Padding Quotes

We've searched our database for all the quotes and captions related to Padding. Here they are! All 100 of them:

Tampon commercial, detergent commercial, maxi pad commercial, windex commercial - you'd think all women do is clean and bleed.
Gillian Flynn (Gone Girl)
YOU COULD LOCK the Gasman in a padded cell with some dental floss and a bowl of Jell-O, and he'd find a way to make something to explode.
James Patterson (Max (Maximum Ride, #5))
He [Death] pulled a pure-black iPad from thin air. Death tapped the screen a few times and all Frank could think was: Please don't let there be an app for reading souls
Rick Riordan (The Son of Neptune (The Heroes of Olympus, #2))
I’ve met God across his long walnut desk with his diplomas hanging on the wall behind him, and God asks me, “Why?” Why did I cause so much pain? Didn’t I realize that each of us is a sacred, unique snowflake of special unique specialness? Can’t I see how we’re all manifestations of love? I look at God behind his desk, taking notes on a pad, but God’s got this all wrong. We are not special. We are not crap or trash, either. We just are. We just are, and what happens just happens. And God says, “No, that’s not right.” Yeah. Well. Whatever. You can’t teach God anything.
Chuck Palahniuk (Fight Club)
Take the blinders from your vision take the padding from your ears and confess you've heard me crying and admit you've seen my tears.
Maya Angelou
Most of us do not take these situations as teachings. We automatically hate them. We run like crazy. We use all kinds of ways to escape -- all addictions stem from this moment when we meet our edge and we just can't stand it. We feel we have to soften it, pad it with something, and we become addicted to whatever it is that seems to ease the pain.
Pema Chödrön (When Things Fall Apart: Heart Advice for Difficult Times)
I must be a masochist to keep putting myself in these situations. I need help. I need to see a shrink or be locked in a padded cell or straitjacketed or something.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
Must be weird for you, having your mom here." "Weird for me, weird for her, probably weird for you since you had to give up your swinging bachelor pad." "Mrs. Casnoff let me install my heart-shaped Jacuzzi in my new dorm room." "Cal," I said with mock astonishment, "did you just make a joke?" "Maybe.
Rachel Hawkins (Demonglass (Hex Hall, #2))
When we die, these are the stories still on our lips. The stories we’ll only tell strangers, someplace private in the padded cell of midnight. These important stories, we rehearse them for years in our head but never tell. These stories are ghosts, bringing people back from the dead. Just for a moment. For a visit. Every story is a ghost.
Chuck Palahniuk (Haunted)
[Leafpool] waved her tail in greeting as she padded past Cloudtail and Daisy; as she left the clearing she heard Cloudtail meowing, "This time try to pretend I'm a badger and I'm going to eat your kits." "But my kits really like you," Daisy protested.
Erin Hunter (Twilight (Warriors: The New Prophecy, #5))
Michael rose to his feet and padded down the last few steps silently, came up behind Kim, and leaned over her to say, “I vant to drink your blood” in a heavy, fake-Dracula accent. She shrieked, flailed, and a zombie ate her brains on-screen. You sabotaged me!” Kim yelled, dropped the controller, and smacked him hard on the chest. “I can’t believe you just totally sabotaged me!” Can’t let him lose,” Michael said, as Shane hit the high score and the victory music sounded. “Gotta live with the dude.” They high-fived. You’re seriously going to take that as a win,” Kim said. “When he totally cheated for you.” Yes,” Shane said. “I seriously am.
Rachel Caine (Fade Out (The Morganville Vampires, #7))
I was ten. I had noticed something was weird earlier in the day, but I knew from commercials that one's menstrual period was a blue liquid that you poured like laundry detergent onto maxi pads to test their absorbency. This wasn't blue, so...I ignored it for a few hours.
Tina Fey (Bossypants)
Who taught you to write in blood on my back? Who taught you to use your hands as branding irons? You have scored your name into my shoulders, referenced me with your mark. The pads of your fingers have become printing blocks, you tap a message on to my skin, tap meaning into my body.
Jeanette Winterson (Written on the Body)
You must have had such a great childhood with a man like that for your father. (Delphine) Yeah. All puppy dogs and rainbows and those weird furry people with padded coat hangers on their heads that look like space aliens on acid. (Jericho) You mean the Teletubbies? (Berith) The fact that you know what they're called, Berith, truly scares me. (Jericho) As a demon of torture, it behooves me to know all things that are deeply annoying. You'd be amazed how many people in the modern age no longer fear zombies as much as Teletubbies. (Berith) Not really. I'd rather battle a brain-eating zombie any day than hear them sing. (Jericho)
Sherrilyn Kenyon (Dream Warrior (Dream-Hunter, #4; Dark-Hunter, #17))
All of our waste which we dumped on her and which she absorbed. And all of our beauty, which was hers first and which she gave to us. All of us--all who knew her--felt so wholesome after we cleaned ourselves on her. We were so beautiful when we stood astride her ugliness. Her simplicity decorated us, her guilt sanctified us, her pain made us glow with health, her awkwardness made us think we had a sense of humor. Her inarticulateness made us believe we were eloquent. Her poverty kept us generous. Even her waking dreams we used--to silence our own nightmares. And she let us, and thereby deserved our contempt. We honed our egos on her, padded our characters with her frailty, and yawned in the fantasy of our strength. And fantasy it was, for we were not strong, only aggressive; we were not free, merely licensed; we were not compassionate, we were polite; not good, but well behaved. We courted death in order to call ourselves brave, and hid like thieves from life. We substituted good grammar for intellect; we switched habits to simulate maturity; we rearranged lies and called it truth, seeing in the new pattern of an old idea the Revelation and the Word.
Toni Morrison (The Bluest Eye)
When Jace opened the greenhouse door, the scent hit Clary, soft as the padded blow of a cat's paw...
Cassandra Clare
Was everything made up? Was this whole world inside my head? If I ever woke up from it, would I be inside a padded room somewhere, drooling all over myself? Would I even be myself?
Francesca Zappia (Made You Up)
I didn’t want to cry in front of you.” He wiped away the tears with the pad of his thumb. “I want you to cry only in front of me.
Robyn Carr (Promise Canyon (Virgin River, #11))
Who snitched?" "We have people monitoring police radio frequencies. They gave Jim a heads-up in case our security had to storm PAD offices and bust you out of there. I found out when I saw Jim walking down the hallway snickering to himself.
Ilona Andrews (Magic Slays (Kate Daniels, #5))
Money is just padding. It can be used to shelter you from some things, but there’s no sheltering from other things like love and kindness. Money has no effect on the real stuff.
