Pointed Toes Quotes

We've searched our database for all the quotes and captions related to Pointed Toes. Here they are! All 100 of them:

A sleepy smile pulled at my lips as I rolled onto my stomach, stretching my legs out and pointing my toes. The sheets slipped over my bare skin and ended up somewhere at the foot of my bed. There was either a perverted ghost in my bedroom or Cam was wide awake.
J. Lynn (Wait for You (Wait for You, #1))
The love a parent feels for a child is strange. There is a starting point to our love for everyone else, but not this person. This one we have always loved, we loved them before they even existed. No matter how well prepared they are, all moms and dads experience a moment of total shock, when the tidal wave of feelings first washed through them, knocking them off their feet. It's incomprehensible because there's nothing to compare it to. It's like trying to describe sand between your toes or snowflakes on your tongue to someone who's lived their whole life in a dark room. It sends the soul flying.
Fredrik Backman (Beartown (Beartown, #1))
Although this scouting gig sounded like a financial hit, it made Nonie extremely nervous. She feared someone slip--that someone being Buggy--and others would find out Nonie's secret. And if the wrong person caught wind that she could see and speak to the dead, word would spread through Clay Point like ants at a picnic.
Deborah Leblanc (Toe to Toe (Nonie Broussard Ghost Tracker Series))
People should be left to believe what they like, so long as they harm no one else. Apart from normal expectations of politeness, it is not however clear why people should require their personal beliefs to be treated with special sensitivity by others, to the point that if others fail to tip-toe respectfully around them they will start throwing bombs.
A.C. Grayling
You'll want all your strength for the wedding night." I cannot think why I should need strength," she said, ignoring a host of spine-tingling images rising in her mind's eye. "All I have to do is lie there." "Naked," he said grimly. "Truly?" She shot him a glance from under her lashes. "Well, if I must, I must, for you have the advantage of experience in these matters. Still, I do wish you'd told me sooner. I should not have put the modiste to so much trouble about the negligee." "The what?" "It was ghastly expensive," she said, "but the silk is as fine as gossamer, and the eyelet work about the neckline is exquisite. Aunt Louisa was horrified. She said only Cyprians wear such things, and it leaves nothing to the imagination." Jessica heard him suck in his breath, felt the muscular thigh tense against hers. "But if it were left to Aunt Louisa," she went on,"I should be covered from my chin to my toes in thick cotton ruffled with monstrosities with little bows and rosebuds. Which is absurd, when an evening gown reveals far more, not to mention--" "What color?" he asked. His low voice had roughened. "Wine red," she said, "With narrow black ribbons threaded through the neckline. Here." She traced a plunging U over her bosom. "And there's the loveliest openwork over my...well, here." She drew her finger over the curve of her breast a bare inch above the nipple. "And openwork on the right side of the skirt. From here" --she pointed to her hip--"down to the hem. And I bought---" "Jess." Her name was a strangled whisper. "--slippers to match," she continued." Black mules with--" "Jess." In one furious flurry of motion he threw down the reins and hauled her into his lap.
Loretta Chase (Lord of Scoundrels (Scoundrels, #3))
When we start being too impressed by the results of our work, we slowly come to the erroneous conviction that life is one large scoreboard where someone is listing the points to measure our worth. And before we are fully aware of it, we have sold our soul to the many grade-givers. That means we are not only in the world, but also of the world. Then we become what the world makes us. We are intelligent because someone gives us a high grade. We are helpful because someone says thanks. We are likable because someone likes us. And we are important because someone considers us indispensable. In short, we are worthwhile because we have successes. And the more we allow our accomplishments — the results of our actions — to become the criteria of our self-esteem, the more we are going to walk on our mental and spiritual toes, never sure if we will be able to live up to the expectations which we created by our last successes. In many people’s lives, there is a nearly diabolic chain in which their anxieties grow according to their successes. This dark power has driven many of the greatest artists into self-destruction.
Henri J.M. Nouwen (Out of Solitude: Three Meditations on the Christian Life)
LONDON. Michaelmas Term lately over, and the Lord Chancellor sitting in Lincoln’s Inn Hall. Implacable November weather. As much mud in the streets as if the waters had but newly retired from the face of the earth, and it would not be wonderful to meet a Megalosaurus, forty feet long or so, waddling like an elephantine lizard up Holborn Hill. Smoke lowering down from chimney-pots, making a soft black drizzle, with flakes of soot in it as big as full-grown snow-flakes — gone into mourning, one might imagine, for the death of the sun. Dogs, undistinguishable in mire. Horses, scarcely better; splashed to their very blinkers. Foot passengers, jostling one another’s umbrellas in a general infection of ill-temper, and losing their foot-hold at street-corners, where tens of thousands of other foot passengers have been slipping and sliding since the day broke (if the day ever broke), adding new deposits to the crust upon crust of mud, sticking at those points tenaciously to the pavement, and accumulating at compound interest. Fog everywhere. Fog up the river, where it flows among green aits and meadows; fog down the river, where it rolls defiled among the tiers of shipping and the waterside pollutions of a great (and dirty) city. Fog on the Essex marshes, fog on the Kentish heights. Fog creeping into the cabooses of collier-brigs; fog lying out on the yards, and hovering in the rigging of great ships; fog drooping on the gunwales of barges and small boats. Fog in the eyes and throats of ancient Greenwich pensioners, wheezing by the firesides of their wards; fog in the stem and bowl of the afternoon pipe of the wrathful skipper, down in his close cabin; fog cruelly pinching the toes and fingers of his shivering little ’prentice boy on deck. Chance people on the bridges peeping over the parapets into a nether sky of fog, with fog all round them, as if they were up in a balloon, and hanging in the misty clouds. Gas looming through the fog in divers places in the streets, much as the sun may, from the spongey fields, be seen to loom by husbandman and ploughboy. Most of the shops lighted two hours before their time — as the gas seems to know, for it has a haggard and unwilling look. The raw afternoon is rawest, and the dense fog is densest, and the muddy streets are muddiest near that leaden-headed old obstruction, appropriate ornament for the threshold of a leaden-headed old corporation, Temple Bar. And hard by Temple Bar, in Lincoln’s Inn Hall, at the very heart of the fog, sits the Lord High Chancellor in his High Court of Chancery.
Charles Dickens (Bleak House)
I see the first flicker of warmth in his eyes, and I understand something then. At some point, if I continued using dark power and went fully dark— I’d join you in hell. Black eyes flash crimson. And I’d prefer not to. So, toe the motherfucking line, and don’t make me cross it, Ms. Lane.
Karen Marie Moning (Kingdom of Shadow and Light (Fever, #11))
Brad (Lauren's ex) ignored Hayley (she's Brad's ex girlfriend) and looked at me, he did a top to toe and back again then his gaze moved to Tate. "I'm here to tell you I'm suing you," he announced. Jim-Billy, Nadine, Steg, Wing and my eyes moved to Tate. Tate stared at Brad then he said, "Come again?" "I'm suing you," Brad repeated. "For what?" Tate asked. "Alienation of affection," Brad answered. Without hesitation, Tate threw his head back and burst out laughing. Then he looked at me and remarked, "You're right, babe, this is fun." Ignoring Tate's comment, Brad declared, "You stole my wife." Tate looked back at Brad. "Yeah, bud, I did." Brad pointed at Tate and his voice was raised when he proclaimed, "See? You admit it." He threw his arm out. "I have witnesses." "Not that any judge'll hear your case, seein' as Lauren divorced your ass before I alienated her affection, but you manage it, I'll pay the fine. In the meantime, I'll keep alienating her affection. You should know, and feel free to share it with your lawyers," Tate continued magnanimously, "schedule's comin' out mornin' and night. Usually, in the mornin', she sucks me off or I make her come in the shower. Night, man…shit, that's even better. Definitely worth the fine." Sorry, it's just too long; I have to cut it off. But it continues…like that: "This is the good life?" (Brad) "Part of it," Tate replied instantly, taking his fists from the bar, leaning into his forearms and asking softly, in a tone meant both to challenge and provoke, "She ever ignite, lose so much control she'd attack you? Climb on top and fuck you so hard she can't breathe?" I watched Brad suffer that blow because I hadn't, not even close. We'd had good sex but not that good and Brad was extremely proud of his sexual prowess. He was convinced he was the best. And he knew, with Tate's words, he was wrong. "Jesus, you're disgusting," Brad muttered, calling up revulsion to save face. "She does that to me," Tate continued. "Fuck off," Brad snapped. "All the fuckin' time," Tate pushed. "Fuck off," Brad repeated. "It's fuckin' magnificent," Tate declared. "Thanks, honey," I whispered and grinned at him when his eyes came to me. I was actually expressing gratitude, although embarrassed by his conversation, but I was also kind of joking to get in Brad's face. Tate wasn't. His expression was serious when he said, "You are, Ace. Fuckin' magnificent.
Kristen Ashley (Sweet Dreams (Colorado Mountain, #2))
We've done so much together, wherever I go and whatever I see, I think of you. Newborn babies; the pattern on the plate that you can see under a paper-thin slice of sashimi; fireworks in August. The moon hidden behind the clouds over the ocean at night. When I'm sitting down someplace, inadvertently stepping on someone's toes, and have to apologize. And when someone picks up something I've dropped, and I thank him. When I see an elderly man tottering along,and wonder how much longer he has to live. Dogs and cats peeking out from alleyways. A beautiful view from a tall building. The warm blast of air you feel when you go down into a subway station. The phone ringing in the middle of the night. Even when I have crushes on other men, I always see you in the curve of their eyebrows." "Yet I must remain calm, detached. It's a little like trying to ignore a plate of delicious food when you're really hungry. When it beckons you, there's no problem with enjoying the aroma and appreciating it with your eyes, but at some point you have to separate yourself and realize, like a professional waiter does, that it's not your own. It's my job to ignore those plates heaped with delicious morsels and just carry them where they need to go.
Banana Yoshimoto
Come on, Fishlegs,” whispered Camicazi, whistling happily. “You know we have to do this. Besides, I feel like a bit of exercise. We’ve been cooped up in that hideout for way too long.” Frankly, at this point, Camicazi had grown so fed up that if Hiccup had suggested hang gliding off the toe-talons of the dragon Furious she’d have been up for it. “A bit of exercise?” blustered Fishlegs. “A bit of exercise? This is not some kind of Viking version of Girls Keep Fit!
Cressida Cowell (How to Betray a Dragon's Hero (How to Train Your Dragon, #11))
Empress of the Universe would be way too much work. I'd have to wear fancy clothes, probably including lady shoes with pointed toes, and could no longer slouch into the study in PJs and slippers. Someone would (avert!) straighten my desk. Someone would reorganize my yarn stash...in fact, they'd assign someone else to knit my socks, thus depriving me of an excuse to rest my brain while pretending to accomplish something useful.
Elizabeth Moon
Images flash through my mind of back-arching, toe-pointing, sheet-gripping sex that no doubt would be as dominating as his kiss.
K. Bromberg (Driven (Driven, #1))
Ranger released my ponytail but kept a hand on my neck. I tried to act calm, but his touch was humming through me all the way to my toes and points in between.
Janet Evanovich (Seven Up (Stephanie Plum, #7))
What are you doing?” Percy asked. “Sending a message,” Annabeth said. “I just hope Rachel gets it.” “Rachel?” Percy asked. “You mean our Rachel? Oracle of Delphi Rachel?” “That’s the one.” Annabeth suppressed a smile. Whenever she brought up Rachel’s name, Percy got nervous. At one point, Rachel had been interested in dating Percy. That was ancient history. Rachel and Annabeth were good friends now. But Annabeth didn’t mind making Percy a little uneasy. You had to keep your boyfriend on his toes.
Rick Riordan (The House of Hades (The Heroes of Olympus, #4))
It was that spark. That damnable spark that never seemed to dim between them. That awful prickle of awareness that burned every time she entered a room, or took a breath, or pointed a toe. That sinking feeling that he could, if he let himself, love her.
Julia Quinn (The Viscount Who Loved Me (Bridgertons, #2))
These were strange caricatures of human beings, weirdly inflated, their breasts enormous spheres, held in place by string bikinis with cups the size of fourteen-meter yacht spinnakers. Their legs were elongated too, their toes pointed straight downward into high-heeled shoes steeper than double black-diamond ski runs.
Peter Sagal (The Book of Vice: Very Naughty Things (and How to Do Them))
The heels of the glittering monstrosities are nearly five inches tall, and the toes are so pointed that a normal human foot could never fill its proportions. “Am I supposed to wear those?” I ask. “Obviously,” my mother says. I’m reminded that this isn’t about what I want or what I like. It’s about what everyone else thinks is best, and I’m not sure how much more of this I can take.
Kalynn Bayron (Cinderella Is Dead)
Daemon poked me in the back with his pen. Lesa’s brows arched, but she wisely said nothing as I twisted around. “Yes?” His half grin was all too familiar. “Reindeer socks today?” “No. Polka dots.” “Sock mittens?” “Regular”, I said, fighting a stupid grin. “I’m not sure how I feel about that.” He tapped his pen on the edge of his desk. “Regular socks just seem so boring after seeing the reindeer socks.” Lesa cleared her throar. “Reindeer socks?” “She has these socks that have reindeers on them and are kind of like mitten for the toes.” He explained. “Oh, I have a pair like that,” Carissa said, grinning. “But mine have stripes on them. Love them in the winter.” I passed Daemon a smug look. My socks were cool. “Am I the only person who is wondering how you saw her socks”? Lesa asked. Carissa punched her on the arm. “We live next door to each other,” he reminded her. “I see lots of things.” I shook my head frantically. “No, he doesn’t. He hardly sees anything.” “Blushing,” he said, pointing at my cheeks with the blue cap of his pen.
