Shopping Queen Quotes

That's what we do. We walk a tightrope every day. Getting out the door is a tightrope. Going grocery shopping is a tightrope. Socializing is a tightrope. Things that most people consider to be normal, daily parts of life are the very things we fear and struggle with the most, and yet here we are, moving forward anyway. That's not weak.

But as they rode out of Rifthold, that city that had been her home and her hell and her salvation, as she memorized each street and building and face and shop, each smell and the coolness of the river breeze, she didn't see one slave. Didn't hear one whip. And as they passed by the domed Royal Theater, there was music - beautiful, exquisite music - playing within.

Let me guess - you're Grumpy?' He let out a humpf. ' And you would be too, if you'd just spent the last hour searching the forest for your wayward charge.' He walked even faster. 'We tell you to stay inside, we tell you not to talk to strangers. But oh no, you must be out singing to the animals as if the birds didn't do a fine enough job of it. And this after Queen Neferia has already tried to kill you thrice. [...] Which is why you are not to go shopping anymore, no matter how pretty the wares, remember?' Oh, right.' [...] when you looked at it that way, Snow White had to be pretty idiotic to keep falling for the same trick.

But her name was Esmé. She was a girl with long, long, red, red hair. Her mother braided it. The flower shop boy stood behind her and held it in his hand. Her mother cut it off and hung it from a chandelier. She was Queen. Mazishta. Her hair was black and her handmaidens dressed it with pearls and silver pins. Her flesh was golden like the desert. Her flesh was pale like cream. Her eyes were blue. Brown.

Aretha is soul. You can’t argue with Aretha.

He looks at Norris, exasperated. He seems to think that with eloquence, with sincerity, with frankness, he can change what is happening. The whole court has seen him slobbering over the queen. How could he expect to go shopping with his eyes, and finger the goods no doubt, and not have an account to settle at the end of it?

I get it.” He gave her a shy smile in return. “See you at the coffee shop sometime?” “You’re the only one who gets my order right.” “Extra whip,” he said. “Story of my life.

Those long uneven lines Standing as patiently As if they were stretched outside The Oval or Villa Park, The crowns of hats, the sun On moustached archaic faces Grinning as if it were all An August Bank Holiday lark; And the shut shops, the bleached Established names on the sunblinds, The farthings and sovereigns, And dark-clothed children at play Called after kings and queens, The tin advertisements For cocoa and twist, and the pubs Wide open all day-- And the countryside not caring: The place names all hazed over With flowering grasses, and fields Shadowing Domesday lines Under wheat's restless silence; The differently-dressed servants With tiny rooms in huge houses, The dust behind limousines; Never such innocence, Never before or since, As changed itself to past Without a word--the men Leaving the gardens tidy, The thousands of marriages, Lasting a little while longer: Never such innocence again. - MCMXIV

Queen Gaia would consider it a personal favor if you would live at the palace for the summer and assist her in a matter of some delicacy. In return, you would be paid a salary and your parents’ tea shop would be awarded the royal seal of approval.

Nothing is as it was before, after the screen has gone to black. Darkness lies on the soul. To use Beckett's phrase, "what cowers behind it begins to seep through." With her new shopping cart Hekabe, queen of Troy, will be prowling the aisled for dog biscuits.

The indie kids, huh? You've got them at your school, too. That group with the cool-geek haircuts and the charity shop clothes and names from the fifties. Nice enough, never mean, but always the ones who end up being the Chosen One when the vampires come calling or when the alien queen needs the Source of All Light or something. They're too cool to ever, ever do anything like go to prom or listen to music other than jazz while reading poetry. They've always got some story going on that they're heroes of. The rest of us just have to live here, hovering around the edges, left out of it all, for the most part.

Can’t you see the danger all around you?” Daniel the shoemaker walked up to them and abruptly put a baby lamb in Keeley’s arms. “For your mum. Tell her I’ll get her the baby goat in another week or two.” They stared at the lamb bleating in Keeley’s arms as Daniel returned to his shop. “Yes, Sister, the danger is everywhere.

Within a year or two, however, a couple of the first things I wrote – ‘Anarchy In The UK’ and ‘God Save The Queen’ – really hit their target. I’d like to thank the British public library system: that was my training ground, that’s where I learned to throw those verbal grenades. I wasn’t just throwing bricks through shop windows as a voice of rebellion, I was throwing words where they really mattered. Words count.

I wanted to take a photo of his face just then. That boyish grin. That look of love, of contentedness. Couldn't he see? We didn't need children to complete us. We were already complete. I had my flowers and plants, and he had his writing. Wasn't that enough? Didn't he love the ebb and flow of our life together just as it was? The way I'd race home for dinner with a basket brimming with vegetables from the market or a handful of herbs from a garden project, eager to read the pages he'd written that day. Didn't he love, as I did, the quiet mornings we spent in our garden, sipping espresso and discussing our latest venture to a flea market in Queens or an antiques shop in Connecticut? Once we carted an enormous painted dresser to a taping of 'Antiques Roadshow' only to find that the piece was made in China. I grinned at the memory.

I asked why her Jeffrey was seeing a man in a dress shop. Perhaps he thought it was time his mother wore a dress was my first thought, Lil. Gertie said that was the job he did. Then the penny dropped. I asked her if Jeffrey was homosexual. I only whispered the word, Lil, I didn't shout it out loud. She said he was gay. She wants to take a closer look at her Jeffrey. He may, or may not, be homosexual, but there's nothing gay about him. He's as miserable as sin.

I’ll be needing a closer look tomorrow.” “It’s nothing special,” she hedged. “Just an average English village. Hardly worth your time. Cottages, a church, a few shops.” “Surely there’s an inn,” Lord Payne said. “There is a rooming house,” Susanna said, leading them back from the edge of the bluff. “The Queen’s Ruby. But I’m afraid it is completely occupied at this time of year. Summer visitors, you understand, come to enjoy the sea.” And to escape men like you.

Once Mamaw's eased her body onto the seat, pinning me in so tightly that a seat belt would just be redundant, we head out of the parking lot and onto the open road. Mamaw and Papaw have agreed to take me shopping for Mackenzie's birthday present, and we're heading out to The Square at the breakneck speed of thirty-four miles per hour. "Slow down, Frank," my mamaw commands, patting my knee. "We've got precious cargo." He eases up on the gas and I throw my head back and close my eyes, anxious and frustrated.

