“
He taught me there's a place on a man's back where, if you sink a blade in, you can pierce his heart and sever his spine, all at once,' Sebastian had said. 'I guess we got the same birthday present that year, big brother,' Jace thought. 'Didn't we?
”
”
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
“
The horse grunted softly. He had huge teeth, Clary noticed uneasily; each one the size of a Pez dispenser. She imagined those teeth sinking into her leg and thought of all the girls she'd known in middle school who'd wanted ponies of their own. She wondered if they were insane.
”
”
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
“
Who knows the end? What has risen may sink, and what has sunk may rise. Loathsomeness waits and dreams in the deep, and decay spreads over the tottering cities of men.
”
”
H.P. Lovecraft (The Complete Works of H.P. Lovecraft)
“
Stripping the protection wards off the ship was bad enough—it's a strong, strong enchantment, demon-based—but when you fell, I had to put a fast spell on the truck so it wouldn't sink when I lost consciousness. And I will lose consciousness, Alec.
”
”
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
“
The years pass in their hundreds and their thousands, and what does any man see of life but a few summers, a few winters? We look at mountains and call them eternal, and so they seem... but in the course of time, mountains rise and fall, rivers change their courses, stars fall from the sky, and great cities sink beneath the sea. Even gods die, we think. Everything changes.
”
”
George R.R. Martin (A Clash of Kings (A Song of Ice and Fire, #2))
“
Alcohol is the river we sit on the banks of, contemplating. Sometimes we watch ourselves float past, sometimes we watch ourselves sink.
”
”
Nick Flynn (Another Bullshit Night in Suck City)
“
Alec watched them through the half-open door, Jace leaned against the sink as his adoptive sister sponged his wrists and wrapped them in a white gauze. “Okay, now take off your shirt.” (Isabelle)
“I knew there was something in this for you.” (Jace)
~pg. 329~
”
”
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
“
Thank you, Simon, I appreciate that." Luke opened the pizza box and, finding it empty, shut it with a sigh. "Though you did eat all the pizza."
"I only had five slices," Simon protested, leaning his chair backward so it balanced precariously on its two back legs.
"How many slices did you think were in a pizza, dork?" Clary wanted to know.
"Less than five slices isn't a meal. It's a snack." Simon looked apprehensively at Luke. "Does this mean you're going to wolf out and eat me?"
"Certainly not." Luke rose to toss the pizza box into the trash. "You would be stringy and hard to digest."
"But kosher," Simon pointed out cheerfully.
"I'll be sure to point any Jewish lycanthropes your way." Luke leaned his back against the sink.
”
”
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
“
Every morning the maple leaves.
Every morning another chapter where the hero shifts
from one foot to the other. Every morning the same big
and little words all spelling out desire, all spelling out
You will be alone always and then you will die.
So maybe I wanted to give you something more than a catalog
of non-definitive acts,
something other than the desperation.
Dear So-and-So, I’m sorry I couldn’t come to your party.
Dear So-and-So, I’m sorry I came to your party
and seduced you
and left you bruised and ruined, you poor sad thing.
You want a better story. Who wouldn’t?
A forest, then. Beautiful trees. And a lady singing.
Love on the water, love underwater, love, love and so on.
What a sweet lady. Sing lady, sing! Of course, she wakes the dragon.
Love always wakes the dragon and suddenly
flames everywhere.
I can tell already you think I’m the dragon,
that would be so like me, but I’m not. I’m not the dragon.
I’m not the princess either.
Who am I? I’m just a writer. I write things down.
I walk through your dreams and invent the future. Sure,
I sink the boat of love, but that comes later. And yes, I swallow
glass, but that comes later.
Let me do it right for once,
for the record, let me make a thing of cream and stars that becomes,
you know the story, simply heaven.
Inside your head you hear a phone ringing
and when you open your eyes
only a clearing with deer in it. Hello deer.
Inside your head the sound of glass,
a car crash sound as the trucks roll over and explode in slow motion.
Hello darling, sorry about that.
Sorry about the bony elbows, sorry we
lived here, sorry about the scene at the bottom of the stairwell
and how I ruined everything by saying it out loud.
Especially that, but I should have known.
Inside your head you hear
a phone ringing, and when you open your eyes you’re washing up
in a stranger’s bathroom,
standing by the window in a yellow towel, only twenty minutes away
from the dirtiest thing you know.
All the rooms of the castle except this one, says someone, and suddenly
darkness,
suddenly only darkness.
In the living room, in the broken yard,
in the back of the car as the lights go by. In the airport
bathroom’s gurgle and flush, bathed in a pharmacy of
unnatural light,
my hands looking weird, my face weird, my feet too far away.
I arrived in the city and you met me at the station,
smiling in a way
that made me frightened. Down the alley, around the arcade,
up the stairs of the building
to the little room with the broken faucets, your drawings, all your things,
I looked out the window and said
This doesn’t look that much different from home,
because it didn’t,
but then I noticed the black sky and all those lights.
We were inside the train car when I started to cry. You were crying too,
smiling and crying in a way that made me
even more hysterical. You said I could have anything I wanted, but I
just couldn’t say it out loud.
Actually, you said Love, for you,
is larger than the usual romantic love. It’s like a religion. It’s
terrifying. No one
will ever want to sleep with you.
Okay, if you’re so great, you do it—
here’s the pencil, make it work …
If the window is on your right, you are in your own bed. If the window
is over your heart, and it is painted shut, then we are breathing
river water.
Dear Forgiveness, you know that recently
we have had our difficulties and there are many things
I want to ask you.
I tried that one time, high school, second lunch, and then again,
years later, in the chlorinated pool.
I am still talking to you about help. I still do not have
these luxuries.
I have told you where I’m coming from, so put it together.
I want more applesauce. I want more seats reserved for heroes.
Dear Forgiveness, I saved a plate for you.
Quit milling around the yard and come inside.
”
”
Richard Siken
“
The small pulse of the life within me, and the great heart of the city around me, seemed to be sinking in unison.
”
”
Wilkie Collins (The Woman in White)
“
The first thing you notice about New Orleans are the burying grounds - the cemeteries - and they're a cold proposition, one of the best things there are here. Going by, you try to be as quiet as possible, better to let them sleep. Greek, Roman, sepulchres- palatial mausoleums made to order, phantomesque, signs and symbols of hidden decay - ghosts of women and men who have sinned and who've died and are now living in tombs. The past doesn't pass away so quickly here. You could be dead for a long time.
The ghosts race towards the light, you can almost hear the heavy breathing spirits, all determined to get somewhere. New Orleans, unlike a lot of those places you go back to and that don't have the magic anymore, still has got it. Night can swallow you up, yet none of it touches you. Around any corner, there's a promise of something daring and ideal and things are just getting going. There's something obscenely joyful behind every door, either that or somebody crying with their head in their hands. A lazy rhythm looms in the dreamy air and the atmosphere pulsates with bygone duels, past-life romance, comrades requesting comrades to aid them in some way. You can't see it, but you know it's here. Somebody is always sinking. Everyone seems to be from some very old Southern families. Either that or a foreigner. I like the way it is.
There are a lot of places I like, but I like New Orleans better. There's a thousand different angles at any moment. At any time you could run into a ritual honoring some vaguely known queen. Bluebloods, titled persons like crazy drunks, lean weakly against the walls and drag themselves through the gutter. Even they seem to have insights you might want to listen to. No action seems inappropriate here. The city is one very long poem. Gardens full of pansies, pink petunias, opiates. Flower-bedecked shrines, white myrtles, bougainvillea and purple oleander stimulate your senses, make you feel cool and clear inside.
Everything in New Orleans is a good idea. Bijou temple-type cottages and lyric cathedrals side by side. Houses and mansions, structures of wild grace. Italianate, Gothic, Romanesque, Greek Revival standing in a long line in the rain. Roman Catholic art. Sweeping front porches, turrets, cast-iron balconies, colonnades- 30-foot columns, gloriously beautiful- double pitched roofs, all the architecture of the whole wide world and it doesn't move. All that and a town square where public executions took place. In New Orleans you could almost see other dimensions. There's only one day at a time here, then it's tonight and then tomorrow will be today again. Chronic melancholia hanging from the trees. You never get tired of it. After a while you start to feel like a ghost from one of the tombs, like you're in a wax museum below crimson clouds. Spirit empire. Wealthy empire. One of Napoleon's generals, Lallemaud, was said to have come here to check it out, looking for a place for his commander to seek refuge after Waterloo. He scouted around and left, said that here the devil is damned, just like everybody else, only worse. The devil comes here and sighs. New Orleans. Exquisite, old-fashioned. A great place to live vicariously. Nothing makes any difference and you never feel hurt, a great place to really hit on things. Somebody puts something in front of you here and you might as well drink it. Great place to be intimate or do nothing. A place to come and hope you'll get smart - to feed pigeons looking for handouts
”
”
Bob Dylan (Chronicles, Volume One)
“
Someday I will stop being young and wanting stupid tattoos.
There are 7 people in my house. We each have different genders. I cut my hair over the bathroom sink and everything I own has a hole in it. There is a banner in our living room that says “Love Cats Hate Capitalism.” We sit around the kitchen table and argue about the compost pile and Karl Marx and the necessity of violence when The Rev comes. Whatever the fuck The Rev means.
Every time my best friend laughs I want to grab him by the shoulders and shout “Grow old with me and never kiss me on the mouth!” I want us to spend the next 80 years together eating Doritos and riding bikes. I want to be Oscar the Grouch. I want him and his girlfriend to be Bert and Ernie. I want us to live on Sesame Street and I will park my trash can on their front stoop and we will be friends every day. If I ever seem grouchy it’s just because I am a little afraid of all that fun.
There is a river running through this city I know as well as my own name. It’s the first place I’ve ever called home. I don’t think its poetry to say I’m in love with the water. I don’t think it’s poetry to say I’m in love with the train tracks. I don’t think it’s blasphemy to say I see God in the skyline.
There is always cold beer asking to be slurped on back porches.
There are always crushed packs of Marlboro’s in my back pockets. I have been wearing the same patched-up shorts for 10 days.
Someday I will stop being young and wanting stupid tattoos.
”
”
Clementine von Radics
“
Paris. City of love. City of dreams. City of splendour. City of saints and scholars. City of gaiety.
Sink of iniquity.
In two thousand years, Paris had seen it all.
”
”
Edward Rutherfurd (Paris)
“
Beyond the iced windows the sun was sinking. Shadows bloomed across the walls and multiplied in the stairwells, and as the light died it got bluer, painting everything around me a deep-sea cobalt.
”
”
Ransom Riggs (Hollow City (Miss Peregrine’s Peculiar Children, #2))
“
It is too late for that. I shall never be better than I am. I shall sink lower, and be worse.
”
”
Charles Dickens (A Tale of Two Cities)
“
Many argue that the twentieth century’s council estates have had disastrous social consequences. People in poverty feel, and indeed actually grow, poorer if forced to live in a sink estate, while the middle classes flee to their own leafy ghettoes outside city centres. A successful ‘place’ mixes up the different groups in society, forcing them to mingle and to look out for each other.
”
”
Lucy Worsley (If Walls Could Talk: An intimate history of the home)
“
This time as we ascend, I watch the world sinking below us. I watch the way the city fades into sand that gets washed by the ocean.
”
”
Lauren DeStefano (Sever (The Chemical Garden, #3))
“
Keefe?' Amy repeated, her lips curling into a grin. 'He's the supercute blonde guy you picked up cookies for, right? The one who keeps staring at you all intense when I met him, like you were the only person that mattered to him in the entire universe?'
Someone coughed near the doorway.
It was probably Grady, maybe Edaline too, but Sophie decided she would rather not know who was eavesdropping.
'He doesn't stare at me like that,' she said, hoping her cheeks weren't blushing too badly.
It didn't help that Ro kept cackling beside her.
...
'I swear, you have no idea how lucky you are, getting to be around so many gorgeous boys all the time. I don't know how you haven't dated any of them--or have you?'
'She tried with Fitzy,' Ro answered for her. 'But then she realized he was too boring, so they broke up.'
'That's not what happened!' Sophie argued--over lots more coughing from the doorway. 'We didn't really date. We just sort of... liked each other... openly. But then it got super complicated, so we decided to focus on being friends.
...
Why are we talking about this?' Sophie asked
...
'Because it's fun watching you get all red and fidgety!' Amy told her.
'Plus, there's a chance our boy is somewhere nearby, listening to this conversation,' Ro added before she raised her voice to a shout. 'Hear that, Hunkyhair? Get your overdramatic butt back here! Your girl is single--and the great Foster Oblivion is over! This is what you've been waiting for!'
'Hunkyhair?' Amy asked, raising one eyebrow as Sophie contemplated smothering herself with her blankets. 'Great Foster Oblivion?'
'Never mind,' Sophie mumbled, sinking deeper into her blankets.
”
”
Shannon Messenger (Stellarlune (Keeper of the Lost Cities, #9))
“
What has risen may sink, and what has sunk may rise. Loathsomeness waits and dreams in the deep, and decay spreads over the tottering cities of men.
”
”
H.P. Lovecraft (The Complete Fiction [contains links to free audiobooks])
“
I’ll project myself into several futures simultaneously,” I should have said, “a minor tremor in my hand; I’ll work my way from irony to sincerity in the sinking city, a would-be Whitman of the vulnerable grid.
”
”
Ben Lerner (10:04)
“
Without love even the most radical devotion to God is of no value to Him. Let me make sure that sinks in… You can gain all the spiritual gifts in the world. You can take the most radical steps of obedience. You can share every meal with the homeless in your city. You can memorize the book of Leviticus. You can pray each morning for four hours like Martin Luther. But if what you do does not flow out of a heart of love - a heart that does those things because it genuinely desires to do them - it is ultimately worthless to God.
”
”
J.D. Greear (Gospel: Recovering the Power that Made Christianity Revolutionary)
“
The experts are right, he thought. Venice is sinking. The whole city is slowly dying. One day the tourists will travel here by boat to peer down into the waters, and they will see pillars and columns and marble far, far beneath them, slime and mud uncovering for brief moments a lost underworld of stone. Their heels made a ringing sound on the pavement and the rain splashed from the gutterings above. A fine ending to an evening that had started with brave hope, with innocence. ("Don't Look Now")
”
”
Daphne du Maurier (Echoes from the Macabre: Selected Stories)
“
No. I hear you say the word, as if I sat in the room beside you. I see you, bent over the tome in your hand with a frown on your face and a curse on your lips, as if I were puddled in the shadow at your feet. The realization that there are no more pages is sinking in now. I hear it. I see it. No, you say again. What of Mia and Jonnen? Of Scaeva? Mercurio and Ashlinn and Tric? The secrets of the darkin? The Crown of the Moon? I promised ruins in her wake. Pale light glittering on waters that drank a city of bridges and bones. All these questions unanswered, and yet the book is at its end? No, you say. It cannot end like that. Fear not, little mortal. The song is not yet sung. This is but the calm before the crescendo. This tale is only two of three. Birth. And life. And death. So patience, gentlefriends. Patience. Close your eyes. Take my hand. And walk with me.
”
”
Jay Kristoff (Godsgrave (The Nevernight Chronicle, #2))
“
He shook with another sob, sinking to one knee and realizing that the survival of that one ship – one girl, really – had been for a moment more important than the war itself, or a city’s millions. Then the wind shifted, and Alek breathed in the burnt-meat smells that filled the room behind him.
Important enough for him to kill a man, it seemed.
”
”
Scott Westerfeld (Goliath (Leviathan, #3))
“
I’ll let that go,” Ro told him, “if you tell me what it was like in my father’s head.” Fitz let out a relieved breath. “Fluffy.” “Like sinking into a giant marshmallow covered in feathers,” Sophie agreed. Ro choked on her laugh. “Okay, I need to figure out how to blackmail him with that.
”
”
Shannon Messenger (Flashback (Keeper of the Lost Cities, #7))
“
we are not wired to make decisions about barely perceptible threats that gradually accelerate over time. We’re not so different from the proverbial frog that boils to death in a pot of slowly warming water.
”
”
Jeff Goodell (The Water Will Come: Rising Seas, Sinking Cities, and the Remaking of the Civilized World)
“
Will we welcome people who flee submerged coastlines and sinking islands—or will we imprison them?
”
”
Jeff Goodell (The Water Will Come: Rising Seas, Sinking Cities, and the Remaking of the Civilized World)
“
But it’s a matter of how you go after it. You can want something and not get it and still be happy. Or you can want something so badly that it consumes you.
”
”
Christine Cohen (The Sinking City)
“
Even a life raft is only supposed to get you from the sinking ship back to land, you were never intended to live in the life raft, to drift years on end, in sight of land but never close enough.
”
”
Nick Flynn (Another Bullshit Night in Suck City)
“
A writer must stand on the rock of her self and her judgment or be swept away by the tide or sink in the quaking earth: there must be an inviolate place where the choices and decisions, however imperfect, are the writer’s own, where the decision must be as individual and solitary as birth or death.
”
”
Janet Frame (The Envoy from Mirror City (Autobiography, #3))
“
When I asked the mayor if flood insurance rates had gone up after Sandy, he said, “Not really.” This is how disaster relief works in America. There are lots of incentives to rebuild but few incentives to rebuild differently, much less to rethink the long-term future of cities and towns along the coast.
”
”
Jeff Goodell (The Water Will Come: Rising Seas, Sinking Cities, and the Remaking of the Civilized World)
“
good to begin with, and it was worse after a few drinks. “Why does city smell so bad? Like old soup? Like sink full of dishes?” The barman laughed. “That’s just Ketterdam. You get used to it.” Retvenko shook his
”
”
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
“
To summarize what I have said: Aim for the highest; never enter a bar-room; do not touch liquor, or if at all only at meals; never speculate; never indorse beyond your surplus cash fund; make the firm’s interest yours; break orders always to save owners; concentrate; put all your eggs in one basket, and watch that basket; expenditure always within revenue; lastly, be not impatient, for, as Emerson says, “no one can cheat you out of ultimate success but yourselves.” I congratulate poor young men upon being born to that ancient and honourable degree which renders it necessary that they should devote themselves to hard work. A basketful of bonds is the heaviest basket a young man ever had to carry. He generally gets to staggering under it. We have in this city creditable instances of such young men, who have pressed to the front rank of our best and most useful citizens. These deserve great credit. But the vast majority of the sons of rich men are unable to resist the temptations to which wealth subjects them, and sink to unworthy lives. I would almost as soon leave a young man a curse, as burden him with the almighty dollar. It is not from this class you have rivalry to fear. The partner’s sons will not trouble you much, but look out that some boys poorer, much poorer than yourselves, whose parents cannot afford to give them the advantages of a course in this institute, advantages which should give you a decided lead in the race–look out that such boys do not challenge you at the post and pass you at the grand stand. Look out for the boy who has to plunge into work direct from the common school and who begins by sweeping out the office. He is the probable dark horse that you had better watch.
”
”
Andrew Carnegie (The Road To Business Success)
“
Southern California, which is shaped somewhat like a coffin, is a giant sanatorium with flowers where people come to be cured of life itself in whatever way .... This is the last stop before the sun gives up and sinks into the black, black ocean, and night - usually starless here - comes down.
”
”
John Rechy
“
The warming of the planet is not waiting for consensus-building.
”
”
Jeff Goodell (The Water Will Come: Rising Seas, Sinking Cities, and the Remaking of the Civilized World)
“
I’m not using my hurt as a weapon. I don’t wear armor forged from the wrongs done to me.
