Electric Lamps Quotes

But genius, and even great talent, springs less from seeds of intellect and social refinement superior to those of other people than from the faculty of transforming and transposing them. To heat a liquid with an electric lamp requires not the strongest lamp possible, but one of which the current can cease to illuminate, can be diverted so as to give heat instead of light. To mount the skies it is not necessary to have the most powerful of motors, one must have a motor which, instead of continuing to run along the earth's surface, intersecting with a vertical line the horizontal line which it began by following, is capable of converting its speed into lifting power. Similarly, the men who produce works of genius are not those who live in the most delicate atmosphere, whose conversation is the most brilliant or their culture the most extensive, but those who have had the power, ceasing suddenly to live only for themselves, to transform their personality into a sort of mirror, in such a way that their life, however mediocre it may be socially and even, in a sense, intellectually, is reflected by it, genius consisting in reflecting power and not int he intrinsic quality of the scene reflected.

We Orientals tend to seek our satisfactions in whatever surroundings we happen to find ourselves, to content ourselves with things as they are; and so darkness causes us no discontent, we resign ourselves to it as inevitable. If light is scarce, then light is scarce; we will immerse ourselves in the darkness and there discover its own particular beauty. But the progressive Westerner is determined always to better his lot. From candle to oil lamp, oil lamp to gaslight, gaslight to electric light—his quest for a brighter light never ceases, he spares no pains to eradicate even the minutest shadow.

I have done without electricity, and tend the fireplace and stove myself. Evenings, I light the old lamps. There is no running water, and I pump the water from the well. I chop the wood and cook the food. These simple acts make man simple; and how difficult it is to be simple!

Silence. It flashed from the woodwork and the walls; it smote him with an awful, total power, as if generated by a vast mill. It rose from the floor, up out of the tattered gray wall-to-wall carpeting. It unleashed itself from the broken and semi-broken appliances in the kitchen, the dead machines which hadn’t worked in all the time Isidore had lived here. From the useless pole lamp in the living room it oozed out, meshing with the empty and wordless descent of itself from the fly-specked ceiling. It managed in fact to emerge from every object within his range of vision, as if it—the silence—meant to supplant all things tangible. Hence it assailed not only his ears but his eyes; as he stood by the inert TV set he experienced the silence as visible and, in its own way, alive. Alive! He had often felt its austere approach before; when it came it burst in without subtlety, evidently unable to wait. The silence of the world could not rein back its greed. Not any longer. Not when it had virtually won.

Annamaria had preferred oil rather than electric lamps. She said that sunshine grows plants, the plants express essential oils, and years later those oils fire the lamps - giving back 'the light of the other days'.

All her violence had drained away, replaced by a fear older and deeper than anything she'd ever experienced. An old, old recognition. Something inside her knew him from a time when girls took skin bags to the river to get water, a time when panthers walked in the darkness outside mud huts. From a time before electric lights, before candles, when darkness was fended off with stone lamps. When darkness was the greatest danger of all.

During the four days of the storm, I became accustomed to the soft light of lamps and candles and grew to like it. When the power came on again, I discovered that I was actually disappointed. The electric lights seemed cold and impersonal; they revealed too much.

Suppose that a great commotion arises in the street about something, let us say a lamp-post, which many influential persons desire to pull down. A grey-clad monk, who is the spirit of the Middle Ages, is approached upon the matter, and begins to say, in the arid manner of the Schoolmen, "Let us first of all consider, my brethren, the value of Light. If Light be in itself good--" At this point he is somewhat excusably knocked down. All the people make a rush for the lamp-post, the lamp-post is down in ten minutes, and they go about congratulating each other on their unmediaeval practicality. But as things go on they do not work out so easily. Some people have pulled the lamp-post down because they wanted the electric light; some because they wanted old iron; some because they wanted darkness, because their deeds were evil. Some thought it not enough of a lamp-post, some too much; some acted because they wanted to smash municipal machinery; some because they wanted to smash something. And there is war in the night, no man knowing whom he strikes. So, gradually and inevitably, to-day, to-morrow, or the next day, there comes back the conviction that the monk was right after all, and that all depends on what is the philosophy of Light. Only what we might have discussed under the gas-lamp, we now must discuss in the dark.

London was beginning to illuminate herself against the night. Electric lights sizzled and jagged in the main thoroughfares, gas-lamps in the side streets glimmered a canary gold or green. The sky was a crimson battlefield of spring, but London was not afraid. Her smoke mitigated the splendour, and the clouds down Oxford Street were a delicately painted ceiling, which adorned while it did not distract.

It was a sombre snowy afternoon, and the gas-lamps were lit in the big reverberating station. As he paced the platform, waiting for the Washington express, he remembered that there were people who thought there would one day be a tunnel under the Hudson through which the trains of the Pennsylvania railway would run straight into New York. They were of the brotherhood of visionaries who likewise predicted the building of ships that would cross the Atlantic in five days, the invention of a flying machine, lighting by electricity, telephonic communication without wires, and other Arabian Nights marvels.

It was like a blackout in reverse. Since around nine o’clock, no lamps could be switched off, no electrical appliances powered down. If you tried to pull out the plug there was an alarming crackling sound and sparks flew between the outlet and the plug, preventing the circuit from being broken.

Fridrik sat many a night by a smoking lamp, translating into Danish descriptions of the latest methods of keeping us poor humans alive, while on pallets around him lay the corpses, beyond any aid, despite the encouraging news of advances in electrical cures.

A Babylonian in 1750 BCE would have had to labor fifty hours to spend one hour reading his cuneiform tablets by a sesame-oil lamp. In 1800, an Englishman had to toil for six hours to burn a tallow candle for an hour. (Imagine planning your family budget around that—you might settle for darkness.) In 1880, you’d need to work fifteen minutes to burn a kerosene lamp for an hour; in 1950, eight seconds for the same hour from an incandescent bulb; and in 1994, a half-second for the same hour from a compact fluorescent bulb—a 43,000-fold leap in affordability in two centuries. And the progress wasn’t finished: Nordhaus published his article before LED bulbs flooded the market. Soon, cheap, solar-powered LED lamps will transform the lives of the more than one billion people without access to electricity, allowing them to read the news or do their homework without huddling around an oil drum filled with burning garbage.

There was no lightbulb moment in the story of the lightbulb. By the time Edison flipped the switch at the Pearl Street station, a handful of other firms were already selling their own models of incandescent electric lamps.

[On writing more Sherlock Holmes stories.] ‘I don’t care whether you do or not,’ said Bram. ‘But you will, eventually. He’s yours, till death do you part. Did you really think he was dead and gone when you wrote “The Final Problem”? I don’t think you did. I think you always knew he’d be back. But whenever you take up your pen and continue, heed my advice. Don’t bring him here. Don’t bring Sherlock Holmes into the electric light. Leave him in the mysterious and romantic flicker of the gas lamp. He won’t stand next to this, do you see? The glare would melt him away. He was more the man of our time than Oscar was. Or than we were. Leave him where he belongs, in the last days of our bygone century. Because in a hundred years, no one will care about me. Or you. Or Oscar. We stopped caring about Oscar years ago, and we were his bloody *friends.* No, what they’ll remember are the stories. They’ll remember Holmes. And Watson. And Dorian Gray.

What’s happened?” screamed Mrs. Twit. They stood in the middle of the room, looking up. All the furniture, the big table, the chairs, the sofa, the lamps, the little side tables, the cabinet with bottles of beer in it, the ornaments, the electric heater, the carpet, everything was stuck upside down to the ceiling. The pictures were upside down on the walls. And the floor they were standing on was absolutely bare. What’s more, it had been painted white to look like the ceiling.

To give you an idea of the size of the Earth, I will tell you that before the invention of electricity it was necessary to maintain, over the whole of six continents, a veritable army of 462, 511 lamplighters for the street lamps. Seen from a slight distance that would make a splendid spectacle. the movements of this army would be regulated like those of the ballet in the opera. First would come the turn of the lamplighters of New Zealand and Australia. Having set their lamps alight, these would go off to sleep. Next, the lamplighters of China and Siberia would enter for their steps in the dance, and then they too would be waved back into the wings. After that would come the turn of the lamplighters of Russia and the Indies; then those of Africa and Europe; then those of South America; then those of North America. And never would they make a mistake in the order of their entry upon the stage. It would be magnificent.

I stopped reading and stared round the room. There were the new curtains, the new shades on all the lamps, the deep new pile of the Indian carpet beneath my feet, the new loose cover of the chair that I was sitting in, the slightly different appearance of the wallpaper by the electric switch, the gleam of the new paint. I had not noticed any of them.