There was a pub looking out over the graveyard. The Queen’s Arms, where Pünd had stayed, was actually called the King’s Head. The village noticeboard where Joy had posted her notice of infidelity was on one side of the square. The village shop and the bakery – it was called the Pump House – was on the other. The castle, which cast a shadow over Dr Redwing’s house, and which must have been built around the same time as the one I had seen in Framlingham, was a short distance away. There was even a Daphne Road. In the book it had been Neville Brent’s address but in the real world it was Alan’s sister who lived there. The house was very much as he had described it. I wondered what this meant. Claire Jenkins had been unable to see me the day before but had agreed to meet me at lunchtime. I got there early and strolled around the village, following the main road all the way down to the River Alde. The river doesn’t exist in Alan’s book – it’s been replaced by the main road to Bath. Pye Hall is somewhere over to the left, which would in

Truman Capote : You promised me champagne, remember? Marilyn Monroe : I remember. But I don’t have any money. TC : You’re always late and you never have any money. By any chance are you under the delusion that you’re Queen Elizabeth? Marilyn : Who? TC : Queen Elizabeth. The Queen of England. Marilyn (frowning) : What’s that cunt got to do with it? TC : Queen Elizabeth never carries money either. She’s not allowed to. Filthy lucre must not stain the royal palm. It’s a law or something. Marilyn : Well, gosh. How does she pay for anything? Like when she goes shopping.

She found a small picture made entirely of feathers and was trying to decide whether it depicted a monkey climbing up the back of a man—or possibly a person climbing a flight of stairs or perhaps a cow next to a tree, when she saw a chess piece, sitting by itself on a small pedestal. It was the white queen, carved from ivory. She stood with a regal frown, her body shadowed by the enormous crown that bloomed on her head. The crown was a hollow sphere, exquisitely carved with open work, and when Jemma peered inside she saw inside another sphere, also open, and inside that, yet another.

You hold Mr. Winterborne in esteem, then?" "I do, my lady. Oh, I know he's called an upstart by his social betters. But to the real London- the hundreds of thousands who work every blessed day and scrape by as best we can- Winterborne is a legend. He's done what most people don't dare dream of. A shop boy, he was, and now everyone from the queen down to any common beggar knows his name. It gives people reason to hope they might rise above their circumstances." Smiling slightly, the housekeeper had added, "And none can deny he's a handsome, well-made chap, for all that he's as brown as a gypsy. Any woman, highborn or low, would be tempted." Helen couldn't deny that Mr. Winterborne's personal attractions were high on her list of considerations. A man in his prime, radiating that remarkable energy, a kind of animal vitality that she found both frightening and irresistible. But there was something else about him... a lure more potent than any other. It happened during his rare moments of tenderness with her, when it seemed as if the deep, tightly locked cache of sadness in her heart was about to break open. He was the only person who had ever approached that trapped place, who might someday be able to shatter the loneliness that had always held fast inside her.

From an interview with Susie Bright: SB: You were recently reviewed by the New York Times. How do you think the mainstream media regards sex museums, schools and cultural centers these days? What's their spin versus your own observations? [Note: Here's the article Susie mentions: http://www.nytimes.com/2005/12/05/nat... ] CQ: Lots of people have seen the little NY Times article, which was about an event we did, the Belle Bizarre Bazaar -- a holiday shopping fair where most of the vendors were sex workers selling sexy stuff. Proceeds went to our Exotic Dancers' Education Project, providing dancers with skills that will help them maximize their potential and choices. This event got into the Times despite the worries of its author, a journalist who'd been posted over by her editor. She thought the Times was way too conservative for the likes of us, which may be true, except they now have so many column inches to fill with distracting stuff that isn't about Judith Miller! The one thing the Times article does not do is present the spectrum of the Center for Sex & Culture's work, especially the academic and serious side of what we do. This, I think, points to the real answer to your question: mainstream media culture remains quite nervous and touchy about sex-related issues, especially those that take sex really seriously. A frivolous take (or a good, juicy, shocking angle) on a sex story works for the mainstream press: a sex-positive and serious take, not so much. When the San Francisco Chronicle did its article about us a year ago, the writer focused just on our porn collection. Now, we very much value that, but we also collect academic journals and sex education materials, and not a word about those! I think this is one really essential linchpin of sex-negative or erotophobic culture, that sex is only allowed to be either light or heavy, and when it's heavy, it's about really heavy issues like abuse. Recently I gave some quotes about something-or-other for a Cosmo story and the editors didn't want to use the term "sexologist" to describe me, saying that it wasn't a real word! You know, stuff like that from the Times would not be all that surprising, but Cosmo is now policing the language? Please!

On Monday morning, she called me into her bedroom. Her dark hair was tousled, her light robe very feminine against the soft blue of her bed. Her eyes were full of mischief. “Oh, Mr. West,” she whispered in her beguiling child’s voice. “I’ve gotten myself into something. Can you help me get out of it?” “What can I do?” I asked, wondering who was next in line to be fired. “I’ve invited someone to stay here,” she said, “but now we’ve changed our minds.” She cast a glance in the direction of the President’s bedroom. “Could you help us cook up something so we can get out of having her as a houseguest?” Without waiting for a reply, she rushed on, her request becoming a command in mid-breath. “Would you fix up the Queen’s Room and the Lincoln Room so that it looks like we’re still decorating them, and I’ll show her that our guest rooms are not available.” Her eyes twinkled, imagining the elaborate deception. “The guest rooms will be redecorated immediately,” I said, and almost clicked my heels. I called Bonner Arrington in the carpenter’s shop. “Bring drop-cloths up to the Queen’s Room and Lincoln Bedroom. Roll up the rugs and cover the draperies and chandeliers, and all the furniture,” I instructed. “Oh yes, and bring a stepladder.” I called the paint shop. “I need six paint buckets each for the Queen’s Room and the Lincoln Room. Two of the buckets in each room should be empty—off-white—and I need four or five dirty brushes.” I met the crews on the second floor. “Now proceed to make these two rooms look as if they’re being redecorated,” I directed. “You mean you don’t want us to paint?” said the painters. “No,” I said. “Just make it look as if you are.” The crew had a good time, even though they didn’t know what it was all about. As I brought in the finishing touches, ashtrays filled with cigarette butts, Bonner shook his head. “Mr. West, all I can say is that this place has finally got to you,” he said. That evening the President and Mrs. Kennedy entertained a Princess for dinner upstairs in the President’s Dining Room. Before dinner, though, President Kennedy strolled down to the East Hall with his wife’s guest. He pointed out the bedraped Queen’s Room. “… And you see, this is where you would have spent the night if Jackie hadn’t been redecorating again,” he told the unsuspecting lady. The next morning, Mrs. Kennedy phoned me. “Mr. West, you outdid yourself,” she exclaimed. “The President almost broke up when he saw those ashtrays.