Tijan (Fallen Crest Public (Fallen Crest High, #3))
To: Christian Grey You've made me cry again. I love the iPad. I love the songs. I love the British Library App. I love you. Goodnight. Ana xx
E.L. James (Fifty Shades Darker (Fifty Shades, #2))
I open the door to the fear landscape room and flip open the small black box that was in my back pocket to see the syringes inside. This is the box I have always used, padded around the needles; it is a sign of something sick inside me, or something brave.
Veronica Roth (Allegiant (Divergent, #3))
Do you want to hold it?' she asked, dangling the padded envelope in front of Hale with two fingers. 'No.' 'Do you want to touch it and kiss it and wear it around your neck?' 'Don't be silly,' he told her. 'Everyone knows green isn't my color.
Ally Carter (Uncommon Criminals (Heist Society, #2))
This isn’t lust. Lust wants, does the obvious, and pads back into the forest. Love is greedier. Love wants round-the-clock care; protection; rings, vows, joint accounts; scented candles on birthdays; life insurance. Babies. Love’s a dictator.
David Mitchell (The Bone Clocks)
Falling in love with Nathan Hawkins was not something I could have planned. No planner, iPad, or freaking sticker chart could have prepared me for my future. My imagination isn’t capable of dreaming up this level of happiness.
Hannah Grace (Icebreaker (UCMH, #1))
You think they've killed before?" "I'd bet your ass on it" "Why my ass?" Eyes slitted, Peabody jabbed a finger in the air. "Because it's bigger? Because it has more padding? That's hitting below the belt." "Your ass is below your belt. I'd bet mine, too, if it makes you feel better.
J.D. Robb (Indulgence in Death (In Death, #31))
She padded toward Han, barefoot, like a faerie startled out of a forest bower, bewitching mix of clan and flatland beauty.
Cinda Williams Chima (The Crimson Crown (Seven Realms, #4))
Chiron, I don't think the attic is the proper place for our new Oracle, do you?" "No, indeed." Chiron looked a lot better now that Apollo had worked some medical magic on him. "Rachel may use a guest room in the Big House for now, until we give the matter more thought." "I'm thinking a cave in the hills," Apollo mused. "With torches and a big purple curtain over the entrance . . . really mysterious. But inside, a totally decked-out pad with a game room and one of those home theater systems.
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
The truest art I would strive for in any work would be to give the page the same qualities as earth: weather would land on it harshly; light would elucidate the most difficult truths; wind would sweep away obtuse padding.
Gretel Ehrlich (The Solace of Open Spaces)
The note, which had been written on one of the pads I kept around for grocery lists, said, "My lover, I came in too close to dawn to wake you, though I was tempted. Your house is full of strange men. A fairy upstairs and a little child downstairs- but as long as there's not one in my lady's chamber, I can stand it".
Charlaine Harris (Dead in the Family (Sookie Stackhouse, #10))
Don't talk to the crazy kids. I longed to shout back that we weren't crazy. I'd mistaken her kid for a ghost, that's all. I wondered whether they had books about his sort of thing. Fifty Ways to Tell the Living from the Dead Before You Wind Up in a Padded Room. Yep, I'm sure the library carried that one.
Kelley Armstrong (The Summoning (Darkest Powers, #1))
How was life before Pop-Tarts, Prozac and padded playgrounds? They ate strudel, took opium and played on the grass.
Jennifer Michael Hecht (The Happiness Myth: The Historical Antidote to What Isn't Working Today)
Fenestra was silent for a while, and Morrigan thought she’d fallen asleep standing up. Then she felt something warm, wet, and sandpapery lick the entire right side of her face. She sniffled again, and Fen’s big gray head rubbed her shoulder affectionately. “Thanks, Fen,” Morrigan said quietly. She heard Fenestra padding softly to the door. “Fen?” “Mmm?” “Your saliva smells like sardines.” “Yeah, well. I’m a cat.” “Now my face smells like sardines.” “I don’t care. I’m a cat.” “Night, Fen.
Jessica Townsend (Nevermoor: The Trials of Morrigan Crow (Nevermoor, #1))
Because being assaulted with maxi pads is a great way to win friends and influence people.
Rainbow Rowell (Eleanor & Park)
The cord pulled taut and she rebounded, flying back up before falling again. As her velocity slowed, she opened her eyes and found herself dangling at the end of the cord, about five feet above Jace. He was grinning. "Nice," he said. "As graceful as a falling snowflake." "Was I screaming?" She asked, genuinely curious. "You know, on the way down." He nodded. "Thankfully no one's home, or they would have assumed I was murdering you." "Ha. You can't even reach me." She kicked out a leg and spun lazily in midair. Jace's eyes glinted. "Want to bet?" Clary knew that expression. "No," she said quickly. "Whatever you're going to do-" But he'd already done it. When Jace moved fast, his individual movements were almost invisible. She saw his hand go to his belt, and then something flashed in the air. She heard the sound of parting fabric as the cord above her head was sheared through. Released, she fell freely, too surprised to scream- directly into Jace's arms. The force knocked him backward, and they sprawled together onto one of the padded floor mats, Clary on top of him. He grinned up at her. "Now," he said, "that was much better. You didn't scream at all." "I didn't get the chance." She was breathless, and not just from the impact of the fall. Being sprawled on top of Jace, feeling his body against hers, made her hands shake and her heart beat faster.
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
Kate stood by the door with her arms crossed. That was an anti-Curran pose. What the hell was the Beast Lord doing here? I padded to the door. “First, you didn’t come home.” Curran’s voice held zero humor. “Second, I’m told that my mate is lingering in Raphael’s house. There can’t be any good reason for you to be here.” “Are you spying on me, Your Furriness?” Kate asked.
Ilona Andrews (Gunmetal Magic (Kate Daniels, #5.5; World of Kate Daniels, #6 & #6.5; Andrea Nash, #1))
He rose to his feet and padded down the last few steps silently, came up behind Kim, and leaned over her to say, “I vant to drink your blood” in a heavy, fake Dracula accent. She shrieked, flailed, and a zombie ate her brains on-screen."!
Rachel Caine (Fade Out (The Morganville Vampires, #7))
Now and then, an inch below the water's surface, the muscles of his stomach tightened involuntarily as he recalled another detail. A drop of water on her upper arm. Wet. An embroidered flower, a simple daisy, sewn between the cups of her bra. Her breasts wide apart and small. On her back, a mole half covered by a strap. When she climbed out of the pond a glimpse of the triangular darkness her knickers were supposed to conceal. Wet. He saw it, he made himself see it again. The way her pelvic bones stretched the material clear of the skin, the deep curve of her waist, her startling whiteness. When she reached for her skirt, a carelessly raised foot revealed a patch of soil on each pad of her sweetly diminished toes. Another mole the size of a farthing on her thigh and something purplish on her calf--a strawberry mark, a scar. Not blemishes. Adornments.
