Silhouette Ocean Quotes

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The sun kept dipping down into the ocean and the lights came on at the harbor, casting sudden shadows on the ground, illuminating the faces that were just a second ago silhouettes. The sky was golden and purple, the ocean a darker shade of violet.
Adi Alsaid (Never Always Sometimes)
Nevertheless, there was something extraordinary about it when a man so young, with so little experience in flight test, was selected to go to Muroc Field in California for the XS–1 project. Muroc was up in the high elevations of the Mojave Desert. It looked like some fossil landscape that had long since been left behind by the rest of terrestrial evolution. It was full of huge dry lake beds, the biggest being Rogers Lake. Other than sagebrush the only vegetation was Joshua trees, twisted freaks of the plant world that looked like a cross between cactus and Japanese bonsai. They had a dark petrified green color and horribly crippled branches. At dusk the Joshua trees stood out in silhouette on the fossil wasteland like some arthritic nightmare. In the summer the temperature went up to 110 degrees as a matter of course, and the dry lake beds were covered in sand, and there would be windstorms and sandstorms right out of a Foreign Legion movie. At night it would drop to near freezing, and in December it would start raining, and the dry lakes would fill up with a few inches of water, and some sort of putrid prehistoric shrimps would work their way up from out of the ooze, and sea gulls would come flying in a hundred miles or more from the ocean, over the mountains, to gobble up these squirming little throwbacks. A person had to see it to believe it: flocks of sea gulls wheeling around in the air out in the middle of the high desert in the dead of winter and grazing on antediluvian crustaceans in the primordial ooze. When
Tom Wolfe (The Right Stuff)
Neanderthal graves. Bones beneath her feet, perhaps. The rocks in the garden would’ve once been larger, bright and shadowed with early-human firelight, and the land around them would’ve seemed empty and forever. There’d have been no concept of oceans. No awareness of planets. And here, right before her, are those same silhouettes of mountains, the same spikes of peaks. A shared view, glimpsed across time.
Gian Sardar (Take What You Can Carry)
When the full moon was out the other night, it created one of the most spectacular scenes that I have seen in the Alps. The high glaciers of the Mont Blanc range were glowing an eerie bright blue-white, and they looked like huge ghost ships in the dark ocean of sky, sailing amongst black mountain valleys. There were no clouds, and the moon was a huge and perfect disc tracking across the sky, shining on different parts of the glaciers through the night. Looking up, I saw the black silhouette of the mid-altitude mountains below the ethereal shining high-mountain terrain, which created a weird vision: the ghostly glaciers floating, and appearing separate, contrasting sharply with the dark valleys beneath. The Aiguille Verte especially, being so steep and isolated, seemed almost like a holographic mast with sails, plowing into the rolling waves, chasing after the Mont Blanc summit with its billowing spinnaker...
Steve Baldwin
Then he said something about how L.A. is dust and exhaust and the hot, dry wind that sets your nerves on edge and pushes fire up the hillsides in ragged lines like tears in the paper that separates us from hell, and it’s towering clouds of smoke, and it’s sunshine that won’t let up and cool ocean fog that gets unrolled at night over the whole basin like a clean white hospital sheet and peeled back again in the morning. It’s a crescent moon in a sky bruised green after the sunset has beaten the shit out of it. It’s a lazy hammock moon rising over power lines, over the skeletal silhouettes of pylons, over shaggy cypress trees and the spiky black lionfish shapes of palm-tree crowns on too-skinny trunks. It’s the Big One that’s coming to turn the city to rubble and set the rubble on fire but not today, hopefully not today. It’s the obviousness of pointing out that the freeway looks like a ruby bracelet stretched alongside a diamond one, looks like a river of lava flowing counter to a river of champagne bubbles. People talk about the sprawl, and, yeah, the city is a drunk, laughing bitch sprawled across the flats in a spangled dress, legs kicked up the canyons, skirt spread over the hills, and she’s shimmering, vibrating, ticklish with light. Don’t buy a star map. Don’t go driving around gawking because you’re already there, man. You’re in it. It’s all one big map of the stars.
