Shoot Yourself In The Foot Quotes

We've searched our database for all the quotes and captions related to Shoot Yourself In The Foot. Here they are! All 23 of them:

C makes it easy to shoot yourself in the foot; C++ makes it harder, but when you do it blows your whole leg off.
Bjarne Stroustrup
We wanted to be huge, but knew deep down we never would be. That's the punk mentality, always shooting yourself in the foot before even taking the first step.
Laura Jane Grace (Tranny: Confessions of Punk Rock's Most Infamous Anarchist Sellout)
Every time you say it is impossible, you shoot yourself in the foot
Bangambiki Habyarimana (Pearls Of Eternity)
Shooting yourself in the foot has the same effect whether you do it to get out of the army or to kill a mosquito on your shoe.
Scott Meyer (Out of Spite, Out of Mind (Magic 2.0 Book 5))
Anyway,” the agent said abruptly. “I just . . . wanted you to know that I’m sorry for everything. I want to help you and the rest of the Order in any way I can, so if there is anything you need, you know where I am.” “Chase,” Dante said as the male turned to leave the room. “Apology accepted, man. And for what it’s worth, I’m sorry too. I haven’t been fair to you either. Despite our differences, know that I respect you. The Agency lost a good one the day they cut you loose.” Chase’s smile was crooked as he acknowledged the praise with a short nod. Dante cleared his throat. “And about that offer of help . . .” “Name it.” “Tess was walking a dog when the Rogues attacked her tonight. Ugly little mutt, not good for much more than a foot-warmer, but it’s special to her. Actually, it was a gift from me, more or less. Anyway, the dog was running loose on its leash when I saw it a block or so away from Ben Sullivan’s place.” “You want me to go retrieve a wayward canine, is that where this is heading?” “Well, you did say anything, didn’t you?” “So I did.” Chase chuckled. “All right. I will.” Dante dug his keys to his Porsche out of his pocket and tossed them to the other vampire. As Chase turned to be on his way again, Dante added, “The little beast answers to the name Harvard, by the way.” “Harvard,” Chase drawled, shaking his head and throwing a smirk in Dante’s direction. “I don’t suppose that’s a coincidence.” Dante shrugged. “Good to see that Ivy League pedigree of yours comes in handy for something.” “Jesus Christ, warrior. You really were busting my ass since the minute I came on board, weren’t you?” “Hey, by all comparisons, I was kind. Do yourself a favor and don’t look too closely at Niko’s shooting target, unless you’re very secure about your manhood.” “Assholes,” Chase muttered, but there was only humor in his tone. “Sit tight, and I’ll be back in a few with your mutt. Anything else you’re gonna hit me up for now that I opened my big yap about wanting to get square with you?” “Actually, there might be something else,” Dante replied, his thoughts going sober when he considered Tess and any kind of future that might be deserving of her. “But we can talk about that when you get back, yeah?” Chase nodded, catching on to the turn in mood. “Yeah. Sure we can.