London was beginning to illuminate herself against the night. Electric lights sizzled and jagged in the main thoroughfares, gas-lamps in the side streets glimmered a canary gold or green. The sky was a crimson battlefield of spring, but London was not afraid. Her smoke mitigated the splendour, and the clouds down Oxford Street were a delicately painted ceiling, which adorned while it did not distract. She has never known the clear-cut armies of the purer air. Leonard hurried through her tinted wonders, very much part of the picture. His was a grey life, and to brighten it he had ruled off a few corners for romance.

What is loneliness if not unimaginable light and measured in lumens— an electric bill which must be paid, a taxi cab floating across three lanes with its lamp lit, gold in wanting.

Silence. It flashed from the woodwork and the walls; it smote him with an awful, total power, as if generated by a vast mill. It rose from the floor, up out of the tattered gray wall-to-wall carpeting. It unleashed itself from the broken and semi-broken appliances in the kitchen, the dead machines which hadn’t worked in all the time Isidore had lived here. From the useless pole lamp in the living room it oozed out, meshing with the empty and wordless descent of itself from the fly-specked ceiling. It managed in fact to emerge from every object within his range of vision, as if it—the silence—meant to supplant all things tangible.

He liked however the open shutters; he opened everywhere those Mrs. Muldoon had closed, closing them as carefully afterwards, so that she shouldn't notice: he liked--oh this he did like, and above all in the upper rooms!--the sense of the hard silver of the autumn stars through the window-panes, and scarcely less the flare of the street-lamps below, the white electric lustre which it would have taken curtains to keep out. This was human actual social; this was of the world he had lived in, and he was more at his ease certainly for the countenance, coldly general and impersonal, that all the while and in spite of his detachment it seemed to give him.

Your master will bestow that experience shortly. Your body is not tuned just yet. As a small lamp cannot withstand excessive electrical voltage, so your nerves are unready for the cosmic current. If I gave you the infinite ecstasy right now, you would burn as if every cell were on fire.

On this material plane, each living being is like a street lantern lamp with a dirty lampshade. The inside flame burns evenly and is of the same quality as all the rest—hence all of us are equal in the absolute sense, the essence, in the quality of our energy. However, some of the lamps are “turned down” and having less light in them, burn fainter, (the beings have a less defined individuality, are less in tune with the universal All which is the same as the Will)—hence all of us are unequal in a relative sense, some of us being more aware (human beings), and others being less aware (animal beings), with small wills and small flames. The lampshades of all are stained with the clutter of the material reality or the physical world. As a result, it is difficult for the light of each lamp to shine through to the outside and it is also difficult to see what is on the other side of the lampshade that represents the external world (a great thick muddy ocean of fog), and hence to “feel” a connection with the other lantern lamps (other beings). The lampshade is the physical body immersed in the ocean of the material world, and the limiting host of senses that it comes with. The dirt of the lampshade results from the cluttering bulk of life experience accumulated without a specific goal or purpose. The dirtier the lampshade, the less connection each soul has to the rest of the universe—and this includes its sense of connection to other beings, its sense of dual presence in the material world and the metaphysical world, and the thin connection line to the wick of fuel or the flow of electricity that resides beyond the material plane and is the universal energy. To remain “lit” each lantern lamp must tap into the universal Source of energy. If the link is weak, depression and-or illness sets in. If the link is strong, life persists. This metaphor to me best illustrates the universe.

God’s power is the same—neither good nor bad. It is like electricity. Is electricity divine or evil? Electricity is neutral. It just is. But depending on your approach, you get either its benefit or its punishment. Plug in a lamp, you get light. Plug in a radio, you get music. Plug in your finger…?

If you worked for an hour at the average wage of 1800, you could buy yourself ten minutes of artificial light. With kerosene in 1880, the same hour of work would give you three hours of reading at night. Today, you can buy three hundred days of artificial light with an hour of wages. Something extraordinary obviously happened between the days of tallow candles or kerosene lamps and today’s illuminated wonderland. That something was the electric lightbulb.

We were coated in sweat, smelling like each other, pressing our skin together, running our hands through each other's hair. The electric lamp swung above us. It was the best thing I had ever done in this body. Cass was me, and I was Cass, and we were maybe dying. And here, I thought, here I am. Finally alive.

From his yacht, the Mayflower, President Woodrow Wilson hit a button at five minutes to six on December 5, and “the statue bloomed into vivid brightness. The torch, which had seemed dim as a glowworm in the harbor, now beamed with fifteen 500 candlepower electric lamps so it was the brightest thing on the horizon.

When I change I change fast. The moon drags the whatever-it-is up from the earth and it goes through me with crazy wriggling impatience. I picture it as an electrical discharge, entering at my soles and racing upwards in haywire detonations that shock the bones and explode the neurons. The magic's dark red, violent, compressed. I get random flashes of mundane memory-- pushing a shopping cart around Met Foods; opening my apartment window; standing on a subway platform; saying to someone, No, that's carbohydrates in the evenings-- intercut with images of the kills; a white male body on an oil-stained warehouse floor; a solitary trailer with a storm lamp burning; a female thigh releasing a dark arc of blood; my clawed hand scooping out a still-hot heart. This is the Curse's neatest trick: one type of memory doesn't destroy the other. It's still you. It's still all you. You wouldn't think you were built to bear such opposites, but you are. You'd think the system would crash, but it doesn't.

The siren soared again, closer at hand, and then, with no anticipatory roar and clamour, a dark and sinuous body curved into view against the shadows far down the high-banked track, and with no sound but the rush of the cleft wind and the clock like tick of the rails, moved towards the bridge - it was an electric train. Above the engine two vivid blurs of blue light formed incessantly a radiant crackling bar between them, which, like a spluttering flame in a lamp beside a corpse, lit for an instant the successive rows of trees and caused Gloria to draw back instinctively to the far side of the road. The light was tepid - the temperature of warm blood... The clicking blended suddenly with itself in a rush of even sound, and then, elongating in sombre elasticity, the thing roared blindly by her and thundered onto the bridge, racing the lurid shaft of fire it cast into the solemn river alongside. Then it contracted swiftly, sucking in its sound until it left only a reverberant echo, which died upon the farther bank.

With a sudden flash of anger, she blurted, "Lash wasn't impotent, all right? He wasn't ... impotent-" The temperature in the room plummeted so fast and so far, her breath came out in clouds. And what she saw in the mirror made her swing around and take a step back from John: His blue eyes glowed with an unholy light and his upper lip curled up to reveal fangs that were sharp and so long they looked like daggers. Objects all around the room began to vibrate: the lamps on the bed stands, the clothes on their hangers, the mirror on the wall. The collective rattling crescendoed to a dull roar and she had to steady herself on the bureau or run the risk of being knocked on her ass. The air was alive. Supercharged. Electric. Dangerous. And John was the center of the raging energy, his hands cranking into fists so tight his forearms trembled, his thighs grabbing onto his bones as he sank down into fighting stance. John's mouth stretched wide as his head shot forward on his spine... and he let out a war cry- Sound exploded all around her, so loud she had to cover her ears, so powerful she felt the blast against her face. For a moment, she thought he'd found his voice- except it wasn't vocal cords making that bellowing noise. The glass in the sliders blew out behind him, the sheets shattering into thousands of shards that blasted free of the house, the fragments bouncing on the slate and catching the light like raindrops... Or like tears.

It was her only room, I now saw, trying not to look around too conspicuously—it served as her kitchen, bedroom, and sitting area. It was immaculately clean, the narrow bed in one corner made up with a white quilt and ornamented with several white pillows embroidered in bright colors. Next to the bed stood a table that held a book, a lamp with a glass chimney, and a pair of eyeglasses, and beside that a small chair. At the foot of the bed was a wooden chest, painted with flowers. The kitchen area, where we sat, consisted of a simple cookstove and a table and chairs. There was no electricity, nor was there a bathroom (I learned about the outhouse in the back garden only later in the visit). On one wall hung a calendar with a photograph of workers in a factory, and on another wall hung a piece of embroidery in red and white. There were flowers in a jar and white curtains at the windows. A tiny woodstove stood near the kitchen table, with sticks of wood piled next to it.

I know more about my father than I used to know: I know he wanted to be a pilot in the war but could not, because the work he did was considered essential to the war effort… I know he grew up on a farm in the backwoods of Nova Scotia, where they didn’t have running water or electricity. This is why he can build things and chop things… He did his high school courses by correspondence, sitting at the kitchen table and studying by the light by a kerosene lamp; he put himself through university by working in lumber camps and cleaning out rabbit hutches, and was so poor he lived in a tent in the summers to save money… All this is known, but unimaginable. Also I wish I did not know it. I want my father to be just my father, the way he has always been, not a separate person with an earlier, mythological life of his own. Knowing too much about other people puts you in their power, they have a claim on you, you are forced to understand their reasons for doing things and then you are weakened.

