Romantic Tremble Quotes

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Emma turned to him, bottom lip trembling. “For me?” “Always for you. All things for you. He coughed into his fist “All your own.
Kresley Cole (A Hunger Like No Other (Immortals After Dark, #1))
He needed to gather her up, hold on to her, anything to help her stop trembling. Something was going to shake loose if she didn’t.
Tara Janzen (Crazy Sweet (Steele Street, #6))
Why do you want me?" I asked, suppressing the trembling of my voice. "I’m strange, definitely not perfect, and fucked up. Actually, a lot of the latter.” “Perfect is boring and overrated.” He smiled that lopsided grin of his that made my lower abdomen twist and curl with delicious desire. “I’m looking for sexy, fun, kind, and honest. And you tick all the right boxes, Brooke.
J.C. Reed (Surrender Your Love (Surrender Your Love, #1))
The season was waning fast Our nights were growing cold at last I took her to bed with silk and song, 'Lay still, my love, I won’t be long; I must prepare my body for passion.' 'O, your body you give, but all else you ration.' 'It is because of these dreams of a sylvan scene: A bleeding nymph to leave me serene... I have dreams of a trembling wench.' 'You have dreams,' she said, 'that cannot be quenched.' 'Our passion,' said I, 'should never be feared; As our longing for love can never be cured. Our want is our way and our way is our will, We have the love, my love, that no one can kill.' 'If night is your love, then in dreams you’ll fulfill... This love, our love, that no one can kill.' Yet want is my way, and my way is my will, Thus I killed my love with a sleeping pill.
Roman Payne
Katherine often teases me that I’m missing the need-a-boyfriend gene, but the truth is I just haven’t met anyone who … well, whom I’m attracted to, even though part of me longs for the fabled trembling knees, heart-in-my-mouth, butterflies-in-my-belly moments. Sometimes I wonder if there’s something wrong with me. Perhaps I’ve spent too long in the company of my literary romantic heroes, and consequently my ideals and expectations are far too high. But in reality, nobody’s ever made me feel like that.
E.L. James
Alone in my chamber, I fairly trembled with excitement. How could it be that I, who had never been kissed before, had kissed the Prince of Denmark himself, not once but many times? Did he really speak to me of love? It was beyond belief that I, humble Ophelia, should be wooed by Prince Hamlet. Surely I had imagined it.
Lisa M. Klein (Ophelia)
I used to rush into strange dreams at night: dreams many-coloured, agitated, full of the ideal, the stirring, the stormy--dreams where, amidst unusual scenes, charged with adventure, with agitating risk and romantic chance, I still again and again met Mr. Rochester, always at some exciting crisis; and then the sense of being in his arms, hearing his voice, meeting his eye, touching his hand and cheek, loving him, being loved by him--the hope of passing a lifetime at his side, would be renewed, with all its first force and fire. Then I awoke. Then I recalled where I was, and how situated. Then I rose up on my curtainless bed, trembling and quivering; and then the still, dark night witnessed the convulsion of despair, and heard the burst of passion.
Charlotte Brontë (Jane Eyre)
There were nights for instance, especially in August, where the view of the full moon from the top of the Acropolis hill or from a high terrace could steal your breath away. The moon would slide over the clouds like a seducing princess dressed in her finest silvery silk. And the sky would be full of stars that trembled feebly, like servants that bowed before her. During those nights under the light of the August full moon, the city of Athens would become an enchanted kingdom that slept lazily under the sweet light of its ethereal mistress.
Effrosyni Moschoudi (The Necklace of Goddess Athena)
Tremblingly alive to a sense of delight, and unchilled by disappointment, the young heart welcomes every feeling, not simply painful, with a romantic expectation that it will expand into bliss.
Ann Radcliffe (A Sicilian Romance)
You know, I often tremble when it's apparent that I've accidentally confused a stupid person. Stupid people have been known to kill what they don't understand.
Jason Daniel Chaplin (The Savage Romantics)
Their hands touched, their knees touched. They were both trembling.
