She Wore Pain Quotes

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She wore her scars, and looked as best as she could. He made her comfortable and removed them one by one. She stood bare in front of him. He kissed her naked soul and tattooed a promise on her skin
Himanshu Chhabra
She wore her pain like a crown, wore broken like a doll and damaged like a warrior.
Anne Malcom (Birds of Paradise)
[...] she couldn't help but think that this was how Persephone would be dragged to the underworld in 1880s London: not screaming, not twisting wildly, but painfully composed while Hades wore a velvet jacket.
Evie Dunmore (Portrait of a Scotsman (A League of Extraordinary Women, #3))
I actually grew fond of her in a nastily superior kind of way. For she was so completely artless and optimistic and clueless, she didn't care that she smelled bad or was fat or wore clothes unlike everyone else's, she had some weird disconnect with life that kept her constantly bubbling, and you knew she would go blithely through her long horribly boring life thinking every thing was just swell (the opposite of me).
Peter Cameron (Someday This Pain Will Be Useful to You)
I know how it feels, dear one. As if your heart were torn in two. I feel your pain.” I took a deep breath. Another. “Finbar?” “I know how it feels. As if you will never be whole again.” I reached inside my dress, where I wore two cords about my neck. One held my wedding ring; the other the amulet that had once been my mother’s. I left the one, and took off the other. “This is yours. Take it back. Take it back, it was to you she gave it.” I slipped the cord over his head, and the little carven stone with its ash tree sign lay on his breast. He had grown painfully thin. “Show me the other. The other talisman you wear.” Slowly I took out the carven ring, and lifted it on my palm for my brother to see. “He made this for you? Him with the golden hair, and the eyes that devour”? “Not him. Another.” Images were strong in my mind; Red with his arm around me like a shield; Red cutting up and apple; Red kicking a sword from a man’s hand, and catching it in his own; Red barefoot on the sand with the sea around his ankles. “You risked much, to give your love to such a one.” I stared at him. “Love?” “Did you not know, until now, when you must say goodbye?
Juliet Marillier (Daughter of the Forest (Sevenwaters, #1))
She wore her pain like lingerie, only who loved her enough, got to see it.
Himanshu Chhabra
Ma was heavy, but not fat; thick with child-bearing and work. She wore a loose Mother Hubbard of gray cloth in which there had once been colored flowers, but the color was washed out now, so that the small flowered pattern was only a little lighter gray than the background. The dress came down to her ankles, and he strong, broad, bare feet moved quickly and deftly over the floor. Her thin, steel-gray hair was gathered in a sparse wispy knot at the back of her head. Strong, freckled arms were bare to the elbow, and her hands were chubby and delicate, like those of a plump little girl. She looked out into the sunshine. Her full face was not soft; it was controlled, kindly. Her hazel eyes seemed to have experienced all possible tragedy and to have mounted pain and suffering like steps into a high calm and a superhuman understanding. She seemed to know, to accept, to welcome her position, the citadel of the family, the strong place that could not be taken. And since old Tom and the children could not know hurt or fear unless she acknowledged hurt and fear, she had practiced denying them in herself. And since, when a joyful thing happened, they looked to see whether joy was on her, it was her habit to build up laughter out of inadequate materials. But better than joy was calm. Imperturbability could be depended upon. And from her great and humble position in the family she had taken dignity and a clean calm beauty. From her position as healer, her hands had grown sure and cool and quiet; from her position as arbiter she had become as remote and faultless in judgment as a goddess. She seemed to know that if she swayed the family shook, and if she ever really deeply wavered or despaired the family would fall, the family will to function would be gone.
John Steinbeck (The Grapes of Wrath)
It pained me to think something so inane, but that morning, as she’d subjected me to an endless T-Swift playlist, I realized that Liz was a fucking Taylor Swift song. She was. Vibey and romantic, but with the uncanny ability to reach inside of you and grab your heart with her absolute specificity. Liz Buxbaum wasn’t just a redhead; no, she was a girl whose hair was the color of the late September maple leaves that fluttered on the home base tree in her front yard. And Liz Buxbaum didn’t just wear a sweater, for God’s sake. No, she wore an apple green cardigan that smelled like Chanel No.5 and the front seat of your car, where she’d left it for a week. She said it reminded her of the way the rain sounded on the roof the first time you kissed her.
Lynn Painter (Wes & Liz’s College Road Trip (Better than the Movies, #1.7))
A Thunderstorm In Town" She wore a 'terra-cotta' dress, And we stayed, because of the pelting storm, Within the hansom's dry recess, Though the horse had stopped; yea, motionless We sat on, snug and warm. Then the downpour ceased, to my sharp sad pain, And the glass that had screened our forms before Flew up, and out she sprang to her door: I should have kissed her if the rain Had lasted a minute more.
Thomas Hardy
It was tragic to be a burn victim—oil, acid, dowry disputes, cruel in-laws, all that—though what was expected next was a humble, pained exit, feminine in its sorrow, in its sense of proportion. In other words, what was expected was invisibility. For the woman to disappear. But Poornima refused, or rather, she never even considered it. She walked down the street, she held her head high, she wore no mangalsutra, she had no male escort, she was iron in her purpose, imperial in her poise.
Shobha Rao (Girls Burn Brighter)
I didn't choose to be the Angel of Death, blast it!" He practically spat the words. When she blinked, taken aback by his vehemence, he added, "That was some fool's idea of a joke" She kept staring at him, speechless. A joke? Her brother's death was a joke to someone? Seeing her reaction, he went on in a low, tortured voice, "After Roger's accident, I wore black to mourn him. Since Roger wasn't my family, Chetwin commented on it, saying that I dressed in black because Death was my constant companion. He pointed out that everyone I touched died--my parents, my best friend...everyone." He began to pace the clearing, pain etched in his features. "Chetwin was right, of course. Death was my constant companion. So it was no great surprise when other people started calling me the Angel of Death." His voice grew choked. "I fit the part, after all." -Gabriel to Virginia
Sabrina Jeffries (To Wed a Wild Lord (Hellions of Halstead Hall #4))
Where are your glasses?” She shrugged. “Lost. How did you know I wore some?” “You squint, Pima.” “Pima? My name is Vicky.” “I know what your name is. But I choose to call you Pima. Pain in my ass.” “Well excuse me, Nobody,” she sassed back with the first ounce of fire he’d seen in her.
Eve Langlais (Polar Bared (Kodiak Point, #3))
She screamed. Not a normal scream of pain, but a deep and blind cry as reason deserted her. Of all the screams cataloged in the encyclopedic audio library of the Hidden Schools, Tara’s bore the closest resemblance to the scream of a man whose abdomen was being devoured by a jagged-clawed insect that wore a child’s face.
Max Gladstone (Three Parts Dead (Craft Sequence, #1))
She was quite a doll. She wore a white belted raincoat, no hat, a well-cherished head of platinum hair, booties to match the raincoat, a folding plastic umbrella, a pair of blue-gray eyes that looked at me as if I had said a dirty word. I helped her off with her raincoat. She smelled very nice. She had a pair of legs - so far as I could determine - that were not painful to look at. She wore night sheer stockings. I stared at them rather intently, especially when she crossed her legs and held out a cigarette to be lighted
Raymond Chandler (Playback (Philip Marlowe, #7))
I caught sight of a splendid Misses. She had handerchiefs and kisses. She had eyes and yellow shoes she had everything to choose and she chose me. In passing through France she wore a Chinese hat and so did I. In looking at the sun she read a map and so did I…. In loving the blue sea she had a pain. And so did I. In loving me she of necessity thought first. And so did I. How prettily we swim. Not in water. Not on land. But in love. How often do we need trees and hills. Not often. And how often do we need mountains. Not very often.
Gertrude Stein
Being a woman is a pain in the ass. You have to look “good.” Your hair needs to be neat—not just combed through, but “done.” Blow-dried, ironed, curled, sprayed. Your face needs to be enhanced. Foundation, powder, eye shadow, mascara, lipstick, blush, contour. Your clothes have to look sharp, too. And you can never wear the same thing twice—at least not in the same week. A guy can throw on the same suit every single day for a year and no one would notice. I’m not exaggerating. An Australian broadcaster tested it out. His coanchor, a woman, kept getting letters, e-mails, and tweets from viewers criticizing what she was wearing. He was appalled. He never got notes. So he wore the same blue suit day in and day out. Three hundred sixty-five days. Surely someone would complain. No one did. “No one has noticed,” he said at the time. “No one gives a shit.
Katy Tur (Unbelievable: My Front-Row Seat to the Craziest Campaign in American History)
She tried not to think of the men she’d killed. Their faces came anyway, haunting in her memory. “How many?” she said, her voice trailing off. Corayne didn’t expect Andry to understand the broken musings of her mind. But pain crossed his face, a pain she knew. He looked beyond her, to the bodies in green and gold. He shut his eyes and bowed his head, hiding his face from the desert sun. “I don’t know,” he replied. “I will not count.” I have never seen a heart break before, Corayne thought, watching Andry Trelland. He wore no wounds, but she knew he bled within. Once he was a squire of Galland who dreamed of becoming a knight. And now he is a killer of them, a killer of his own dreams.
Victoria Aveyard (Blade Breaker (Realm Breaker, #2))
In The Garret Four little chests all in a row, Dim with dust, and worn by time, All fashioned and filled, long ago, By children now in their prime. Four little keys hung side by side, With faded ribbons, brave and gay When fastened there, with childish pride, Long ago, on a rainy day. Four little names, one on each lid, Carved out by a boyish hand, And underneath there lieth hid Histories of the happy band Once playing here, and pausing oft To hear the sweet refrain, That came and went on the roof aloft, In the falling summer rain. 'Meg' on the first lid, smooth and fair. I look in with loving eyes, For folded here, with well-known care, A goodly gathering lies, The record of a peaceful life-- Gifts to gentle child and girl, A bridal gown, lines to a wife, A tiny shoe, a baby curl. No toys in this first chest remain, For all are carried away, In their old age, to join again In another small Meg's play. Ah, happy mother! Well I know You hear, like a sweet refrain, Lullabies ever soft and low In the falling summer rain. 'Jo' on the next lid, scratched and worn, And within a motley store Of headless dolls, of schoolbooks torn, Birds and beasts that speak no more, Spoils brought home from the fairy ground Only trod by youthful feet, Dreams of a future never found, Memories of a past still sweet, Half-writ poems, stories wild, April letters, warm and cold, Diaries of a wilful child, Hints of a woman early old, A woman in a lonely home, Hearing, like a sad refrain-- 'Be worthy, love, and love will come,' In the falling summer rain. My Beth! the dust is always swept From the lid that bears your name, As if by loving eyes that wept, By careful hands that often came. Death canonized for us one saint, Ever less human than divine, And still we lay, with tender plaint, Relics in this household shrine-- The silver bell, so seldom rung, The little cap which last she wore, The fair, dead Catherine that hung By angels borne above her door. The songs she sang, without lament, In her prison-house of pain, Forever are they sweetly blent With the falling summer rain. Upon the last lid's polished field-- Legend now both fair and true A gallant knight bears on his shield, 'Amy' in letters gold and blue. Within lie snoods that bound her hair, Slippers that have danced their last, Faded flowers laid by with care, Fans whose airy toils are past, Gay valentines, all ardent flames, Trifles that have borne their part In girlish hopes and fears and shames, The record of a maiden heart Now learning fairer, truer spells, Hearing, like a blithe refrain, The silver sound of bridal bells In the falling summer rain. Four little chests all in a row, Dim with dust, and worn by time, Four women, taught by weal and woe To love and labor in their prime. Four sisters, parted for an hour, None lost, one only gone before, Made by love's immortal power, Nearest and dearest evermore. Oh, when these hidden stores of ours Lie open to the Father's sight, May they be rich in golden hours, Deeds that show fairer for the light, Lives whose brave music long shall ring, Like a spirit-stirring strain, Souls that shall gladly soar and sing In the long sunshine after rain
Louisa May Alcott (Little Women)
She wore the strangest smile I had ever seen. It was pained and vindictive and humiliated but she inexpertly smeared across this grimace a bright, girlish gaiety—as rigid as the skeleton beneath her flabby body. If fate ever allowed Sue to reach me, she would kill me with just that smile.
James Baldwin (Giovanni’s Room)
Granted, Mr. Kent was also making somewhat of a spectacle of himself, tasting an unfamiliar pastry and attempting to get its name and ingredients from the poor vendor. Mr. Braddock wore a pained expression, trying to divert Mr. Kent, and Miss Chen seemed to be pretending she had no connection to either of them.