Okay, I know--my superpower--I'd be able to shoot lightening bolts out from my fingertips--great big knowledge network lightening bolts--and when a person was zapped by one of those bolts, they'd fall down on their knees and once on their knees, they'd be under water, in this place I saw once off the east coast of the Bahamas, a place where a billion electric blue fish swam up to me and made me a part of their school--and then they'd be up in the air, up in Manhattan, above the World Trade Center, with a flock of pigeons, flying amid the skyscrapers, and then--then what? And then they'd go blind, and then they'd be taken away--they'd feel homesick--more homesick than they'd felt in their entire life--so homesick they were throwing up--and they'd be abandoned, I don't know...in the middle of a harvested corn field in Missouri. And then they'd be able to see again, and from the edges of the field people would appear--everybody they'd known--and they'd be carrying Black Forest cakes and burning tiki lamps and boom boxes playing the same song, and they sky would turn into a sunset, the way it does in Walt Disney brochure, and the person I zapped would never be alone or isolated again.

On Westminster Bridge, Arthur was struck by the brightness of the streetlamps running across like a formation of stars. They shone white against the black coats of the marching gentlefold and fuller than the moon against the fractal spires of Westminster. They were, Arthur quickly realized, the new electric lights, which the city government was installing, avenue by avenue, square by square, in place of the dirty gas lamps that had lit London's public spaces for a century. These new electric ones were brighter. They were cheaper. They required less maintenance. And they shone farther into the dime evening, exposing every crack in the pavement, every plump turtle sheel of stone underfoot. So long to the faint chiaroscuro of London, to the ladies and gentlemen in black-on-black relief. So long to the era of mist and carbonized Newcastle coal, to the stench of the Blackfriars foundry. Welcome to the cleasing glare of the twentieth century.

What is loneliness if not unimaginable light and measured in lumens— an electric bill which must be paid, a taxi cab floating across three lanes with its lamp lit, gold in wanting. At 2 a.m. everyone in New York City is empty and asking for someone.

Doctors, I find, have a very materialistic outlook. The spiritual seems to be strangely hidden from them. They pin their faith on Science - but what I say is... what is Science - what can it do?" There seemed, to Hercule Poirot, to be no answer to the question other than a meticulous and painstaking description embracing Pasteur, Lister, Humphrey Davy's safety lamp - the convenience of electricity in the home and several hundred other kindred items. But that, naturally, was not the answer Mrs Lionel Cloade wanted.

The houses that trouble me most are the ones with a lamp on all night and people living inside. I don’t look at those lamps and think what a waste of electricity or money they are. It’s another waste I see. For every watt that shines in the darkness, I see restless sleepers drifting further and further from their souls.

My slight fall had extinguished the lantern, but I produced an electric pocket lamp and viewed the small horizontal tunnel which led away indefinitely in both directions. It was amply large enough for a man to wriggle through; and though no sane person would have tried at that time, I forgot danger, reason, and cleanliness in my single-minded fever to unearth the lurking fear.

... the intercessor is not so much like a lamp in the electric circuit as a radio which is both a receiver and transmitter. The receiving aspect is often quite overlooked in the ministry of intercession. Communion with God should surely be a two-way traffic. We speak of prayer as our ‘coming to the mercy seat’, but when God first spoke about this to Moses He said nothing about it as a place where Moses would speak with Him, but rather as a place where He would speak with Moses (Exod. 2 5 : 22). In other words, the mercy seat was to be first a place of revelation, and then a place of intercession. This revelation may indeed be given to the intercessor as he prays, but it will often be necessary to tune in and hear what eaven is saying that he may know how to pray. To learn how to talk to God we must first learn how to listen to God.

Instead, somehow they’re going to try it right down the main highway, eight lanes wide, heron-neck arc lamps rising up as far as the eye can see, and they will broadcast on all frequencies, waving American flags, turning up the Day-Glo and the neon of 1960s electro-pastel America, wired up and amplified, 327,000 horsepower, a fantasy bus in a science-fiction movie, welcoming all on board, no matter how unbelievably Truck Stop Low Rent or raunchy—

What can I be thinking of? Just imagine my not having presented myself to you even yet! But as a matter of fact I do not want to tell you my name out loud; it is a romantic one, utterly inappropriate to the typically modern environment in which we now stand. Ah, if we were only on the steep side of some mountain with the moon like a great lamp above us, or by the shore of some wild ocean, there would be some glamour in proclaiming my identity in the silence of the night, or in the midst of lightning and thunder as a hurricane swept the seas! But here in a third-floor suite of the Royal Palace Hotel, surrounded by telephones and electric lights, and standing by a window overlooking the Champs Elysees-> it would be positively anachronistic!" He took a card out of his pocket and drew near the little writing desk. "Allow me, Princess, to slip my card into this drawer, left open on purpose, it would seem," and while the princess uttered a little cry she could not repress, he did just that. "And now, Princess," he went on, compelling her to retreat before him as he moved to the door of the anteroom opening on to the corridor, "you are too well bred, I am sure, not to wish to conduct your visitor to the door of your suite." His tone altered abruptly, and in a deep imperious voice that made the princess quake he ordered her: "And now, not a word, not a cry, not a movement until I am outside, or I will kill you!

Silence. It flashed from the woodwork and the walls; it smote him with an awful, total power, as if generated by a vast mill. It rose from the floor, up out of the tattered gray wall-to-wall carpeting. It unleashed itself from the broken and semi-broken appliances in the kitchen, the dead machines which hadn’t worked in all the time Isidore had lived here. From the useless pole lamp in the living room it oozed out, meshing with the empty and wordless descent of itself from the fly-specked ceiling. It managed in fact to emerge from every object within his range of vision, as if it—the silence—meant to supplant all things tangible. Hence it assailed not only his ears but his eyes; as he stood by the inert TV set he experienced the silence as visible and, in its own way, alive. Alive! He had often felt its austere approach before; when it came, it burst in without subtlety, evidently unable to wait. The silence of the world could not rein back its greed. Not any longer. Not when it had virtually won.

The horrible thing about the Two Minutes Hate was not that one was obliged to act a part but that it was impossible to avoid joining in... A hideous ecstasy of fear and vindictiveness, a desire to kill, to torture, to smash faces in with a sledge hammer, seemed to flow through the whole group of people like an electric current, turning one even against one's will into a grimacing screaming lunatic. And yet the rage that one felt was an abstract, undirected emotion which could be switched from one subject to another like the flame of a blow lamp.

People see me going around constantly flipping off lights and think I’m OCD. No, I’m just turned off by lights that are turned on unnecessarily. It’s not about wasted money, it’s just about waste. Whenever I see someone throwing out food, I just picture all the energy that went into making that food being lost—the diesel in the farm equipment that picked it, the energy in the fertilizer and the whole fertilizer plant, the truck that brought it to the restaurant, the BTUs used to cook it, and the electricity for the heat lamp at the shitty restaurant. All gone because you couldn’t finish your taco salad.

The tunnel leading away from Corvin’s lair had undergone several twists and turns, leaving the electric light of the inhabited passageways behind, and it was only because the little turnip-sized wellmonster huddled against her neck had quite unexpectedly begun to glimmer palely with a cold unnatural light that she was able to find her way at all. When I get out of this, she told herself, eyes wide in the near-complete darkness, I am so writing a paper on these creatures. I don’t think I’ve ever heard of them bioluminescing, but I’m jolly glad they do. Its eyes were two small pale lamps, brighter than the glowing skin around them.

