article says he belongs to a skinhead group and has tattoos, which is strange, I think, because Jews in concentration camps had shaved heads and tattoos. You’d think the anti-Semites would go for a different look.
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David Sedaris (Theft by Finding: Diaries (1977-2002))
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Jon spat on Tom, thumbing the thin saliva into him before spitting again, this time into his hand to stroke his cock with. When he pushed himself into Tom’s body, it was with a low moan of pleasure, and he moved slowly for a few strokes, letting Tom’s passion catch up as the first mate jerked the thick cock between his legs. Jon fell forward with one arm locked around Tom’s neck, the other around his torso, and his forehead pressed to the scars and tattoos on the first mate’s back as he slid his length into Tom’s heat. He brought himself close twice, three times, four… stopping each time on the very brink to rest shaking and panting against Tom. Jon could feel the first mate’s heart beating hard and fast, his tanned skin slick as he also held himself back. Finally, even the slightest movement became too much, and Jon pushed himself up off Tom to pound quickly into him, his hands tight around the first mate’s narrow hips. With a strangled cry, Jon spilled over, his cock throbbing as the hot, liquid current crackled through him, and he shuddered, blind and deaf to anything but his fevered, breathless climax.
”
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Bey Deckard (Sacrificed: Heart Beyond the Spires (Baal's Heart, #2))
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She lifted a hand to cup Rowan’s face. So smooth, his skin, the bones beneath strong and elegant. She waited for him to pull back, but he just stared at her—stared into her in that way he always did. Friends, but more. So much more, and she’d known it longer than she wanted to admit. Carefully, she stroked her thumb across his cheekbone, his face slick with rain.
She lifted her other hand to his face and his eyes locked onto hers, his breathing ragged as she traced the lines of the tattoo along his temple. His hands tightened slightly on her waist, his thumbs grazing the bottom of her ribcage. It was an effort not to arch into his touch.
”
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Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
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The rubbing of her thumb over a tattoo inked in cursive across her wrist draws my attention. Si seulement … I jut my chin toward it. “What does it mean?” “It’s a question I’ve asked myself so many times over the years. If only, what then?
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Keri Lake (The Isle of Sin and Shadows)
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But most of all…” I kiss down the flat expanse of her stomach, all the way to her thighs. I press my lips against the tattoo on her left thigh and then the right, skimming my thumb over the design. I feel the ridge of scarred flesh underneath, the reminders of her self-harm. “I want the whole goddamn world to know you’re mine.
”
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Angel Lawson (Faking It with the Forward (Wittmore U Hockey, #1))
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Kathryn’s plane landed with a hard thud on the ice shelf which was flatter than the area closer to the crack. They came to a stop and the propellers slowed to an idling speed. Anderson’s men threw open the door and rolled a ladder outward for the exiting team. At the rear of the fuselage, they unlocked and opened a large custom door, which allowed them to slide the snowmobiles out and down a steep ramp. Next, were the food, bags, and fuel, which also slid down the ramp with a hard thud. Kathryn’s guide was a large man named Andrew with light hair who, judging from his tattoos, appeared to be ex-military. He jumped out and helped pull the equipment out. Andrew gave a thumbs-up to the other crewmembers onboard and pulled the large sled of equipment toward one of the snowmobiles.
”
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Michael C. Grumley (Breakthrough (Breakthrough, #1))
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I gather my grub and sit behind my desk. He moves a chair, situated too far for his liking, and presses it very close to the front of my desk. He extricates a long envelope, squished in his side pocket, and proudly slaps it in front of me on my desk. “My grades,” he announces, “from camp.” His voice has moved to a preadolescent octave of excitement, and I scurry to join him at the parade. “De veeeras,” as I relieve the transcript from its container. Looney straightens his back and hops a little in the chair. “Straight A’s,” he says. “Seeeerrriioo?” I say. “Me la rallo,” he says. “Straight A’s.” Like a kid fumbling with wrapping on a present, I get the transcript out and extend it open. And, sure enough, right there before my eyes: 2 Cs; 2 Bs; 1 A. And I think, Close enough. Not the straightest A’s I’ve ever seen. I decide not to tell Looney he’s an “unreliable reporter” here. “Wow, mijo,” I tell him, “Bien hecho. Nice goin’.” I carefully refold the transcript and put it back in the envelope. “On everything I love, mijo,” I say to him, “if you were my son, I’d be the proudest man alive.” In a flash, Looney situates his thumb and first finger in his eye sockets, trembling, and wanting to stem the flow of tears, which seem to be inevitable at this point. Like the kid with the fingers in the dike, he’s shaking now and desperate not to cry. I look at this little guy and know that he has been returned to a situation largely unchanged. Parents are either absent at any given time or plagued by mental illness. Chaos and dysfunction is what will now surround him as before. His grandmother, a good woman, whose task it is now to raise this kid, is not quite up to the task. I know that one month before this moment I buried Looney’s best friend, killed in our streets for no reason at all. So I lead with my gut. “I bet you’re afraid to be out, aren’t you?” This seems to push the Play button on Looney’s tear ducts, and quickly he folds his arms on the front of my desk and rests his sobbing head on his folded arms. I let him cry it out. Finally, I reach across the desk and place my hand on his shoulder. “You’re gonna be okay.” Looney sits up with what is almost defiance and tends to the wiping of his tears. “I . . . just . . . want . . . to have a life.” I am taken aback by the determination with which he says this. “Well, mijo,” I say to him, “who told you that you wouldn’t have one?