Ian McEwan (Atonement)
We live in a country where our young ladies who have recently attained the age of puberty cannot afford sanitary pads, but our men and women in public offices have ipads which they do not even know how to use.
Patrick L.O. Lumumba
Say it," she said. "Say it sober." "I love you," he said. "I don't want you to say it back unless you mean it, but I love you." She leaned back over him, and pressed the pads of her fingertips against his. "I mean it.
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
You spanked me,” she told him. “I did.” He lifted her shoulders high enough to push a wedge pillow under the pad. “And I enjoyed it very much. You have a very spankable ass, no?
Cherise Sinclair (To Command and Collar (Masters of the Shadowlands, #6))
He smiled as Will handled the flask gingerly. 'there's a glass bottle inside,but it's padded with straw and protected by the leather covering. It's quite safe. Just be careful how you handle it.
John Flanagan
The library was a little old shabby place. Francie thought it was beautiful. The feeling she had about it was as good as the feeling she had about church. She pushed open the door and went in. She liked the combined smell of worn leather bindings, library past and freshly inked stamping pads better than she liked the smell of burning incense at high mass.
Betty Smith (A Tree Grows in Brooklyn)
Leif's frown eased and he slid his finger under my chin and gently caressed my jaw line with the pad of his thumb. "Pagan,will you do me the honor of being my date for Homecoming Dance?The prospect of not being able to hold you in my arms all night is heartbreaking." Mirand sighed from across the table. "Okay,that was beautiful.Why didn't you ask me like that?"she asked Wyatt. Wyatt shot Leif an annoyed frown. "Thanks,buddy.Next time you decide to break out your romantic side,could you do it alone?
Abbi Glines (Existence (Existence, #1))
He started to pull away again but she called his name so he stopped. “Yeah?” “Before you go, give me the dimples,” she demanded. That thing in his throat prickled and Hawk dipped his head and kissed the indentation at the base of his wife’s throat. Then he lifted his head and smiled at her. Her hand came to his face and he felt the pad of her thumb in one of his dimples. Then her eyes moved from her thumb to his and she smiled back.  
Kristen Ashley (Mystery Man (Dream Man, #1))
Hal: "...Then we'll leave in a huff, taking you with us." "I've always wanted to travel in a huff," Ingvar mused. "It sounds very comfortable. I imagine they're well padded." "Lined with feathers, in fact," Gilan put in.
John Flanagan (Slaves of Socorro (Brotherband Chronicles, #4))
But, you know, do what you like! Have a million books! I was only, like, asking. It’s still a book if you’re reading it on an iPad. Soup is soup whatever bowl it’s in.
Fredrik Backman (My Grandmother Asked Me to Tell You She's Sorry)
Oh, you just look at something and figure out how it works," Kai deadpanned, standing beside her. "Is that all?" Cinder fixed her ponytail and shrugged, suddenly embarrassed. "It's just mechanics." Kai scooped an arm around her waist and pulled her against him. "No, it's impressive," he said, using the pad of his thumb to brush something off Cinder's cheek. "Not to mention, weirdly attractive," he said, before capturing her lips.
Marissa Meyer (Winter (The Lunar Chronicles, #4))
In a quiet voice, he said, "How long's this been going on for you? With her." John took out a small pad he'd brought with him and wrote: Since the moment I first met her. After Rehv read the scribble, he frowned. "She feel the same way?" John did not drop his eyes as he shook his head. No sense hiding shit. Not with a symphath. Rehv nodded once. "That's so like her. Goddamn it...okay, let's do this.
J.R. Ward (Lover Mine (Black Dagger Brotherhood, #8))
How did you tell a man that you'd grown up, that you'd learned true love wasn't a night of passionate sex under a sky lit up by fireworks, but an ordinary Sunday morning when your husband brought you a glass of water, two aspirins, and a heating pad for your cramps?
Kristin Hannah (Angel Falls)
I'm so excited. I just bought a new file cabinet, some manila folders, some sticky note pads, and a few highlighters, and I think I'm finally ready to enter into organized crime.
Jarod Kintz (It Occurred to Me)
I'd tried normal and I'd failed at it. Me... a failure. Unlike the ACT, I couldn't retake this part of my life and erase an unpleasant score. There was no blank canvas to start a new painting or sketch pad for a fresh drawing.
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
Each time I write a book, every time I face that yellow pad, the challenge is so great. I have written eleven books, but each time I think, ‘Uh oh, they’re going to find out now. I’ve run a game on everybody and they’re going to find me out.
Maya Angelou
Let me say right here, if I haven't made it clear, that I have seen as many pale, naked old-man parts in the last twenty-four hours to bruise my delicate psyche for a lifetime, so don't be surprised if you someday find me wandering the moors at midnight, a crazed look in my eye, babbling about albino Tater Tots nesting in Brillo pads and being pursued by sagging man ass, because that shit can happen when you've been traumatized.
Christopher Moore (You Suck (A Love Story, #2))
You're wrong, I want to say. I'm exactly like you. But I can't. The fact is, alcoholics have programs, steps to take so they can fit into society and function. Crazies like Alison--all they have are padded cells and blunted utensils. That's their normal. Our normal.
A.G. Howard (Splintered (Splintered, #1))
The art of holding hands is underrated and it’s embarrassing how much this simple act has me nearly breathless. The pads of each of his fingertips reach across the backs of my hands to my wrist. Large
Sally Thorne (The Hating Game)
If we happened to be in rehearsal downstairs in my room and a neighbor padded across the lawn to rap gently on the window and ask us to please be more quiet, Natalie might simply lift up her skirt and mash her vagina against the window while extending her middle finger.
Augusten Burroughs (Running with Scissors)
You're like a crazy cat lady, but you collect killers instead of fluffy cats." "I don't collect killers." "Yes, you do, and those who aren't killers turn into killers by the time you're done. You made Julie into a maniac. That child has more knives on her than a squad of the PAD.
Ilona Andrews (Magic Binds (Kate Daniels, #9))
Shane padded back to the couch and flopped, sucking on his own can of soda. Eve shot him an exasperated look. “Yeah, man, thanks for bringing me one, too.” The raccoon eye make-up exaggerated her eye roll. “Dork.” “Didn’t know if you wanted zombie dirt sprinkled on it or anything. If you’re eating this week.
Rachel Caine (Glass Houses (The Morganville Vampires, #1))
Um..." Hazel faltered. "You mean you won't... you're not going to-" "Claim your life?" Thantos asked. "Well, let's see..." He pulled a pure-black iPad from thin air. Death, tapped the screen a few times, and all Frank could think was: Please don't let there be an app for reaping souls. "I don't see you on the list," Thantos said. "Pluto gives me specific orders for escaped souls, you see. For some reason, he has not issued a warrant for yours. Perhaps he feels your life is not finished, or it could be n oversight. If you'd like me to call and ask-" "No!" Hazel yelped. "That's okay." "Are you sure?" Death asked helpfully. "I have video-conferencing enabled. I have his Skype address here somewhere...
