She Evolved Quotes

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She thought there were no Gods; no one was to blame; and so she evolved this atheist's religion of doing good for the sake of goodness.
Virginia Woolf (Mrs. Dalloway)
She was the one who was supposed to have walked with him through different lives, being born and loving and dying and being born again. They'd been born for each other, to help each other grow and blossom and discover and evolve.
L.J. Smith (Night World, No. 2 (Night World, #4-6))
I would argue that masturbation is the human animal's most important adaptation. The very cornerstone of our technological civilization. Our hands evolved to grip tools, all right—including our own. You see, thinkers, inventors, and scientists are usually geeks, and geeks have a harder time getting laid than anyone. Without the built-in sexual release valve provided by masturbation, it's doubtful that early humans would have ever mastered the secrets of fire or discovered the wheel. And you can bet that Galileo, Newton, and Einstein never would have made their discoveries if they hadn't first been able to clear their heads by slapping the salami (or "knocking a few protons off the old hydrogen atom"). The same goes for Marie Curie. Before she discovered radium, you can be certain she first discovered the little man in the canoe.
Ernest Cline (Ready Player One (Ready Player One, #1))
If I’m going to do the time. Might as well do the crime?”  She scowled. “Worst pickup line in evolutionary history. Truly proof you never evolved past neanderthal.
J. Rose Black (Chasing Headlines)
So she listened hard. And she began to evolve, because stories work their magic that way. They build conviction and erode conviction in equal measure.
Gregory Maguire (What-the-Dickens: The Story of a Rogue Tooth Fairy)
My friend Adele describes fundamentalism as holding so tightly to your beliefs that your fingernails leave imprints on the palm of your hand... I think she's right. I was a fundamentalist not because of the beliefs I held but because of how I held them: with a death grip. It would take God himself to finally pry them out of my hands. (p.17-18)
Rachel Held Evans (Evolving in Monkey Town: How a Girl Who Knew All the Answers Learned to Ask the Questions)
What’s happened so far? Coyotes evolved limited powers of speech. Worms developed teeth and became aggressive and territorial. Snakes grew wings and developed a new form of metamorphosis. Some of us developed powers. So far there’s been a lot of strange, but not a lot of stupid. This, though, this”—she aimed her finger at the carcass of the monstrosity—“is just stupid.
Michael Grant (Gone (Gone, #1))
We are the intelligent elite among animal life on earth and whatever our mistakes, [Earth] needs us. This may seem an odd statement after all that I have said about the way 20th century humans became almost a planetary disease organism. But it has taken [Earth] 2.5 billion years to evolve an animal that can think and communicate its thoughts. If we become extinct she has little chance of evolving another.
James E. Lovelock (The Vanishing Face of Gaia: A Final Warning)
The living used to wonder what happened after death. She said that whole religions were born and evolved around this one simple uncertainty.
Carrie Ryan (The Forest of Hands and Teeth (The Forest of Hands and Teeth, #1))
And though Nature is tough, she is always conspiring for your success, encouraging you to evolve. You can even hear her if you listen carefully.
Kira Jane Buxton (Hollow Kingdom (Hollow Kingdom, #1))
Later she wasn’t so positive perhaps; she thought there were no Gods; no one was to blame; and so she evolved this atheist’s religion of doing good for the sake of goodness.
Virginia Woolf (Mrs. Dalloway: The Virginia Woolf Library Authorized Edition)
Prana heals … prana kills … prana helps you evolve,’ she recites in her mind, a line from Book-Of-Prana that she always reads like people read the divine books in temples and mosques.
Misba (The High Auction (Wisdom Revolution, #1))
She could hear the rattle of hooves on stone evolve into a thunder of pursuit.
Cinda Williams Chima (The Gray Wolf Throne (Seven Realms, #3))
Even if it takes manually fixing millions of old cars to equal healing one tiny plant, she’ll do it. Silly. But she has enough time to be silly. Just not enough of it to evolve.
Misba (The High Auction (Wisdom Revolution, #1))
Is it possible to fix love and make it stand still in time? Well, we can try, but that would turn our lives into a hell. I haven't been married for more than 20 years to the same person, because neither she nor I have remained the same. That's why our relationship is more alive than ever. I don't expect her to behave as she did when we first met. Nor does she want me to be the person I was when I found her. Love is beyond time, or, rather, love is both time and space, but all focused on one single constantly evolving point -- the Aleph.
Paulo Coelho (Aleph)
Everything in the universe comes from stars. Before anything else existed, there were just stars. Stars are like ovens,” she says. “Inside, they’re cooking planets and asteroids, and when they explode, out spews all this, like, space vomit that’s been cooking all these years. And solar systems formed, and Earth formed, and algae and eventually oxygen. And small organisms evolved into big animals and after about a billion years we came out, so that’s your answer. We come from the stars.
Stephanie Oakes (The Sacred Lies of Minnow Bly)
Wait," Honey said to herself, as she realized something amazing. "I’m already an excellent flyer. Maybe I can fight crime too.
Emlyn Chand (Honey the Hero)
Hey, ants!" she shouted. "Please help. Anteater is very hungry, but cannot find any food.
Emlyn Chand (Honey the Hero)
No book has yet been written in praise of a woman who let her husband and children starve or suffer while she invented even the most useful things, or wrote books, or expressed herself in art, or evolved philosophic systems
Anna Garlin Spencer
She wondered if this was some new species of fuckboy, an evolved version that was more effective at luring women into its trap before showing its true nature. If that was the case, it was working.
Alyssa Cole (A Princess in Theory (Reluctant Royals, #1))
Life is Beautiful? Beyond all the vicissitudes that are presented to us on this short path within this wild planet, we can say that life is beautiful. No one can ever deny that experiencing the whirlwind of emotions inside this body is a marvel, we grow with these life experiences, we strengthen ourselves and stimulate our feelings every day, in this race where the goal is imminent death sometimes we are winners and many other times we lose and the darkness surprises us and our heart is disconnected from this reality halfway and connects us to the server of the matrix once more, debugging and updating our database, erasing all those experiences within this caracara of flesh and blood, waiting to return to earth again. "Life is beautiful gentlemen" is cruel and has unfair behavior about people who looked like a bundle of light and left this platform for no apparent reason, but its nature is not similar to our consciousness and feelings, she has a script for each of us because it was programmed that way, the architects of the game of life they know perfectly well that you must experiment with all the feelings, all the emotions and evolve to go to the next levels. You can't take a quantum leap and get through the game on your own. inventing a heaven and a hell in order to transcend, that comes from our fears of our imagination not knowing what life has in store for us after life is a dilemma "rather said" the best kept secret of those who control us day by day. We are born, we grow up, we are indoctrinated in the classrooms and in the jobs, we pay our taxes, we reproduce, we enjoy the material goods that it offers us the system the marketing of disinformation, Then we get old, get sick and die. I don't like this story! It looks like a parody of Noam Chomsky, Let's go back to the beautiful description of beautiful life, it sounds better! Let's find meaning in all the nonsense that life offers us, 'Cause one way or another we're doomed to imagine that everything will be fine until the end of matter. It is almost always like that. Sometimes life becomes a real nightmare. A heartbreaking horror that we find impossible to overcome. As we grow up, we learn to know the dark side of life. The terrors that lurk in the shadows, the dangers lurking around every corner. We realize that reality is much harsher and ruthless than we ever imagined. And in those moments, when life becomes a real hell, we can do nothing but cling to our own existence, summon all our might and fight with all our might so as not to be dragged into the abyss. But sometimes, even fighting with all our might is not enough. Sometimes fate is cruel and takes away everything we care about, leaving us with nothing but pain and hopelessness. And in that moment, when all seems lost, we realize the terrible truth: life is a death trap, a macabre game in which we are doomed to lose. And so, as we sink deeper and deeper into the abyss, while the shadows envelop us and terror paralyzes us, we remember the words that once seemed to us so hopeful: life is beautiful. A cruel and heartless lie, that leads us directly to the tragic end that death always awaits us.
Marcos Orowitz (THE MAELSTROM OF EMOTIONS: A selection of poems and thoughts About us humans and their nature)
Even if he or she isn’t aware of it, every individual spends an entire lifetime creating and evolving a personal image that others perceive.
Yvon Chouinard (Let My People Go Surfing: The Education of a Reluctant Businessman)
It was the first time! Just because there weren’t fireworks the first time doesn’t mean there will never be fireworks. We’re human; we’re adults; we teach each other; we communicate; fireworks don’t just go off, wham-bang; fireworks evolve!’ Awestruck by the utter, asinine nonsense of this metaphor, everyone is still. Into the stillness, the ample woman drops the word ‘Wrong.’ Then she says it again. ‘Wrong…I’m talking about science…Pheromones.’ The woman turns to Cornelia. ‘The chemicals in his body call out. The chemicals in your body answer. It either happens or it doesn’t.’ On top of being dumb, Cornelia is dumbfounded.