Tarun Shanker (These Ruthless Deeds (These Vicious Masks, #2))
This was why love was so dangerous. Love turned the world into a garden, so beguiling it was easy to forget that rose petals sails appeared charmed. They blazed red in the day and silver at night, like a magician’s cloak, hinting at mysteries concealed beneath, which Tella planned to uncover that night. Drunken laughter floated above her as Tella delved deeper into the ship’s underbelly in search of Nigel the Fortune-teller. Her first evening on the vessel she’d made the mistake of sleeping, not realizing until the following day that Legend’s performers had switched their waking hours to prepare for the next Caraval. They slumbered in the day and woke after sunset. All Tella had learned her first day aboard La Esmeralda was that Nigel was on the ship, but she had yet to actually see him. The creaking halls beneath decks were like the bridges of Caraval, leading different places at different hours and making it difficult to know who stayed in which room. Tella wondered if Legend had designed it that way, or if it was just the unpredictable nature of magic. She imagined Legend in his top hat, laughing at the question and at the idea that magic had more control than he did. For many, Legend was the definition of magic. When she had first arrived on Isla de los Sueños, Tella suspected everyone could be Legend. Julian had so many secrets that she’d questioned if Legend’s identity was one of them, up until he’d briefly died. Caspar, with his sparkling eyes and rich laugh, had played the role of Legend in the last game, and at times he’d been so convincing Tella wondered if he was actually acting. At first sight, Dante, who was almost too beautiful to be real, looked like the Legend she’d always imagined. Tella could picture Dante’s wide shoulders filling out a black tailcoat while a velvet top hat shadowed his head. But the more Tella thought about Legend, the more she wondered if he even ever wore a top hat. If maybe the symbol was another thing to throw people off. Perhaps Legend was more magic than man and Tella had never met him in the flesh at all. The boat rocked and an actual laugh pierced the quiet. Tella froze. The laughter ceased but the air in the thin corridor shifted. What had smelled of salt and wood and damp turned thick and velvet-sweet. The scent of roses. Tella’s skin prickled; gooseflesh rose on her bare arms. At her feet a puddle of petals formed a seductive trail of red. Tella might not have known Legend’s true name, but she knew he favored red and roses and games. Was this his way of toying with her? Did he know what she was up to? The bumps on her arms crawled up to her neck and into her scalp as her newest pair of slippers crushed the tender petals. If Legend knew what she was after, Tella couldn’t imagine he would guide her in the correct direction, and yet the trail of petals was too tempting to avoid. They led to a door that glowed copper around the edges. She turned the knob. And her world transformed into a garden, a paradise made of blossoming flowers and bewitching romance. The walls were formed of moonlight. The ceiling was made of roses that dripped down toward the table in the center of the room, covered with plates of cakes and candlelight and sparkling honey wine. But none of it was for Tella. It was all for Scarlett. Tella had stumbled into her sister’s love story and it was so romantic it was painful to watch. Scarlett stood across the chamber. Her full ruby gown bloomed brighter than any flowers, and her glowing skin rivaled the moon as she gazed up at Julian. They touched nothing except each other. While Scarlett pressed her lips to Julian’s, his arms wrapped around her as if he’d found the one thing he never wanted to let go of. This was why love was so dangerous. Love turned the world into a garden, so beguiling it was easy to forget that rose petals were as ephemeral as feelings, eventually they would wilt and die, leaving nothing but the thorns.
Stephanie Garber (Legendary (Caraval, #2))
Whenever her father or grandmother asked her about pain, Marjorie would say she had never known it. As a young child, someone had told her that the scars her father wore on his face and her grandmother on her hands and feet were born of great pain. And because Marjorie had no scars that resembled those, she could never bring herself to complain of pain. Once,
Yaa Gyasi (Homegoing)
All of this seemed equally trifling to him now. And when he thought again about the world of free people, the difference between it and the miseries and joys of this place seemed minimal. If three tiny fragments of tea leaf chanced to fall into a prisoner's battered cup, he relished them. In Leningrad during the interval at the opera a woman sipped champagne with the same pleasure. Their sufferings were also comparable. Both the prisoner and the woman had painful shoes. Hers were narrow evening shoes which she took off during the performance. The prisoner suffered from what they wore in the camp, section of tyres into which you thrust your foot wrapped in rags and fastened with string. The woman at the opera knew that somewhere in the world there were millions of beings transformed into gaunt animals, their faces blackened by the polar winds. But this did not stop her drinking her glass of wine amid the glittering of the great mirrors. The prisoner knew that a warm and brilliant life was lived elsewhere in tranquility but this did not spoil his pleasure as he chewed those fragments of tea leaf....
Andreï Makine (The Life of an Unknown Man)
The collar of Lars of Tassla fell away and clattered onto the tiles. katriana felt unable to breathe. Her neck, so long encased with the symbol of Lars’ ownership of her, seemed paradoxically to be suddenly constricted. She felt naked. Naked and abandoned. Her head sank down to lie across the hardness of the anvil. Her entire body shook uncontrollably as she felt all security evaporate from her world. How many minutes she lay there she could not with any certainty say. Yet, eventually she became aware of one tiny point in the cruel world surrounding her. It was a scent. His scent. It entered her. It stroked inside her. It pulsed against her pain until she acknowledged its presence. Her eyes flicked open. And then she saw him there, sitting quietly beside her, watching her with all the intentness that she loved so much in him. His face was still set in the neutrality he reserved for formal times but his eyes were flashing with…with some emotion kept hidden behind his Master’s mask. katriana struggled to read the look flowing from deep inside his eyes. She awkwardly rose to kneel before her former Master. Her body and her breasts were offered. She could not do otherwise whether or not she wore his collar. (A Master's Dilemma, eXtasy)
Khul Waters
I told my mother, knowing the pain I was causing her, which she did not show, and which betrayed itself in her only by that look of serious concern she wore when she compared the gravity of making me unhappy or of doing me harm, the look she had worn in Combray for the first time when she had resigned herself to spending the night beside me, that look which at this moment bore an extraordinary resemblance to that of my grandmother when she allowed me to drink cognac,
Marcel Proust (Sodom and Gomorrah)
Those who had seen eyes like hers before understood instantly that she was a woman who had suffered, but wore it well, with dignity and grace. Rather than dragging her down into depression, her pain had lifted her into a peaceful place. She was not a Buddhist, but shared philosophies with them, in that she didn’t fight what happened to her, but instead drifted with it, allowing life to carry her from one experience to the next. It was that depth and wisdom that shone through her work. An acceptance of life as it really was, rather than trying to force it to be what one wanted, and it never could be. She was willing to let go of what she loved, which was the hardest task of all. And the more she lived and learned and studied, the humbler she was. A monk she had met in Tibet called her a holy woman, which in fact she was, although she had no particular affinity for any formal church. If she believed in anything, she believed in life, and embraced it with a gentle touch. She was a strong reed bending in the wind, beautiful and resilient.
Danielle Steel (Matters of the Heart)
Though I'm not sure, I thought I saw women dressed in black, with her head and face covered by a black veil, duck behind a tree as we approached the road and parked car. Hiding so we wouldn't see her. But I caught a glimpse, enough to reveal the rope of lustrous pearls she wore. Pearls that were there for a thin white hand to lift and nervously, out of long habit, twist and untwist into a knot. Only one women I knew did that--and she was the perfect one to wear black, and should run to hide! Forever hide! Color all her days black! Every last one!
V.C. Andrews
She was a hunchback with a sweet smile. She smiled sweetly at anything; she couldn't help it; the trees, me, the grass, anything. The basket pulled her down, dragging her toward the ground. She was such a tiny woman, with a hurt face, as if slapped forever. She wore a funny old hat, an absurd hat, a maddening hat, a hat to make me cry, a hat with faded red berries on the brim. And there she was, smiling at everything, struggling across the carpet with a heavy basket containing Lord knew what, wearing a plumed hat with red berries. I got up. It was so mysterious. There I was, like magic, standing up, my two feet on the ground, my eyes drenched. I said, "Let me help." She smiled again and gave me the basket. We began to walk. She led the way. Beyond the trees it was stifling. And she smiled. It was so sweet it nearly tore my head off. She talked, she told me things I never remembered. It didn't matter. In a« dream she held me, in a dream I followed under the blinding sun. For blocks we went forward. I hoped it would never end. Always she talked in a low voice made of human music. What words! What she said! I remembered nothing. I was only happy. But in my heart I was dying. It should have been so. We stepped from so many curbs, I wondered why she did not sit upon one and hold my head while I drifted away. It was the chance that never came again. That old woman with the bent back! Old woman, I feel so joyfully your pain. Ask me a favor, you old woman you! Anything. To die is easy. Make it that. To cry is easy, lift your skirt and let me cry and let my tears wash your feet to let you know I know what life has been for you, because my back is bent too, but my heart is whole, my tears are delicious, my love is yours, to give you joy where God has failed. To die is so easy and you may have my life if you wish it, you old woman, you hurt me so, you did, I will do anything for you, to die for you, the blood of my eighteen years flowing in the gutters of Wilmington and down to the sea for you, for you that you might find such joy as is now mine and stand erect without the horror of that twist. I left the old woman at her door. The trees shimmered. The clouds laughed. The blue sky took me up. Where am I? Is this Wilmington, California? Haven't I been here before? A melody moved my feet. The air soared with Arturo in it, puffing him in and out and making him something and nothing. My heart laughed and laughed. Goodbye to Nietzsche and Schopenhauer and all of you, you fools, I am much greater than all of you! Through my veins ran music of blood. Would it last? It could not last. I must hurry. But where? And I ran toward home. Now I am home. I left the book in the park. To hell with it. No more books for me. I kissed my mother. I clung to her passionately. On my knees I fell at her feet to kiss her feet and cling to her ankles until it must have hurt her and amazed her that it was I.
John Fante (The Road to Los Angeles (The Saga of Arturo Bandini, #2))
She could sense the fear and anxiety of babies and younger children upon meeting her for the first time; their wide eyed stares, fidgeting, and outright tantrums. Blaring like little homing beacons, they knew that Mallory wore a disguise to cover her wounds, and that they probably weren't safe. They were so very innocent and unblemished from the world, and saw straight through to her heart.  It was the real reason she preferred not to be in their company or head a classroom full of tiny ones, though she often told those who questioned her preference for teaching teenagers that she didn't like small children.  Children hated pain. It was rare that they wouldn't shy away from an adult whose heart was laden with it.
Coco Mingolelli (Peccatum in Carne: Sins of the Flesh (The Three Sins of Mallory Moore Book 1))
For a long time she kept on smelling Pietro Crespi’s lavender breath at dusk, but she had the strength not to succumb to delirium. Úrsula abandoned her. She did not even raise her eyes to pity her on the afternoon when Amaranta went into the kitchen and put her hand into the coals of the stove until it hurt her so much that she felt no more pain but instead smelled the pestilence of her own singed flesh. It was a stupid cure for her remorse. For several days she went about the house with her hand in a pot of egg whites, and when the burns healed it appeared as if the whites had also scarred over the sores on her heart. The only external trace that the tragedy left was the bandage of black gauze that she put on her burned hand and that she wore until her death.
Gabriel García Márquez (One Hundred Years of Solitude: Gabriel Garcí­a Márquez (SparkNotes Literature Guide))
What happens to a marriage? A persistent failure of kindness, triggered at first, at least in my case, by the inequities of raising children, the sacrifices that take a woman by surprise and that she expects to be matched by her mate but that biology ensures cannot be. Anything could set me off. Any innocuous habit or slight or oversight. The way your father left the lights of the house blazing, day and night. The way he could become so distracted at work that sometimes when I called, he’d put me on hold and forget me, only remembering again when I’d hung up and called back. The way he wore his pain so privately, whistling around the house after we’d had a spat, pretending nonchalance, protecting you and your sisters from discord, hiding behind his good nature, inadvertently
Jan Ellison (A Small Indiscretion)
Being a woman is a pain in the ass. You have to look “good.” Your hair needs to be neat—not just combed through, but “done.” Blow-dried, ironed, curled, sprayed. Your face needs to be enhanced. Foundation, powder, eye shadow, mascara, lipstick, blush, contour. Your clothes have to look sharp, too. And you can never wear the same thing twice—at least not in the same week. A guy can throw on the same suit every single day for a year and no one would notice. I’m not exaggerating. An Australian broadcaster tested it out. His coanchor, a woman, kept getting letters, e-mails, and tweets from viewers criticizing what she was wearing. He was appalled. He never got notes. So he wore the same blue suit day in and day out. Three hundred sixty-five days. Surely someone would complain. No one did.