Jennifer L. Armentrout (Onyx (Lux, #2))
To be joyous of heart is to hold an optimistic outlook, to see adversity as opportunity, to see failure as the starting point of success, to view our stubbed toes as the release of acupuncture points, to wake with a feeling of gratitude, and to sleep with a sustaining, unfaltering trust in the Universe of which we are a part. The person with a joyous heart is a treasure to be with, a wellspring of inspiration, and a fit companion. When we are joyous of heart, we hear a resonance in the songs of the birds, see resonance in the opening of a flower, and feel it in the pressure of a friend’s hand.
Wu Wei (I Ching Wisdom: More Guidance from the Book of Changes)
I took a sip of my purple drink and almost spat it out. It was so sweet. I covered it up by trying one of the fries. My mouth exploded with flavor, and I froze, eyes wide. I practically melted into a puddle. I’d had fried algae before, but it had been nowhere near as good as this. What were those spices? “Spin?” Arturo asked. “You look like someone just stepped on your toe.” I held up a fry, fingers trembling. “So. GOOD.” “She’s been living on rats for the last few months,” FM pointed out. “Her taste buds are undergoing serious atrophy.
Brandon Sanderson (Skyward (Skyward, #1))
Our enemies are quite good for relentlessly keeping us sharp and on our toes. This especially goes for sincere philosophers. They use their enemies to challenge their arguments so that they can know the weak points in their own reasoning and how to argue for and strengthen their position. There are just none like one's enemies to always look for his mistakes and do it harder than anyone else.
Criss Jami (Killosophy)
I sit on the bed and kick off my shoes, and he kneels before me and takes the riding boots, holding one open for my bare foot. I hesitate; it is such an intimate gesture between a young woman and a man. His smiling upward glance tells me that he understands my hesitation but is ignoring it. I point my toe and he holds the boot, I slide my foot in and he pulls the boot over my calf. He takes the soft leather ties and fastens the boot, at my ankle, then at my calf, and then just below my knee. He looks up at me, his hand gently on my toe. I can feel the warmth of his hand through the soft leather. I imagine my toes curling in pleasure at his touch. ‘Anne, will you marry me?’ he asks simply, as he kneels before me.
Philippa Gregory (The Kingmaker's Daughter (The Plantagenet and Tudor Novels, #4; Cousins War, #4))
Hey,” Fitz said, leaning closer. “You trust me, don’t you?” Sophie’s traitorous heart still fluttered, despite her current annoyance. She did trust Fitz. Probably more than anyone. But having him keep secrets from her was seriously annoying. She was tempted to use her telepathy to steal the information straight from his head. But she’d broken that rule enough times to know the consequences definitely weren’t worth it. “What is with these clothes?” Biana interrupted, appearing out of thin air next to Keefe. Biana was a Vanisher, like her mother, though she was still getting used to the ability. Only one of her legs reappeared, and she had to hop up and down to get the other to show up. She wore a sweatshirt three sizes too big and faded, baggy jeans. “At least I get to wear my shoes,” she said, hitching up her pants to reveal purple flats with diamond-studded toes. “But why do we only have boy stuff?” “Because I’m a boy,” Fitz reminded her. “Besides, this isn’t a fashion contest.” “And if it was, I’d totally win. Right, Foster?” Keefe asked. Sophie actually would’ve given the prize to Fitz—his blue scarf worked perfectly with his dark hair and teal eyes. And his fitted gray coat made him look taller, with broader shoulders and— “Oh please.” Keefe shoved his way between them. “Fitz’s human clothes are a huge snoozefest. Check out what Dex and I found in Alvar’s closet!” They both unzipped their hoodies, revealing T-shirts with logos underneath. “I have no idea what this means, but it’s crazy awesome, right?” Keefe asked, pointing to the black and yellow oval on his shirt. “It’s from Batman,” Sophie said—then regretted the words. Of course Keefe demanded she explain the awesomeness of the Dark Knight. “I’m wearing this shirt forever, guys,” he decided. “Also, I want a Batmobile! Dex, can you make that happen?” Sophie wouldn’t have been surprised if Dex actually could build one. As a Technopath, he worked miracles with technology. He’d made all kinds of cool gadgets for Sophie, including the lopsided ring she wore—a special panic switch that had saved her life during her fight with one of her kidnappers. “What’s my shirt from?” Dex asked, pointing to the logo with interlocking yellow W’s. Sophie didn’t have the heart to tell him it was the symbol for Wonder Woman.
Shannon Messenger (Neverseen (Keeper of the Lost Cities, #4))
A nod at Beatrice who held absolutely still. "She said she would come with me. She insisted on it. She stamped her little foot at me." He pointed down to her toes as if she were a child yet. Then he straightened his shoulders. "But I sent her back to the nursery, where she belonged, and told her to play with her dolls instead. As everyone knows, a female on a hunt is a distraction at best and bad luck at worse." Which explained why Beatrice went into the woods with her hound alone, George thought. She looked now as though she had gone to some other place where she could not hear her father's words and thus could not be hurt by them. George wondered how often she was forced to go to that place. Did King Helm not see how much she was like him? It seemed she was rejected for any sign of femininity yet also rejected for not showing enough femininity, How could she win?
Mette Ivie Harrison (The Princess and the Hound (The Hound Saga #1))
I can text in complete sentences. Oh, yeah, it’s a skill.” He smiled, proud of his accomplishments. “And, thanks to my mom being a competitive dancer as a teen, I know how to do the Lindy hop and the jitterbug.” I sat bolt upright, and Akinli rolled his eyes. “I swear, if you tell me you can jitterbug, I’m going to . . . I don’t even know. Set something on fire. No one can dance like that.” I pursed my lips and dusted off my shoulder, a thing I’d seen Elizabeth do when she was bragging. As if he was accepting a challenge, he shrugged off his backpack and stood, holding out a hand for me. I took it and positioned myself in front of him as he shook his head, grinning. “All right, we’ll take this slow. Five, six, seven, eight.” In unison, we rock stepped and triple stepped, falling into the rhythm in our head. After a minute, he got brave and swung me around, lining me up for those peppy kicks I loved so much. People walked by, pointing and laughing, but it was one of those moments when I knew we weren’t being mocked; we were being envied. We stepped on each other’s toes more than once, and after he accidentally knocked his head into my shoulder, he threw his hands up. “Unbelievable,” he said, almost as if he was complaining. “I can’t wait to tell my mom this. She’s gonna think I’m lying. All those years dancing in the kitchen thinking I was special, and then I run across a master.
Kiera Cass (The Siren)
In a world where nothing exists by itself, where every division of one thing from another is a misperception - or misconception - of the way things really are, there are no eyes, ears, nose, tongue, body, or mind. We cannot, for example, draw a line around the eyes that is not necessarily arbitrary. There is no point at which the eyes begin or end, either in time or in space or conceptually. The eye bone is connected to the face bone, and the face bone is connected to the head bone, and the head bone is connected to the neck bone, and so it goes down to the toe bone, the floor bone, the earth bone, the worm bone, the dreaming butterfly bone. Thus, what we call our eyes are so many bubbles in a sea of foam. This is not only true of our eyes but of our other powers of sensation as well, including the mind.
Red Pine (The Heart Sutra)
Our mailman was a dance teacher at night & I would watch him sometimes to see if he would deliver mail differently than the others. I expected to see him leap over bushes with his toes pointing like arrows, but all he ever did was walk.
Brian Andreas (Still Mostly True: Collected Stories & Drawings)
Onward, Valkyrie!” I scream as wind pulls my lips back from my teeth. My gravBoots accelerate with a twist of my toes, and I dive toward the vanguard, streaking past Sefi and Valdir, filled with righteous glory as I tear toward the burning mouth of an open mine, unscathed through tongues of fire, and pierce the crust of the world to land amongst towering behemoths of metal. They turn their glowing evil red eyes toward me, and I laugh when they do not fire, for I am a spirit warrior and I point my rifle at them, pull the trigger, and shit down my leg, because I am alone amongst a pack of hunterkiller robots and it is no rifle in my hand, it is only a mop. Then Sefi and Valdir land, and the world goes mad.
Pierce Brown (Dark Age (Red Rising Saga #5))
Bob,” she said, “offerings burned in the mortal world appear on this altar, right?” Bob frowned uncomfortably, like he wasn’t ready for a pop quiz. “Yes?” “So what happens if I burn something on the altar here?” “Uh…” “That’s all right,” Annabeth said. “You don’t know. Nobody knows, because it’s never been done.” There was a chance, she thought, just the slimmest chance that an offering burned on this altar might appear at Camp Half-Blood. Doubtful, but if it did work… “Annabeth?” Percy said again. “You’re planning something. You’ve got that I’m-planning-something look.” “I don’t have an I’m-planning-something look.” “Yeah, you totally do. Your eyebrows knit and your lips press together and—” “Do you have a pen?” she asked him. “You’re kidding, right?” He brought out Riptide. “Yes, but can you actually write with it?” “I—I don’t know,” he admitted. “Never tried.” He uncapped the pen. As usual, it sprang into a full-sized sword. Annabeth had watched him do this hundreds of times. Normally when he fought, Percy simply discarded the cap. It always appeared in his pocket later, as needed. When he touched the cap to the point of the sword, it would turn back into a ballpoint pen. “What if you touch the cap to the other end of the sword?” Annabeth said. “Like where you’d put the cap if you were actually going to write with the pen.” “Uh…” Percy looked doubtful, but he touched the cap to the hilt of the sword. Riptide shrank back into a ballpoint pen, but now the writing point was exposed. “May I?” Annabeth plucked it from his hand. She flattened the napkin against the altar and began to write. Riptide’s ink glowed Celestial bronze. “What are you doing?” Percy asked. “Sending a message,” Annabeth said. “I just hope Rachel gets it.” “Rachel?” Percy asked. “You mean our Rachel? Oracle of Delphi Rachel?” “That’s the one.” Annabeth suppressed a smile. Whenever she brought up Rachel’s name, Percy got nervous. At one point, Rachel had been interested in dating Percy. That was ancient history. Rachel and Annabeth were good friends now. But Annabeth didn’t mind making Percy a little uneasy. You had to keep your boyfriend on his toes. Annabeth finished her note and folded the napkin. On the outside, she wrote: Connor, Give this to Rachel. Not a prank. Don’t be a moron. Love, Annabeth She took a deep breath. She was asking Rachel Dare to do something ridiculously dangerous, but it was the only way she could think of to communicate with the Romans—the only way that might avoid bloodshed. “Now I just need to burn it,” she said. “Anybody got a match?” The point of Bob’s spear shot from his broom handle. It sparked against the altar and erupted in silvery fire. “Uh, thanks.” Annabeth lit the napkin and set it on the altar. She watched it crumble to ash and wondered if she was crazy. Could the smoke really make it out of Tartarus? “We should go now,” Bob advised. “Really, really go. Before we are killed.” Annabeth stared at the wall of blackness in front of them. Somewhere in there was a lady who dispensed a Death Mist that might hide them from monsters—a plan recommended by a Titan, one of their bitterest enemies. Another dose of weirdness to explode her brain. “Right,” she said. “I’m ready.” ANNABETH LITERALLY STUMBLED over the second Titan.
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
Hey,man,got a problem?" "Veronica left me." Ivan crossed one leg over the other and was obviously jiggling his foot. "Oh,yeah? For some other guy, huh?" "No." "How come?" Macintosh never altered positions, and the very absence of action made the point. "Because I was selfish, rude, arrogant,dishonest, stupid and generally nasty." Ivan considered the toe of his boot. "Is that all?" "Yeah." "Women," Ivan said with a shrug. "Never satisfied." Gennie read the strip twice, then looked up helplessly. Without a word,Serena took the paper from her hand and read it herself. She chuckled once, then set it back down. "Want me to help you pack?
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
Standing on your own feet, naturally, is as tiresome and dangerous as standing your ground; and when the wild dogs begin to circle grinning round you with their dripping tongues hanging out and you know that with mock servility they like to go for your toes first, why, then, you should stand on someone else’s feet, or head if necessary. It is a point of faith for me never to be Hitler; he stood his ground in his own two shoes in his own little hole almost to the end, the fool. But I may disguise myself as any other animate or inanimate object in what follows. I can be eight lame women with falsies, eight cracked chamber pots, or -- let’s get right to the point -- a gladiator who is actually constructed of old clothes, brooms, and a paper plate with a face daubed on in finger-paints, not to mention two vagrants inside each shirt-sleeve and pant-leg, moving Goliath’s limbs at my say-so; but as long as you believe in the gladiator, you are whipped, and the Museum people will set out on your track, and then once they catch you, don’t think I won’t come study your exhibit until I can convince your own sweetheart that I am you come back from the dead. For I am Big George, the eternal winner.
William T. Vollmann (You Bright and Risen Angels (Contemporary American Fiction))
A sprawling North London parkland, composed of oaks, willows and chestnuts, yews and sycamores, the beech and the birch; that encompasses the city’s highest point and spreads far beyond it; that is so well planted it feels unplanned; that is not the country but is no more a garden than Yellowstone; that has a shade of green for every possible felicitation of light; that paints itself in russets and ambers in autumn, canary-yellow in the splashy spring; with tickling bush grass to hide teenage lovers and joint smokers, broad oaks for brave men to kiss against, mown meadows for summer ball games, hills for kites, ponds for hippies, an icy lido for old men with strong constitutions, mean llamas for mean children and, for the tourists, a country house, its façade painted white enough for any Hollywood close-up, complete with a tea room, although anything you buy there should be eaten outside with the grass beneath your toes, sitting under the magnolia tree, letting the white blossoms, blush-pink at their tips, fall all around you. Hampstead Heath! Glory of London! Where Keats walked and Jarman fucked, where Orwell exercised his weakened lungs and Constable never failed to find something holy.