”
”
Christine Cohen (The Sinking City)
“
I shook my head. "it's not about living in a city."
It wasn't. Back then, it wasn't just getting away. It was about not coming back. It wasn't just the size and sensibility of this place that made in unbearable, but its pull - the weird magnetism that could sap your ambition, clip your wings, leave you inert and fascinated and sinking ever deeper into the choking quicksand of small-town life.
”
”
Kat Rosenfield (Amelia Anne Is Dead and Gone)
“
Spring is just a short interlude, after which the mighty armies of death advance; they’re already besieging the city walls. We live in a state of siege. If one takes a close look at each fragment of a moment, one might choke with terror. Within our bodies disintegration inexorably advances; soon we shall fall sick and die. Our loved ones will leave us, the memory of them will dissolve in the tumult; nothing will remain. Just a few clothes in the wardrobe and someone in a photograph, no longer recognized. The most precious memories will dissipate. Everything will sink into darkness and vanish
”
”
Olga Tokarczuk (Drive Your Plow Over the Bones of the Dead)
“
Gavriel was half in love with death. He'd lost a lover to it and put his own brother in a grave, so maybe it was no surprise that he stalked murderers through the city streets, sinking his fangs into their jugulars and gulping down their blood. Every night, it was as though he avenged his brother by killing some stand-in for himself.
”
”
Holly Black (The Coldest Girl in Coldtown)
“
You told me that the children of the forest had the greensight. I remember.”
“Some claimed to have that power. Their wise men were called greenseers.”
“Was it magic?”
“Call it that for want of a better word, if you must. At heart it was only a different sort of knowledge.”
Oh, to be sure, there is much we do not understand. The years pass in their hundreds and
their thousands, and what does any man see of life but a few summers, a few winters? We look at mountains and call them eternal, and so
they seem . . . but in the course of time, mountains rise and fall, rivers change their courses, stars fall from the sky, and great cities sink
beneath the sea. Even gods die, we think. Everything changes.
So long as there was magic, anything could happen. Ghosts could walk, trees could talk, and broken boys could grow up to be knights.
”
”
George R.R. Martin (A Clash of Kings (A Song of Ice and Fire, #2))
“
Who knows the end? What has risen may sink, and what has sunk may rise. Loathsomeness waits and dreams in the deep, and decay spreads over the tottering cities of men. A time will come-but I must not and cannot think! Let me pray that, if I do survive this manuscript, my executors may put caution before audacity and see that it meets no other eye.
”
”
H.P. Lovecraft (The Call of Cthulhu)
“
Do you think,” she says, the words emerging thickly, “we might have used up all our conversation last night?”
“Not possible,” says Oliver, and the way he says it, his mouth turned up in a smile, his voice full of warmth, unwinds the knot in Hadley’s stomach. “We haven’t even gotten to the really important stuff yet.”
“Like what?” she asks, trying to arrange her face in a way that disguises the relief she feels. “Like what’s so great about Dickens?”
“Not at all,” he says. “More like the plight of koalas. Or the fact that Venice is sinking.” He pauses, waiting for this to register, and when Hadley says nothing, he slaps his knee for emphasis. “Sinking! The whole city! Can you believe it?”
She frowns in mock seriousness. “That does sound pretty important.”
“It is,” Oliver insists. “And don’t even get me started on the size of our carbon footprint after this trip. Or the difference between crocodiles and alligators. Or the longest recorded flight of a chicken.”
“Please tell me you don’t actually know that.”
“Thirteen seconds,” he says, leaning forward to look past her and out the window. “This is a total disaster. We’re nearly to Heathrow and we haven’t even properly discussed flying chickens.
”
”
Jennifer E. Smith (The Statistical Probability of Love at First Sight)
“
Imagine the great depths of time required for countless generations of corals, clams, and microorganisms to live out their lives, pass on their legacy, then die and sink to the ocean floor - just so you can have a gravel driveway. Our own lives, of course, are far less meaningful. We leave nothing, decaying into plant food and fertilizer in just a few years. These creatures built mountains. Our cities rest on their bones.
”
”
Theodore Gray (Molecules: The Elements and the Architecture of Everything, Book 2 of 3)
“
Sandor had been complaining vigorously about the restrictions—right up until he saw the mire of steaming mud they all had to sink through. Then he’d become much more cooperative.
”
”
Shannon Messenger (Legacy (Keeper of the Lost Cities, #8))
“
This is so weird,” said Simon. “I keep expecting the truck to start sinking.” “I can’t believe you just went through what we went through and you think this is weird,” said Jace, but
”
”
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
“
I’m dead, Makina said to herself when everything lurched: a man with a cane was crossing the street, a dull groan suddenly surged through the asphalt, the man stood still as if waiting for someone to repeat the question and then the earth opened up beneath his feet: it swallowed the man, and with him a car and a dog, all the oxygen around and even the screams of passers-by. I’m dead, Makina said to herself, and hardly had she said it than her whole body began to contest that verdict and she flailed her feet frantically backward, each step mere inches from the sinkhole, until the precipice settled into a perfect circle and Makina was saved. Slippery bitch of a city, she said to herself. Always about to sink back into the the cellar.
”
”
Yuri Herrera (Signs Preceding the End of the World)
“
The simple truth is, human beings have become a geological force on the planet, with the power to reshape the boundaries of the world in ways we didn’t intend and don’t entirely understand.
”
”
Jeff Goodell (The Water Will Come: Rising Seas, Sinking Cities, and the Remaking of the Civilized World)
“
That is the girl I was then: stumbling, sinking, lost in brightness and space. My past had been wiped clean, bleached a stark and spotless white. But you can build a future out of anything. A scrap, a flicker. The desire to go forward, slowly, one foot at a time. You can build an airy city out of ruins.
”
”
Lauren Oliver (Pandemonium (Delirium, #2))
“
If we burn all the known reserves of coal, oil, and gas on the planet, seas will likely rise by more than two hundred feet in the coming centuries, submerging virtually every major coastal city in the world.
”
”
Jeff Goodell (The Water Will Come: Rising Seas, Sinking Cities, and the Remaking of the Civilized World)
“
Globally, about 145 million people live three feet or less above the current sea level. As the waters rise, millions of these people will be displaced, many of them in poor countries, creating generations of climate refugees that will make today’s Syrian war refugee crisis look like a high school drama production.
”
”
Jeff Goodell (The Water Will Come: Rising Seas, Sinking Cities, and the Remaking of the Civilized World)
“
We hope you enjoy your visit! Maybe if things were different, maybe if one of you weren’t about to leave the city for good, you could come here again sometime. Maybe this could become something special, something bigger than just a thing you tried once because, hey, why not? But on the other hand, it’s probably best not to think about it too much. Just enjoy this for what it is. You’ve still got the boat ride back to Manhattan to look forward to, and if you load yourself up with too many might-have-beens, the ferry will sink under all that weight.
”
”
Raphael Bob-Waksberg (Someone Who Will Love You in All Your Damaged Glory)
“
Lucien asked, 'What is this place?'
We all looked at him. 'Home,' I said. 'This is- my home.'
I could see the details now sinking in. The lack of darkness. The lack of screaming. The scent of the sea and citrus, not blood and decay. The laughter of children that indeed continued.
The greatest secret in Prythian's history.
'This is Velaris,' I explained. 'The City of Starlight.'
His throat bobbed. 'And you are High Lady of the Night Court.'
'Indeed she is.
”
”
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
“
Standing in front of the kitchen sink, Sandra was shaking her head, her eyes unfocused. “Okay. I’m so confused. About so many things. First of all,” she pointed at me, “I need the whole story. When did this happen? I didn’t even know you liked him. And secondly,” she turned to Greg, “what is the deal with you guys and the efficiency of your man-gossip phone tree?”
Greg gave her a droll look. “Don’t be a hater, Sandra. You ladies need to learn how to communicate more effectively.
”
”
Penny Reid (Dating-ish (Knitting in the City, #6))
“
At some time all cities have this feel: in London it's at five or six on a winer evening. Paris has it too, late, when the cafes are closing up. In New York it can happen anytime: early in the morning as the light climbs over the canyon streets and the avenues stretch so far into the distance that it seems the whole world is city; or now, as the chimes of midnight hang in the rain and all the city's longings acquire the clarity and certainty of sudden understanding. The day coming to an end and people unable to evade any longer the nagging sense of futility that has been growing stronger through the day, knowing that they will feel better when they wake up and it is daylight again but knowing also that each day leads to this sense of quiet isolation. Whether the plates have been stacked neatly away or the sink is cluttered with unwashed dishes makes no difference because all these details--the clothes hanging in the closet, the sheets on the bed--tell the same story--a story in which they walk to the window and look out at the rain-lit streets, wondering how many other people are looking out like this, people who look forward to Monday because the weekdays have a purpose which vanishes at the weekend when there is only the laundry and the papers. And knowing also that these thoughts do not represent any kind of revelation because by now they have themselves become part of the same routine of bearable despair, a summing up that is all the time dissolving into everyday. A time in the day when it is possible to regret everything and nothing in the same breath, when the only wish of all bachelors is that there was someone who loved them, who was thinking of them even if she was on the other side of the world. When a woman, feeling the city falling damp around her, hearing music from a radio somewhere, looks up and imagines the lives being led behind the yellow-lighted windows: a man at his sink, a family crowded together around a television, lovers drawing curtains, someone at his desk, hearing the same tune on the radio, writing these words.
”
”
Geoff Dyer (But Beautiful: A Book About Jazz)
“
Kiev, you understand, is a medieval city full of wild superstition and mysticism. It has always been the heart of Russian reaction. The Black Hundreds, may they sink into their graves, have aroused against you the most ignorant and brutal of the masses. They are deathly afraid of Jews and at the same time frighten them to death. This reveals to you something about the human condition. Rich or poor, those of our brethren who can run out of here are running. Some who can’t are already mourning.
”
”
Bernard Malamud (The Fixer)
“
We look at mountains and call them eternal, and so they seem … but in the course of time, mountains rise and fall, rivers change their courses, stars fall from the sky, and great cities sink beneath the sea. Even gods die, we think. Everything changes.
”
”
George R.R. Martin (A Clash of Kings (A Song of Ice and Fire, #2))
“
What if a whole goddamned building was to just up and sink? What about two or three buildings? What about a whole block? Harrogate was waving his bottle about. Goddamn, he said. What if the whole fuckin city was to cave in? That’s the spirit, said Suttree.
”
”
Cormac McCarthy (Suttree)
“
Peace, he knows, can be shattered in a million variations: great visions of the end, a rain of ash, a disease on the wind, a blast in the distance, the sun dying like a kerosene lamp clicked off. And in smaller ways: an overheard remark, his daughter’s sour mood, his own body faltering. There’s no use in anticipating the mode. He will wait for the hushed spaces in life, for Ellis’s snore in the dark, for Grete’s stealth kiss, for the warm light inside the gallery, his images on the wall broken beyond beauty into blisters and fragments, returning in the eye to beauty again. The voices of women at night on the street, laughing; he has always loved the voices of women. Pay attention, he thinks. Not to the grand gesture, but to the passing breath.
He sits. He lets the afternoon sink in. The sweetness of the soil rises to him. A squirrel scolds from high in a tree. The city is still far away, full of good people going home. In this moment that blooms and fades as it passes, he is enough, and all is well in the world.
”
”
Lauren Groff (Arcadia)
“
The mania for giving the Government power to meddle with the private affairs of cities or citizens is likely to cause endless trouble, through the rivaly of schools and creeds that are anxious to obtain official recognition, and there is great danger that our people will lose our independence of thought and action which is the cause of much of our greatness, and sink into the helplessness of the Frenchman or German who expects his government to feed him when hungry, clothe him when naked, to prescribe when his child may be born and when he may die, and, in fine, to regulate every act of humanity from the cradle to the tomb, including the manner in which he may seek future admission to paradise.
”
”
Mark Twain
“
I resolve to venture into the city on my own. I look at maps in the library—subway maps, bus maps, and regular maps—and try to memorize them. I’m afraid of getting lost; no, I’m afraid of sinking into the city as in a quicksand, afraid of getting sucked into something I can never escape.
”
”
Deborah Feldman (Unorthodox: The Scandalous Rejection of My Hasidic Roots)
“
I really need to remember to block my thoughts."
"Oh, come on," he pulled me closer towards him. "Why are you so scared?"
"Because the second that I let this conversation happen, I'll be letting my walls down. No matter what answer you give me, you'll have some sort of power over me, and I don't want that." I pushed past him, plopping down on the bed, not bothering to remove my boots.
I could feel the mattress sink beside me. Ian ran his fingers through my hair. "Come here," he spoke softly. "Please." I pushed myself into a sitting position, and moved closer to him, leaning my head on Ian's shoulder. "I like this, a lot. It feels nice." Ian lifted my chin so that I was forced to look directly at him, and then he leaned in to kiss me.
”
”
Nicole Sobon (Capture (The Lunica City Duet #1))
“
The experts are right, he thought, Venice is sinking. The whole city is slowly dying. One day the tourists will travel here by boat to peer down into the waters, and they will see pillars and columns and marble far, far beneath them, slime and mud uncovering for brief moments a lost underworld of stone.
”
”
Daphne du Maurier (Don't Look Now and Other Stories)
“
January?
The month is dumb.
It is fraudulent.
It does not cleanse itself.
The hens lay blood-stained eggs.
Do not lend your bread to anyone
lest it nevermore rise.
Do not eat lentils or your hair will fall out.
Do not rely on February
except when your cat has kittens,
throbbing into the snow.
Do not use knives and forks
unless there is a thaw,
like the yawn of a baby.
The sun in this month
begets a headache
like an angel slapping you in the face.
Earthquakes mean March.
The dragon will move,
and the earth will open like a wound.
There will be great rain or snow
so save some coal for your uncle.
The sun of this month cures all.
Therefore, old women say:
Let the sun of March shine on my daughter,
but let the sun of February shine on my daughter-in-law.
However, if you go to a party
dressed as the anti-Christ
you will be frozen to death by morning.
During the rainstorms of April
the oyster rises from the sea
and opens its shell —
rain enters it —
when it sinks the raindrops
become the pearl.
So take a picnic,
open your body,
and give birth to pearls.
June and July?
These are the months
we call Boiling Water.
There is sweat on the cat but the grape
marries herself to the sun.
Hesitate in August.
Be shy.
Let your toes tremble in their sandals.
However, pick the grape
and eat with confidence.
The grape is the blood of God.
Watch out when holding a knife
or you will behead St. John the Baptist.
Touch the Cross in September,
knock on it three times
and say aloud the name of the Lord.
Put seven bowls of salt on the roof overnight and the next morning the damp one will foretell the month of rain.
Do not faint in September
or you will wake up in a dead city.
If someone dies in October
do not sweep the house for three days
or the rest of you will go.
Also do not step on a boy's head
for the devil will enter your ears
like music.
November?
Shave,
whether you have hair or not.
Hair is not good,
nothing is allowed to grow,
all is allowed to die.
Because nothing grows
you may be tempted to count the stars
but beware,
in November counting the stars
gives you boils.
Beware of tall people,
they will go mad.
Don't harm the turtle dove
because he is a great shoe
that has swallowed Christ's blood.
December?
On December fourth
water spurts out of the mouse.
Put herbs in its eyes and boil corn
and put the corn away for the night
so that the Lord may trample on it
and bring you luck.
For many days the Lord has been
shut up in the oven.
After that He is boiled,
but He never dies, never dies.
”
”
Anne Sexton
“
Las Vegas has become a child's picture-book dream of a city-here a storybook castle, there a sphinx-flanked black pyramid beaming white light into the darkness as a landing beam for UFOs, and everywhere neon oracles and twisting screens predict happiness and good fortune, announce singers and comedians and magicians in residence or on their way, and the lights always flash and beckon and call. Once every hour a volcano erupts in light and flame. Once every hour a pirate ship sinks a man o'war.
”
”
Neil Gaiman
“
the climate is warming, the world’s great ice sheets are melting, and the water is rising. This is not a speculative idea, or the hypothesis of a few wacky scientists, or a hoax perpetrated by the Chinese. Sea-level rise is one of the central facts of our time, as real as gravity. It will reshape our world in ways most of us can only dimly imagine.
”
”
Jeff Goodell (The Water Will Come: Rising Seas, Sinking Cities and the Remaking of the Civilized World)
“
I am a city by the sea
sinking into a toxic tide
”
”
Rainer Maria Rilke (The Book of Hours)
“
We are already engineering the Earth’s operating system by dumping billions of tons of greenhouse gases into it every year. We’re just doing it badly. Why not get good at it?
”
”
Jeff Goodell (The Water Will Come: Rising Seas, Sinking Cities, and the Remaking of the Civilized World)
“
He doesn’t deserve it, my heart protests. All the better, Aloysius whispers back.
”
”
Christine Cohen (The Sinking City)
“
He doesn’t deserve it, my heart protests.
All the better, Aloysius whispers back.
”
”
Christine Cohen (The Sinking City)
“
At every level the greatest obstacle to transforming the world is that we lack the clarity and imagination to conceive that it could be different.
”
”
Jeff Goodell (The Water Will Come: Rising Seas, Sinking Cities, and the Remaking of the Civilized World)
“
That satisfied smile lifts on his lips again, his dimples sinking into his cheeks, and I don’t think I’ve seen anything more lovely.
”
”
Liz Tomforde (Rewind It Back (Windy City, #5))
“
they that would have joy from without easily sink into oblivion, and are wasted upon those things which are seen and temporal, and in their starving thoughts do lick their very shadows.
”
”
Augustine of Hippo (The Complete Works of Saint Augustine: The Confessions, On Grace and Free Will, The City of God, On Christian Doctrine, Expositions on the Book Of Psalms, ... (50 Books With Active Table of Contents))
“
Silveny's pregnant,' Sophie told her friends when she joined them for breakfast.
Fitz dropped his fork. 'Are you sure?'
'Oh yeah,' Sophie mumbled, sinking into the chair next to him. 'She showed me...'
'GAH!' everyone said.
Keefe pushed his plate away. 'I'm done with food forever.'
'Me too,' Dex agreed.
'Me three,' Biana said.
'Seriously, that is one batch of memories you do not have to show me,' Fitz told Sophie. 'I don't care if it's part of our Cognate training.'
'But it's still huge,' Biana added. 'Do you know how far along she is?'
'I'm guessing it's new, since the last few times I transmitted to her she didn't mention anything about--'
'STOP!' Keefe held up his hands. 'Ground rules for this conversation: All talk of alicorn baby-making is off the table--got it? Otherwise I'll have to rip my ears off. And for the record, I do not want to be there when Baby Glitterbutt arrives.'
'Me either,' Fitz said. 'My dad made me go to the Hekses' unicorn preserve for a delivery one time.' He shuddered. 'Who knew they came out so slimy?'
'Ew, dude, I did not need to know that. Can we talk about something else? Anything else?'
'Does anyone know how long alicorns stay pregnant?' Sophie asked.
Biana shook her head. 'We've never had a baby alicorn before. But I'm pretty sure unicorns are pregnant for eleven months. So maybe it's the same?'
'Do you think Silveny knows?' Fitz asked. 'If her instincts are telling her she's pregnant, maybe they'll also tell her how it's going to work.'
'I guess I can ask. It was hard to get information out of her. All she wanted to tell me about was--'
'STOP!' Keefe said.
'I wasn't going to say that. She was telling me that she's really hungry. I'm not sure if it's a pregnancy craving or an excuse to get more treats, but she went on and on about how she needs more swizzlespice. We'll have to find a way to let Jurek know.