Katy Tur (Unbelievable: My Front-Row Seat to the Craziest Campaign in American History)
A while back a young woman from another state came to live with some of her relatives in the Salt Lake City area for a few weeks. On her first Sunday she came to church dressed in a simple, nice blouse and knee-length skirt set off with a light, button-up sweater. She wore hose and dress shoes, and her hair was combed simply but with care. Her overall appearance created an impression of youthful grace. Unfortunately, she immediately felt out of place. It seemed like all the other young women her age or near her age were dressed in casual skirts, some rather distant from the knee; tight T-shirt-like tops that barely met the top of their skirts at the waist (some bare instead of barely); no socks or stockings; and clunky sneakers or flip-flops. One would have hoped that seeing the new girl, the other girls would have realized how inappropriate their manner of dress was for a chapel and for the Sabbath day and immediately changed for the better. Sad to say, however, they did not, and it was the visitor who, in order to fit in, adopted the fashion (if you can call it that) of her host ward. It is troubling to see this growing trend that is not limited to young women but extends to older women, to men, and to young men as well. . . . I was shocked to see what the people of this other congregation wore to church. There was not a suit or tie among the men. They appeared to have come from or to be on their way to the golf course. It was hard to spot a woman wearing a dress or anything other than very casual pants or even shorts. Had I not known that they were coming to the school for church meetings, I would have assumed that there was some kind of sporting event taking place. The dress of our ward members compared very favorably to this bad example, but I am beginning to think that we are no longer quite so different as more and more we seem to slide toward that lower standard. We used to use the phrase “Sunday best.” People understood that to mean the nicest clothes they had. The specific clothing would vary according to different cultures and economic circumstances, but it would be their best. It is an affront to God to come into His house, especially on His holy day, not groomed and dressed in the most careful and modest manner that our circumstances permit. Where a poor member from the hills of Peru must ford a river to get to church, the Lord surely will not be offended by the stain of muddy water on his white shirt. But how can God not be pained at the sight of one who, with all the clothes he needs and more and with easy access to the chapel, nevertheless appears in church in rumpled cargo pants and a T-shirt? Ironically, it has been my experience as I travel around the world that members of the Church with the least means somehow find a way to arrive at Sabbath meetings neatly dressed in clean, nice clothes, the best they have, while those who have more than enough are the ones who may appear in casual, even slovenly clothing. Some say dress and hair don’t matter—it’s what’s inside that counts. I believe that truly it is what’s inside a person that counts, but that’s what worries me. Casual dress at holy places and events is a message about what is inside a person. It may be pride or rebellion or something else, but at a minimum it says, “I don’t get it. I don’t understand the difference between the sacred and the profane.” In that condition they are easily drawn away from the Lord. They do not appreciate the value of what they have. I worry about them. Unless they can gain some understanding and capture some feeling for sacred things, they are at risk of eventually losing all that matters most. You are Saints of the great latter-day dispensation—look the part.
D. Todd Christofferson
But this was worse than personal. This was about Louise, alias Anemone, cut up on a surgical platter, about Elizabeth Elliott stabbed to death and too poor to be resleeved, Irene Elliott, weeping for a body that a corporate rep wore on alternate months, Victor Elliott, whiplashed between loss and retrieval of someone who was and yet was not the same woman. This was about a young black man facing his family in a broken-down, middle-aged white body; it was about Virginia Vidaura walking disdainfully into storage with her head held high and a last cigarette polluting lungs she was about to lose, no doubt to some other corporate vampire. It was about Jimmy de Soto, clawing his own eye out in the mud and fire at Innenin, and the millions like him throughout the Protectorate, painfully gathered assemblages of individual human potential, pissed away into the dung heap of history. For all these, and more, someone was going to pay.
Richard K. Morgan (Altered Carbon (Takeshi Kovacs, #1))
She saw Daniel hovering over her in his simple peasant's clothes...but then, a moment later, he was bare-chested, with long blond hair...and suddenly he wore a knight's helmet, whose visor he lifted to kiss her lips...but before he did,he shifted into his present self, the Daniel she'd left in her parents' backyard in Thunderbolt when she stepped through into time. This was the Daniel, she realized, she'd been looking for all along. She reached for him,she called his name, but then he changed again. And again. She saw more Daniels than she'd ever thought possible,each one more gorgeous than the last.They folded into each other like a vast accordion, each image of him tilting and altering in the light of the sky behind him.The cut of his nose,the line of his jawbone, the tone of his skin,the shape of his lips, all whirled in and out of focus,morphing all the time. Everything changed except his eyes. His violet eyes always stayed the same. They haunted her,hiding something terrible,something she didn't understand. Something she didn't want to understand. Fear? In the visions,the terror in Daniel's eyes was so intense Luce actually wanted to look away from their beauty. What could someone as powerful as Daniel fear? There was only one thing: Luce's dying. She was experiencing a montage of her death over and over and over again. This was what Daniel's eyes looked like, throughout time,just before her life went up in flames. She had seen this fear in him before.She hated it because it always meant their time was over.She saw it now in every one of his faces. The fear flashed from infinite times and places. Suddenly,she knew there was more: He wasn't afraid for her,not because she was walking into the darkness of another death.He didn't fear that it might cause her pain. Daniel was afraid of her. "Lu Xin!" his voice cried out to her from the battlefield. She could see him through the haze of visions.He was the only thing coming in clearly-because everything else around her was lit up startingly white.Everything inside her was,too.Was her love of Daniel burning her up? Was it her own passion,not his,that destroyed her every time? "No!" His hand reached out for hers. But it was too late.
Lauren Kate (Passion (Fallen, #3))
I lift the lid of the chest. Inside, the air is musty and stale, held hostage for years in its three-foot-by-four-foot tomb. I lean in to survey the contents cautiously, then pull out a stack of old photos tied with twine. On top is a photo of a couple on their wedding day. She's a young bride, wearing one of those 1950's netted veils. He looks older, distinguished- sort of like Cary Grant or Gregory Peck in the old black-and-white movies I used to watch with my grandmother. I set the stack down and turn back to the chest, where I find a notebook, filled with handwritten recipes. The page for Cinnamon Rolls is labeled "Dex's Favorite." 'Dex.' I wonder if he's the man in the photo. There are two ticket stubs from 1959, one to a Frank Sinatra concert, another to the movie 'An Affair to Remember.' A single shriveled rosebud rests on a white handkerchief. A corsage? When I lift it into my hand, it disintegrates; the petals crinkle into tiny pieces that fall onto the living room carpet. At the bottom of the chest is what looks like a wedding dress. It's yellowed and moth-eaten, but I imagine it was once stark white and beautiful. As I lift it, I can hear the lace swishing as if to say, "Ahh." Whoever wore it was very petite. The waist circumference is tiny. A pair of long white gloves falls to the floor. They must have been tucked inside the dress. I refold the finery and set the ensemble back inside. Whose things are these? And why have they been left here? I thumb through the recipe book. All cookies, cakes, desserts. She must have loved to bake. I tuck the book back inside the chest, along with the photographs after I've retied the twine, which is when I notice a book tucked into the corner. It's an old paperback copy of Ernest Hemingway's 'The Sun Also Rises.' I've read a little of Hemingway over the years- 'A Moveable Feast' and some of his later work- but not this one. I flip through the book and notice that one page is dog-eared. I open to it and see a line that has been underscored. "You can't get away from yourself by moving from one place to another." I look out to the lake, letting the words sink in. 'Is that what I'm trying to do? Get away from myself?' I stare at the line in the book again and wonder if it resonated with the woman who underlined it so many years ago. Did she have her own secret pain? 'Was she trying to escape it just like me?
Sarah Jio (Morning Glory)
The footsteps behind her stopped. A warm brush of fingertips traveled up her arms as a firm chest pressed against her back. Daniel. She could sense his glow without even turning. She closed her eyes. His arms wrapped around her waist and his soft lips swept across her neck, stopping just below her ear. "I found you," he whispered. She turned slowly in his arms. The sight of him took her breath away. He was still her Daniel, of course, but his skin was the color of rich hot chocolate,and his wavy black hair was cropped very short. He wore only a short linen loincloth,leather sandals, and a silver choker around his neck. His deep-set violet eyes swept over her, happy. He and Layla were deeply in love. She rested her cheek on his chest and counted the beats of his heart. Would this be the last time she did this,the last time he held her against his heart? She was about to do the right thing-the good thing for Daniel. But still it pained her to think about it. She loved him! If this journey had taught her anything, it was how much she truly loved Daniel Grigori. It hardly seemed fair that she was forced to make this decision. Yet here she was. In ancient Egypt. With Daniel. For the very last time. She was about to set him free.
Lauren Kate (Passion (Fallen, #3))
I'll turn my back, unless you think you need help getting dressed." Lord, he silently prayed, pleased don't test my chivalry that far! "I can manage, thank you very much!" she returned tightly. Turning his back, Rider grinned and lifted his eyes to heaven. "Thanks, big Fellah." "Did you say something?" Willow inquired. Rider kept a steady gaze on the trees. "Just talking to myself." He heard her mumble something about crazy people talking to themselves before she announced it safe for him to turn around. He did and was given an immediate jolt. She wore not her usual shirt and pants,but a clean nightshirt and wrapper. However,it wasn't her scanty attire that startled him as much as her pain-glazed eyes. "My God,what is it?" Stunned, his hands automatically came up under both her elbows to steady her. "Are you in pain?" A thought came to him then. He hesitated, studying his boots. "Is it...I've got sisters, so don't be embarrassed.Is it your woman's time?" Rider's ears reddened, but it was nothing compared to Willow's high color. She jerked away from his touch, squeezed her eyes shut, and cradled her forehead in one hand. "And I wondered what else could go wrong," she muttered under her breath. "What?" "Dammit,Sinclair, men aren't suppose to talk to women about those things.
Charlotte McPherren (Song of the Willow)
Ma was heavy, but not fat; thick with childbearing and work. She wore a loose Mother Hubbard2 of gray cloth in which there had once been colored flowers, but the color was washed out now, so that the small flowered pattern was only a little lighter gray than the background. The dress came down to her ankles, and her strong, broad, bare feet moved quickly and deftly over the floor. Her thin, steel-gray hair was gathered in a sparse wispy knot at the back of her head. Strong, freckled arms were bare to the elbow, and her hands were chubby and delicate, like those of a plump little girl. She looked out into the sunshine. Her full face was not soft; it was controlled, kindly. Her hazel eyes seemed to have experienced all possible tragedy and to have mounted pain and suffering like steps into a high calm and a superhuman understanding. She seemed to know, to accept, to welcome her position, the citadel of the family, the strong place that could not be taken. And since old Tom and the children could not know hurt or fear unless she acknowledged hurt and fear, she had practiced denying them in herself. And since, when a joyful thing happened, they looked to see whether joy was on her, it was her habit to build up laughter out of inadequate materials. But better than joy was calm. Imperturbability could be depended upon. And from her great and humble position in the family she had taken dignity and a clean calm beauty. From her position as healer, her hands had grown sure and cool and quiet; from her position as arbiter she had become as remote and faultless in judgment as a goddess. She seemed to know that if she swayed the family shook, and if she ever really deeply wavered or despaired the family would fall, the family will to function would be gone.
John Steinbeck (The Grapes of Wrath)
Then she bent her head over at the waist and tossed her head around to separate the curls. The elevator stopped and she heard the door open. She straightened up to find some big guy in a ball cap and sunglasses right in her face, charging into the elevator before she could even get out of it. He had both hands full of carry-out bags—Mexican food, judging from the smell. She looked at them, her mouth watering. Yep. Enrique’s. The best in town. He whirled around to punch the door-close button. “Hey,” she said. “I’m getting off here.” Some girl outside in the lobby yelled, “We know it’s you, Chase. You shouldn’t lie to us.” Startled, Elle looked at the guy’s face and saw, just before he reached for her, that it really was Chase Lomax in ragged shorts and flip-flops. He grabbed her up off her feet and bent his head. Found her mouth with his. “Wait for us,” another girl yelled. The sound of running feet echoed off the marble floor, slid to a stop. “Oh, no!” Kissing her, without so much as a “Hi, there, Elle.” Burning her up. She tried to struggle but he had both her arms pinned to her sides. And suddenly she wanted to stay right where she was forever because the shock was wearing off and she was starting to feel. A lot more than she ever had before. The door slid closed. The girls began banging on it. “We know your room number, Chase, honey,” they yelled. “See you there.” Loud giggles. “We’ll show you a real good time.” The elevator moved up, the voices faded away. But Chase kept on kissing her. She had to make him stop it. Right now. Who did he think he was, anyway? Somebody who could send lightning right through her whole body, that’s who. Lightning so strong it shook her to her toes. He had to stop this now. But she couldn’t move any part of her body. Except her lips. And her tongue . . . When he finally let her go she pulled back and away, fighting to get a handle on her breathing. “What’s the matter?” he demanded. Her blood rushed through her so fast it made her dizzy. “You’re asking me? It’s more like, what’s the matter with you? How’d you get the idea you could get away with kissing me like that without even bothering to say hello?” She touched her lips. They were still on fire. “You have got a helluva nerve, Chase Lomax.” He grinned at her as he took off his shades. He hung them in the neck of his huge, baggy T-shirt that had a bucking bull and rider with Git’R’Done written above it. He wore ragged denim shorts and flip-flops, for God’s sake. Chase Lomax was known for always being starched and ironed, custom-booted and hatted. “I asked if you’re all right because you were bent over double shaking your head when the doors opened,” he said. “Like you were in pain or something.” “I was drying my hair.” He stared, then burst out laughing. “Oh, well, then.” His laugh was contagious but she wouldn’t let herself join in. He could not get away with this scot-free. He’d shaken her up pretty good. “Oh. I see. You thought I needed help, so you just grabbed me and kissed me senseless. Is that how you treat somebody you think’s in pain?” He grinned that slow, charming grin of his again. “It made you feel better. Didn’t it?” He held her gaze and wouldn’t let it go. She must be a sight. She could feel heat in her cheeks, so her face must be red. Plus she was gasping, trying to slow her breathing. And her heart-beat. “You nearly scared me to death to try to get rid of those girls. And it was all wasted. They’re coming to your room.” Something flashed deep in his brown eyes. “Now you’ve hurt my feelings. I don’t think it was wasted,” he drawled. “I liked that kiss.