Zadie Smith
Poor old Agnes! So ambitious. He guessed he had been quite a disappointment to her . . . and no doubt the change of life wasn’t making things any easier for her. Well, at least she was loyal, right to her toes . . . and we all have our shortcomings; she was probably as sick of him as he—no point in that!
Robert A. Heinlein (Stranger in a Strange Land)
I realised that I had become too introverted. When you are the person everyone comes to in an isolated area, you have no-one to discuss things with. It's good up to a point but dreadful in a way. You simply have to have the corners rubbed off you and have criticism that's pretty cruel if you are to toe the line.
Theresa Sjoquist
As I look back on my own life, I recognize that some of the greatest gifts I received from my parents stemmed not from what they did for me—but rather from what they didn’t do for me. One such example: my mother never mended my clothes. I remember going to her when I was in the early grades of elementary school, with holes in both socks of my favorite pair. My mom had just had her sixth child and was deeply involved in our church activities. She was very, very busy. Our family had no extra money anywhere, so buying new socks was just out of the question. So she told me to go string thread through a needle, and to come back when I had done it. That accomplished—it took me about ten minutes, whereas I’m sure she could have done it in ten seconds—she took one of the socks and showed me how to run the needle in and out around the periphery of the hole, rather than back and forth across the hole, and then simply to draw the hole closed. This took her about thirty seconds. Finally, she showed me how to cut and knot the thread. She then handed me the second sock, and went on her way. A year or so later—I probably was in third grade—I fell down on the playground at school and ripped my Levi’s. This was serious, because I had the standard family ration of two pairs of school trousers. So I took them to my mom and asked if she could repair them. She showed me how to set up and operate her sewing machine, including switching it to a zigzag stitch; gave me an idea or two about how she might try to repair it if it were she who was going to do the repair, and then went on her way. I sat there clueless at first, but eventually figured it out. Although in retrospect these were very simple things, they represent a defining point in my life. They helped me to learn that I should solve my own problems whenever possible; they gave me the confidence that I could solve my own problems; and they helped me experience pride in that achievement. It’s funny, but every time I put those socks on until they were threadbare, I looked at that repair in the toe and thought, “I did that.” I have no memory now of what the repair to the knee of those Levi’s looked like, but I’m sure it wasn’t pretty. When I looked at it, however, it didn’t occur to me that I might not have done a perfect mending job. I only felt pride that I had done it. As for my mom, I have wondered what
Clayton M. Christensen (How Will You Measure Your Life?)
The women look each other over as they chat, measuring thighs, bellies, hips, and asses, taking into account body types and recent pregnancies. They silently evaluate and pass judgment, realigning themselves in the pecking order. It’s a brutal business, being a woman. Wendy sucks in her gut and crosses her legs, pointing her toes like a ballerina in a last-ditch effort to coax her calf muscle out of hiding. She has our mother’s legs, sheathed in thick, smooth skin that defies definition.
Jonathan Tropper (This is Where I Leave You)
And it was on this thought the point of the toe on my shoe caught on the thick pile of the overlarge rug that covered the office carpet (for some odd reason) and I stumbled.
Kristen Ashley (The Will (Magdalene, #1))
Finches are seed eaters, but Dr. Daruwalla didn’t know this, nor did the doctor know that the green parrot perching on the vine had feet with two toes pointing forward and two backward. These were the details he missed, and they contributed to the growing list of things he didn’t know. This was the kind of Everyman he was—a little lost, a little misinformed (or uninformed), almost everywhere he ever was.
John Irving (A Son of the Circus)
It is a wondrous thing, the human foot—like the human hand; even more so, perhaps; but, unlike the hand, with which we are so familiar, it is seldom a thing of beauty in civilized adults who go about in leather boots or shoes. So that it is hidden away in disgrace, a thing to be thrust out of sight and forgotten. It can sometimes be very ugly indeed—the ugliest thing there is, even in the fairest and highest and most gifted of her sex; and then it is of an ugliness to chill and kill romance, and scatter love’s young dream, and almost break the heart. And all for the sake of a high heel and a ridiculously pointed toe—mean things, at the best! Conversely, when Mother Nature has taken extra pains in the building of it, and proper care or happy chance has kept it free of lamentable deformations, indurations, and discolorations—all those gruesome boot-begotten abominations which have made it so generally unpopular—the sudden sight of it, uncovered, comes as a very rare and singularly pleasing surprise to the eye that has learned how to see! Nothing else that Mother Nature has to show, not even the human face divine, has more subtle power to suggest high physical distinction, happy evolution, and supreme development; the lordship of man over beast, the lordship of man over man, the lordship of woman over all!
George du Maurier (Trilby)
My dance teacher said "you are not a real dancer until your toes bleed from pointing all day" so I did just that. At that time when I went back to her she said "bravo. You have learned to live with pain. You are a real dancer.
Dancer
Things to Do in the Belly of the Whale” Measure the walls. Count the ribs. Notch the long days. Look up for blue sky through the spout. Make small fires with the broken hulls of fishing boats. Practice smoke signals. Call old friends, and listen for echoes of distant voices. Organize your calendar. Dream of the beach. Look each way for the dim glow of light. Work on your reports. Review each of your life’s ten million choices. Endure moments of self-loathing. Find the evidence of those before you. Destroy it. Try to be very quiet, and listen for the sound of gears and moving water. Listen for the sound of your heart. Be thankful that you are here, swallowed with all hope, where you can rest and wait. Be nostalgic. Think of all the things you did and could have done. Remember treading water in the center of the still night sea, your toes pointing again and again down, down into the black depths.
Dan Albergotti (The Boatloads)
I loved him. I loved him so much that I didn’t know how to express it anymore. It was beyond words at that point. All I could do was let my love for him fill me up from head to toe, until it was glowing out of me from every pore.
Ernessa T. Carter (32 Candles)
A walk is exploring surfaces and textures with finger, toe, and—yuck—tongue; standing still and seeing who or what comes by; trying out different forms of locomotion (among them running, marching, high-kicking, galloping, scooting, projectile falling, spinning, and noisy shuffling). It is archeology: exploring the bit of discarded candy wrapper; collecting a fistful of pebbles and a twig and a torn corner of a paperback; swishing dirt back and forth along the ground. It is stopping to admire the murmuring of the breeze in the trees; locating the source of the bird’s song; pointing. Pointing!— using the arm to extend one’s fallen gaze so someone else can see what you’ve seen. It is a time of sharing. On our block,
Alexandra Horowitz (On Looking: A Walker's Guide to the Art of Observation)
by the assault. Shading his eyes against the dazzle from the window, he peered down into the shadows. “Oh, hallo there, wee dog,” he said politely, and took a step forward, knuckles stretched out. Bouton raised the growl a few decibels, and he took a step back. “Oh, like that, is it?” Jamie said. He eyed the dog narrowly. “Think it over, laddie,” he advised, squinting down his long, straight nose. “I’m a damn sight bigger than you. I wouldna undertake any rash ventures, if I were you.” Bouton shifted his ground slightly, still making a noise like a distant Fokker. “Faster, too,” said Jamie, making a feint to one side. Bouton’s teeth snapped together a few inches from Jamie’s calf, and he stepped back hastily. Leaning back against the wall, he folded his arms and nodded down at the dog. “Well, you’ve a point there, I’ll admit. When it comes to teeth, ye’ve the edge on me, and no mistake.” Bouton cocked an ear suspiciously at this gracious speech, but went back to the low-pitched growl. Jamie hooked one foot over the other, like one prepared to pass the time of day indefinitely. The multicolored light from the window washed his face with blue, making him look like one of the chilly marble statues in the cathedral next door. “Surely you’ve better things to do than harry innocent visitors?” he asked, conversationally. “I’ve heard of you—you’re the famous fellow that sniffs out sickness, no? Weel, then, why are they wastin’ ye on silly things like door-guarding, when ye might be makin’ yourself useful smelling gouty toes and pustulant arseholes?
Diana Gabaldon (Dragonfly in Amber (Outlander, #2))
My favorite Etruscans, a man and a woman, recline in the form of a terra-cotta sarcophagus from the sixth century BC in the Villa Giulia, the National Etruscan Museum in Rome. With almond eyes, a narrow face, neatly trimmed beard, long braided locks, and powerful shoulders, he lies casually, naked to the waist, his arm around her shoulder. She, dressed in a flowing gown, with tiny feet tucked into soft slippers with pointed toes, pours perfume—a ritual act—into his hands. I recognize the languorous look on their faces: utter postcoital contentment.
Dianne Hales (La Passione: How Italy Seduced the World)
You don’t know,” Anthony said, his voice low and nearly shaking with rage. “You don’t know what he has done.” “No more than what you have done, I’m sure,” Violet said slyly. “Precisely!” Anthony roared. “Good God, I know exactly what is going on in his brain right now, and it has nothing to do with poetry and roses.” Simon pictured laying Daphne down on a bed of rose petals. “Well, maybe roses,” he murmured. “I’m going to kill him,” Anthony announced. “These are tulips, anyway,” Violet said primly, “from Holland. And Anthony, you really must summon control of your emotions. This is most unseemly.” “He is not fit to lick Daphne’s boots.” Simon’s head filled with more erotic images, this time of himself licking her toes. He decided not to comment. Besides, he had already decided that he wasn’t going to allow his thoughts to wander in such directions. Daphne was Anthony’s sister, for God’s sake. He couldn’t seduce her. “I refuse to listen to another disparaging word about his grace,” Violet stated emphatically, “and that is the end of the subject.” “But—” “I don’t like your tone, Anthony Bridgerton!” Simon thought he heard Daphne choke on a chuckle, and he wondered what that was all about. “If it would please Your Motherhood,” Anthony said in excruciatingly even tones, “I would like a private word with his grace.” “This time I’m really going to get that vase,” Daphne announced, and dashed from the room. Violet crossed her arms, and said to Anthony, “I will not have you mistreat a guest in my home.” “I shan’t lay so much as a hand on him,” Anthony replied. “I give you my word.” Having never had a mother, Simon was finding this exchange fascinating. Bridgerton House was, after all, technically Anthony’s house, not his mother’s, and Simon was impressed that Anthony had refrained from pointing this out. “It’s quite all right, Lady Bridgerton,” he interjected. “I’m sure Anthony and I have much to discuss.” Anthony’s eyes narrowed. “Much.
Julia Quinn (The Duke and I (Bridgertons, #1))
Men create oppositions, which are not; and put them into new terms, so fixed, as whereas the meaning ought to govern the term, the term in effect governeth the meaning. There be also two false peaces, or unities: the one, when the peace is grounded, but upon an implicit ignorance; for all colors will agree in the dark: the other, when it is pieced up, upon a direct admission of contraries, in fundamental points. For truth and falsehood, in such things, are like the iron and clay, in the toes of Nebuchadnezzar’s image; they may cleave, but they will not incorporate.
Francis Bacon (The Essays)
If I’m supposed to keep an eye on you, then I’ll be sleeping right here.” She pointed meaningfully at the sleeping bag. “What? In here? With me? In the same room?” “No, Frankie Stick-A-Butter, I’m going to hang from the pipes by my toes, fold my wings around me, and snore in your face all night.
James Crawford (Blood Soaked and Contagious (Blood Soaked #1))
Not every woman wants to be a mother,” he agreed, surprising her. “More to the point, not every woman should be.” He grimaced as if thinking of someone in particular. “Still, I’m surprised by how many women sign up for motherhood considering how difficult pregnancy can be—morning sickness, stretch marks, death. Again, you’re fine,” he added quickly, taking in her horrified face. “It’s just that we tend to treat pregnancy as the most common condition in the world—as ordinary as stubbing a toe—when the truth is, it’s like getting hit by a truck. Although obviously a truck causes less damage.
Bonnie Garmus (Lessons in Chemistry)
If we think of eroticism not as sex per se, but as a vibrant, creative energy, it’s easy to see that Stephanie’s erotic pulse is alive and well. But her eroticism no longer revolves around her husband. Instead, it’s been channeled to her children. There are regular playdates for Jake but only three dates a year for Stephanie and Warren: two birthdays, hers and his, and one anniversary. There is the latest in kids’ fashion for Sophia, but only college sweats for Stephanie. They rent twenty G-rated movies for every R-rated movie. There are languorous hugs for the kids while the grown-ups must survive on a diet of quick pecks. This brings me to another point. Stephanie gets tremendous physical pleasure from her children. Let me be perfectly clear here: she knows the difference between adult sexuality and the sensuousness of caring for small children. She, like most mothers, would never dream of seeking sexual gratification from her children. But, in a sense, a certain replacement has occurred. The sensuality that women experience with their children is, in some ways, much more in keeping with female sexuality in general. For women, much more than for men, sexuality exists along what the Italian historian Francesco Alberoni calls a “principle of continuity.” Female eroticism is diffuse, not localized in the genitals but distributed throughout the body, mind, and senses. It is tactile and auditory, linked to smell, skin, and contact; arousal is often more subjective than physical, and desire arises on a lattice of emotion. In the physicality between mother and child lie a multitude of sensuous experiences. We caress their silky skin, we kiss, we cradle, we rock. We nibble their toes, they touch our faces, we lick their fingers, let them bite us when they’re teething. We are captivated by them and can stare at them for hours. When they devour us with those big eyes, we are besotted, and so are they. This blissful fusion bears a striking resemblance to the physical connection between lovers. In fact, when Stephanie describes the early rapture of her relationship with Warren—lingering gazes, weekends in bed, baby talk, toe-nibbling—the echoes are unmistakable. When she says, “At the end of the day, I have nothing left to give,” I believe her. But I also have come to believe that at the end of the day, there may be nothing more she needs. All this play activity and intimate involvement with her children’s development, all this fleshy connection, has captured Stephanie’s erotic potency to the detriment of the couple’s intimacy and sexuality. This is eros redirected. Her sublimated energy is displaced onto the children, who become the centerpiece of her emotional gratification.