Lara Adrian (Kiss of Crimson (Midnight Breed, #2))
Who’s teasing? I’m telling him the truth. He ain’t going to have it. Neither one of ‘em going to have it. And I’ll tell you something else you not going to have. You not going to have no private coach with four red velvet chairs that swivel around in one place whenever you want ‘em to. No. and you not going to have your own special toilet and your own special-made eight-foot bed either. And a valet and a cook and a secretary to travel with you and do everything you say. Everything: get the right temperature in your hot-water bottle and make sure the smoking tobacco in the silver humidor is fresh each and every day. There’s something else you not going to have. You ever have five thousand dollars of cold cash money in your pocket and walk into a bank and tell the bank man you want such and such a house on such and such a street and he sell it to you right then? Well, you won’t ever have it. And you not going to have a governor’s mansion, or eight thousand acres of timber to sell. And you not going to have no ship under your command to sail on, no train to run, and you can join the 332nd if you want to and shoot down a thousand German planes all by yourself and land in Hitler’s backyard and whip him with your own hands, but you never going to have four stars on your shirt front, or even three. And you not going to have no breakfast tray brought in to you early in the morning with a red rose on it and two warm croissants and a cup of hot chocolate. Nope. Never. And no pheasant buried in coconut leaves for twenty days and stuffed with wild rice and cooked over a wood fire so tender and delicate it make you cry. And no Rothschild ’29 or even Beaujolais to go with it.” A few men passing by stopped to listen to Tommy’s lecture. “What’s going on?” they asked Hospital Tommy. “Feather refused them a beer,” said. The men laughed. “And no baked Alaska!” Railroad Tommy went on. “None! You never going to have that.” “No baked Alaska?” Guitar opened his eyes wide with horror and grabbed his throat.” You breaking my heart!” “Well, now. That’s something you will have—a broken heart.” Railroad Tommy’s eyes softened, but the merriment in them died suddenly. “And folly. A whole lot of folly. You can count on it.” “Mr. Tommy, suh,” Guitar sang in mock humility, “we just wanted a bottle of beer is all.” “Yeah,” said Tommy. “Yeah, well, welcome aboard.
Toni Morrison (Song of Solomon)
Whenever I arrive in my garden, I Make The Tour. Is this a personal idiosyncrasy, or do all good gardeners do it? It would be interesting to know. By Making The Tour, I mean only that I step from the front window, turn to the right, and make an infinitely detailed examination of every foot of ground, every shrub and tree, walking always over an appointed course. There are certain very definite rules to be observed when you are Making The Tour. The chief rule is that you must never take anything out of its order. You may be longing to see if a crocus has come out in the orchard, but it is strictly forbidden to look before you have inspected all the various beds, bushes and trees that lead up to the orchard. You must not look at the bed ahead before you have finished with the bed immediately in front of you. You may see, out of the corner of your eye, a gleam of strange and unsuspected scarlet in the next bed but one, but you must steel yourself against rushing to this exciting blaze, and you must stare with cool eyes at the earth in front, which is apparently blank, until you have made certain that it is not hiding anything. Otherwise you will find that you rush wildly round the garden, discover one or two sensational events, and then decide that nothing else has happened. Which means that you miss all the thrill of tiny shoots, the first lifting of the lids of wallflowers, the first precious gold of the witch-hazel, the early spear of the snowdrop.
Beverley Nichols (Down the Garden Path (Allways trilogy, #1))
Speaking of shooting, my lady,” Mr. Pinter said as he came around the table, “I looked over your pistol as you requested. Everything seems to be in order.” Removing it from his coat pocket, he handed it to her, a hint of humor in his gaze. As several pair of male eyes fixed on her, she colored. To hide her embarrassment, she made a great show of examining her gun. He’d cleaned it thoroughly, which she grudgingly admitted was rather nice of him. “What a cunning little weapon,” the viscount said and reached for it. “May I?” She handed him the pistol. “How tiny it is,” he exclaimed. “It’s a lady’s pocket pistol,” she told him as he examined it. Oliver frowned at her. “When did you acquire a pocket pistol, Celia?” “A little while ago,” she said blithely. Gabe grinned. “You may not know this, Basto, but my sister is something of a sharpshooter. I daresay she has a bigger collection of guns than Oliver.” “Not bigger,” she said. “Finer perhaps, but I’m choosy about my firearms.” “She has beaten us all at some time or another at target shooting,” the duke said dryly. “The lady could probably hit a fly at fifty paces.” “Don’t be silly,” she said with a grin. “A beetle perhaps, but not a fly.” The minute the words were out of her mouth, she could have kicked herself. Females did not boast of their shooting-not if they wanted to snag husbands. “You should come shooting with us,” Oliver said. “Why