”
”
Gregory Boyle (Tattoos on the Heart: The Power of Boundless Compassion)
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I leaned into Tamlin, sighing. 'It feels- feels as if some of it was a dream, or a nightmare. But... But I remembered you. And when I saw you there today, I started clawing at it, fighting, because I knew it might be my only chance, and-'
'How did you break free of his control,' Lucien said flatly from behind us.
Tamlin gave him a warning growl.
I'd forgotten he was there. My sister's mate. The Mother, I decided, did have a sense of humour. 'I wanted it- I don't know how. I just wanted to break free of him, so I did.'
We stared each other down, but Tamlin brushed a thumb over my shoulder. 'Are- are you hurt?'
I tried not to bristle. I knew what he meant. That he thought Rhysand would do anything like that to anyone- 'I- I don't know,' I stammered. 'I don't... I don't remember those things.'
Lucien's metal eye narrowed, as if he could sense the lie.
But I looked up at Tamlin, and brushed my hand over his mouth. My bare, empty skin. 'You're real,' I said. 'You freed me.'
It was an effort not to turn my hands into claws and rip out his eyes. Traitor- liar. Murderer.
'You freed yourself,' Tamlin breathed. He gestured to the house. 'Rest- and then we'll talk. I... need to find Ianthe. And make some things very, very clear.'
'I- I want to be a part of it this time,' I said, halting when he tried to herd me back into that beautiful prison. 'No more... No more shutting me out. No more guards. Please. I have so much to tell you about them- bits and pieces, but... I can help. We can get my sisters back. Let me help.'
Help lead you in the wrong direction. Help bring you and your court to your knees, and take down Jurian and those conniving, traitorous queens. And then tear Ianthe into tiny, tiny pieces and bury them in a pit no one can find.
Tamlin scanned my face, and finally nodded. 'We'll start over. Do things differently. When you were gone, I realised... I'd been wrong. So wrong, Feyre. And I'm sorry.'
Too late. Too damned late. But I rested my head on his arm as he slipped it around me and led me toward the house. 'It doesn't matter. I'm home now.'
'Forever,' he promised.
'Forever,' I parroted, glancing behind- to where Lucien stood in the gravel drive.
His gaze on me. Face hard. As if he'd seen through every lie.
As if he knew of the second tattoo beneath my glove, and the glamour I now kept on it.
As if he knew that they had let a fox into a chicken coop- and he could do nothing.
Not unless he never wanted to see his mate- Elain- again.
I gave Lucien a sweet, sleepy smile. So our game began.
We hit the sweeping marble stairs to the fornt doors of the manor.
And so Tamlin unwittingly led the High Lady of the Night Court into the heart of his territory.
”
”
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
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I tried to stop my imagination at that point, but by then the image was more powerful than I was. I kept looking, I couldn’t take my eyes off it, the way you’ll watch open-heart surgery or an eye operation on TV, even though you know you shouldn’t, the remote in your hand, your thumb on the button, ready to zap away, but you wait too long: the shot of the sawed-open rib cage, the surgeon’s hands in their green plastic gloves holding the throbbing heart, the white eyeball hanging out of its socket, attached to the head by only a few bloody threads, will remain tattooed on your retinas for the rest of your life.
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Herman Koch (The Ditch: A Novel)
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Clearly you were never meant to be a harem girl at all,” he said lightly, running his thumb over the tattoo on her left arm. “You were meant to be a sea captain.
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Shelly Thacker (One Night with a Scoundrel (Escape with a Scoundrel #3))
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intelligence for the sector. “They say they’re uncle and nephew, and they’re clean: no tattoos. That third one, though—he’s a keeper.” The third man had given his name as José Hernández, which was the equivalent of a Caucasian claiming to be called John Smith. He had not been picked up in the sweep of the yard, but a couple of hours later, supposedly as he waited for a bus to Tucson, although it was more likely he was waiting for a ride back to Mexico, since the next bus for Tucson wasn’t scheduled to leave until the following morning. He was smaller and leaner than the others, and had so far done his best not to make eye contact with any of his interrogators. He was also the only one who had been wearing a long-sleeved shirt, fully buttoned, when detained. “What did Lagnier have to say about him?” Ross asked. “Beyond the fact that Hernández had been working for him on and off for about five days,” said Zaleski, “Mr. Lagnier had nothing to say about him at all, and that’s ‘nothing’ with a heavy emphasis.” “Meaning?” “Meaning Lagnier knew better than to ask about José’s background. It’s probably not the first time Lagnier’s done a solid for some friends from across the border: a place for cousins to sleep, a little work to replenish funds before they head farther north. But sometimes…” Zaleski let it hang. Parker figured everyone in the room now knew that Lagnier had an arrangement with the ATF, and if they didn’t, they had no business being there. “Sometimes it’s a more substantial favor,” finished Newton, one of the Maricopa detectives. “One he doesn’t share with his handlers.” “Not unless Lagnier wants to try holding his silverware without thumbs,” said Zaleski. “This whole territory belongs to the Sinaloa cartel, and nothing moves in or out without their knowledge. Young José in there has himself a collection of tattoos under that shirt. He didn’t much approve of us having a look-see, but he knew better than to kick up a fuss.” Zaleski took out her phone and displayed a series of photographs of Hernández’s adornments.
”
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John Connolly (A Book of Bones (Charlie Parker #17))
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He grinned at her intently before leaning over the counter and running his thumb along her jaw. It took everything inside of her not to lean into that touch. When he lowered his head and brushed his lips over hers, she made a little sound that caused Graham to growl.
"Later," he whispered as he pulled back.
”
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Carrie Ann Ryan (Love Restored (Gallagher Brothers, #1))