Esther Perel (Mating in Captivity: Unlocking Erotic Intelligence)
Checking out shoes when looking for Lesbians is an elimination device, a negative marker. Lesbians wear sensible shoes whenever possible. Irene and I have learned to pass right by a woman who looks like a Lesbian from head to ankle, but wears flimsy shoes with pointed toes and heels. She is sure to mention a husband by her second sentence. So, what does a Lesbian look like? Well, we saw two old women drive into a campground in a large motorhome. One dog and no men accompanied them. These are Lesbian-positive clues. We seldom see old women in campgrounds unless they are accompanied by old men. They walked the dog, each wearing a long “ladies” winter coat and lipstick. We casually intercepted them. “Nice dog,” says Irene. The dog growled. We mentioned the movie about nuclear war on TV the night before. “They should go to Russia. Show it to the Communists,” they angrily replied. We walked on. If they were Lesbians, I did not want to know. “Not Lesbians,” pronounced my expert. “There are Lesbians who wear ‘ladies’ coats and Lesbians who wear lipstick. There are even Lesbians who prefer nuclear war to “Godless Communism”; but Lesbians would not let their dog growl at a woman without correcting it.
Julia Penelope (Finding the Lesbians: Personal Accounts from Around the World)
I move like I'm gravity, like it's not a decision. Standing on my toes, on the edge of the high dive, the water looks as clear and blue as the sky. In my head there's the possibility that this moment isn't here yet, that maybe I'm not born. I could be an idea. Or I could be realized, and life is standing still. For this moment, the world has stopped. I have a perfect balance. The wind moves around me. My heart is as light and bright as the sun. I am as light as a sparrow bone, and for one moment I am everything that can't be caught and held. Then I'm passing through the air, turning, arms drawn in, toes pointed. My chin rests on my chest. I believe I have a chance at anything: one full revolution. I spread my wings. I arch my back. I remember why swans are graceful, why someone would name this for something beautiful. I think I'm touching the clouds. For a long time they keep me from breaking the blue. I don't hear the shattering surface. I belong behind this sky, all-silent and calm, and part of the world where butterflies live after they give up their feet and dream of flight. I can stay, if I pretend the fire in my chest doesn't burn, if I pretend the world is upside down, if I pretend water is the air I breathe.
Suzanne Marie Phillips (Chloe Doe)
Picture God molding you, getting each detail just right: Shaping your nose. Forming your hairline. Giving distinct length and shape to your fingers and toes. Yet after God formed him, the man still wasn’t alive. And that’s where the next distinction comes in. God breathed his own breath into man. At that point, man became a living being. The Bible tells us that God made us in His image. Like God, we create. We strategize. We experience emotions. We have the ability to love. You have a distinct origin. You were created in God’s image. God used these factors to set you apart, to mark you as significant. They separate you from all other created things.
John Herrick (8 Reasons Your Life Matters)
Whatever.” I shrugged. “Moving on. Blake, catch.” I jumped into the air, legs straight, toes pointed, and dropped into Blake’s waiting arms. “Nice, babe. We could be cheerleaders together.” A & E Kirk (2014-05-26). Drop Dead Demons: The Divinicus Nex Chronicles: Book 2 (Divinicus Nex Chronicles series) (p. 349). A&E Kirk. Kindle Edition.
A. Kirk
Whether one calls slime molds, fungi, and plants “intelligent” depends on one’s point of view. Classical scientific definitions of intelligence use humans as a yardstick by which all other species are measured. According to these anthropocentric definitions, humans are always at the top of the intelligence rankings, followed by animals that look like us (chimpanzees, bonobos, etc.), followed again by other “higher” animals, and onward and downward in a league table—a great chain of intelligence drawn up by the ancient Greeks, which persists one way or another to this day. Because these organisms don’t look like us or outwardly behave like us—or have brains—they have traditionally been allocated a position somewhere at the bottom of the scale. Too often, they are thought of as the inert backdrop to animal life. Yet many are capable of sophisticated behaviors that prompt us to think in new ways about what it means for organisms to “solve problems,” “communicate,” “make decisions,” “learn,” and “remember.” As we do so, some of the vexed hierarchies that underpin modern thought start to soften. As they soften, our ruinous attitudes toward the more-than-human world may start to change. The second field of research that has guided me in this inquiry concerns the way we think about the microscopic organisms—or microbes—that cover every inch of the planet. In the last four decades, new technologies have granted unprecedented access to microbial lives. The outcome? For your community of microbes—your “microbiome”—your body is a planet. Some prefer the temperate forest of your scalp, some the arid plains of your forearm, some the tropical forest of your crotch or armpit. Your gut (which if unfolded would occupy an area of thirty-two square meters), ears, toes, mouth, eyes, skin, and every surface, passage, and cavity you possess teem with bacteria and fungi. You carry around more microbes than your “own” cells. There are more bacteria in your gut than stars in our galaxy. For humans, identifying where one individual stops and another starts is not generally something we
Merlin Sheldrake (Entangled Life: How Fungi Make Our Worlds, Change Our Minds & Shape Our Futures)
I know you,” he added, helping to arrange the blanket over my shoulders. “You won’t drop the subject until I agree to check on your cousin, so I’ll do it. But only under one condition.” “John,” I said, whirling around to clutch his arm again. “Don’t get too excited,” he warned. “You haven’t heard the condition.” “Oh,” I said, eagerly. “Whatever it is, I’ll do it. Thank you. Alex has never had a very good life-his mother ran away when he was a baby, and his dad spent most of his life in jail…But, John, what is all this?” I swept my free hand out to indicate the people remaining on the dock, waiting for the boat John had said was arriving soon. I’d noticed some of them had blankets like the one he’d wrapped around me. “A new customer service initiative?” John looked surprised at my change of topic…then uncomfortable. He stooped to reach for the driftwood Typhon had dashed up to drop at his feet. “I don’t know what you mean,” he said, stiffly. “You’re giving blankets away to keep them warm while they wait. When did this start happening?” “You mentioned some things when you were here the last time….” He avoided meeting my gaze by tossing the stick for his dog. “They stayed with me.” My eyes widened. “Things I said?” “About how I should treat the people who end up here.” He paused at the approach of a wave-though it was yards off-and made quite a production of moving me, and my delicate slippers, out of its path. “So I decided to make a few changes.” It felt as if one of the kind of flowers I liked-a wild daisy, perhaps-had suddenly blossomed inside my heart. “Oh, John,” I said, and rose onto my toes to kiss his cheek. He looked more than a little surprised by the kiss. I thought I might actually have seen some color come into his cheeks. “What was that for?” he asked. “Henry said nothing was the same after I left. I assumed he meant everything was much worse. I couldn’t imagine it was the opposite, that things were better.” John’s discomfort at having been caught doing something kind-instead of reckless or violet-was sweet. “Henry talks too much,” he muttered. “But I’m glad you like it. Not that it hasn’t been a lot of added work. I’ll admit it’s cut down on the complaints, though, and even the fighting amongst our rowdier passengers. So you were right. Your suggestions helped.” I beamed up at him. Keeper of the dead. That’s how Mr. Smith, the cemetery sexton, had referred to John once, and that’s what he was. Although the title “protector of the dead” seemed more applicable. It was totally silly how much hope I was filled with by the fact that he’d remembered something I’d said so long ago-like maybe this whole consort thing might work out after all. I gasped a moment later when there was a sudden rush of white feathers, and the bird he’d given me emerged from the grizzly gray fog seeming to engulf the whole beach, plopping down onto the sand beside us with a disgruntled little humph. “Oh, Hope,” I said, dashing tears of laughter from my eyes. Apparently I had only to feel the emotion, and she showed up. “I’m sorry. I didn’t mean to leave you behind. It was his fault, you know.” I pointed at John. The bird ignored us both, poking around in the flotsam washed ashore by the waves, looking, as always, for something to eat. “Her name is Hope?” John asked, the corners of his mouth beginning to tug upwards. “No.” I bristled, thinking he was making fun of me. Then I realized I’d been caught. “Well, all right…so what if it is? I’m not going to name her after some depressing aspect of the Underworld like you do all your pets. I looked up the name Alastor. That was the name of one of the death horses that drew Hades’s chariot. And Typhon?” I glanced at the dog, cavorting in and out of the waves, seemingly oblivious of the cold. “I can only imagine, but I’m sure it means something equally unpleasant.
Meg Cabot (Underworld (Abandon, #2))
Who’s that hot piece of cowboy standing with Nathan?” She pointed toward one end of the barn by a stack of hay bales. A scowl tightened all the muscles in his face as he followed the length of her arm to the direction of her fingertip. Before he could answer, she was already pulling him again. This time toward his cousin. “Nate, who’s your friend?” she asked, not bothering with hellos. Letting go of Caleb’s hand and leaving him feeling empty, she shifted her weight to her toes when she stopped in front of Preston. “Your eyes remind me of those old Sprite bottles. I found one at a flea market once. I think it’s still lying around somewhere in my room.” Nathan’s chuckle caught her attention. “Diana Alexander, let me introduce you to Preston Grant. He’s a childhood friend of mine and Caleb’s. Pres, this is Didi.” “Can I paint you naked?” she asked, unabashed, looking up at him. Nathan’s chuckles became full-blown laughter. She hiked her thumb at Caleb. His scowl deepened. “This one’s too shy.” “It’s nice to meet you, Didi,” Preston said. He seemed unperturbed by her request. The bastard. She danced to Nathan’s side and leaned in conspiratorially, not taking her eyes away from Preston. “Between you and me,” she whispered loud enough for Caleb and the object of her fascination to hear, “just how far does his tan go?” That had done it. The words came out of his mouth without thinking. “If you’re going to paint someone naked, it will be me.” With impatience running through his veins, he laced their fingers together and tugged. “Come on.
Kate Evangelista (No Love Allowed (Dodge Cove, #1))
YOU CAN KIND of see them if you get on your tippy toes and look over the fence,” A.J. says. “There, in the distance!” They had left Alice at seven that morning, taken the ferry to Hyannis, then driven two hours to Portsmouth only to discover that the Green Animals Topiary Garden is closed from November through May. A.J. finds that he cannot make eye contact with either his daughter or Lambiase. It is twenty-nine degrees, but shame is keeping him warm. Maya stands on her toes and when that doesn’t work, she tries hopping. “I can’t see anything,” she says. “Here, I’ll get you higher,” Lambiase says, lifting Maya onto his shoulders. “Maybe I can see a little bit,” Maya says doubtfully. “No, I definitely cannot see anything. They’re all covered.” Her lower lip begins to quiver. She looks at A.J. with pained eyes. He doesn’t think he can take any more of this. Suddenly, she smiles brightly at A.J. “But you know what, Daddy? I can imagine what the elephant looks like under the blanket. And the tiger! And the unicorn!” She nods at her father as if to say, Clearly this imaginative exercise must have been your point in taking me here in the middle of winter. “That’s
Gabrielle Zevin (The Storied Life of A.J. Fikry)
Karsen rounded my car staring at me in disbelief. “Since when do you dress like that?” She pointed at my red tank top and shorts. “Somebody is close to exposing some toe.” I looked down at my closed toed heels. “Of the camel variety,” Karsen explained pointing at my girl parts. I tried to slap her but she took off. And I wasn’t in the mood for running. I knew I’d break an ankle in the heels I wore.
Holly Hood (Black Moon (Ink, #3))
this is what I say: I have some good news for you, and some bad news. The bad news first. We’re going to have to rip off either your fingernails or your toenails with pliers. I’m sorry, but it’s already decided. It can’t be changed. I pull out a huge, scary pair of pliers from my briefcase and show them to everybody. Slowly, making sure everybody gets a good look. And then I say: Here’s the good news. You have the freedom to choose which it’s going to be—your fingernails, or your toenails. So, which will it be? You have ten seconds to make up your mind. If you’re unable to decide, we’ll rip off both your fingernails and your toenails. I start the count. At about eight seconds most people say, ‘The toes.’ Okay, I say, toenails it is. I’ll use these pliers to rip them off. But before I do, I’d like you to tell me something. Why did you choose your toes and not your fingers? The person usually says, ‘I don’t know. I think they probably hurt the same. But since I had to choose one, I went with the toes.’ I turn to him and warmly applaud him. And I say, Welcome to the real world.” Tsukuru gazed wordlessly at his old friend’s delicate face. “Each of us is given the freedom to choose,” Aka said, winking and smiling. “That’s the point of the story.
