Pump Action Shotgun Quotes

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On the morning of the July 24, Pioneer Day, Dan got up, prayed, and felt prompted by the Lord to saw the barrel and stock off a 12-gauge, pump-action shotgun that he had been storing at his mother’s house.
Jon Krakauer (Under the Banner of Heaven: A Story of Violent Faith)
f you're gonna have a pro-drug argument, start the argument where it starts: I have the right to do what ever the hell I want to my own body, if it kills me slowly, happy for me, fuck you, "clack clack" (miming a pump-action shotgun) stop me!
Doug Stanhope
Don't you feel as though you could love everything starting tomorrow, and everything could love you, if only you took an action to set into motion the coming of our new tomorrow and its tomorrow and that one's tomorrow? Shotgun loaded hand on the pump and no matter who you damage you're still a false prophet, but we drink chocolate milk and then we get muscles and smash down the droves with fists like hammers and then we pump the fists in the air for victory. I be the prophet of the doom that is you. You are the mess in messiah.
Adam Levin (The Instructions)
One of the gunmen in the room, ending his call to his wife, and seeing me typing, came across and shook my hand. “You going to make a lot of money off this story!” the gunman with the Rastafarian hairstyle said. His pump-action shotgun was slung in the crook of his arm. He was smiling. “Yeah”, I said. “If I get out of here alive.” “You all right, you going to be all right”, he said, laughing. But you see me? I don’t know too much about my future right now.” “Everybody’s going to be all right,” I said. He laughed again. And reached into his back pocket and came out with a little white slip of paper in his hand. “I don’t know about me,” he said, smiling. “But if you write the story and make a lot of money, maybe you could get these things for the wife for me.” He handed me the slip of paper. On it, in block letters, was an itemized list: TV SET VIDEO SET WASHING MACHINE FRIDGE For a moment I shook my head in bewilderment, looking at that list. But he was laughing again and saying: “So if you make a lot of money off your book, get those things for the wife for me, nuh.” I said: “Sure.” I pocketed the note and walked away, flooded by nausea, thinking: so this is what he’s in it for, this young Trinidadian with the Rasta hairdo, the fake army camouflage shirt and pants tucked into his big soldier-looking black boots, with the wicked-looking shotgun crooked in his arm. A free television set. A video set. A washing machine. A fridge.
Raoul Pantin (Days of Wrath: The 1990 Coup in Trinidad and Tobago)
My dad always told me that there are three types of humans on this planet. First there’s the Sheep. The everyday types who live in denial—spoon-fed by the morning news, chewed up by another monotonous workday, and spit back out across the urban streets of the world like a mouthful of funky meatloaf that’s been rotting in the back of the fridge. Basically, the Sheep are the defenseless majority who are completely unwilling to acknowledge the inevitability of real danger, and trust the system to take care of them. Next you’ve got your Wolves. The bad guys who abide by no societal laws whatsoever but are good at pretending when it suits them. These are the thieves, murderers, rapists, and politicians, who feed on the Sheep until they’re thrown in prison, or better yet, belly up in a landfill alongside sheaves of your grandma’s itchy hand-knit Christmas socks. The ones you ritualistically blow up every year with an M80. And lastly, you have people like us. The McCrackens. The Herders of the world. Sure, our kind may look a lot like Wolves—large fangs, sharp claws, and the capacity for violence—but what sets us apart from the rest is that we represent the balance between the two. We can navigate the flock freely, with the ability to protect or disown as we see fit. My dad says that we’re the select few with the power of choice, and when real danger arises, we’ll be the ones who survive—and not just because we own a 357 Magnum, three glock G19’s, and a Mossberg pump-action shotgun, but because we’ve been prepping, in every possible badass way, since as long as I can remember, for the inevitable collapse of society as we know it.