'Do you think he already knows?' Fitz asked. 'He's the equestrian caretaker at the Sanctuary. Maybe he...saw stuff.'
'WHAT DID I SAY ABOUT THE GROUND RULES?' Keefe shouted, covering his ears. 'That's it, this conversation is officially over. Next person who says "alicorn" is getting pelted with fruit.'
'What's wrong with the alicorns?' Granite asked behind them.
He'd arrived with Mr. Forkle, each of them carrying stacks of scrolls.
'Silveny's pregnant," Sophie said, and all the scrolls went THUNK!
'Are you certain?' Granite whispered, bending to gather the uncurling paper.
Sophie nodded, and Mr. Forkle rushed to her side. 'Tell me everything.'
'And I'm out!' Keefe said, covering his ears and singing, 'LALALALALA! I CAN'T HEAR YOU!' as he raced up the stairs to the boys' tree house.
”
”
Shannon Messenger (Neverseen (Keeper of the Lost Cities, #4))
“
There was no clear-cut moment of victory for the British. They really won when Sea Lion was called off, but this Hitler backdown was a secret. The Luftwaffe kept up heavy night raids on the cities, and this with the U-boat sinkings made the outlook for England darker and darker until Hitler attacked the Soviet Union. But the Luftwaffe never recovered from the Battle of Britain. This was one reason why the Germans failed to take Moscow in 1941. The blitzkrieg ran out of blitz in Russia because it had dropped too much of it on the fields of Kent and Surrey, and in the streets of London.—V.H.
”
”
Herman Wouk (The Winds of War (The Henry Family, #1))
“
I walked head down, pressing my feet down hard on the pavement to push the city under water.... With the town sinking at the rate of thirty centimeters a century, I explained, or three millimeters a year, or point zero zero zero zero zero zero one millimeter a second, one might reasonably hope, by pressing our feet down hard on the pavement as we walked, to play some part in the drowning of the town.
”
”
Jean-Philippe Toussaint (The Bathroom)
“
He had thought of Mama, sewing her own cuts closed over the sink too many times to count, and in that moment, as he towered over Seraphine Marchant, he didn’t feel like a Dagger. He felt like his father.
”
”
Catherine Doyle (The Dagger and the Flame (The City of Fantome, #1))
“
It little profits that an idle king,
By this still hearth, among these barren crags,
Matched with an aged wife, I mete and dole
Unequal laws unto a savage race,
That hoard, and sleep, and feed, and know not me.
I cannot rest from travel; I will drink
life to the lees. All times I have enjoyed
Greatly, have suffered greatly, both with those
that loved me, and alone; on shore, and when
Through scudding drifts the rainy Hyades
Vexed the dim sea. I am become a name;
For always roaming with a hungry heart
Much have I seen and known---cities of men
And manners, climates, councils, governments,
Myself not least, but honored of them all---
And drunk delight of battle with my peers,
Far on the ringing plains of windy Troy.
I am part of all that I have met;
Yet all experience is an arch wherethrough
Gleams that untraveled world whose margin fades
Forever and forever when I move.
How dull it is to pause, to make an end.
To rust unburnished, not to shine in use!
As though to breathe were life! Life piled on life
Were all too little, and of one to me
Little remains; but every hour is saved
From that eternal silence, something more,
A bringer of new things; and vile it were
For some three suns to store and hoard myself,
And this gray spirit yearning in desire
To follow knowledge like a sinking star,
Beyond the utmost bound of human thought.
This is my son, my own Telemachus,
To whom I leave the scepter and the isle---
Well-loved of me, discerning to fulfill
This labor, by slow prudence to make mild
A rugged people, and through soft degrees
Subdue them to the useful and the good.
Most blameless is he, centered in the sphere
Of common duties, decent not to fail
In offices of tenderness, and pay
Meet adoration to my household gods,
When I am gone. He works his work, I mine.
There lies the port; the vessel puffs her sail;
There gloom the dark, broad seas. My mariners,
Souls that have toiled, and wrought, and thought with me---
That ever with a frolic welcome took
The thunder and the sunshine, and opposed
Free hearts, free foreheads---you and I are old;
Old age hath yet his honor and his toil.
Death closes all; but something ere the end,
Some work of noble note, may yet be done,
Not unbecoming men that strove with gods.
The lights begin to twinkle from the rocks;
The long day wanes; the slow moon climbs; the deep
Moans round with many voices. Come, my friends.
'Tis not too late to seek a newer world.
Push off, and sitting well in order smite
the sounding furrows; for my purpose holds
To sail beyond the sunset, and the baths
Of all the western stars, until I die.
It may be that the gulfs will wash us down;
It may be that we shall touch the Happy Isles,
And see the great Achilles, whom we knew.
Though much is taken, much abides; and though
We are not now that strength which in old days
Moved earth and heaven, that which we are, we are---
One equal temper of heroic hearts,
Made weak by time and fate, but strong in will
To strive, to seek, to find, and not to yield.
”
”
Alfred Tennyson
“
A brick could be used to suppress the price of gold. But not for very long, because once the people realize the unrealized potential in undercutting the central bankers, gold will rise and fiat currency will sink.
”
”
Jarod Kintz (Brick and Blanket Test in Brick City (Ocala) Florida)
“
The glow lasted through the night, beyond the bar's closing, when there were no cabs on the street. And so Mathilde and Lotto decided to walk home, her arm in his, chatting about nothing, about everything, the unpleasant, hot breath of the subway belching up from the grates.
'Chthonic', he said, booze letting loose the pretension at his core, which she still found sweet, an allowance from the glory. It was so late, there were few other people out, and it felt, just for this moment, that they had the city to themselves.
She thought of all the life just underfoot, the teem of it that they were passing over, unknowing. She said, 'Did you know that the total weight of all the ants on Earth is the same as the total weight of all the humans on Earth.' She, who drank to excess, was a little bit drunk, it was true, there was so much relief in the evening.
When the curtains closed against the backdrop, an enormous bolder blocking their future had rolled away.
'They'll still be here when we're gone,' he said. He was drinking from a flask. By the time they were home, he'd be sozzeled. 'The ants and the jellyfish and the cockroaches, they will be the kings of the Earth.'...
'They deserve this place more than we do,' she said. 'We've been reckless with our gifts.'
He smiled and looked up. There were no stars, there was too much smog for them.
'Did you know,' he said, 'they just found out just a while ago that there are billions of worlds that can support life in our galaxy alone.'
...She felt a sting behind here eyes, but couldn't say why this thought touched her.
He saw clear through and understood. He knew her. The things he didn't know about her would sink an ocean liner. He knew her.
'We're lonely down here,' he said, 'it's true, but we're not alone.'
In the hazy space after he died, when she lived in a sort of timeless underground grief, she saw on the internet a video about what would happen to our galaxy in billions of years. We are in an immensely slow tango with the Andromeda galaxy, both galaxies shaped like spirals with outstretched arms, and we are moving toward each other like spinning bodies. The galaxies will gain speed as they draw near, casting off blue sparks, new stars until they spin past each other, and then the long arms of both galaxies will reach longingly out and grasp hands at the last moment and they will come spinning back in the opposite direction, their legs entwined, never hitting, until the second swirl becomes a clutch, a dip, a kiss, and then at the very center of things, when they are at their closest, there will open a supermassive black hole.
”
”
Lauren Groff (Fates and Furies)
“
Over the tree-tops I float thee a song,
Over the rising and sinking waves, over the myriad fields and the prairies wide,
Over the dense-pack’d cities all and the teeming wharves and ways,
I float this carol with joy, with joy to thee O death.
”
”
Walt Whitman (When Lilacs Last in the Dooryard Bloom'd)
“
We are the blur in the windows of your trains and minivans, your Greyhounds, our faces mangled by wind and speed like castaway Munch paintings. The only things we share with the city are the ambulances, being close enough to Hartford for them to come fetch us when we’re near dead or rattling away on steel gurneys without next of kin. We live on the edges but die in the heart of the state. We pay taxes on every check to stand on the sinking banks of a river that becomes the morgue of our dreams.
”
”
Ocean Vuong (The Emperor of Gladness)
“
As tight as it had been in the kitchen before they’d left, there were three times as many people crammed in there now, most of them men. Beverly’s mother was nowhere in sight and neither was the baby. Beverly was standing at the sink, a butcher’s knife in her hand. She was slicing oranges from an enormous pile that was sliding across the counter while the two lawyers from the L.A. County District Attorney’s Office, Dick Spencer and Albert Cousins—suit jackets off, ties off, and shirtsleeves rolled up high above the elbow—were twisting the halves of oranges on two metal juicers. Their foreheads were flushed and damp with sweat, their opened collars just beginning to darken, they worked as if the safety of their city relied on the making of orange juice.
”
”
Ann Patchett (Commonwealth)
“
Friends, Grecian Heroes, Ministers of Mars! Grievous, and all unlook’d for, is the blow Which Jove hath dealt me; by his promise led I hop’d to raze the strong-built walls of Troy, And home return in safety; but it seems 130 He falsifies his word, and bids me now Return to Argos, frustrate of my hope, Dishonour’d, and with grievous loss of men. Such now appears th’ o’er-ruling sov’reign will Of Saturn’s son; who oft hath sunk the heads 135 Of many a lofty city in the dust, And yet will sink; for mighty is his hand. ’Tis shame indeed that future days should hear How such a force as ours, so great, so brave, Hath thus been baffled, fighting, as we do, 140 ’Gainst numbers far inferior to our own, And see no end of all our warlike toil. For should we choose, on terms of plighted truce, Trojans and Greeks, to number our array; Of Trojans, all that dwell within the town, 145 And we, by tens disposed, to every ten, To crown our cups, one Trojan should assign, Full many a ten no cup-bearer would find: So far the sons of Greece outnumber all That dwell within the town; but to their aid 150 Bold warriors come from all the cities round, Who greatly harass me, and render vain My hope to storm the strong-built walls of Troy. Already now nine weary years have pass’d; The timbers of our ships are all decay’d, 155 The cordage rotted; in our homes the while Our wives and helpless children sit, in vain Expecting our return; and still the work, For which we hither came, remains undone. Hear then my counsel; let us all agree 160 Home to direct our course, since here in vain We strive to take the well-built walls of Troy.” Thus as he spoke, the crowd, that had not heard The secret council, by his words was mov’d; So sway’d and heav’d the multitude, as when 165 O’er the vast billows of th’ Icarian sea Eurus and Notus from the clouds of Heav’n Pour forth their fury; or as some deep field Of wavy corn, when sweeping o’er the plain The ruffling west wind sways the
”
”
Homer (The Iliad)
“
I can cope with, and even somehow enjoy, the sinking melancholy of Venice, just for a few days. Somewhere in me I am able to recognize that this is not my melancholy; this is the city's own indigenous melancholy, and I am healthy enough these days to be able to feel the difference between me and it. This is a sign, I cannot help but think, of healing, of the coagulation of my self. There were a few years there, lost in borderless despair, when I used to experience all the world's sadness as my own. Everything sad leaked through me and left damp traces behind.
”
”
Elizabeth Gilbert (Eat, Pray, Love)
“
Now he saw that Hell was the one truth and pain the one fact which nullified all others. Sufficient health was like thin ice on an infinite sea of pain. Love, work, art, science and law were dangerous games played on the ice; all homes and cities were built on it. The ice was frail. A tiny shrinkage of the bronchial tubes could put him under it and a single split atom could sink a city. All religions existed to justify Hell and all clergymen were ministers of it. How could they walk about with such bland social faces pretending to belong to the surface of life?
”
”
Alasdair Gray (Lanark: A Life in Four Books)
“
The eye in this city acquires an autonomy similar to that of a tear. The only difference is that it doesn't sever itself from the body but subordinates it totally. After a while - on the third or fourth day here- the body starts to regard itself as merely the eye's carrier, as a kind of submarine to its now dilating, now squinting periscope. Of course, for all its targets, its explosions are invariably self-inflicted: it's own heart, or else your mind, that sinks; the eye pops up to the surface. This, of course, owes to local topography, to the streets - narrow, meandering like eels - that finally bring you to a flounder of a campo with a cathedral in the middle of it, barnacled with saints and flaunting its Medusa-like cupolas. No matter what you set out for as you leave the house here, you are bound to get lost in these long, coiling lanes and passageways that beguile you to see them through to follow them to their elusive end, which usually hits water, so that you can't even call it a cul-de-sac. On the map this city looks like two grilled fish sharing a plate, or perhaps like two nearly overlapping lobster claws ( Pasternak compared it to a swollen croissant); but it has no north, south, east, or west; the only direction it has is sideways. It surrounds you like frozen seaweed, and the more you dart and dash about trying to get your bearings, the more you get lost. The yellow arrow signs at intersections are not much help either, for they, too, curve. In fact, they don't so much help you as kelp you. And in the fluently flapping hand of the native whom you stop to ask for directions, the eye, oblivious to his sputtering, A destra, a sinistra, dritto, dritto, readily discerns a fish.
”
”
Joseph Brodsky (Watermark)
“
As filthy as any night was, a New York City morning is always clean. The eyes get washed.
Flowers in white deli buckets are replenished. The population bathes, in marble mausoleums of Upper East Side showers, or in Greenwich Village tubs, or in the sink of a Chinatown one-bedroom crammed with fifteen people. Some bar opens and the first song on the jukebox is Johnny Thunders, while bums pick up cigarette butts to see what’s left to smoke. The smell of espresso and hot croissants. The weather vane squeaks in the sun. Pigeons are reborn out of the mouths of blue windows.
”
”
Jardine Libaire (White Fur)
“
It came to me that if the fortunes of this war do not turn, then maybe the city is destined to be no more than this: ruins, merely, sinking back into the swamp; the shards of an optimistic moment when a few dreamers believed you could build a nation upon ideas such as liberty and equality.
”
”
Geraldine Brooks (March)
“
By 2100, if we do not halt emissions, as much as 5 percent of the world’s population will be flooded every single year.6 Jakarta is one of the world’s fastest-growing cities, today home to ten million; thanks to flooding and literal sinking, it could be entirely underwater as soon as 2050.
”
”
David Wallace-Wells (The Uninhabitable Earth: A Story of the Future)
“
The way London carries on about the Thames you’d think it was a big deal, including lining it with all their classiest buildings, such as Parliament. San Francisco, the wind-up toy of cities, never gets over its Bay, and Venice is so much in love with its Bay that it’s sinking into it. New York is full
”
”
Donald E. Westlake (Dancing Aztecs)
“
We’re not going to make it,” Baxian called as Lidia zoomed toward the guard station. “Lidia,” Athalar warned. “Get down!” Lidia barked, and Ruhn shut his eyes, sinking low as the grate lowered at an alarming rate. Metal screamed and exploded right above them, the car rocking, shuddering— Yet Lidia kept driving. She raced onto the open road beyond the city as the grate slammed shut behind them. “Cutting it a little close, don’t you think?” Hunt shouted to Lidia, and Ruhn opened his eyes to find that the gunner had been ripped clean off. Baxian was clinging for dear life to the back of the jeep, a manic grin on his face.
”
”
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
“
I’ll wash. Looks like brute strength is required.”
Matilda wasn’t about to argue. Might as well put those ridiculous muscles to good use. “I doubt I could write them into submission somehow.”
“No,” Tanner agreed, heading to the sink and flicking on the taps, intent on filling the industrial size sink and agitating the water as he squirted in some detergent. “You could, however, write about how I heroically and uncomplainingly scrubbed pots for hours while being witty and charming all at the service of some of the city’s less fortunate.”
“You want me to add in how woodland animals came in from the alley to befriend you?
”
”
Amy Andrews (Playing by Her Rules (Sydney Smoke Rugby, #1))
“
The years pass in their hundreds and their thousands, and what does any man see of life but a few summers, a few winters? We look at mountains and call them eternal, and so they seem … but in the course of time, mountains rise and fall, rivers change their courses, stars fall from the sky, and great cities sink beneath the sea.
”
”
George R.R. Martin (A Clash of Kings (A Song of Ice and Fire, #2))
“
The wind whistles down into the skyscraper-bound canyons, across the broad expanses of the avenues and the narrow confines of the streets, where lives unfolded in secret, day in, day out: Sometimes a man sighs for want of love. Sometimes a child cries for the dropped lollipop, its sweetness barely tasted. Sometimes the girl gasps as the train screams into the station, shaken by how close she’d allowed herself to wander to the edge. Sometimes the drunk raises weary eyes to the rows of building rendered beautiful by a brief play of sunlight. “Lord?” he whispers into the held breath between taxi horns. The light catches on a city spire, fracturing for a second into glorious rays before the clouds move in again. The drunk lowers his eyes. “Lord, Lord…” he sobs, as if answering his own broken prayer. […] Another day closes. The sun sinks low on the horizon. It slips below the Hudson, smearing the West Side of Manhattan in a slick of gold. Night arrives for its watchful shift. The neon city bursts its daytime seams, and the great carnival of dreams begins again.
”
”
Libba Bray (Lair of Dreams (The Diviners, #2))
“
Cnán knew these gleaners and their types well enough that she could pick them out even in a healthy city. Not always were they the furtive criminals or crazed drunks. Indeed, within her short life, she had seen drunks rise to glorious battle and city fathers turn into ghouls. War did not just level, it plowed the field, raising the muck and sinking the stubble.
”
”
Neal Stephenson (The Mongoliad)
“
It was a wonderful thing to think for how many thousands of years the dead orb above and the dead city below had gazed thus upon each other, and in the utter solitude of space poured forth each to each the tale of their lost life and long-departed glory. The white light fell, and minute by minute the quiet shadows crept across the grass-grown courts like the spirits of old priests haunting the habitations of their worship--the white light fell, and the long shadows grew till the beauty and grandeur of each scene and the untamed majesty of its present Death seemed to sink into our very souls, and speak more loudly than the shouts of armies concerning the pomp and splendour that the grave had swallowed, and even memory had forgotten.
”
”
H. Rider Haggard (She (She, #1))
“
Her stomach sinks at the knowledge that once again, she’s just missed another glimpse of the extraordinary. To come so close, and then no further.
Her hands wring her apron helplessly. It’ll always be like this. The café, the customers, the empty Everly house, and these fleeting echoes of the other life she might have had. But no more than that. And it’ll never be enough.
”
”
Georgia Summers (The City of Stardust)
“
Once they arrive, affirmative action kids are generally left to sink or swim academically. Brown (University) offers plenty of counseling and tutoring to struggling students, but, as any academic Dean will tell you, it's up to the students to seek it out, something that a drowning minority student will seek to avoid at all costs, fearing it will trumpet a second-class status.
”
”
Ron Suskind (A Hope in the Unseen: An American Odyssey from the Inner City to the Ivy League)
“
This is the supreme anguish of the soul; it realizes itself as itself, as thing separate from that which is not itself, from God. In this spasm there are two ways: if fear and pride are left in the soul, it shuts itself up, like a warlock in a tower, gnashing its teeth with agony. "I am I," it cried, "I will not lose myself," and in that state damned, it is slowly torn by the claws of circumstance disintegrated bitterly, for all its struggles, throughout ages and ages, its rags to be cast piecemeal upon the dungheap without the city. But the soul that has understood the blessedness of that resignation which grasps the universe and devours it, which is without hope or fear, without faith or doubt, without hate or love, dissolves itself ineffable into the abounding bliss of God. It cries with Shelley, as the "chains of lead about its flight of fire" drop molten from its limbs: "I pant, I sink, I tremble, I expire," and in that last outbreaking is made one with the primal and final breath, the Holy Spirit of God.