Haruki Murakami (Colorless Tsukuru Tazaki and His Years of Pilgrimage)
Lord,I love you truly with all my heart. Every moment with you is precious to me but I would give up even that if it meant peace between our peoples. Nothing else can be allowed to matter so much as that." Dragon did not reply. He was staring at her very oddly. Of the others, she had no awareness at all. Only he existed for her just then.She felt as though there was no ground beneath her but this time instead of falling as she had off the cliff, she soared frantically, desperately,not knowing if at any moment gravity might reclaim her but soaring all the same. "What did you say?" he demanded. "Nothing else can be allowed to matter so much as the peace between our peoples! I understand full well how angry you are. The insult done you was profound,but I beg you,think of what you do.Do you go against my father,he wins!" Slowly,Dragon shook his head as though trying to clear it. His gaze locked on Rycca's like a man holding fast to the rudder in a mighty storm. A dull flush crept over his high-boned cheeks. "Insult? You think I want to kill your father because he insulted me? For pity's sake, woman, I damn near lost you! Don't you have any idea what that means to me?" Her eyes widened, never leaving him as he stalked across the stone floor of the Saxon's king's great hall and took firm hold of her by her shoulders. He dragged her up against him even as he near yelled, "Dammit to hell, woman, I love you! What care I for insults? Nothing matters to me save keeping you safe and-" "Love?" Rycca repeated in a daze. "Loki take you, lady, you are not the easiet woman in the world to get along with, you know! You are strong, spirited, stubborn, not a meek bone in your body! Your body...Never mind that, the point is you have stolen into my heart and I lack any will to get you out, so do not dare you think of dying! I absolutely forbid it! Did you say you love me?" Oh,my,Rycca thought, she truly did have wings after all.Strong, sturdy wings that would carry her as high as she wanted to climb. And that was very high indeed. A smile crept over her clear to her toes.She cupped her husband's face between her hands and took his mouth with hers.Well and thoroughly did she kiss him right there in front of everyone. That took some time, and when she was done she was rather breathless. Yet she managed to say, "I love you, lord.More than life,more even than freedom.You are dearest to me above all." And for just a moment, there in the hall of the king,Rycca of Landsende saw the sheen of tears in her Viking's eyes.
Josie Litton (Come Back to Me (Viking & Saxon, #3))
The plane banked, and he pressed his face against the cold window. The ocean tilted up to meet him, its dark surface studded with points of light that looked like constellations, fallen stars. The tourist sitting next to him asked him what they were. Nathan explained that the bright lights marked the boundaries of the ocean cemeteries. The lights that were fainter were memory buoys. They were the equivalent of tombstones on land: they marked the actual graves. While he was talking he noticed scratch-marks on the water, hundreds of white gashes, and suddenly the captain's voice, crackling over the intercom, interrupted him. The ships they could see on the right side of the aircraft were returning from a rehearsal for the service of remembrance that was held on the ocean every year. Towards the end of the week, in case they hadn't realised, a unique festival was due to take place in Moon Beach. It was known as the Day of the Dead... ...When he was young, it had been one of the days he most looked forward to. Yvonne would come and stay, and she'd always bring a fish with her, a huge fish freshly caught on the ocean, and she'd gut it on the kitchen table. Fish should be eaten, she'd said, because fish were the guardians of the soul, and she was so powerful in her belief that nobody dared to disagree. He remembered how the fish lay gaping on its bed of newspaper, the flesh dark-red and subtly ribbed where it was split in half, and Yvonne with her sleeves rolled back and her wrists dipped in blood that smelt of tin. It was a day that abounded in peculiar traditions. Pass any candy store in the city and there'd be marzipan skulls and sugar fish and little white chocolate bones for 5 cents each. Pass any bakery and you'd see cakes slathered in blue icing, cakes sprinkled with sea-salt.If you made a Day of the Dead cake at home you always hid a coin in it, and the person who found it was supposed to live forever. Once, when she was four, Georgia had swallowed the coin and almost choked. It was still one of her favourite stories about herself. In the afternoon, there'd be costume parties. You dressed up as Lazarus or Frankenstein, or you went as one of your dead relations. Or, if you couldn't think of anything else, you just wore something blue because that was the colour you went when you were buried at the bottom of the ocean. And everywhere there were bowls of candy and slices of special home-made Day of the Dead cake. Nobody's mother ever got it right. You always had to spit it out and shove it down the back of some chair. Later, when it grew dark, a fleet of ships would set sail for the ocean cemeteries, and the remembrance service would be held. Lying awake in his room, he'd imagine the boats rocking the the priest's voice pushed and pulled by the wind. And then, later still, after the boats had gone, the dead would rise from the ocean bed and walk on the water. They gathered the flowers that had been left as offerings, they blew the floating candles out. Smoke that smelt of churches poured from the wicks, drifted over the slowly heaving ocean, hid their feet. It was a night of strange occurrences. It was the night that everyone was Jesus... ...Thousands drove in for the celebrations. All Friday night the streets would be packed with people dressed head to toe in blue. Sometimes they painted their hands and faces too. Sometimes they dyed their hair. That was what you did in Moon Beach. Turned blue once a year. And then, sooner or later, you turned blue forever.
Rupert Thomson (The Five Gates of Hell)
You look at the crime and you look at the criminal. If it's a dope dealer who guns down an undercover narcotics officer, then he gets the gas. If it's a drifter who rapes a three-year-old girl, drowns her by holding her little head in a mudhole, then throws her body off a bridge, then you take his life and thank god he's gone. If it's an escaped convict who breaks into a farmhouse late at night and beats and tortures an elderly couple before burning them with their house, then you strap him in a chair, hook up a few wires, pray for his soul, and pull the switch. And if it's two dopeheads who gang-rape a ten-year-old girl and kick her with pointed-toe cowboy boots until her jaws break, then you happily, merrily, thankfully, gleefully lock them in a gas chamber and listen to them squeal. It's very simple. Their crimes were barbaric. Death is too good for them, much too good.
John Grisham (A Time to Kill (Jake Brigance, #1))
One of the two owners, the man who had been sitting in the front room, was stretched out in there asleep, stockinged-toes pointed at the ceiling, one hand backed defensively against his eyes to ward off the light. He'd taken off his vest and shoes, and that strap that wasn't straight enough to be a suspender-strap was dangling now around one of the knobs at the foot of the bed. It ended in a holster, with a black, cross-grained slab of metal protruding from it. Turner couldn't take his eyes off it, while the long seconds that to him were minutes toiled by. That meant out, that black slab, more surely than any door. He had to have it. More than that, it meant a continuance of out, for so long as he had it. And he wanted out with all the desperate longing of all trapped things, blindly scratching, clawing their way through a maze to the open. To the open where the equal chance is.
Cornell Woolrich (Marihuana)
Go faster,” I urged Steven, poking him in the shoulder. “Let’s pass that kid on the bike.” Steven shrugged me off. “Never touch the driver,” he said. “And take your dirty feet off my dashboard.” I wiggled my toes back and forth. They looked pretty clean to me. “It’s not your dashboard. It’s gonna be my car soon, you know.” “If you ever get your license,” he scoffed. “People like you shouldn’t even be allowed to drive.” “Hey, look,” I said, pointing out the window. “That guy in a wheelchair just lapped us!” Steven ignored me, and so I started to fiddle with the radio. One of my favorite things about going to the beach was the radio stations. I was as familiar with them as I was with the ones back home, and listening to Q94 made me just really know inside that I was there, at the beach. I found my favorite station, the one that played everything from pop to oldies to hip-hop. Tom Petty was singing “Free Fallin’.” I sang right along with him. “She’s a good girl, crazy ‘bout Elvis. Loves horses and her boyfriend too.” Steven reached over to switch stations, and I slapped his hand away. “Belly, your voice makes me want to run this car into the ocean.” He pretended to swerve right. I sang even louder, which woke up my mother, and she started to sing too. We both had terrible voices, and Steven shook his head in his disgusted Steven way. He hated being outnumbered.
Jenny Han (The Summer I Turned Pretty (Summer, #1))
Mine was, probably, the easiest imaginable kind of arrest. It did not tear me from the embrace of kith and kin, nor wrench me from a deeply cherished home life. One pallid European February it took me from our narrow salient on the Baltic Sea, where, depending on one's point of view, either we had surrounded the Germans or they had surrounded us, and it deprived me only of my familiar artillery battery and the scenes of the last three months of war. The brigade commander called me to his headquarters and asked me for my pistol; I turned it over without suspecting any evil intent, when suddenly, from a tense, immobile suite of staff officers in the corner, two counterintelligence officers stepped forward hurriedly, crossed the room in a few quick bounds, their four hands grabbed simultaneously at the star on my cap, my shoulder boards, my officer's belt, my map case, and they shouted theatrically: "You are under arrest!" Burning and prickling from head to toe, all I could explain was, "Me? What for?" Across the sheer gap separating me from those left behind, across that quarantine line not event a sound dared penetrate, came the unthinkable magic words of the brigade commander: "Sholzhenitsyn. Come back here." "You have ..." he asked weightily, "a friend on the First Ukrainian Front?" I knew instantly I had been arrested because of my correspondence with a school friend and understood what direction to expect danger.
Aleksandr Solzhenitsyn (The Gulag Archipelago 1918–1956 (Abridged))
To what end do we sit together under the moon? Why circle in together? We sit to be heard. To speak without being judged. To share our stories without having to make an articulate point. We sit to listen. To rekindle the ancient art of listening with open hearts. To know other women on a heart to heart level. We sit to spill tears and laughter, and to hold on to a strong thread of silent solidarity. We sit to see truth. To have parts of ourselves revealed to us. To have the stories of others laid bare. To hear words spoken that shoot into the heart like a lightning strike. To come to understand a wisdom unveiled in silence. We sit to dig our toes into the cosmos. To be pulled into the expansive river of consciousness that we didn't know existed. To experience a oneness with humankind and the universe that feels like floating along on gentle rapids. We meet together to have our cynical minds opened by a shooting star's approving appearance, or to watch the clouds pass over the face of the moon and be flushed with the deep sense of belonging.
Lucy AitkenRead (Moon Circle: Rediscover intuition, wildness and sisterhood)
I can always win in Tic Tac toe for example one strategy can be used serveral times and one moment he will find that I'm using this strategy and in the other day he will forgot aobut this and I just repeat the same - But from this point of view it's kind a useless and taking time. I want to find new path ways, the same is with chess I can win always the same way but one moment it come the rule or the thought - hey I want this to return and I will give you to return. I hate this moment it's kind a noobish or kind a bot way!
Deyth Banger
About five miles back I had a brush with the CHP. Not stopped or pulled over: nothing routine. I always drive properly. A bit fast, perhaps, but always with consummate skill and a natural feel for the road that even cops recognize. No cop was ever born who isn't a sucker for a finely-executed hi-speed Controlled Drift all the way around one of those cloverleaf freeway interchanges. Few people understand the psychology of dealing with a highway traffic cop. Your normal speeder will panic and immediately pull over to the side when he sees the big red light behind him ... and then he will start apologizing, begging for mercy. This is wrong. It arouses contempt in the cop-heart. The thing to do – when you're running along about 100 or so and you suddenly find a red-flashing CHP-tracker on your tail – what you want to do then is accelerate. Never pull over with the first siren-howl. Mash it down and make the bastard chase you at speeds up to 120 all the way to the next exit. He will follow. But he won't know what to make of your blinker-signal that says you're about to turn right. This is to let him know you're looking for a proper place to pull off and talk ... keep signaling and hope for an off-ramp, one of those uphill side-loops with a sign saying "Max Speed 25" ... and the trick, at this point, is to suddenly leave the freeway and take him into the chute at no less than 100 miles an hour. He will lock his brakes about the same time you lock yours, but it will take him a moment to realize that he's about to make a 180-degree turn at this speed ... but you will be ready for it, braced for the Gs and the fast heel-toe work, and with any luck at all you will have come to a complete stop off the road at the top of the turn and be standing beside your automobile by the time he catches up. He will not be reasonable at first ... but no matter. Let him calm down. He will want the first word. Let him have it. His brain will be in a turmoil: he may begin jabbering, or even pull his gun. Let him unwind; keep smiling. The idea is to show him that you were always in total control of yourself and your vehicle – while he lost control of everything.
Hunter S. Thompson (Fear and Loathing in Las Vegas)
Against a set of desolate scenery, amid spectral crags and livid mountains of ash, beneath the funereal daylight of slopes illuminated in blue, she personified the spirit of the witches' sabbat. Morbid and voluptuous, sometimes with extenuated grace and infinite lassitude, she seemed to carry the burden of a criminal beauty, a beauty charged with all the sins cf the multitude. She fell again and again upon her pliant legs, and as she outlined the symbolic gestures of her two beautiful dead arms she seemed to be towing them behind her. Then, the vertigo of the abyss took hold of her again, and like one possessed she stood on point, holding herself fully erect from top to toe, like a spike of flesh and shadows. Her arms, weighed down just a few moments earlier, became menacing, demoniac, and audacious. Twisting like a screw, she whirled around, like a winnowing-machine - no, like a great lily stirred by a storm-wind. Clownish and macabre, a nacreous gleam showed between her lips... oh, that cruel and sardonic smile, and the two deep pools of her terrible eyes! Ize Kranile!
Jean Lorrain (Monsieur De Phocas)
It is time,my darling." "Oh,Frankie,no-" "You chose dare," he reminded her. "I did," she agreed sadly, stepping up. "You're right." It hadn't been entirely fair of him, starting the game in the middle of Neiman Marcus. The King of Prussia Mall, a zillion acres of retail-and-food-in-a-box, is many people's idea of perfect therapy. Me? If given the choice, I might opt for swimming with sharks instead. But today was about Frankie. "So," he told her, "I pick out three outfits,head to toe. You put them on." "Fine." Sadie pulled her jacket closer around her.This one was a muddy pruple, and had a third sleeve stitched tot he back. "But if you pick anything like that"- she pointed to a tiny tartan dress that seemed to be missing its entire back- "I will cry." "Have faith," he replied with a slightly twisted smile, and dragged her toward women's sportswear. "What our sport is," he said apropos of very little save the sign on the wall, "I have no idea." Ten minutes later, Sadie was heading into the dressing room with an armful of autumn color and a look like she was on her way off a cliff.