Neal Shusterman (Dry)
It was getting difficult to see exactly what was going on in the pool and a fourth officer jumped in as one came up with the unconscious form of the first cop. While others pulled the half-drowned man from the pool, three more wrestled Skorzeny to the surface and dragged him to the steps at the shallow end of the pool. He wasn't struggling any longer. Nor was he breathing with any apparent difficulty. The biggest of the three cops later admitted to punching him as hard as he could in the stomach and Skorzey doubled over. Another half-dragged him, still on his feet, shirt torn, jacket ripped, out of the pool and put a handcuff on his left wrist. Skorzeny pulled his arm away from the cop and, suddenly straightening, elbow-jabbed him in the gut, sending him sprawling and rolling back into the pool. Skorzeny turned toward the back fence and was now between the pool and a small palm tree. Before him were two advancing officers, pistols leveled. Behind him two more circled the pool. Skorzeny lunged forward and all fired simultaneously. The noise was deafening. Lights in neighboring houses began to go on. Skorzeny's body twitched and bucked as the heavy slugs ripped through his body. His forward momentum carried him into the officers ahead of him and he half-crawled, half-staggered to the southeast corner of the yard where another gate was set into the fiberglass fencing. Two more officers, across the pool, cut loose with their pistols, emptying them into this writing body which danced like a puppet. Another cop fired two shots from his pump-action shotgun and Skorzeny was lifted clean off his feet and slammed against the gate, sagging to the ground. En masse from both ends of the pool they advanced, when he gave out with a terrible hissing snarl and started to rise once more. All movement ceased as the cops, to a man, stood frozen in their tracks. Skorzeny stood there like some hideous caricature, his shredding clothing and skin hanging like limp rags from his scarecrow form. His flesh was ripped in several places and he was oozing something that looked like watered-down blood. It was pinkish and transparent. He stood there like a living nightmare. Then he straightened and raised his fist with the cuff still dangling from it like a charm bracelet. 'Fools!' he shrieked. 'You can't kill me. You can't even hurt me.' Overhead, the copter hovered, the copilot giving a blow-by-blow description of the fight over the radio. The police on the ground were paralyzed. Nearly thirty shots had been fired (the bullets later tallied in reports turned in by the participating officers) and their quarry was still as strong as ever. He'd been hit repeatedly in the head and legs, so a bulletproof vest wasn't the answer. And at distances sometimes as little as five feet, they could hardly have missed. They'd seen him hit. They stood frozen in an eerie tableau as the still roiling pool water threw weird reflections all over the yard. Then Skorzeny did the most frightening thing of all. He smiled. A red-rimmed, hideous grin revealing fangs that 'would have done justice to a Doberman Pinscher.
Jeff Rice (The Night Stalker)
But I had with me the greatest conversation-stopper ever made: a pump-action shotgun. At the cost of one unfired shell, I could make the kind of sound that would freeze any three men to any three spots in the world. The most intimidating noise ever heard. Crunch crunch. My ejected shell hit the leaves at my feet and the three guys froze solid.
Lee Child (The Affair (Jack Reacher, #16))
was only a secondary armory, it just held a few weapons, but they were good stuff. There were several pump-action Mossberg shotguns. There were three Colt Law Enforcement Only M4s that looked similar to what Ford was carrying now but with one significant difference. They had a selector switch instead of a safety, allowing the weapon to be in Fire, Safe, or three-shot burst modes. One had a 40mm grenade launcher for tear gas. There was a suppressed H&K MP5 that ran full-auto as well as two FN SCAR Subcompacts that were select fire. Additionally, ammo cans stacked in the bottom of the cage held thousands of rounds for each weapon. Ford knew there was no way he could leave any of it.