1. Close Friend, someone who got yo back, yo "main nigga." 2. Rooted in blackness and the Black experience. From a middle-aged social worker: "That Brotha ain like dem ol e-lights, he real, he a shonuff nigga" 3. Generic, neutral refrence to African Americans. From a 30 something college educated Sista: "The party was live, it was wall to wall niggaz there" 4. A sista's man/lover/partner. from the beauty shop. "Guess we ain gon be seein too much of girlfriend no mo since she got herself a new nigga" From Hip Hop artist Foxy brown, "Ain no nigga like the on I got." 5. Rebellious, fearless unconventional, in-yo-face Black man. From former NBA superstar Charles Barkley, "Nineties niggas... The DailyNews, The Inquirer has been on my back... They want their Black Athletes to be Uncle Tom. I told you white boys you've never heard of a 90s nigga. We do what we want to do" quoted in The Source, December 1992). 6. Vulgar, disrespectful Black Person, antisocial, conforming to negative sterotype of African Americans. From former Hip Hop group Arrested Development, in their best-selling song, "People Everyday" 1992: A black man actin like a nigga... got stomped by an African" 7. A cool, down person, rooted in Hip Hop and black culture, regardless of race, used today by non-blacks to refer to other non-Blacks. 8. Anyone engaged in inappropriate, negative behavior; in this sense, Blacks may even apply the term to White folk. According to African American scholar Clarence Major's From Juba to Jive, Queen Latifah was quoted in Newsweek as criticizing the US government with these words. "Those niggers don't know what the fuck they doing

Of the many wonderful tales Moor told me, the most wonderful, the most delightful one, was “Hans Röckle.” It went on for months; it was a whole series of stories... Hans Röckle himself was a Hoffman-like magician, who kept a toyshop, and who was always “hard up.” His shop was full of the most wonderful things—of wooden men and women, giants and dwarfs, kings and queens, workmen and masters, animals and birds as numerous as Noah got into the Ark, tables and chairs, carriages, boxes of all sorts and sizes. And though he was a magician, Hans could never meet his obligations either to the devil or to the butcher, and was therefore—much against the grain—constantly obliged to sell his toys to the devil. These then went through wonderful adventures—always ending in a return to Hans Röckle’s shop. —Eleanor Marx, on her father Karl’s bedtime stories (in Stallybrass 1998:198)

All about them the golden girls, shopping for dainties in Lairville. Even in the midst of the wild-maned winter's chill, skipping about in sneakers and sweatsocks, cream-colored raincoats. A generation in the mold, the Great White Pattern Maker lying in his prosperous bed, grinning while the liquid cools. But he does not know my bellows. Someone there is who will huff and will puff. The sophmores in their new junior blazers, like Saturday's magazines out on Thursday. Freshly covered textbooks from the campus store, slide rules dangling in leather, sheathed broadswords, chinos scrubbed to the virgin fiber, starch pressed into straight-razor creases, Oxford shirts buttoned down under crewneck sweaters, blue eyes bobbing everywhere, stunned by the android synthesis of one-a-day vitamins, Tropicana orange juice, fresh country eggs, Kraft homogenized cheese, tetra-packs of fortified milk, Cheerios with sun-ripened bananas, corn-flake-breaded chicken, hot fudge sundaes, Dairy Queen root beer floats, cheeseburgers, hybrid creamed corn, riboflavin extract, brewer's yeast, crunchy peanut butter, tuna fish casseroles, pancakes and imitation maple syrup, chuck steaks, occasional Maine lobster, Social Tea biscuits, defatted wheat germ, Kellogg's Concentrate, chopped string beans, Wonderbread, Birds Eye frozen peas, shredded spinach, French-fried onion rings, escarole salads, lentil stews, sundry fowl innards, Pecan Sandies, Almond Joys, aureomycin, penicillin, antitetanus toxoid, smallpox vaccine, Alka-Seltzer, Empirin, Vicks VapoRub, Arrid with chlorophyll, Super Anahist nose spray, Dristan decongestant, billions of cubic feet of wholesome, reconditioned breathing air, and the more wholesome breeds of fraternal exercise available to Western man. Ah, the regimented good will and force-fed confidence of those who are not meek but will inherit the earth all the same.

I’m in mid-passage, darling,” he said, beginning to talk like a queen so as to demystify himself, so as to destroy the very qualities John Schaeffer had fallen in love with, “I’m menopausal, change of life, hot flashes, you know. Wondering how much longer I can go without hair transplants and whether Germaine Monteil really works on the crow’s feet. I’ve had it, I’ve been through the mill, I’m a jaded queen. But you, dear, you have that gift whose loss the rest of life is just a funeral for—why else do you suppose those gray-haired gentlemen,” he said, nodding at his friends on the floor, “make money, buy houses, take trips around the world? Why else do they dwindle into a little circle of close friends, a farm upstate, and become in the end mere businessmen, shop-owners, decorators who like their homes filled with flowers and their friends flying in on Air France and someone pretty like you at the dinner table? It is all, my dear, because they are no longer young. Because they no longer live in that magic world that is yours for ten more years. Adolescence in America ends at thirty.

I make a great fried egg sandwich. Want to try it?" Chloe stared at her with an encouraging smile until Josey finally laughed and nodded. "Okay." "Great!" Chloe put on a pair of disposable gloves, then she took butter and two eggs from the under-the-counter fridge. "Go ahead and take a business card. You can call me here if you want. And the bottom number is my cell." She plopped a pat of butter onto the grill. When the butter melted, she cracked the eggs into it, close enough for their whites to merge. While they sizzled, she buttered two slices of sourdough bread and put them on the grill. "I didn't know this place was called Red's," Josey said, reading the card. Chloe smiled when she thought of her great-grandfather. "Another family tradition. My great-grandfather had red hair. So did my mother." Chloe sprinkled the eggs with salt and pepper and a pinch of dill, then turned them over with her spatula. She flipped the quickly toasting bread too. She'd spent her childhood watching her great-grandfather do this, and here at the shop was the only time she felt him near anymore. "Do you want this for here or to go?" "To go." Chloe sprinkled a little more salt and pepper on the eggs, made sure the yolks had firmed ever so slightly, then topped them with cheese. She let the cheese melt before scooping the eggs up and putting them on the buttered sourdough.

What if—” I stopped, swallowing hard. Nope. I couldn’t even say it aloud. We’d figure something else out because we had to. Time for a subject change before I lost it. “What did your mom say?” “Mostly that she thinks my hair is getting too long and I should cut it.” “That’s not helpful.” “That’s my mom for you.” He was trying for humor but his voice caught, and I wondered if he was thinking about how if she left and he didn’t, he’d never ever see her again. “So,” I said, sitting on the floor against the wall as close to the kitchen doorway as I could get without Lend dropping like a rock, “do you want your Christmas present?” “You got me something?” He sounded surprised. “I’ve been working on it for a while.” “I, uh, didn’t find you anything yet. I was actually setting up for your party, not Christmas shopping like I said.” “Being kidnapped by the Dark Queen and then cursed gets you off the hook for a lot. Besides, my birthday party totally counted.” “This isn’t how I wanted our first Christmas to go. We were going to go all out, pick out a Christmas tree on Christmas Eve, decorate it, watch cheesy holiday movies, drink hot chocolate, let my dad make his eggnog and then complain about how disgusting it was, then I was going to deck out my entire room in mistletoe . . .” “Wait, you mean you didn’t plan for us to be stuck in different rooms for the holidays?” “Well, that part’s kind of nice.” I heard his head bang against the wall where he was sitting right on the other side of it from me. “I mean, who wants to actually be able to touch their super hot girlfriend? Overrated.” “I know, right?” I tried to laugh, but it came out choked. I swallowed, forcing my one to come out light. “And I totally dig watching people sleep. It’s so sexy.