Melissa Jensen (The Fine Art of Truth or Dare)
A loose board on the boat’s deck creaked under Hadrian’s weight and Royce glared at him. Twelve years they had worked together, and still Royce did not seem capable of understanding that Hadrian could not float. The problem was that Royce apparently could. He made it look so easy. Hadrian walked like the caricature of a thief—on his toes, his arms out for balance, wavering up and down as if he were on a tightrope. Royce walked as casually as if he were sauntering down a city street. They communicated as they always did on the job, with facial expressions and hand gestures. Royce had learned sign language as part of his guild training but had never bothered teaching Hadrian more than a few signals. Royce was always able to communicate what he needed by pointing, counting with his fingers, or making simple obvious signs like scissoring his fingers across his level palm, imitating legs walking on a floor. He expressed most of his silent dialogue the way he was now: through rolled eyes, glares, and the pitiable shaking of his head. Given how irritated he so often looked, it was a mystery why he put up with Hadrian.
Michael J. Sullivan (Heir of Novron (The Riyria Revelations, #5-6))
I need to teach you the trick.” He didn’t say it creepy. I could smell the liquor pouring off him in waves, but he wasn’t hunting me, not right at this moment. I took a deeper breath. “What trick?” He sat up straighter, garbling his words. “Whenever you can’t sleep, take five deep breaths, pulling them all the way into your toes and holding them until you can’t stand it. Then you stretch everything, even your little finger. Even the hair in your ears.” I smiled at this, though he wasn’t looking at me. That was something he used to say to us when we were younger. I love even the hair in your ears. Eww! We’d say. It’s full of wax! I still love it because I love you. “Then hold your eyes halfway closed to the count of twenty-five, then all the way closed to the count of one hundred. Think you can do that?” A big tear globe was swelling up in my right eye. I nodded. “Good,” Dad said. He pushed himself off the ground but started to tip. He got it on his second try. “You don’t need me, then. I think I’ll go for a walk.” He pointed toward the basement door. “Don’t go in there. Basements are where men hide their secrets.
Jess Lourey (Unspeakable Things)
Tony is back on the filed. Every hole is a burn and a pull. Now he feels as if he might not float up but instead fall inside of something underneath him. There is an anchor, something he's been rooted to all this time, as if in each hole there is a hook attached to a line pulling him down. A wind from the bay sweeps through the stadium, moves through him. Tony hears a bird. Not outside. From where he's anchored, to the bottom of the bottom, the middle of the middle of him. The center's center. There is a bird for every hole in him. Singing. Keeping him up. Keeping him from going. Tony remembers something his grandma said to him when she was teaching him how to dance. "You have to dance like birds sing in the morning," she said, and showed him how light she could be on her feet. She bounced and her toes pointed in just the right way. Dancer's feet. Dancer's gravity. Tony needs to be light now. Let the wind sign through the holes in him listen to the birds singing. Tony isn't going anywhere. And somewhere in there, inside him, where he is, where he'll always be, even now it is morning, and the birds, the birds are singing.
Tommy Orange (There There)
You are your own worst enemy, young lady. And you are a coward. It is senseless to mistake fear for bravery.” Her warm breath is yeasty on my face. “I feel sorry for you. But that’s it. We are done trying to help you. It’s your life, as your poor father said.” AFTER THIS, WHEN I wake in the morning, I spread my fingers, working out the stiffness that creeps in overnight. I point my toes, feeling the crimp in my ankles, my calves, the dull sore ache behind my knees. The pain in my joints is like a needy pet that won’t leave me alone. But I can’t complain. I’ve forfeited that right.
Christina Baker Kline (A Piece of the World)
1. Whenever you walk through a doorway at home, stop, press the palms of your hands flat against the top of the door frame, get up on your toes, then push up with your arms and try to get your heels back on the floor. But don't let them budge - you're pushing against the calf muscles and recontouring them. Hold it for few seconds and then go on about you chores. 2. Sit on a straight chair, point your toes out straight, and kick up as high as you can with each leg. You'll feel a healthy pull in the calf muscles. 3. After a few kicks, stand up on your toes and lower yourself very slowly to a squatting position, still keeping your weight on the balls of your feet. Then pull slowly up again. It’s fair to balance yourself lightly with your hands on the back of a chair if you have to. 4. Put a book on the floor and place the balls of your feet on the book and your heels on the floor. Raise yourself slowly until you’re on tiptoe on the book. Then lower yourself just as slowly. The thicker the book, the better the results/ These four exercises will slim down fat calves and build up thin ones. The point is that the muscles are being firmed, and no matter what your problem the result is lovelier legs.
Joan Crawford (My Way of Life)
She nearly slipped on an icy rock, but he caught her, his shoepacks sure on the frozen ground. He led her up a shaded path to a limestone wall, where they squeezed through an opening like a loophole. On the other side, the earth fell away, and it seemed they stepped into open sky. She gave a little gasp, not of fear, but of awe. He turned to take her in, pressing his back against the cold cliff and drawing her in front of him. She looked down and found the toes of her boots in midair with only her heels on the ledge. But he had one hard arm around her, grounding her. His breath was warm against her cold cheek. “I wanted to show you Cherokee territory, not just tell you about it.” She followed the sweep of his arm south, his finger pointing to distant snow-dusted mountains and a wide opal river. Small puffs of smoke revealed few campfires or cabins. The land lay before them like a disheveled white coverlet, uninhabited and without end, broken by more mountains and wending waterways. The unspoiled beauty of it took her breath. For a moment he relaxed his hold on her. With a cry, she reached for him again, fearing she might fall into nothingness. “Careful,” he murmured, steadying her. “Trust me.” She shut her eyes tight as his arms settled around her, anchoring her to the side of the cliff. Frightened as she was, she felt a tingling from her bare head to her feet. ’Twas altogether bewildering and frightening . . . yet pleasing. Gingerly, as if doing a slow dance, he led her off the ledge onto safe ground, where he released her and turned toward the stallion grazing on a tuft of grass. His smile was tight. “We should return—soon, before your father thinks I took you captive.” Reluctantly she walked behind him, framing every part of him in her mind in those few, unguarded moments before he mounted.
Laura Frantz (Courting Morrow Little)
Pretty speech,” he said. “It’s the only one I’ve got.” “I know what’s really going on here. You’re scared to step into my world. Afraid you can’t hack it. Much better to hide here and be a big fish in a very small pond.” “If that’s the way you see it, fine.” I raised my chin. “I have nothing to prove to you, Rogan.” “But now I have something to prove to you,” he said. “I promise you, I will win, and by the time I’m done, you won’t walk, you’ll run to jump into my bed.” “Don’t hold your breath,” I told him. All of his civilized veneer was gone now. The dragon faced me, teeth bared, claws out, breathing fire. “You won’t just sleep with me. You’ll be obsessed with me. You’ll beg me to touch you, and when that moment comes, we will revisit what happened here today.” “Never in a million years.” I pointed at the doorway. “Exit is that—” He grabbed me. His mouth closed on mine. His big body caged me in. His chest mashed my breasts. His arms pulled me to him, one across my back, the other cupping my butt. His magic washed over me in an exhilarating rush. My body surrendered. My muscles turned warm and pliant. My nipples tightened, my breasts ready to be squeezed, ready for his fingers and his mouth. An eager ache flared between my legs. My tongue licked his. God, I wanted him. I wanted him so badly. He let me go, turned on his toes, and went out, laughing under his breath. Aaargh! “That’s right! Keep . . . walking!” I threw the wrench down. “Now that was a kiss,” Grandma Frida said from the doorway behind me. I jumped. “How long have you been there?” “Long enough. That man means business.” All my words tried to come out at once. “I don’t . . . what . . . asshole! . . . screw himself for all I care!” “Aww, young love, so passionate,” Grandma said. “I’m going to buy you a subscription to Brides magazine. You should start shopping for dresses.” I waved my arms and walked away from her before I said something I would regret.
Ilona Andrews (Burn for Me (Hidden Legacy, #1))
I could come down for a couple of days, Daniel,but I'd like to bring someone." "Someone?" Daniel's senses sharpened. He leaned forward with the cigar smoldering in his hand. "Who might this someone be?" Recognizing the tone, Grant crunched o a corn chip. "An artist I know who's doing some painting in New England, in Winty Point at the moment. I think she'd be interested in your house." She, Daniel thought with an irrepressible grin.Just because he'd managed to comfortably establish his children didn't mean he had to give up the satisfying hobby of matchmaking. Young people needed to be guided in such matters-or shoved along.And Grant-though he was a Campbell-was by way of being family... "An artist...aye,that's interesting. Always room for one more,son. Bring her along. An artist," he repeated, tapping out his cigar. "Young and pretty, too, I'm sure." "She's nearly seventy," Grant countered easily,crossing his ankles as he leaned against the wall. "A little dumpy, has a face like a frog.Her paintings are timeless, tremendous emotional content and physicality.I'm crazy about her." He paused, imagining Daniel's wide face turning a deep puce. "Genuine emotion transcends age and physical beauty, don't you agree?" Daniel choked, then found his voice. The boy needed help,a great deal of help. "You come early Friday,son. We'll need some time to talk." He stared hard the bookshelf across the room. "Seventy, you say?" "Close.But then true sensuality is ageless. Why just last night she and I-" "No,don't tell me," Daniel interrupted hastily. "We'll have a long talk when you get here. A long talk," he added after a deep breath. "Has Shelby-No, never mind," he decided. "Friday," Daniel said in a firmer tone. "We'll see about all this on Friday." "We'll be there." Grant hung up, then leaning against the doorjamb, laughed until he hurt. That should keep the old boy on his toes until Friday, Grant thought. Still grinning, he headed for the stairs. He'd work until dark-until Gennie.
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
They set out the next morning just at sunrise. The vultures that top the taller, deader trees are spreading their black wings so the dew on them will evaporate; they’re waiting for the thermals to help them lift and spiral. Crows are passing the rumours, one rough syllable at a time. The smaller birds are stirring, beginning to cheep and trill; pink cloud filaments float above the eastern horizon, brightening to gold at the lower edges. Some days the sky looks like old paintings of heaven: there should be a few angels floating around, their white robes deployed like the skirts of archaic debutantes, their pink toes daintily pointed, their wings aerodynamically impossible. Instead, there are gulls.
Margaret Atwood (MaddAddam (MaddAddam, #3))
While the Scripture encourages us to give up our liberties for the good of each other, the goal is not conformity. We sacrifice for each other because we are in relationship with each other, not in order to stay in relationship with each other. This nuance is essential because it helps us discern the difference between healthy and unhealthy communities. Because as much as healthy communities can lead us to wisdom and goodness, unhealthy communities can actually hinder our developing discernment. Another point that Jacobs makes in How to Think is how often we conform to community expectations and toe the party line, not because we are convinced it’s right or good, but because speaking out against it would jeopardize our membership in the group. Sometimes this may mean accepting bad treatment for ourselves, as in abusive relationships, or enabling the abuse of others, all in order to stay in the group. Jacobs says that we can tell the difference between an unhealthy community and a healthy one by its attitude toward discernment. An unhealthy community “discourages, mocks, and ruthlessly excludes those who ask uncomfortable questions. … The genuine community is open to thinking and questioning, so long as those thoughts and questions come from people of goodwill.”9 In fact, the dissenting voice is so important to finding goodness that God has equipped certain people with a particular gift for discernment.
Hannah Anderson (All That's Good: Recovering the Lost Art of Discernment)
If you’ve tied them up, start by undoing the knot! Lay the toes one on top of the other and fold the stocking in half lengthwise. Then fold it into thirds, making sure that the toes are inside, not outside, and that the waistband protrudes slightly at the top. Finally, roll the stocking up toward the waistband. If the waistband is on the outside when you finish, you’ve done it right. Fold knee-high stockings the same way. With thicker material, such as tights, it is easier to roll if you fold them in half rather than in thirds. The point is that the stocking should be firm and stable when you’ve finished, much like a sushi roll. When you store the stockings in your drawer, arrange them on end so that the swirl is visible.
Marie Kondō (The Life-Changing Magic of Tidying Up: The Japanese Art of Decluttering and Organizing (Magic Cleaning #1))
No longer kneeling at the foot of the bed, knees on the hard wood of the gym floor, Aunt Elizabeth standing by the double doors, arms folded, cattle prod hung on her belt, while Aunt Lydia strides along the rows of kneeling nightgowned women, hitting our backs or feet or bums or arms lightly, just a flick, a tap, with her wooden pointer if we slouch or slacken. She wanted our heads bowed just right, our toes together and pointed, our elbows at the proper angle. Part of her interest in this was aesthetic: she liked the look of the thing. She wanted us to look like something Anglo-Saxon, carved on a tomb; or Christmas card angels, regimented in our robes of purity. But she knew too the spiritual value of bodily rigidity, of muscle strain: a little pain cleans out the mind, she’d say.