Iris Murdoch (The Nice and the Good)
Are you glad I came?" "Delighted, dear Carmilla," I answered. "And you asked for the picture you think like me, to hang in your room," she murmured with a sigh, as she drew her arm closer about my waist, and let her pretty head sink upon my shoulder. "How romantic you are, Carmilla," I said. "Whenever you tell me your story, it will be made up chiefly of some one great romance." She kissed me silently. "I am sure, Carmilla, you have been in love; that there is, at this moment, an affair of the heart going on." "I have been in love with no one, and never shall," she whispered, "unless it should be with you." How beautiful she looked in the moonlight! Shy and strange was the look with which she quickly hid her face in my neck and hair, with tumultuous sighs, that seemed almost to sob, and pressed in mine a hand that trembled. Her
J. Sheridan Le Fanu (Carmilla)
You rang my heart like a church bell at midnight. Trembling, I awoke to the sweet sound of love.
John Mark Green
Though emotion roughened his voice, he spoke quietly. This was only for her. "I am your sword and your shield. I am your wolf and your steed. Mountains will tremble at my approach, for they know I will tear them apart if they stand between us. But you need not be afraid, Zenobia Fox, because my heart is iron and my will is steel, and before the new moon rises, I will come for you" ... He kissed her and as he pulled away, he wasn't leaving her. It was just the first step back to her side.
Meljean Brook (The Kraken King and the Inevitable Abduction (Iron Seas, #4.4; Kraken King, #4))
What did she love Shelley for? His reckless spontaneity -- like this. His helpless generous nature -- like this. His treatment of her as a reasonable human being and not a trembling little rose -- and so on. If she loved him for these things, could she hate him for them? Could she?
Jude Morgan (Passion: A Novel of the Romantic Poets)
I just haven’t met anyone who… well, whom I’m attracted to, even though part of me longs for those trembling knees, heart-in-my-mouth, butterflies-in-my-belly, sleepless nights. Sometimes I wonder if there’s something wrong with me. Perhaps I’ve spent too long in the company of my literary romantic heroes, and consequently my ideals and expectations are far too high. But in reality, nobody’s ever made me feel like that. ~Anastasia
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
I’m missing the need-a-boyfriend gene, but the truth is I just haven’t met anyone who…well, whom I’m attracted to, even though part of me longs for the fabled trembling knees, heart-in-my-mouth, butterflies-in-my-belly moments. Sometimes I wonder if there’s something wrong with me. Perhaps I’ve spent too long in the company of my literary romantic heroes, and consequently my ideals and expectations are far too high. But in reality, nobody’s ever made me feel like that.
E.L. James (Fifty Shades Trilogy Bundle (Fifty Shades, #1-3))
She didn’t know Matt had followed her until he grabbed her shoulder, halting her headlong rush to nowhere. He turned her into his arms, pulled her against his chest, crushed her mouth in a searing kiss. “Shane,” he said when he raised his head from hers. “I love you. I love you.” Her heart opened and the wall inside her trembled as she clung to him. “Burn me up, Matt,” she said, her voice a ragged whisper. “Burn it away. Please, please, burn it all away.” She heard him growl deep in his throat and he lifted her into his arms in one swift movement. As he carried her back across the parking lot and through the door of her room, she rained kisses on his neck and the hard line of his jaw. His skin was warm and damp and tasted of salt and desire.
Jane Taylor Starwood (Shattered Blue)
In a moment of sheer recklessness, I melt against him and let him do what I wanted him to the second I saw him fresh out of the shower. The beer bottle slips from my fingers and crashes to the floor, but he doesn’t seem to care as he presses his mouth against mine. His whiskers rough against my skin, his hands around my waist, pleasure rushes around my body as he pushes me against the counter. Our tongues dance together until I’m moaning and running my hands through his still damp hair. He pulls back, his breathing ragged. “I can’t be doing this,” he says. Since that’s pretty much what I was thinking I find myself agreeing. “It’s a bad idea.” His breathing is rapid as his hands trail down until they’re resting on my ass. He stares at me, unmoving, as if he can’t decide whether to stay or to go. With my pulse speeding and my body starting to tremble with need, I trail my hands down his muscled arms. He feels so good, so strong, and I’m enjoying it way too much to stop at one kiss. “You aren’t moving,” I whisper. A flash of amusement crosses his face. “Neither are you.” We stare at each other, electricity surging between us until I stop caring about whether this is a bad idea. He runs his hand up my spine, sending shivers through my body. His voice comes out rough as he pulls me closer. “A bad, bad, idea,” he says. ​But when he kisses me again, and my skin ignites, my body seems to decide this is a very, very good idea.