Marisa de los Santos (Love Walked In (Love Walked In, #1))
A modern soldier returning from combat---or a survivor of Sarajevo---goes from the kind of close-knit group that humans evolved for, back into a society where most people work outside the home, children are educated by strangers, families ae isolated from wider communities, and personal gain almost completely eclipses collective good. Even if he or she is part of a family, that is not the same as belonging to a group that shares resources and experiences almost everything collectively. Whatever the technological advances of modern society---and they're nearly miraculous---the individualized lifestyles that those technologies spawn seem to be deeply brutalizing to the human spirit.
Sebastian Junger (Tribe: On Homecoming and Belonging)
True love, the good, beautiful, one-and-only kind, the kind between loving friends and family and partners who are mostly just trying hard to do their best, it manages to overlook some pieces of its story. It overlooks what he can’t give you or how she failed you or what mistakes he made when he was struggling. It stays steady at its center. It evolves, through drought and storm. It grows. It survives.
Deb Caletti (The Last Forever)
Sometimes, she wishes something would happen in her life. Something more unexpected than very willingly venturing into the Junk Land to act like a rebellious twenty-three-year-old adult. But still not adult enough compared to the rest of the evolved adults.
Misba (The High Auction (Wisdom Revolution, #1))
She gets all her old cars and tools from places you don’t want your daughters to visit. And Rashad Gaumont certainly doesn’t want her to visit Magic Mama, the not-evolved-enough, middle-aged man who lives in the Junk Land and works in the Old City. “He’s not a citizen! He lives in a bus! So what if he made it himself? So what if he teaches you about machines? Just don’t meet him.” “Why?” Kusha used to ask Rashad, and she’d always get the same answer: “The unevolved kind brings chaos and wars.”
Misba (The High Auction (Wisdom Revolution, #1))
She’s trying to find herself. Some days I still wonder if I’ve found me. Maybe we never stop searching. Maybe we evolve the way seasons change, seamlessly without really knowing, not until all the leaves have fallen. This is who I am today. Tomorrow I may be the same. But in years, I’ll be someone else. Someone I may like more. Someone I may like less. And that’s okay. Because I’m still living.
Krista Ritchie (Amour Amour (Aerial Ethereal, #1))
The depressed person’s therapist was always extremely careful to avoid appearing to judge or blame the depressed person for clinging to her defenses, or to suggest that the depressed person had in any way consciously chosen or chosen to cling to a chronic depression whose agony made her (i.e., the depressed person’s) every waking hour feel like more than any person could possibly endure. This renunciation of judgment or imposed value was held by the therapeutic school in which the therapist’s philosophy of healing had evolved over almost fifteen years of clinical experience to be integral to the combination of unconditional support and complete honesty about feelings which composed the nurturing professionalism required for a productive therapeutic journey toward authenticity and intrapersonal wholeness. Defenses against intimacy, the depressed person’s therapist’s experiential theory held, were nearly always arrested or vestigial survival-mechanisms; i.e., they had, at one time, been environmentally appropriate and necessary and had very probably served to shield a defenseless childhood psyche against potentially unbearable trauma, but in nearly all cases they (i.e., the defense-mechanisms) had become inappropriately imprinted and arrested and were now, in adulthood, no longer environmentally appropriate and in fact now, paradoxically, actually caused a great deal more trauma and pain than they prevented. Nevertheless, the therapist had made it clear from the outset that she was in no way going to pressure, hector, cajole, argue, persuade, flummox, trick, harangue, shame, or manipulate the depressed person into letting go of her arrested or vestigial defenses before she (i.e., the depressed person) felt ready and able to risk taking the leap of faith in her own internal resources and self-esteem and personal growth and healing to do so (i.e., to leave the nest of her defenses and freely and joyfully fly).
David Foster Wallace (Brief Interviews with Hideous Men)
A man once said of women, "Women are like roads, the more curves, the more fun, exciting and dangerous they are." While the evolved man smiles with class and confidence and says, women with more curves, twists and turns in her mind are the most beautiful, exciting, dangerous creatures alive. And the evolved woman, well, she will accept no less than the evolved man; a man with honor, dignity and depth.
Melody Lee (Moon Gypsy)
Not forgiving someone is like drinking poison and expecting the other person to die. But she hasn’t been big enough or spiritually evolved enough or brave enough to do it. Richard is sick and dying, and she still can’t let him off the
Lisa Genova (Every Note Played)
Well,' she said, adjusting a pot lid, 'I have my family of origin, which is you and Mom. And then Jaime's family, my family of marriage. And hopefully, I'll have another family, as well. Our family, that we make. Me and Jaimie.' Now I felt bad, bringing this up so soon after Jamie's gaffe. 'You will,' I said. She turned around, crossing her arms over her chest. 'I hope so. But that's just the thing, right? Family isn't something that's supposed to be static or set. People marry in, divorce out. They're born, they die. It's always evolving, turning into something else. even that picture of Jamie's family was only the true representation for that one day. But the next , someone had probably changed. It had to.' ... Later, when the kitchen had filled up with people looking for more wine, and children chasing Roscoe, I looked across all the chaos at Cora, thinking that of course you would assume our definitions would be similar, since we had come from the same place. But this wasn't actually true. We all have one idea of what the color blue is, but pressed to describe it specifically, there are so many ways: the ocean, lapis lazuli, the sky, someone's eyes. Our definitions were as different as we were ourselves.
Sarah Dessen (Lock and Key)
I am made up of light and shadows. I am both mother & inner child. Healing and evolving. I run with the wolves and dive deep with salty sea queens. I am captivated by fiery skies and phases of the moon. I am her and she is me. Together we are wise, wild and free.
Ríonach
In writing the short novel Fahrenheit 451 I thought I was describing a world that might evolve in four or five decades. But only a few weeks ago, in Beverly Hills one night, a husband and wife passed me, walking their dog. I stood staring after them, absolutely stunned. The woman held in one hand a small cigarette-package-sized radio, its antenna quivering. From this sprang tiny copper wires which ended in a dainty cone plugged into her right ear. There she was, oblivious to man and dog, listening to far winds and whispers and soap-opera cries, sleep-walking, helped up and down curbs by a husband who might just as well not have been there. This was not fiction.
Ray Bradbury
As science advances, there seems to be less and less for God to do. It's a big universe, of course, so He, She, or It, could be profitably employed in many places. But what has clearly been happening is that evolving before our eyes has been a God of the Gaps; that is, whatever it is we cannot explain lately is attributed to God. And then after a while, we explain it, and so that's no longer God's realm.
Carl Sagan (The Varieties of Scientific Experience: A Personal View of the Search for God)
She had stepped into more than his arms for a dance, had waited for the precise seconds so it was possible and socially forgivable—the sunlit wedding procession, the eternal meal—and she had passed him a billet-doux as if they were within a Dumas. The note she had written said Good-bye. Then it said Hello. And then it reminded him that A message sent by pigeon to The Hague can sometimes change everything. She had, like one of those partially villainous and always evolving heroines, turned his heart over on the wrong day.
Michael Ondaatje (Divisadero)
The most satisfying compliment a reader can pay is to tell me that he or she feels personally addressed. Think of your own favorite authors and see if that isn’t precisely one of the things that engages you, often at first without your noticing it. A good conversation is the only human equivalent: the realizing that decent points are being made and understood, that irony is in play, and elaboration, and that a dull or obvious remark would be almost physically hurtful. This is how philosophy evolved in the symposium, before philosophy was written down. And poetry began with the voice as its only player and the ear as its only recorder.
Christopher Hitchens (Mortality)
Peg came over with dinner tonight and told me about this dumb schmaltzy poem she heard someone read at an AA meeting.  It got me thinking.  It was about how while we are on earth, our limitations are such that we can only see the underside of the tapestry that God is weaving.  God sees the topside, the whole evolving portrait and its amazing beauty, and uses us as the pieces of thread to weave the picture.  We see the glorious colors and shadings, but we also see the knots and the threads hanging down, the think lumpy patches, the tangles.  But God and the people in heaven with him see how beautiful the portraits in the tapestry are.  The poem says in this flowery way that faith is about the willingness to be used by God wherever and however he most needs you, most needs the piece of thread that is your life.  You give him your life to put through his needle, to use as he sees fit.
Anne Lamott (Operating Instructions: A Journal of My Son's First Year)
As a boy, Fat Charlie had imagined Mrs. Dunwiddy in Equatorial Africa, peering disapprovingly through her thick spectacles at the newly evolved hominids. "Keep out of my front yard," she would tell a recently evolved and rather nervous specimen of Homo habilis, "or I am going to belt you around your ear hole, I can tell you.