All this fantastic effort—giant machines, road networks, strip mines, conveyor belt, pipelines, slurry lines, loading towers, railway and electric train, hundred-million-dollar coal-burning power plant; ten thousand miles of high-tension towers and high-voltage power lines; the devastation of the landscape, the destruction of Indian homes and Indian grazing lands, Indian shrines and Indian burial grounds; the poisoning of the last big clean-air reservoir in the forty-eight contiguous United States, the exhaustion of precious water supplies—all that ball-breaking labor and all that backbreaking expense and all that heartbreaking insult to land and sky and human heart, for what? All that for what? Why, to light the lamps of Phoenix suburbs not yet built, to run the air conditioners of San Diego and Los Angeles, to illuminate shopping-center parking lots at two in the morning, to power aluminum plants, magnesium plants, vinyl-chloride factories and copper smelters, to charge the neon tubing that makes the meaning (all the meaning there is) of Las Vegas, Albuquerque, Tucson, Salt Lake City, the amalgamated metropoli of southern California, to keep alive that phosphorescent putrefying glory (all the glory there is left) called Down Town, Night Time, Wonderville, U.S.A. They

The first blast of the snowstorm snatched me up like a scrap of torn newspaper and transported me from a practice in the depths of the countryside to the town. What, you may wonder, is so special about a country town? If like me you have ever spent the winters snowbound and the summers deep in a landscape of sparse, monotonous woodland, without a single day off in more than a year; if you have ever torn the wrapper off last week's newspaper with your heart beating as if you were a lover joyfully ripping open a pale blue envelope; if you have ever driven twelve miles in a tandem-harnessed sleigh to a woman in labor, then you may realize what the town mean to me. Kerosene lamps may be very cosy, but I prefer electricity.

That night, I took a while falling asleep and when I did, I had a strange dream. She was sitting in my rocking chair and rocking herself, her dead eyes fixed on me. I lay on my bed, paralysed with fear, unable to move, unable to scream, my limbs refusing to move to my command. The room was suddenly freezing cold, the heater had probably stopped working in the night because the electricity supply had been cut and the inverter too had run out. At one point, I was uncertain whether I was dreaming or awake, or in that strange space between dreaming and wakefulness, where the soul wanders out of the body and explores other dimensions. What I knew was that I was chilled to the bones, chilled in a way that made it impossible for me to move myself, to lever myself to a sitting position in order to switch the bedside lamp on and check whether this was really happening. I could hear her in my head. Her voice was faint, feathery, and sibilant, as if she was whispering through a curtain of rain. Her words were indistinct, she called my name, she said words that pierced through my ears, words that meshed into ice slivers in my brain and when I thought finally that I would freeze to death an ice cold tiny body climbed into the quilt with me, putting frigidly chilly arms around me, and whispered, ‘Mother, I’m cold.’ Icicles shot up my spine, and I sat up, bolt upright in my bed, feeling the covers fall from me and a small indent in the mattress where something had been, a moment ago. There was a sudden click, the red light of the heater lit up, the bed and blanket warmer began radiating life-giving heat again and I felt myself thaw out, emerge from the scary limbo which marks one’s descent into another dimension, and the shadow faded out from the rocking chair right in front of me into complete transparency and the icy presence in the bed faded away to nothingness.

A (impatient): Well? B (reading): "... sick headaches... eye trouble... irrational fear of vipers... ear trouble... "--nothing for us there--"... fibroid tumours... pathological horror of songbirds... throat trouble... need of affection... "--we're coming to it--"... inner void... congenital timidity... nose trouble... "--ah! listen to this--"... morbidly sensitive to the opinions of others..." (Looks up.) What did I tell you? A (glum): Tsstss! B: I'll read the whole passage: "... morbidly sensitive to the opinion of others--" (His lamp goes out.) Well! The bulb has blown! (The lamp goes on again.) No, it hasn't! Must be a faulty connection. (Examines the lamp, straightens the flex.) The flex was twisted, now all is well. (Reading.) "... morbidly sensitive--" (The lamp goes out.) Bugger and shit! Pause. (next two lines spoken on top of each other) B: "... morbidly sensitive--" A: Keep your hands off the table. B: What? A: Keep your hands off the table. If it's a connection the least jog can do it. B: (having pulled back his chair a little way): "... morbidly sensitive--" The lamp goes out. B Bangs on the table with his fist. The lamp goes on again. Pause. A: Mysterious affair, electricity.

She drifted down the walk carelessly for a moment, stunned by the night. The moon had come out, and though not dramatically full or a perfect crescent, its three quarters were bright enough to turn the fog and dew and all that had the power to shimmer a bright silver, and everything else- the metal of the streetlamps, the gates, the cracks in the cobbles- a velvety black. After a moment Wendy recovered from the strange beauty and remembered why she was there. She padded into the street before she could rethink anything and pulled up her hood. "Why didn't I do this earlier?" she marveled. Sneaking out when she wasn't supposed to was its own kind of adventure, its own kind of magic. London was beautiful. It felt like she had the whole city to herself except for a stray cat or two. Despite never venturing beyond the neighborhood much by herself, she had plenty of time with maps, studying them for someday adventures. And as all roads lead to Rome, so too do all the major thoroughfares wind up at the Thames. Names like Vauxhall and Victoria (and Horseferry) sprang from her brain as clearly as if there had been signs in the sky pointing the way. Besides Lost Boys and pirates, Wendy had occasionally terrified her brothers with stories about Springheel Jack and the half-animal orphan children with catlike eyes who roamed the streets at night. As the minutes wore on she felt her initial bravery dissipate and terror slowly creep down her neck- along with the fog, which was also somehow finding its way under her coat, chilling her to her core. "If I'm not careful I'm liable to catch a terrible head cold! Perhaps that's really why people don't adventure out in London at night," she told herself sternly, chasing away thoughts of crazed, dagger-wielding murderers with a vision of ugly red runny noses and cod-liver oil. But was it safer to walk down the middle of the street, far from shadowed corners where villains might lurk? Being exposed out in the open meant she would be more easily seen by police or other do-gooders who would try to escort her home. "My mother is sick and requires this one particular tonic that can only be obtained from the chemist across town," she practiced. "A nasty decoction of elderberries and slippery elm, but it does such wonders for your throat. No one else has it. And do you know how hard it is to call for a cab this time of night? In this part of town? That's the crime, really." In less time than she imagined it would take, Wendy arrived at a promenade that overlooked the mighty Thames. She had never seen it from that particular angle before or at that time of night. On either bank, windows of all the more important buildings glowed with candles or gas lamps or even electric lights behind their icy panes, little tiny yellow auras that lifted her heart. "I do wish I had done this before," she breathed. Maybe if she had, then things wouldn't have come to this...

I wrapped my arms around his neck and kissed him harder, pressing against him as he started to walk me backward toward the bed. We tripped over the mess, our mouths never breaking contact, our feet tangling in discarded clothes and boxes. I knocked into his lamp and it fell sideways with a crash, but we didn’t stop. We peeled off each other’s shirts, slamming back into each other before they touched the ground. By the time we hit the mattress and he glided over me, I was ravenous. I tugged at his sweatpants, but he shook his head and dragged my hands up to hold them against the pillow. “No.” His lips trailed down my jaw. I tipped my head back while his mouth moved along my skin. “What do you mean ‘no’?” I breathed. He smelled incredible, his heady masculine cedar scent like an evocative pheromone. Heat came off his chest, and the way he had my hands imprisoned, I was cocooned in his body, nestled between his strong arms. “You’re in trouble,” he said into my collarbone. “You’ve lost dick privileges.” I snorted. “What? Why?” He came back up and ground himself against my core, shooting electricity through my body, and my need intensified. “You didn’t talk to me for two weeks.” He sucked my lip between his teeth. “You’re on punishment.” His tongue plunged into my mouth. I was practically panting. I tried to work my hands free, and he held them firmer to the bed, smiling wickedly against my lips. He shook his head. “No.” He pressed into me, hard as a rock. So it’s to be torture, then. I made an impatient noise. “Well…how do I get my privileges back?” I wiggled my hips seductively and his breath caught in his throat. I smirked and he squeezed his eyes shut, clearly struggling with his boycott. “You have to apologize for ignoring me.” “I’m sorry.” I nipped at his lip. “And tell me you missed me.” I nodded. “Yes,” I whispered. “I missed you.” He opened his eyes and looked at me. “Say it again.” I held his serious, brown-eyed stare. “I missed you, Josh.” His eyes moved back and forth between mine, like he was trying to determine if I really meant it. I really did mean it. I missed him even now, and he was right here.

As Matt began to turn the pages, he found himself distracted. His eyes began drifting around the room, finally coming to rest on the silent air conditioner that sat in one of his windows. He walked over to the air conditioner and turned it on full blast. Its soft hum was music to his ears. And what about music? Matt grinned and placed a tape in his tape deck and turned up the volume. Everything sounded and felt so good. Suddenly he remembered his reading lamp. He reached over to the wall and flipped the lamp’s switch. When the light came on, Matt whooped with joy. He felt a thrill of excitement as he turned on his clock radio. He even set the alarm to go off. “And TV!” Matt cried, racing over to his television set. “I’m going to watch TV!” By the time Mrs. Carlton appeared in the doorway, Matt was sitting on his bed reading, after turning on every electrical appliance in his room. “What on earth is going on in here?” his mother called over the din. Matt looked up from his book and grinned. “I was just checking to make sure that everything still works,” he told her. Mrs. Carlton shook her head. “Come and get yourself some breakfast,” she told Matt. “And for heaven’s sake take a bath and change your clothes.” As she walked away Matt could hear her mumble under her breath, “The way that boy looks after a simple backyard camping trip. You’d think he was just through a war!