Lexi Hart (One Wild Weekend with Xavier (One Wild Weekend with, #8))
We have traded our intimacy for social media, our romantic bonds for dating matches on apps, our societal truth for the propaganda of corporate interests, our spiritual questioning for dogmatism, our intellectual curiosity for standardized tests and grading, our inner voices for the opinions of celebrities and hustler gurus and politicians, our mindfulness for algorithmic distractions and outrage, our inborn need to belong to communities for ideological bubbles, our trust in scientific evidence for the attractive lies of false leaders, our solitude for public exhibitionism. We have ignored the hunter-gatherer wisdom of our past, obedient now to the myth of progress. But we must remember who we are and where we came from. We are animals born into mystery, looking up at the stars. Uncertain in ourselves, not knowing where we are heading. We exist with the same bodies, the same brains, as Homo sapiens from thousands of years past, roaming on the plains, hunting in forests and by the sea, foraging together in small bands. Except now, our technology is exponentially increasing at a scale that we cannot predict. We are overwhelmed with information; lost in a matrix that we do not understand. Our civilizational “progress” is built on the bones of the indigenous and the poor and the powerless. Our “progress” comes at the expense of our land, and oceans, and air. We are reaching beyond what we can globally sustain. Former empires have perished from their unrestrained greed for more resources. They were limited in past ages by geography and capacity, collapsing in regions, and not over the entire planet. What will be the cost of our progress? We have grown arrogant in our comfort, hardened away from our compassion, believing that our reality is the only reality. Yet even at our most uncertain, there are still those saints who are unknown and nameless, who help even when they do not need to help. They often are not rich, don’t have their profiles written up in magazines, and will never win any prestigious awards. They may have shared their last bit of food while already surviving on so little. They may have cherished the disheartened, shown warmth to the neglected, tended to the diseased and dying, spoken kindly to the hopeless. They do not tremble in silence while the wheels of prejudice crush over their land. Withering what was once fertile into pale death and smoke. They tend to what they love, to what they serve. They help, even when they could fall back into ignorance, even when they could prosper through easy greed, even when they could compromise their values, conforming into groupthink for the illusion of security. They help.
Bremer Acosta
I fight to keep my fingers from trembling. I have a sudden urge to lick him. That’s not part of the plan. Maybe I can take a bit of a detour, taste what’s on display, even though I probably shouldn’t. Going against the plan is never advisable. But maybe just a little peck – it’s harmless, right? I lean in, and my lips connect with his skin. The reasonable part of my brain reminds me, Not a good idea. The other needy and somewhat desperate parts counter with, Oh god. Best. Idea. Ever.
Helena Rac (Sweet Bliss)
She promised herself she wouldn't do it even as she reached out, her fingers trembling, and adjusted the side mirror to look back.
B.J. Daniels (Crime Scene at Cardwell Ranch (Cardwell Ranch, #1))
What in the Haven's name just happened?" Dazed and still trembling from the overload to her senses, Ellysetta floated in Rain's arms, her limp body draped across his, incapable of autonomous movement. She could barely think straight, let alone summon the strength to actually move. Rain's chest rippled as he dragged in a shuddering breath. "I don't know." His voice came out hoarse, raspy. He swallowed, then tilted his chin against his chest to glance at her. A grin twitched at the corners of his mouth. "But I hope it happens again.
C.L. Wilson (Queen of Song and Souls (Tairen Soul, #4))
Moonlight washing up against our fragile bodies Stars collapsing from eager expectation as I touch taste tremble between passionate mouthfuls of your truth. A thousand misplaced kisses and yet only one of you.