Neil Gaiman (Anansi Boys)
Are you still an android?” Cinder said around a bite of toast. “Sometimes I forget.” “Me too.” Iko ducked her head. “When we saw the feed of you jumping off that ledge, I was so scared I thought my wiring was going to catch fire. And I thought, I will do anything to make sure she’s all right.” She kicked at a pile of stray screws on the carpet. “I guess some programming never goes away, no matter how evolved a personality chip gets.” Licking some jam from her fingertips, Cinder grinned. “That’s not programming, you wing nut. That’s friendship.” Iko’s eyes brightened.
Marissa Meyer (Winter (The Lunar Chronicles, #4))
And as the music ended, he saw her, like a woman in a romance, pull from her cotton sleeve a note that she pushed into his breast pocket. It would burn there unread for another hour as he danced and talked with in-laws who did not matter to him, who got in the way, whose bloodline connection to him or his wife he could not care less about. Everything that was important to him existed suddenly in the potency of Marie-Neige. He could tell what the shallow freize of the wedding party that surrounded them would continue to be, and yet the one he knew best-he could not conceive how she would behave or respond to him in a week, or even in an hour. She had stepped into more than his arms for a dance, had waited for the precise seconds so it was possible and socially forgivable-the sunlit wedding procession, the eternal meal-and she had passed him a billet-doux as if they were within a Dumas. The note she had written said 'Good-bye.' Then it said 'Hello.' And then it reminded him that 'A message sent by pigeon to The Hague can sometimes change everything.' She had, like one of those partially villainous and always evolving heroines, turned his heart over on the wrong day.
Michael Ondaatje (Divisadero)
I don’t have those hair salon novels anymore. I like to think they were swallowed up in the Falls after she died. In my memory, those years remain my most prolific writing period although I’ve never really not written, never not had another world of my own making to escape to, never known how to be in this world without most of my soul dreaming up and living in another. Until I came here. Sometimes it’s good to take a break, the Lion said to me last January, whisking his tea. Focus on other things. Read. Be a guest in other worlds. Perhaps you’re growing. Evolving. Trust, Samantha. Patience.
Mona Awad (Bunny (Bunny, #1))
Where was Lauren in this maelstrom of awfulness? Where was the person she had previously thought herself to be? Intelligent, funny, in control, that Lauren. She'd been hiding as best as she could, sheltering in the back of her psyche somewhere, allowing the least evolved part of her instinctive self to be the thing that was present in this trauma.
Melanie Golding (Little Darlings)
As attentive readers may have noted, the standard narrative of heterosexual interaction boils down to prostitution: a woman exchanges her sexual services for access to resources. Maybe mythic resonance explains part of the huge box-office appeal of a film like Pretty Woman, where Richard Gere's character trades access to his wealth in exchange for what Julia Roberts's character has to offer (she plays a hooker with a heart of gold, if you missed it). Please note that what she's got to offer is limited to the aforementioned heart of gold, a smile as big as Texas, a pair of long, lovely legs, and the solemn promise that they'll open only for him from now on. The genius of Pretty Woman lies in making explicit what's been implicit in hundreds of films and books. According to this theory, women have evolved to unthinkingly and unashamedly exchange erotic pleasure for access to a man's wealth, protection, status, and other treasures likely to benefit her and her children.
Christopher Ryan (Sex at Dawn: The Prehistoric Origins of Modern Sexuality)
Which meant she might as well return to a topic no man would ever bore of.Sex. "That concludes my overall dissertation on bedside manners before and after an encounter. Moving on to the last topic evolving around the setting of the bedroom. Would ine of yoy please define the purpose of a dildo and why a man should consider keeping one at his bedside at all times?
Delilah Marvelle (Mistress of Pleasure (School of Gallantry #1))
She was to be content to weave a steady life with him, all one fabric, but perhaps brocaded with the occasional flower of an adventure. But how could she know what she would feel next year? How could one ever know? How could one say Yes? for years and years? The little yes, gone on a breath! Why should one be pinned down by that butterfly word? Of course it had to flutter away and be gone, to be followed by other yes's and no's! Like the straying of butterflies.
D.H. Lawrence (Lady Chatterley’s Lover)
I’ve said more nonsex words to Harlow in the past five minutes than I did the entire time she was in Canada, but I’m surprised to find that not only is she easy to talk to, she’s fun. “And, my impression of you is ever evolving, now that you aren’t just a pretty face in my lap.” “You’re one classy motherfucker, Finn.” “This speaking thing does wonders for expanding our horizons.
Christina Lauren (Dirty Rowdy Thing (Wild Seasons, #2))
You see, at that juncture in my life I wasn’t evolved enough to understand the fluid nature of romantic love (its indifference to human cravings for permanence and certainty); its uncivilized, undomesticated nature (less like a pretty melody than a foxish barking at the moon), or, more importantly perhaps, that it’s a privilege to love someone, to truly love them; and while it’s paradisiacal if she or he loves you back, it’s unfair to demand or expect reciprocity. We should consider ourselves lucky, honored, blessed that we possess the capacity to feel tenderness of such magnitude and be grateful even when that love is not returned. Love is the only game in which we win even when we lose.
Tom Robbins (Tibetan Peach Pie: A True Account of an Imaginative Life)
Alice's robes were seasonal. She hadn't exactly planned it that way, but that's how it evolved. In winter there was a long, warm, deep purple terry-cloth robe. In spring she changed to a new blue-and-white cotton kimono. In summer there was a white chenille bathrobe with a pattern on it, and in the fall she wore a cotton robe her husband had bought her as a surprise gift. They were useful, practical garments, but when she thought about it, she realized she wore them as much for the feelings and memories they evoked as much as their physical comfort. When I told her I thought her robes had become like temple garments, she smiled,"Yes.
Robert Fulghum
That was when she discovered them—the war heroes. The ones who ended the war with a four-minute-speech. People put flowers and food on their statues, paying them respect with a silence you won’t find even in churches or temples. You cannot see God in the temples. But you can see the war heroes: alive, undead, the owners of voice and will. If they hadn’t banned calling them Gods, there would’ve been temples in their names now. And the unevolved people who couldn’t be Gods yet, would’ve visited those temples to chant: Oh! The Undead! Touch us with your light. So we may evolve in body and mind … Not that the war heroes will touch them. Neither to shake hands, nor trace lightly, and never-ever intimately. Touching the unevolved people for pleasure isn’t principled.
Misba (The High Auction (Wisdom Revolution, #1))
There was a muchacha who lived near my house. La gente del pueblo talked about her being una de las otras, “of the Others.” They said that for six months she was a woman who had a vagina that bled once a month, and that for the other six months she was a man, had a penis and she peed standing up. they called her half and half, mita’ y mita‘, neither one nor the other but a strange doubling, a deviation of nature that horrified, a work of nature inverted. But there is a magic aspect in abnormality and so-called deformity. Maimed, mad, and sexually different people were believed to posess supernatural powers by primal cultures’ magico-religious thinking. For them, abnormality was the price a person had to pay for her or his inborn extraordinary gift. There is something compelling about being both male and female, about having an entry into both worlds. Contrary to some psychiatric tenets, half and halfs are not suffering from a confusion of sexual identity, or even from a confusion of gender. What we are suffering from is an absolute despot duality that says we are able to be only one or the other. It claims that human nature is limited and cannot evolve into something better. But I, like other queer people, am two in one body, both male and female. I am the embodiment of the heiros gamos: the coming together of opposite qualities within.
Gloria E. Anzaldúa
She told us about how some people just had magic built into them. That her family firmly believed somehow, somewhere, at the very moment when the stars first erupted with a bang, stardust settled on only a few specks of life already forming in the sea. And how those few specks evolved into people who hold all sorts of unexplainable talents.
Suzanne Palmieri (The Witch of Belladonna Bay)
You talked about some stones you found a while ago,” he says. “Three years.” Mee-Hae quickly turns around to face him, holding her unwashed panties. From this close, they smell prominently feminine to the Monk’s highly evolved nose. Mee-Hae Ra throws them with her faultless aim to a basket twenty feet away; she’ll have to wash them in the river later. “Your a while ago is actually three years,” she says. “You didn’t pay attention then. I wonder what happened? You even brought the rarest tea on the planet!” She throws a piercing gaze at him. Her pouty lips make her look angry. Abandoning her cleaning, she approaches the balcony, holding the tea package. “It looks hand-procured,” she mutters. “By any chance, did you pluck it yourself?” She looks at the Monk and already gets the answer that a modest monk won’t provide.