Rick Riordan (The Son of Neptune (The Heroes of Olympus, #2))
And even if you didn't fall in love in the eighties, in your mind it will feel like the eighties, all innocent and airbrushed, with bright colors and shoulder pads and Pat Benetar or the Cure on the soundtrack.
Jonathan Tropper (This is Where I Leave You)
My father despises cats. He believes them to be Democrats. He considers them to be little mean hillary clintons covered all over with feminist legfur. Cats would have abortions, if given half a chance. Cats would have abortions for fun. Consequently our own soft sinner, a soulful snowshoe named Alice, will stay shut in the bedroom upstairs, padding back and forth on cashmere paws, campaigning for equal pay, educating me about my reproductive system, and generally plotting the downfall of all men.
Patricia Lockwood (Priestdaddy)
I hadn't said goodbye. It had been easier, like always, to just disappear, sparing myself the messy details of another farewell. Now, my fingers hovered over my track pad, moving the cursor down to his comment section before I stopped myself. What was the point? Anything I said now would only be an afterthought. Elizabeth who goes by her middle name
Sarah Dessen (What Happened to Goodbye)
The truest art I would strive for in any work would be to give the page the same qualities as earth: weather would land on it harshly, light would elucidate the most difficult truths; wind would sweep away obtuse padding. Finally, the lessons of impermanence taught me this: loss constitutes an odd kind of fullness; despair empties out into an unquenchable appetite for life.
Gretel Ehrlich (The Solace of Open Spaces)
Here came the waitress. She had on a mini-skirt, high heels, see-through blouse with padded brassiere. Everything was too small for her: her outfit, the world, her mind. Her face was hard as steel. When she smiled it hurt. It hurt her and it hurt me. She kept smiling. That smile was so false the hairs on my arms rose. I looked away.
Charles Bukowski (Pulp)
Girlie, you f*ck this up and I'm calling the boys in the white jackets. You let something that fine slip through your fingers, you deserve a padded room. Especially if he's good at relationship stuff. Most especially if he's serious about you. No one who looks like that and fills out a pair of jeans like that is good at relationship stuff. I don't care if he runs through seven circles of hell.
Kristen Ashley (Rock Chick (Rock Chick, #1))
Grief, it turns out, is a lot like a one-sided video conversation on an iPad. It’s the call with no response, the echo of affection, the shadow cast by love.
Jodi Picoult (Wish You Were Here)
Life had been a suit I'd only put on for special occasions. Most of the time I kept it in the back of my closet, forgetting it was there. We were meant to die when it was barely stitched anymore, when the elbows and knees were stained with grass and mud, shoulder pads uneven from people hugging you all the time, downpours and blistering sun, the fabric faded, buttons gone.
Marisha Pessl (Night Film)
...research tells us that we judge people in areas where we're vulnerable to shame, especially picking folks who are doing worse than we're doing. If I feel good about my parenting, I have no interest in judging other people's choices. If I feel good about my body, I don't go around making fun of other people's weight or appearance. We're hard on each other because we're using each other as a launching pad out of our own perceived shaming deficiency.
Brené Brown (Daring Greatly: How the Courage to Be Vulnerable Transforms the Way We Live, Love, Parent, and Lead)
I don’t know if I’ve learned anything yet! I did learn how to have a happy home, but I consider myself fortunate in that regard because I could’ve rolled right by it. Everybody has a superficial side and a deep side, but this culture doesn’t place much value on depth — we don’t have shamans or soothsayers, and depth isn’t encouraged or understood. Surrounded by this shallow, glossy society we develop a shallow side, too, and we become attracted to fluff. That’s reflected in the fact that this culture sets up an addiction to romance based on insecurity — the uncertainty of whether or not you’re truly united with the object of your obsession is the rush people get hooked on. I’ve seen this pattern so much in myself and my friends and some people never get off that line. But along with developing my superficial side, I always nurtured a deeper longing, so even when I was falling into the trap of that other kind of love, I was hip to what I was doing. I recently read an article in Esquire magazine called ‘The End of Sex,’ that said something that struck me as very true. It said: “If you want endless repetition, see a lot of different people. If you want infinite variety, stay with one.” What happens when you date is you run all your best moves and tell all your best stories — and in a way, that routine is a method for falling in love with yourself over and over. You can’t do that with a longtime mate because he knows all that old material. With a long relationship, things die then are rekindled, and that shared process of rebirth deepens the love. It’s hard work, though, and a lot of people run at the first sign of trouble. You’re with this person, and suddenly you look like an asshole to them or they look like an asshole to you — it’s unpleasant, but if you can get through it you get closer and you learn a way of loving that’s different from the neurotic love enshrined in movies. It’s warmer and has more padding to it.
Joni Mitchell
There were doors that looked like large keyholes, others that resembled the entrances to caves, there were golden doors, some were padded and some were studded with nails, some were paper-thin and others as thick as the doors of treasure houses; there was one that looked like a giant's mouth and another that had to be opened like a drawbridge, one that suggested a big ear and one that was made of gingerbread, one that was shaped like an oven door, and one that had to be unbuttoned.
Michael Ende (The Neverending Story)
Now isn't this role more fun than nun?" Gabrielle sauntered into the room, casting a sideways glance at the skirt she had personally hemmed. Hamish nodded, "Kat... you have... legs." "And boobs," Angus added, staring quite directly at the section of the white blouse that Gabrielle had made a bit too form-fitting for Kat's personal taste. "Seriously Kat," Simon said, inching closer, "When did you get boobs?" Hamish looked at Hale, "The boobs are new." He said as if that point hadn't already been thoroughly made. "Is that padded?" Simon held out his hand as if to cop an oh-so-scientific feel. "Hey!" Kat slapped his hand away. "Her dad's going to get out of prison one of these days boys." Hale added, amused.
Ally Carter (Heist Society (Heist Society, #1))
When I hug her, I notice she's still wearing yesterday's false eyelashes. Mom? You know those come off with a little makeup remover and a cotton pad?" I'm not taking them off." Why not?" I spent $180 on that makeup job and I refuse to wash my face until I get my money's worth.
Jen Lancaster (Bitter Is the New Black: Confessions of a Condescending, Egomaniacal, Self-Centered Smartass, Or, Why You Should Never Carry A Prada Bag to the Unemployment Office)
You know what love is?" Creed asked that and my eyes shot from the hair on his forehead to his. "I..." I swallowed again then, holding his eyes, I whispered, "Yes. I do. I know what love is, Creed." I felt his big hand curl warm on the side of my face before I felt the pad of his thumb sweep across my lips again. He watched it move as he replied, "I do too, baby." His eyes came to mine. "I absolutely do.