not?” The last thing she needed was to beat her suitors at shooting. The viscount in particular would take it very ill. She suspected that Portuguese men preferred their women to be wilting flowers. “No thank you,” she said. “Target shooting is one thing, but I don’t like hunting birds.” “Suit yourself,” Gabe said, clearly happy to make it a gentlemen-only outing, though he knew perfectly well that hunting birds didn’t bother her. “Come now, Lady Celia,” Lord Devonmont said. “You were eating partridges at supper last night. How can you quibble about shooting birds?” “If she doesn’t want to go, let her stay,” Gabe put in. “It’s not shooting birds she has an objection to,” Mr. Pinter said in a taunting voice. “Her ladyship just can’t hit a moving target.” She bit back a hot retort. Don’t scare off the suitors. “That’s ridiculous, Pinter,” Gabe said. “I’ve seen Celia-ow! What the devil, Oliver? You stepped on my foot!” “Sorry, old chap, you were in the way,” Oliver said as he went to the table. “I think Pinter’s right, though. Celia can’t hit a moving target.” “Oh, for heaven’s sake,” she protested, “I most certainly can hit a moving target! Just because I choose not to for the sake of the poor, helpless birds-“ “Convenient, isn’t it, her sudden dislike of shooting ‘poor, helpless birds’?” Mr. Pinter said with a smug glance at Lord Devonmont. “Convenient, indeed,” Lord Devonmont agreed. “But not surprising. Women don’t have the same ability to follow a bird in flight that a man-“ “That’s nonsense, and you know it!” Celia jumped to her feet. “I can shoot a pigeon or a grouse on the wing as well as any man here.” “Sounds like a challenge to me,” Oliver said. “What do you think, Pinter?” “A definite challenge, sir.” Mr. Pinter was staring at her with what looked like satisfaction. Blast it all, had that been his purpose-to goad her into it? Oh, what did it matter? She couldn’t let a claim like this or Lord Devonmont’s stand. “Fine. I’ll join you gentlemen for the shooting.” “Then I propose that whoever bags the most birds gets to kiss the lady,” Lord Devonmont said with a gleam in his eye. “That’s not much of a prize for me,” Gabe grumbled. She planted her hands on her hips. “And what if I bag the most birds?” “Then you get to shoot whomever you wish,” Mr. Pinter drawled. As the others laughed, Celia glared at him. He was certainly enjoying himself, the wretch. “I’d be careful if I were you, Mr. Pinter. That person would most likely be you.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
Shared memory could reasonably be called the GOTO of our time: it’s the current mainstream technique for process communication; it has been so for a long, long time; and just like programming with GOTO, there are numerous ways to shoot yourself in the foot. This has imbued generations of engineers with a deep fear of concurrency (and those who don’t fear it haven’t tried it yet). Still, we must admit that like GOTO, there is a low-level niche for shared memory where it probably can’t be replaced.
Anonymous
Dannon was there, thirty feet away, pinned by the dazzling light like a frog on a tenth-grader’s dissection tray. Unlike those frogs . . . Jenkins shouted, “Freeze, freeze or we’ll shoot.” . . . Unlike those frogs, Dannon leaped sideways back into the swamp reeds and then, scrambling on his hands and knees, still clinging to his pistol, began running mindlessly through the brush. The cops all turned on their lights and played them through the brush, and caught flashes of Dannon, the movement of the swamp weeds and brush as he tore through them, and Lucas shouted, “Jenkins, Shrake, Del, go after him, take care, take care . . .” Lucas turned and in the light of his own flash, ran back up the dirt track toward the gravel road, pulled his handset and said, “Sarah, Jane, he’s coming right at you. Watch out, watch out, he’s on foot, I think he’s coming for the road. . . .” •   •   • NOTHING AT ALL WENT through Dannon’s head. He’d had some escape and evasion classes, and one of the basics was simply to put distance between yourself and your pursuer. Distance was always good; distance gave you options. He didn’t think about it, though, he just ran, fast and as hard as he could, and he was in good shape. Good shape or not, he fell three or four times—he wasn’t counting—and the small shrub and grasses tore at him and tried to catch his feet; he went knee-deep into a watery hole, pulled free, and ran on, looking back once. He was out of the light, now, he was gaining on them, he was almost there . . . And he broke free into the road. He couldn’t see it, except as a kind of dark channel in front of him. The lights were now a hundred yards back, but still coming, and he ran down the dark channel. When he got far enough out front, he’d cut across country again, and then maybe turn down toward the river. . . . He ran a hundred yards down the channel, heedless of the sounds of his footfalls, breathing hard. . . . •   •   • LUCAS WAS ON THE ROAD, moving faster than Dannon, but at the wrong angle—Dannon, though in the swamp, was cutting diagonally across the right angle of the gravel road and the dirt track. Lucas could tell more or less where he was because of the brilliant lights of the cops behind him, and the sound of Dannon’s thrashing in the brush. Then the thrashing stopped, and Lucas stopped, trying to figure out where he’d gone.