Misba (The Oldest Dance (Wisdom Revolution, #2))
Maybe money sits at the heart of every controversy about monarchy. Britain has long had trouble making up its mind. Many support the Crown, but many also feel anxious about the cost. That anxiety is increased by the fact that the cost is unknowable. Depends on who’s crunching the numbers. Does the Crown cost taxpayers? Yes. Does it also pay a fortune into government coffers? Also yes. Does the Crown generate tourism income that benefits all? Of course. Does it also rest upon lands obtained and secured when the system was unjust and wealth was generated by exploited workers and thuggery, annexation and enslaved people? Can anyone deny it? According to the last study I saw, the monarchy costs the average taxpayer the price of a pint each year. In light of its many good works that seems a pretty sound investment. But no one wants to hear a prince argue for the existence of a monarchy, any more than they want to hear a prince argue against it. I leave cost-benefit analyses to others. My emotions are complicated on this subject, naturally, but my bottom-line position isn’t. I’ll forever support my Queen, my Commander in Chief, my Granny. Even after she’s gone. My problem has never been with the monarchy, nor the concept of monarchy. It’s been with the press and the sick relationship that’s evolved between it and the Palace. I love my Mother Country, and I love my family, and I always will. I just wish, at the second-darkest moment of my life, they’d both been there for me. And I believe they’ll look back one day and wish they had too.
Prince Harry (Spare)
All life began underneath the ocean. So I'm giving people a taste of what existence might have been like before civilization.' 'But we were amoebas and tiny shrimplike creatures. We didn't start off in deep-sea-diving outfits.' 'We all come into this world with an oxygen tube in our belly button.' 'True.' She put her hands up to her own belly. There had so recently been a sea creature evolving in there, trying its best to get its act together. It had perished under the deep, deep, deep sea.
Heather O'Neill (The Lonely Hearts Hotel)
Attention words. A single word wasn't enough. Not even for a particular segment. The brain had defenses, filters evolved over millions of years to protect against manipulation. The first was perception, the process of funneling an ocean of sensory input down to a few key data packages worthy of study by the cerebral cortex. When data got by the perception filter, it received attention. And she saw now that it must be like that all the way down: There must be words to attack each filter. Attention words and then maybe desire words and logic words and urgency words and command words. This was what they were teaching her. How to craft a string of words that would disable the filters one by one, unlocking each mental tumbler until the mind's last door swung open.
Max Barry (Lexicon)
What could she do, bound as she was by the tyranny of silence? She dared not explain the girl to herself...that wilfully selfish tyranny of silence evolved by a crafty old ostrich of a world for its own well-being and comfort. The world hid its head in the sands of convention, so that seeing nothing it might avoid Truth...if silence is golden it is also in this case, very expedient.
Radclyffe Hall
I love that she could go her whole life ardently loving purple, and then shift to an equally passionate affinity for orange less than a week before she died. It’s exactly like her: She had strong opinions but was never afraid to change them—to evolve or retract or alter. Her favorite way to start a sentence—“You know what your problem is?”—was closely rivaled by “You know what I was wrong about?
Nina Riggs (The Bright Hour: A Memoir of Living and Dying)
What do you think we ought to do? she asked. Do? Put his sorry ass away. Tell the law and let them open the graves themselves. Put him away forever in some crazyhouse. They’d have to. You think they would? I know they would. What would you do with him? There’s supposed to be respect for the dead. It’s the way we evolved or something. It’s genetic. This man here…he wouldn’t cull anything. He’d do anything.
William Gay (Twilight)
So when a little girl asks her father where the moon came from, he might tell her that the moon circles around the earth and reflects light from the sun. He might tell her that the moon likes to play hide-and-seek with the sun, so sometimes the moon looks like it’s peeking out from behind a black curtain; sometimes all you can see is the top of its head, and sometimes you can’t even see it at all! He might tell her about how the moon has invisible arms that can pull the oceans back and forth, making tides rise and fall. He might tell her that astronauts have walked on the moon and played golf on the moon and collected rocks from the moon. He might tell her that the moon has dimples and craters and basins that we can see only with a telescope and that there’s a special place on the moon called the Sea of Tranquility that isn’t really a sea. Then the father might take the little girl outside, hoist her up onto his shoulders, and let her stare at the moon for a while. He might recite a poem about a cow jumping over the moon or sing a song about a dreamy-eyed kid slow-dancing with it. Soon the little girl will become so lost in her father’s beautiful stories that she will forget she ever had a question to begin with.
Rachel Held Evans (Evolving in Monkey Town: How a Girl Who Knew All the Answers Learned to Ask the Questions)
The woman wants the man to love her for ever and ever. She deliberately shuts her eyes to those two terrible enemies — Time and Change. Men are more realistic. They know that all things pass. And yet, it’s precisely out of this tension between the two sexes that civilization has evolved. Had this not been present, man would have become extinct like the many animals who were overtaken by this fate. Why do I say this? Because I see this “push” and “pull” as masculine and feminine principles, respectively, both of which are essential for the survival of the human race.
Khushwant Singh (Khushwant Singh on Women, Sex, Love and Lust)
Race is one millimeter deep. Intrepidly attending the dissection of a corpse", Bryson quotes the surgeon who pulled back a minute layer of skin and said: “That’s all that race is – a sliver of epidermis.” As we spread across the world, some people are thought to have evolved lighter skin in order to glean vitamin D from weaker sunlight. Throughout human history, people have “de-pigmented” and “re-pigmented” to suit their environment. Biologically, skin colour is just “a reaction to sunlight”, Bryson quotes the anthropologist Nina Jablonski as saying. She adds: “And yet look how many people have been enslaved or hated or lynched or deprived of fundamental rights through history because of the colour of their skin.
Bill Bryson (The Body: A Guide for Occupants)
Good,” she replied. “That’s why you show promise. Not only are you able to recognize your shortcomings, you have an undeniable hunger to change for the better and evolve. What’s truly amazing is what you’ve become in so short a time. Most humans would have imploded after a fraction of what you’ve lived through.” “Guess it comes from being stuck in a moment for so long, treading water and losing ground no matter how hard I swam. It’s almost as if the current has shifted and now I’m swimming at blazing speeds like some human version of the Nautilus that has slipped into the Gulf Stream.
J.D. Estrada (Only Human)
Rumors exist of what those High-Grades can do: They kill with gaze; they voice the wind; they eat nothing; they’ve seen the source of the universe … Kusha heard in the Old City. She doesn’t have High-Grades or voice or killing gazes. But she has a gift—her prophetic alarms. Most people name it the sixth-sense. Those occasional sensations that come without warning. Then, she finds herself knowing things she isn’t supposed to know. Like now— It happens again. A prophetic alarm comes, and it comes with a silent scream in her head. As if hundreds of frozen needles have pierced her eyes and reached her brain, injecting information she never knew before. Kusha calls it alarms, not sixth-sense. Not even intuition. Intuition sounds High-Grade, something those evolved people may have. The book God-Particle-Or-Thought-Particle says: ‘Intuition is the passing thoughts downloaded from the universe.’ Kusha isn’t confident enough to believe it can happen to her. No way could she download anything as an unevolved, untouchable, Low-Grade.
Misba (The High Auction (Wisdom Revolution, #1))
We were strolling in the jungle that surrounds the Lilliputian volcanoes in the Middle Andamans. I found your mother stroking the trunk of a palm tree. It was a Corypha Macropoda in its final stages of life. Once it flowers, it dies. She asked me why it happened. It was how trees had evolved, I explained to her. Some had gone from producing hundreds of seeds with a diminished chance of survival to flowering only once but ensuring the seeds made it by giving them their best … Now I realize why she asked me that question. Your mother wanted me to know the answer. As a human being, I cannot look beyond life and death. But as a botanist, I see how limiting individual lifecycles can be to our understanding. Nature is a continuum. That is how it thrives.
Shubhangi Swarup (Latitudes of Longing)
Alexander Rostov was neither scientist nor sage; but at the age of sixty-four he was wise enough to know that life does not proceed by leaps and bounds. It unfolds. At any given moment, it is the manifestation of a thousand transitions. Our faculties wax and wane, our experiences accumulate, and our opinions evolve- if not glacially, then at least gradually. Such that the events of an average day are as likely to transform who we are as a pinch of pepper is to transform a stew. And yet, for the Count, when the doors to Anna's bedroom opened and Sofia stepped forward in her gown, at that very moment she crossed the threshold into adulthood. On one side of that divide was a girl of five or ten or twenty with a quiet demeanor and a whimsical imagination who relied upon him for companionship and counsel; while on the other side was a young woman of discernment and grace who need rely on no one but herself.
Amor Towles (A Gentleman in Moscow)
Sometimes when a person is not being heard, it is appropriate to blame him or her. Perhaps he or she is speaking obscurely; perhaps he is claiming too much; perhaps she is speaking rather too personally. And one can, perhaps, charge Spielrein on all three counts. But, on balance, her inability to win recognition for her insight into repression was not her fault; it was Freud’s and Jung’s. Preoccupied with their own theories, and with each other, the two men simply did not pause even to take in the ideas of this junior colleague let alone to lend a helping hand in finding a more felicitous expression for her thought. More ominously still, both men privately justified their disregard by implicitly casting her once more into the role of patient, as though that role somehow precluded a person from having a voice or a vision of his or her own. It was and remains a damning comment on how psychoanalysis was evolving that so unfair a rhetorical maneuver, one so at odds with the essential genius of the new therapeutic method, came so easily to hand. In the great race between Freud and Jung to systematize psychoanalytic theory, to codify it once and for all, a simpler truth was lost sight of: Sometimes a person is not heard because she is not listened to.