Moses Yuriyvich Mikheyev (Strange Deaths of the Last Romantic)
Marry me," he said. Her eyes widened. "What?" She nearly fell off the horse. "Marry me, Kate," he repeated. He swallowed hard. "I need you in my life. Please. Say you'll be my duchess." "Rohan..." He took a step closer. "I know I said some boorish, stupid things that day in the music room. You were right. I was scared. I didn't know how it could be between us, but I see it now. And that night on your father's ship, I acted like a brute, telling you to prove your love by sleeping with me. It was wrong." She shook her head. "You needed me." "I did. I still do. I always will. I don't know what I'll do if you say no." He lowered his head. "I know you've reason to be wary. That I can be a thoroughgoing bastard sometimes. I've had too many women in the past, but, God, I don't want that anymore. And it is true, I, er, kill people now and then, but just to safeguard England. And if you can live with that---" He shook his head with a tempestuous fire in his eyes. "On my word, I will be true to you, and I will love you until the end of time." Kate had lost the power of speech. Indeed, she could barely breathe. Tears rushed into her eyes. Lord Byron himself could not have uttered more romantic sentiments. "There can be no other for me, Kate, but you." The Beast walked over and stared hard into the depths of her eyes; sitting on the pony's back, she was on eye level with him for once, and the whole tumult of his soul was there in his eyes, discovering love for the first time, setting his heart free at last. "You... make me feel things I've never experienced before. You've been so patient, and I've been such a fool." "No, you haven't," she breathed, wonder-struck by him. Was this just a dream? "Stay with me always," he implored her in a confidential whisper. "And love me... as I love you." "You---love me?" she echoed, her chin trembling in the most embarrassing fashion. "With all my heart," he vowed in a soft but fierce tone, looking as deeply moved as she. He touched her hair, tucking a windblown lock of it behind her ear. "Kate, you and I were meant to be together. I'm still superstitious enough to know when I have found my destiny. It's you. You're the one who broke the curse.
Gaelen Foley (My Dangerous Duke (Inferno Club, #2))
He hurt you. If I had been here then… I would tear him apart with my bare hands if he were still here, Maggie. Believe that.” She trembled, then nodded slowly. “I… do.” The duke nodded. “Good.” Abruptly his face changed. An expression of shock came over him. She looked around the room, confused, then realized he had glanced down at her gown. And in that moment, Maggie realized she had let go of the robe. It hung open, revealing the plane nightdress beneath. Which would not have been so terrible had it not been so thin, so pale white, so clinging. It clung to every curve. She clutched the robe, pulling it closed quickly, but she knew it was too late. “Good God, Maggie,” the duke said, hoarsely. “Tell me you are not…” He met her eyes. “Tell me I am being foolish. I am a man. I know little of such things. I am sorry to have even dared to look at you in such a way. I must be mistaken. But…Tell me, truly, am I mistaken?” Maggie’s throat was dry. She felt frozen in place. Unable to even shake her head, though she wished to. Then he took a step forward, towards her, and she let out a little cry—her arms raising protectively, instinctively.
Fenna Edgewood (A Duke for All Seasons (Must Love Scandal, #3))
My love is like a rising star, with beautiful eyes for looking and sweet lips for kissing. Your hand is in my hand, my body trembles with joy, my heart is exalted because we walk together.” It was a line of ancient Egyptian poetry. Ancient Egyptian society was a very passionate culture, and surprisingly romantic.
Mae Lovette (Guarded Treasure)
Caleb’s expression was thunderous. “Where the hell have you been?” he growled, his arms folded across his chest. “I stayed the night in a boarding house,” Lily answered as she climbed down from the surrey. “Did you and Winola and Rupert have a nice dinner together?” He glared at her. “Get in that house!” “And do what?” Lily retorted. “Write ‘I will not disobey my husband’ a thousand times?” “Move!” Caleb roared. Lily’s aplomb fled in an instant, and she dashed toward the door of the cabin. “I’ll thank you to remember that I’m in the family way,” she was quick to say. She was recalling that other time, when Caleb would have paddled her if Velvet hadn’t happened along just in time to prevent it. Inside the cabin Caleb set Lily in a chair and proceeded to deliver a lecture that was, in many ways, worse than a spanking. He shouted, he listed the perils of traveling alone, he swore by all that was holy that if Lily ever did such a stupid thing again he’d wring her neck. Lily’s eyes were wide by the time he began to wind down, and when he sent her to the bedroom she went. When Caleb came to her it was from a different