John Sandford (Silken Prey (Lucas Davenport #23))
I needed to grab another box of screws, but, when I got to the truck, I realized I’d left my wallet in my tool bucket. When I went back ground the house to get it, she had my plans open and was double-checking all my measurements.” Emma’s cheeks burned when Gram laughed at Sean’s story, but, since she couldn’t deny it, she stuck her last bite of the fabulous steak he’d grilled into her mouth. “That’s my Emma,” Gram said. “I think her first words were ‘If you want something done right, do it yourself.’” “In my defense,” she said when she’d swallowed, pointing her fork at Sean for emphasis, “my name is on the truck, and being able to pound nails doesn’t make you a builder. I have a responsibility to my clients to make sure they get quality work.” “I do quality work.” “I know you build a quality deck, but stairs are tricky.” She smiled sweetly at him. “I had to double-check.” “It’s all done but the seating now and it’s good work, even though I practically had to duct tape you to a tree in order to work in peace.” She might have taken offense at his words if not for the fact he was playing footsie with her under the table. And when he nudged her foot to get her to look at him, he winked in that way that—along with the grin—made it almost impossible for her to be mad at him. “It’s Sean’s turn to wash tonight. Emma, you dry and I’ll put away.” “I’ll wash, Gram. Sean can dry.” “I can wash,” Sean told her. “The world won’t come to an end if I wash the silverware before the cups.” “It makes me twitch.” “I know it does. That’s why I do it.” He leaned over and kissed her before she could protest. “That new undercover-cop show I like is on tonight,” Gram said as they cleared the table. “Maybe Sean won’t snort his way through this episode.” He laughed and started filling the sink with hot, soapy water. “I’m sorry, but if he keeps shoving his gun in his waistband like that, he’s going to shoot his…he’s going to shoot himself in a place men don’t want to be shot.” Emma watched him dump the plates and silverware into the water—while three coffee mugs sat on the counter waiting to be washed—but forced herself to ignore it. “Can’t be worse than the movie the other night.” “That was just stupid,” Sean said while Gram laughed. They’d tried to watch a military-action movie and by the time they were fifteen minutes in, she thought they were going to have to medicate Sean if they wanted to see the end. After a particularly heated lecture about what helicopters could and couldn’t do, Emma had hushed him, but he’d still snorted so often in derision she was surprised he hadn’t done permanent damage to his sinuses. “I don’t want you to think that’s real life,” he told them. “I promise,” Gram said, “if I ever want to use a tank to break somebody out of a federal prison, I’ll ask you how to do it correctly first.” Sean kissed the top of her head. “Thanks, Cat. At least you appreciate me, unlike Emma, who just tells me to shut up.” “I’d appreciate you more if there wasn’t salad dressing floating in the dishwater you’re about to wash my coffee cup in.” “According to the official guy’s handbook, if I keep doing it wrong, you’re supposed to let me watch SportsCenter while you do it yourself.” “Did the official guy’s handbook also tell you that if that happens, you’ll also be free to watch the late-night sports show while I do other things myself?
Shannon Stacey (Yours to Keep (Kowalski Family, #3))
People fail for the most part because they shoot themselves in the foot. If you go for a long time without shooting yourself in the foot, other people start calling you a genius.