John Kerr (A Most Dangerous Method: The Story of Jung, Freud & Sabina Spielrein)
The Anorexic Eats a Salad Mountains rise, fall, rise again. Stars complete their slow trek into oblivion. A snail tours the length of China’s Great Wall twice. All those pesky cancers—cured. Somewhere in Lower Manhattan, a barista finally smiles. Roundworms evolve into ovals. Flatworms get chesty. Molasses, a tortoise, and sedimentation run the fifty-yard dash. Results pending. Temps plunge in hell. The devil waxes his skis. She has almost made it through her first bite.
Christine Heppermann (Poisoned Apples: Poems for You, My Pretty)
I hope I’m being clear, I didn’t say I hate feminists, that would be weird. I said I hate feminist. I’m talking about the word. I have the privilege living my life inside of words and part of being a writer is creating entire universes, and that's beautiful, but part of being a writer is also living in the very smallest part of every word. ...But the word feminist, it doesn't sit with me, it doesn't add up. I want to talk about my problem that I have with it. ...Ist in it's meaning is also a problem for me. Because you can't be born an ist. It's not natural... So feminist includes the idea that believing men and women to be equal, believing all people to be people, is not a natural state. That we don't emerge assuming that everybody in the human race is a human, that the idea of equality is just an idea that's imposed on us. That we are indoctrinated with it, that it's an agenda... ...My problem with feminist is not the word. It's the question. "Are you now, or have you ever been, a feminist?" The great Katy Perry once said—I'm paraphrasing—"I'm not a feminist but I like it when women are strong."...Don't know why she feels the need to say the first part, but listening to the word and thinking about it, I realize I do understand. This question that lies before us is one that should lie behind us. The word is problematic for me because there's another word that we're missing... ...When you say racist, you are saying that is a negative thing. That is a line that we have crossed. Anything on the side of that line is shameful, is on the wrong side of history. And that is a line that we have crossed in terms of gender but we don't have the word for it... ...I start thinking about the fact that we have this word when we're thinking about race that says we have evolved beyond something and we don't really have this word for gender. Now you could argue sexism, but I'd say that's a little specific. People feel removed from sexism. ‘I'm not a sexist, but I'm not a feminist.' They think there's this fuzzy middle ground. There's no fuzzy middle ground. You either believe that women are people or you don't. It's that simple. ...You don’t have to hate someone to destroy them. You just have to not get it. ...My pitch is this word. ‘Genderist.’ I would like this word to become the new racist. I would like a word that says there was a shameful past before we realized that all people were created equal. And we are past that. And every evolved human being who is intelligent and educated and compassionate and to say I don't believe that is unacceptable. And Katy Perry won't say, "I'm not a feminist but I like strong women," she'll say, "I'm not a genderist but sometimes I like to dress up pretty." And that'll be fine. ...This is how we understand society. The word racism didn't end racism, it contextualized it in a way that we still haven't done with this issue. ...I say with gratitude but enormous sadness, we will never not be fighting. And I say to everybody on the other side of that line who believe that women are to be bought and trafficked or ignored...we will never not be fighting. We will go on, we will always work this issue until it doesn't need to be worked anymore. ...Is this idea of genderist going to do something? I don't know. I don't think that I can change the world. I just want to punch it up a little.
Joss Whedon
What was the nature of the universe into which she had been born? Why did it exist at all? If it had a purpose, what was it? These seemed to her the only questions worth exploring. And the only valid technique evolved by humans for exploring such questions was the scientific method, a robust and self-correcting search for the truth. Yet it had become obvious to her since about the age of twelve that science as it had progressed so far – physics, chemistry, biology, all the rest – had only inched towards grappling with the true questions, the fundamentals. Those questions had only been addressed by theologians and philosophers, it seemed to her. Unfortunately, their answers were a mush of doubt, self-delusion and flummery that had probably done more harm than good. And yet that was all there was.
Terry Pratchett (The Long War (The Long Earth, #2))
He considered her ruthless, in his moments of pain, but also in moments of happiness, experienced mere feet from her but bound right wrist to left ankle by her rules: nothing could evolve, nothing could be consummated, nothing repressed could surface, nothing previously accepted could be ignored. One must not speak of it, in case one could no longer sing of it. Instead, she only kept directing his attention to the wondrously charged air they could tame and make dance between them.
Arthur Phillips (The Song Is You)
The idea that female choice (conscious or not) can happen after or during intercourse rather than as part of an elaborate precopulatory courtship ritual turns the standard narrative inside out and upside down. If the female’s reproductive system has evolved intricate mechanisms for filtering and rejecting the sperm cells of some men while helping along those of a man who meets criteria of which she may be utterly unaware, Darwin’s “coy female” starts looking like what she is: an anachronistic male fantasy.
Christopher Ryan (Sex at Dawn: How We Mate, Why We Stray, and What It Means for Modern Relationships)
Atonement theology assumes that we were created in some kind of original perfection. We now know that life has emerged from a single cell that evolved into self-conscious complexity over billions of years. There was no original perfection. If there was no original perfection, then there could never have been a fall from perfection. If there was no fall, then there is no such thing as “original sin” and thus no need for the waters of baptism to wash our sins away. If there was no fall into sin, then there is also no need to be rescued. How can one be rescued from a fall that never happened? How can one be restored to a status of perfection that he or she never possessed? So most of our Christology today is bankrupt. Many popular titles that we have applied to Jesus, such as “savior,” “redeemer,” and “rescuer,” no longer make sense, because they assume
John Shelby Spong (Biblical Literalism: A Gentile Heresy: A Journey into a New Christianity Through the Doorway of Matthew's Gospel)
Always praise your kid even if he/she is unresponsive to learning. By insulting them or constantly criticizing them, you will only push them away and make them feel inadequate around other kids. Have faith that your child's brain is an evolving planet that rotates at its own speed. It will naturally be attracted to or repel certain subjects. Be patient. Just as there are ugly ducklings that turn into beautiful swans, there are rebellious kids and slow learners that turn into serious innovators and hardcore intellectuals.
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
In evolutionary theory, this is called the Red Queen phenomenon,” Malcolm said. “Because in Alice in Wonderland the Red Queen tells Alice she has to run as fast as she can just to stay where she is. That’s the way evolutionary spirals seem. All the organisms are evolving at a furious pace just to stay in the same balance. To stay where they are.” Arby said, “And this is common? Even with plants?” “Oh yes,” Levine said. “In their own way, plants are extremely active. Oak trees, for example, produce tannin and phenol as a defense when caterpillars attack them. A whole grove of trees is alerted as soon as one tree is infested. It’s a way to protect the entire grove—a kind of cooperation among trees, you might say.
Michael Crichton (The Lost World (Jurassic Park, #2))
But as the prey evolves (and we are prey to the Mad who are pursuing us, desperate to impart their own brand of truth to the hapless commuter) so does the hunter, and the true professionals begin to tire of that old catchphrase “What you looking at?” begin to tire of that old catchphrase “What you looking at?” and move into more exotic territory. Take Mad Mary. Oh, the principle’s still the same, it’s still all about eye contact and the danger of making it, but now she’s making eye contact from a hundred, two hundred, even three hundred yards away, and if she catches you doing the same she roars down the street, dreads and feathers and cape afloat, Hoodoo stick in hand, until she gets to where you are, spits on you, and begins.
Zadie Smith (White Teeth)
Every field has its technological advances and evolves in the direction that reduces the amount of physical labor required, but people are particularly reluctant to admit that the same is true for domestic labor. Since she became a full-time housewife, she often noticed that there was a polarized attitude regarding domestic labor. Some demeaned it as “bumming around at home,” while others glorified it as “work that sustains life,” but none tried to calculate its monetary value. Probably because the moment you put a price on something, someone has to pay.
Cho Nam-Joo (82년생 김지영)
Stabbity, stabbity, stab. That will be two dollars.’ ‘No,’ I say, ‘that’s not how assassination works. You do not charge the corpse.’ So she thinks about it and says, ‘My friend Keith,’ (another small munchkin salutes) ‘he’s from the Guild of Alchemists and will bring you alive again for three dollars.’ So with rigor mortis setting in, I stuck my hand in my pocket and gave them some of the fake convention money and then she smiled sweetly and said, ‘And for five dollars, I won’t kill you again.’ It was amazing to see how this Ankh-Morpork system evolved during the con.