The birds had multiplied. She'd installed rows upon rows of floating melamine shelves above shoulder height to accommodate the expression of her once humble collection. Though she'd had bird figurines all over the apartment, the bulk of her prized collection was confined to her bedroom because it had given her joy to wake up to them every morning. Before I'd left, I had a tradition of gifting her with bird figurines. It began with a storm petrel, a Wakamba carving of ebony wood from Kenya I had picked up at the museum gift shop from a sixth-grade school field trip. She'd adored the unexpected birthday present, and I had hunted for them since. Clusters of ceramic birds were perched on every shelf. Her obsession had brought her happiness, so I'd fed it. The tiki bird from French Polynesia nested beside a delft bluebird from the Netherlands. One of my favorites was a glass rainbow macaw from an Argentinian artist that mimicked the vibrant barrios of Buenos Aires. Since the sixth grade, I'd given her one every year until I'd left: eight birds in total. As I lifted each member of her extensive bird collection, I imagined Ma-ma was with me, telling a story about each one. There were no signs of dust anywhere; cleanliness had been her religion. I counted eighty-eight birds in total. Ma-ma had been busy collecting while I was gone. I couldn't deny that every time I saw a beautiful feathered creature in figurine form, I thought of my mother. If only I'd sent her one, even a single bird, from my travels, it could have been the precursor to establishing communication once more. Ma-ma had spoken to her birds often, especially when she cleaned them every Saturday morning. I had imagined she was some fairy-tale princess in the Black Forest holding court over an avian kingdom. I was tempted to speak to them now, but I didn't want to be the one to convey the loss of their queen. Suddenly, however, Ma-ma's collection stirred. It began as a single chirp, a mournful cry swelling into a chorus. The figurines burst into song, tiny beaks opening, chests puffed, to release a somber tribute to their departed beloved. The tune was unfamiliar, yet its melancholy was palpable, rising, surging until the final trill when every bird bowed their heads toward the empty bed, frozen as if they hadn't sung seconds before. I thanked them for the happiness they'd bestowed on Ma-ma.

They killed everyone in the camps. The whole world was dying there. Not only Jews. Even a black woman. Not gypsy. Not African. American like you, Mrs. Clara. They said she was a dancer and could play any instrument. Said she could line up shoes from many countries and hop from one pair to the next, performing the dances of the world. They said the Queen of Denmark honored her with a gold trumpet. But she was there, in hell with the rest of us. A woman like you. Many years ago. A lifetime ago. Young then as you would have been. And beautiful. As I believe you must have been, Mrs. Clara. Yes. Before America entered the war. Already camps had begun devouring people. All kinds of people. Yet she was rare. Only woman like her I saw until I came here, to this country, this city. And she saved my life. Poor thing. I was just a boy. Thirteen years old. The guards were beating me. I did not know why. Why? They didn't need a why. They just beat. And sometimes the beating ended in death because there was no reason to stop, just as there was no reason to begin. A boy. But I'd seen it many times. In the camp long enough to forget why I was alive, why anyone would want to live for long. They were hurting me, beating the life out of me but I was not surprised, expected no explanation. I remember curling up as I had seen a dog once cowering from the blows of a rolled newspaper. In the old country lifetimes ago. A boy in my village staring at a dog curled and rolling on its back in the dust outside a baker's shop and our baker in his white apron and tall white hat striking this mutt again and again. I didn't know what mischief this dog had done. I didn't understand why the fat man with flour on his apron was whipping it unmercifully. I simply saw it and hated the man, felt sorry for the animal, but already the child in me understood it could be no other way so I rolled and curled myself against the blows as I'd remembered the spotted dog in the dusty village street because that's the way it had to be. Then a woman's voice in a language I did not comprehend reached me. A woman angry, screeching. I heard her before I saw her. She must have been screaming at them to stop. She must have decided it was better to risk dying than watch the guards pound a boy to death. First I heard her voice, then she rushed in, fell on me, wrapped herself around me. The guards shouted at her. One tried to snatch her away. She wouldn't let go of me and they began to beat her too. I heard the thud of clubs on her back, felt her shudder each time a blow was struck. She fought to her feet, dragging me with her. Shielding me as we stumbled and slammed into a wall. My head was buried in her smock. In the smell of her, the smell of dust, of blood. I was surprised how tiny she was, barely my size, but strong, very strong. Her fingers dug into my shoulders, squeezing, gripping hard enough to hurt me if I hadn't been past the point of feeling pain. Her hands were strong, her legs alive and warm, churning, churning as she pressed me against herself, into her. Somehow she'd pulled me up and back to the barracks wall, propping herself, supporting me, sheltering me. Then she screamed at them in this language I use now but did not know one word of then, cursing them, I'm sure, in her mother tongue, a stream of spit and sputtering sounds as if she could build a wall of words they could not cross. The kapos hesitated, astounded by what she'd dared. Was this black one a madwoman, a witch? Then they tore me from her grasp, pushed me down and I crumpled there in the stinking mud of the compound. One more kick, a numbing, blinding smash that took my breath away. Blood flooded my eyes. I lost consciousness. Last I saw of her she was still fighting, slim, beautiful legs kicking at them as they dragged and punched her across the yard. You say she was colored? Yes. Yes. A dark angel who fell from the sky and saved me.

The truth is that I'd gain nothing by being a saint after being dead, an artist is what I am, and the only thing I want is to be alive so I can keep going along at donkey level in this six-cylinder touring car I bought from the marines' consul, with this Trinidadian chauffeur who was a baritone in the New Orleans pirates' opera, with my genuine silk shirts, my Oriental lotions, my topaz teeth, my flat straw hat, and my bicolored buttons, sleeping without an alarm clock, dancing with beauty queens, and leaving them hallucinated with my dictionary rhetoric, and with no flutter in my spleen if some Ash Wednesday my faculties wither away, because in order to go on with this life of a minister, all I need is my idiot face, and I have more than enough with the string of shops I own from here to beyond the sunset, where the same tourists who used to go around collecting from us through the admiral, now go stumbling after my autographed pictures, almanacs with my love poetry, medals with my profile, bits of my clothing, and all of that without the glorious plague of spending all day and all night sculpted in equestrian marble and shat on by swallows like the fathers of our country.