Kristen Ashley (Creed (Unfinished Hero, #2))
That's the blessing and the curse of loss: You don't get to choose what falls within the inevitable dissolution of recollection or what lingers and haunts you late at night, your head heavy with memories, while your husband dreams of scaling walls in spandex tights.This is who I am: someone who simultaneously longs for and fears the commitment of remembering. There is the forgetting, the disintegration of memory, morsel by morsel; and there is the impossibility of forgetting, the scar tissue, with is insulated layers of padding. Both haunt me in their own way.
Julie Buxbaum (The Opposite of Love)
She crouched with her hand out. What the hell was she doing… "Here, kitty, kitty, kitty." Oh my God, she was retarded and I was going to kill Jim. She blinked and stared at me. She'd seen my eyes glow. I let go, shifting in the dark into my true form in the dark. If you want a Kitty, little girl, I'll give you one you'll never forget. I stepped into the moonlight. She froze. That's right. No sudden moves. I padded toward her slowly and circled her allowing her take it all in. Do you like the kitty now? I could smell her surprise and fear. Our gazes met. Her eyes went wide and then she fell on her ass. Heh. A bow would have been sufficient.
Ilona Andrews (Curran (Curran POV #1-2))
...the first thing you do at the end is reflect on the beginning. Maybe it's some form of reverse closure, or just the basic human impulse toward sentimentality, or masochism, but as you stand there shell-shocked in the charred ruins of your life, your mind will invariably go back to the time when it all started. And even if you didn't fall in love in the eighties, in your mind it will fee like the eighties, all innocent and airbrushed, with bright colors and shoulder pads and Pat Benatar or The Cure on the soundtrack.
Jonathan Tropper (This is Where I Leave You)
She will grow out of it, her parents say - but instead, Adeline feels herself growing in, holding tighter to the stubborn hope of something more. The world should be getting larger. Instead, she feels it shrinking, tightening like chains around her limbs as the flat lines of her own body begin to curve out against it, and suddenly the charcoal beneath her nails is unbecoming, as is the idea that she would choose her own company over Arnaud's or George'sm or any man who might have her. She is at odds with everything, she does not fit, an insult to her sex, a stubborn child in a woman's form, her head bowed and arms wrapped tight around her drawing pad as if it were a door.
Victoria E. Schwab (The Invisible Life of Addie LaRue)
It had become a chimney poking from a vertical universe of bookshelves. There was motion below her. There were people on the shelves. They clung to the edges of the cases and moved across them in expert scuttles. They wore ropes and hooks and carried picks on which they sometimes hung. Dangling from straps they carried notebooks, pens, magnifying glasses, ink pads, and stamps. The men and women took books from the shelves as they went, checked their details, leaning against their ropes, replaced them, pulled out little pads and made notes, sometimes carried the books with them to another place and reshelved it there. ... I'm Margarita Staples." She bowed in her harness. 'Extreme librarian. Bookaneer.
China Miéville
You can’t change what has already happened. What you did or decided. So you have two choices. Wallow in it, stay in the chokehold of guilt and shame that holds you back from the next phase of your life”—she taps the pad with the pen—“or decide you’ve punished yourself long enough for things you can never change and set a date when you’ll forgive yourself and move forward.
Kennedy Ryan (Before I Let Go (Skyland, #1))
This singularity of meaning--I was my face, I was ugliness--though sometimes unbearable, also offered a possible point of escape. It became the launching pad from which to lift off, the one immediately recognizable place to point to when asked what was wrong with my life. Everything led to it, everything receded from it--my face as personal vanishing point.
Lucy Grealy (Autobiography of a Face)
Time overlaps itself. A breath breathed from a passing breeze is not the whole wind, neither is it just the last of what has passed and the first of what will come, but is more--let me see--more like a single point plucked on a single strand of a vast spider web of winds, setting the whole scene atingle. That way; it overlaps...As prehistoric ferns grow from bathtub planters. As a shiny new ax, taking a swing at somebody's next year's split-level pinewood pad, bites all the way to the Civil War. As proposed highways break down through the stacked strata of centuries.
Ken Kesey (Sometimes a Great Notion)
Well, well. Lucinda Hutton. One flexible little gal.” He is reclining in his chair again. Both feet are flat on the floor and they point at me like revolvers in a Wild West shootout. “HR,” I clip at him. I’m losing this game and he knows it. Calling HR is virtually like tapping out. He picks up the pencil and presses the sharpened tip against the pad of his thumb. If a human could grin without moving their face, he just did it.
Sally Thorne (The Hating Game)
Of the not very many ways known of shedding one's body, falling, falling, falling is the supreme method, but you have to select your sill or ledge very carefully so as not to hurt yourself or others. Jumping from a high bridge is not recommended even if you cannot swim, for wind and water abound in weird contingencies, and tragedy ought not to culminate in a record dive or a policeman's promotion. If you rent a cell in the luminous waffle, room 1915 or 1959, in a tall business centre hotel browing the star dust, and pull up the window, and gently - not fall, not jump - but roll out as you should for air comfort, there is always the chance of knocking clean through into your own hell a pacific noctambulator walking his dog; in this respect a back room might be safer, especially if giving on the roof of an old tenacious normal house far below where a cat may be trusted to flash out of the way. Another popular take-off is a mountaintop with a sheer drop of say 500 meters but you must find it, because you will be surprised how easy it is to miscalculate your deflection offset, and have some hidden projection, some fool of a crag, rush forth to catch you, causing you to bounce off it into the brush, thwarted, mangled and unnecessarily alive. The ideal drop is from an aircraft, your muscles relaxed, your pilot puzzled, your packed parachute shuffled off, cast off, shrugged off - farewell, shootka (little chute)! Down you go, but all the while you feel suspended and buoyed as you somersault in slow motion like a somnolent tumbler pigeon, and sprawl supine on the eiderdown of the air, or lazily turn to embrace your pillow, enjoying every last instant of soft, deep, death-padded life, with the earth's green seesaw now above, now below, and the voluptuous crucifixion, as you stretch yourself in the growing rush, in the nearing swish, and then your loved body's obliteration in the Lap of the Lord.
Vladimir Nabokov (Pale Fire)
You’re not too bad, Finley Sinclair.” I couldn’t have looked away from this boy if the room had caught on fire. “You’re okay yourself. At times.” “But we can’t get involved.” “No.” I swallowed. “Definitely not.” His face lowered a fraction of an inch. “Because I’m infamously bad.” “And I’m staying away from trouble.” His voice was rough, husky. “It would never work.” I took a step closer. “Impossible.” He traced my cheek with the pad of his thumb. “We don’t even like each other." “I pretty much can’t stand you.” And then his lips crushed to mine.