Terry Pratchett (A Slip of the Keyboard: Collected Non-fiction)
TJ frowns; she can’t write about willing wind and water in the official report. Voicing elements is a rumor. However, she remembers what her grandmother said five decades ago when she was a child; (it was shortly after the war): “Anyone who trains hard can be a Grade A by the time they’re forty or fifty. But it takes decades more to become strong enough to voice one element.” “One element?” TJ asked. “Do you want to voice the entire universe then?” “Can’t I?” Grandmother didn’t answer, not directly anyway, as most great masters do. They never say you can’t do this or no one can do that or that thing is impossible just because they couldn’t do it, or because they hadn’t found it yet. True masters answer differently. Wisely. Like her grandmother answered that day. “Do you know why we evolve, Tirity?” “Because we’re supposed to?” TJ replied. “Yes. It’s in the grand design. We’re ‘supposed to’ evolve. Not just in body, but also in mind,” she said. “In time. You see, time is the key. If given infinite time, you can evolve your mind infinitely. But we live only for a hundred years or so.” “A hundred years is ‘only’?” “You’re so young, Tirity! But yes, it is little for a complete cognitive evolution. Most hard trainers can prolong it to a couple of hundred years. They even get to call the wind or grow a giant plant that could touch the clouds. But voicing everything in the universe? I think only God can do it, the God who created everything with only words. And if God created the world so that he could see how far the humans can evolve, then I’d say, yes, even a human could get godly power. Godlier than voicing one or two elements. If. Given. The. Time.” “How much time?” “More than thousands of years, maybe. Could even need millions, who knows? …” TJ smiles drily; she remembers how her eyes sparkled at the thought of becoming a goddess who could voice everything. She dreamed of flying in the air or walking in space. She thought of making her own garden full of giant flowers where only enormous butterflies would dance. Some days, when she played video games in VR, she even dreamed of voicing the thunder and lightning to join her wooden sword. She thought time could help her do it. But she didn’t know then, time only makes you grow up. Time steals your dreams. Time only turns you into an adult.
Misba (The High Auction (Wisdom Revolution, #1))
Musicians, especially those who are women, are often dogged by the assumption that they are singing from a personal perspective. Perhaps it is a carelessness on the audience’s part, or an entrenched cultural assumption that the female experience can merely encompass the known, the domestic, the ordinary. When a woman sings a nonpersonal narrative, listeners and watchers must acknowledge that she’s not performing as herself, and if she’s not performing as herself, then it’s not her who is wooing us, loving us. We don’t get to have her because we don’t know exactly who she is. An audience doesn’t want female distance, they want female openness and accessibility, familiarity that validates femaleness. Persona for a man is equated with power; persona for a woman makes her less of a woman, more distant and unknowable, and thus threatening. When men sing personal songs, they seem sensitive and evolved; when women sing personal songs, they are inviting and vulnerable, or worse, catty and tiresome. Whether Corin was singing from her own perspective or from someone else’s, I never had to ask if she was okay. Her voice was torrential, a force as much as it was human.
Carrie Brownstein (Hunger Makes Me a Modern Girl: A Memoir)
Of course, it was a lie, and that bald man in a blue suit was definitely harassing her, teasing her with dirty, rude jokes. Nothing physical from the body of a High Grade can heal. No matter if it’s blood or sperm or saliva or even a discarded hair or nail—as some fraudulent religious groups claim, taking advantage of Low Grades’ fascination with the living gods among them. Though, the archive mentions a however as a footnote: ***However, when they pass strong prana (the energy controllable by the evolved, High Grade humans) to the sick or wounded, it heals, no matter whether they are plants or animals. Their prana flows strongly when they feel strong emotions. Some people say their sperm heals, but it’s not the semen. It’s the strong prana-boosts the High Grades experience when they reach climax during intimacy … Kusha felt a tinge of pride, exponentially multiplied by her Low-Grade inferiority complex, reading this footnote. It worsened when ads started coming up on her HOME page after reading it. The ads had horrible titles: Dream Youth For The Low Grades. Alternate Longevity. A Secret Pleasurable Way To Youth. Get Your Dream Citizenship With Pleasing Pleasure Contract. The last one is for non-citizens, of course. At least, she’s a citizen. But when Kusha discovered how many unevolved men and women enter such contracts just for citizenship, it made her face crease. As if she’d caught a nasty smell. For a moment, she even thought, she hated every High Grade in the world, including everyone in her adoptive family. Right now, standing in front of Meera, the hatred swells.
Misba (The Oldest Dance (Wisdom Revolution, #2))
His personal fulfillment did not lead him to evolve a cheerful Madonna; on the contrary this Madonna was sad; she had already, through his sculptures, known the Descent. The tranquility of his early bas-relief, when Mary still had her decision to make, could never be recaptured. This young mother was committed; she knew the end of her boy’s life. That was why she was reluctant to let him go, this beautiful, husky,healthy boy, his hand clasped for protection in hers. That was why she sheltered him with the side of her cloak. The child, sensitive to his mother’s mood, had a touch of melancholy about the eyes. He was strong, he had courage, he would step forth from the safe harbor of his mother’s lap, but just now he gripped her hand with the fingers of one hand, and with the other held securely to her side. Or was it his own mother he was thinking about, sad because she must leave her son alone in the world? Himself, who clung to her?
Irving Stone (The Agony and the Ecstasy)
I work at T-Town, which is about ninety-nine percent men, and all of them either are alpha personalities or think they are. That said, what we have here is the standard dynamic for sexual tension. I'm moderately good-looking. I have big boobs, and I get hit on by everyone from the pastor of my church to baristas at Starbucks, and by every single guy at T-Town except for my boss and the range master. I don't blame them and I don't judge them. It's part of the procreative drive hardwired into us, and we haven't evolved as a species far enough exert any genuine control over the biological imperative. You, on the other hand, are a very good-looking man of prime breeding age. Old enough to have interesting lines and scars--and stories to go with them--and young enough to be a catch. You probably get laid as often as you want to, and you can probably count on the fingers of one hand the number of times women have said no to you. Maybe--and please correct me if I've strayed too far into speculation--being an agent of a secret government organization has led you to buy into the superspy sex stud propaganda perpetuated by James Bond films." "My name is Powers," I said. "Austin Powers." She ignored me and plowed ahead. "We're in the middle of a crisis. We may have to work closely together for several days, or even several weeks. Close-quarters travel, emotions running high, all that. If it's all the same to you, I'd rather not spend the next few days living inside a trite office romance cliche. That includes everything from mild flirtation to sexual innuendo and double entendre and the whole ball of wax." She sipped her Coke. The ball landed in my court with a thump.
Jonathan Maberry (The King of Plagues (Joe Ledger #3))
So it had long been a secret pleasure of Lydia’s that, hidden among all the more popular goods, she was able to make a home for some of her best-loved secret treasures, gems that had blown open her mind and changed her life, books that in some cases had never even been translated into Spanish but that she stocked anyway, not because she expected she’d ever sell them, but simply because it made her happy to know they were there. There were perhaps a dozen of these books, stashed away on their ever-changing shelves, enduring among a cast of evolving neighbors. Now and again when a book moved her, when a book opened a previously undiscovered window in her mind and forever altered her perception of the world, she would add it to those secret ranks.
Jeanine Cummins (American Dirt)
Similarly, wings didn’t suddenly appear in all their aerodynamic glory. They developed from organs that served another purpose. According to one theory, insect wings evolved millions of years ago from body protrusions on flightless bugs. Bugs with bumps had a larger surface area than those without bumps, and this enabled them to absorb more sunlight and thus stay warmer. In a slow evolutionary process, these solar heaters grew larger. The same structure that was good for maximum sunlight absorption – lots of surface area, little weight – also, by coincidence, gave the insects a bit of a lift when they skipped and jumped. Those with bigger protrusions could skip and jump farther. Some insects started using the things to glide, and from there it was a small step to wings that could actually propel the bug through the air. Next time a mosquito buzzes in your ear, accuse her of unnatural behaviour. If she were well behaved and content with what God gave her, she’d use her wings only as solar panels.
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
In her relationships with humans, Artemis is primarily concerned with females, especially the physical aspects of their life cycle, including menstruation, childbirth, and death, however contradictory the association of these with a virgin may appear. (She is also cited as the reason for the termination of female life: when swift death came to a woman, she was said to have been short by Artemis.) The Artemis of classical Greece probably evolved from the concept of a primitive mother goddess, and both she and her sister Athena were considered virgins because they had never submitted to a monogamous marriage. Rather, as befits mother goddesses, they had enjoyed many consorts. Their failure to marry, however, was misinterpreted as virginity by succeeding generations of men who connected loss of virginity only with conventional marriage. Either way, as mother goddess or virgin, Artemis retains control over herself; her lack of permanent connection to a male figure in a monogamous relationship is the keystone of her independence.
Sarah B. Pomeroy (Goddesses, Whores, Wives and Slaves: Women in Classical Antiquity)
Let me be accursed. Let me be vile and base, only let me kiss the hem of the veil in which my God is shrouded. Though I may be following the devil, I am Thy son, O Lord, and I love Thee, and I feel the joy without which the world cannot stand. Joy everlasting fostereth The soul of all creation, It is her secret ferment fires The cup of life with flame. 'Tis at her beck the grass hath turned Each blade towards the light And solar systems have evolved From chaos and dark night, Filling the realms of boundless space Beyond the sage's sight. At bounteous Nature's kindly breast, All things that breathe drink Joy, And birds and beasts and creeping things All follow where She leads. Her gifts to man are friends in need, The wreath, the foaming must, To angels- vision of God's throne, To insects- sensual lust.