Genell Dellin (Montana Gold)
When he reached the doorman, he stopped. “Did you see Miss Christian come in a few minutes ago?” The doorman nodded. “Yes, sir. She got here just before you arrived.” Relief staggered him. He bolted for the elevator. A few moments later, he strode into the apartment. “Kelly? Kelly, honey, where are you?” Not waiting for an answer, he hurried into the bedroom to see her sitting on the edge of the bed, her face pale and drawn in pain. When she heard him, she looked up and he winced at the dullness in her eyes. She’d been crying. “I thought I could do it,” she said in a raw voice, before he could beg her forgiveness. “I thought I could just go on and forget and that I could accept others thinking the worst of me as long as you and I were okay again. I did myself a huge disservice.” “Kelly…” Something in her look silenced him and he stood several feet away, a feeling of helplessness gripping him as he watched her try to compose herself. “I sat there tonight while your friends and your mother looked at me in disgust, while they looked at you with a mixture of pity and disbelief in their eyes. All because you took me back. The tramp who betrayed you in the worst possible manner. And I thought to myself I don’t deserve this. I’ve never deserved it. I deserve better.” She raised her eyes to his and he flinched at the horrible pain he saw reflected there. Then she laughed. A raw, terrible sound that grated across his ears. “And earlier tonight you forgave me. You stood there and told me it no longer mattered what happened in the past because you forgave me and you wanted to move forward.” She curled her fingers into tight balls and rage flared in her eyes. She stood and stared him down even as tears ran in endless streams down her cheeks. “Well, I don’t forgive you. Nor can I forget that you betrayed me in the worst way a man can betray the woman he’s supposed to love and be sworn to protect.” He took a step back, reeling from the fury in her voice. His eyes narrowed. “You don’t forgive me?” “I told you the truth that day,” she said hoarsely, her voice cracking under the weight of her tears. “I begged you to believe me. I got down on my knees and begged you. And what did you do? You wrote me a damn check and told me to get out.” He took another step back, his hand going to his hair. Something was wrong, terribly wrong. So much of that day was a blur. He remembered her on her knees, her tear-stained face, how she put her hand on his leg and whispered, “Please don’t do this.” It made him sick. He never wanted to go back to the way he felt that day, but somehow this was worse because there was something terribly wrong in her eyes and in her voice. “Your brother assaulted me. He forced himself on me. I didn’t invite his attentions. I wore the bruises from his attack for two weeks. Two weeks. I was so stunned by what he’d done that all I could think about was getting to you. I knew you’d fix it. You’d protect me. You’d take care of me. I knew you’d make it right. All I could think about was running to you. And, oh God, I did and you looked right through me.” The sick knot in his stomach grew and his chest tightened so much he couldn’t breathe. “You wouldn’t listen,” she said tearfully. “You wouldn’t listen to anything I had to say. You’d already made your mind up.” He swallowed and closed the distance between them, worried that she’d fall if he didn’t make her sit. But she shook him off and turned her back, her shoulders heaving as her quiet sobs fell over the room. “I’m listening now, Kelly,” he forced out. “Tell me what happened. I’ll believe you. I swear.” But he knew. He already knew. So much of that day was replaying over and over in his head and suddenly he was able to see so clearly what he’d refused to see before. And it was killing him. His brother had lied to him after all. Not just lied but he’d carefully orchestrated the truth and twisted it so cleverly that Ryan had been completely deceived.
Maya Banks (Wanted by Her Lost Love (Pregnancy & Passion, #2))
Christopher Phelan was talking with Prudence Mercer. The scheme of formal black and white was becoming to any man. On someone like Christopher, it was literally breathtaking. He wore the clothes with natural ease, his posture relaxed but straight, his shoulders broad. The crisp white of his starched cravat provided a striking contrast to his tawny skin, while the light of chandeliers glittered over his golden-bronze hair. Following her gaze, Amelia lifted her brows. “What an attractive man,” she said. Her attention returned to Beatrix. “You like him, don’t you?” Before Beatrix could help herself, she sent her sister a pained glance. Letting her gaze drop to the floor, she said, “There have been a dozen times in the past when I should have liked a particular gentleman. When it would have been convenient, and appropriate, and easy. But no, I had to wait for someone special. Someone who would make my heart feel as if it’s been trampled by elephants, thrown into the Amazon, and eaten by piranhas.” Amelia smiled at her compassionately. Her gloved hand slipped over Beatrix’s. “Darling Bea. Would it console you to hear that such feelings of infatuation are perfectly ordinary?” Beatrix turned her palm upward, returning the clasp of her sister’s hand. Since their mother had died when Bea was twelve, Amelia had been a source of endless love and patience. “Is it infatuation?” she heard herself asking softly. “Because it feels much worse than that. Like a fatal disease.” “I don’t know, dear. It’s difficult to tell the difference between love and infatuation. Time will reveal it, eventually.” Amelia paused. “He is attracted to you,” she said. “We all noticed the other night. Why don’t you encourage him, dear?” Beatrix felt her throat tighten. “I can’t.” “Why not?” “I can’t explain,” Beatrix said miserably, “except to say that I’ve deceived him.” Amelia glanced at her in surprise. “That doesn’t sound like you. You’re the least deceptive person I’ve ever known.” “I didn’t mean to do it. And he doesn’t know that it was me. But I think he suspects.” “Oh.” Amelia frowned as she absorbed the perplexing statement. “Well. This does seem to be a muddle. Perhaps you should confide in him. His reaction may surprise you. What is it that Mother used to say whenever we pushed her to the limits of her patience?...’Love forgives all things.’ Do you remember?” “Of course,” Beatrix said. She had written that exact phrase to Christopher in one of her letters. Her throat went very tight. “Amelia, I can’t discuss this now. Or I’ll start weeping and throw myself to the floor.” “Heavens, don’t do that. Someone might trip over you.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
Gray froze as Miss Turner emerged from the hold. For weeks, she’d plagued him-by day, he suffered glimpses of her beauty; by night, he was haunted by memories of her touch. And just when he thought he’d finally wrangled his desire into submission, today she’d ruined everything. She’d gone and changed her dress. Gone was that serge shroud, that forbidding thundercloud of a garment that had loomed in his peripheral vision for weeks. Today, she wore a cap-sleeved frock of sprigged muslin. She stepped onto the deck, smiling face tilted to the wind. A flower opening to greet the sun. She bobbed on her toes, as though resisting the urge to make a girlish twirl. The pale, sheer fabric of her dress billowed and swelled in the breeze, pulling the undulating contour of calf, thigh, hip into relief. Gray thought she just might be the loveliest creature he’d ever seen. Therefore, he knew he ought to look away. He did, for a moment. He made an honest attempt to scan the horizon for clouds. He checked the hour on his pocket watch, wound the small knob one, two, three, four times. He wiped a bit of salt spray from its glass face. He thought of England. And France, and Cuba, and Spain. He remembered his brother, his sister, and his singularly ugly Aunt Rosamond, on whom he hadn’t clapped eyes in decades. And all this Herculean effort resulting in nothing but a fine sheen of sweat on his brow and precisely thirty seconds’ delay in the inevitable. He looked at her again. Desire swept through his body with starling intensity. And beneath that hot surge of lust, a deeper emotion swelled. It wasn’t something Gray wished to examine. He preferred to let it sink back into the murky depths of his being. An unnamed creature of the deep, let for a more intrepid adventurer to catalog. Instead, he examined Miss Turner’s new frock. The fabric was of fine quality, the sprig pattern evenly stamped, without variations in shape or hue. The dressmaker had taken great pains to match the pattern at the seams. The sleeves of the frock fit perfectly square with her shoulders, in a moment of calm, the skirt’s single flounce lapped the laces of her boots. Unlike that gray serge abomination, this dress was expensive, and it had been fashioned for her alone. But it no longer fit. As she turned, Gray noted how the neckline gaped slightly, and the column of her skirt that ought to have skimmed the swell of her hip instead caught on nothing but air. He frowned. And in that instant, she turned to face him. Their gazes caught and held. Her own smile faded to a quizzical expression. And because Gray didn’t know how to answer the unspoken question in her eyes, and because he hated the fact that he’d banished the giddy delight from her face, he gave her a curt nod and a churlish, “Good morning.” And then he walked away.
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
Chicago, Illinois 1896 Opening Night Wearing her Brünnhilda costume, complete with padding, breastplate, helm, and false blond braids, and holding a spear as if it were a staff, Sophia Maxwell waited in the wings of the Canfield-Pendegast theatre. The bright stage lighting made it difficult to see the audience filling the seats for opening night of Die Walküre, but she could feel their anticipation build as the time drew near for the appearance of the Songbird of Chicago. She took slow deep breaths, inhaling the smell of the greasepaint she wore on her face. Part of her listened to the music for her cue, and the other part immersed herself in the role of the god Wotan’s favorite daughter. From long practice, Sophia tried to ignore quivers of nervousness. Never before had stage fright made her feel ill. Usually she couldn’t wait to make her appearance. Now, however, nausea churned in her stomach, timpani banged pain-throbs through her head, her muscles ached, and heat made beads of persperation break out on her brow. I feel more like a plucked chicken than a songbird, but I will not let my audience down. Annoyed with herself, Sophia reached for a towel held by her dresser, Nan, standing at her side. She lifted the helm and blotted her forehead, careful not to streak the greasepaint. Nan tisked and pulled out a small brush and a tin of powder from one of the caprious pockets of her apron. She dipped the brush into the powder and wisked it across Sophia’s forehead. “You’re too pale. You need more rouge.” “No time.” A rhythmic sword motif sounded the prelude to Act ll. Sophia pivoted away from Nan and moved to the edge of the wing, looking out to the scene of a rocky mountain pass. Soon the warrior-maiden Brünnhilda would make an appearance with her famous battle cry. She allowed the anticpaptory energy of the audience to fill her body. The trills of the high strings and upward rushing passes in the woodwinds introduced Brünnhilda. Right on cue, Sophia made her entrance and struck a pose. She took a deep breath, preparing to hit the opening notes of her battle call. But as she opened her mouth to sing, nothing came out. Caught off guard, Sophia cleared her throat and tried again. Nothing. Horrified, she glanced around, as if seeking help, her body hot and shaky with shame. Across the stage in the wings, Sophia could see Judith Deal, her understudy and rival, watching. The other singer was clad in a similar costume to Sophia’s for her role as the valkerie Gerhilde. A triumphant expression crossed her face. Warwick Canfield-Pendegast, owner of the theatre, stood next to Judith, his face contorted in fury. He clenched his chubby hands. A wave of dizziness swept through Sophia. The stage lights dimmed. Her knees buckled. As she crumpled to the ground, one final thought followed her into the darkness. I’ve just lost my position as prima dona of the Canfield-Pendegast Opera Company.