direction than expected. A terrible racket arose on the other side of the bedroom wall, and Lily watched in horrified amazement as an ax bit through the new wood. Furiously Caleb shaped a rude door. “Now,” he said, tossing the ax behind him, “it’s all one house. Welcome to our bedroom, Mrs. Halliday.” Lily was convinced she’d married a madman. “You stay away from me,” she said, scooting backwards on the bed. She didn’t move fast enough. Caleb caught hold of one of her legs, lifted it high, and began untying her shoelace. “There isn’t a chance in hell of that, sodbuster,” he said, and then he began rolling Lily’s stocking down. She trembled as his hand caressed her inner thigh for the briefest moment. “Not a chance in hell.” Only when the lovemaking was over and Caleb had risen from the bed did Lily’s pride come back into its own. The moment he stepped through the hacked-out opening into his side of the house she moved the bureau in front of the opening. “You stay on your side,” she said when she saw him through the opening above the chest of drawers, “and I’ll keep to mine.” As usual, Caleb had expected his romantic attentions to make everything all right between them. “Damn it, Lily,” he growled, bracing his hands on the bureau top and leaning forward ominously, “we’re married!” “As far as I’m concerned, we can just forget that unfortunate fact.” “That’s fine with me,” Caleb snapped. And then he turned and stormed away. Lily
Linda Lael Miller (Lily and the Major (Orphan Train, #1))
She angled her head to look up at him. Her blue eyes were huge in the moonlight. One tear still clung to her lash, looking like a shining jewel. He touched it with his fingertip and it dissolved, warm and wet into his skin. His gaze shifter to her bowshaped mouth. Her lips trembled, then parted. A soft mew of a sound escaped them. There was nothing to do but kiss her.
B.J. Daniels (Into Dust (The Montana Hamiltons, #5))
He rose up over her, his arms straight on either side of her shoulders, and slowly withdrew, his flesh dragging against hers. He was hot and hard. She spread her thighs, reveling in this lush feeling, his thrusts blunt and hard now, pounding into her body. And still he watched her, the green of his eyes slivers of want, demanding something of her. Something she was no longer willing to give, it was just too much. When at last she came, her breaths hitching and halting, her legs trembling, her sex pulsing with every push of his cock, she watched him. She saw when he gritted his teeth, his lips drawn back in need and pleasure. He shouted her name, loud in her quiet bedroom, as his big body jerked and plunged and emptied itself in her.
Elizabeth Hoyt (Sweetest Scoundrel (Maiden Lane, #9))
You'll yet find happiness." A twang of anger snapped within her at his words. "Shut your trap, highness, or I'll bloody well shut it for you!" She lunged forward and grabbed the front of his shirt. Her fingers itched for- for what? A weapon. She berated herself for her violent state of mind. Hands still fisted in his shirt, Justice felt their trembling and prayed he did not. Jonathan glanced down at her hands, face impassive, then returned his eyes to her face. When Justice finally gave in and lifted her gaze, her vision blurred at the empathy written in his eyes.
Ashley Nikole (Present History (Hands of Time, #1))
Timid, dim witted eyes peer through the dark shadows of the dense forest and blinked, as the rhythm of the steady rain continued to beat down upon them, through the magic of a Grand Master Wizard. The cold mountain air breathed in wet, fresh and crisp, as the two bumblers huddled together in the forest for warmth and in wait. All within the camp seemed tranquil and calm. Suddenly without warning, the sleeping figures began to glow with the glimmering dust the cagy, old Wizard had deposited around the slumbering camp. The glittering and glimmering powder began to spark and flit all around the army camp with the spirited life of fairy fire bees, or perhaps more to the point, tiny, tormenting furies. Edgerton/Assassins of Dreamsongs 172 For that is what they quickly became, "tiny, tormenting furies"! Men awoke from the night, shrieking and screaming, as if they had been burned . . . for indeed they had! Where the sparkling dust touched, blankets caught on fire and clothes were engulfed in tiny, tormenting flames. The horizon was lit up, as all of the figures in the camp danced around in torment, against the blackness of the night. Men darted about the camp in panic and agony, screaming in supreme surprise and torment. Confused beyond belief, they ran into each other and became entangled in ridiculous heaps of flesh, cloth and hot armor. The whole army became piles of human clumps of torment, writhing on the ground. Panic ruled the night and even the small forest creatures stopped their nightly routines, to stare at the odd sight of the ridiculous creatures; arms and legs flailing about. Two rather comical figures strolled casually into