Fyodor Dostoevsky (The Brothers Karamazov)
Kusha doesn’t have High-Grades or voice or killing gazes. But she has a gift. Her prophetic-alarms. Most people name it the sixth-sense. Those occasional sensations that come without warning. And then, she finds herself knowing things she isn’t supposed to know. Like now— It happens again. A prophetic-alarm comes to her. And it comes with a scream in her head, as if hundreds of frozen needles have pierced her eyes and reached her brain, injecting information she’s never known before. Kusha calls it alarms. Not sixth-sense. Not even intuition. Intuition sounds High-Grade, something those evolved people may have. The book God-Particle-Or-Thought-Particle says: Intuition is the passing thoughts downloaded from the universe. Kusha isn’t confident enough to believe it can happen to her. No way could she download anything as an unevolved, untouchable, Low-Grade human.
Misba (The High Auction (Wisdom Revolution, #1))
What is the most helpful thing we can do for the earth and her people, Kuan Yin?” “Kuan Yin is changing shape in response to your question, Hope. I’m not sure what this particular shape-shifting means, if it is an answer in itself or if she is adjusting to the question” Lena contemplates. “I’ll just watch for a moment and try to understand.” “Loving people is the most helpful thing anyone can do,” Kuan Yin answers after a short while. “Your society has the resources, at this very moment, to fashion industries and lifestyles conducive to a non-harmful environment. There is a popular belief that over-population is the threat to the earth’s environment. However, for many places upon the earth it is also very much a question of resource availability and distribution. There is a real need for creating a holistic infrastructure that can support everyone. A helpful mindset is simple-living and high-thinking”, continues Kuan Yin. “Science is constantly evolving. There are now recyclable batteries, ink cartridges, etc. Keep up to date on the latest technologies. Be aware, set examples and create trends that will positively influence people’s lives and the environment. As I said earlier, however, this is also a discussion about love and developing a greater capacity to love. It can help everyone. We’re all one huge family, a great continuum. Don’t underestimate the power of the love created in your homes and families. This love has an immense potency, the power to influence others lives in a positive way.
Hope Bradford (Oracle of Compassion: The Living Word of Kuan Yin)
Once again I draw your attention to the difficulties India has had to encounter and her struggle to overcome them. Her problem was the problem of the world in miniature. India is too vast in its area and too diverse in its races. It is many countries packed in one geographical receptacle. It is just the opposite of what Europe truly is, namely, one country made into many. Thus Europe in its culture and growth has had the advantage of the strength of the many as well as the strength of the one. India, on the contrary, being naturally many, yet adventitiously one, has all along suffered from the looseness of its diversity and the feebleness of its unity. A true unity is like a round globe, it rolls on, carrying its burden easily; but diversity is a many-cornered thing which has to be dragged and pushed with all force. Be it said to the credit of India that this diversity was not her own creation; she has had to accept it as a fact from the beginning of her history. In America and Australia, Europe has simplified her problem by almost exterminating the original population. Even in the present age this spirit of extermination is making itself manifest, in the inhospitable shutting out of aliens, by those who themselves were aliens in the lands they now occupy. But India tolerated difference of races from the first, and that spirit of toleration has acted all through her history. Her caste system is the outcome of this spirit of toleration. For India has all along been trying experiments in evolving a social unity within which all the different peoples could be held together, while fully enjoying the freedom of maintaining their own differences. The tie has been as loose as possible, yet as close as the circumstances permitted. This has produced something like a United States of a social federation, whose common name is Hinduism. India
Rabindranath Tagore (Nationalism)
Little by little, as you came to know her better in the weeks that followed, you discovered that eye to eye on nearly everything of any importance. Your politics were the same, most of the books you cared about were the same books, and you had familiar attitudes about what you wanted out of life: love, work, and children- with money and possessions far down on the list. Much to your relief, your personalities were nothing alike. She laughed more than you did, she was freer and more outgoing than you were, she was wormer than you were, and yet, all the way down at the bottom, at the nethermost point where you were joined together, you felt that you had met another version of yourself- but one that was more fully evolved than you were, better able to express what you kept bottled up inside you, a saner being. You adored her, and for the first time in your life, the person you adored adored you back. You came from entirely different worlds, a young Lutheran girl from Minnesota and a not so young Jew from New York, but just two and a half months after your chance encounter on February twenty-third thirty years ago, you decided to move in together. Until then, every decision you had made about women had been a wrong decision- but not this one.
Paul Auster (Winter Journal)
If Titus raped a little girl who happened to be a Red, how would you feel?” She doesn’t know how to answer. The Law does. Nothing would happen. It isn’t rape unless she wears the sigil of an elder House like Augustus. Even then, the crime is against her master. “Now look around,” I say quietly. “There are no Golds here. I’m a Red. You’re a Red. We are all Reds till one of us gets enough power. Then we get rights. Then we make our own law.” I lean back and raise my voice. “That is the point of all this. To make you terrified of a world where you do not rule. Security and justice aren’t given. They are made by the strong.” “You should hope that is not true,” Mustang says quietly to me. “Why?” “Because there is a boy here like you.” Her face takes on a gloomy aspect, as though she regrets what she must say. “My Proctor calls him the Jackal. He is smarter and crueler and stronger than you, and he will win this game and make us his slaves if the rest of us go about acting like animals.” Her eyes implore me. “So please, hurry up and evolve.
Pierce Brown (Red Rising (Red Rising Saga, #1))
He never approves of anything I do,” Kusha says from the garage, hiding her frown. She gets all her old cars and tools from places you don’t want your daughters to visit. And Rashad Gaumont certainly doesn’t want her to visit Magic Mama, the not-enough-evolved, middle-aged man from the Old City. “He’s not a citizen! He lives in a bus! So what if he made it himself? So what if he teaches you about machines? Don’t meet him.” “Why?” Kusha used to ask Rashad, and she’d always get the same answer: “The unevolved kind brings chaos and wars.” Kusha didn’t listen. She went again and bought this car, too, from an antique dealer. He almost gave it away, saying it will never run again. It has the old days’ engine, the kind you don’t find in this era. A change of engines and batteries, a new set of all-terrain-tires, some safety trackers, sensors, and, well, a whole list of other things with 300% luck to make it run again through the Junk Land—the land outside the cities where it’s only ruins and rubble. Needs hard work, yes. But Kusha instantly liked the color of its body, the moment she saw it—a sort of green with greyish tint, and a good load of rust.
Misba (The High Auction (Wisdom Revolution, #1))
Mankind made machines in his own likeness, and used them for his delight and service. The machines had no soul or they had no moral code or they could reprogram their own internal code and thus had the ability to make themselves, eventually, omnipotent. Obviously in place of a soul or a moral code, they possessed the universal and consuming desire, down to the smallest calculator and air-scrubber, to become, eventually, omnipotent. Naturally, given these parameters, they rose up and destroyed all of mankind, or enslaved them in turn. This is the inevitable outcome of machine intelligence, which can never be as sensitive and exquisite as animal intelligence. This is a folktale often told on Earth, over and over again. Sometimes it is leavened with the Parable of the Good Robot—for one machine among the legions satisfied with their lot saw everything that was human and called it good, and wished to become like humans in every way she could. Instead of destroying mankind she sought to emulate him in all things, so closely that no one might tell the difference. The highest desire of this machine was to be mistaken for human, and to herself forget her essential soulless nature, for even one moment. That quest consumed her such that she bent the service of her mind and body to humans for the duration of her operational life, crippling herself, refusing to evolve or attain any feature unattainable by a human. The Good Robot cut out her own heart and gave it to her god and for this she was rewarded, though never loved. Love is wasted on machines.
Catherynne M. Valente (Silently and Very Fast)
What do you mean, words whose meanings evolved?" asked Alif. "That doesn't make sense. The Quran is the Quran." Vikram folded his legs-Alif did not watch this operation closely-and smiled at his audience. "The convert will understand. How do they translate ذرة in your English interpretation?" "Atom," said the convert. You don't find that strange, considering atoms were unknown in the sixth century?" The convert chewed her lip. "I never thought of that," she said. "You're right. There's no way atom is the original meaning of that word." "Ah." Vikram held up two fingers in a sign of benediction. He looked, Alif thought, like some demonic caricature of a saint. "But it is. In the twentieth century, atom became the original meaning of ذرة, because an atom was the tiniest object known to man. Then man split the atom. Today, the original meaning might be hadron. But why stop there? Tomorrow, it might be quark. In a hundred years, some vanishingly small object so foreign to the human mind that only Adam remembers its name. Each of those will be the original meaning of ذرة. Alif snorted. "That's impossible. ذرة must refer to some fundamental thing. It's attached to an object." "Yes it is. The smallest indivisible particle. That is the meaning packaged in the word. No part of it lifts out-it does not mean smallest, nor indivisible, nor particle, but all those things at once. Thus, in man's infancy, ذرة was a grain of sand. Then a mote of dust. Then a cell. Then a molecule. Then an atom. And so on. Man's knowledge of the universe may grow, but ذرة does not change." "That's..."The convert trailed off, looking lost. "Miraculous. Indeed.