Jim Paul (What I Learned Losing a Million Dollars)
When the basic problem is your ignorance, clever strategies for bypassing your ignorance lead to shooting yourself in the foot.
Eliezer Yudkowsky (Rationality: From AI to Zombies)
Every company’s supply chain should be its ultimate competitive weapon—not the gun with which you shoot yourself in the foot.
Steven J. Bowen (Total Value Optimization: Transforming Your Global Supply Chain Into a Competitive Weapon)
Forget about registering guns, register six-packs. Each can of beer takes you closer to shooting yourself in the foot.
Denise Swanson (Murder of a Sweet Old Lady (A Scumble River Mystery, #2))
Life isn’t fair. But if you use the unfairness of life as an excuse to have a victim mindset, to stop yourself from striving to achieve your goals, to make your dreams a reality, then you’re only shooting yourself in the foot.
Ash Ali
Your belly button is important for leg sweeps. Every sweep, throw, or takedown you have ever seen involves either removing a supporting foot (leaving the center of mass far away from the only remaining support) or shifting the center of mass away from the supporting feet in such a way as to make it difficult or impossible to move the feet back under the center of mass. The fact that we can describe all takedowns so succinctly means we can also boil all of their complexity down to simple concepts. Anytime you practice a sweep, throw, or takedown, ask yourself these two questions: Q1: How are you putting your opponent’s center of mass in a position where it is unsupported? Q2: Why is it that your opponent cannot just reposition his feet in time to save himself? If you can answer those two questions, you are on your way to developing a deep understanding and mastery of the technique. Alternatively, if you find yourself on the receiving end of a takedown, it would be to your advantage to understand the answers to these questions as well, so you can do your best to keep your opponent from putting you on the floor. Let’s look at a simple example here, so when it comes time for you to answer these questions yourself, you have somewhere to start. The simplest and perhaps most effective takedown we see in the ring today is the wrestler’s favorite: get low and shoot the legs. There are, of course, many variations and many subtleties to the technique, but for now, we will stick to the basics. Q1: How are you putting your opponent’s center of mass in a position where it is unsupported? A1: Your shoulder is pushing your opponent’s center of mass behind and possibly to the side of his supporting feet as you charge in. Q2: Why is it that your opponent cannot just reposition his feet in time to save himself? A2: Getting a hand behind one or both knees will assure you your opponent is not capable of recovery as you advance. While focusing on these questions will not grant you immediate mastery of the technique, it will get you started thinking like a scientist when it comes to takedowns, and over time, the “magic” behind them will start to seem more and more like common sense.
Jason Thalken (Fight Like a Physicist: The Incredible Science Behind Martial Arts (Martial Science))
Most of the Gen X and Gen Z rebel and question their parents for everything. and most of them live with their parent, and that's why they vote for democrats! But I bet you when you will find out that Democrats support tax on wealth, that mean they want sum of the money that your grandparents, parents, or loved once left behind to you! And also when you start paying you own bills. You will realize that everytime you voted for liberals you been shooting yourself on the foot! I'm pretty sure you will #WalkAway from the liberals like I did after 25 yrs of being Democrat, and voted for conservatives. Being born and raised in a communist I can tell you life it's much easier under a capitalist system than under communist system, because when it come to work you can't say no to communist dictator, and if you do they will send you in a labour camp. And under the capitalist/Market system you can chose to work for them or not, you can work for yourself work as much or as less you want
Zybejta "Beta" Metani' Marashi
I derive an important real-life lesson: When the basic problem is your ignorance, clever strategies for bypassing your ignorance lead to shooting yourself in the foot.
Eliezer Yudkowsky (Rationality: From AI to Zombies)
The obvious signs of a brand gone wrong are the levels of negative headlines it consistently attracts. People talking about you for all the negative and wrong reasons. You begin to shoot yourself in the foot and you have become your own enemy. The gospel about you should be good enough to create relevance and significance - or rather to confirm that.