Debra Holland (Singing Montana Sky (Montana Sky, #7))
You need to let me go, Dmitri, and move on. I am not going to marry you.” “I will have you.” Such conviction, and he’d brought some muscle to try and prove his statement. A pair of brutes exited the car. Dmitri’s order of, “Don’t hurt her,” made her tsk aloud. Please. If he thought to subdue her, he should have brought more guys. As the one gorilla— and seriously, despite his obvious humanity, she had to wonder at his ancestry— grabbed for her arm, she sidestepped, causing him to snare only air. She, on the other hand, didn’t miss. Her foot swung out and cracked goon number one in the knee. He let out a yelp of pain, but before she could take him out fully, the second guy lunged for her. She ducked under his grasping hands and thrust, her fist connecting with his diaphragm. He gasped for breath. She took no mercy and kneed him in the groin, just as goon number one made his next move. With a tinkle of bells, the door to the coffee shop opened, and a very calm-sounding Leo said, “Lay a finger on her, and I will rip your arm off and beat you with it.” As threats went, it was adorable. Especially since, given his size and mien, Leo probably could. The idiot didn’t listen. The thug went to grab Meena’s arm, and curiosity made her let him instead of breaking his fingers. Why exert herself when Pookie seemed determined to come to her rescue? While outwardly he appeared cool and composed, a wild storm brewed in his eyes as Leo growled, “I said don’t touch.” Crack. Yup. There was one guy who wouldn’t be touching anything with that arm for a while, and he’d probably end up hoarse with the way he was screaming. Pussy. In the distance, sirens wailed to life, and it didn’t take Dmitri’s barked, “Get in the car, you idiots,” for the thugs to realize their attempt at a coerced kidnapping had failed. Meena didn’t bother watching the car speed off, not when she had something much more important to attend to. Like a man who thought she needed saving. How her dad would laugh when he heard about it. Her sister, Teena, would sigh about how romantic it was. Her mom, on the other hand, would chastise Meena for causing chaos once again. Turning to Leo, who wore a formidable glower, she threw herself at him. Apparently, he half expected it because his arms opened wide, and he caught her— without even a tiny stagger! She latched her legs around his waist, draped her arms around his neck, and exclaimed, “Pookie, you were awesome. You saved me from those big, bad men. You’re like a knight in Under Armour.” Not entirely true. He wore a plain black Fruit of the Loom T-shirt. But she could totally picture him in one of those form-fitting tees that Under Armour specialized in that would mold his perfect chest. On second thought, given how it would show off his impressive musculature, perhaps she should leave his wardrobe alone. No use taunting the female public with what they couldn’t have. It would also mean less blood for her to rinse if they dared to touch. “I’d hardly say I saved you. You seemed to be doing all right on your own.” She planted a big smooch on his lips and declared him, “My hero.
Eve Langlais (When an Omega Snaps (A Lion's Pride, #3))
She wore cosmetics tonight, more than he had ever seen on her before. Perhaps she had, in the past, dusted her nose with rice powder, but he had never seen her wear rouge. Indeed, when he bent over her hand in salutation, he caught a whiff of the beet juice used to color the powder for cheeks and lard for lips. Her smile was small and halted rather abruptly. Pain flashed through her eyes, though it was quickly doused. His gaze focused on her right cheek again. Was it swollen? Without question—and the rouge did not quite cover an edge of bruising. As the rest of the party moved to the furniture, a few of the knots smoothed out within him, though a couple of different ones took up residence. He did not release her hand. “Would you take a turn about the room with me, Miss Reeves?” “Very well, sir.” She sounded far from enthusiastic and moved to his right side. Undoubtedly so that hers was turned away from him. “I trust you passed a pleasant afternoon?” He kept his gaze upon her as he led her to the edge of the chamber so that they might walk its perimeter as far from their families as possible. In a low voice he said, “More pleasant than yours, from the looks of it. What is wrong with your cheek, Miss Reeves?” She turned wide eyes on him, filled with outrage and a grain of amusement. “Mr. Lane, perhaps you are yet unaccustomed to seeing ladies wearing paint, but I assure you, ’tis the height of fashion. I resent being told it looks wrong.” He may have been tempted to smile, had it not been a matter of her welfare. “It is not the rouge to which I refer, Miss Reeves, as you well know.” “In which case I have no idea…
Roseanna M. White (Ring of Secrets (The Culper Ring, #1))
She wore his flower In her hair Scent of amber Sweetened the air Her dress was white Her feet bare He found heaven Waiting there She is alive In his painful sigh...
Dinesh Kumar Biran
Rhi stood in the doorway and watched Henry. He was a fighter. Maybe that’s why she saved him. There was also a slim chance it was because he helped the Kings. “It’s a good thing you called me,” Usaeil, Queen of the Light, said as she came to stand beside Rhi. Rhi could’ve brought Henry to Usaeil’s manor on the west coast of Ireland, but then it would reveal to one and all power she’s managed to keep hidden from them. That was something she wanted to keep to herself. So she got Henry out of the prison and to the outskirts of Dublin. From there, it was simply a matter of asking Usaeil for help. Now all Rhi had to worry about was finding out how much Henry remembered. If he recalled seeing her teleport him out, then she would need to convince him to lie for her. Although Usaeil would want to know how Henry got out of his prison and how Rhi found him. Usaeil hadn’t begun those questions yet. But they were coming. “I’m glad you agreed to help,” Rhi said. Usaeil shoved her black hair over her shoulders and adjusted the coral sheath dress she wore. “He’s aiding the Kings. Why wouldn’t I help him?” Rhi wanted to roll her eyes, but she didn’t. “We might be Light, but we also use humans as the Dark do.” “We don’t kill them.” “No, we sleep with them once and ruin them for any other mortal. We don’t hurt them at all,” she said sarcastically, giving Usaeil a cutting look. Usaeil slid her silver eyes to Rhi. “I can easily toss Henry North out on his ass.” “Do it. What do I care?” “I think you care more than you’re ready to admit. Why else would you want to help him?” Usaeil sighed. “Rhi, we all know you went through hell at Balladyn’s hands. We know it’s going to take time for you to heal, but you will heal.” Rhi wasn’t so sure. She could feel the darkness within her, coiling and shifting. She had to fight to remember what she should do, instead of what the darkness wanted her to do. “Henry is healing nicely,” Rhi said, changing the subject. Usaeil nodded slowly. “His injuries were extensive. Had you not found him when you did, the internal bleeding would’ve killed him in a few hours. By the way, how did you find him again?” This was what Rhi had been waiting for. Everyone knew she couldn’t lie without feeling tremendous pain. She sank her nails into her palms, held Usaeil’s gaze and lied. “I found him in Dublin. As I said, I don’t know how he got there.” “So very odd.” The pain was gut wrenching. It twisted her insides and squeezed her lungs so that she couldn’t breath. Pain exploded inside her head. She began to shake. It was time for Rhi to change the subject again. “You should tell Con we have him.” The queen twisted her lips. “If I do, Con will want to come here and finish healing Henry himself, or want us to bring Henry to him. I’m not in the mood for either.” “Henry will be finished healing soon. What then? You want him to remain? In a place full of Light Fae?” Thankfully, the pain began to dull enough that Rhi could breath easier. “No,” Usaeil said with a frown. “Already his appearance has sparked interest. They’re trying to get in to see him. He’s a mortal, so he’ll succumb to any Fae he encounters.” Rhi took exception to that. “He’s stronger than that.” “He’s human, Rhi. Not a single one can resist us. It’s a fact. Henry is no different.” Rhi didn’t argue, but she knew she was right. Henry was different. She’d seen it the first time she met him in Con’s office months ago. He took in the fact his friends at Dreagan were actually dragon shifters with a nod, his solemn hazel eyes seeing things anew. She bit back a grin as she recalled how he’d become a little flustered when he saw her and learned who she was. Henry’s smile was charming, sweet . . . honest. He looked at her as if she were the only woman on the realm. Even though Rhi understood that it was the fact she was Fae that intrigued him, enthralled him, she took an instant liking to the human who never backed down.
Donna Grant (Night's Blaze (Dark Kings, #5))
He stopped, gazing at the girl who stood before it. The man guessed the child to be ten years old. She had dark brown hair to her neck with ends that showed curls, ivory skin and large eyes of sapphire blue. Thin and barefooted, with soot on her face she wore an old, tattered white dress. As the child turned to look at him, the man thought she must be an orphan beggar and he was unable to tear his face away from her eyes. Those bright blue eyes filled with an incomprehensible sadness. What pain did she carry?
Suilyaniz Cintron (Windswept)
Delicious” might sound excessive, but it was the only word that properly described how he looked in worn blue jeans and chaps. Since she’d started coming down to the barns, she’d seen the other hands wearing chaps, but those cowboys hadn’t made her heart thump painfully or feel as if she should suddenly start fanning her face. Ward wore the kind that zippered down his long muscular legs, hugging them. Made of dark tan suede, they didn’t have the fringes or ornamentation that she’d noticed on some of the ones worn by the wranglers. There was nothing to distract her eyes or to keep her gaze from zeroing in on where the chaps buckled, framing the bulge of his sex. Her internal thermostat soared just from not looking at that particular spot. But the brim of his hat was angled downward—the better to study her new boots, she assumed. With his gaze shielded, she found the temptation impossible to resist. Yup, his crotch was truly the finest eye candy: yummy and calorie free.
Laura Moore (Once Tempted (Silver Creek, #1))
He kept digging, kept scratching — every finger, both hands, until he could feel the wood scraping on raw flesh. His wrists throbbed, the plastic cutting into them. He called out as one of his nails peeled back off the bed, screaming with a voice barely his own. But he couldn’t give up. And after who knows how long, he could get his fingers around the tip. Now he needed to get it out. He didn’t really wear man-jewellery, but he had a ring he wore around his index finger. A ring she’d given him — stolen for him. For them. Grace. He had to get back to her. Tell her he was okay. He got the flat side against the point and pushed, wedging himself under it.  Whether it took an hour or five, he didn’t know. He could feel blood in his palms as the steel stabbed at his skin with every slip.  But slowly he made progress, a millimetre at a time, forcing it upwards. And then it landed softly in the dirt next to the box. He managed to fold himself up under the new hole and shove his heel against it.  With what little strength he had left he pushed upwards, feeling the wood bow in the absence of the nail. He kicked at it, then kicked at it again. And again. And again. Until the pain in his foot was unbearable. And then he kept kicking, not feeling it moving, but knowing that staying inside meant death. People didn’t get nailed into boxes if they were going to survive.  The fuzz of whatever was in his system was still lingering. He didn’t seem to be able to concentrate on more than one thing at a time — but Grace was always there. Thin, brown hair, pretty in all the right ways. She was all he had now. He had to get back to her. The lid came loose, nails creaking in the wood, and in a blur he was out. Sweat-soaked, filthy, crying, he flopped out and into the dirt.  The room smelled like a swimming pool and polythene sheets hung from the ceiling. He didn’t wait to see what else there was. At the far side of the room, he could make out a door, outlined in the dim red glow of a tiny bulb above the frame. Next to it there was a crowbar, rusted and rough, silhouetted in the half-light. He limped over, his legs numb from the box and the drugs, and pulled it open, grabbing the bar. The light blinked off, the little plastic control unit next to it clicking, but he didn’t care. He had to get out.  The stairs beyond creaked under his weight as he dragged himself up on bloody fingers, the crowbar clanging against the mouldy stonework walls.
Morgan Greene (Bare Skin (DS Jamie Johansson #1))
She dreamed of a man who wore a plain gray cotton tunic. “What can you offer me?” she asked. “Hardship, loneliness, long-flowing heartache,” he said. She could not see his face, but she liked the sound of his voice: gentle and serious, but with a hint of laughter in it. “That doesn’t sound like a good match,” she said. “Good matches are not the stuff of stories and songs,” he said. “For every pain we endure together, there will be a joy twice as great. They will still sing of us in a thousand years.” She saw that he had changed into a yellow silk robe. And he kissed her, and he tasted of salt and wine. And she knew he was the man she was destined to marry.
Ken Liu (The Dandelion Dynasty Boxset)
She points to two devices in the center of the dark space. The contraptions are silver and remind me of the suits knights wore in past centuries. The armor hangs suspended between two metal wires. “They are concentraction machines.” I slide my body into the machine. Dry gel hugs my feet, my legs, my torso and arms and neck, till only my head is free. The machine is built to resist my movements, yet it responds even to the tiniest stimuli. The idea of building muscle is to exercise it, which is nothing more than using the muscle intensely enough to create microscopic tears in the tissue fiber. This is the pain one feels in the days after an intense workout—torn tissue—not lactic acid. When the muscle repairs the tears, it builds on itself. This is the process the concentraction machine is built to facilitate. It is the devil’s own invention. Harmony slides the device’s faceplate over my eyes. My body is still in the gym, but I see myself moving across the rugged landscape of Mars. I’m running, pumping my legs against the concentraction machine’s resistance, which increases according to Harmony’s mood or the location of the simulation. Sometimes I venture to the jungles of Earth, where I race panthers through the underbrush, or I take to the pocked surface of Luna before it was populated. But always I return home to Mars to run across its red soil and jump over its violent ravines. Harmony sometimes accompanies me in the other machine so I have someone to race.