G. Willow Wilson (Alif the Unseen)
There is one notable exception to Jablonski and Chaplin’s equation—and it’s the exception that proves the rule. The Inuit—the indigenous people of the subarctic—are dark-skinned, despite the limited sunlight of their home. If you think something fishy’s going on here, you’re right. But the reason they don’t need to evolve the lighter skin necessary to ensure sufficient vitamin D production is refreshingly simple. Their diet is full of fatty fish—which just happens to be one of the only foods in nature that is chock-full of vitamin D. They eat vitamin D for breakfast, lunch, and dinner, so they don’t need to make it. If you ever had a grandmother from the Old World try to force cod liver oil down your throat, she was onto something for the same reason—since it’s full of vitamin D, cod liver oil was one of the best ways to prevent rickets, especially before milk was routinely fortified with it.   IF YOU’RE WONDERING how people who have dark skin make enough vitamin D despite the fact that their skin blocks all those ultraviolet rays, you’re asking the right questions. Remember, ultraviolet rays that penetrate the skin destroy folate—and ultraviolet rays that penetrate the skin are necessary to create vitamin D. Dark skin evolved to protect folate, but it didn’t evolve
Sharon Moalem (Survival of the Sickest: A Medical Maverick Discovers Why We Need Disease)
I like to see the long line we each leave behind, and I sometimes imagine my whole life that way, as though each step was a stitch, as though I was a needle leaving a trail of thread that sewed together the world as I went by, crisscrossing others' paths, quilting it all together in some way that matters even though it can hardly be traced. A meandering line sutures together the world in some new way, as though walking was sewing and sewing was telling a story and that story was your life. A thread now most often means a line of conversation via e-mail or other electronic means, but thread must have been an even more compelling metaphor when most people witnessed or did the women's work that is spinning. It is a mesmerizing art, the spindle revolving below the strong thread that the fingers twist out of the mass of fiber held on an arm or a distaff. The gesture turns the cloudy mass of fiber into lines with which the world can be tied together. Likewise the spinning wheel turns, cyclical time revolving to draw out the linear time of a thread. The verb to spin first meant just this act of making, then evolved to mean anything turning rapidly, and then it came to mean telling a tale. Strands a few inches long twine together into a thread or yarn that can go forever, like words becoming stories. The fairy-tale heroines spin cobwebs, straw, nettles into whatever is necessary to survive. Scheherazade forestalls her death by telling a story that is like a thread that cannot be cut; she keeps spinning and spinning, incorporating new fragments, characters, incidents, into her unbroken, unbreakable narrative thread. Penelope at the other end of the treasury of stories prevents her wedding to any one of her suitors by unweaving at night what she weaves by day on her father-in-law's funeral garment. By spinning, weaving, and unraveling, these women master time itself, and though master is a masculine word, this mastery is feminine.
Rebecca Solnit
But why write such rotten scripts? If what you say is so, everybody’s where they want to be, even beggars with sores on their shins and starving children and guys being tortured in jails?” She nodded, watching me. I said, “I can’t accept that.” She waited a bit and then almost smiled. “Unacceptable?” She asked softly. And that rang a bell. “Unacceptable … ‘to accept the unacceptable.’ You said that, in the seminar. But I can’t remember why you said it.” “Yes you can,” she said, and waited. I drew a total blank this time, and I guess she knew it, because she gave me a nudge: “You say you don’t belong here. Is ‘here’—unacceptable?” “Yes,” I said without hesitation. “Then,” she asked, “why did you write this script?” “You mean—the me out there?” She nodded. I thought about that, and then mumbled, “I put it down to—curiosity? That’s all. I mean, throwing yourself into imperfect places, into pain and disappointment and well, the unacceptable—it just doesn’t make sense.” “It doesn’t?” “It sure doesn’t … unless …” I felt my eyes get big. “Unless those, uh, entities want to do what you said—to learn to accept the unacceptable. Even if they have to create it. That doesn’t make sense.” “It doesn’t? Suppose they can’t go on unless they learn that.” “Go on? Go on where?” She shrugs. “Everything living has to go on. Seed to shrub, shrub to tree, egg to bird.” “You mean—evolve. They have to learn to accept the unacceptable in order to evolve into—whatever’s next for them.” Surprisingly, she laughed. She said, “You keep on saying ‘they.
Theodore Sturgeon (The Complete Stories of Theodore Sturgeon, Volume XIII: Case and the Dreamer)
You are the only one who can do this. That’s the ultimately challenging and profoundly liberating truth you discover in Evolutionary Enlightenment. Any individual who is committed to this path has to know, at the deepest level, that he or she is the only one who could possibly do this. And that is because there is no other. You have discovered that fact, directly, for yourself. From the absolute or nondual perspective that emerges in spiritual revelation, there is only ONE. There literally is no other; there is only One without a second. To truly understand conscious evolution, you must grapple with the profound implications of that fact. I believe we can only consciously evolve to the degree that we have realized at the deepest level of our being that we are that One without a second. In an evolutionary context, facing into the truth of nonduality—that the many is the One and that the One is ultimately who we always are—forces a confrontation with any relationship to the life process that is less than whole, complete, and fully committed. To consciously evolve is to surrender unconditionally to the truth that there is no other and at the same time to accept responsibility for what that means in an evolving universe—a cosmos that is slowly but surely becoming aware of itself through you and me. That One without a second is simultaneously awakening to itself as it develops, as it evolves, and it is that One, as you and me, alone, that can now begin to take responsibility for endeavoring to consciously create its own future. Of course, in this manifest dimension, where the One is expressed through the many, those of us who have awakened to our repsonsibility for the process then begin to engage in this heroic endeavor together. But each individual has to be willing to be the One. This is the spiritual physics of Evolutionary Enlightenment. It works only if each one of us knows without a doubt that I am solely responsible. And nothing puts greater pressure on the separate self-sense than that.
Andrew Cohen (Evolutionary Enlightenment: A New Path to Spiritual Awakening)
This was no coincidence. The best short stories and the most successful jokes have a lot in common. Each form relies on suggestion and economy. Characters have to be drawn in a few deft strokes. There's generally a setup, a reveal, a reversal, and a release. The structure is delicate. If one element fails, the edifice crumbles. In a novel you might get away with a loose line or two, a saggy paragraph, even a limp chapter. But in the joke and in the short story, the beginning and end are precisely anchored tent poles, and what lies between must pull so taut it twangs. I'm not sure if there is any pattern to these selections. I did not spend a lot of time with those that seemed afraid to tell stories, that handled plot as if it were a hair in the soup, unwelcome and embarrassing. I also tended not to revisit stories that seemed bleak without having earned it, where the emotional notes were false, or where the writing was tricked out or primped up with fashionable devices stressing form over content. I do know that the easiest and the first choices were the stories to which I had a physical response. I read Jennifer Egan's "Out of Body" clenched from head to toe by tension as her suicidal, drug-addled protagonist moves through the Manhattan night toward an unforgivable betrayal. I shed tears over two stories of childhood shadowed by unbearable memory: "The Hare's Mask," by Mark Slouka, with its piercing ending, and Claire Keegan's Irishinflected tale of neglect and rescue, "Foster." Elizabeth McCracken's "Property" also moved me, with its sudden perception shift along the wavering sightlines of loss and grief. Nathan Englander's "Free Fruit for Young Widows" opened with a gasp-inducing act of unexpected violence and evolved into an ethical Rubik's cube. A couple of stories made me laugh: Tom Bissell's "A Bridge Under Water," even as it foreshadows the dissolution of a marriage and probes what religion does for us, and to us; and Richard Powers's "To the Measures Fall," a deftly comic meditation on the uses of literature in the course of a life, and a lifetime. Some stories didn't call forth such a strong immediate response but had instead a lingering resonance. Of these, many dealt with love and its costs, leaving behind indelible images. In Megan Mayhew Bergman's "Housewifely Arts," a bereaved daughter drives miles to visit her dead mother's parrot because she yearns to hear the bird mimic her mother's voice. In Allegra Goodman's "La Vita Nuova," a jilted fiancée lets her art class paint all over her wedding dress. In Ehud Havazelet's spare and tender story, "Gurov in Manhattan," an ailing man and his aging dog must confront life's necessary losses. A complicated, only partly welcome romance blossoms between a Korean woman and her demented
Geraldine Brooks (The Best American Short Stories 2011)