Maggie Shipstead (Great Circle)
Letter You can see it already: chalks and ochers; Country crossed with a thousand furrow-lines; Ground-level rooftops hidden by the shrubbery; Sporadic haystacks standing on the grass; Smoky old rooftops tarnishing the landscape; A river (not Cayster or Ganges, though: A feeble Norman salt-infested watercourse); On the right, to the north, bizarre terrain All angular--you'd think a shovel did it. So that's the foreground. An old chapel adds Its antique spire, and gathers alongside it A few gnarled elms with grumpy silhouettes; Seemingly tired of all the frisky breezes, They carp at every gust that stirs them up. At one side of my house a big wheelbarrow Is rusting; and before me lies the vast Horizon, all its notches filled with ocean blue; Cocks and hens spread their gildings, and converse Beneath my window; and the rooftop attics, Now and then, toss me songs in dialect. In my lane dwells a patriarchal rope-maker; The old man makes his wheel run loud, and goes Retrograde, hemp wreathed tightly round the midriff. I like these waters where the wild gale scuds; All day the country tempts me to go strolling; The little village urchins, book in hand, Envy me, at the schoolmaster's (my lodging), As a big schoolboy sneaking a day off. The air is pure, the sky smiles; there's a constant Soft noise of children spelling things aloud. The waters flow; a linnet flies; and I say: "Thank you! Thank you, Almighty God!"--So, then, I live: Peacefully, hour by hour, with little fuss, I shed My days, and think of you, my lady fair! I hear the children chattering; and I see, at times, Sailing across the high seas in its pride, Over the gables of the tranquil village, Some winged ship which is traveling far away, Flying across the ocean, hounded by all the winds. Lately it slept in port beside the quay. Nothing has kept it from the jealous sea-surge: No tears of relatives, nor fears of wives, Nor reefs dimly reflected in the waters, Nor importunity of sinister birds.
Victor Hugo
PILGRIM I bow to the lark and its tiny lifted silhouette fluttering before infinity. I promise myself to the mountain and to the foundation from which my future comes. I make my vow to the stream flowing beneath, and to the water falling towards all thirst, and I pledge myself to the sea to which it goes and to the mercy of my disappearance, and though I may be left alone or abandoned by the unyielding present or orphaned in some far unspoken place, I will speak with a voice of loyalty and faith to the far shore where everything turns to arrival, if only in the sound of falling waves and I will listen with sincere and attentive eyes and ears for a final invitation, so that I can be that note half-heard in the flying lark song, or that tint on a far mountain brushed with the subtle grey of dawn, even a river gone by still looking as if it hasn’t, or an ocean heard only as the sound of waves falling and falling, and falling, my eyes closing with them into some undeserved nothing even as they give up their strength on the sand.
David Whyte (Pilgrim)
A brief examination of the gray bluff revealed a narrow cleft leading to the top of the precipice. Joe, ascending first, found himself on another path which seemed to rim the island from the top of the bluffs. “Here’s the trail the hermit used to keep us in sight yesterday,” he told the others. After scrambling up, Frank, Tony, and Jerry paused for a look about. Below them sparkled the bright ocean, extending to the mainland a few miles away. Behind lay a little plateau, overgrown with small pines and scrub oaks. In the center of the flat area rose a steep, rocky hill which gave the island its humping silhouette. “A hut would be easy to camouflage among those trees,” Frank remarked. “We’ll have to spread out and comb every foot of the woods.” Though the youths worked carefully around the plateau, they found no sign of any shelter. On the island’s seaward side, where the growth was sparse, the boys checked the sides of the steep hill for caves. They saw none.
Franklin W. Dixon (The Missing Chums (Hardy Boys, #4))
The water glittered under the moon’s careful watch, and, in the distance, steeples cut stark black silhouettes into the landscape of the distant city.