Nothing is as it was before, after the screen has gone to black. Darkness lies on the soul. To use Beckett's phrase, "what cowers behind it begins to seep through." With her new shopping cart Hekabe, queen of Troy, will be prowling the aisle for dog biscuits.

Edinburgh For those who like walking, Edinburgh reigns supreme. The Royal Mile runs through the centre of the tourist area connecting Edinburgh Castle with Holyrood Palace. It’s a little over a mile and, in addition to passing old Edinburgh historic sites, it is lined with independent shops, cafes and pubs along the way. For this is Edinburgh’s Old Town, all cobbled streets beneath the lofty castle. The New Town is less than ten minutes walk away and it’s far from new. Instead New Town is Georgian, built by the wealthy residents in the 18th century. Its wide streets and perfect proportions create a visual joy for walking. It’s tough to name Edinburgh’s main sites, but here goes: the castle, continuously occupied for more than 1000 years; Holyrood Palace, the Queen’s official residence in Scotland; Mary King’s Close, a preserved 18th century tenement on the Royal Mile and; the Grassmarket, a network of cobbled lanes with independent shops and cafes. I could go on. Edinburgh is particularly busy during the festival that takes place from August to early September. It began as a military tattoo, developed into a fairly high brow arts festival and has expanded to host off‐stage events from the clever to the bizarre. Edinburgh also hosts a massive Hogmanay, or New Year, celebration with music and dancing in the streets all through the night and often into the next day. The city is at its busiest during the August festival and again at New Year. Public transport by bus and tram is available from the airport to the city centre. Downside: It is an expensive place to visit at peak periods and it can be tough to find a place to stay. Your first visit should be at quieter times. To read: Edinburgh is a literary city and so many novels have

All Hale Kate: Her story is as close to a real-life fairy tale as it gets. Born Catherine Elizabeth Middleton, the quiet, sporty girl next door from the small town of Bucklebury - not quite Cinderella, but certainly a "commoner" by blue bloods' standards - managed to enchant the most eligible bachelor in the world, Prince William, while they were university students 15 years ago. It wasn't long before everyone else fell in love with her, too. We ached for her as she waited patiently for a proposal through 10 years of friendship and romance (and one devastating breakup!), cheered along with about 300 million other TV viewers when she finally became a princess bride in 2011, and watched in awe as she proceeded to graciously but firmly drag the stuffy royal family into the 21st century. And though she never met her mother-in-law, the late, beloved, Princess Diana, Kate is now filling the huge void left not just in her husband's life but in the world's heart when the People's Princess died. The Duchess of Cambridge shares Di's knack for charming world leaders and the general public alike, and the same fierce devotion to her family above all else. She's a busy, modern mom who wears affordable clothes, does her own shopping and cooking, struggles with feelings of insecurity and totes her kids along to work (even if the job happens to involve globe-trotting official state visits) - all while wearing her signature L.K. Bennett 4 inch heels. And one day in the not-too-distance future, this woman who grew up in a modest brick home in the countryside - and seems so very much like on of us- will take on another impossibly huge role: queen of England.

Little had changed after independence. Jomo Kenyatta’s face hung in a framed portrait in every shop where Queen Elizabeth’s had been. Some schools were built, some streets renamed. But educated people are a liability in a dictatorship: all the schools were underfunded, few of them succeeded. A great deal of foreign money was given to the government and most of it ended up in the pockets of politicians, some of whom were assassinated. It is almost impossible to exaggerate the fatness of corrupt African politicians.

What a curious man you are!’ she said. ‘Why should you disbelieve the history?’ ‘I disbelieve the history because it isn’t history,’ answered Father Brown. ‘To anybody who happens to know a little about the Middle Ages, the whole story was about as probable as Gladstone offering Queen Victoria a cigar. But does anybody know anything about the Middle Ages? Do you know what a Guild was? Have you ever heard of salvo managio suo? Do you know what sort of people were Servi Regis? ‘No, of course I don’t,’ said the lady, rather crossly. ‘What a lot of Latin words!’ ‘No, of course,’ said Father Brown. ‘If it had been Tutankhamen and a set of dried-up Africans preserved, Heaven knows why, at the other end of the world; if it had been Babylonia or China; if it had been some race as remote and mysterious as the Man in the Moon, your newspapers would have told you all about it, down to the last discovery of a tooth-brush or a collar-stud. But the men who built your own parish churches, and gave the names to your own towns and trades, and the very roads you walk on — it has never occurred to you to know anything about them. I don’t claim to know a lot myself; but I know enough to see that story is stuff and nonsense from beginning to end. It was illegal for a money-lender to distrain on a man’s shop and tools. It’s exceedingly unlikely that the Guild would not have saved a man from such utter ruin, especially if he were ruined by a Jew. Those people had vices and tragedies of their own; they sometimes tortured and burned people. But that idea of a man, without God or hope in the world, crawling away to die because nobody cared whether he lived — that isn’t a medieval idea. That’s a product of our economic science and progress. The Jew wouldn’t have been a vassal of the feudal lord. The Jews normally had a special position as servants of the King. Above all, the Jew couldn’t possibly have been burned for his religion.’ ‘The

Pierre asked his confessor: “Is it a sin to marry someone you don’t love?” Father Moineau was a square-faced, heavyset priest in his fifties. His study in the College des Ames contained more books than Sylvie’s father’s shop. He was a rather prissy intellectual, but he enjoyed the company of young men, and he was popular with the students. He knew all about the work Pierre was doing for Cardinal Charles. “Certainly not,” Moineau said. His voice was a rich baritone somewhat roughened by a fondness for strong Canary wine. “Noblemen are obliged so to do. It might even be a sin for a king to marry someone he did love.” He chuckled. He liked paradoxes, as did all the teachers. But Pierre was in a serious mood. “I’m going to wreck Sylvie’s life.” Moineau was fond of Pierre, and clearly would have liked their intimacy to be physical, but he had quickly understood that Pierre was not one of those men who loved men, and had never done anything more than pat him affectionately on the back. Now Moineau caught his tone and became somber. “I see that,” he said. “And you want to know whether you would be doing God’s will.” “Exactly.” Pierre was not often troubled by his conscience, but he had never done anyone as much harm as he was about to do to Sylvie. “Listen to me,” said Moineau. “Four years ago a terrible error was committed. It is known as the Pacification of Augsburg, and it is a treaty that allows individual German provinces to choose to follow the heresy of Lutheranism, if their ruler so wishes. For the first time, there are places in the world where it is not a crime to be a Protestant. This is a catastrophe for the Christian faith.” Pierre said in Latin: “Cuius regio, eius religio.” This was the slogan of the Augsburg treaty, and it meant: “Whose realm, his religion.” Moineau continued: “In signing the agreement, the emperor Charles V hoped to end religious conflict. But what has happened? Earlier this year the accursed Queen Elizabeth of England imposed Protestantism on her wretched subjects, who are now deprived of the consolation of the sacraments. Tolerance is spreading. This is the horrible truth.” “And we have to do whatever we can to stop it.