Jenny B. Jones (There You'll Find Me)
I was ten years old. I had noticed something was weird earlier in the day but I knew from commercials that one's menstrual period was a blue liquid that you poured like laundry detergent onto maxi pads to test their absorbency. This wasn't blue so...I ignored it for a few hours. When we got home I pulled my mom aside to ask if it was weird I was bleeding in my underpants. She was very sympathetic but also a little baffled. Her eyes said "Dummy didn't you read 'How Shall I Tell My Daughter ". I HAD read it but nowhere in the pamphlet did anyone say that your period was NOT a blue liquid. At that moment two things became clear to me I was now technically a woman and I would never be a doctor.
Tina Fey (Bossypants)
This may be hard to believe, coming from a black man, but I’ve never stolen anything. Never cheated on my taxes or at cards. Never snuck into the movies or failed to give back the extra change to a drugstore cashier indifferent to the ways of mercantilism and minimum-wage expectations. I’ve never burgled a house. Held up a liquor store. Never boarded a crowded bus or subway car, sat in a seat reserved for the elderly, pulled out my gigantic penis and masturbated to satisfaction with a perverted, yet somehow crestfallen, look on my face. But here I am, in the cavernous chambers of the Supreme Court of the United States of America, my car illegally and somewhat ironically parked on Constitution Avenue, my hands cuffed and crossed behind my back, my right to remain silent long since waived and said goodbye to as I sit in a thickly padded chair that, much like this country, isn’t quite as comfortable as it looks.
Paul Beatty (The Sellout)
Editors can be stupid at times. They just ignore that author’s intention. I always try to read unabridged editions, so much is lost with cut versions of classic literature, even movies don’t make sense when they are edited too much. I love the longueurs of a book even if they seem pointless because you can get a peek into the author’s mind, a glimpse of their creative soul. I mean, how would people like it if editors came along and said to an artist, ‘Whoops, you left just a tad too much space around that lily pad there, lets crop that a bit, shall we?’. Monet would be ripping his hair out.
E.A. Bucchianeri (Brushstrokes of a Gadfly (Gadfly Saga, #1))
Day had gotten a little nervous during one session when the doctor asked God how he would handle someone hurting Day now and his lover responded by jerking one side of his leather coat open and pulling his long blade from its sheathe. “Easy, I’d cut their fucking arm off and beat the shit out of them with it,” he’d said. But Day quickly started laughing and told the concerned doctor that his partner was just playing. After popping God hard in his stomach, God agreed and said he was indeed joking. When the doctor went back to writing on her legal pad, God mouthed to him, “No I’m not.
A.E. Via (Nothing Special)
If you are not from a particular place the history of that particular place will dwell inside you differently to how it dwells within those people who are from that particular place. Your connection to certain events that define the history of a particular place is not straightforward because none of your ancestors were in any way involved or affected by those events. You have no stories to relate and compare, you have no narrative to inherit and run with, and all the names are strange ones that mean nothing to you at all. And it's as if the history of a particular place knows all about this blankness you contain. Consequently if you are not from a particular place you will always be vulnerable for the reason that it doesn't matter how many years you have lived there you will never have a side of the story; nothing with which you can hold the full force of the history of a particular place at bay. And so it comes at you directly, right through the softly padding soles of your feet, battering up throughout your body, before unpacking its clamouring store of images in the clear open spaces of your mind. Opening out at last; out, out, out And shimmered across the pale expanse of a flat defenceless sky. All the names mean nothing to you, and your name means nothing to them.
Claire-Louise Bennett (Pond)
Just what the hell did you mean, you bastard, when you said we couldn't punish you?" said the corporal who could take shorthand reading from his steno pad. "All right," said the colonel. "Just what the hell did you mean?" "I didn't say you couldn't punish me, sir." "When," asked the colonel. "When what, sir?" "Now you're asking me questions again." "I'm sorry, sir. I'm afraid I don't understand your question." "When didn't you say we couldn't punish you? Don't you understand my question?" "No, sir, I don't understand." "You've just told us that. Now suppose you answer my question." "But how can I answer it?" "That's another question you're asking me." "I'm sorry, sir. But I don't know how to answer it. I never said you couldn't punish me." "Now you're telling us what you did say. I'm asking you to tell us when you didn't say it." Clevinger took a deep breath. "I always didn't say you couldn't punish me, sir.
Joseph Heller (Catch-22)
She's never asked for a drawing before. I'm horrible at giving them away. 'For the sun, stars, oceans, and all the trees, I'll consider it,' I say, knowing she'll never agree. She knows how badly I want the sun and trees. We've been dividing up the world since we were five. I'm kicking butt at the moment - universe domination is within my grasp for the first time. 'Are you kidding?' she says, standing up straight. It annoys me how tall she's getting. It's like she's being stretched at night. 'That leaves me just the flowers, Noah.' Fine, I think. She'll never do it. It's settled, but it isn't. She reaches over and props up the pad, gazing at the portrait like she's expecting the English guy to speak to her. 'Okay,' she says. 'Trees, stars, oceans. Fine.' 'And the sun, Jude.' 'Oh, all right," she says, totally surprising me. 'I'll give you the sun.
Jandy Nelson (I'll Give You the Sun)
Shortly afterwards it started raining, very innocently at first, but the sky was packed tight with cloud and gradually the drops grew bigger and heavier, until it was autumn’s dismal rain that was falling—rain that seemed to fill the entire world with its leaden beat, rain suggestive in its dreariness of everlasting waterfalls between the planets, rain that thatched the heavens with drabness and brooded oppressively over the whole countryside, like a disease, strong in the power of its flat, unvarying monotony, its smothering heaviness, its cold, unrelenting cruelty. Smoothly, smoothly it fell, over the whole shire, over the fallen marsh grass, over the troubled lake, the iron-grey gravel flats, the sombre mountain above the croft, smudging out every prospect. And the heavy, hopeless, interminable beat wormed its way into every crevice in the house, lay like a pad of cotton wool over the ears, and embraced everything, both near and far, in its compass, like an unromantic story from life itself that has no rhythm and no crescendo, no climax, but which is nevertheless overwhelming in its scope, terrifying in its significance. And at the bottom of this unfathomed ocean of teeming rain sat the little house and its one neurotic woman.