Such must be the climax of any retirement to the Desert on the part of any aspirant of the Mysteries who has the spark of that fire in him.
”
”
Aleister Crowley (The Soul of the Desert)
“
To avert climate crises, it's important that humanity protects and restores natural carbon sinks, like forests and wetlands. But modern advancements in architecture, materials science, and construction give us the ability to make our modern cities into carbon sinks. We have the technologies, the knowledge, and the capabilities to make cities more valuable to the natural ecosystem than forests are.
”
”
Hendrith Vanlon Smith Jr.
“
Most of the water that will drown Miami and New York and Venice and other coastal cities will come from two places: Antarctica and Greenland. Often you hear about the disappearance of the snows on Mount Kilimanjaro or the glaciers in Patagonia, but in the context of drowning cities, land-based glaciers won’t contribute much. What really matters is what happens on the two big blocks of ice at either end of the Earth.
”
”
Jeff Goodell (The Water Will Come: Rising Seas, Sinking Cities, and the Remaking of the Civilized World)
“
When we have traversed it, and look back from Albano, its dark, undulating surface lies below us like a stagnant lake, or like a broad, dull Lethe flowing round the walls of Rome, and separating it from all the world! How often have the Legions, in triumphant march, gone glittering across that purple waste, so silent and unpeopled now! How often has the train of captives looked, with sinking hearts, upon the distant city, and beheld its population pouring out, to hail the return of their conqueror! What riot, sensuality and murder, have run mad in the vast palaces now heaps of brick and shattered marble! What glare of fires, and roar of popular tumult, and wail of pestilence and famine, have come sweeping over the wild plain where nothing is now heard but the wind, and where the solitary lizards gambol unmolested in the sun!
”
”
Charles Dickens (Pictures from Italy)
“
Oh, to be sure, there is much we do not understand. The years pass in their hundreds and their thousands, and what does any man see of life but a few summers, a few winters? We look at mountains and call them eternal, and so they seem … but in the course of time, mountains rise and fall, rivers change their courses, stars fall from the sky, and great cities sink beneath the sea. Even gods die, we think. Everything changes.
”
”
George R.R. Martin (A Game of Thrones: The Story Continues: The Complete 5 Books (A Song of Ice and Fire #1-5))
“
World, turn all you want to,
faster even. I've come to like the way the breeze feels
as it rips me limb from limb.
and I'm running the city water now
in a sink safe from harm, and across
the surface of most states there's
a phone ringing and a somebody's lost a
somebody, and a somebody's come
home, and I'm unmoved in the kitchen
pulling wings out of my teeth, praying
for loads more wishes and a body
out there waiting for this somebody
in the kitchen waiting to be done stung.
You mis everyone. Even the people you read about today
you didn't know, their faces on the brain as if on paper.
Maybe you don't even say it for yourself,
maybe you move your mouth like everyone
moves their mouth. Maybe your mouth is the same
mouth as everyone's, all trying to say the same thing.
You come home on the train and you have
bought gifts and tried to be decent.
”
”
Ada Limon (Sharks in the Rivers)
“
Mexico City was an apocalyptically dysfunctional place at the best of times, what with the pollution, the flooding, the teetering concrete slums, and the city sinking into the lake bed upon which it was built. However, that day, with the sun hiding behind thick clouds and the rain coming down so heavily, it was damn hellish. Rodrigo wished he could head home, back to the sunny, arid North. But there was too much work to be done.
”
”
Silvia Moreno-Garcia (Certain Dark Things)
“
The mirthroot wrapped soft, sweet arms around his mind and dragged him into its shimmering pool.
Ruhn let himself drown in it, too mellow to do anything but let the music wash over him, his body sinking into the mattress, until he was falling through shadows and starlight. The strings of the song hovered overhead, golden threads that glittered with sound. Was he still moving his body? His eyelids were too heavy to lift to check.
”
”
Sarah J. Maas (House of Earth and Blood (Crescent City, #1))
“
Geuze compared sea-level rise to other transformative catastrophes, such as the Dust Bowl of the 1930s, a partly man-made natural disaster that profoundly changed the geography of America and also expanded the role government plays in ensuring the long-term welfare of even the most vulnerable people. “We’re going to need a new New Deal,” Geuze argued. “It is going to require a rethinking of the social contract between governments and citizens.
”
”
Jeff Goodell (The Water Will Come: Rising Seas, Sinking Cities, and the Remaking of the Civilized World)
“
Rotten, rotten old world,' broke out Eleanor suddenly, 'and the wretchedest thing of all is me--oh, why am I a girl? Why am I not a stupid--? Look at you; you're stupider than I am, not much, but some, and you can lope about and get bored and then lope somewhere else, and you can play around with girls without being involved in meshes of sentiment and you can do anything and be justified--and here am I with the brains to do everything, yet tied to the sinking ship of future matrimony. If I were born a hundred years from now, well and good, but now what's in store for me--I have to marry, that goes without saying. Who? I'm too bright for most men, and yet I have to descend to their level and let them patronize my intellect in order to get their attention. every year that I don't marry I've got less chance for a first class man. At the best I can have my choice from one or two cities and, of course, I have to marry into a dinner-coat.
”
”
F. Scott Fitzgerald (This Side of Paradise)
“
...People had been predicting the death of the city for years. Would that finally drive all the people out of this sinking island? I imagined office buildings filled with screeches instead of conference calls and streets clogged with weeds instead of cars. I could see the appeal. It wasn't like a scorpion was going to charge me 10 percent interest on a medical loan for an upgrade I needed to live. Venom was quick, capitalism killed you nice and slow. Then sent you a bill.
”
”
Lincoln Michel (The Body Scout)
“
SILVENY’S PREGNANT,” SOPHIE told her friends when she joined them for breakfast. Fitz dropped his fork. “Are you sure?” “Oh yeah,” Sophie mumbled, sinking into the chair next to him. “She showed me. . . .” “GAH!” everyone said. Keefe pushed his plate away. “I’m done with food forever.” “Me too,” Dex agreed. “Me three,” Biana said. “Seriously, that is one batch of memories you do not have to share with me,” Fitz told Sophie. “I don’t care if it’s part of our Cognate training.
”
”
Shannon Messenger (Neverseen (Keeper of the Lost Cities, #4))
“
As the move went on, the woman slowed down. At first, she had borne down on the emergency with focus and energy, almost running through the house with one hand grabbing something and the other holding up the phone. Now she was wandering through the halls aimlessly, almost drunkenly. Her face had that look. The movers and the deputies knew it well. It was the look of someone realizing that her family would be homeless in a matter of hours. It was something like denial giving way to the surrealism of the scene: the speed and violence of it all; sheriffs leaning against your wall, hands resting on holsters; all these strangers, these sweating men, piling your things outside, drinking water from your sink poured into your cups, using your bathroom. It was the look of being undone by a wave of questions. What do I need for tonight, for this week? Who should I call? Where is the medication? Where will we go? It was the face of a mother who climbs out of the cellar to find the tornado has leveled the house.
”
”
Matthew Desmond (Evicted: Poverty and Profit in the American City)
“
More silence as he let that sink in. “So it’s not that people really want all this, it’s that they had to know—had to—that it would be coming. So when it actually comes, they can’t say ‘I had no idea.’ They had an idea; it occurred to them several times, actually. They were just too greedy and too pathetic to do the right thing. That is the same thing as doing the wrong thing. There is no one in a Lima city who didn’t have a chance to get out of there and start making an honest living. Hell, we all did.” It was odd to hear Pastor Pete say, “Hell.
”
”
Glen Tate (299 Days: The War)
“
Spring is just a short interlude, after which the mighty armies of death advance; they’re already besieging the city walls. We live in a state of siege. If one takes a close look at each fragment of a moment, one might choke with terror. Within our bodies disintegration inexorably advances; soon we shall fall sick and die. Our loved ones will leave us, the memory of them will dissolve in the tumult; nothing will remain. Just a few clothes in the wardrobe and someone in a photograph, no longer recognized. The most precious memories will dissipate. Everything will sink into darkness and vanish.
”
”
Olga Tokarczuk (Drive Your Plow Over the Bones of the Dead)
“
When negative experiences such as having one's house shot at occur in my dad's life he tends to come alive. His confusion lifts. Pieces of life's puzzle fuse into meaning like the continents before that colossal rift. It's entirely logical to him that his house has been shot at and when he's able to spend a minute or two in a world that makes sense he appears almost happy. And when he gets happy he does decisive things like this time he went over to the bulletin board in the kitchen and took down the city bus schedule that we've had up there since Tash left and before the bus depot itself closed down. He put it in the garbage can under the sink. Phew. Done. Goodbye past.
But then I imagined him on a day when shitty things weren't happening and he'd be feeling his usual mystified self and go to the dump and there he would see that little piece of paper with the schedule on it and it would bring him to his knees. Just destroy him for a minute or two and he'd probably pick it up and wipe whatever seagull crap there was on it and straighten it out with the side of his hand and bring it back to the kitchen bulletin board and ARRANGE it on there so you'd know it was the centerpiece of his life.
”
”
Miriam Toews (A Complicated Kindness)
“
Musk burst in carrying a sink and laughing. It was one of those visual puns that amuses him. “Let that sink in!” he exclaimed. “Let’s party on!” Agrawal and Segal smiled. Musk seemed amazed as he wandered around Twitter’s headquarters, which was in a ten-story Art Deco former merchandise mart built in 1937. It had been renovated in a tech-hip style with coffee bars, yoga studio, fitness room, and game arcades. The cavernous ninth-floor café, with a patio overlooking San Francisco’s City Hall, served free meals ranging from artisanal hamburgers to vegan salads. The signs on the restrooms said, “Gender diversity is welcome here,” and as Musk poked through cabinets filled with stashes of Twitter-branded merchandise, he found T-shirts emblazoned with the words “Stay woke,” which he waved around as an example of the mindset that he believed had infected the company. In the second-floor conference facilities, which Musk commandeered as his base camp, there were long wooden tables filled with earthy snacks and five types of water, including bottles from Norway and cans of Liquid Death. “I drink tap water,” Musk said when offered one. It was an ominous opening scene. One could smell a culture clash brewing, as if a hardscrabble cowboy had walked into a Starbucks.
”
”
Walter Isaacson (Elon Musk)
“
Calf-deep in the soothing water I indulge myself in the wishful vision. I am not unaware of what such daydreams signify, dreams of becoming an unthinking savage, of taking the cold road back to the capital, of groping my way out to the ruins in the desert, of returning to the confinement of my cell, of seeking out the barbarians and offering myself to them to use as they wish. Without exception they are dreams of ends: dreams not of how to live but of how to die. And everyone, I know, in that walled town sinking now into darkness (I hear the two thin trumpet calls that announce the closing of the gates) is similarly preoccupied. What has made it impossible for us to live in time like fish in the water, like birds in air, like children? It is the fault of Empire! Empire has created the time of history. Empire has located its existence not in the smooth recurrent spinning time of the cycle of the seasons but in the jagged time of rise and fall, of beginning and end, of catastrophe. Empire dooms itself to live in history and plot against history. One thought alone preoccupies the submerged mind of Empire: how not to end, how not to die, how to prolong its era. By day it pursues its enemies. It is cunning and ruthless, it sends its bloodhounds everywhere. By night it feeds on images of disaster: the sack of cities, the rape of populations, pyramids of bones, acres of desolation. A mad vision yet a virulent one: I, wading in the ooze, am no less infected with it than the faithful Colonel Joll as he tracks the enemies of Empire through the boundless desert, sword unsheathed to cut down barbarian after barbarian until at last he finds and slays the one whose destiny it should be (or if not his then his son's or unborn grandson's) to climb the bronze gateway to the Summer Palace and topple the globe surmounted by the tiger rampant that symbolizes eternal domination, while his comrades below cheer and fire their muskets in the air.
”
”
J.M. Coetzee (Waiting for the Barbarians)
“
blinked back sudden tears and pasted a smile on my face. The smiles had gotten me through tough times. I’d read online that the physical act of smiling—even if you were unhappy—could improve your mood by tricking your brain into releasing happiness-inducing hormones. So I’d smiled all the time as a teenager, and people probably thought I was crazy, but it was better than sinking into a darkness so deep I might’ve never clawed my way out. And when smiling on my own became too hard, I looked for other reasons to be “happy” like the beauty of a rainbow after a storm, the sweet taste of a perfectly baked cookie, or gorgeous photographs of glittering cities and epic landscapes around the world. It had worked…for the most part.
”
”
Ana Huang (Twisted Love (Twisted, #1))
“
He dropped the jacket and pulled his T-shirt off over his head; the collar caught for a moment, and Clary just stared, suddenly hyperaware of the fact that they were alone, and of his body: honey-colored skin mapped with old and new Marks, a fading scar just under the curve of his left pectoral muscle. Flat, ridged stomach tapering to narrow hips; he’d lost weight, and his weapons belt hung loose. Legs, arms, graceful like a dancer’s; he pulled free of the shirt and shook out his bright hair, and she thought with a sudden sinking in her stomach that it just wasn’t possible that he was hers, he wasn’t the sort of person ordinary people got to be near, much less touch, and then he looked up at her, hands on his belt, and smiled his familiar crooked smile.
”
”
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
“
When preparing for a trip, we can read about architecture and restaurants. But what ultimately breathes life into the daydreams of anticipation are the people we encounter when we're actually there, including those we merely pass on the street or, in this case, the stairwell. I thought, too, of the man on the pier who offered his hand to steady me as I stepped off the ferry, and of the old woman in the public restroom who motioned for me to come and share with her the sole tiny sink. The possibility of these wordless interactions, to which we can be particularly attuned when alone, didn't cross my mind when I was anticipating my days in Istanbul. I had envisioned ships and minarets, the Grand Bazaar and the Hagia Sofia, yet not these faces, not these moments that silently transmit the warmth of a city.
”
”
Stephanie Rosenbloom (Alone Time: Four Seasons, Four Cities, and the Pleasures of Solitude)
“
Before closing I feel impelled to mention one other point in your statement that has troubled me profoundly. You warmly commended the Birmingham police force for keeping "order" and "preventing violence." I doubt that you would have so warmly commended the police force if you had seen its dogs sinking their teeth into unarmed, nonviolent Negroes. I doubt that you would so quickly commend the policemen if you were to observe their ugly and inhumane treatment of Negroes here in the city jail; if you were to watch them push and curse old Negro women and young Negro girls; if you were to see them slap and kick old Negro men and young boys; if you were to observe them, as they did on two occasions, refuse to give us food because we wanted to sing our grace together. I cannot join you in your praise of the Birmingham police department.
”
”
Martin Luther King Jr. (Why We Can't Wait)
“
Norton defined a feral city as “a metropolis with a population of more than a million people, in a state the government of which has lost the ability to maintain the rule of law within the city’s boundaries yet remains a functioning actor in the greater international system.”47 This kind of city, Norton points out, has no essential services or social safety net. Human security becomes a matter of individual initiative—conflict entrepreneurs and community militias emerge, Mad Max style. And yet feral cities don’t just sink into utter chaos and collapse—they remain connected to international flows of people, information, and money. Nonstate groups step up to control key areas and functions, commerce continues (albeit with much corruption and violence), a black market economy flourishes, and massive levels of disease and pollution may be present, yet “even under these conditions, these cities continue to grow, and the majority of occupants do not voluntarily leave.
”
”
David Kilcullen (Out of the Mountains: The Coming Age of the Urban Guerrilla)
“
I’ll let that go,” Ro told him, “if you tell me what it was like in my father’s head.” Fitz let out a relieved breath. “Fluffy.” “Like sinking into a giant marshmallow covered in feathers,” Sophie agreed. Ro choked on her laugh. “Okay, I need to figure out how to blackmail him with that.” “Maybe you can get him to reassign Bo,” Sophie suggested. “Yeah, that’s never going to happen. Once my father gets an idea in his head, he can’t let it go.” “What kind of idea?” Keefe asked. “The kind that involves smooching and weddings and little baby prince and princess BoRos?” “Dude, she is seriously going to stab you,” Fitz warned. “No, I’m thinking I’ll tunnel us deep underground and leave him in a dark little hole for a few days,” Ro corrected. “Just him and some of my favorite bacteria.” “Sounds like the perfect place to add more verses to The Ballad of Bo and Ro,” Keefe noted. “He really doesn’t know when to quit, does he?” Ro asked Sophie. “I’m pretty sure it’s a disease,” Fitz told her. “Coping mechanism,” Keefe argued.
”
”
Shannon Messenger (Flashback (Keeper of the Lost Cities, #7))
“
A fleet of oil tankers carried oil from the Gulf Coast around Florida and up the Eastern Seaboard to supply Eastern cities and for transshipment to England and Europe. With the German declaration of war in alliance with Japan on 11 December 1941, Germany sent a small submarine force under Admiral and U-boat Commander Karl Dönitz to attack the vulnerable tankers. Dönitz had asked for twelve submarines. Hitler, giving priority at that time to Mediterranean support of his campaign in North Africa, awarded the admiral only five. Dönitz chose the best crews, and in the six weeks between 11 January and 28 February 1942, his U-boats working the American East Coast attacked no fewer than seventy-four tankers, sinking forty-six of them and damaging sixteen more.55 The submarines escaped unscathed. “Our U-boats are operating close inshore along the coast of the United States of America,” Dönitz reported, “so that bathers and sometimes entire coastal cities are witness to the drama of war, whose visual climaxes are constituted by the red glorioles of blazing tankers.
”
”
Richard Rhodes (Energy: A Human History)
“
You will help, won’t you?”
Dragging his gaze from the doorway, he shook his head as if to clear it. “Help?” he uttered dryly. “I’m tempted to offer her my very desirable hand in marriage! First I ought to know her name, though I’ll tell you she suddenly seems damned familiar.”
“You will help?”
“Didn’t I just say so? Who is that delectable creature?”
“Elizabeth Cameron. She made her debut last-“ Alex stopped as Roddy’s smile turned harsh and sardonic.
“Little Elizabeth Cameron,” he mused half to himself. “I should have guessed, of course. The chit set the city on its ear just after you left on your honeymoon trip, but she’s changed. Who would have guessed,” he continued in a more normal voice, “that fate would have seen fit to endow her with more looks than she had then.”
“Roddy!” Alex said, sensing that his attitude toward helping was undergoing a change. “You already said you’d help.
“You don’t need help, Alex,” he snickered. “You need a miracle.”
“But-“
“Sorry. I’ve changed my mind.”
“Is it the-the gossip about that old scandal that bothers you?”
“In a sense.”
Alexandra’s blue eyes began to spark with dangerous fire. “You’re a fine one to believe gossip, Roddy! You above all know it’s usually lies, because you’ve started your share of it!”