Archibald Marwizi (Making Success Deliberate)
Mister, I understand why you hate Indians and Tories so.” “Well now, you’re a fair-minded duchess. Just been led astray, I reckon.” “But Rising Hawk was only a baby when those terrible things happened. You can’t blame him.” “A Indian’s a Indian, sis. I seen firsthand what they’re capable of. Don’t try and fool yourself. It comes natural to them. That fella’s done plenty of evil.” “No, he hasn’t. He’s probably the kindest human being I’ve ever known, excepting Polly Gunn.” Lawson’s face softened a little at the mention of Polly. Nonetheless, he took her arm in silence and made her walk on. “Please, please let me go. Even if he isn’t bleeding now, he’s sick and weak, and what happens if a bear or a panther finds him there?” “Then that’ll be one less savage to worry about.” “Let me go! You have no rights over me. You’re probably breaking the law. You broke the law shooting Rising Hawk. That was no accident, was it? You shot him on purpose.” She twisted suddenly and bit the filthy hand holding her. She ran and was off the road and deep into a pine grove before he caught up and knocked her to the ground. He had his foot on her back before she knew she was down. “I oughta knock your teeth out for that. I will, if you try that again, you little hellcat. And don’t talk to me about no damn law. I know all about rights. Here’s rights for you. I’m bigger than you, I run faster than you, and I got a gun. Them’s my rights.” Despite her pain and fatigue, Livy struggled furiously to get up. But he held her down until the rage passed out of her and she lay still. Then he let her up and tied her hands again, preaching all the while. “What you do not understand, child, is that a white woman who lives with savages of her own volition is lower than one of them Indian girls. And a white woman who breeds with them is lower than a whore even. You are a nice little girl and too young to know the damage you are doing. I am saving you from yourself.
Betsy Urban (Waiting for Deliverance)
Your nightmares need only you to unfold." - On Shooting Yourself on the Foot
Lamine Pearlheart (The Sunrise Scrolls: To Life from the Shadows II)
He was in Hell's Kitchen . . . I never got out of here. I never got out. I surrendered to the grocery man-to the deck hands on the ferryboat-to the owner of the poolroom. You don't run things around here. You've never run things anywhere, Gail Wynand. You've only added yourself to the things they ran. Then he looked up, across the city, to the shapes of the great skyscrapers. He saw a string of lights rising unsupported in black space, a glowing pinnacle anchored to nothing, a small, brilliant square hanging detached in the sky. He knew the famous buildings to which these belonged, he could reconstruct their forms in space. He thought, you're my judges and witnesses. You rise, unhindered, above the sagging roofs. You shoot your gracious tension to the stars, out of the slack, the tired, the accidental. The eyes one mile out on the ocean will see none of this and none of this will matter, but you will be the presence and the city. As down the centuries, a few men stand in lonely rectitude that we may look and say, there is a human race behind us. One can't escape from you; the streets change, but one looks up and there you stand, unchanged. You have seen me walking through the streets tonight. You have seen all my steps and all my years. It's you that I've betrayed. For I was born to be one of you. . . He stopped. He saw a paper spread out in the gutter before him, front page up. It was the Banner. He saw Roark's picture. He saw the gray print of a rubber heel across Roark's face. He bent, his body folding itself down slowly, with both knees, both arms, and picked up the paper. He folded the front page and put it in his pocket. He walked on. An unknown rubber heel, somewhere in the city, on an unknown foot that I released to march. I released them all. I made every one of those who destroyed me. There is a beast on earth, dammed safely by its own impotence. I broke the dam. They would have remained helpless. They can produce nothing. I gave them the weapon. I gave them my strength, my energy, my living power. I created a great voice and let them dictate the words. The woman who threw the beet leaves in my face had a right to do it. I made it possible for her. Anything may be betrayed, anyone may be forgiven. But not those who lack the courage of their own greatness. Alvah Scarret can be forgiven. He had nothing to betray. Mitchell Layton can be forgiven. But not I. I was not born to be a second-hander.
Ayn Rand (The Fountainhead)