A few days later, Dr. Ambler told De Long of a curious dream he'd had about Edison's lamps. In the dream, Sir John Franklin, the long-lost British explorer, had come aboard the Jeanette for a tour. Dr. Ambler led Franklin all over the ship and told him excitedly about Edison's electric lights, an invention that, of course, wasn't even dreamed about in Franklin's day. But Franklin bluntly interrupted him. "Your electric machine," he said, "is not worth a damn.

Disgusted by Edison’s shameless cruelty and dishonesty, Tesla began performing regular exhibitions of his technology in his laboratory in which he lighted lamps by allowing alternating current electricity to flow through his body. Public opinion swung to and fro, unsure of whom to believe.

Electric street lamps had come to cities around the country, creating “white ways” that made it feel safer for women to be on the streets at night. This development changed the kinds of jobs women could work, as well as the ways in which they could spend money and leisure time.

Henry Ford, poor and uneducated, dreamed of a horseless carriage, went to work with what tools he possessed, without waiting for opportunity to favor him, and now evidence of his dream belts the entire earth. He has put more wheels into operation than any man who ever lived, because he was not afraid to back his dreams. Thomas Edison dreamed of a lamp that could be operated by electricity, began where he stood to put his dream into action, and despite more than ten thousand failures, he stood by that dream until he made it a physical reality. Practical dreamers DO NOT QUIT! Whelan dreamed of a chain of cigar stores, transformed his dream into action, and now the United Cigar Stores occupy the best corners in America. Lincoln dreamed of freedom for the black slaves, put his dream into action, and barely missed living to see a united North and South translate his dream into reality.

7. Lighting • Carry out a site survey whenever possible to assess the conditions in which an exhibition will take place, and familiarize yourself with any existing lighting infrastructure and daylight parameters. • Examine existing electrical installations and determine whether they are adequate to support new lighting. Considering the routing of cables carefully. • Plan the lighting early on. It is easier to add it at the beginning of the the design process than at the end. • Create a lighting scheme that supports the exhibition structure and helps the convey the show's concept. • Ensure that all graphical information that is intended to be read and adequately illuminated, and check the readability of the information. • Consider the amount of heat the lighting will generate. Hot lamps may harm the exhibits and if the heat build-up is too great, additional air-conditioning may be needed. • Make your collaborators aware of the lighting solutions you intend to provide by circulating your lighting plans to all relevant parties.

Harry, you know at night The larks in Castle Alley Sing from the attic's height As if the electric light Were the true sun above a summer valley: Whistle, don't knock, tonight. I shall come early, Kate: And we in Castle Alley Will sit close out of sight Alone, and ask no light Of lamp or sun above a summer valley: Tonight I can stay late.

The reorganisation of the world has at first to be mainly the work of a "movement" or a Party or a religion or cult, whatever we choose to call it. We may call it New Liberalism or the New Radicalism or what not. It will not be a close-knit organisation, toeing the Party line and so forth. It may be a very loose-knit and many faceted, but if a sufficient number of minds throughout the world, irrespective of race, origin or economic and social habituations, can be brought to the free and candid recognition of the essentials of the human problem, then their effective collaboration in a conscious, explicit and open effort to reconstruct human society will ensue. And to begin with they will do all they can to spread and perfect this conception of a new world order, which they will regard as the only working frame for their activities, while at the same time they will set themselves to discover and associate with themselves, everyone, everywhere, who is intellectually able to grasp the same broad ideas and morally disposed to realise them. The distribution of this essential conception one may call propaganda, but in reality it is education. The opening phase of this new type of Revolution must involve therefore a campaign for re-invigorated and modernised education throughout the world, an education that will have the same ratio to the education of a couple of hundred years ago, as the electric lighting of a contemporary city has to the chandeliers and oil lamps of the same period. On its present mental levels humanity can do no better than what it is doing now. Vitalising education is only possible when it is under the influence of people who are themselves learning. It is inseparable from the modern idea of education that it should be knit up to incessant research. We say research rather than science. It is the better word because it is free from any suggestion of that finality which means dogmatism and death. All education tends to become stylistic and sterile unless it is kept in close touch with experimental verification and practical work, and consequently this new movement of revolutionary initiative, must at the same time be sustaining realistic political and social activities and working steadily for the collectivisation of governments and economic life. The intellectual movement will be only the initiatory and correlating part of the new revolutionary drive. These practical activities must be various. Everyone engaged in them must be thinking for himself and not waiting for orders. The only dictatorship he will recognise is the dictatorship of the plain understanding and the invincible fact. And if this culminating Revolution is to be accomplished, then the participation of every conceivable sort of human+being who has the mental grasp to see these broad realities of the world situation and the moral quality to do something about it, must be welcomed. Previous revolutionary thrusts have been vitiated by bad psychology. They have given great play to the gratification of the inferiority complexes that arise out of class disadvantages. It is no doubt very unjust that anyone should be better educated, healthier and less fearful of the world than anyone else, but that is no reason why the new Revolution should not make the fullest use of the health, education, vigour and courage of the fortunate. The Revolution we are contemplating will aim at abolishing the bitterness of frustration. But certainly it will do nothing to avenge it. Nothing whatever. Let the dead past punish its dead.

Suppose that a great commotion arises in the street about something, let us say a lamp-post, which many influential persons desire to pull down. A grey-clad monk, who is the spirit of the Middle Ages, is approached upon the matter, and begins to say, in the arid manner of the Schoolmen, "Let us first of all consider, my brethren, the value of Light. If Light be in itself good—" At this point he is somewhat excusably knocked down. All the people make a rush for the lamp-post, the lamp-post is down in ten minutes, and they go about congratulating each other on their unmediaeval practicality. But as things go on they do not work out so easily. Some people have pulled the lamp-post down because they wanted the electric light; some because they wanted old iron; some because they wanted darkness, because their deeds were evil. Some thought it not enough of a lamp-post, some too much; some acted because they wanted to smash municipal machinery; some because they wanted to smash something. And there is war in the night, no man knowing whom he strikes. So, gradually and inevitably, to-day, to-morrow, or the next day, there comes back the conviction that the monk was right after all, and that all depends on what is the philosophy of Light. Only what we might have discussed under the gas-lamp, we now must discuss in the dark.

Political ideologies are not unlike technological inventions - both have expiry dates. Take the first electric bulb for example. When electric filament bulb came into existence it turned gas lamps obsolete - but then power efficient led bulb came into the scene, which turned filament bulbs obsolete. Likewise, back in the days when world conquest was all the craze, nationalism was the fire that united the dominated souls of the invaded lands to stand up to their invaders. But today when the notion of invasion is no longer the norm, and a sense of global oneness is on the rise, nationalism is no longer cool - it is obsolete, inane, and downright prehistoric. Today, it's the fire of integration that lights the world, not tribe, heritage and tradition. No ideology is ideal, no ideology is ultimate. So, focus on ascension, not allegiance. Evolution is life, rigidity is death - the wheel just keeps turning - monarchy replaced by democracy, democracy replaced by meritocracy - fundamentalism replaced by interfaith, interfaith replaced by freethought - church replaced by state, state replaced by civic duty - capitalism replaced by socialism, socialism replaced by humanitarianism. Countries become cities, cities become neighborhoods, neighborhoods become family - that's real upward mobility - that's civilization.

Political ideologies are not unlike technological inventions - both have expiry dates. Take the first electric bulb for example. When electric filament bulb came into existence it turned gas lamps obsolete - but then power efficient led bulb came into the scene, which turned filament bulbs obsolete. Likewise, back in the days when world conquest was all the craze, nationalism was the fire that united the dominated souls of the invaded lands to stand up to their invaders. But today when the notion of invasion is no longer the norm, and a sense of global oneness is on the rise, nationalism is no longer cool - it is obsolete, inane, and downright prehistoric. Today, it's the fire of integration that lights the world, not tribe, heritage and tradition.

A player sitting at the Telharmonium’s master console with its touch-sensitive keyboards could trigger the device’s network of whirling rotors, generating electrical currents that corresponded to the notes being played. The currents were sent through telephone wires to “broadcast” the music to hotels, restaurants, and private homes as a subscription service. The sound quality was limited because amplification and electrically driven dynamic loudspeakers hadn’t been invented yet. The Telharmonium’s music was piped through what were essentially telephone receivers acoustically boosted with large megaphone horns—some as long as six feet—or channeled through carbon arc lamps that could oscillate with the electronic signal.