Mr. Schwartz locked the front door of his shop, then led the boys into a rear room. It was so filled with costumes of all kinds and paraphernalia for theatrical work, plus piles of cartons, that Frank and Joe wondered how the man could ever find anything. “Here is today’s shipment,” Mr. Schwartz said, pointing to six cartons standing not far from the rear entrance to his shop. Together he and the boys slit open the boxes and one by one lifted out a king’s robe, a queen’s tiara, and a Little Bopeep costume. Suddenly Mr. Schwartz said: “Here’s a skeleton marked size thirty-eight. Would one of you boys mind trying it on?” Frank picked up the costume, unzipped the back, and stepped into the skeleton outfit. It was tremendous on him and the ribs sagged ludicrously. “Guess a fat man modeled for this,” he remarked, holding the garment out to its full width.

(Amavia's suicide) But if that carelesse heauens (quoth she) despise The doome of iust reuenge, and take delight To see sad PAGEANTS OF MEN'S MISERIES, As bound by them to liue in liues despight, Yet can they not warne death from wretched wight. Come then, come soone, come sweetest death to mee, And take away this LONG LENT LOATHED LIGHT: Sharpe be thy wounds, but sweet the medicines bee, That long captiued soules from wearie thraldome free. But thou, sweet Babe, whom frowning froward fate Hath made sad witnesse of thy fathers fall, Sith heauen thee deignes to hold in liuing state, Long maist thou liue, and better thriue withall, Then to thy lucklesse parents did befall: Liue thou, and to thy mother dead attest, That cleare she dide from blemish criminall; Thy litle hands embrewd in bleeding brest Loe I for pledges leaue. So giue me leaue to rest. With that a deadly shrieke she forth did throw, That through the wood reecchoed againe, And after gaue a grone so deepe and low, That seemd her tender heart was rent in twaine, Or thrild with point of thorough piercing paine; As gentle Hynd, whose sides with cruell steele Through launched, forth her bleeding life does raine, Whiles the sad pang approching she does feele, Brayes out her latest breach, and vp her eyes doth seele. Which when that warriour heard, dismounting straict From his tall steed, he rusht into the thicke, And soone arriued, where that sad pourtraict Of death and dolour lay, halfe dead, halfe quicke, In whose white alabaster brest did sticke A cruell knife, that made a griesly wound, From which forth gusht a streme of gorebloud thick, That all her goodly garments staind around, And into a deepe sanguine dide the grassie ground. Pittifull spectacle of deadly smart, Beside a bubbling fountaine low she lay, Which she increased with her bleeding hart, And the cleane waues widi purple gore did ray; Als in her lap a louely babe did play His cruell sport, in stead of sorrow dew; For in her streaming blood he did embay His litle hands, and tender ioynts embrew; Pitifull spectacle, as euer eye did view. Out of her gored wound the cruell steele He lighdy snatcht, and did the floudgate stop With his faire garment: then gan softly feele Her feeble pulse, to proue if any drop Of liuing bloud yet in her veynes did hop; Which when he felt to moue, he hoped faire To call backe life to her forsaken shop. ... Not one word more she sayd But breaking off, the end for want of breath, And slyding soft, as downe to sleepe her layd, And ended all her woe in quiet death. That seeing good Sir Guyon, could vneath From tears abstaine, for griefe his hart did grate, And from so heauie sight his head did wreath, Accusing fortune, and too cruell fate, Which plunged had faire Ladie in so wretched state. Then turning to his Palmer said, Old syre Behold the image of mortalitie, And feeble nature cloth’d with fleshly tyre, When raging passion with fierce tyrannie Robs reason of her due regalitie, And makes it seruant to her basest part: The strong it weakens with infirmitie, And with bold furie armes the weakest hart; The strong through pleasure soonest falles, the weake through smart.

The Invitation I will send the boy to the market to the monger at the end of the row for sweet shrimp and three fish, the freshest, I will say, with their eyes still clear, tell him to go to the wine shop, bring an amphora of Cleoboulos’s best buy herbs of every kind the most sweetly scented while I idle through the day awaiting you.

I was having a field day down the Westend; my deep pockets were jingling and full of money nearly every day of the week. My brother’s bird, Irene, wanted a fur coat, so I got her one by throwing a brick through the shop window and grabbing the coat off the shop dummy. Once I got to the bed-sit, I put the jacket on and waltzed in to the flat looking like Liberace, the two of them burst out laughing. Irene was like a tramp eating chips. ‘Let’s try it on, Jimmy, please?’ As she swooned around like Joan Collins with the fur coat on, she had the air of a council estate beauty queen about her.

Clark often used chess as a means of fellowship with other students and professors, even if the matches were generally one-sided. One account of Clark’s chess prowess, given by family friend Tom Jones, is worth quoting at length: I bumped into Dr. Clark back in the late sixties when he was visiting his daughter Betsy on Lookout Mountain, Tennessee, where Betsy taught at Covenant College. I knew he was a chess champion and suggested that it would be fun to play with him sometime. He was eager to do so, and later that week he dropped by our home for an evening of chess. My wife had gone shopping and left me at home with our two small children. We played two games. In the first game I thought I did reasonably well for about a half an hour but then, rather abruptly, the entire left side of my board seemed to collapse and Dr. Clark swept me away. So, we played a second game in which he defeated me unceremoniously in about ten minutes. Feeling properly humiliated I asked a question, “Dr. Clark, I want to learn from you. So, tell me if you will, in that first game I thought I did fairly well for a while but then you just clobbered me at the end. Can you remember anything about where I made my mistakes?” With that Dr. Clark proceeded to set up that first game and replay the entire thing. He reached a point where he said, “Now, at this point, I expected that you would move your queen thus so, at which point I was prepared to counter with my knight, like so, and then . . . ” (with this he made about six hypothetical moves which he had anticipated), “but you didn’t do that” (he said as he put all the pieces back in place). “Instead, you moved your rook over here” (and with that he finished the game, explaining each move in the swift demise of my game). It was by now at least forty-five minutes after the first game had been played and he had remembered every single move in that game! I was amazed and thoroughly in submission to the master by now. But the thing that humiliated me the most was that the entire time that we had been playing he was holding my four-year-old son, Bradley, on his lap and was reading a story book to him. He would glance up after my moves, take a brief look at the board, make his move nonchalantly, and go back to reading the story. HE HAD NOT EVEN BEEN PAYING ATTENTION! Or so it seemed. What a mind!