Halldór Laxness (Independent People)
Sooner or later, you will discover which kind of father you are, and at that moment you will, with perfect horror, recognize the type. You are the kind of father who fakes it, who yells, who measures his children with greatest accuracy only against one another, who evades the uncomfortable and glosses over the painful and pads the historic records of his sorrows and accomplishments alike. You are the kind who teases and deceives and toys with his children and subjects them to displays of rich and manifold sarcasm when--as is always the case--sarcasm is the last thing they need. You are the kind of father who pretends knowledge he doesn't possess, and imposes information with implacable gratuitousness, and teaches lessons at the moment when none can be absorbed, and is right, and has always been right, and always will be right until the end of time, and never more than immediately after he has been wrong. And when your daughter's body begins to betray her, and her sky flickers in the distance with the heat lightning of sex, you clear your throat and stroke your chin whiskers and tell her to go ask her mother. You can't help it--you're a walking cliché.
Michael Chabon (Manhood for Amateurs)
On the first day of November last year, sacred to many religious calendars but especially the Celtic, I went for a walk among bare oaks and birch. Nothing much was going on. Scarlet sumac had passed and the bees were dead. The pond had slicked overnight into that shiny and deceptive glaze of delusion, first ice. It made me remember sakes and conjure a vision of myself skimming backward on one foot, the other extended; the arms become wings. Minnesota girls know that this is not a difficult maneuver if one's limber and practices even a little after school before the boys claim the rink for hockey. I think I can still do it - one thinks many foolish things when November's bright sun skips over the entrancing first freeze. A flock of sparrows reels through the air looking more like a flying net than seventy conscious birds, a black veil thrown on the wind. When one sparrow dodges, the whole net swerves, dips: one mind. Am I part of anything like that? Maybe not. The last few years of my life have been characterized by stripping away, one by one, loves and communities that sustain the soul. A young colleague, new to my English department, recently asked me who I hang around with at school. "Nobody," I had to say, feeling briefly ashamed. This solitude is one of the surprises of middle age, especially if one's youth has been rich in love and friendship and children. If you do your job right, children leave home; few communities can stand an individual's most pitiful, amateur truth telling. So the soul must stand in her own meager feathers and learn to fly - or simply take hopeful jumps into the wind. In the Christian calendar, November 1 is the Feast of All Saints, a day honoring not only those who are known and recognized as enlightened souls, but more especially the unknowns, saints who walk beside us unrecognized down the millennia. In Buddhism, we honor the bodhisattvas - saints - who refuse enlightenment and return willingly to the wheel of karma to help other beings. Similarly, in Judaism, anonymous holy men pray the world from its well-merited destruction. We never know who is walking beside us, who is our spiritual teacher. That one - who annoys you so - pretends for a day that he's the one, your personal Obi Wan Kenobi. The first of November is a splendid, subversive holiday. Imagine a hectic procession of revelers - the half-mad bag lady; a mumbling, scarred janitor whose ravaged face made the children turn away; the austere, unsmiling mother superior who seemed with great focus and clarity to do harm; a haunted music teacher, survivor of Auschwitz. I bring them before my mind's eye, these old firends of my soul, awakening to dance their day. Crazy saints; but who knows what was home in the heart? This is the feast of those who tried to take the path, so clumsily that no one knew or notice, the feast, indeed, of most of us. It's an ugly woods, I was saying to myself, padding along a trail where other walkers had broken ground before me. And then I found an extraordinary bouquet. Someone had bound an offering of dry seed pods, yew, lyme grass, red berries, and brown fern and laid it on the path: "nothing special," as Buddhists say, meaning "everything." Gathered to formality, each dry stalk proclaimed a slant, an attitude, infinite shades of neutral. All contemplative acts, silences, poems, honor the world this way. Brought together by the eye of love, a milkweed pod, a twig, allow us to see how things have been all along. A feast of being.
Mary Rose O'Reilley (The Barn at the End of the World: The Apprenticeship of a Quaker, Buddhist Shepherd)
He laughed. “What’s to say? Great paintings—people flock to see them, they draw crowds, they’re reproduced endlessly on coffee mugs and mouse pads and anything-you-like. And, I count myself in the following, you can have a lifetime of perfectly sincere museum-going where you traipse around enjoying everything and then go out and have some lunch. But—” crossing back to the table to sit again “—if a painting really works down in your heart and changes the way you see, and think, and feel, you don’t think, ‘oh, I love this picture because it’s universal.’ ‘I love this painting because it speaks to all mankind.’ That’s not the reason anyone loves a piece of art. It’s a secret whisper from an alleyway. Psst, you. Hey kid. Yes you.” Fingertip gliding over the faded-out photo—the conservator’s touch, a touch-without-touching, a communion wafer’s space between the surface and his forefinger.
Donna Tartt (The Goldfinch)
Footsteps approach the kitchen. Garrett wanders in, wiping sweat off his brow. When he notices Sabrina, he brightens. “Oh good. You’re here. Hold on—gotta grab something.” She turns to me as if to say, Is he talking to me? He’s already gone, though, his footsteps thumping up the stairs. At the table, Hannah runs a hand through her hair and gives me a pleading look. “Just remember he’s your best friend, okay?” That doesn’t sound ominous. When Garrett returns, he’s holding a notepad and a ballpoint pen, which he sets on the table as he sits across from Sabrina. “Tuck,” he says. “Sit. This is important.” I’m so baffled right now. Hannah’s resigned expression doesn’t help in lessening the confusion. Once I’m seated next to Sabrina, Garrett flips open the notepad, all business. “Okay. So let’s go over the names.” Sabrina raises an eyebrow at me. I shrug, because I legitimately don’t know what the fuck he’s talking about. “I’ve put together a solid list. I really think you’re going to like these.” But when he glances down at the page, his face falls. “Ah crap. We can’t use any of the boy names.” “Wait.” Sabrina holds up a hand, her brow furrowed. “You’re picking names for our baby?” He nods, busy flipping the page. My baby mama gapes at me. I shrug again. “Just out of curiosity, what were the boy names?” Grace hedges, clearly fighting a smile. He cheers up again. “Well, the top contender was Garrett.” I snicker loud enough to rattle Sabrina’s water glass. “Uh-huh,” I say, playing along. “And what was the runner-up?” “Graham.” Hannah sighs. “But it’s okay. I have some kickass girl names too.” He taps his pen on the pad, meets our eyes, and utters two syllables. “Gigi.” My jaw drops. “Are you kidding me? I’m not naming my daughter Gigi.” Sabrina is mystified. “Why Gigi?” she asks slowly. Hannah sighs again. The name suddenly clicks in my head. Oh for fuck’s sake. “G.G.,” I mutter to Sabrina. “As in Garrett Graham.” She’s silent for a beat. Then she bursts out laughing, triggering giggles from Grace and eventually Hannah, who keeps shaking her head at her boyfriend. “What?” Garrett says defensively. “The godfather should have a say in the name. It’s in the rule book.” “What rule book?” Hannah bursts out. “You make up the rules as you go along!” “So?