She kept the lamp on, even though electricity was up over a penny a kilowatt

and no matter how much I reassure her, I cannot explain that the smell of her scalp has enough electricity to power the village of myself, her voice a reading lamp, her stomach a power strip, each finger a thousand volts.

Some of the new electrical current gets used in ways everyone would approve of: I met five-year-old girls practicing their alphabet in exercise books by the bright new glare of an LED lamp.

The second crowdfunding campaign, the one we launched after the fire, ended up being even more moving and inspiring than the first. We had to rebuild half the bookshop, rewire the whole electric system, buy new books, lamps, mugs, teacups. A friend of mine named Luca wrote to me saying I should try GoFundMe, which I later realised was one of the most powerful fundraising platforms out there.

In Dayton, as elsewhere, there was a North Methodist-Episcopal church and a South Methodist-Episcopal church—divided not by the town’s geography but by our opposite allegiances during the Civil War. Still, no matter what our parents’ and grandparents’ views during the war had been, all Methodists believed in free will; believed in the Father, the Son, and the Holy Spirit; believed in the Bible as all that was necessary for salvation. That wasn’t the same as believing it was literally true. But I’d never really thought about that. I’d never had to. You don’t need to question the truths of a childhood until they are challenged—or contradicted. I grew up with light from candles, warmth from stoves, water hauled from wells in buckets. None of those things had any true meaning for me until they’d been replaced by light from electric lamps, warmth from steam heat, and water from a kitchen faucet. Growing up, I knew nothing about Jews except that Christ had been one but had been crucified by a lot of others. I’m not sure I’d even

According to the teachings of the Holy Bible and the Fathers of the Church, man is able to achieve Theosis because within the Orthodox Church of Christ the Grace of God is uncreated. God is not only essence, as the West thinks; He is also energy. If God was only essence, we could not unite with Him, could not commune with Him, because the essence of God is awesome and unapproachable for man, as was written: "Never will man see My face and live" (Exodus 33:20). Let us give a relevant example from things human. If we grasp a bare electric wire, we will die. However, if we connect a lamp to the same wire, we are illuminated. We see, enjoy, and are assisted by, the energy of electric current, but we are not able to grasp its essence. Let us say that something similar happens with the uncreated energy of God. If we were able to unite with the essence of God, we would become gods in essence. Then everything would become a god, and there would be confusion so that, essentially, nothing would be a god. In a few words, this is what they believe in the Oriental religions, e.g. in Hinduism, where the god is not a personal existence but an indistinct power dispersed through all the world, in men, in animals, and in objects (Pantheism). As St. Maximus the Confessor, St. Dionysius the Areopagite, and other holy Fathers repeatedly say, God is filled with a divine eros, a divine love for His creatures. Because of this infinite and ecstatic love of His, He comes out of Himself and seeks to unite with them. This is expressed and realised as His energy, or better, His energies. With these, His uncreated energies, God created the world and continues to preserve it. He gives essence and substance to our world through His essence-creating energies; He illuminates man with His illuminating energies; He sanctifies him with His sanctifying energies. Finally, He deifies him with His deifying energies. Thus, through His uncreated energies holy God enters nature, the world, history, and human life.

According to the teachings of the Holy Bible and the Fathers of the Church, man is able to achieve Theosis because within the Orthodox Church of Christ the Grace of God is uncreated. God is not only essence, as the West thinks; He is also energy. If God was only essence, we could not unite with Him, could not commune with Him, because the essence of God is awesome and unapproachable for man, as was written: “Never will man see My face and live” (Exodus 33:20). Let us give a relevant example from things human. If we grasp a bare electric wire, we will die. However, if we connect a lamp to the same wire, we are illuminated. We see, enjoy, and are assisted by, the energy of electric current, but we are not able to grasp its essence. Let us say that something similar happens with the uncreated energy of God. If we were able to unite with the essence of God, we would become gods in essence. Then everything would become a god, and there would be confusion so that, essentially, nothing would be a god. In a few words, this is what they believe in the Oriental religions, e.g. in Hinduism, where the god is not a personal existence but an indistinct power dispersed through all the world, in men, in animals, and in objects (Pantheism). God, according to the Orthodox theological view, is One in a Trinity and a Trinity in One. As St. Maximus the Confessor, St. Dionysius the Areopagite, and other holy Fathers repeatedly say, God is filled with a divine eros, a divine love for His creatures. Because of this infinite and ecstatic love of His, He comes out of Himself and seeks to unite with them. This is expressed and realised as His energy, or better, His energies. With these, His uncreated energies, God created the world and continues to preserve it. He gives essence and substance to our world through His essence-creating energies; He illuminates man with His illuminating energies; He sanctifies him with His sanctifying energies. Finally, He deifies him with His deifying energies. Thus, through His uncreated energies holy God enters nature, the world, history, and human life.

According to the teachings of the Holy Bible and the Fathers of the Church, man is able to achieve Theosis because within the Orthodox Church of Christ the Grace of God is uncreated. God is not only essence, as the West thinks; He is also energy. If God was only essence, we could not unite with Him, could not commune with Him, because the essence of God is awesome and unapproachable for man, as was written: "Never will man see My face and live" (Exodus 33:20). Let us give a relevant example from things human. If we grasp a bare electric wire, we will die. However, if we connect a lamp to the same wire, we are illuminated. We see, enjoy, and are assisted by, the energy of electric current, but we are not able to grasp its essence. Let us say that something similar happens with the uncreated energy of God. If we were able to unite with the essence of God, we would become gods in essence. Then everything would become a god, and there would be confusion so that, essentially, nothing would be a god. In a few words, this is what they believe in the Oriental religions, e.g. in Hinduism, where the god is not a personal existence but an indistinct power dispersed through all the world, in men, in animals, and in objects (Pantheism).

one of the plagues that God sent on the Egyptians was lice. This was a plague in whose presence we were helpless. The lice were big and white, each with a black cross on its back. They feasted on us day and night. This was an enemy whom you had to fight—search and destroy. When I went to the bathroom at night I would see women standing near the electric lamp that gave off a faint light, searching for lice in their clothes. One would leave her position near the light, and immediately someone would take her place.

Parasols with miniature electric gas lamps atop them were all the rage. Hers had a pink light in it, which meant she belonged to a family that allowed its children to follow the quaint old practice of dating. White indicated that a girl’s family would arrange a courtship for her, and blue identified a married woman. Green stood for a woman who wasn’t keen on men at all, but whose head could be turned by the sight of a pretty skirt.

Smiles, smiles—what a curse smiles seemed to him! There was so much laughter in the house. But when they looked at him, it became a smile. Never, never did they laugh with him. Surely, then, he too must learn to smile. Rigid as ever, he turned on his back. And through his scarce-started tears, he looked up at the blurred electric lamp. And then he lay there, his mouth trembled and he learned to smile. It was an evil moment.

Two hours later, the drawing room converted, the costumes wrapped, the electric-kerosene lamps flickering in a semicircle at their feet, the performers enacted the thirty-minute ode to love and the Mediterranean, Home by the Sea. Miss Charming kept a ferocious grip on her script and gave oily air kisses to Colonel Andrews. Amelia was calm and sweet, melting into her dialogue with Captain East as though into his arms. Jane knelt beside Mr. Nobley, the wounded war captain, as he nearly died, and did her best to sound earnest. Old Jane would’ve run away or laughed self-consciously throughout. New Jane decided to feel as enchanting as Miss Charming and performed each line with relish and passion. It didn’t matter that she wasn’t a very good actress. Mr. Nobley’s character miraculously recovered all the same, leading to the part where he stood and took her hands. They were still cold. He paused, as though trying to remember what came next. He looked. Looked at her. At her and into her. Into her eyes as though he couldn’t bear to look away. And there was a delicious curl in his smile. “I love you,” he said. Zing, thought Jane. It was his line, more or less, though simplified. Stripped of similes and farms and rain and moon and all, it pierced her. She opened her mouth to say her own line but couldn’t remember a single word. And she didn’t want to. He leaned. She leaned. Then Aunt Saffronia, who’d been laughing encouragingly during the parts that were supposed to be sad and clapping gleefully whenever a new character came onstage, now cleared her throat as though intensely uncomfortable. Mr. Nobley hesitated, then kissed Jane’s cheek. His lips were warm, his cheek slightly scratchy. She smiled and breathed him in. At length, the six actors stood side by side, pretending the bright yellow wall of the drawing room opened to a view of the Mediterranean Sea, and said their closing lines. Jane: Trying to sound actress-y. “At last, we are all truly happy.” Miss Charming: Pause. Crinkling of paper. Frantic searching for line. “Indeed.” Amelia: With a shy smile for the tall man beside her. “Our travels are ended.” Captain East: With a manly smile for his lady. “We can rest peacefully in each other’s arms.” Colonel Andrews: As always, with panache! “And no matter where we may roam…” Mr. Nobley: A sigh. “This will always be our home.” His voice unhappy with the line. “By the sea.” And, silence as the audience waited for who knows what--a better ending line? A better play? Colonel Andrews cleared his throat, and Jane inclined her head in a hurried curtsy. “Oh,” Aunt Saffronia said and started the applause. The audience clapped enthusiastically and arhythmically, and the cast bowed, Miss Charming giggling. Jane squinted past the lamps to get her first good look at the audience, now that the play was over and stage fright couldn’t prickle her. Aunt Saffronia, beaming. Mrs. Wattlesbrook, looking for all the world like a proud schoolmarm. Matilda, bored, and a few other servants, equally bored.