Franklin Horton (Switched On (The Borrowed World #6))
Whitey passed me the gun I’d made for him during the afternoon and followed it. It was a good gun, but not handy for housebreaking. I’d gone into a second-hand shop and picked up one of the best guns the Winchester people ever made – an 1897 model twelve-gauge shotgun. That’s the one with the hammer. The new hammerless pumps are quieter and maybe they work a little smoother. But those old hammer guns never hung up and there was never a question about ’em being ready for action. All you have to do is pull the hammer back and pull the trigger. I’d taken a hacksaw and cut the barrel off just in front of the pump grip. There were five shells in the barrel and another in the chamber, and all loaded with number one buck shot. That’s the size that loads sixteen in a shell, and for close-range work that’s just dandy. They’re big enough to blow a man to hell and back, and there’s enough of them to spread out and take in a lot of territory. It was the logical weapon for Whitey, because he didn’t know any more about a pistol than a cat knows about heaven. And he’d shot a rifle and shotgun a few times. And he was out for blood. It wasn’t that he’d been roughed up in my room at the time I killed Maury Cullen – because that didn’t bother him. That was just a piece of hard luck to him. When I’d been knocked out and my gun taken from me no doubt the barman had rolled me and found my address and had remembered it. Whitey had just happened to be calling when they came after me. It wasn’t that. It was the girl being killed that was getting him crazy. And he was getting crazy, no mistake. He was a little punchy anyway, from a few too many fights, and when he got excited it hit him. I whispered: “Now remember! I make the play, if there’s one made. Wait for me and back me up.
Maxim Jakubowski (The New Mammoth Book Of Pulp Fiction (Mammoth Books 319))
1689: King William of Orange guarantees his subjects (except Catholics) the right to bear arms for self-defense in a new Bill of Rights. 1819: In response to civil unrest, a temporary Seizure of Arms Act is passed; it allows constables to search for, and confiscate, arms from people who are “dangerous to the public peace.” This expired after two years. 1870: A license is needed only if you want to carry a firearm outside of your home. 1903: The Pistols Act is introduced and seems to be full of common sense. No guns for drunks or the mentally insane, and licenses are required for handgun purchases. 1920: The Firearms Act ushers in the first registration system and gives police the power to deny a license to anyone “unfitted to be trusted with a firearm.” According to historian Clayton Cramer, this is the first true pivot point for the United Kingdom, as “the ownership of firearms ceased to be a right of Englishmen, and instead became a privilege.” 1937: An update to the Firearm Act is passed that raises the minimum age to buy a gun, gives police more power to regulate licenses, and bans most fully automatic weapons. The home secretary also rules that self-defense is no longer a valid reason to be granted a gun certificate. 1967: The Criminal Justice Act expands licensing to shotguns. 1968: Existing gun laws are placed into a single statute. Applicants have to show good reason for carrying ammunition and guns. The Home Office is also given the power to set fees for shotgun licenses. 1988: After the Hungerford Massacre, in which a crazy person uses two semi-automatic rifles to kill fifteen people, an amendment to the Firearms Act is passed. According to the BBC, this amendment “banned semi-automatic and pump-action rifles; weapons which fire explosive ammunition; short shotguns with magazines; and elevated pump-action and self-loading rifles. Registration was also made mandatory for shotguns, which were required to be kept in secure storage.” 1997: After the Dunblane massacre results in the deaths of sixteen children and a teacher (the killer uses two pistols and two revolvers), another Firearms Act amendment is passed, this one essentially banning all handguns. 2006: After a series of gun-related homicides get national attention, the Violent Crime Reduction Act is passed, making it a crime to make or sell imitation guns and further restricting the use of “air weapons.
Glenn Beck (Control: Exposing the Truth About Guns)
Unloaded and propped in one corner are a pistol-grip pump-action 12-gauge shotgun and an AR-15 that is often called an assault rifle by people who don’t know anything about guns.
Dean Koontz (The House at the End of the World)
Raising the Benelli M3 shotgun he’d brought specifically for breaching doors, he took aim at the lock and fired a single shot. The boom of the weapon discharge was followed an instant later by the crunch of splintering wood as the lock was blasted apart by the solid metal slug. A single hard kick from Crawford was enough to send the smoking remains of the door flying inwards. Drake went in first, his weapon up and sweeping the gloomy interior of the dwelling. Keegan was right behind him, with Crawford bringing up the rear. Drake heard the distinctive click as he worked the shotgun’s pump action, feeding another round into the breech, though he paid it little attention as his eyes swept the darkness before him
Will Jordan (Sacrifice (Ryan Drake, #2))
She set it right beside Saint’s side of the bed, fighting not to smile when he looked at it like she had just set a pile of fresh cat poop on the bedside table. Ripley waved her hand at the shotgun. “It’s loaded.” “It’s…pink.” Saint was clearly horrified by the pink stock and pump action grip.