Margaret Atwood (The Handmaid's Tale (The Handmaid's Tale, #1))
Caleb told me that our mother said there was evil in everyone, and the first step to loving someone else is to recognize that evil in ourselves, so we can forgive them. So how can I hold Tobias’s desperation against him, like I’m better than him, like I’ve never let my own brokenness blind me? “Hey,” I say, crushing Caleb’s directions into my back pocket. He turns, and his expression is stern, familiar. It looks the way it did the first few weeks I knew him, like a sentry guarding his innermost thoughts. “Listen,” I say. “I thought I was supposed to figure out if I could forgive you or not, but now I’m thinking you didn’t do anything to me that I need to forgive, except maybe accusing me of being jealous of Nita…” He opens his mouth to interject, but I hold up a hand to stop him. “If we stay together, I’ll have to forgive you over and over again, and if you’re still in this, you’ll have to forgive me over and over again too,” I say. “So forgiveness isn’t the point. What I really should have been trying to figure out is whether we were still good for each other or not.” All the way home I thought about what Amar said, about every relationship having its problems. I thought about my parents, who argued more often than any other Abnegation parents I knew, who nonetheless went through each day together until they died. Then I thought of how strong I have become, how secure I feel with the person I now am, and how all along the way he has told me that I am brave, I am respected, I am loved and worth loving. “And?” he says, his voice and his eyes and his hands a little unsteady. “And,” I say, “I think you’re still the only person sharp enough to sharpen someone like me.” “I am,” he says roughly. And I kiss him. His arms slip around me and hold me tight, lifting me onto the tips of my toes. I bury my face in his shoulder and close my eyes, just breathing in the clean smell of him, the smell of wind. I used to think that when people fell in love, they just landed where they landed, and they had no choice in the matter afterward. And maybe that’s true of beginnings, but it’s not true of this, now. I fell in love with him. But I don’t just stay with him by default as if there’s no one else available to me. I stay with him because I choose to, every day that I wake up, every day that we fight or lie to each other or disappoint each other. I choose him over and over again, and he chooses me.
Veronica Roth (Allegiant (Divergent, #3))
What’s this crazy sail plan you’ve got there?” He was walking down to the ship now. Someone had placed a boarding ramp against the rail and he climbed up, studying the twin yardarms and the bundled-up sails. Hal and Stig joined him. Others clustered round the bow of the beached ship, straining to see. “It’s my design, Oberjarl. It’s based on a bird’s wing,” Hal said. Erak frowned. He shoved one of the yardarms with his toe. “Why? What’s the point? I mean, it’s pretty, but why do you want a sail like a bird’s wing?” “She’ll point higher into the wind than a square sail,” Hal said. Erak looked doubtful. “So you say.” “She’ll point three times as high as a wolfship,” Stig interjected indignantly. “She’ll sail rings around a wolfship!” Erak turned slowly to regard him. There was a long silence and Stig’s face began to redden. “Who are you? His lawyer?” Erak asked.
John Flanagan (The Outcasts (Brotherband Chronicles, #1))
A Lake Charles-based artist, Sally was a progressive Democrat who in 2016 primary favored Bernie Sanders. Sally's very dear friend and worl-traveling flight attendant from Opelousas, Louisiana, Shirley was an enthusiast for the Tea Party and Donald Trump. Both woman had joined sororities at LSU. Each had married, had three children, lived in homes walking distance apart in Lake Charles, and had keys to each other's houses. Each loved the other's children. Shirley knew Sally's parents and even consulted Sally's mother when the two go to "fussing to much." They exchanged birthday and Christmas gifts and jointly scoured the newspaper for notices of upcoming cultural events they had, when they were neighbors in Lake Charles, attended together. One day when I was staying as Shirley's overnight guest in Opelousas, I noticed a watercolor picture hanging on the guestroom wall, which Sally had painted as a gift for Shirley's eleven-year-old daughter, who aspired to become a ballerina. With one pointed toe on a pudgy, pastel cloud, the other lifted high, the ballerina's head was encircled by yellow star-like butterflies. It was a loving picture of a child's dream--one that came true. Both women followed the news on TV--Sally through MSNBC's Rachel Maddow, and Shirley via Fox News's Charles Krauthammer, and each talked these different reports over with a like-minded husband. The two women talk by phone two or three times a week, and their grown children keep in touch, partly across the same politcal divide. While this book is not about the personal lives of these two women, it couldn't have been written without them both, and I believe that their friendship models what our country itself needs to forge: the capacity to connect across difference.
Arlie Russell Hochschild (Strangers in Their Own Land: Anger and Mourning on the American Right)
We should probably set some ground rules." I continued. He slumped back against the chair, crossing his arms over his chest. "You want to make rules for tutoring?" I nodded. "And if you don't follow them, I'll quit." He studied me for long moments. It made me squirm in my seat. Romeo had a very intense and level stare. "Okay, Rimmel," he drawled. "Let's hear these rules." I swallowed. Every time he said my name, the spit in my mouth seemed to thicken. "Okay." I agreed. My shoulders straightened and I held up my hand to count the rules as I went. "One: do not be late. It's rude. If you're late again, I won't wait." His lips twitched, which brought me to the next rule. "Two: Don't bother trying to charm me into doing your work for you. I won't." He pressed a hand to his chest like he was offended. "You think so low of me." He gasped. I rolled my eyes. "Three: No girls during tutoring. No disappearing." "But you're a girl," he said, sitting forward swiftly and tucking a bunch of hair behind my ear. The back of my neck broke out in goose bumps and they scattered down my spine, and my toes curled in the Converse I was wearing. "Rule four," I said, ignoring the funny way he made me feel. "No charm at all." "I can't help it, Rimmie." His intensely azure eyes roamed over my face like he was looking at me for the first time. "It's so easy to make you blush." I hit away his hand. "Rule five: Do not call me Rimmie." Ugh, he was irritating! He chuckled and sat back. "Fine. Now, can we get to work?" he asked, pointing at his paper. "No," I snapped. "Tutoring is over for today." "But what about this assignment?" he whined. "Here's a thought," I said as I snatched my bag and stood. "Sit here and do it." I started to stalk away, nearly tripping over my half-untied shoelace. He laughed beneath his breath, and I thought about kicking him. - Rimmel & Romeo
Cambria Hebert (#Nerd (Hashtag, #1))
he same goes for new situations. Imagine a child who’s more afraid of the ocean than are other kids the same age. Thoughtful parents recognize that this fear is natural and even wise; the ocean is indeed dangerous. But they don’t allow her to spend the summer on the safety of the dunes, and neither do they drop her in the water and expect her to swim. Instead they signal that they understand her unease, while urging her to take small steps. Maybe they play in the sand for a few days with the ocean waves crashing at a safe distance. Then one day they approach the water’s edge, perhaps with the child riding on a parent’s shoulders. They wait for calm weather, or low tide, to immerse a toe, then a foot, then a knee. They don’t rush; every small step is a giant stride in a child’s world. When ultimately she learns to swim like a fish, she has reached a crucial turning point in her relationship not only with water but also with fear
Susan Cain (Quiet: The Power of Introverts in a World That Can't Stop Talking)
The same goes for new situations. Imagine a child who’s more afraid of the ocean than are other kids the same age. Thoughtful parents recognize that this fear is natural and even wise; the ocean is indeed dangerous. But they don’t allow her to spend the summer on the safety of the dunes, and neither do they drop her in the water and expect her to swim. Instead they signal that they understand her unease, while urging her to take small steps. Maybe they play in the sand for a few days with the ocean waves crashing at a safe distance. Then one day they approach the water’s edge, perhaps with the child riding on a parent’s shoulders. They wait for calm weather, or low tide, to immerse a toe, then a foot, then a knee. They don’t rush; every small step is a giant stride in a child’s world. When ultimately she learns to swim like a fish, she has reached a crucial turning point in her relationship not only with water but also with fear.
Susan Cain (Quiet: The Power of Introverts in a World That Can't Stop Talking)
You’re not from around here–you CIA?” he demanded. “I’m not CIA,” I replied wearily. “Just here to see the Buddhas.” “What Buddhas?” “The Buddhas of Bamiyan?” I suggested, doing my best not to let my contempt of this bandit’s ignorance show. “Carved into the mountainside itself ?” “Hell yeah,” mused the man on the truck. “I’ve seen them. You’re right to go now–twenty years from now they won’t even be standing!” I stepped back, surprised, and had another look at this ragged, smelling, dust-covered man. He grinned, touched his hand to his forelock and said, “Well, nice to meet you, even if you aren’t CIA.” He hopped down from the truck and began to head away. I called out, surprised at myself for even doing it, “Tiananmen Square.” He stopped, then swung round on the spot, toe pointing up and ankle digging into the dirt as he did, like a dancer. Still grinning his easy grin, he swaggered back towards me, stopping so close I could feel the stickiness coming off his body. “Hell,” he said at last. “You don’t look much like a Chinese spy neither.” “You don’t look like an Afghan warlord,” I pointed out. “Well, that’s because I’m only passing through this place on the way to somewhere else.” “Anywhere in particular?” “Wherever there’s action. We’re men of war, see–that’s what we do and we do it well–and there’s no shame in that because it’ll happen without us anyway, but with us–” his grin widened “–maybe it’ll happen that little bit faster. But what’s a nice old gentleman like you doing talking about Chinese geography, hey?” “Nothing,” I replied with a shrug. “The word just popped into my head. Like Chernobyl–just words.” Fidel’s eyebrows flickered, though his grin remained fixed. Then he gave a great chuckle, slapped me so hard on the shoulder that I nearly lost my footing, stepped back a little to admire his handiwork, and finally roared out loud. “Jesus, Joseph and the Holy Mary,” he blurted. “Michael fucking Jackson to you too.
Claire North (The First Fifteen Lives of Harry August)
Mr. Grayson was just…explaining the workings of the ship.” She attempted to tug her hand from Gray’s grasp, shooting him a pained look when he refused to relinquish his prize. Gray said smoothly, “Actually, we were discussing debts. Miss Turner still owes me her fare, and I-“ “And I told you, you’ll have it today.” Beneath that abomination of a skirt wrapped about his leg, she planted her heel atop his booted toe and transferred all her weight onto it. Firmly. Once again, Gray regretted trading his old, sturdy boots for these foppish monstrosities. Her little pointed heel bit straight through the thin leather. With a tight grimace, Gray released her hand. He’d been about to say, and I have her handkerchief to return. But just for that, he wouldn’t. “Good afternoon, then.” A sweet smile graced her face as she stomped down on his foot again, harder. Then she turned and flounced away. He made an amused face at Jonas. “I think she likes me.” “In my cabin, Gray.” Gray gritted his teeth and followed Joss down the hatch. Whether he liked being Gray’s half brother or not, Joss was damn lucky right now that he was. Gray wouldn’t have suffered that supercilious command for any bond weaker than blood. “You gave me your word, Gray.” “Did I? And what word was that?” Joss tossed his hat on the wood-framed bed and stripped off his greatcoat with agitated movements. “You know damn well what I mean. You said you wouldn’t pursue Miss Turner. Now you’re kissing her hand and making a spectacle in front of the whole ship. Bailey’s already taking bets from the sailors as to how many days it’ll take you to bed her.” “Really?” Gray rubbed the back of his neck. “I hope he’s giving even odds on three. Two, if you’ll send young Davy up the mast again. That got her quite excited.” Joss glared at him. “Need I remind you that this was your idea? You wanted a respectable merchant vessel. I’m trying to command it as such, but that’ll be a bit difficult if you intend to stage a bawdy-house revue on deck every forenoon.” Gray smiled as Joss slung himself into the captain’s chair. “Be careful, Joss. I do believe you nearly made a joke. People might get the idea you have a sense of humor.” “I don’t see anything humorous about this. This isn’t a pleasure cruise around the Mediterranean.
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
KNEE SURGERY I’D FIRST HURT MY KNEES IN FALLUJAH WHEN THE WALL FELL on me. Cortisone shots helped for a while, but the pain kept coming back and getting worse. The docs told me I needed to have my legs operated on, but doing that would have meant I would have to take time off and miss the war. So I kept putting it off. I settled into a routine where I’d go to the doc, get a shot, go back to work. The time between shots became shorter and shorter. It got down to every two months, then every month. I made it through Ramadi, but just barely. My knees started locking and it was difficult to get down the stairs. I no longer had a choice, so, soon after I got home in 2007, I went under the knife. The surgeons cut my tendons to relieve pressure so my kneecaps would slide back over. They had to shave down my kneecaps because I had worn grooves in them. They injected synthetic cartilage material and shaved the meniscus. Somewhere along the way they also repaired an ACL. I was like a racing car, being repaired from the ground up. When they were done, they sent me to see Jason, a physical therapist who specializes in working with SEALs. He’d been a trainer for the Pittsburgh Pirates. After 9/11, he decided to devote himself to helping the country. He chose to do that by working with the military. He took a massive pay cut to help put us back together. I DIDN’T KNOW ALL THAT THE FIRST DAY WE MET. ALL I WANTED to hear was how long it was going to take to rehab. He gave me a pensive look. “This surgery—civilians need a year to get back,” he said finally. “Football players, they’re out eight months. SEALs—it’s hard to say. You hate being out of action and will punish yourselves to get back.” He finally predicted six months. I think we did it in five. But I thought I would surely die along the way. JASON PUT ME INTO A MACHINE THAT WOULD STRETCH MY knee. Every day I had to see how much further I could adjust it. I would sweat up a storm as it bent my knee. I finally got it to ninety degrees. “That’s outstanding,” he told me. “Now get more.” “More?” “More!” He also had a machine that sent a shock to my muscle through electrodes. Depending on the muscle, I would have to stretch and point my toes up and down. It doesn’t sound like much, but it is clearly a form of torture that should be outlawed by the Geneva Convention, even for use on SEALs. Naturally, Jason kept upping the voltage. But the worst of all was the simplest: the exercise. I had to do more, more, more. I remember calling Taya many times and telling her I was sure I was going to puke if not die before the day was out. She seemed sympathetic but, come to think of it in retrospect, she and Jason may have been in on it together. There was a stretch where Jason had me doing crazy amounts of ab exercises and other things to my core muscles. “Do you understand it’s my knees that were operated on?” I asked him one day when I thought I’d reached my limit. He just laughed. He had a scientific explanation about how everything in the body depends on strong core muscles, but I think he just liked kicking my ass around the gym. I swear I heard a bullwhip crack over my head any time I started to slack. I always thought the best shape I was ever in was straight out of BUD/S. But I was in far better shape after spending five months with him. Not only were my knees okay, the rest of me was in top condition. When I came back to my platoon, they all asked if I had been taking steroids.