He wirelessly lit over 200 lamps from a distance of over 25 miles, proving that electricity could be transmitted great distances through the air.

Curran’s hair fell to his shoulders. Long, blond, luxuriously wavy, it framed his face like a mane. He sat in a room in the Pack Keep, reading a battered paperback under a cone of electric light from a small lamp. He didn’t raise his head as Jim ushered me into the room and closed the door. Just me and the Beast Lord. And the night, spilling into the room through the wide-open window. Jim hadn’t said a word to me on the way over here. I was on thin ice. "What's the deal with the hair?" Curran tore his gaze from the book and grimaced. "Grows every flare. Can't help it." We stared at each other. "Waiting for the Fabio joke," he said.

Word slowly spread among Manhattan’s elite that a man of incomparable genius was digging ditches to survive. Sensing an opportunity, a band of wealthy investors eventually approached Tesla to develop an improved system of arc lighting. Although it wasn’t the ideal opportunity for Tesla, it beat shoveling dirt. Plus, the group was willing to finance the Tesla Electric Company, so Tesla agreed. As the proud owner of a new company, he immersed himself in the venture and developed a unique arc lamp of beautiful design and efficiency. Once

The minute he arrived at his own parents' house and was confronted by the smallness of the rooms, the old walls covered with dusty calendars, and passepartout pictures of animals, the electrical wires snaking and dangling loosely from the ceiling, the buzzing fluorescent lamp that never lit properly, transforming the house into a gloomy, dusty cubicle, he wanted to return to the city. He could not properly splice in movie landscapes here, because everything was too familiar, and because he was too connected with the droning quarrels.

But the events that transpired on those various dates did not throw the city of Moscow into upheaval. When the page was torn from the calendar, the bedroom windows did not suddenly shine with the light of a million electric lamps; that Fatherly gaze did not suddenly hang over every desk and appear in every dream; nor did the drivers of a hundred Black Marias turn the keys in their ignitions and fan out into the shadowy streets. For the launch of the First Five-Year Plan, Bukharin’s fall from grace, and the expansion of the Criminal Code to allow the arrest of anyone even countenancing dissension, these were only tidings, omens, underpinnings. And it would be a decade before their effects were fully felt. No.

Thomas Edison dreamed of a lamp that could be operated by electricity, began where he stood to put his dream into action, and despite more than ten thousand failures, he stood by that dream until he made it a physical reality. Practical dreamers do not quit!

Panhandle's residence was situated in a remote part of the country, and at this moment I have no clear recollection of the complicated journey, with its many changes at little-known junctions, which I had to make in order to find my friend. The residence stood in the midst of elevated woodlands, and was well hidden by the trees. An immense sky-sign, standing out high above all other objects and plainly visible to the traveller from whatever side he made his approach, had been erected on the roof. The sky-sign carried the legend "No Psychologists!" It turned with the wind, gyrating continually, and when darkness fell the letters were outlined in electric lamps. Only a blind man could miss the warning. This legend was repeated over the main entrance to the grounds, with the addition of the word "Beware!" I thought of mantraps and ferocious dogs, and for some minutes I stood before the gates, wondering if it would be safe for me to enter. At last, remembering how several friends had assured me that I was "no psychologist," I concluded that little harm awaited me, plucked up my courage, and boldly advanced. Beyond the gates I found the warning again repeated with a more emphatic truculence and a finer particularity. At intervals along the drive I saw notice-boards projecting from the barberries and the laurels, each with some new version of the original theme. "Death to the Psychology of Religion" were the words inscribed on one. The next was even more precise in its application, and ran as follows:— "Inquisitive psychologists take notice! Panhandle has a gun, And will not hesitate to shoot." Somewhat shaken I approached the front door and was startled to see a long, glittering thing suddenly thrust through an open window in the upper storey; and the man behind the weapon was unquestionably Panhandle himself. "Can it be," I said aloud, "that Panhandle has taken me for an inquisitive psychologist?" "Advance," cried my host, who had a keen ear for such undertones. "Advance and fear nothing." A moment later he grasped me warmly by the hand, "Welcome, dearest of friends," he was saying. "You have arrived at an opportune moment. The house is full of guests who are longing to meet you." "But, Panhandle," I expostulated as we stood on the doorstep, "I understood we were to be alone. I have come for one purpose only, that you might explain your familiarity with—with those people." I used this expression, rather than one more explicit, because the footman was still present, knowing from long experience how dangerous it is to speak plainly about metaphysical realities in the hearing of the proletariat. "Those very people are now awaiting you," said Panhandle, as he drew me into the library. "I will be quite frank with you at once. This house is haunted; and if on consideration you find your nerves unequal to an encounter with ghosts, you had better go back at once, for there is no telling how soon the apparitions will begin.

An incandescent lamp is made with a wire filament enclosed in a bulb without oxygen and glows as the filament is heated. Less than 10 percent of the electrical power into an incandescent light bulb is converted into light, and the rest is converted into heat. Lamps of this type are still used, but they are being replaced with fluorescent lights or light emitting diodes. The incandescent lamp therefore is a resistor that just happens to give out light. But what type of light? White light is measured by its color temperature in degrees Kelvin (K). Typically, when we look outside on a sunny clear day, the Sun along with the blue sky provides a color temperature of about 4,500 to 5,500 degrees Kelvin. As the sun starts to go down in the afternoon, the color temperature drops to about 3,000 to 4,000 degrees Kelvin. Finally as the sun sets, we can clearly perceive the sunlight with a yellow to red tint, which means the sun’s color temperature has dropped below 3,000 degrees Kelvin. Human eyes adapt to the color temperature for the most part from about 3,000 to 5,000 degrees Kelvin and perceive light in this range as “white,” albeit at 3,000 degrees Kelvin, it has a warm tone. A standard incandescent bulb for room lighting such as a 100 watt bulb provides light at about 2,700 degrees Kelvin, which provides warm white light. For studio or movie lighting, generally the color temperature is a bit whiter (between 3,200 and 3,500 degrees Kelvin, and sometimes up to 4,000 degrees Kelvin). Halogen lamps or white photoflood lamps provide light in this color temperature range. Incandescent lamps exceeding 4,000 degrees usually are specially made and they are often coated in blue. For standard low-power lamps such as flashlight bulbs or indicator lights, the color temperature is somewhere between 2,000 and 3,000 degrees Kelvin.

Dead bodies are so impersonal... 'The morgue had no electricity, just a kerosene lamp, and after some time I noticed that the flame was very low. As I was about to turn it up, it suddenly went out. I lit the lamp again, after extending the wick. I returned to the bench, but I had not been sitting there for long when the lamp again went out, and something moved very softly and quietly past me. 'I felt quite sick and faint, and could hear my heart pounding away. The strength had gone out of my legs, otherwise I would have fled from the room. I felt quite weak and helpless, unable even to call out..... 'Presently the footsteps came nearer and nearer. Something cold and icy touched one of my hands and felt its way up towards my neck and throat. It was behind me, then it was before me. Then it was over me. I was in the arms of the corpse! 'I must have fainted, because when I woke up I was on the floor, and my friend was trying to revive me. The corpse was back on the table.' 'It may have been a nightmare,' I suggested 'Or you allowed your imagination to run riot.' 'No,' said Mr Jacobs. 'There were wet, slimy marks on my clothes. And the feet of the corpse matched the wet footprints on the floor.' After

used to knit sweaters or mittens or scarves for Romanians. It was almost impossible to buy woolen winterstuff. The Romanians bought roughly spun wool from the peasants in the villages and had Jewish women like myself knit for them. Although it did not pay well, yet we needed that bit of money desperately. When I came back from work around six, I would eat and sit up till midnight knitting. Sometimes, the wool was so rough, it would cut into the skin and bloody my fingers. That winter, we had no electricity and the knitting was done by the light of an oil lamp.