“I didn’t say I believe it,” he drawled coolly. “In fact, I’d find it hard to believe that any man’s hands, including Thornton’s, have ever touched that porcelain skin of hers. However,” he said, abruptly closing the lid on his snuffbox and tucking it away, “society is not as discerning as I, or, in this instance, as kind. They will cut her dead tonight, never fear, and not even the influential Townsendes or my influential self could prevent it. Though I hate the thought of sinking any lower in your esteem than I can see I already have, I’m going to tell you an unlovely truth about myself, my sweet Alex,” he added with a sardonic grin. “Tonight, any unattached bachelor who’s foolish enough to show an interest in that girl is going to be the laughingstock of the Season, and I do not like being laughed at. I do not have the courage, which is why I am always the one to make jokes of others
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
The gods in Lankhmar (that is, the gods and candidates for divinity who dwell or camp, it may be said, in the Imperishable City, not the gods of Lankhmar—a very different and most secret and dire matter)… the gods in Lankhmar sometimes seem as if they must be as numberless as the grains of sand in the Great Eastern Desert. The vast majority of them began as men, or more strictly the memories of men who led ascetic, vision-haunted lives and died painful, messy deaths. One gets the impression that since the beginning of time an unending horde of their priests and apostles (or even the gods themselves, it makes little difference) have been crippling across that same desert, the Sinking Land, and the Great Salt Marsh to converge on Lankhmar's low, heavy-arched Marsh Gate—meanwhile suffering by the way various inevitable tortures, castrations, bindings and stonings, impalements, crucifixions, quarterings and so forth at the hands of eastern brigands and Mingol unbelievers who, one is tempted to think, were created solely for the purpose of seeing to the running of that cruel gauntlet.
”
”
Fritz Leiber (Swords in the Mist (Fafhrd and the Gray Mouser, #3))
“
The only word these corporations know is more,” wrote Chris Hedges, former correspondent for the Christian Science Monitor, National Public Radio, and the New York Times. They are disemboweling every last social service program funded by the taxpayers, from education to Social Security, because they want that money themselves. Let the sick die. Let the poor go hungry. Let families be tossed in the street. Let the unemployed rot. Let children in the inner city or rural wastelands learn nothing and live in misery and fear. Let the students finish school with no jobs and no prospects of jobs. Let the prison system, the largest in the industrial world, expand to swallow up all potential dissenters. Let torture continue. Let teachers, police, firefighters, postal employees and social workers join the ranks of the unemployed. Let the roads, bridges, dams, levees, power grids, rail lines, subways, bus services, schools and libraries crumble or close. Let the rising temperatures of the planet, the freak weather patterns, the hurricanes, the droughts, the flooding, the tornadoes, the melting polar ice caps, the poisoned water systems, the polluted air increase until the species dies. There are no excuses left. Either you join the revolt taking place on Wall Street and in the financial districts of other cities across the country or you stand on the wrong side of history. Either you obstruct, in the only form left to us, which is civil disobedience, the plundering by the criminal class on Wall Street and accelerated destruction of the ecosystem that sustains the human species, or become the passive enabler of a monstrous evil. Either you taste, feel and smell the intoxication of freedom and revolt or sink into the miasma of despair and apathy. Either you are a rebel or a slave. To be declared innocent in a country where the rule of law means nothing, where we have undergone a corporate coup, where the poor and working men and women are reduced to joblessness and hunger, where war, financial speculation and internal surveillance are the only real business of the state, where even habeas corpus no longer exists, where you, as a citizen, are nothing more than a commodity to corporate systems of power, one to be used and discarded, is to be complicit in this radical evil. To stand on the sidelines and say “I am innocent” is to bear the mark of Cain; it is to do nothing to reach out and help the weak, the oppressed and the suffering, to save the planet. To be innocent in times like these is to be a criminal.
”
”
Jim Marrs (Our Occulted History: Do the Global Elite Conceal Ancient Aliens?)
“
From Nowhere On The Map, Lana's plaything.
Maggie chuckled, it had not occurred to her before now. True, she had drawn an assumption about Lana when the woman initially never called or visited. This impression certainly did not improved when she finally met her. Then there was the girl’s pole dancing moves last night that did nothing to endear her. However, Jon brought the picture into focus for her. She could not believe he had not guessed at the woman’s motives before now.
“Jon, really you have no idea why?” Maggie decided to clue him in; “Jon, she keeps coming back because you're her sure thing.”
She allowed the words to sink in. She heard Jon repeat 'sure thing' as he wrangled with this and it’s association with him. Like a bell, she could almost hear the thought hit his brainpan.
“Oh hell, you really think so?”
Maggie laughed, poor City Cat, he was nothing but a big handsome sex toy to Lana. Maggie wanted to feel empathy for him but really, guys do this to girls all the time. She was impressed with Lana for having turned the tables on the boys.
“Well now that we have this settled, drink plenty of water and again don't toss your cookies on my stuff. I hope you feel better…about everything.”
Maggie had to add the last barb, she could not resist it was in her nature. Jon chuckled she was unsure but she swore he muttered something like ‘gee thanks’ adding he would talk to her later.
”
”
Caroline Walken
“
A mover started in on a girl’s bedroom, painted pink with a sign on the door announcing THE PRINCESS SLEEPS HERE. Another took on the disheveled office, packing Resumes for Dummies into a box with a chalkboard counting down the remaining days of school. The eldest child, a seventh-grade boy, tried to help by taking out the trash. His younger sister, the princess, held her two-year-old sister’s hand on the porch. Upstairs, the movers were trying not to step on the toddler’s toys, which when kicked would protest with beeping sounds and flashing lights. As the move went on, the woman slowed down. At first, she had borne down on the emergency with focus and energy, almost running through the house with one hand grabbing something and the other holding up the phone. Now she was wandering through the halls aimlessly, almost drunkenly. Her face had that look. The movers and the deputies knew it well. It was the look of someone realizing that her family would be homeless in a matter of hours. It was something like denial giving way to the surrealism of the scene: the speed and violence of it all; sheriffs leaning against your wall, hands resting on holsters; all these strangers, these sweating men, piling your things outside, drinking water from your sink poured into your cups, using your bathroom. It was the look of being undone by a wave of questions. What do I need for tonight, for this week? Who should I call? Where is the medication? Where will we go? It was the face of a mother who climbs out of the cellar to find the tornado has leveled the house.
”
”
Matthew Desmond (Evicted: Poverty and Profit in the American City)
“
His tears couldn’t change that stony outcropping in his character any more than a single summer cloudburst can change the shape of rock. There were good uses for such hardness—she knew that, had known it as a woman raising a boy on her own in a city that cared little for mothers and less for their children—but Larry hadn’t found any yet. He was just what she had said he was: the same old Larry. He would go along, not thinking, getting people—including himself—into jams, and when the jams got bad enough, he would call upon that hard streak to extricate himself. As for the others? He would leave them to sink or swim on their own. Rock was tough, and there was toughness in his character, but he still used it destructively. She could see it in his eyes, read it in every line of his posture … even in the way he bobbed his cancer-stick to make those little rings in the air. He had never sharpened that hard piece of him into a blade to cut people with, and that was something, but when he needed it, he was still calling on it as a child did—as a bludgeon to beat his way out of traps he had dug for himself. Once, she had told herself Larry would change. She had; he would. But this was no boy in front of her; this was a grown-up man, and she feared that his days of change—the deep and fundamental sort her minister called a change of soul rather than one of heart—were behind him. There was something in Larry that gave you the bitter zing of hearing chalk screech on a blackboard. Deep inside, looking out, was only Larry. He was the only one allowed inside his heart. But she loved him.
”
”
Stephen King (The Stand)
“
headquarters permanently to Rome. Rome was at the center of world affairs, as it was also the center of world corruption. Where else could be better suited—especially now that Monteriggioni was no longer a viable option? He also had plans for a system of distribution of the Brotherhood’s funds in response to individual Assassins’ successfully completed missions. Those diamonds he’d taken from the slave traders had come in very handy, a welcome addition to the campaign fund. One day… But “one day” was still a long way off. The Brotherhood still had no new elected leader, though by common consent and by virtue of their actions, he and Machiavelli had become its temporary chiefs. But they were still only temporary. Nothing had been ratified in formal council. And Caterina preyed on his mind. He had left Claudia to oversee the renovation of the Rosa in Fiore without any supervision or interference. Let her sink or swim in her own overweening confidence! It’d be no fault of his if she sank. But the brothel was an important link in his network, and he admitted to himself that if he really had had absolutely no faith in her, he might have leaned on her harder in the first place. Now was the time to put her work—what she had achieved—to the test. When he returned to the Rosa in Fiore, he was as surprised as he was pleased. Just as successful, he hoped, as his own previous transformations in the city, and at Bartolomeo’s barracks, had been (though even for those he was modest and realistic enough not to take all the credit). But he hid his delight as he took in the sumptuous rooms hung with costly tapestries, the wide sofas, the soft silk cushions, and the white wines chilled with ice—an
”
”
Oliver Bowden (Assassin's Creed: Brotherhood)
“
They taught him how to milk cows and now they expected him to tame lions. Perhaps they expected him to behave like all good lion tamers. Use a whip and a chair. But what happens to the best lion tamer when he puts down his whip and his chair.
Goddamnit! It was wrong. He felt cheated, he felt almost violated. He felt cheated for himself, and he felt cheated for guys like Joshua Edwards who wanted to teach and who didn’t know how to teach because he’d been pumped full of manure and theoretical hogwash. Why hadn’t anyone told them, in plain, frank English, just what to do? Couldn’t someone, somewhere along the line, have told them? Not one single college instructor? Not someone from the board of Ed, someone to orientate them after they’d passed the emergency exam? Not anyone? Now one sonofabitch somewhere who gave a good goddamn? Not even Stanley? Not even Small? Did they have to figure it out for themselves, sink and swim, kill or be killed?
Rick had never been told how to stop in his class. He’d never been told what to do with a second term student who doesn’t even know how to write down his own goddamn name on a sheet of paper. He didn’t know, he’d never been advised on the proper tactics for dealing with a boy whose I.Q. was 66, a big, fat, round, moronic 66. He hadn’t been taught about kids’ yelling out in class, not one kid, not the occasional “difficult child” the ed courses had loftily philosophized about, not him. But a whole goddamn, shouting, screaming class load of them all yelling their sonofbitching heads off. What do you do with a kid who can’t read even though he’s fifteen years old? Recommend him for special reading classes, sure. And what do you do when those special reading classes are loaded to the asshole, packed because there are kids who can’t read in abundance, and you have to take only those who can’t read the worst, dumping them onto a teacher who’s already overloaded and those who doesn’t want to teach a remedial class to begin with?
And what do you with that poor ignorant jerk? Do you call him on class, knowing damn well he hasn’t read the assignment because he doesn’t know how to read? Or do you ignore him? Or do you ask him to stop by after school, knowing he would prefer playing stickball to learning how to read.
And knowing he considers himself liberated the moment the bell sounds at the end of the eighth period.
What do you do when you’ve explained something patiently and fully, explained it just the way you were taught to explain in your education courses, explained in minute detail, and you look out at your class and see that stretching, vacant wall of blank, blank faces and you know nothing has penetrated, not a goddamn thing has sunk in? What do you do then?
Give them all board erasers to clean.
What do you do when you call on a kid and ask “What did that last passage mean?”and the kid stands there without any idea of what the passage meant , and you know that he’s not alone, you know every other kid in the class hasn’t the faintest idea either? What the hell do you do then? Do you go home and browse through the philosophy of education books the G.I bill generously provided. Do you scratch your ugly head and seek enlightenment from the educational psychology texts? Do you consult Dewey?
And who the hell do you condemn, just who?
Do you condemn elementary schools for sending a kid on to high school without knowing how to read, without knowing how to write his own name on a piece of paper? Do you condemn the masterminds who plot the education systems of a nation, or a state or a city?
”
”
Evan Hunter (The Blackboard Jungle)
“
Every so often, the gods stop laughing long enough to do something terrible. There are few facts that are not brutal. The bitter, insufficient truth is that God recovered, but fun is dead.
Alcohol: the antidote to civilization. Alcoholism is a fatal disease. But then I am not a member of Alcoholics Anonymous, because I don't want to be cured. Alcoholism is suicide with training wheels. I watch myself sinking, an inch at a time, and I spit into the eye of fate, like Doc Holliday, who died too weak to lift a playing card. My traitorous and degenerate attitude is sort of my book review of the world we live in. I resign from the human race. I declare myself null and void; folded, spindled, and mutilated.
. . .This bar is an oasis for the night people, the street people, the invisible tribe, the people who simply do not exist in the orderly world we see in Time - the weekly science fiction magazine published by the Pentagon - an orderly world which is a sanitized Emerald City populated by contented Munchkins who pay taxes to buy tanks, nerve gas, and bombers and not a world which is a bus-station toilet where the air is a chemical cocktail of cancer-causing agents, children are starving, and the daily agenda is kill or be killed.
When the world demands that you be larger than life, and you are finding it hard enough just being life-size, you can come here, in the messy hemorrhaging of reality, let your hair down, take your girdle off, and not be embarrassed by your wounds and deformities. Here among the terminally disenchanted you are graded not by the size of the car on display in your driveway but by the size of your courage in the face of nameless things.
. . .Half of these people look like they just came back from the moon, and all of them are sworn witnesses for the prosecution on the charge that Earth serves as Hell for some other planet.
”
”
Gustav Hasford (A Gypsy Good Time)
“
It was like a page out of the telephone book. Alphabetically, numerically, statistically, it made sense. But when you looked at it up close, when you examined the pages separately, or the parts separately, when you examined one lone individual and what constituted him, examined the air he breathed, the life he led, the chances he risked, you saw something so foul and degrading, so low, so miserable, so utterly hopeless and senseless, that it was worse than looking into a volcano.
Outwardly it seems to be a beautiful honeycomb, with all the drones crawling over each other in a frenzy of work; inwardly it’s a slaughterhouse, each man killing off his neighbor and sucking the juice from his bones. Superficially it looks like a bold, masculine world; actually it’s a whorehouse run by women, with the native sons acting as pimps and the bloody foreigners selling their flesh... The whole continent is sound asleep and in that sleep a grand nightmare is taking place…
At night the streets of New York reflect the crucifixion and death of Christ. When the snow is on the ground and there is the utmost silence there comes out of the hideous buildings of New York a music of such sullen despair and bankruptcy as to make the flesh shrivel. No stone was laid upon another with love or reverence; no street was laid for dance or joy. One thing has been added to another in a mad scramble to fill the belly, and the streets smell of empty bellies and full bellies and bellies half full. The streets smell of a hunger which has nothing to do with love; they smell of the belly which is insatiable and of the creations of the empty belly which are null and void.
Just as the city itself had become a huge tomb in which men struggled to earn a decent death so my own life came to resemble a tomb which I was constructing out of my own death. I was walking around in a stone forest the center of which was chaos; sometimes in the dead center, in the very heart of chaos, I danced or drank myself silly, or I made love, or I befriended some one, or I planned a new life, but it was all chaos, all stone, and all hopeless and bewildering. Until the time when I would encounter a force strong enough to whirl me out of this mad stone forest no life would be possible for me nor could one page be written which would have meaning…
Everybody and everything is a part of life...
As an individual, as flesh and blood, I am leveled down each day to make the fleshless, bloodless city whose perfection is the sum of all logic and death to the dream. I am struggling against an oceanic death in which my own death is but a drop of water evaporating. To raise my own individual life but a fraction of an inch above this sinking sea of death I must have a faith greater than Christ’s, a wisdom deeper than that of the greatest seer. I must have the ability and the patience to formulate what is not contained in the language of our time, for what is now intelligible is meaningless. My eyes are useless, for they render back only the image of the known. My whole body must become a constant beam of light, moving with an ever greater rapidity, never arrested, never looking back, never dwindling. The city grows like a cancer; I must grow like a sun. The city eats deeper and deeper into the red; it is an insatiable white louse which must die eventually of inanition. I am going to starve the white louse which is eating me up. I am going to die as a city in order to become again a man. Therefore I close my ears, my eyes, my mouth.
Infinitely better, as life moves toward a deathly perfection, to be just a bit of breathing space, a stretch of green, a little fresh air, a pool of water. Better also to receive men silently and to enfold them, for there is no answer to make while they are still frantically rushing to turn the corner.
”
”
Henry Miller (Tropic of Capricorn (Tropic, #2))
“
Externally Hitler sill appears a drifting character: he has failed at school, has no employment, has been rejected by the Academy, is in Vienna for no clearly stated purpose, lives on a pittance eked out by painting postcards. But behind this shiftless exterior Kubizek constructs what must have been there, although it was not apparent to casual acquaintances: the character of the man who, from these beginnings, without any other natural advantages besides his own personality, became the most powerful and terrible tyrant and conqueror of modern history. Here we see - along with the incipient monomania, the repetitive cliches, and the Wagnerian romanticism of his later years - the early evidence of that unbreakable will power, that extraordinary self-confidence. We see the penniless, unemployed, unemployable young Hitler, at sixteen, confidently rebuilding in his imagination the city of Linz, as he was afterwards to rebuild it in fact, and never for a moment doubting that he would one day carry out these improbable plans; we see him exercising over an elderly Austrian upholsterer that irresistible hypnotic power with which he was afterwards to seduce a whole nation; we see him, in Vienna, fortifying himself against a corrupt and purposeless society by adopting an iron asceticism, like some ancient crusader guarding himself against corruption in a pagan world. And then turning to detail, we see in Vienna, when Kubizek was closest to him, the working of Hitler's mind as it feels its way towards the beginnings of national socialism: his crude, voracious but systematic reading; his sudden discovery of politics; his hatred of the social injustice of urban life represented to him, the architect, by squalid slum buildings; his fear -- the fear which he was afterwards to exploit among millions of lower-middle-class Germans - of sinking into proletarian status. Behind the outward meaninglessness of his hand-to-mouth existence we see the inner
purposefulness of his studies, his experiences, his reasoning.
”
”
August Kubizek (The Young Hitler I Knew)
“
Yes, my friend, ship wreckage was once the wood of a tree, nothing special about it - just like any other kind of wood. Men cut down the tree. They sawed and worked and planed and shaped and polished and caulked and tarred it. They made a ship out it, and they celebrated the birth of that ship, they christened it like a child. And they entrusted themselves to it. But the men were no longer very much in charge. The ship too had its say. A ship’s a being in its own right, like a person, so to speak, that thinks, and breathes, and reacts. A ship has its own mission to accomplish. It has its own destiny. So it sinks, this vessel, it founders because it was meant to founder, on such a day at such a time, on account of this or that, and in such a place. Maybe it was already written in the stars. And then long afterwards, other men discover the wreck, they refloat it, they bring to the surface the bits of wood — and you should see with what respect they do this. And you think a piece of wreckage like that doesn’t know anything, doesn’t remember anything, isn’t capable of anything, that it’s as senseless as it is hard, that it’s. . . as thick as a plank? I’ll tell you something worth remembering, that sailors well know: wood from a shipwreck is “back-flash” wood. Whatever takes place under the auspices and under the sign of even the smallest fragment ot a shipwreck cuts more than just one way. One swinish deed is multiplied a thousandfold; one flower’, (he meant, a kindness),'will bring you a field full of flowers, an entire province, tulips, cyclamens, take your pick. For instance: there’s shipwreck wood in the base frame of the sign of the four sergeants. That’s something “the likes of us” know. Well, once that guy was through,’ (he meant, the man who’d been praying), ‘I guarantee, the judge, every member of the jury, the prosecutor, the warders, the hangman, his assistants, the whole damn lot of them are going to get their comeuppance, and how! From now on they’re jinxed. Seriously jinxed. And for a long time to come.