Pierce Brown (Red Rising (Red Rising Saga, #1))
When she straightened, I had to suppress a curse. This girl didn’t need a filter. She wore a red summer dress that accentuated her narrow waist and round butt and made her legs look miles-long, even though she was a petite woman. I forced myself to keep checking the shop displays because I’d frozen in my tracks upon spotting the Vitiello princess. Her gait spoke of unwavering confidence. She never once swayed despite her ridiculously high heels. She walked the streets as if she owned them—her head held high, her expression cold and painfully beautiful. There were girls that were pretty, there were girls that were beautiful, and there were girls that had men and women alike stop in their tracks to admire them slack-jawed. Marcella was the latter.
Cora Reilly (By Sin I Rise: Part One (Sins of the Fathers, #1))
(Battle with Maleger) As pale and wan as ashes was his looke, His bodie leane and meagre as a rake, And skin all withered like a dryed rooke, Thereto as cold and drery as a Snake, That seem’d to tremble euermore, and quake: All in a canuas thin he was bedight, And girded with a belt of twisted brake, Vpon his head he wore an Helmet light, Made of a dead mans skull, that seem’d a ghastly sight. Maleger was his name, and after him, There follow’d fast at hand two wicked Hags, With hoarie lockes all loose, and visage grim; Their feet vnshod, their bodies wrapt in rags, And both as swift on foot, as chased Stags; And yet the one her other legge had lame, Which with a staffe, all full of litle snags She did support, and Impotence her name: But th’other was Impatience, arm’d with raging flame. So braue returning, with his brandisht blade, He to the Carle himselfe againe addrest, And strooke at him so sternely, that he made An open passage through his riuen brest, That halfe the Steele behind his back did rest; Which drawing backe, he looked euermore When the hart bloud should gush out of his chest, Or his dead corse should fall vpon the flore; But his dead corse vpon the flore fell nathemore. Ne drop of bloud appeared shed to bee, All were the wounde so wide and wonderous, That through his carkasse one might plainely see: Halfe in a maze with horror hideous, And halfe in rage, to be deluded thus, Againe through both the sides he strooke him quight, That made his spright to grone full piteous: Yet nathemore forth fled his groning spright, But freshly as at first, prepard himselfe to fight. His wonder farre exceeded reasons reach, That he began to doubt his dazeled sight, And oft of error did himselfe appeach: Flesh without bloud, a person without spright, Wounds without hurt, a bodie without might, That could doe harme, yet could not harmed bee, That could not die, yet seem’d a mortall wight, That was most strong in most infirmitee; Like did he neuer heare, like did he neuer see. His owne good sword Mordure, that neuer fayld At need, till now, he lightly threw away, And his bright shield, that nought him now auayld, And with his naked hands him forcibly assayld. He then remembred well, that had bene sayd, How th’Earth his mother was, and first him bore; She eke so often, as his life decayd, Did life with vsury to him restore, And raysd him vp much stronger then before, So soone as he vnto her wombe did fall; Therefore to ground he would him cast no more, Ne him commit to graue terrestriall, But beare him farre from hope of succour vsuall. Vpon his shoulders carried him perforse Aboue three furlongs, taking his full course, Vntill he came vnto a standing lake; Him thereinto he threw without remorse, Ne stird, till hope of life did him forsake; So end of that Carles dayes, and his owne paines did make.
Edmund Spenser (The Faerie Queene)
As a young child, someone had told her that the scars her father wore on his face and her grandmother on her hands and feet were born of great pain. And because Marjorie had no scars that resembled those, she could never bring herself to complain of pain.
Yaa Gyasi
She wore no iron rings; the city itself pained her.
Elizabeth Bear (Blood and Iron (Promethean Age, #1))
Evening, Galen.” Holt’s lips quirked. “Gotta say, your patrol officer there looks somewhat the worse for wear.” The short brunette wore an over-sized, long-sleeved uniform shirt. One of the Doms had pulled her sleeve cuffs past her hands and knotted a rope around the wristbands, effectively restraining her. Tears had streaked dark mascara down her cheeks, and she had the unmistakable glassy-eyed appearance of someone who’d enjoyed a long, painful—and pleasurable—session. “Ah, well, she’s new to law enforcement and didn’t check she had backup before chasing a suspect.” Galen shot Vance a look.
Cherise Sinclair (Beneath the Scars (Masters of the Shadowlands, #13))
still couldn’t get Tina’s face out of my mind. Although she was in pain, she still wore a vengeful smile on her red lips. It was as if she had already tasted the future and it was sweet. The bruises and the raccoon eye reminded me so much of my own war that I had been facing for the past eight years. Even though she had been beaten, I could still tell that she was a beautiful woman. Her hair was long and filled with curls that had the look of silk. I tried to sleep in my bed. While I tossed and turned, the conversation we had just kept playing over and over again like a broken record. I could still hear her voice as if she were in the room. What did she mean by Chris being Mike’s boy toy? Sometimes I wish that I would have been raised in the city instead of on a farm. I just didn’t understand so many things. Was she going to get her husband to kill Mike when he got out of jail? What about my kids?
Annette Reid (Domestic Violence: The Sara Farraday Story)
Move.' Cassian's cold voice cracked through the spell of the music, halting her. He stood before them, amid the sea of people twirling around and around, and even though most wore black, his armour and blades made him seem... different. Like a true piece of the night. Eris looked down his straight nose at Cassian. 'I don't take orders from brutes.' Nesta stifled her snarl and said coolly to Cassian, 'Am I to understand that you would like to dance with me?' 'Yes.' His hazel eyes were burning with violence. Had he really believed what he'd seen on the dance floor? Eris bared his teeth at Cassian. 'Go sit at your master's feet, dog.' It took all her concentration, every moment of Mind-Stilling, to keep from ripping out Eris's throat. But Nesta shoved her fury down, to the place where she'd stifled her power. 'No one likes a selfish partner, Eris.' She didn't so much as look at Cassian. Didn't trust what she'd do if she beheld pain in his eyes at Eris's insult. Feyre and Rhysand had given Eris one of her blades just to ensure his continued alliance. She wouldn't jeopardise it. So she added with a croon, 'Time to share.' Eris threw her a mocking smile. 'We'll play later, Nesta Archeron.
Sarah J. Maas (A ​Court of Silver Flames (A Court of Thorns and Roses, #4))
saddlebags. “And please tell Kiri she should put her shoes on. Lucas will have a fit if she serves like that.” “Mummy, why do I have to put on shoes? Kiri isn’t wearing any.” George met Gwyneira and her daughter in the corridor outside his room just as he was about to go down to dinner. He had done his best as far as evening wear went. Though slightly wrinkled, his light brown suit was handsomely tailored and much more becoming than the comfortable leather pants and waxed jacket he had acquired in Australia. Gwyneira and the captivating little red-haired girl who was squabbling so loudly were likewise elegantly attired. Though not in the latest fashion. Gwyneira was wearing a turquoise evening gown of such breathtaking refinement that, even in the best London salons, it would have created a stir—especially with a woman as beautiful as Gwyneira modeling it. The little girl wore a pale green shift that was almost entirely concealed by her abundant red-gold locks. When Fleur’s hair hung down loose, it frizzed a bit, like that of a gold tinsel angel. Her delicate green shoes matched the adorable little dress, but the little one obviously preferred to carry them in her hands than wear them on her feet. “They pinch!” she complained. “Fleur, they don’t pinch,” her mother declared. “We just bought them four weeks ago, and they were on the verge of being too big then. Not even you grow that fast. And even if they do pinch, a lady bears a small degree of pain without complaining.” “Like the Indians? Ruben says that in America they take stakes and hurt themselves for fun to see who’s the bravest. His daddy told him. But Ruben thinks that’s dumb, and so do I.” “That’s her opinion on the subject of being ‘ladylike,’” Gwyneira remarked, looking to George for help. “Come, Fleurette. This is a gentleman. He’s from England, like Ruben’s mummy and me. If you behave properly, maybe he’ll greet you by kissing your hand and call you ‘my lady.’ But only if you wear shoes.” “Mr. McKenzie always calls me ‘my lady’ even if I walk around barefoot.” “He must not come from England, then,” George said, playing along. “And he certainly hasn’t been introduced to the queen.” This honor had been conferred on the Greenwoods the year before, and George’s mother would probably chatter on about it for the rest of her
Sarah Lark (In the Land of the Long White Cloud (In the Land of the Long White Cloud Saga, #1))
Oddly untethered, she seemed to be feeling everything and nothing at once. It reminded her of having a local anesthetic for stitches, how you could feel the doctor tugging your skin but you couldn't feel the pain. But with it went the knowledge that once the injection wore off, the pain would hit.
Sally Hepworth (Darling Girls)
The room was dim, the windows shuttered. Several candles illuminated Lord Golden standing with his back to me. He wore a sheet from his bed like a cape. He glanced at me over his shoulder and someone I had never met looked out of those golden eyes. When I was three steps into the room, he said quietly, “Stan there, please.” With one hand, he lifted his hair up and out of the way to bare the nape of his neck. The sheet fell away from his naked back, but his free hand continued to clutch it to his chest. I gasped and took an inadvertent step closer. He inched away but then stood his ground. In a small, shaken voice, he asked, “The Narcheska’s tattoos. Were they like this?” “May I come closer?” I managed to say. I didn’t really need to. If his tattoos were not identical to hers, then they were at the least extremely similar. He nodded jerkily, and I took another step into the room. He did not look at me but stared off into a dim corner. The room was not cold, but he was shivering. The exotic needling began at the nape of his neck and covered every part of his back before vanishing beneath the waistband of his leggings. The twining serpents and wingspread dragons sprawled in exquisite detail over his smooth back. The shining colors had a metallic gleam to them, as if gold and silver had been forced under his skin to illuminate them. Every claw and scale, every shining tooth and flashing eye, was perfect. “They are very alike,” I managed to say at last. “Save that yours lie flat to your skin. One of hers, the largest serpent, stood swollen from her back as if inflamed. And it seemed to cause her great pain.” He drew in a shuddering breath. His teeth were near to chattering as he observed bitterly, “Well. Just when I thought there was no way she could increase her cruelty, she finds one. That poor, poor child.” “Does yours hurt?” I asked cautiously. He shook his head, still without looking at me. Some of his hair fell free of his grasp to brush across his shoulders. “No. Not now. But the application of them was extremely painful. And of great duration. They held me very still, for hours at a time. They apologized and tried to comfort me as they did. That only made it worse, that people who otherwise treated me with love and regard could do that to me. They were meticulously careful to needle them in just as she instructed them. It is a horrible thing to do to a child. Hold him still and hurt him. Any child.
Robin Hobb (Golden Fool (Tawny Man, #2))
It was not like her to lose her senses. The ability to drift was beaten from her long ago. But Sorasa drifted now, pacing the beach. She did not hear the shift of sand, or the heavy scuff of boots over the loose stones. There was only the wind. Until a strand of gold blew across her vision, joined by a warm unyielding palm against her shoulder. Her body jolted as she turned, nose to nose with Domacridhan of Iona. His green eyes glittered, his mouth open as he shouted something again, his voice swallowed up by the droning in her own head. “Sorasa.” It came to her slowly, as if through deep water. Her own name, over and over again. She could only stare back into the verdant green, lost in the fields of his eyes. In her chest, her heart stumbled. She expected her body to follow. Instead, her fist closed and her knuckles met cheekbone. Dom was good enough to turn his head, letting the blow glance off. Begrudgingly, Sorasa knew he had spared her a broken hand on top of everything else. “How dare you,” she forced out, trembling. Whatever concern he wore burned away in an instant. “How dare I what? Save your life?” he snarled, letting her go Sorasa swayed without his support. She clenched her own jaw, fighting to maintain her balance lest she fall to pieces entirely. “Is that another Amhara lesson?” he raged on, throwing up both arms. “When given the choice between death or indignity, choose death?!” Hissing, Sorasa looked back to the spot where she woke up. Heat crept up her face as she realized her body left a trail through the sand when he dragged her up from the tide line. A blind man would have noticed it. But not Sorasa in her fury and grief. “Oh,” was all she could manage. Her mouth flapped open, her mind spinning. Only the truth came, and that was far too embarrassing. “I did not see. I—” Her head throbbed again and she pressed a hand to her temple, wincing away from his stern glare. “I will feel better if you sit,” Dom said stiffly. Despite the pain, Sorasa loosed a growl. She wanted to stand just to spite him, but thought better of it. With a huff, she sank, cross-legged on the cool sand. Dom was quick to follow, almost blurring. It made her head spin again. “So you saved me from the shipwreck just to abandon me here?” Sorasa muttered as Dom opened his mouth to protest. “I don’t blame you. Time is of the essence now. A wounded mortal will only slow you down.” She expected him to bluster and lie. Instead, his brow furrowed, lines creasing between his still vivid eyes. The light off the ocean suited him. “Are you? Wounded?” he asked gently, his gaze raking over her. His focus snagged on her temple, and the gash there. “Anywhere else, I mean?” For the first time since she woke, Sorasa tried to still herself. Her breath slowed as she assessed herself, feeling her own body from toes to scalp. As her awareness traveled, she noted every blooming bruise and cut, every dull ache and shooting pain. Bruises ribs. A sprained wrist. Her tongue flicked in her mouth. Scowling, she spit out a broken tooth. “No, I’m not wounded,” she said aloud. Dom’s desperate smile broke wide. He went slack against the sand for an instant, falling back on his elbows to tip his face to the sky. His eyes fluttered shut only for a moment. Sorasa knew his gods were too far. He had said so himself. The gods of Glorian could not hear their children in this realm. Even so, Sorasa saw it on his face. Dom prayed anyway. In his gratitude or anger, she did not know. “Good,” he finally said, sitting back up.