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Pictures hung from the walls. There in effigy were Wilfred Laurier, Ernest Lapointe, Mackenzie King, and at the far end was a photograph of Cardinal Villeneuve, next to the image of the Sacred Heart. The heart of the statue was heated by electricity while its toes were warmed by a well-trimmed lamp. The image was painted red, for Providence is on the side of the Liberals.

Have we got any lamps? I've grown so accustomed to having electricity in the flat that I completely forgot.' 'All taken care of, my lady,' I said. 'Lamps, oil, candles, matches... all in that tea chest over there.' 'What would I do without you?' I thought for a moment. 'Starve to death, my lady. In the dark.

Lighting fixtures made of rustic scone of high quality. A perfect addition to any kitchen, dining room, bedroom, foyer, café, bar, or club.It is a metal shade; the lamp is a metal fixture; it is a corded electric lamp with a base of E27, 220V, 60 watts maximum - the bulbs are not included. Space requirement: 10 to 15 square meters

Selma always found letting others help her to be too much trouble. The worst part, she thought, was thanking them afterward. She would rather fall from an unstable ladder, get an electric shock from a lamp cable or an unelectrified shock from an engine cover, suffer lower back pain from carrying a heavy bag, or break through the floor in her apartment than accept assistance and have to express gratitude afterward.

A new spirit had taken hold of Eastern Europe by 1900. It might be most easily characterized as a violent disjuncture between the heart and the head. Materially, things had never been better. Europe was nearing the end of almost a half-century of (barely) interrupted peace. Most adults had never heard a shot fired in anger. That same half-century witnessed an unprecedented burst of economic growth and technical innovation. When steamships were dropping passengers off at Dereszewicze, citizens of Budapest were already riding the city's first underground metro line, which had opened in 1896. Cities, for the first time, were illuminated at night, something Eastern Europe took an unexpected lead in: Lviv was the first city to use modern kerosene lamps, and Timişoara, in present-day Romania, was the first city in Europe to be lilt by electricity. Railways now crisscrossed the continent, reaching even Janina's home in the forgotten Lithuanian hamlet of Bieniakonie. Grain from Ukraine flooded the American market, while wood from the remotest forests of Lithuania could be shipped all the way to Liverpool and beyond. Buoyed by these new connections, landowners grew suddenly and unexpectedly rich. . . . But however prosperous things might have seemed, spiritually there was a feeling of mounting crisis. Everywhere people put their trust in progress and scientific discovery, to the detriment of older faiths. In politics, nationalism still held sway -- indeed its influence had never been greater -- but in the arts, its primacy had begun to wane. The great national bards were still being celebrated, ut more as icons of struggle than as writers to be read. Young people especially craved something new.

It’s as if we have lamps but won’t plug them in because our ancestors believed electricity was spirit-made. Having lost belief in spirits, we sit in the dark. There’s no need. We have holidays and rituals, crafted like tungsten and glass for glowing. We have poems that buzz with electric charge. Let’s plug them in.

By addressing the building as an empty signifier (just as the Bauhaus lamp reveals the electrical wiring inside, so the Pompidou exposes its content and function according to a relationship that Baudrillard deems totally arbitrary), the Pompidou Centre is downgraded from architectural icon to hyper- functionalist failure.

THE DEPOT at Nochecita had smooth stuccoed apricot walls, trimmed in a somehow luminous shade of gray—around the railhead and its freight sheds and electrical and machine shops, the town had grown, houses and businesses painted vermilion, sage, and fawn, and towering at the end of the main street, a giant sporting establishment whose turquoise and crimson electric lamps were kept lit all night and daytime, too, for the place never closed. There was an icehouse and a billiard parlor, a wine room, a lunch and eating counter, gambling saloons and taquerías. In the part of town across the tracks from all that, Estrella Briggs, whom everybody called Stray, was living upstairs in what had been once the domestic palace of a mine owner from the days of the first great ore strikes around here, now a dimly illicit refuge for secret lives, dark and in places unrepainted wood rearing against a sky which since this morning had been threatening storm. Walkways in from the street were covered with corrugated snow-shed roofing. The restaurant and bar on the ground-floor corner had been there since the boom times, offering two-bit all-you-can-eat specials, sawdust on the floor, heavy-duty crockery, smells of steaks, chops, venison chili, coffee and beer and so on worked into the wood of the wall paneling, old trestle tables, bar and barstools. At all hours the place’d be racketing with gambling-hall workers on their breaks, big-hearted winners and bad losers, detectives, drummers, adventuresses, pigeons, and sharpers. A sunken chamber almost like a natatorium at some hot-springs resort, so cool and dim that you forgot after a while about the desert waiting out there to resume for you soon as you stepped back into it. . . .

But what produces such differences in taste? In my opinion it is this: we Orientals tend to seek our satisfactions in whatever surroundings we happen to find ourselves, to content ourselves with things as they are; and so darkness causes us no discontent, we resign ourselves to it as inevitable. If light is scarce then light is scarce; we will immerse ourselves in the darkness and there discover its own particular beauty. But the progressive Westerner is determined always to better his lot. From candle to oil lamp, oil lamp to gaslight, gaslight to electric light - his quest for a brighter light never ceases, he spares no pains to eradicate even the minutest of shadow.

Los Angeles was black, full dark no stars, hills everywhere. There were long stretches of road and sidewalks, on either side neon signs, overhead street-lamps, standing in protest to the overwhelming blackness of the night. The town's lighting seemed powerless against it. Houses were darkened, some hidden on back roads, behind gates and walled gardens. No one seemed to walk anywhere at night. And yet, the city seemed alive. Not like New York, not like a live wire, a town hopped up on electricity. Los Angeles was different, like a cobra in the grass, creeping, coiling onto itself in the night...

Until this night, this awful night, he’d had a little joke about himself. He didn’t know who he was, or where he’d come from, but he knew what he liked. And what he liked was all around him-the flower stands on the corners, the big steel and glass buildings filled with milky evening light, the trees, of course, the grass beneath his feet. And the telephones-it didn’t matter. He liked to figure them out, master them, then crush them into tiny hard multicolored balls which he could then juggle or toss through plate glass windows when nobody was about. He liked piano music, the motion pictures, and the poems he found in books. He also liked the automobiles that burnt oil from the earth like lamps. And the great jet planes that flew on the same scientific principles, above the clouds. He always stopped and listened to the people laughing and talking up there when one of the people laughing and talking up there when one of the planes flew overhead. Driving was an extraordinary pleasure. In a silver Mercedes-Benz, he had sped on smooth empty roads from Rome to Florence to Venice in one night. He also liked television-the entire electric process of it, with tiny bits of lights. How soothing it was to have the company of the television, the intimacy with so many artfully painted faces speaking to you in friendship from the glowing screen. The rock and roll, he liked that too. He liked the music. He liked the Vampire Lestat singing “Requiem for the Marquise”. He didn’t pay attention to the words much. It was the melancholy and the dark undertone of drums and cymbals. Made him want to dance. He liked the giant yellow machines that dug into the earth late at night in the big cities with men in uniforms, crawling all over them; he liked the double-decker buses of London, and the people-the clever mortals everywhere-he liked, too, of course. He liked walking in Damascus during the evening, and seeing in sudden flashes of disconnected memory the city of the ancients. Romans, Greeks, Persians, Egyptians in these streets. He liked the libraries where he could find photographs of ancient monuments in big smooth good-smelling books. He took his own photographs of the new cities around him and sometimes he could put images on those pictures which came from his thoughts. For example, in his photograph of Rome there were Roman people in tunics and sandals superimposed upon the modern versions in their thick ungraceful clothes. Oh, yes, much to like around him always-the violin music of Bartók, little girls in snow white dresses coming out of the church at midnight having sung at the Christmas mass. He liked the blood of his victims too, of course. That went without saying. It was no part of his little joke. Death was not funny to him. He stalked his prey in silence; he didn’t want to know his victims. All a mortal had to do was speak to him and he was turned away. Not proper, as he saw it, to talk to these sweet, soft-eyed things and then gobble their blood, break their bones and lick the marrow, squeeze their limbs to dripping pulp. And that was the way he feasted now, so violently. He felt no great need for blood anymore; but he wanted it. And the desire overpowered him in all its ravening purity, quite apart from the thirst. He could have feasted upon three or four mortals a night.