Elle Kennedy (The Goal (Off-Campus, #4))
And so now, having been born, I'm going to rewind the film, so that my pink blanket flies off, my crib scoots across the floor as my umbilical cord reattaches, and I cry out as I'm sucked back between my mother's legs. She gets really fat again. Then back some more as a spoon stops swinging and a thermometer goes back into its velvet case. Sputnik chases its rocket trail back to the launching pad and polio stalks the land. There's a quick shot of my father as a twenty-year-old clarinetist, playing an Artie Shaw number into the phone, and then he's in church, age eight, being scandalized by the price of candles; and next my grandfather is untaping his first U.S. dollar bill over a cash register in 1931. Then we're out of America completely; we're in the middle of the ocean, the sound track sounding funny in reverse. A steamship appears, and up on a deck a lifeboat is curiously rocking; but then the boat docks, stern first, and we're up on dry land again, where the film unspools, back at the beginning...
Jeffrey Eugenides (Middlesex)
GO BACK TO DALLAS!” the man sitting somewhere behind us yelled again, and the hold Aiden still had on the back of my neck tightened imperceptibly. “Don’t bother, Van,” he demanded, pokerfaced. “I’m not going to say anything,” I said, even as I reached up with the hand furthest away from him and put it behind my head, extending my middle finger in hopes that the idiot yelling would see it. Those brown eyes blinked. “You just flipped him off, didn’t you?” Yeah, my mouth dropped open. “How do you know when I do that?” My tone was just as astonished as it should be. “I know everything.” He said it like he really believed it. I groaned and cast him a long look. “You really want to play this game?” “I play games for a living, Van.” I couldn’t stand him sometimes. My eyes crossed in annoyance. “When is my birthday?” He stared at me. “See?” “March third, Muffin.” What in the hell? “See?” he mocked me. Who was this man and where was the Aiden I knew? “How old am I?” I kept going hesitantly. “Twenty-six.” “How do you know this?” I asked him slowly. “I pay attention,” The Wall of Winnipeg stated. I was starting to think he was right. Then, as if to really seal the deal I didn’t know was resting between us, he said, “You like waffles, root beer, and Dr. Pepper. You only drink light beer. You put cinnamon in your coffee. You eat too much cheese. Your left knee always aches. You have three sisters I hope I never meet and one brother. You were born in El Paso. You’re obsessed with your work. You start picking at the corner of your eye when you feel uncomfortable or fool around with your glasses. You can’t see things up close, and you’re terrified of the dark.” He raised those thick eyebrows. “Anything else?” Yeah, I only managed to say one word. “No.” How did he know all this stuff? How? Unsure of how I was feeling, I coughed and started to reach up to mess with my glasses before I realized what I was doing and snuck my hand under my thigh, ignoring the knowing look on Aiden’s dumb face. “I know a lot about you too. Don’t think you’re cool or special.” “I know, Van.” His thumb massaged me again for all of about three seconds. “You know more about me than anyone else does.” A sudden memory of the night in my bed where he’d admitted his fear as a kid pecked at my brain, relaxing me, making me smile. “I really do, don’t I?” The expression on his face was like he was torn between being okay with the idea and being completely against it. Leaning in close to him again, I winked. “I’m taking your love of MILF porn to the grave with me, don’t worry.” He stared at me, unblinking, unflinching. And then: “I’ll cut the power at the house when you’re in the shower,” he said so evenly, so crisply, it took me a second to realize he was threatening me… And when it finally did hit me, I burst out laughing, smacking his inner thigh without thinking twice about it. “Who does that?” Aiden Graves, husband of mine, said it, “Me.” Then the words were out of my mouth before I could control them. “And you know what I’ll do? I’ll go sneak into bed with you, so ha.” What the hell had I just said? What in the ever-loving hell had I just said? “If you think I’m supposed to be scared…” He leaned forward so our faces were only a couple of inches away. The hand on my neck and the finger pads lining the back of my ear stayed where they were. “I’m not
Mariana Zapata (The Wall of Winnipeg and Me)
10 ways to raise a wild child. Not everyone wants to raise wild, free thinking children. But for those of you who do, here's my tips: 1. Create safe space for them to be outside for a least an hour a day. Preferable barefoot & muddy. 2. Provide them with toys made of natural materials. Silks, wood, wool, etc...Toys that encourage them to use their imagination. If you're looking for ideas, Google: 'Waldorf Toys'. Avoid noisy plastic toys. Yea, maybe they'll learn their alphabet from the talking toys, but at the expense of their own unique thoughts. Plastic toys that talk and iPads in cribs should be illegal. Seriously! 3. Limit screen time. If you think you can manage video game time and your kids will be the rare ones that don't get addicted, then go for it. I'm not that good so we just avoid them completely. There's no cable in our house and no video games. The result is that my kids like being outside cause it's boring inside...hah! Best plan ever! No kid is going to remember that great day of video games or TV. Send them outside! 4. Feed them foods that support life. Fluoride free water, GMO free organic foods, snacks free of harsh preservatives and refined sugars. Good oils that support healthy brain development. Eat to live! 5. Don't helicopter parent. Stay connected and tuned into their needs and safety, but don't hover. Kids like adults need space to roam and explore without the constant voice of an adult telling them what to do. Give them freedom! 6. Read to them. Kids don't do what they are told, they do what they see. If you're on your phone all the time, they will likely be doing the same thing some day. If you're reading, writing and creating your art (painting, cooking...whatever your art is) they will likely want to join you. It's like Emilie Buchwald said, "Children become readers in the laps of their parents (or guardians)." - it's so true! 7. Let them speak their truth. Don't assume that because they are young that you know more than them. They were born into a different time than you. Give them room to respectfully speak their mind and not feel like you're going to attack them. You'll be surprised what you might learn. 8. Freedom to learn. I realize that not everyone can homeschool, but damn, if you can, do it! Our current schools system is far from the best ever. Our kids deserve better. We simply can't expect our children to all learn the same things in the same way. Not every kid is the same. The current system does not support the unique gifts of our children. How can they with so many kids in one classroom. It's no fault of the teachers, they are doing the best they can. Too many kids and not enough parent involvement. If you send your kids to school and expect they are getting all they need, you are sadly mistaken. Don't let the public school system raise your kids, it's not their job, it's yours! 9. Skip the fear based parenting tactics. It may work short term. But the long term results will be devastating to the child's ability to be open and truthful with you. Children need guidance, but scaring them into listening is just lazy. Find new ways to get through to your kids. Be creative! 10. There's no perfect way to be a parent, but there's a million ways to be a good one. Just because every other parent is doing it, doesn't mean it's right for you and your child. Don't let other people's opinions and judgments influence how you're going to treat your kid. Be brave enough to question everything until you find what works for you. Don't be lazy! Fight your urge to be passive about the things that matter. Don't give up on your kid. This is the most important work you'll ever do. Give it everything you have.
Brooke Hampton