Victoria Aveyard (Fate Breaker (Realm Breaker, #3))
The mother wore an expression of exhaustion that I remembered so well. She had surrendered: inviting the discomfort, not refusing it. Pain was easier to tolerate when you didn’t resist it.
Rachel Khong (Real Americans)
Catalina: I need your help. I don’t have anyone else I can ask. I was sitting at my desk in my room trying to work on a Numerology assignment but since that message had come through, I hadn’t been able to think of anything else. Because it came down to this – was I going to help Mommy Acrux with her little problem? I hadn’t even replied yet so I had no idea what she wanted my help with, but I needed to make a decision before I did. Did I trust her? And how far was I willing to go for her? I tapped my pen against my lips as I wondered. Catalina had been messaging me every day since we’d swapped numbers. She gave me information on Lionel and Clara’s comings and goings and revealed anything they’d let slip but there hadn’t been a single, solid thing that she’d told me which would make any real difference to us. I understood that Lionel kept her out of his plans, but still, she hadn’t exactly given me any irrefutable evidence that she was actually on my side. ... I reached out and took a biscuit from the little stand and devoured it in two bites as Catalina watched me. It was fucking delicious. Going hungry in the mortal world had definitely left me with a taste for good food and there was no way I’d be letting those little treats go to waste. “Have you seen much of Darius?” she asked and I stilled. We talked a lot via text, but there was an unspoken rule that we didn’t discuss him, and I would have preferred to stick to it. “Every day,” I admitted. “Meals, classes, the common room. It’s kinda like getting punched in the heart every other hour.” I wasn’t really sure why I’d admitted to that and I looked away from her before she could get a read on the pain it caused me. Because I didn’t have a right to be hurting over it, did I? It had been my choice that put us in this position after all. The door opened before she could push me on the subject and I looked around with a smile as Xavier stepped into the room. He fell still as he spotted me. His dark hair was a mess, he was barefoot and the grey sweatpants he wore had a stain on the leg. He was also shirtless which gave me a look at the lean muscle lining his frame and the defined V which dipped beneath his waistband. “Well shit, Xavier, have you spent the last two months working out or something?” I teased and a faint blush lined his cheeks as he stared between me and his mother. “What…why are you here?” he asked, not seeming to know if he should be pleased to see me or not. She seemed to be waiting for me to make the move though so I beckoned Xavier closer and pointed to the chair beside me. He approached, his eyes narrowed suspiciously as he lowered himself into the seat and pushed a hand through his hair self consciously. “Did I interrupt your nap?” I teased. “No. I just…didn’t really expect to see anyone today so I didn’t exactly bother getting dressed.” There was a hollow tone to his voice which made me frown and my heart twisted painfully as I wondered how many days he spent alone like that. (Tory POV)
Caroline Peckham (Cursed Fates (Zodiac Academy, #5))
In the YouTube video, I am talking about my middle school English teacher. I am doing so with a level of zeal that I now recognize is mortifying. My English teacher was a quirky woman in her late twenties who had short hair that she wore butterfly clips in. She wore overalls, beaded necklaces, and colorful eye shadow. It is painfully obvious in retrospect that I was in love with her.
Emily R. Austin (Interesting Facts About Space)
Each person is alone with his pain, even when others share the same fate.
Dorthe Binkert (She Wore Only White)
What is the meaning of this?” Sylvan sighed and stood up from the lumpy, uncomfortable grey couch in the far corner of the HKR building. He’d been hoping that Sophia would be in a better mood the next time he saw her but from the way her cheeks were flushed and her big green eyes were flashing with anger, it looked like his hopes were about to be dashed. “What is the meaning of what?” he asked, nodding at her courteously as she stormed up to him. “This.” Sophia reached into a large pink shopping bag she was carrying and pulled out a strange looking contraption that seemed to be made of black lacy straps. Sylvan looked at in confusion. “I’m afraid I don’t even know what that is.” “It’s a bra!” She shook it in his face in an accusing manner and Sylvan saw that there were two pocket-like cups attached to the straps that were joined in the middle. Still, it made no sense. “A what?” He attempted to take it from her but she snatched it back. “A bra—you know, to cover your, uh, chest?” Seeing that he was still clueless, Sophia put down the shopping back with an exasperated sound and held the black lace contraption up to her own chest. “Look—like this.” Today she was wearing a dark green blouse that buttoned down the front and brought out the color of her eyes. It was open enough for Sylvan to see her creamy throat and just a hint of cleavage. When she held it up, the black lace cups of the thing she’d called a bra framed her full breasts and he had a sudden mental image of her wearing it…and nothing else. Gods! His fangs sharpened and he was suddenly almost painfully hard. “I see,” he murmured, reaching out to trace the edge of the black lace where it framed the top of her breast. “It’s most…intriguing. I didn’t know human women wore such tantalizing undergarments.” Sophia’s cheeks got even redder and she shoved the bra back into the large pink shopping bag.
Evangeline Anderson (Claimed (Brides of the Kindred, #1))
Wilhelm!” he called again. “Show yourself!” Wilhelm and a pair of his guards rounded the keep at a run. He reigned in Gil’s horse. “Where is she? Where is my wife?” “Right behind me. What happened, man? Are ye wounded?” Malina came running around the keep with Constance. Relief surged through him to see her blessedly unharmed, though her face was drawn with concern. She was worrit for him. He flew from the saddle and dashed to her. His ripped thigh protested, but he didn’t falter in his steps. Pain was nothing compared to the need to hold his sweet wife in his arms. Sweeping her up, he pinned her to his chest. Their hearts reached for each other with every beat. She clung to him as fiercely as he clung to her, and some of the horror of the last hour lifted from him. “Christ, lass, I thought…I thought—” He buried his face in her hair. She smelled of herbs and flowers, and underneath was her own scent of sugared custard. She wore a lovely kirtle of sapphire blue and an apron smudged with dirt as if she’d been doing chores in the garden. Her hair flowed like silk through his fingers as he ran his hand over her head and face, assuring himself she was hale, all except for the purple marks around her left eye from Hamish’s hand. Passing over her cheeks, his fingers came away wet with her tears. “Dinna weep, Malina mine. All is well.” “You’re hurt,” she cried. “Let me see. There’s so much blood.” “What happened?” Wilhelm demanded. “How much of the blood is yours?” Constance asked. He ignored all but Malina. “I’m all right, lass. I’m all right. Just a few scrapes.” He permitted himself a relieved breath as her face smoothed somewhat, but he refused to let her go. He couldn’t even bring himself to lower her feet to the ground. With Malina in his arms, he was whole. She wasn’t only his to love and protect; she was part of him. Realization struck him with blinding force. “I canna let ye go back,” he said. “I willna. You are mine, and I willna send you away to your time.” The tightness in his chest unfurled. Malina’s eyes widened with shock. Her rose-petal lips parted to say somat, but he silenced her with a kiss. He couldn’t help himself. Let her hate him for a time. He would find a way to earn her love and forgiveness. He’d earn them every day for the rest of his life.
Jessi Gage (Wishing for a Highlander (Highland Wishes Book 1))
She opened her eyes and then frowned. “Why are you dressed?” “Because I got up and got dressed so I could find some coffee, but I changed my mind and I’m coming back to bed.” “Fully dressed?” “Yes. No shoes, though.” It was too early to follow along with his crazy bouncing ball of logic. “Did Gram put a pot of coffee on yet?” He groaned and threw his arm over his eyes. “Not exactly.” “What is wrong with you this morning?” “I just ran into your grandmother. She was sneaking into the house…in the same dress she wore last night.” “What?” Emma sat up, aches and pains forgotten. “You caught Gram doing the walk of shame?” “Yes, and it was awkward and now I’m going back to bed.” She pushed his arm off his face. “What did she say?” “She said good-morning and told me she was going to take a quick shower and then start breakfast.” “And what did you say?” “I muttered something about taking her time and then ran like a girl.” Emma flopped back onto her pillow and stare at the ceiling. “Wow.” “I probably should have broken it to you better, but I’m not sure how I could have.” She didn’t know what to say. Go, Gram, a part of her was thinking, but another part wanted to hide under the covers with Sean and not deal with the fact her grandmother was currently taking a shower after doing the walk of shame. That was obviously the side of himself Sean was currently listening to. “We have to go down eventually,” she said. “I need coffee. And food.” “I’ll wait here. Bring some back.” She laughed and slapped his thigh. “If I can face her, so can you. She’s not your grandmother.” “It was awkward.” “I’m sure it’s awkward for her, knowing we’re having sex, but she’s an adult about it.” That just made him cover his face with his arm again. “That’s different.” “Why? Because she’s sixty-five?” “No. Because, as you just said, she’s a grandmother. Your grandmother.” “Come on. We’ll go down together.” She slid out of bed and walked toward the bathroom. “Stop making it such a big deal.” Gram was still in the shower when they went past the bathroom on their way down the hall. They could tell because she was whistling a very cheery tune that made Sean wince. Emma grabbed his arm and tugged him toward the stairs. “Coffee.” They got a pot going and sat at the table in silence until enough had brewed to sneak two cups from it. Emma put the kettle on and dropped a tea bag into Gram’s mug. The woman of the hour appeared just as it whistled, looking refreshed and cheerful. “Good morning.” “Good morning,” they both mumbled.
Shannon Stacey (Yours to Keep (Kowalski Family, #3))
What happens to a marriage? A persistent failure of kindness, triggered at first, at least in my case, by the inequities of raising children, the sacrifices that take a woman by surprise and that she expects to be matched by her mate but that biology ensures cannot be. Anything could set me off. Any innocuous habit or slight or oversight. The way your father left the lights of the house blazing, day and night. The way he could become so distracted at work that sometimes when I called, he’d put me on hold and forget me, only remembering again when I’d hung up and called back. The way he wore his pain so privately, whistling around the house after we’d had a spat, pretending nonchalance, protecting you and your sisters from discord, hiding behind his good nature, inadvertently calling out my ill nature in the process, persisting in being optimistic, and cheerful, and affectionate, when there was clearly no call for any of that. These were the tallies I kept, the grudges I nursed. Would I have indulged myself that way if I’d fully understood the situation? I would have behaved better, I hope. I hope I would have been kinder. P
Jan Ellison (A Small Indiscretion)
Did he hear it, she wondered as she glimpsed her husband’s face through half-closed eyes and saw what was quickly becoming a familiar look: a kind of determined concentration, a grimace to the lips, and a far-off gaze to his eyes that marked a consummation that she was beginning to suspect turned him in on himself far more than it would ever turn him out toward her. She imagined it was akin to the look the piano player upstairs wore as he worked the keys, that kind of crazy-eyed focus on the task that could obliterate all distractions, even the very instrument under his hands. Does he even hear the music, she thought, arching toward him as he labored above her. Does he even see my face? This was something she had never anticipated before she was married, the painful, physical struggle he seemed to wage with himself in the course of their joining. She had thought it would all be whispered endearments, only pleasantly breathless. She was surprised to learn that there was labor in it, pain and struggle as well as sweetness.