Ken Wharfe In 1987, Ken Wharfe was appointed a personal protection officer to Diana. In charge of the Princess’s around-the-clock security at home and abroad, in public and in private, Ken Wharfe became a close friend and loyal confidant who shared her most private moments. After Diana’s death, Inspector Wharfe was honored by Her Majesty Queen Elizabeth II at Buckingham Palace and made a Member of the Victorian Order, a personal gift of the sovereign for his loyal service to her family. His book, Diana: Closely Guarded Secret, is a Sunday Times and New York Times bestseller. He is a regular contributor with the BBC, ITN, Sky News, NBC, CBS, and CNN, participating in numerous outside broadcasts and documentaries for BBC--Newsnight, Channel 4 News, Channel 5 News, News 24, and GMTV. My memory of Diana is not her at an official function, dazzling with her looks and clothes and the warmth of her manner, or even of her offering comfort among the sick, the poor, and the dispossessed. What I remember best is a young woman taking a walk in a beautiful place, unrecognized, carefree, and happy. Diana increasingly craved privacy, a chance “to be normal,” to have the opportunity to do what, in her words, “ordinary people” do every day of their lives--go shopping, see friends, go on holiday, and so on--away from the formality and rituals of royal life. As someone responsible for her security, yet understanding her frustration, I was sympathetic. So when in the spring of the year in which she would finally be separated from her husband, Prince Charles, she yet again raised the suggestion of being able to take a walk by herself, I agreed that such a simple idea could be realized. Much of my childhood had been spent on the Isle of Purbeck in Dorset, a county in southern England approximately 120 miles from London; I remembered the wonderful sandy beaches of Studland Bay, on the approach to Poole Harbour. The idea of walking alone on miles of almost deserted sandy beach was something Diana had not even dared dream about. At this time she was receiving full twenty-four-hour protection, and it was at my discretion how many officers should be assigned to her protection. “How will you manage it, Ken? What about the backup?” she asked. I explained that this venture would require us to trust each other, and she looked at me for a moment and nodded her agreement. And so, early one morning less than a week later, we left Kensington Palace and drove to the Sandbanks ferry at Poole in an ordinary saloon car. As we gazed at the coastline from the shabby viewing deck of the vintage chain ferry, Diana’s excitement was obvious, yet not one of the other passengers recognized her. But then, no one would have expected the most photographed woman in the world to be aboard the Studland chain ferry on a sunny spring morning in May. As the ferry docked after its short journey, we climbed back into the car and then, once the ramp had been lowered, drove off in a line of cars and service trucks heading for Studland and Swanage. Diana was driving, and I asked her to stop in a sand-covered area about half a mile from the ferry landing point. We left the car and walked a short distance across a wooded bridge that spanned a reed bed to the deserted beach of Shell Bay. Her simple pleasure at being somewhere with no one, apart from me, knowing her whereabouts was touching to see. Diana looked out toward the Isle of Wight, anxious by now to set off on her walk to the Old Harry Rocks at the western extremity of Studland Bay. I gave her a personal two-way radio and a sketch map of the shoreline she could expect to see, indicating a landmark near some beach huts at the far end of the bay, a tavern or pub, called the Bankes Arms, where I would meet her.

Anyway,” Connie continued, ignoring the last remark, “we want everyone to know our new dating agency, for divorcees only, is a high class organisation – not some seedy, back street knocking-shop set up by a bunch of divorced women on the pull. Everyone recognises the Royale as somewhere special.” She gestured around the room. “Even the Queen has visited this hotel.

another good neighbour they depended on. Emily felt as though Rita were her confidante, her best friend. More than that even, the older sister she had never had. Only a few years older than Emily, but already with a family of her own. Emily’s mother opened her eyes and smiled at Alfred. Emily felt a twinge of jealousy. Her ma and Alfred loved each other so much that Emily often felt excluded by their private exchanges. She dropped back to her knees by the side of the sofa. ‘Mam, are you all right?’ She was vying for her mother’s attention, dragging her away from Alfred and feeling guilty for it. ‘Oh, there you are, queen,’ her mother whispered, with a hint of surprise. ‘I must have known you were home. I’m glad I woke up. Could you just grab the coupons, love, and go down to the shop for me before the kids come home?’ ‘The kids are already home, love. They’ve gone straight to Rita’s,’ Alfred said, smiling at his wife. Rita’s little sons and their own were inseparable. ‘They’ll be back soon, queen. She took them straight from school.’ ‘It’s like we have four little boys, or none at all,’ Emily said, extracting the ration books from the drawer in the wooden kitchen table. ‘One day we’ll find out which ones are ours,

Marco Cirrini had been skiing on the north face of Bald Slope Mountain since he was a boy, using the old skis his father brought with him from Italy. The Cirrinis had shown up out of nowhere, walking into town in the middle of winter, their hair shining like black coal in the snow. They never really fit in. Marco tried, though. He tried by leading groups of local boys up the mountain in the winter, showing them how to make their own skis and how to use them. He charged them pennies and jars of bean chutney and spiced red cabbage they would sneak out of their mothers' sparse pantries. When he was nineteen, he decided he could take this one step further. He could make great things happen in the winter in Bald Slope. Cocky, not afraid of hard work and handsome in that mysterious Mediterranean way that excluded him from mountain society, he gathered investors from as far away as Asheville and Charlotte to buy the land. He started construction on the lodge himself while the residents of the town scoffed. They were the sweet cream and potatoes and long-forgotten ballads of their English and Irish and Scottish ancestors, who settled the southern Appalachians. They didn't want change. It took fifteen years, but the Bald Slope Ski Resort was finally completed and, much to everyone's surprise, it was an immediate success. Change was good! Stores didn't shut down for the winter anymore. Bed-and-breakfasts and sports shops and restaurants sprouted up. Instead of closing up their houses for the winter, summer residents began to rent them out to skiers. Some summer residents even decided to move to Bald Slope permanently, moving into their vacation homes with their sleeping porches and shade trees, thus forming the high society in Bald Slope that existed today. Marco himself was welcomed into this year-round society. He was essentially responsible for its formation in the first place, after all. Finally it didn't matter where he came from. What mattered was that he saved Bald Slope by giving it a winter economy, and he could do no wrong. This town was finally his.

Clothes are weapons, too,” he said, pausing on a black velvet gown. “I like this one best.” “I saw it in a shop when I was sixteen and bought it immediately. But when the dress was delivered a few weeks later, it seemed too… old. It overpowered the girl I was. So I never wore it, and it’s hung here for three years.” “You’re not that girl anymore,” he said softly. “Someday, I want to see you wear this.