Isabel Wroth (Ripley's Saint (Perdition MC #3))
Retreat! That guy has a legendary bolt-action sniper! … Somebody drop me some wood! How can I build a fort with only seventy-five total materials! … How does my epic blue-pump shotgun do only eight damage?
Gordon Korman (Level 13 (A Slacker Novel))
Guns are one of the many things which haven't changed as much as everyone thought they would. Sure, there was a period when you saw laser pistols on the streets. Problem was, it was a little too easy to catch a reflection in the heat of the moment and end up slicing your own head off. Also, they were just a bit plasticky. When you go marching into some bad situation you want to be racking a shell into a pump-action shotgun. It feels right. It feels tough. It scares the shit out of the other guy. Nervously fingering a little switch wasn't visceral enough and neither was the sound the lasers made. You don't want something which goes ‘tzzz’ or ‘schvip’. You want something which goes CRACK! or BANG! Trust me; I know what I'm talking about. The manufacturers tried to get round the problem by putting little speakers in the laser which played a sampled bang when you pulled the trigger, but it always sounded a bit tinny. And the ones that played a snatch of Chopin's Death March were just fucking silly. Then there was a phase of guns which had moral qualms. Originally, they came out of the home defence market. The guns had a built-in database of legal precedent, monitored any given situation closely, and wouldn't let you fire unless they were sure you had a good cause for a self-defence plea. Most of these guns had other settings too, like ‘Justifiable Homicide’, ‘Manslaughter’, ‘Murder Two’, and ultimately ‘Murder One’. I kept mine on ‘Murder One’ the whole time. So did everyone else. The whole thing was completely pointless. In the end I threw mine away.
Michael Marshall Smith (Spares)
freeze freeze freeze makes me a little self-conscious too. The words come out a little tentative. Almost like a request. But I had with me the greatest conversation-stopper ever made: a pump-action shotgun. At the cost of one unfired shell, I could make the kind of sound that would freeze any three men to any three spots in the world. The most intimidating noise ever heard. Crunch crunch. My ejected shell hit the leaves at my feet and the three guys froze solid. I said, “Now the rifles hit the deck.” Normal voice, normal pitch, normal tone. The sandy-haired guy dropped his rifle first. He was pretty damn quick about it. Then went the older guy, and last of the three came the wiry one. “Stand still now,” I said. “Don’t give me a reason.” Normal voice, normal pitch, normal tone. They stood reasonably still. Their arms came up a little, out from their sides, slowly, and they ended up a small distance from their bodies, where they held them. They spread their fingers. No doubt they spread their toes inside their boots and sneakers and shoes. Anything to appear unarmed and undangerous. I said, “And now you take three big paces backward.” They complied, all three guys, all three taking exaggerated stumbling steps, and all three ending up more than a body’s length from their rifles. I said, “And now you turn around.” Chapter 52 I had never seen any of them before. After the slow spin the older guy had ended up facing me on my left. He was completely unknown to me. He was just a guy, not very significant, a little pouchy and worn. The guy in the middle was the sandy-haired one. He was like the older man would have been, had he grown up twenty years later and
Lee Child (The Affair (Jack Reacher, #16))
Schneider looked them over and then issued his final orders. Each officer carried either a SiG 550 assault rifle or a Remington 870 multi-purpose pump-action shotgun, which would have been Richter’s own choice as a close-quarter combat weapon, plus a 9-millimetre SiG P220 semi-automatic pistol in a belt holster
James Barrington (Timebomb (Paul Richter, #4))
12 gauge pump action shotgun,
Casey Christie (Night (Night #1))