Katherine McIntyre (Soul Solution)
desk,
Jessica Caryn (Myrtle Beach Series Sample: Cherry Grove, Ocean View, Silhouette)
His snowshoe paws are encased in chains as he hops on his hind legs. On his forehead was placed a wreath of thorns, crimson and blasphemous it was. His eyes were drenched in white, no colors can be discerned whatsoever in the reflection of his pupils, only a harrowing stillness of nothingness can be glimpsed through his gaze. He was the image of a ghostly figure, his silhouette swirling like the clouds in the loftiest mountains in eternal Paradise; a divine messenger before all animals and humanity. He wears shimmering chest armor resembling the scorching rays of the sunlight, with a fire crown of thorns burning on his forehead, which embodies the colors of the Earth's horizon, showcasing seventeen stars in its center. He had a voluminous, metallic beard, which was made of arctic sand from the Northern Winter lands - it was wizardly like - something out of a mythical folk tale that comes from a children's novel. His body glistens like the shattered fragments from the Moon, with his fur appearing like green moss surrounded by waterfalls flowing from each corner on his appearance - evolving into snowflakes, ice, as well as winter storms if you inflict your might at his anguish. He’s a supernatural being that all the Witches of the globe worshiped. He is greater, more superior, more virtuous than all deities people pray to on Earth. He’s the lunar father of all the Heavens and Earth, the All-father of all Animals and Mankind. When you see the Hare flying in the skies of the Universe, He’s bestowing the blessings of Sprout, Summer, Autumn, Winter. As the Hare Lunar King steps on the green grass, the mountains will begin to shake, the oceans will become huge typhoons, earthquakes will rumble across the nations as mankind annihilates each other in the guise of the Hare Lunar Emperor. However, the hare will grieve for all humankind, for he knows that the Earth is devoid of vengeance, so he must demolish it in preparation to reconstruct it from a pristine foundation. That future is nigh, that soon will arrive - it’s unfolding as I converse. The Lunar Rabbit King is coming back with his swarm of rabbits - mankind will not evade the menace of long ears - for their King will tell the sinister world with a voice of a thundering lion roar, ‘it is completed! go into the depths of your abysmal eternity, and enslave yourself as the locust of the earth in the fires of tribulation, for you will be tormented from sunrise to sunset, where sunlight is no more; forevermore.
Chains On The Rabbit, The Lunar God Of All, The Fall Of Mankind Fantasy Poem by D.L. Lewis
Ah, a crimson sunset above the silhouette of the ocean. It blazes with brilliance and arouses all the passion and yearning in the soul of the beholder. Many found themselves awash in its burst of colors while others never minded to stop and appreciate it because they were awash in lesser things. Sunset is always wiser than sunrise because it adds the experience of an entire day to your being. While you may prefer a cloudless blue sky and an easy, pleasant day, don’t forget that setting sun needs cloudy skies to manifest its grandest of all earthly spectacles and mundane days require arduous challenges to experience the true joy of life. it is incredible how at every sunset, the sky is a different shade, with no cloud ever in the same place. Each day is a new masterpiece, a new wonder, a new memory. Every sunset is an opportunity to reset, as it brings the promise of a new dawn.
Winston Ma
She was winter. The cold, cool stretch of emptiness that you think will consume you. The frigid bite you think won’t ever leave your bones, the one you try to pretend isn’t there, but can’t keep out of your head. She was fall and the scent of a fire, the crackle of heat, the coming of change you try to pretend won’t come, but does anyway, that you wait for the whole year, that you wish away when it finally comes. She was summer and the scorching warmth of sun and sin, the slick feel of lotion and the spray of ocean water, the salt of that taste on your tongue and the cool, crisp relief that comes over you when you dip inside the bottomless water. She was spring, the fresh sweet smell of jasmine and the honeysuckle temptation of light and love and beautiful rebirth that cannot be ignored. Willow was the phantom spark of all those things I loved and hated. The things that tested me. The things that healed, all wrapped up in that tempting silhouette, in the sweet surrender of her body pressed against mine and the whisper of a tease in every syllable that formed my name from her full, thick lips.
Eden Butler (Infinite Us)