Alice McDermott (After This)
Hi, Dale, it’s Gabby...Clay’s girlfriend.”  It felt weird giving myself that title, but I pushed it aside.  Bigger issues to deal with.  “If he’s there, can I talk to him?” Dale chuckled.  “Sure, but I don’t imagine it’d be much of a conversation.” I heard him call out to Clay.  A moment later, a husky voice said, “Hello?” After not talking to me for so long, hearing his voice startled and annoyed me slightly.  He would talk to a perfect stranger, but not me?  I opened my mouth to say something about it, but the pain in my head insistently prodded me to get on with the important news. “Clay, I did it again.  I’m at the diner where we had breakfast.  I need you to come get me before it gets worse.” He didn’t say anything for so long that I looked at the phone to see if I still had a signal.  The screen said disconnected.  Would it have killed him to say “Okay” or maybe even “Bye” before hanging up?  His hello had been too shocking to recall the sound of his voice. I sighed and put my cell away.  With Sam’s frequent calls and Rachel’s occasional texts, my remaining minutes dipped into the double digits.  I needed to adjust my budget to buy more airtime.  Did life really need to throw me this many curveballs?  And all at once? I forced myself to eat more of my mostly untouched meal so the waitress wouldn’t bother me as I waited. The last of the waves hit me.  Only determination and a hand over my mouth kept me from whimpering.  After about ten minutes, I settled the bill and watched out the window for Clay, barely checking the need to curl into a ball and lie down on the padded bench.  The waitress kept a close eye on me, probably thinking she would need to clean up barf soon.  She might. Dale’s huge tow truck pulled into the parking lot.  Clay opened his door and leapt out while it still rolled to a stop.  Through the window, he spotted me.  His eyes never left me as he strode in and Dale pulled away. Clay still wore his greasy coveralls, and with his hair pulled back, he looked like an angel—a grimy one—coming to save me.  Again. “Hi,
Melissa Haag (Hope(less) (Judgement of the Six #1))
Your father's last words were touching." Elie's breath hitched. "You're lying." "Why would I do that?" He reached into his vest and withdrew a silver chain. Dropping the piece into Ellie's hand, she realized what is was- her mother's ring, on the chain her dad always wore around his neck. "Hold your gusto, darlin'," he drawled, breath hot on her neck. "I didn't kill him." Ellie shook her head, staring at the ring. "How dare you?" she whispered. Jutting her chin out, Ellie grasped the front of Terrence's shirt. "So help me God, I'll-" "Making threats are we, now?" His brows raised in mock fear. "You're not in a place to be doing that." Open handed, Terrence shoved straight finger's into Ellie's ribs, sending her to the ground. Pain zig-zagged through her torso, nearly making her vomit. Ellie glared up at North as she willed the air back into her lungs. "I will never stop fighting," she wheezed as the room drifted out of focus then back again. Terrence crouched next to her. "Just remember lover-boy the next time you think about getting in my way.
Ashley Nikole (Present History (Hands of Time, #1))
She could hear the voice of her childhood, could see a younger version of herself plucking petals off a flower. He loves me; he loves me not. (She) left the petals alone, not ready to hear the answer. The fragrance of the flowers danced around her; and in her mind, or memory, or both, she could hear a song. She closed her eyes, allowing herself to be transported there. He stood in a black suit looking painfully handsome; she wore a green dress wishing he would see her…really see her. It was easy and comfortable. They swayed slowly, lost in the melody, the moment. His hand on her waist, her hand on his shoulder, their fingers clasped tightly together. He loves me; he loves me not.
L.A. Kuehlke (Ransomed)
A flower splatted against the chest of one of Brigan’s top swordsmen, riding to Fire’s right. When Fire laughed at him, he beamed, and handed the flower to her. On this journey through the city streets Fire was surrounded not just by her guard but by Brigan’s most proficient fighters, Brigan himself on her left. The commander wore the gray of his troops, and he’d positioned the standard-bearer some distance behind. It was all in an attempt to reduce the attention Fire drew, and Fire knew she wasn’t playing her part in the charade. She should have been sitting gravely, her face bent to her hands, catching no one’s eye. Instead she was laughing—laughing, and smiling, and numb to her aches and pains, and sparkling with the strangeness and the bustle of this place.
Kristin Cashore (Fire)
And Matt's passion fueled Breanne's emotional recovery. Giddily soaking up her groom's repeated, ardent kisses, the usually restrained, ultra-cool sophisticate was feeling no pain, laughing and animated and uncaring that her exquisite Italian silk creation had been stained like a macchiato. ...she wore the espresso like a badge of honor-- even insisted more photos be taken with the damaged tray and the spattered gown.
Cleo Coyle (Espresso Shot (Coffeehouse Mystery, #7))
Thomas’s tall frame dominated the empty space in front of the open bedchamber door. “What are you doing?” His blue eyes were dark and worry dug itself deep into the muscles of his jaw. He hadn’t taken the time to remove his cloak and the long black fabric accentuated the dark of his hair and made his shoulders seem as wide as the doorframe. Eliza sat still, trying not to be overcome by the fluttering in her middle. Kitty too must have felt like a child who’d been caught in the middle of mischief, for she remained motionless. “I just wanted to get cleaned up. Is that such a crime?” Eliza wore an easy smile, hoping to massage away the frustration in his face. He shook his head like a father with two disobedient children, wiped off his cloak, and hung it over the chair by the table in the corner. “I leave you both for a moment and here you are trying to kill yourself all over again.” “It’s not as bad as all that, Thomas. I’m getting better.” Eliza tried lifting her legs back onto the bed to show her improvement, but she winced as a shooting pain gouged into her stomach. Thomas rushed to her side. He put one arm around her shoulder, the other under her knees, and lifted her back to her usual position. His face was much too close, the musky scent of his clothes much too inviting. His warm breath on her ear made her own breathing difficult. Eliza’s gaze moved to Thomas’s face as he propped the pillows behind her. He stilled when their gazes locked, only inches apart. His eyes transformed into sparkling sapphires and for a moment the world around her dissolved. “You just took another year off my life, Eliza.” His rich masculine voice sent a ripple of pleasure flowing down her skin and the compassion in his eyes made her heart stop beating. Why did he have to be so kind? Didn’t he know what it did to her? He looked away too soon, shaking his head. “Don’t try anything like that again.
Amber Lynn Perry (So Fair a Lady (Daughters of His Kingdom, #1))
A SIZEABLE LEGACY HE LEFT her. It was a legacy of beautiful memories, of love and passion, of desire and ecstasy, of nearness and the myriad means of communication two lovers could find. It was a legacy of experience, both private and public, personal and professional, encompassing all she’d learned from their brief liaison. It was a legacy of pain, of hurt and heartache, of humiliation and distrust, of frustration and disillusionment, of the sheer hell of a loneliness made worse by comparison with what might have been. And, finally, there was the small gold heart she wore constantly, ruby-eyed and shining, a poignant reminder of that part of her own heart which was, now and forever, lost.
Barbara Delinsky (Sensuous Burgundy)
gold color, and she tried with all she had to find the beauty in it. She had to distract herself—or else the pain would be unbearable. She was tied to a large wooden pole that ran up her back and stopped two feet above her head. Her hands were bound behind her, tied together behind the pole. She wore only black
Blake Pierce (Before He Kills (Mackenzie White, #1))
Her mother had died a month ago and she was drawn to anyone who wore their pain outwardly, the way she couldn’t.
Brit Bennett (The Mothers)
I left my phone number with her after confirming that she knew how to reach Dr. Curlin. The next day, Dr. Curlin phoned me, and much to my surprise and confusion, I couldn’t contain my emotions upon hearing his voice. The pain that surfaced from deep inside of me when I heard him speak frightened me. I couldn’t seem to stop crying and the emotion was coming from an unfamiliar place inside of me. I told myself that my reaction must be because he removed me from the terrible conditions in that seclusion room. When I was finally able to speak I told him about the lawsuit and about the abuse I had discovered in my VSH records. I asked him simple, direct questions and his responses immediately disturbed me. “How did you know I was in that seclusion room?” “Being Assistant Superintendent has its advantages.” “Did someone tell you that I was there?” “Brooks and Havas were out of town.” “But how did you know I was there?” “Being Assistant Superintendent has its advantages.” “Did you know Robert Hyde?” “Yes. He was always cleaning horse’s stalls and always wore jodhpurs.” “Was that horse you brought for me to see, yours? What was its name?” “Yes. Her name was Beauty. You need to sit across from me and look into my eyes. Let me buy you a plane ticket to California.” “I don’t like to fly.” “Let me buy you a bus ticket.” “Dr. Curlin, I’m not going to leave Vermont. Why did you leave VSH? When I returned from Baird 6, you were gone.” “I was only there for a year. You don’t remember the Kennedy Assassination do you?” “Yes, I remember the assassination.” “You don’t remember the Kennedy Assassination, do you?” “Yes, I told you that I do.” “You don’t remember the Kennedy Assassination, do you?” “Dr. Curlin, yes I do remember it. I was eleven years old. Did you know that VSH was conducting CIA experiments?” “Call me Doc. I love you Karen,” “Are you CIA, Dr. Curlin?” “Not every good Indian is a dead Indian. I do love you.” I took notes during my conversation with Curlin. His responses were strange and made me feel very uncomfortable. I tried to persuade him to come to Vermont and meet with my lawyer. He flatly refused, saying that he didn’t have good memories about Vermont. He tried to portray himself as having been misused in some unexplained fashion while he was in Vermont. I spoke with Curlin again and I tried to stress to him that he needed to answer my questions. He refused. I was suspicious of his involvement in the experiments I was subjected to and when the phone call ended I had decided to name him as a defendant.
Karen Wetmore (Suviving Evil: CIA Mind Control Experiments in Vermont)
Jenny still wore the same white top, the sleeves pulled up over her wound, the material frayed, singed and stained with dry blood. Her jeans were scuffed at the knees from climbing the wall and she was caught by a stab of pain in her ribs as she turned to where Anne called out to her in the kitchen. Jenny had gone to her room to tie her hair back and freshen up with some borrowed toiletries.
Charlie Gallagher (Then She Ran (Langthorne #6))
I was told that the body is no more than a jacket which gets cast off when it’s no longer needed. Your nan isn’t there any more, Paula. The jacket she wore caused her pain but she’s free of that now.
Angela Marsons (Silent Scream (DI Kim Stone, #1))
So there was the problem: He wanted the pain but he did not want the subculture. He did not care if a person wore vinyl or a mask. He was sort of into the fact that he didn’t know her name, but that was probably more so that he could not fully flesh out her existence or allow himself to wonder in full why she was doing this, since the answer in these trades was always depressing. (Truly, he once saw a green tricycle on her lawn, and it took him months of drug use to destroy that particular synapse.)
Taffy Brodesser-Akner (Long Island Compromise)
Unattractive, like a selfish woman. Ugly, like an ambitious one. Like one who chose to punish a good man for not being the right man, who left because staying was too boring, too painful, too hard. Like a woman who had to be a weapon because she couldn’t be anything else. thing, for one chance— Parisa tousled her hair, switching her part from one side to the other. She didn’t have a bad side. —but I’m done being grateful! I’m done trying to make myself suitable for this family, for this God, for this life. I’m done being small, I’ve outgrown the person who needed you to save her, I don’t even know who she is anymore— She pouted at the mirror and started again, pinching her cheeks to see the color come and go. —and I want more, so much more— Lip balm. Mascara. Lips softer, eyes wider, be something different, something else. —I just want to live, Nas! Just let me live! What was the point of reliving the past? She was hunting her invisible nemeses, grappling for power, finding new methods of control. She should be busy, too busy being the most dangerous person in this or any world to think about why she’d been such an easy target for Atlas Blakely, a man in need of weapons just to make a universe that he could stand. But now— Now she was thinking about Nasser, as if it mattered at all what kind of person she’d been over a decade ago. Just an hour of your time, now and then. That’s all I ask. I know, I know, I’m asking a lot more from you inside my head, but that’s not fair—doesn’t it matter what I choose to put in front of you? Someday maybe you’ll understand that there’s a difference between what a person thinks and who they choose to be— A glint caught her eye from her reflection. A brief, unnatural sparkle in the placid lake of her appearance, the consistency of her beauty, the easy grace she always wore. She leaned forward, forgetting her internal monologue, letting it collapse. Someday the view will be different, eshgh, and I hope you see me in a softer light— “Parisa?” Dalton leaned against the frame of the bathroom door. In his left hand was one of her dresses. In his right hand was her phone. “I don’t care if you want to see your husband. Sorry—Nasser. If you want me to call him that, I will. I suppose you’re right, anyway, you’ll need to see him, because if the Society could find evidence of him in your past then the Forum surely can as well, and so can Atlas. And so can anyone else who wants you dead.” Another pause as Dalton set her phone back on the bathroom counter. “I replied to the physicist for you as well. I think you’ll need to find out what he plans to do about the archives, or at least keep track of what Atlas is doing at the house. Atlas is going to win over both the physicists unless you can convince one of them to do it differently. “What is it?” Dalton asked, frowning at her silence. His gaze traced the placement of her fingers, which had been parsing the thickness of her hair. “I—” Parisa was caught somewhere between laughing and crying. “I found a gray hair.” “So?” Laughter, definitely laughter. It escaped her in something of a rueful bray. Unattractive, like a selfish woman. Ugly, like an ambitious one. Like one who chose to punish a good man for not being the right man, who left because staying was too boring, too painful, too hard. Like a woman who had to be a weapon because she couldn’t be anything else. “Nothing.” Only the future loss of her desirability, the collapse of her personhood. The first glimpse of an empire steadily falling to unseen ruin. The fate she already knew was coming, the punishment she’d always known she deserved. What timing!
Olivie Blake (The Atlas Six (The Atlas, #1))