Chris Kyle (American Sniper: The Autobiography of the Most Lethal Sniper in U.S. Military History)
Emma, calm down. I had to know-" I point my finger in his face, almost touching his eyeball. "It's one thing for me to give your permission to look into it. But I'm pretty sure looking into it without my consent is illegal. In fact, I'm pretty sure everything that woman does is illegal. Do you even know what the Mafia is, Galen?" His eyebrows lift in surprise. "She told you who she is? I mean, who she used to be?" I nod. "While you were checking in with Grom. Once in the Mob, always in the Mob, if you ask me. How else would she get all her money? But I guess you wouldn't care about that, since she buys you houses and cars and fake IDs." I snatch my wrist away and turn back toward our hotel. At least, I hope it's our hotel. Galen laughs. "Emma, it's not Rachel's money; it's mine." I whirl on him. "You are a fish. You don't have a job. And I don't think Syrena currency has any of our presidents on it." Now "our" means I'm human again. I wish I could make up my mind. He crosses his arms. "I earn it another way. Walk to the Gulfarium with me, and I'll tell you how." The temptation divides me like a cleaver. I'm one part hissy fit and one part swoon. I have a right to be mad, to press charges, to cut Rachel's hair while she's sleeping. But do I really want to risk the chance that she keeps a gun under her pillow? Do I want to miss the opportunity to scrunch my toes in the sand and listen to Galen's rich voice tell me how a fish came to be wealthy? Nope, I don't. Taking care to ram my shoulder into him, I march past him and hopefully in the right direction. When he catches up to me, his grin threatens the rest of my hissy fit side, so I turn away, fixing my glare on the waves. "I sell stuff to humans," he says. I glance at him. He's looking at me, his expression every bit as expectant as I feel. I hate this little game of ours. Maybe because I'm no good at it. He won't tell me more unless I ask. Curiosity is one of my most incurable flaws-and Galen knows it. Still, I already gave up a perfectly good tantrum for him, so I feel like he owes me. Never mind that he saved my life today. That was so two hours ago. I lift my chin. "Rachel says I'm a millionaire," he says, his little knowing smirk scrubbing my nerves like a Brillo pad. "But for me, it's not about the money. Like you, I have a soft spot for history." Crap, crap, crap. How can he already know me this well? I must be as readable as the alphabet. What's the use? He's going to win, every time.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
This trip would be a lot easier if we had weapons bearers coming with us,” he grumbled, toeing his waiting pile of belongings. He looked rumpled, red-eyed, and hurting, not much of a surprise after all he’d had to drink the previous night. “You’d think every lad in Delphi would jump at the chance to join us on a fabulous quest like this.” “We’ll have weapons bearers when we reach our quest’s start at Iolkos,” Polydeuces told him. “Maybe before. We’ll pass through many cities before we reach Iolkos. Jason hasn’t completed his crew yet.” “I still don’t see why we can’t find any now,” Castor persisted. “It’s a fine opportunity for any boy would hopes to be a warrior someday. They can’t all have kinsmen to teach them about the warrior’s life and how to fight. We’d see to it that they learn how to use the sword and spear and shield they carry for us.” “You don’t have shields,” I pointed out. “We’ll get them in Iolkos!” Castor snapped, then winced and cradled his head tenderly in one hand. “Just as well I don’t have a shield yet: If that scrawny boy’d had the sense to become my weapons bearer, the weight of it would’ve crushed him.” “What scrawny boy?” I asked. “Someone with no stomach for adventure, that’s all,” Polydeuces said, resting one hand on my shoulder. “Not like us, eh, Helen?
Esther M. Friesner (Nobody's Princess (Nobody's Princess, #1))
I want you to ride me.” “Fuck.” Dex shivered from head to toe. “That’s the idea.” Sloane put his hands behind his head, and Dex crawled over him. He sat on Sloane’s thighs and wrapped his lubed hand around Sloane’s hard cock, sliding it up to the head and drawing a sharp breath from Sloane. He loved watching his partner. The heated look in Dex’s eyes, the way those plump lips were slightly parted as he slowly eased his hand down to the root, twisting as he went. Sloane closed his eyes with a moan. When Dex had slathered him up good and driven Sloane to the point where he thought he’d come, he grabbed Dex’s wrist and pulled him over. He needed to taste those lips, to claim them as his, and he started by forcing his tongue inside Dex’s mouth, his kisses hungry and needy. Gripping Dex’s ass, Sloane moved Dex onto him, pulling away from Dex’s lips long enough to demand hoarsely, “Fuck yourself on my dick.” “Oh God.” Dex shifted back and reached behind him. He took hold of Sloane’s cock, and Sloane felt it being pushed between Dex’s ass cheeks. With gritted teeth he watched Dex gradually push himself farther back onto Sloane. “Fuck. Dex,” Sloane groaned, his hands gripping fistfuls of the sheets as he felt the tightness of Dex’s ass swallowing Sloane little by little. Sloane’s brow was beaded with sweat, and he gritted his teeth until Dex was sitting on him with Sloane shoved all the way up. Dex leaned slightly forward, and Sloane ran a hand up his lover’s chest. “You’re so fucking beautiful.” Dex
Charlie Cochet (Rack & Ruin (THIRDS #3))
LATE ONE AFTERNOON, after watching for Chase Andrews, Kya walks from her shack and lies back on a sliver of beach, slick from the last wave. She stretches her arms over her head, brushing them against the wet sand, and extends her legs, toes pointed. Eyes closed, she rolls slowly toward the sea. Her hips and arms leave slight indentions in the glistening sand, brightening and then dimming as she moves. Rolling nearer the waves, she senses the ocean’s roar through the length of her body and feels the question: When will the sea touch me? Where will it touch me first? The foamy surge rushes the shore, reaching toward her. Tingling with expectancy, she breathes deep. Turns more and more slowly. With each revolution, just before her face sweeps the sand, she lifts her head gently and takes in the sun-salt smell. I am close, very close. It is coming. When will I feel it? A fever builds. The sand wetter beneath her, the rumble of surf louder. Even slower, by inches she moves, waiting for the touch. Soon, soon. Almost feeling it before it comes. She wants to open her eyes to peek, to see how much longer. But she resists, squinting her lids even tighter, the sky bright behind them, giving no hints. Suddenly she shrieks as the power rushes beneath her, fondles her thighs, between her legs, flows along her back, swirling under her head, pulling her hair in inky strands. She rolls faster into the deepening wave, against streaming shells and ocean bits, the water embracing her. Pushing against the sea’s strong body, she is grasped, held. Not alone. Kya sits up and opens her eyes to the ocean foaming around her in soft white patterns, always changing.
Delia Owens (Where the Crawdads Sing)
Better take her uniform -- all that gear," the second MetaCop suggests, not unlewdly. The manager looks at Y.T., trying not to let his gaze travel sinfully up and down her body. For thousands of years his people have survived on alertness: waiting for Mongols to come galloping over the horizon, waiting for repeat offenders to swing sawed-off shotguns across their check-out counters. His alertness right now is palpable and painful; he's like a goblet of hot nitroglycerin. The added question of sexual misconduct makes it even worse. To him it's no joke. Y.T. shrugs, trying to think of something unnerving and wacky. At this point, she is supposed to squeal and shrink, wriggle and whine, swoon and beg. They are threatening to take her clothes. How awful. But she does not get upset because she knows that they are expecting her to. A Kourier has to establish space on the pavement. Predictable law-abiding behavior lulls drivers. They mentally assign you to a little box in the lane, assume you will stay there, can't handle it when you leave that little box. Y.T. is not fond of boxes. Y.T. establishes her space on the pavement by zagging mightily from lane to lane, establishing a precedent of scary randomness. Keeps people on their toes, makes them react to her, instead of the other way round. Now these men are trying to put her in a box, make her follow rules. She unzips her coverall all the way down below her navel. Underneath is naught but billowing pale flesh. The MetaCops raise their eyebrows. The manager jumps back, raises both hands up to form a visual shield, protecting himself from the damaging input. "No, no, nor' he says. Y.T. shrugs, zips herself back up.
Neal Stephenson (Snow Crash)
I remember once, on a family skiing trip to the Alps, Dad’s practical joking got all of us into a particularly tight spot. I must have been about age ten at the time, and was quietly excited when Dad spotted a gag that was begging to be played out on the very serious-looking Swiss-German family in the room next door to us. Each morning their whole family would come downstairs, the mother dressed head to toe in furs, the father in a tight-fitting ski suit and white neck scarf, and their slightly overweight, rather snooty-looking thirteen-year-old son behind, often pulling faces at me. The hotel had the customary practice of having a breakfast form that you could hang on your door handle the night before if you wanted to eat in your room. Dad thought it would be fun to fill out our form, order 35 boiled eggs, 65 German sausages, and 17 kippers, then hang it on the Swiss-German family’s door. It was too good a gag to pass up. We didn’t tell Mum, who would have gone mad, but instead filled out the form with great hilarity, and sneaked out last thing before bed and hung it on their door handle. At 7:00 A.M. we heard the father angrily sending the order back. So we repeated the gag the next day. And the next. Each morning the father got more and more irate, until eventually Mum got wind of what we had been doing and made me go around to apologize. (I don’t know why I had to do the apologizing when the whole thing had been Dad’s idea, but I guess Mum thought I would be less likely to get in trouble, being so small.) Anyway, I sensed it was a bad idea to go and own up, and sure enough it was. From that moment onward, despite my apology, I was a marked man as far as their son was concerned. It all came to a head when I was walking down the corridor on the last evening, after a day’s skiing, and I was just wearing my ski thermal leggings and a T-shirt. The spotty, overweight teenager came out of his room and saw me walking past him in what were effectively ladies’ tights. He pointed at me, called me a sissy, started to laugh sarcastically, and put his hands on his hips in a very camp fashion. Despite the age and size gap between us, I leapt on him, knocked him to the ground, and hit him as hard as I could. His father heard the commotion and raced out of his room to find his son with a bloody nose and crying hysterically (and overdramatically). That really was the straw that broke the camel’s back, and I was hauled to my parents’ room by the boy’s father and made to explain my behavior to Mum and Dad. Dad was hiding a wry grin, but Mum was truly horrified, and I was grounded. So ended another cracking family holiday!
Bear Grylls (Mud, Sweat and Tears)
I don’t know what to do with you,” he said, his voice growing curt with anger again. “Deceitful little minx. I’m of half a mind to put you to work, milking the goats. But that’s out of the question with these hands, now isn’t it?” He curled and uncurled her fingers a few times, testing the bandage. “I’ll tell Stubb to change this twice a day. Can’t risk the wound going septic. And don’t use your hands for a few days, at least.” “Don’t use my hands? I suppose you’re going to spoon-feed me, then? Dress me? Bathe me?” He inhaled slowly and closed his eyes. “Don’t use your hands much.” His eyes snapped open. “None of that sketching, for instance.” She jerked her hands out of his grip. “You could slice off my hands and toss them to the sharks, and I wouldn’t stop sketching. I’d hold the pencil with my teeth if I had to. I’m an artist.” “Really. I thought you were a governess.” “Well, yes. I’m that, too.” He packed up the medical kit, jamming items back in the box with barely controlled fury. “Then start behaving like one. A governess knows her place. Speaks when spoken to. Stays out of the damn way.” Rising to his feet, he opened the drawer and threw the box back in. “From this point forward, you’re not to touch a sail, a pin, a rope, or so much as a damned splinter on this vessel. You’re not to speak to crewmen when they’re on watch. You’re forbidden to wander past the foremast, and you need to steer clear of the helm, as well.” “So that leaves me doing what? Circling the quarterdeck?” “Yes.” He slammed the drawer shut. “But only at designated times. Noon hour and the dogwatch. The rest of the day, you’ll remain in your cabin.” Sophia leapt to her feet, incensed. She hadn’t fled one restrictive program of behavior, just to submit to another. “Who are you to dictate where I can go, when I can go there, what I’m permitted to do? You’re not the captain of this ship.” “Who am I?” He stalked toward her, until they stood toe-to-toe. Until his radiant male heat brought her blood to a boil, and she had to grab the table edge to keep from swaying toward him. “I’ll tell you who I am,” he growled. “I’m a man who cares if you live or die, that’s who.” Her knees melted. “Truly?” “Truly. Because I may not be the captain, but I’m the investor. I’m the man you owe six pounds, eight. And now that I know you can’t pay your debts, I’m the man who knows he won’t see a bloody penny unless he delivers George Waltham a governess in one piece.” Sophia glared at him. How did he keep doing this to her? Since the moment they’d met in that Gravesend tavern, there’d been an attraction between them unlike anything she’d ever known. She knew he had to feel it, too. But one minute, he was so tender and sensual; the next, so crass and calculating. Now he would reduce her life’s value to this cold, impersonal amount? At least back home, her worth had been measured in thousands of pounds not in shillings. “I see,” she said. “This is about six pounds, eight shillings. That’s the reason you’ve been watching me-“ He made a dismissive snort. “I haven’t been watching you.” “Staring at me, every moment of the day, so intently it makes my…my skin crawl and all you’re seeing is a handful of coins. You’d wrestle a shark for a purse of six pounds, eight. It all comes down to money for you.
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))