”
”
Jacques Yonnet (Paris Noir: The Secret History of a City)
“
heu, uatum ignarae mentes! quid uota furentem,
quid delubra iuuant? est mollis flamma medullas
interea et tacitum uiuit sub pectore uulnus.
uritur infelix Dido totaque uagatur
urbe furens, qualis coniecta cerua sagitta,
quam procul incautam nemora inter Cresia fixit
pastor agens telis liquitque uolatile ferrum
nescius: illa fuga siluas saltusque peragrat
Dictaeos; haeret lateri letalis harundo.
nunc media Aenean secum per moenia ducit
Sidoniasque ostentat opes urbemque paratam,
incipit effari mediaque in uoce resistit;
nunc eadem labente die conuiuia quaerit,
Iliacosque iterum demens audire labores
exposcit pendetque iterum narrantis ab ore.
post ubi digressi, lumenque obscura uicissim
luna premit suadentque cadentia sidera somnos,
sola domo maeret uacua stratisque relictis
incubat. illum absens absentem auditque uidetque,
aut gremio Ascanium genitoris imagine capta
detinet, infandum si fallere possit amorem.
non coeptae adsurgunt turres, non arma iuuentus
exercet portusue aut propugnacula bello
tuta parant: pendent opera interrupta minaeque
murorum ingentes aequataque machina caelo.
(Alas, poor blind interpreters! What woman
In love is helped by offerings or altars?
Soft fire consumes the marrow-bones, the silent
Wound grows, deep in the heart.
Unhappy Dido burns, and wanders, burning,
All up and down the city, the way a deer
With a hunter’s careless arrow in her flank
Ranges the uplands, with the shaft still clinging
To the hurt side. She takes Aeneas with her
All through the town, displays the wealth of Sidon,
Buildings projected; she starts to speak, and falters,
And at the end of the day renews the banquet,
Is wild to hear the story, over and over,
Hangs on each word, until the late moon, sinking,
Sends them all home. The stars die out, but Dido
Lies brooding in the empty hall, alone,
Abandoned on a lonely couch. She hears him,
Sees him, or sees and hears him in Iulus,
Fondles the boy, as if that ruse might fool her,
Deceived by his resemblance to his father.
The towers no longer rise, the youth are slack
In drill for arms, the cranes and derricks rusting,
Walls halt halfway to heaven.)
Book IV 65-89
”
”
Virgil (The Aeneid)
“
The City of México, situated on a lake that had been gradually drying for a thousand years, had begun to experience serious flooding as early as the administration of the first Velasco. The problem was that the Spanish had deforested the ocote- and cypress-covered slopes of the three central lakes, Xaltocán, Texcoco, and Zumpango; now water cascaded off the mountains and soil erosion began to silt up the lakes. The lakes in Anáhuac had never drained to any sea; and during seasons of unusually heavy rains the water level lapping against the capital rose dangerously. After an inundation in the 1550s, the viceroy had rebuilt the old Mexica dikes; by 1604 no dams or levees could hold off the rising water. The second Velasco set the engineer Enrico Martínez to solving the problem. Martínez dug a tunnel four miles through the encircling mountains to drain off the excess water. Many thousands of local indios were dragooned into this task and driven harshly to complete the job within a year. The task was done in eleven months, at an enormous cost in Amerindian hardship and lives. Unfortunately, while the idea was sound, the construction was shaky. The tunnel tended to cave in, and it was not large enough to handle a serious flood. For some twenty years, huge numbers of indios were kept laboring to clear the tunnel and shore it up; then, in 1629, a simultaneous rise in all the lakes choked the tunnel. The destruction was enormous, and some parts of the city remained flooded for four years. The engineer Martínez was again called upon. Now, he converted his disastrous tunnel into an open ditch about thirteen miles long and about two hundred feet deep. This ditch, called the Tajo de Nochistongo, required ten years to put in operation, and work continued on it for more than a century. The draining of the Valley occupied a whole series of viceroys, used up most of their revenues, and laid terrible burdens on the surviving Anáhuac Indians. Nor was the drainage problem really solved, though the Capital was kept out of the mire. Drainage, and the subsequent sinking and shifting of the porous lake-bottom soil is still a monstrous engineering, architectural, and financial problem for México.
”
”
T.R. Fehrenbach (Fire & Blood: A History of Mexico)
“
Maybe nostalgia is itself the problem. A Democrat I met in Macon during a conversation we had about the local enthusiasm for Trump told me that “people want to go back to Mayberry”, the setting of the beloved old Andy Griffith Show. (As it happens, the actual model for Mayberry, Mount Airy, a bedraggled town in North Carolina, has gone all in on the Trump revolution, as the Washington Post recently reported.)
Maybe it’s also true, as my liberal friends believe, that what people in this part of the country secretly long to go back to are the days when the Klan was riding high or when Quantrill was terrorizing the people of neighboring Kansas, or when Dred Scott was losing his famous court case. For sure, there is a streak of that ugly sentiment in the Trump phenomenon.
But I want to suggest something different: that the nostalgic urge does not necessarily have to be a reactionary one. There is nothing un-progressive about wanting your town to thrive, about recognizing that it isn’t thriving today, about figuring out that the mid-century, liberal way worked better.
For me, at least, that is how nostalgia unfolds. When I drive around this part of the country, I always do so with a WPA guidebook in hand, the better to help me locate the architectural achievements of the Roosevelt years. I used to patronize a list of restaurants supposedly favored by Harry Truman (they are slowly disappearing).
And these days, as I pass Trump sign after Trump sign, I wonder what has made so many of Truman’s people cast their lot with this blustering would-be caudillo.
Maybe what I’m pining for is a liberal Magic Kingdom, a non-racist midwest where things function again. For a countryside dotted with small towns where the business district has reasonable job-creating businesses in it, taverns too.
For a state where the giant chain stores haven’t succeeded in putting everyone out of business. For an economy where workers can form unions and buy new cars every couple of years, where farmers enjoy the protection of the laws, and where corporate management has not been permitted to use every trick available to them to drive down wages and play desperate cities off one against the other.
Maybe it’s just an impossible utopia, a shimmering Mayberry dream. But somehow I don’t think so.
”
”
Thomas Frank (Rendezvous with Oblivion: Reports from a Sinking Society)
“
In Andhra, farmers fear Naidu’s land pool will sink their fortunes Prasad Nichenametla,Hindustan Times | 480 words The state festival tag added colour to Sankranti in Andhra Pradesh this time. But the hue of happiness was missing in 29 villages along river Krishna in Guntur district. The villagers knew it was their last Sankranti, a harvest festival celebrated to seek agricultural prosperity. For in two months, more than 30,000 acres of fertile farmland would be acquired for a brand new capital planned in collaboration with Singapore. The Nara Chandrababu Naidu government went about the capital project by setting aside the Centre’s land acquisition act and drawing up a compensation package for land-owning and tenant farmers and labourers. Many are opposed to it, and are not keen on snapping their centuries-old bond with their land and livelihood. In Penumaka village, Nageshwara Rao, 50, fears the future as he does not possess a tenancy certificate that could have brought some relief under the compensation package. “The entire village is against land-pooling but we hear the government is adamant,” Rao says, referring to municipal minister P Narayana’s alleged assertion that land would be taken with or without the farmers’ consent. Narayana is supervising the land-pooling process. “Naidu says he would give us Rs 50,000 per year in lieu of annual crops. We earn that much in a month here,” villager Meka Koti Reddy says. To drive home the point, locals in Undavalli village nearby have put up a board asking officials to keep off their lands that produce three crops a year. Unlike other parts of Andhra Pradesh, the water-rich land here is highly productive yielding 200 varieties of crops. Some farmers are also suspicious about the compensation because Naidu is yet to deliver on the loan-waiver promise. They are now weighing legal options besides seeking Prime Minister Narendra Modi’s intervention to retain their land. While the villagers opposing land-pooling are allegedly being backed by Jaganmohan Reddy’s YSR Congress Party, those belonging to the Kamma community — the support base for Naidu’s Telugu Desam Party — are said to be cooperative. It is also believed that Naidu chose this location over others suggested by experts to primarily benefit the Kamma industrialists who own large swathes of land in Krishna and Guntur districts. But even the pro-project villagers cannot help feel insecure. “We are clueless about where our developed area would be. What if the project is not executed within Naidu’s tenure? Is there a legal recourse?” Idupulapati Rambabu of Mandadam says. This is despite Naidu’s assurance on January 1 at nearby Thulluru, where he launched the land-pooling process, asking farmers to give land without any apprehension. He said the deal in its present form would make them richer than him in a decade. “We are not building a mere city but a hub of economic activity loaded with superior infrastructure that is aimed at generating wealth. This would be a win-win situation for all,” Naidu tells HT. As of now, villages like Nelapadu struggling with low soil fertility seem to be winning from the package.
”
”
Anonymous
“
All beauty calls you to me, and you seem,
Past twice a thousand miles of shifting sea,
To reach me. You are as the wind I breathe
Here on the ship's sun-smitten topmost deck,
With only light between the heavens and me.
I feel your spirit and I close my eyes,
Knowing the bright hair blowing in the sun,
The eager whisper and the searching eyes.
Listen, I love you. Do not turn your face
Nor touch me. Only stand and watch awhile
The blue unbroken circle of sea.
Look far away and let me ease my heart
Of words that beat in it with broken wing.
Look far away, and if I say too much,
Forget that I am speaking. Only watch,
How like a gull that sparking sinks to rest,
The foam-crest drifts along a happy wave
Toward the bright verge, the boundary of the world.
I am so weak a thing, praise me for this,
That in some strange way I was strong enough
To keep my love unuttered and to stand
Altho' I longed to kneel to you that night
You looked at me with ever-calling eyes.
Was I not calm? And if you guessed my love
You thought it something delicate and free,
Soft as the sound of fir-trees in the wind,
Fleeting as phosphorescent stars in foam.
Yet in my heart there was a beating storm
Bending my thoughts before it, and I strove
To say too little lest I say too much,
And from my eyes to drive love’s happy shame.
Yet when I heard your name the first far time
It seemed like other names to me, and I
Was all unconscious, as a dreaming river
That nears at last its long predestined sea;
And when you spoke to me, I did not know
That to my life’s high altar came its priest.
But now I know between my God and me
You stand forever, nearer God than I,
And in your hands with faith and utter joy
I would that I could lay my woman’s soul.
Oh, my love
To whom I cannot come with any gift
Of body or of soul, I pass and go.
But sometimes when you hear blown back to you
My wistful, far-off singing touched with tears,
Know that I sang for you alone to hear,
And that I wondered if the wind would bring
To him who tuned my heart its distant song.
So might a woman who in loneliness
Had borne a child, dreaming of days to come,
Wonder if it would please its father’s eyes.
But long before I ever heard your name,
Always the undertone’s unchanging note
In all my singing had prefigured you,
Foretold you as a spark foretells a flame.
Yet I was free as an untethered cloud
In the great space between the sky and sea,
And might have blown before the wind of joy
Like a bright banner woven by the sun.
I did not know the longing in the night–
You who have waked me cannot give me sleep.
All things in all the world can rest, but I,
Even the smooth brief respite of a wave
When it gives up its broken crown of foam,
Even that little rest I may not have.
And yet all quiet loves of friends, all joy
In all the piercing beauty of the world
I would give up– go blind forevermore,
Rather than have God blot from out my soul
Remembrance of your voice that said my name.
For us no starlight stilled the April fields,
No birds awoke in darking trees for us,
Yet where we walked the city’s street that night
Felt in our feet the singing fire of spring,
And in our path we left a trail of light
Soft as the phosphorescence of the sea
When night submerges in the vessel’s wake
A heaven of unborn evanescent stars.
”
”
Sara Teasdale (The Collected Poems)
“
All beauty calls you to me, and you seem”
All beauty calls you to me, and you seem,
Past twice a thousand miles of shifting sea,
To reach me. You are as the wind I breathe
Here on the ship's sun-smitten topmost deck,
With only light between the heavens and me.
I feel your spirit and I close my eyes,
Knowing the bright hair blowing in the sun,
The eager whisper and the searching eyes.
Listen, I love you. Do not turn your face
Nor touch me. Only stand and watch awhile
The blue unbroken circle of the sea.
Look far away and let me ease my heart
Of words that beat in it with broken wing.
Look far away, and if I say too much,
Forget that I am speaking. Only watch,
How like a gull that sparkling sinks to rest,
The foam-crest drifts along a happy wave
Toward the bright verge, the boundary of the world.
I am so weak a thing, praise me for this,
That in some strange way I was strong enough
To keep my love unuttered and to stand
Altho' I longed to kneel to you that night
You looked at me with ever-calling eyes.
Was I not calm? And if you guessed my love
You thought it something delicate and free,
Soft as the sound of fir-trees in the wind,
Fleeting as phosphorescent stars in foam.
Yet in my heart there was a beating storm
Bending my thoughts before it, and I strove
To say too little lest I say too much,
And from my eyes to drive love's happy shame.
Yet when I heard your name the first far time
It seemed like other names to me, and I
Was all unconscious, as a dreaming river
That nears at last its long predestined sea;
And when you spoke to me, I did not know
That to my life's high altar came its priest.
But now I know between my God and me
You stand forever, nearer God than I,
And in your hands with faith and utter joy
I would that I could lay my woman's soul.
Oh, my love
To whom I cannot come with any gift
Of body or of soul, I pass and go.
But sometimes when you hear blown back to you
My wistful, far-off singing touched with tears,
Know that I sang for you alone to hear,
And that I wondered if the wind would bring
To him who tuned my heart its distant song.
So might a woman who in loneliness
Had borne a child, dreaming of days to come,
Wonder if it would please its father's eyes.
But long before I ever heard your name,
Always the undertone's unchanging note
In all my singing had prefigured you,
Foretold you as a spark foretells a flame.
Yet I was free as an untethered cloud
In the great space between the sky and sea,
And might have blown before the wind of joy
Like a bright banner woven by the sun.
I did not know the longing in the night--
You who have waked me cannot give me sleep.
All things in all the world can rest, but I,
Even the smooth brief respite of a wave
When it gives up its broken crown of foam,
Even that little rest I may not have.
And yet all quiet loves of friends, all joy
In all the piercing beauty of the world
I would give up--go blind forevermore,
Rather than have God blot from out my soul
Remembrance of your voice that said my name.
For us no starlight stilled the April fields,
No birds awoke in darkling trees for us,
Yet where we walked the city's street that night
Felt in our feet the singing fire of spring,
And in our path we left a trail of light
Soft as the phosphorescence of the sea
When night submerges in the vessel's wake
A heaven of unborn evanescent stars.
”
”
Sara Teasdale (Rivers to the Sea)
“
The history of the land is a history of blood.
In this history, someone wins and someone loses. There are patriots and enemies. Folk heroes who save the day. Vanquished foes who had it coming.
It’s all in the telling.
The conquered have no voice. Ask the thirty-eight Santee Sioux singing the death song with the nooses around their necks, the treaty signed fair and square, then nullified with a snap of the rope. Ask the slave women forced to bear their masters’ children, to raise and love them and see them sold. Ask the miners slaughtered by the militia in Ludlow.
Names are erased. The conqueror tells the story. The colonizer writes the history, winning twice: A theft of land. A theft of witness.
Oh, but let’s not speak of such things! Look: Here is an eagle whipping above the vast grasslands where the buffalo once thundered bold as gods. (The buffalo are here among the dead. So many buffalo.) There is the Declaration in sepia. (Signed by slave owners. Shhh, hush up about that, now!) See how the sun shines down upon the homesteaders’ wagons racing toward a precious claim in the nation’s future, the pursuit of happiness pursued without rest, destiny made manifest? (Never mind about those same homesteaders eating the flesh of neighbors. Winters are harsh in this country. Pack a snack.)
The history is a hungry history. Its mouth opens wide to consume. It must be fed. Bring me what you would forget, it cries, and I will swallow it whole and pull out the bones bleached of truth upon which you will hang the myths of yourselves. Feed me your pain and I will give you dreams and denial, a balm in Gilead. The land remembers everything, though. It knows the steps of this nation’s ballet of violence and forgetting.
The land receives our dead, and the dead sing softly the song of us: blood. Blood on the plains. In the rivers. On the trees where the ropes swing. Blood on the leaves. Blood under the flowers of Gettysburg, of Antioch. Blood on the auction blocks. Blood of the Lenape, the Cherokee, the Cheyenne. Blood of the Alamo. Blood of the Chinese railroad workers. Blood of the midwives hung for witchcraft, for the crime of being women who bleed. Blood of the immigrants fleeing the hopeless, running toward the open arms of the nation’s seductive hope, its greatest export. Blood of the first removed to make way for the cities, the factories, the people and their unbridled dreams: The chugging of the railways. The tapping of the telegram. The humming of industry. Sound burbling along telephone wires. Printing presses whirring with the day’s news. And the next day’s. And the day after that’s. Endless cycles of information. Cities brimming with ambitions used and discarded.
The dead hold what the people throw away. The stories sink the tendrils of their hope and sorrow down into the graves and coil around the dead buried there, deep in its womb.
All passes away, the dead whisper. Except for us. We, the eternal. Always here. Always listening. Always seeing.
One nation, under the earth. E Pluribus unum mortuis.
Oh, how we wish we could reach you! You dreamers and schemers! Oh, you children of optimism! You pioneers! You stars and stripes, forever! Sometimes, the dreamers wake as if they have heard. They take to the streets. They pick up the plow, the pen, the banner, the promise. They reach out to neighbors. They reach out to strangers. Backs stooped from a hard day’s labor, two men, one black, one white, share water from a well. They are thirsty and, in this one moment, thirst and work make them brothers. They drink of shared trust, that all men are created equal. They wipe their brows and smile up at a faithful sun.
”
”
Libba Bray
“
GRADY WASN’T SAD. HE WAS furious—shouting hateful things about the Council, the Black Swan, memory breaks, even Alden. Edaline wasn’t sad either. She was worried—trying to force a dozen elixirs down Sophie’s throat, no matter how many times Sophie assured her she was fine. Tiergan ordered them both to drink a mild sedative and they finally calmed, sinking into their chairs. “I’ll have to talk to Grady about the other matters tomorrow,
”
”
Shannon Messenger (Exile (Keeper of the Lost Cities, #2))
“
The international press does not discuss the issue — it is taboo — but, since the end of apartheid and the establishment of a Black government, South Africa is slowly sinking into barbarism. The first to suffer from it are, of course, the Blacks themselves. Some of them (as happened in Rhodesia, Algeria and elsewhere) are beginning to miss ‘White power’ . . . Unemployment has tripled since the abolition of apartheid and crime rates are today the highest in the world: 12,000 murders and 50,000 rapes a year. 95 per cent of the victims are Black. Heavily guarded by militias, the wealthy Whites live in the cities, surrounded by electrified barbed-wire fences. The situation is paradoxical but explicable. Since the inauguration of Black power the difference in the standard of living between Blacks and Whites has increased by 10 per cent to the advantage of the Whites and de facto apartheid has become much more marked than under the old de jure apartheid.
”
”
Guillaume Faye (Convergence of Catastrophes)
“
LOYAL TO THE SOIL—WE NEED WATER NOT OIL and IF WE DESTROY CREATION, CREATION WILL DESTROY US.
”
”
Jeff Goodell (The Water Will Come: Rising Seas, Sinking Cities, and the Remaking of the Civilized World)
“
The extreme nationalists portrayed themselves as voices in the wilderness; unless they were heard, it would be too late. Desperate peril demanded desperate remedies. Only by a return to the racial roots of the German nation in the peasantry, the self-employed artisan and small businessman, and the traditional nuclear family, could the situation be rescued. The big cities were sinks of un-German immorality and disorder. Strong measures were needed to restore order, decency and a properly German concept of culture. A new Bismarck was needed, tough, ruthless, unafraid to pursue aggressive policies at home and abroad, if the nation was to be saved.