the panic ridden encampment, whistling badly a stale, romantic tune. The two bumblers walked in slow, trembling saunters while whistling and laughing hysterically in fear. They both were as casual, as obvious trembling can allow one to be, when they approached the giant, blond Nobleman chained to the tree. The fairy fire bees bypassed the two bumblers with their tormenting magic. With stuttering steps and downcast eyes, they made their way to the tree and the man who would be King. Garish roared uncontrollably with laughter, at the sight of the writhing army and the two bumblers here for his rescue. Edgerton/Assassins of Dreamsongs 173 "We've c-c-come to s-s-save you my Lord." Godfrey stammered out the words trembling, nearly swallowing his tongue. Both stiffened in absolute fear, as they watched the turmoil the Wizard had caused around them, expecting discovery at any moment! Garish finally found his breath. "Well, let's get on with it! The furies can't last forever, although I wish they would!" "Oh right!" Godfrey fumbled around in his clothes for the magic key Arkin had given him. "The magic key, it must be around here somewhere. Did the Old Man give the key to you Humphrey?" "No, I thought you had it!" Humphrey scowled, already seeing his head in the guillotine. "Well, someone's got to have it!" Garish roared. A brawny guard in agonizing pain turned and caught sight of the fumbling escape. Screaming a battle cry, the burly guard stalked forward, to challenge them. Garish brought the chains up around the brute's neck and crushed him against the tree, the sparkling furies making him shriek for mercy. "Ah . . .here it is!" Godfrey exclaimed finding the magic key in his tunic. The key glowed with a golden power all its’ own, as he fished it from his pocket. His fingers trembled beyond that which he could remember, as he fitted the key into the lock. The chains quickly melted to the ground, to his delight and he laughed, as they all turned to flee. Edgerton/Assassins of Dreamsongs 174 Their escape was immediately hampered by a confrontation with a huge Knight, as he rose from the ground, to challenge them. Garish buried both fists into the giant's stomach, in hammering blows and then bore his powerfully bulk up over his head.
John Edgerton (ASSASSINS OF DREAMSONGS)
Why, I'd never do such things now!" She laughed. "Unless you're foxed." "Unless I'm foxed." "Perhaps you should stop drinking, then." "And perhaps you should start eating, my dear wife. I've seen sparrows with bigger appetites. Here, try some of this Cheshire. It is splendid." He plucked a small bit of cheese from the dish and, leaning across the table, held the morsel to her lips. Juliet hesitated — the gesture seemed uncomfortably intimate — but the wine had relaxed her, taking the edge off her inevitable wedding-night jitters, and she suddenly felt ridiculous for being so skittish. Especially when she looked into those romantic blue eyes across from her and saw shadows of Charles in that familiar de Montforte face, in that lazy de Montforte smile. Currents fluttered out along her nerve endings. Warmth settled in the pit of her belly. Slowly, she opened her mouth and accepted the cheese, trembling at the warm brush of his fingers against her lips. She chewed and swallowed, her gaze still trapped by his, until she finally blushed and looked away, her face rosy and hot, her hands gripped tightly beneath the tablecloth. When she finally dared to look back up at him, he was gazing at her with an amused little half-smile. "Well, what do you think of it?" he asked, topping up her wine glass. "Delicious."  Every nerve in her body was thrumming in response to the intimate gesture they'd just shared, her lips tingling where his fingers had brushed them. "But I think I prefer the Cheddar." "Oh. I haven't tried that one yet." "You haven't?" "No."  His eyes were teasing, challenging, inviting her to summon her courage and — Good God, he wants me to feed him! Heat prickled through her. He was still watching her, little sparkles of laughter dancing in his eyes, his mouth twitching at the corners. "You want me to force you to try some, then," she declared, her bold tone belying her shaky courage. "My dear Juliet, I shall never force you to do anything that you do not wish to do." She looked across the table at him. He gazed back, calm, relaxed, amused. Dear God, but he looked handsome in the candlelight. Handsome under any light. And now his grin was spreading, as though he was ready to burst out laughing at her predicament. What a rogue he was! 
Danelle Harmon (The Wild One (The de Montforte Brothers, #1))
Jay stepped into the room, and for a split second both her heart and lungs seemed to stop functioning. Then her heart lurched into rhythm again, and she drew a deep, painful breath. Tears sprang to her eyes as she stared at the inert form on the white hospital bed, and his name trembled soundlessly on her lips. It didn't seem possible that this ... this could be Steve.