And my student bought this with every penny she had.” Shizuka said the last line innocently, but Lucy could feel the gaze of the Queen of Hell. If you dare laugh at her or her violin, I will burn your soul and this entire shop to ash.

This is an implosion. This is the saddest aria you will ever hear. It’s almost the end, and the one man Queen Dido ever loved has just left. He was her soulmate. He was the one. And now he’s gone. She knows there’s nothing left

Value accrues by association. As St. Augustine said, "Tell me who you walk with and I will tell you who you are." In pictorial terms, tell me who you've hung with and I'll tell you what you're worth. When a handsome, desirable young woman falls for a plain man, he suddenly becomes attractive. If a coterie pronounces the subtleties of a great book, everyone wants to read it. As far as you, my reader, are concerned, a junk-shop owner and now a girl have owned me, so you don't think much of me. If I tell you I have been owned by kings, queens, a Holy Roman emperor, a pope, a great philosopher and a few others, you become interested.

Arizona Assisted Living is Queen Creek's newest assisted living and memory care facility. Nestled in a quiet neighborhood, the locale is only minutes away from reputable hospitals, doctors' offices, premier shopping, and entertainment. There are regular scheduled activities each week and all the amenities you would expect from a top assisted living provider. More importantly, we take a special interest in the type of people we hire.

The truth is that I'd gain nothing by being a saint after being dead, an artist is what I am, and the only thing I want is to be alive so I can keep going along at donkey level in this six-cylinder touring car I bought from the marine's consul, with this Trinidadian chauffeur who was a baritone in the New Orleans pirates' opera, with my genuine silk shirts, my Oriental lotions, my topaz teeth, my flat straw hat, and my bicolored buttons, sleeping without an alarm clock, dancing with beauty queens, and leaving them hallucinated with my dictionary rhetoric, and with no flutter in my spleen if some Ash Wednesday my faculties wither away, because in order to go on with this life of a minister, all I need is my idiot face, and I have more than enough with the string of shops I own from here to beyond the sunset, where the same tourists who used to go around collecting from us through the admiral, now go stumbling after my autographed pictures, almanacs with my love poetry, medals with my profile, bits of my clothing, and all of that without the glorious plague of spending all day and all night sculpted in equestrian marble and shat on by swallows like the fathers of our country.

She opens her schoolbook to a lesson called "A Day In London", curls up beside me and rests her head on my shoulder...I read, "We are in London. It rains. It is very cold. Everyone is sad because the weather is dreadful. Churches are empty, but shops are full. Most people drive cars, but they are very expensive. Many people are without food. The Queen wears much jewellery.

Miranda laughed. She missed her friend. She missed New York, the sheer wattage of the place, its mighty abundance, its chaos, its kinetic energy a comfort somehow. How long ago was it, those idyllic years, set free in the city to explore as she liked, to discover some cheap noodle shop or boho boutique or obscure sculpture garden tucked away somewhere in Queens?

Where were you going at nearly three in the morning, anyway?’ Max asked, standing up and holding out his hand, so he could tug Neve up too. She flushed a little. ‘Well, I was going to the all-night shop on Seven Sisters Road to get some food because I haven’t eaten in weeks,’ she admitted, and she didn’t want to ruin this before it had even started again, the same way she’d ruined it last time. ‘This is just a one-off. I’m done with detox cleansing, I swear, but I’m also done with eating crap at weird hours because we can’t get out of bed. Except for right now, because I am seriously contemplating cutting off my own hand and lightly sautée-ing my fingers in extra-virgin olive oil.’ Max stood poised on the step above her, brow furrowed as if he was trying to reach a decision about something. Probably that he didn’t want to be with her enough to deal with her dietary restrictions any more. ‘OK, then. If that’s the way you want it,’ he said, as if he was done deciding. He jumped down the steps, picked up Keith’s lead and headed for the gate, while Neve stood there watching in disbelief. It didn’t hurt any less having your heart broken for the second time. In fact, it hurt more, and … ‘You coming, or what?’ Max called, already walking down the street. ‘We’d better get a move on or they might have sold out of that disgusting bread that’s all seeds and nothing else.’ With a hand clutched to her heart, which had had more than enough shocks in the last twenty-four hours, Neve hurried after Max and Keith. ‘You’re such a drama queen,’ Max complained when she caught up with him. ‘No one could be that hungry unless they’d survived a plane crash and been stranded on a desolate mountain-top for days and the only thing standing between them and death was gnawing on one of their dead travelling companions.’ Neve punched him on the arm. ‘Are you joking? If the shop turns out to be closed after all, I expect you to sacrifice a couple of fingers for the cause,’ she said, as she slipped her hand into his.

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Sidney provides the commentary on the DVD, and he tells us that he wanted “a train song.” Warren and Mercer gave him much more than that, for “On the Atchison, Topeka and the Santa Fe” is really an “entire town song.” It starts in the saloon—an important location, as it will be at war with the restaurant the Harvey girls wait table in—then moves to the train’s passengers, engineers, and conductor as it pulls in and the locals look everyone over, especially the newly mustered Harveys themselves. Warren’s music has imitated the train’s chugging locomotion, but now comes a trio section not by Warren and Mercer (at “Hey there, did you ever see such pearly femininity … ”), and the girls give us some individual backstories—one claims to have been the Lillian Russell of a small town in Kansas, and principals Ray Bolger and Virginia O’Brien each get a solo, too. The number is not only thus detailed as a composition but gets the ultimate MGM treatment on a gigantic set with intricate interaction among the many soloists, choristers, and extras. But now it’s Garland’s turn to enter the number, disembark, and mix in with the crowd. According to Sidney, Garland executed everything perfectly on the first try—and it was all done in virtually a single shot. Fred Astaire would have insisted on rehearsing it for a week, but Garland was a natural. Once she understood the spirit of a number, the physics of it simply fell into place for her. In any other film of the era, the saloon would be the place where the music was made. And Angela Lansbury, queen of the plot’s rowdy element, does have a floor number, dressed in malevolent black and shocking pink topped by a matching Hippodrome hat. But every other number is a story number—“The Train Must Be Fed” (as the Harveys learn the art of waitressing); “It’s a Great Big World” for anxious Harveys Garland, O’Brien, and a dubbed Cyd Charisse; O’Brien’s comic lament, “The Wild, Wild West,” a forging song at Ray Bolger’s blacksmith shop; “Swing Your Partner Round and Round” at a social. Marjorie Main cues it up, telling one and all that this new dance is “all the rage way

Gretchen’s Café, a mom-and-pop coffee shop in downtown Nicollet Falls.

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It was laid out much like any other town—thoughtlessly, and in haste. Here is where the rich people lived, and here the workers. This is where the white people shopped, and here was the special store for the Chinese, which had everything they could ever want, as long as they didn’t want that much.