”
”
Richard J. Evans (The Coming of the Third Reich (The Third Reich Trilogy Book 1))
“
But the tenor of the discussion is changing, and geoengineering is being taken seriously, sooner than expected, because of emerging realizations. Realization 1. The stupendous cost, disruption, and time required to build a low-carbon energy infrastructure—Saul Griffith’s Renewistan—is sinking in.
”
”
Stewart Brand (Whole Earth Discipline: Why Dense Cities, Nuclear Power, Transgenic Crops, Restored Wildlands, and Geoengineering Are Necessary)
“
An old joke went: Daley, JFK, and Nikita Khrushchev are in a sinking lifeboat with only one life preserver. JFK says he should have it. Khrushchev demands he have it. Daley calls for a vote and wins, eight to two.
”
”
David Paul Kuhn (The Hardhat Riot: Nixon, New York City, and the Dawn of the White Working-Class Revolution)
“
The plane ride had been chillier than a winter dip in a Russian river, but I didn’t care. I didn’t need her to like me to do my job. I scanned the city’s near-empty National Cemetery, listening to the eerie howl of the wind whistle through the bare trees. A deep chill swept through the cemetery, burrowing past my layers of clothing and sinking deep into my bones.
”
”
Ana Huang (Twisted Games (Twisted, #2))
“
The metal walls of the freighter grew red, then white-hot, but the creature, unaffected, continued its slow transformation into gray mass. Vague thought came to the thing, realization that it was time to act. Suddenly, it was floating free of the ship, falling slowly, heavily, as if somehow the gravitation of Earth had no serious effect upon it. A minute distortion in its electrons started it falling faster, as in some alien way it suddenly became more allergic to gravity. The Earth was green below; and in the dim distance a gorgeous and tremendous city of spires and massive buildings glittered in the sinking Sun. The thing slowed, and drifted like a falling leaf in a breeze toward the still-distant Earth.
”
”
A.E. van Vogt (Vault of the Beast)
“
Who knows the end? What has risen may sink, and what has sunk may rise. Loathsomeness waits and dreams in the deep, and decay spreads over the tottering cities of men.”–HP Lovecraft, The Call of Cthulhu
”
”
Steffanie Holmes (Ignited (Kings of Miskatonic Prep, #4))
“
The Unassailable City was a vast promontory of rock rising hundreds of yards above the waves. Clinging like barnacles to its sheer sides were countless, chaotic structures. Those closest to the sea were fashioned from the flotsam of old ships, seemingly sunken into the face of the rock. Others were crafted from giant, overlapping conch shells strung together with seaweed-rope. Higher up, caves had been hacked from the rock, and crooked shacks struggled for purchase upon narrow shelves. A network of ropes and ladders laced the cliffs, as alive with movement as a web of newly hatched sea spiders. Enormous cranes, used to shift goods to and from the fleets below, grasped the edge of the precipitous heights and tried their balance against the gusting wind. Long-barrelled cannon squatted at their feet like guard dogs. These weapons could sink a frigate a mile distant, and had kept enemies away for centuries. Upon the very summit was a wide plateau, where stood the white houses and marble palaces of the High Mercantilists that ran the city.
”
”
D.M. Ritzlin (Death Dealers & Diabolists)
“
She saw Valentine sink to the ground and pull Jace onto his lap as if Jace were still very small and could be easily held. He drew him close and rocked him, and he lowered his face and pressed it against Jace’s shoulder, and Clary thought for a moment that he might even have been crying, but when he lifted his head, Valentine’s eyes were dry. “My son,” he whispered. “My boy.
”
”
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
“
And I refused to sink back into hiding, merely existing rather than living. Rather than loving.
”
”
Marie Maravilla (City of Salvation (Toxic Paradise #3))
“
The oblong tower of the church, with its wrought-iron steeple, caught the last reflections of the sun against the hills. This is what a cinematographer would call the golden hour, the glowing time just after the sun sinks below the horizon and before the dark sets in. It's the watercolor skies--- discreet layers of cotton-candy pink, dusky rose, and periwinkle, when the fields are their deepest green, and the wheat has a halo that rises from the surface. We were standing on the medieval ramparts, the walls that once protected this small community from the hostilities of the outside world. Just below us was a field of lavender, the rows tidy and symmetrical. Just behind, a hedge of rosemary bushes. In the distance I could make out the summit of Reillanne, golden city on a hill.
”
”
Elizabeth Bard (Picnic in Provence: A Memoir with Recipes)
“
Seong-Jae, what happens when we keep secrets?”
Seong-Jae hung his head with a groan. “…my obsessive ex-boyfriend kidnaps you, incites a city-wide riot, and attempts to force me back into narcotic dependency by trapping both of us in a sinking freighter in the harbor, but only leaving a viable avenue of escape for myself.”
“Exactly.
”
”
Cole McCade (The Golden Ratio (Criminal Intentions, #14))
“
The Mask,” Rhys murmured, “the Harp, and the Crown.” Nesta had a feeling none of them were good. Feyre frowned at her mate. “They’re different from the objects of power in the Hewn City? What can they do?” Nesta had tried her best to forget that night she and Amren had gone to test her so-called gift against the hoard within those unhallowed catacombs. The objects had been half-imprisoned in the stone itself: knives and necklaces and orbs and books, all shimmering with power. None of it pleasant. For the Dread Trove to be worse than what she’d witnessed … “The Mask can raise the dead,” Amren answered for Rhys. “It is a death mask, molded from the face of a long-forgotten king. Wear it and you may summon the dead to you, command them to march at your will. The Harp can open any door, physical or otherwise. Some say between worlds. And the Crown …” Amren shook her head. “The Crown can influence anyone, even piercing through the mightiest of mental shields. Its only flaw is that it requires close physical proximity to initially sink its claws into a victim’s mind. But wear the Crown, and you could make your enemies do your bidding. Could make a parent slaughter their child, aware of the horror but unable to stop themselves.” “And these things were lost?” Nesta demanded. Rhys threw her a frown. “Those who possessed them grew careless. They were lost in ancient wars, or to treachery, or simply because they were misplaced and forgotten.” “What does it have to do with the Cauldron?” Nesta pushed. “Like calls to like,” Feyre murmured, looking to Amren, who nodded. “Because the Trove was Made by the Cauldron, so might the Trove find its Maker.” She angled her head. “Briallyn was Made, though. Can’t she track the Cauldron herself?” Amren drummed her fingers on the arm of her chair. “The Cauldron aged Briallyn to punish her.” A glance at Nesta. “Or punish you, I suppose.
”
”
Sarah J. Maas (A Court of Silver Flames (A Court of Thorns and Roses, #4))
“
The shadow smiled at him. So Hunt smiled back. And then the shadow spoke. “You would do well in Hel.” Too drugged with agony, Hunt didn’t even quiver at the familiar male voice. One he’d already heard in another dream, another life. “Apollion,” he grunted. Not Death at all, then. He tried not to let disappointment sink in his gut. “What a sorry state you’re in,” the Prince of the Pit purred. He remained hidden in the shifting shadows. The demon prince inhaled, as if tasting the air. “What delicious pain you feel.” “I’d be happy to share.” A terrifyingly soft laugh. “Your good humor, it seems, remains intact. Even with the halo inked anew upon your brow.” Hunt smiled savagely. “I had the honor of having it done by Rigelus’s hand this time.” “Interesting that he would do it himself, rather than employ an imperial hag. Do you detect a difference?” Hunt’s chin dipped. “This one … stings. The hag’s halo felt like cold iron. This burns like acid.” He’d just finished voicing the last word when a thought slammed into him. “Bryce. Is she … is she with you?” If they’d hurt her, if Apollion gave one suggestion that— “No.” The shadow seemed to blink. “Why?
”
”
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
“
We all know that logs float and stones sink. But if you lash several logs together and then put the stones on top of the logs, you can get both the logs and stones across the river. If you try lashing the stones together and putting the logs on top, the stones will sink and the logs will scatter, and nothing will get across the river. You always float stones on logs, not the other way around. In the same way, we need to “float” “B” doctrines on top of “A” doctrines. Every culture (including our own) can readily grasp part of the truth but not all of it.
”
”
Timothy J. Keller (Center Church: Doing Balanced, Gospel-Centered Ministry in Your City)
“
Lerner had never been happy with the 1951 stage show, his and Loewe’s entry between Brigadoon and My Fair Lady. He revised it a bit for the national tour, and now decided to give it a completely different storyline and some new numbers to match. The results might, at least, have been a bargain, as the whole thing takes place in and around a single spot, a gold-rush town in more or less everyday (if period) clothes. As opposed to the castles in Spain where Camelot did much of its filming, not to mention the gargoyles and falconry. However, anticipating the disaster-film cycle, Lerner wanted Paint Your Wagon’s mining town (“No-Name City. Population: Male”) to sink into the earth in a catastrophe finale. Worse, production built the place from scratch in the wilds of Oregon, with no nearby living quarters for cast and crew; they had to be trucked and helicoptered in and out each day in a long and pricey commute, greatly protracting the shooting schedule. Back as director again after Camelot, Joshua Logan fretted about all this, but Lerner didn’t care how much of Paramount’s money he spent. He even hired Camelot’s spendthrift designer, John Truscott. In the end, it would appear that no one knows exactly how much Paint Your Wagon cost, but there is no doubt that it lost a vast fortune. It deserved to. Cynically, Lerner took note of changing times and filled the film with a “youth now!” attitude and sexual freedom—refreshing if they didn’t feel so commercially opportunistic. But after all, Hair (1967) had happened. Was Broadway urging Hollywood to go hippie, too, or would Lerner have done this anyway?
”
”
Ethan Mordden (When Broadway Went to Hollywood)
“
I don’t wear armor forged from the wrongs done to me.
”
”
Christine Cohen (The Sinking City)
“
Not as screaming echoed through the walls. Through the stone. Silene’s people had reached the pass, and now banged on the rock, begging to be let through. Silene covered her ears, sinking again to the floor. She clutched the Harp to her chest. Mother above, open up! a male roared. We have children here! Take the children!
”
”
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
“
Fuck, she shouldn’t be here alone. The undine—what her people called his—rarely came around the cities. And if they did, it was only for a shitty reason. They were known to attack cities like her own and perhaps had been behind the sinking of Gamma. But they weren’t seen around her city. No one in Beta had seen an undine in... years. Unless they were watching her people. Using routes like this one, where they knew no one was going to be in the room while they passed by. How long had he been watching her? Had he seen her working? The fire should have startled him away. It scared everything else.
”
”
Emma Hamm (Whispers of the Deep (Deep Waters, #1))
“
I’m assuming you found something,” he said. Before Sophie could figure out a good lie, Tam grabbed the jar of feces from Keefe’s stash and tossed it to him. “We did. Isn’t it awesome?” Lord Cassius grimaced and stalked over to one of the bathroom sinks to wash his hands, even though he’d only touched the container. “We both know that’s not what I was referring to.
”
”
Shannon Messenger (Lodestar (Keeper of the Lost Cities, #5))
“
The great enemy is time. It wears away stone and collapses arctic ice; it sinks ancient cities beneath the ocean and isolates giant arks on mountaintops and, if we let it, robs the light from our eyes. But the heart is its own measure; if it wishes, it can live forever when you accept the heart as a music box, a magical gift, one that’s aways there, like a rustling of the spheres or the leaves bouncing along the pavement deep down in the fall. A rainbow is up there. Don’t let anybody tell you there’s not.
”
”
James Lee Burke (Clete (Dave Robicheaux, #24))
“
How could my old life be over so suddenly that after years and years of never having a minute to draw my breath now I have so much time that I feel myself sinking into it like quicksand, drowning in it? A mother finished. A wife dismissed. Cliché-city.
”
”
Barbara O'Neal (The Goddesses of Kitchen Avenue)
“
In a visionary flash, Priuli foresaw, and much of Venice with him, the end of a whole system, a paradigm shift: not just Venice, but a whole network of long-distance commerce doomed to decline. All the old trade routes and their burgeoning cities that had flourished since antiquity were suddenly glimpsed as backwaters — Cairo, the Black Sea, Damascus, Beirut, Baghdad, Smyrna, the ports of the Red Sea, and the great cities of the Levant, Constantinople itself — all these threatened to be cut out from the cycles of world trade by oceangoing galleons. The Mediterranean would be bypassed; the Adriatic would no longer be the route to anywhere; important outstations such as Cyprus and Crete would sink into decline. The Portuguese rubbed this in. The king invited Venetian merchants to buy their spices in Lisbon; they would no longer need to treat with the fickle infidel. Some were tempted, but the Republic had too much invested in the Levant to withdraw easily; their merchants there would be soft targets for the sultan's wrath if they bought elsewhere. Nor, from the eastern Mediterranean, was sending their own ships to India readily practical. The whole business model of the Venetian state appeared, at a stroke, obsolete.
”
”
Roger Crowley (City of Fortune: How Venice Won and Lost a Naval Empire)
“
How humans can allow such a place to exist right there in their greatest city is beyond my comprehension. This is the hell we create for ourselves in an unchecked capitalist democracy. Sink or swim. Well, I sank.
”
”
Josh Becker (Hitler in the Madhouse)
“
The Japanese invasion of Manchuria in 1931 triggered a renewal of forces in Hawaiʻi. This happened again when the Empire of Japan waged an undeclared war against China in 1937. Signs of impending war with Japan were looming, and all sorts of pressures were building up to an eventual outbreak of conflict. Such pressures would be materially reflected in the lives of Hawaiians as well, including annual blackout drills and exercises for Hawaiian civilians in Honolulu. Civil defense units and outposts began to spring up in rural areas and surrounding military installations. Further, emergency disaster preparations began in 1940, with Honolulu women being tasked with surgical dressing and wound bandage production. There were also first-aid training sessions held by the local Red Cross. Honolulu saw the establishment of a blood bank, and the city’s Schofield Barracks would grow to become one of the largest US Army installations in the world, hosting and fielding over forty thousand troops by 1941. The primary objective of such a large force was to hold and defend Pearl Harbor and, by extension, Hawaiʻi from Japanese raiders and invaders. Incidents like the bombing of the SS President Hoover, the flagship Augusta, and the sinking of the USS Panay were strong indicators that Hawaiʻi was going to be sandwiched between two political and military bulldozers.
”
”
Captivating History (History of Hawaii: A Captivating Guide to Hawaiian History (U.S. States))
“
Then, not as memory, but as an experience of the present, she felt herself reliving the moment when she had stood at the window of her room in New York, looking at a fogbound city, at the unattainable shape of Atlantis sinking out of reach—and she knew that she was now seeing the answer to that moment. She felt, not the words she had then addressed to the city, but that untranslated sensation from which the words had come: You, whom I have always loved and never found, you whom I expected to see at the end of the rails beyond the horizon— Aloud, she said, “I want you to know this. I started my life with a single absolute: that the world was mine to shape in the image of my highest values and never to be given up to a lesser standard, no matter how long or hard the struggle”—you whose presence I had always felt in the streets of the city, the wordless voice within her was saying, and whose world I had wanted to build—“Now I know that I was fighting for this valley”—it is my love for you that had kept me moving—“It was this valley that I saw as possible and would exchange for nothing less and would not give up to a mindless evil”—my love and my hope to reach you and my wish to be worthy of you on the day when I would stand before you face to face—“I am going back to fight for this valley—to release it from its underground, to regain for it its full and rightful realm, to let the earth belong to you in fact, as it does in spirit—and to meet you again on the day when I’m able to deliver to you the whole of the world—or, if I fail, to remain in exile from this valley to the end of my life”—but what is left of my life will still be yours, and I will go on in your name, even though it is a name I’m never to pronounce, I will go on serving you, even though I’m never to win, I will go on, to be worthy of you on the day when I would have met you, even though I won’t—“I will fight for it, even if I have to fight against you, even if you damn me as a traitor . . . even if I am never to see you again.
”
”
Ayn Rand (Atlas Shrugged)
“
He sinks himself against me, and there’s no world outside this moment. No city to judge us. Nothing we can’t face. Crew holds me in his arms, and this might as well be the first home I’ve known. Because I’m safe, and in my mind, three words play in a dangerous loop.
I love you.
”
”
Eva Simmons (Heart Sick Hate (Twisted Roses #2))
“
Our bodies are crashing, burning. This entire city is going up in flames around us. He sinks into me, and I melt.
”
”
Eva Simmons (Cold Hard Truth (Twisted Roses #3))
“
Hey, you guys have gotten your tickets punched a few times, or you wouldn’t be reading this. You’re either in the club or you’re not. The great enemy is time. It wears away stone and collapses arctic ice; it sinks ancient cities beneath the ocean and isolates giant arks on mountaintops and, if we let it, robs the light from our eyes. But the heart is its own measure; if it wishes, it can live forever when you accept the heart as a music box, a magical gift, one that’s aways there, like a rustling of the spheres or the leaves bouncing along the pavement deep down in the fall. A rainbow is up there. Don’t let anybody tell you there’s not. I said it’s only rock and roll? Wrong. It’s a poem, brother. Or sister.
”
”
James Lee Burke (Clete (Dave Robicheaux, #24))
“
your flaws are boulders in a river. It’s up to you whether you let them sink your boat.
”
”
Devyn Sinclair (Knot All that Glitters (Slate City Omegaverse, #2))
“
What the do-gooders label “de-sensitization” has a value as well as a price. Some of us can’t afford to be shocked by catastrophe. The surgeon, the burn ward nurse, emergency room attendants, paramedics, firefighters and cops, all those who scrape the still-screaming remains out of car wrecks, must cultivate their off-switch. Those who can’t learn to crack wise and discuss baseball over a corpse must find a gentler line of work. The rumor is that city cops get strange from what they see, their eyes flattening or sinking into sockets as deep and hollow as rat holes.
”
”
Sean Tejaratchi (Death Scenes: A Homicide Detective's Scrapbook)
“
City was crowded Oh my My so many people Getting on Almost squeezed in the boat People once too many Tahu where was she in this humdrum No address Mother you werent here with me in the city Lost I am completely Lost I am drowning The boatman was but a boy The storm boat was sinking I was sinking mother and my father Tahu I was sinking...
”
”
Mehreen Ahmed (Moirae)
“
Building with Its Face Blown Off
How suddenly the private
is revealed in a bombed-out city,
how the blue and white striped wallpaper
of a second story bedroom is now
exposed to the lightly falling snow
as if the room had answered the explosion
wearing only its striped pajamas.
Some neighbors and soldiers
poke around in the rubble below
and stare up at the hanging staircase,
the portrait of a grandfather,
a door dangling from a single hinge.
And the bathroom looks almost embarrassed
by its uncovered ochre walls,
the twisted mess of its plumbing,
the sink sinking to its knees,
the ripped shower curtain,
the torn goldfish trailing bubbles.
It's like a dollhouse view
as if a child on its knees could reach in
and pick up the bureau, straighten a picture.
Or it might be a room on a stage
in a play with no characters,
no dialogue or audience,
no beginning, middle, and end–
just the broken furniture in the street,
a shoe among the cinder blocks,
a light snow still falling
on a distant steeple, and people
crossing a bridge that still stands.
And beyong that–crows in a tree,
the statue of a leader on a horse,
and clouds that look like smoke,
and even farther on, in another country
on a blanket under a shade tree,
a man pouring wine into two glasses
and a woman sliding out
the wooden pegs of a wicker hamper
filled with bread, cheese, and several kinds of olives.