Linda Howard (White Lies (Rescues, #4))
His head jerked up. For another moment he was motionless. Her lips were parted slightly, trembling. Her eyes looked heavy. Her nipples were hard little circles plainly visible though the wet dress, her arms limp at her sides as she let him look. He shuddered, and his control snapped. She couldn't move. He walked toward her without taking his gaze from her, without seeing or hearing anything else, a primal male animal intent on mating. He was breathing hard and deep, his nostrils flaring. Water dripped off him as he moved. She waited, shaking with need and fear, because he was out of control and she knew it. It was an exhilarating terror, freezing her but at the same filling her with an anticipation so acute she was almost in pain. Then his hands were on her, and she moaned aloud from the sudden release of tension. She didn't have time to respond. She had expected to be swept up in his arms and carried to bed, but he had gone far beyond paying attention to niceties. Nothing mattered to him but to have her, right then.
Linda Howard (White Lies (Rescues, #4))
He was in love with his best friend and it was new and scary and perfect and so fucking beautiful that half the time he felt like he was just going to take off flying at any moment. “Jess, what’s wrong? You don’t want me to touch you?” Please say it’s okay. I’m dying… “I just thought you wouldn’t want to…because, well, you know.” Shane slipped his hands beneath Jesse’s T-shirt, wedging them between Jesse’s back and the bed. Jesse arched to give him more room. The skin on his back was smooth and a little damp from the heat. Shane wanted more. He had to feel more. “Jess, do you have any idea how sexy you are right now?” And he was. His spiky hair was all askew, glasses long lost to the carpet, those big gray eyes were shining up at Shane and his mouth was parted and wet, begging for more kisses. Shane wanted to show Jesse everything. Wanted to be his first. “I want whatever is okay with you.” “R-really?” Ah, shit, he’s nervous. He never stutters like that anymore. “It’s okay. Only if you want to. We can just kiss.” Shane ran his fingers through Jesse’s silky spikes and kissed him again, soft and romantic like they usually did. “N-no. I want you to do it. I do.” With trembling hands, Jesse unbuttoned his cargo shorts and loosened the zipper. Shane couldn’t help grinning at him. He’d wanted to touch Jesse for so long.
Piper Vaughn (More than Moonlight (Lucky Moon, #0.5))
You do understand what I mean!” he exclaimed, pleased to see Maude responding to his song. “I chose Nina Simone to show you something else. Just like you, Nina Simone had a classical background. When she was younger, she wanted to become a concert pianist. Her skill was beyond measure and she used it in a wide repertoire of jazz, blues, and R&B songs. And I think you can do the same. Music knows no limits and I truly understand why James insisted on signing you, Maude.” Maude remained silent, still thinking about his rendition of Nina Simone. “All you have to do is dig deeper. Try finding some suffering in you. Don’t sing the Cenerentola with a smile. Although you look like a girl who’s had it all. You know, the nice girl from the North of France, who grew up in a quiet, small town with her loving mom and dad and brothers and sisters, always top of her class, quick-tempered when things didn’t go her way. A bit spoiled, I guess. You have to put all that—” “Spoiled?” Maude blurted in utter disbelief, the word echoing through her mind. Of all the things he could’ve said about her, spoiled was the last word that could have appeared remotely appropriate to describe her. As for suffering, she’d had plenty of that, too, which is why she didn’t want to think about it. Not while she was so happy in New York and Carvin and the Ruchets were the last thing she wanted in her head. She painfully pushed the Ruchets away from her mind and turned to Matt, eyes flaring up again. “You know nothing about me, Matt,” she said, her voice quivering with emotion. “And you obviously know nothing about suffering, or you wouldn’t idealize it the way that you do. You see it as a romantic notion that seemingly gives depth to songwriting. And it does. Not because the singers actually thought of woe in a purely aesthetic way, but because that’s how they actually lived. You will never understand that,” she finished, trembling from head to toe. And with that, she grabbed her bag, coat, gloves, scarf, and stormed out of Matt’s Creation Room, slamming the door behind her.
Anna Adams (A French Girl in New York (The French Girl, #1))