”
”
Billy Collins (The Trouble With Poetry - And Other Poems)
“
In 2015, an exhaustive study published in the Proceedings of the National Academy of Sciences found that rising CO2 pollution had made the 2007–2010 drought in Syria twice as likely to occur, and that the four-year drought had a “catalytic effect” on political unrest in the area. Herders were forced off their land, seeking food and water elsewhere. More than 1.5 million rural people were displaced, causing a massive migration into urban areas, where they bumped up against an influx of Iraqi and Palestinian refugees. When researchers asked one displaced Syrian farmer whether she thought the drought had caused the civil war, she replied, “Of course. The drought and unemployment were important in pushing people toward revolution. When the drought happened, we could handle it for two years, and then we said, ‘It’s enough.
”
”
Jeff Goodell (The Water Will Come: Rising Seas, Sinking Cities, and the Remaking of the Civilized World)
“
Chicken legs, beef ribs- they ate the food with their fingers, dipping into the horseradish sauce, feeding each other greedily. Laughing. They rolled leaves of cabbages and chewed on them like monkeys. They ate the golden potatoes as if they were apples. By the time they returned to the making of stock, and took the roasted veal bones from the stove and put them into the pot and filled it with enough cold water so that it could slowly simmer, their own legs no longer ached, their feet felt as if they could stand the weight of their bones for yet another day and they tasted of garlic and wine.
"Thank you, chef," he said.
"Thank you, chef."
She opened the cheese larder and took out a wedge of runny Camembert, which she covered with a handful of white raspberries that he had draining in a colander by the sink. He opened a bottle of port.
The dishes could wait. They sat on the back stairs of the tall thin house and looked over the lights of the steep city of Monte Carlo and out into the endless sea. The air was cool, the cheese and raspberries were rich and tart; the port was unfathomably complex with wave and wave of spiced cherries, burnt caramel and wild honey.
”
”
N.M. Kelby (White Truffles in Winter)
“
Where the African church failed was in not carrying Christianity beyond the Romanized inhabitants of the cities and the great estates, and not sinking roots into the world of the native peoples. Like most regions of the Western empire, such as Gaul and Spain, Africa was divided between Latin-speaking provincials and old-stock natives, who spoke their ancient languages—in this case, varieties of Berber. Unlike these other provinces, though, the African church had made next to no progress in taking the faith to the villages and the neighboring tribes, nor, critically, had they tried to evangelize in local languages. This would not have been an unrealistic expectation, in that already by the fourth century missionaries elsewhere were translating the scriptures into Gothic, and Hunnic languages followed by the sixth century. Evidence of the neglect of the countryside can be found in the letters of Saint Augustine, by far the best known of African bishops, whose vision was sharply focused on the cities of Rome and Carthage; he expressed no interest in the rural areas or peoples of his diocese.3
”
”
Philip Jenkins (The Lost History of Christianity: The Thousand-Year Golden Age of the Church in the Middle East, Africa, and Asia—and How It Died)
“
Out of that dark, unstitched wound, that sink of abominations, that craddle of black-thronged cities where the music of ideas is drowned in cold fat, out of strangled Utopias is born a clown, a being divided between beauty and ugliness, between light and chaos, a clown who when he looks down and sidelong is Satan himself and when he looks upward sees a buttered angel, a snail with wings.
”
”
Henry Miller (Tropic of Cancer (Tropic, #1))
“
The bow still appears stately and upright. The stern lies in a shattered heap, mangled, we believe, by its violent break with the bow, by it's impact with the bottom, and perhaps by damage caused when air-filled pockets in the sinking hulk met deep-ocean pressures that near 6,000 pounds per square inch. Moist poignant was the debris field, where the effects of a floating city of 2,228 men, women, and children had drifted down for hours after Titanic broke apart. There, amidst huge chunks of twisted metal, fragile china cups appeared untouched. Peering through Alvin's small porthole, I saw the hollow eyes of a doll's head staring back, a haunting reminder of loss. Most wrenching for me was the sight of a pair of splayed boots, the body of the owner long ago consumed in the deep.
”
”
Bill Allen (Titanic: Collector's Edition (National Geographic Society))
“
Behind him, the lights of Erie appeared to be underwater now, a twinkling city sinking into an indigo sea.
”
”
Randall Silvis (Two Days Gone)
“
On February 9th, 1942, the SS Normandie, a proud ocean liner and the pride of the French Merchant Marine, was being converted into a troop transport. A welder’s torch cut through a bulkhead and set afire a bundle of flammable rags and a stack of life jackets. The fire soon roared throughout the ship and since the internal fire protection system had been disabled, the only assistance available was from the New York City Fire Department. Fireboats pumped water onto the blaze until it caused this magnificent vessel to become unstable. I guess it never occurred to anyone that the water going into the ship, should have been pumped out! On February 10th, the ship rolled over onto its port side, sinking into the mud alongside Pier 88 in Manhattan.
Investigations ensued with the thought being that this tragedy was caused by enemy sabotage. However, later findings indicated that the fire had been completely accidental. There are still some allegations contradicting this, and claims that the fire was indeed arson and involved “Lucky” Luciano, the Mafia boss who controlled the waterfront.
From the time the fire started until the Normandie was righted in 1943, I watched what was happening to the now renamed USS Lafayette from a perfect vantage point at the top of the Palisades near North Street Park. It was the talk of the town and everyone continued to speculate as to who was at fault. “It must have been the Nazis,” was the conventional wisdom. The soldiers to whom I frequently talked, stationed at the searchlights and gun emplacements, were the ones who surely would know. Eventually, stripped of her superstructure, the ship was righted at great expense. There was talk of converting her into an aircraft carrier, or of cutting her down to become a smaller vessel. However, in the end she was sold for $161,680 to Lipsett, Inc., an American shipyard, where the once magnificent ship was reduced to scrap metal.
”
”
Hank Bracker
“
The words sink and rise along the streets, are breathed in and out by the citizens, are pressed like bombs into the hands of the children, and thrown against the walls of the city. And the walls of the world tremble and shudder. And the walls of the world fall down.
”
”
Nike Sulway (Letters to Tiptree)
“
Imagine…
There’s a roast goose in Hong Kong—Mongkok, near the outskirts of the city, the place looks like any other. But you sink your teeth into the quickly hacked pieces and you know you’re experiencing something special. Layers of what can only be described as enlightenment, one extraordinary sensation after another as the popils of the tongue encounter first the crispy, caramelized skin, then air, then fat—the juicy, sweet yet savory, ever so slightly gamey meat, the fat just barely managing to retain its corporeal form before quickly dematerializing into liquid. These are the kinds of tastes and textures that come with year after year of the same man making the same dish. That man—the one there, behind the counter with the cleaver—hacking roast pork, and roast duck, and roast goose as he’s done since he was a child and as his father did before him. He’s got it right now for sure—and, sitting there at one of the white Formica tables, Cantonese pop songs oozing and occasionally distorting from an undersized speaker, you know it, too. In fact, you’re pretty goddamn sure this is the best roast goose on the whole planet. Nobody is eating goose better than you at this precise moment. Maybe in the whole history of the world there has never been a better goose. Ordinarily, you don’t know if you’d go that far describing a dish—but now, with that ethereal goose fat dribbling down your chin, the sound of perfectly crackling skin playing inside your head to an audience of one, hyperbole seems entirely appropriate.
”
”
Anthony Bourdain (Medium Raw: A Bloody Valentine to the World of Food and the People Who Cook)
“
Her Grace is coming to High Scape,” Karish said quietly.
I scraped some soap from the bar into the sink. “Who?”
“The Dowager Duchess of Westsea.”
I hesitated a moment. His mother. “Well, it’s been a good while since you’ve seen her.” I handed him a soapy dish.
He snorted. “I’ve gone a good seventeen years without seeing her.”
What could I say to that? “Oh.”
“Apparently she had been on some kind of retreat in the country—”
“Flown Raven is the country,” I muttered.
“City slave,” he said.
“Farm boy,” I shot back.
“I’ve never even seen a farm.”
“Don’t trifle me with details.”
“Anyway,” he continued, but he looked a little less grim, which had been the point of the interruption. “The gossip failed to catch up with her at the rustic chalet where she was meditating or whatever,” he sneered at the word ‘meditating, ’ “and she only recently learned that I had abjured the title.”
“Ah.” I could see where this was going. “Displeased, was she?”
The sound he made might have been a breathy laugh. “Furious. Enraged. Maddened. I fear for the life of the poor servant who handed the letter to her.” He opened a cabinet—the correct one, as it happened—and placed the dish inside.
”
”
Moira J. Moore (The Hero Strikes Back (Hero, #2))
“
Media City, Dubai, UAE – Kazema Portable Toilets, one of the leading suppliers of plastic portable toilets, GRP portable toilets and sinks, and other portable sanitation equipment today, this week excitedly announced they have been named a finalist for their entry into the “RSA Customer Focus of the Year Award’ at the Gulf Capital SME Awards 2017.
With all portable products being made from high quality, durable materials that can withstand the demands of sanitation, Kazema Portable Toilets carries a wide variety of ancillary products and accessories designed to assist business owners in earning more.
Now in its 6th year as a regarded small to mid-sized business recognition awards ceremony, the SME Awards proudly identify startups, innovative SMES with exemplary products and services, SMEs which invest in their employees’ environment and customer strategy, and also the visionary entrepreneurs at the helm.
“We’ve created a portable solution that is compatible with any business looking to add depth, expansion, and productivity to their operation,” said Raj, Founder and Owner of Kazema Portable Toilets. “We provide our clients with professional support worldwide that enables them to supply clients locally with our product, as well as harness it for widespread exportation.”
Recognized for their high-stock, ready-to-use durable product today, Kazema Portable Toilets is one of the front-runners for their SME awards category. Kazema beat out hundreds in the category to be regarded as a finalist for their entrepreneurial solution to a problem every person encounters daily.
“We are passionate about our work here at Kazema Portable Toilets, and we are honored to be named a finalist in such a reputable competition,” said Raj. “We want to thank SME for the recognition, and look forward to winning our category.
”
”
Kazema Portable Toilets
“
New York is surprisingly at risk. First, it’s on an estuary. The Hudson River, which runs along the west side of the city, needs an exit. So unlike with a harbor city like, say, Tokyo, or a city on a lagoon like Venice, you can’t just wall New York off from the rising ocean. Second, there are a lot of low areas, including the Brooklyn and Queens waterfronts and Lower Manhattan, which have been enlarged by landfill over the years (if you compare the map of damage from Sandy in 2012 with a map of Manhattan in 1650, you’ll see that they match pretty well—almost all the flooding occurred in landfill areas). The amount of real estate at risk in New York is mind-boggling: 72,000 buildings worth over $129 billion stand in flood zones today, with thousands more buildings at risk with each foot of sea-level rise. In addition, New York has a lot of industrial waterfront, where toxic materials and poor communities live in close proximity, as well as a huge amount of underground infrastructure—subways, tunnels, electrical systems. Finally, New York is a sea-level-rise hotspot. Because of changes in ocean dynamics, as well as the fact that the ground beneath the city is sinking as the continent recovers from the last ice age, seas are now rising about 50 percent faster in the New York area than the global average.
”
”
Jeff Goodell (The Water Will Come: Rising Seas, Sinking Cities, and the Remaking of the Civilized World)
“
Lower Manhattan is the most valuable chunk of real estate on the planet, as well as the economic engine for the entire region—if it can’t be protected, then New York City is in deep trouble.
”
”
Jeff Goodell (The Water Will Come: Rising Seas, Sinking Cities, and the Remaking of the Civilized World)
“
The house squatted around them, vast, empty, unnecessary and indestructible. You had to be a fat busy Victorian family to expand enough to fill up basements and passages and conservatives and attics. You had to have an army of bootboys and nurses and parlourmaids. You had to have a complicated greedy system of living that used up plenty of space and people and just in the daily business of eating and sleeping and keeping clean. You had to multiply your requirements and your possessions, activate that panel of bells in the kitchen - Drawing-Room and Master Bedroom and Library - keep going a spiral of needs and people to satisfy the needs. if you did not, if you contracted into three people without such needs, then a house like this became a dinosaur, occupying too much air and ground and demanding to be fed new sinks and drainpipes and a sea of electricity. Such a house became a fossil, stranded among neighbours long since chopped up into flats and bed-sitting-rooms, or sleek modern houses that had a suitable number of rooms for correct living in the late twentieth century. It and its kind, stood awkwardly on the fringes of a city renowned for old and beautiful buildings: they were old, and unbeautiful.
”
”
Penelope Lively (The House in Norham Gardens)
“
On February 17, 1898, Captain William T. Sampson, USN was the President of the Board of Inquiry, investigating the explosion that sank the USS Maine. On March 26, 1898, he was given command of the Navy’s North Atlantic Squadron, with the temporary rank of Rear Admiral. Aboard the flagship USS New York, he sailed to Havana from Key West where he bombarded the city for several days, resulting in minor damage to the city. As part of his duties, he sealed Havana harbor and supervised the blockade of Cuba.
At the time it was erroneously believed that the USS Maine was sunk by Spain. It was only recently that continuing investigation determined that the sinking was really caused by a bunker fire smoldering in the bituminous coal used for fuel. The fire heated the bulkhead separating the engine room from a magazine containing the powder bags used to fire the 10” guns. It was the resulting explosion, rather than Spanish mine that sank the USS Maine, killing 261 officers and crew out of the 355 men that manned the ship. It took over ten years before the USS Maine was refloated and towed out to sea, clearing the harbor. She was again sunk at a location, where she now rests 3,600 feet below the surface.
”
”
Hank Bracker
“
His parents had left Alice Springs to escape their problems, only when they arrived in their new city of residence they realized they’d brought the problems with them. There was no running from the kind of person you were.
”
”
Perrin Briar (Sink: Old Man's Tale)
“
But Lila, to whom that sounded like the thickest of bullshit, thought the idea of grabbing a coffee in a city watched over by an alien mothership and patrolled by alien animals was like singing in sinking lifeboats. Her
”
”
Sean Platt (Colonization (Alien Invasion #3))
“
to Memphis." So Abi returned to the white-walled city of Memphis and sat there sullenly, putting it about that a plot was on foot to deprive him of his heritage. But Kaku shook his head, saying in secret that the Star, Neter-Tua, would arise, for so it was decreed by Amen, father of the gods. CHAPTER III RAMES, THE PRINCESS, AND THE CROCODILE At the appointed time to Ahura, the royal wife, was born a child, a girl with a fresh and lovely face and waving hair and eyes that from the first were blue like the summer sky at even. Also on her breast was a mole of the length of a finger nail, which mole was shaped like the holy Sign of Life. Now Pharaoh and his house and the priests in every temple, and indeed all Egypt went mad with joy, though there were many who in secret mourned over the sex of the infant, whispering that a man and not a woman should wear the Double Crown. But in public they said nothing, since the story of this child had gone abroad and folk declared that it was sent by the gods, and divine, and that the goddesses, Isis, Nepthys, and Hathor, with Khemu, the Maker of Mankind, were seen in the birth chamber, glowing like gold. Also Pharaoh issued a decree that wherever the name of the Queen Ahura was graven in all the land, to it should be added the title "By the will of Amen, Mother of his Morning Star," and that a new hall should be built in the temple of Amen in the Northern Apt, and all about it carved the story of the coming of Prince Abi and of the vision of the Queen. But Ahura never lived to see this glorious place, since from the hour of her daughter's birth she began to sink. On the fourteenth day, the day
”
”
H. Rider Haggard (Morning Star)
“
The godly are the bulwark of a nation The godly are the pillars to keep a city and nation from falling; they stave off judgment from a land. It was said of old, that so long as Hector lived, Troy could not be demolished. God could do nothing to Sodom until Lot had gone out of it (Gen. 19:22). Golden Christians are bronze walls. The Lord would soon execute judgment in the world were it not for the sake of a few pious people. Would God preserve the world only for drunkards and swearers? He would soon sink the ship but for the fact that some of his elect are in it. Yet such is the indiscretion of men that they injure the saints and count as burdens, those who are the chief blessings (Isaiah 19:24).
”
”
Thomas Watson (The Essential Works Of Thomas Watson)
“
First impression: The Tijuana dump is beautiful. Second impression: It is like a military operation. It is at the top of a small mountain. A convoy of trucks comes to the top of the mountain and dumps the refuse of a developing city. [...]
Other equipment moves mountains of dirt to cover the wastes. At intervals, standpipes are inserted into the filled spaces to allow the biogas of the rotting materials below to escape. The wind blows across these vents, creating an eerie music. When the biogas envelops you, you sense that sinking feeling of doom.
”
”
Raymond Coppinger
“
Despite the empire’s problems, however, its former emperor had succeeded in making Byzantium a shining beacon of civilization. The architectural triumph of the Hagia Sophia had only been possible by sophisticated advances in mathematics, and it soon spawned a flourishing school dedicated to improving the field. In Byzantium, primary education was available for both genders, and thanks to the stability of Justinian’s rule, virtually every level of society was literate. Universities throughout the empire continued the Aristotelian and Platonic traditions that were by now over a millennium old, and the works of the great scientists of antiquity were compiled in both public and private libraries. The old western provinces under barbarian rule, by contrast, were quickly sinking into the brutish chaos of the Dark Ages, with recollections of advanced urban life a fading memory. Literacy declined precipitously as the struggle to scratch out an existence made education an unaffordable luxury, and it would have disappeared completely without the church. There, writing was still valued, and remote monasteries managed to keep learning dimly alive. But throughout the West, trade slowed to a crawl, cities shrank, and the grand public buildings fell into disrepair.
”
”
Lars Brownworth (Lost to the West)
“
A cool white, wintry light glazed the buildings on the highest hill: Will’s memorial, the unsightly chimney from the hospital, the modernist cathedral in Clifton. The jumble of styles and eras lent the city the semblance of a medieval Roman town. Laura drove the long way round, up past the Clifton Suspension Bridge, strung like an a engineer’s dream over a river sinking into the mud. Leigh Woods was on the far side, the trees dark, bereft of leaves, clawing at the sky.
”
”
Sanjida Kay (Bone by Bone)
“
to Memphis." So Abi returned to the white-walled city of Memphis and sat there sullenly, putting it about that a plot was on foot to deprive him of his heritage. But Kaku shook his head, saying in secret that the Star, Neter-Tua, would arise, for so it was decreed by Amen, father of the gods. CHAPTER III RAMES, THE PRINCESS, AND THE CROCODILE At the appointed time to Ahura, the royal wife, was born a child, a girl with a fresh and lovely face and waving hair and eyes that from the first were blue like the summer sky at even. Also on her breast was a mole of the length of a finger nail, which mole was shaped like the holy Sign of Life. Now Pharaoh and his house and the priests in every temple, and indeed all Egypt went mad with joy, though there were many who in secret mourned over the sex of the infant, whispering that a man and not a woman should wear the Double Crown. But in public they said nothing, since the story of this child had gone abroad and folk declared that it was sent by the gods, and divine, and that the goddesses, Isis, Nepthys, and Hathor, with Khemu, the Maker of Mankind, were seen in the birth chamber, glowing like gold. Also Pharaoh issued a decree that wherever the name of the Queen Ahura was graven in all the land, to it should be added the title "By the will of Amen, Mother of his Morning Star," and that a new hall should be built in the temple of Amen in the Northern Apt, and all about it carved the story of the coming of Prince Abi and of the vision of the Queen. But Ahura never lived to see this glorious place, since from the hour of her daughter's birth she began to sink. On the fourteenth day, the
”
”
H. Rider Haggard (Morning Star)