She Defines Beauty Quotes

She began to see that character is a better possession than money, rank, intellect, or beauty, and to feel that if greatness is what a wise man has defined it to be, 'truth, reverence, and good will,' then her friend Friedrich Bhaer was not only good, but great.

We do not have to spend money and go hungry and struggle and study to become sensual; we always were. We need not believe we must somehow earn good erotic care; we always deserved it. Femaleness and its sexuality are beautiful. Women have long secretly suspected as much. In that sexuality, women are physically beautiful already; superb; breathtaking. Many, many men see this way too. A man who wants to define himself as a real lover of women admires what shows of her past on a woman's face, before she ever saw him, and the adventures and stresses that her body has undergone, the scars of trauma, the changes of childbirth, her distinguishing characteristics, the light is her expression. The number of men who already see in this way is far greater than the arbiters of mass culture would lead us to believe, since the story they need to tell ends with the opposite moral.

When people see some things as beautiful, other things become ugly. When people see some things as good, other things become bad. Being and non-being create each other. Difficult and easy support each other. Long and short define each other. High and low depend on each other. Before and after follow each other. Therefore the Master acts without doing anything and teaches without saying anything. Things arise and she lets them come; things disappear and she lets them go. She has but doesn't possess, acts but doesn't expect. When her work is done, she forgets it. That is why it lasts forever.

She may resent Playboy because she resents feeling ugly in sex--or, if "beautiful," her body defined and diminished by pornography. It inhibits in her something she needs to live, and gives her the ultimate anaphrodisiac: the self-critical sexual gaze. Alice Walker's essay "Coming Apart" investigates the damage done: Comparing herself to her lover's pornography, her heroine "foolishly" decides that she is not beautiful.

When you look at me that way, I feel so beautiful." "You are beautiful." He signed deep in his chest. His hands slid up and down her arms, caressing her roughly. "So damned beautiful." "So are you." She put a hand to his bare chest, tracing the defined ridges of his musculature. "Like a diamond. Hard and gleaming, and cut with all these exquisite facets. Inside...pure, brilliant fire.

Cathy's a nice person, in a forceful sort of way. She makes you notice her kindness. Her niceness is writ large, it is her defining quality and she needs it acknowledged.

Your ribcage never meant to hurt you. Your windpipe doesn’t know how to be pretty, but she knows how to howl— and here, I’d like to take a moment to submit a formal apology to my soft parts because they kept me warm when I was trying to freeze to death, and I hated them for it. An apology for a starvation that went deeper than my skin. One for the strongest skeleton I will ever own and how I kept using the word girl against it. Or how I turned words like beautiful into shapes I could contort myself into. I didn’t mean to compare myself to faces I can’t have. Or spend years trying to carve myself, like Michelangelo’s angels, from the marble— forgetting what it is to be skin instead of stone. I let myself be afraid. I was taught to be. When you learn you are only as good as your beauty routine, you forget how to define yourself by anything else.

What I've learned over the years is that people shouldn't be defined by a single mistake. Everyone messes up," she said. "You have to forgive yourself and move one.

She was truly beautiful, though that was not what drew him to want to know more about her. This woman of wealth and privilege had something else about her—and inner beauty—which he couldn't quite define.

The 'bath' was almost the size of a small swimming pool, the steam curling off it pure, sensual temptation. A shower stood to her right, but it had no glass walls, the area defined only by an expanse of gold-flecked tile. A lightbulb went off in her head. 'Wings,' she whispered. 'It’s all to accommodate those beautiful wings.

Gilbert had finally made up his mind that he was going to be a doctor. "It's a splendid profession," he said enthusiastically. "A fellow has to fight something all through life. . .didn't somebody once define man as a fighting animal?. . .and I want to fight disease and pain and ignorance. . .which are all members one of another. I want to do my share of honest, real work in the world, Anne. . . add a little to the sum of human knowledge that all the good men have been accumulating since it began. The folks who lived before me have done so much for me that I want to show my gratitude by doing something for the folks who will live after me. It seems to me that is the only way a fellow can get square with his obligations to the race." "I'd like to add some beauty to life," said Anne dreamily. "I don't exactly want to make people know more. . .though I know that is the noblest ambition. . .but I'd love to make them have a pleasanter time because of me. . .to have some little joy or happy thought that would never have existed if I hadn't been born." "I think you're fulfilling that ambition every day," said Gilbert admiringly. And he was right. Anne was one of the children of light by birthright. After she had passed through a life with a smile or a word thrown across it like a gleam of sunshine the owner of that life saw it, for the time being at least, as hopeful and lovely and of good report.

Just the word beautiful was seductive - but what did it really mean? Beauty was a soft word that ached with possibility, pliant as dough. You could not presume to define it, she realized, because the very idea of beauty and all it represented was a subjective thing - in the eye of the beholder - but that wasn't really true anymore.

But Orlando was a woman — Lord Palmerston had just proved it. And when we are writing the life of a woman, we may, it is agreed, waive our demand for action, and substitute love instead. Love, the poet has said, is woman’s whole existence. And if we look for a moment at Orlando writing at her table, we must admit that never was there a woman more fitted for that calling. Surely, since she is a woman, and a beautiful woman, and a woman in the prime of life, she will soon give over this pretence of writing and thinking and begin at least to think of a gamekeeper (and as long as she thinks of a man, nobody objects to a woman thinking). And then she will write him a little note (and as long as she writes little notes nobody objects to a woman writing either) and make an assignation for Sunday dusk and Sunday dusk will come; and the gamekeeper will whistle under the window — all of which is, of course, the very stuff of life and the only possible subject for fiction. Surely Orlando must have done one of these things? Alas,— a thousand times, alas, Orlando did none of them. Must it then be admitted that Orlando was one of those monsters of iniquity who do not love? She was kind to dogs, faithful to friends, generosity itself to a dozen starving poets, had a passion for poetry. But love — as the male novelists define it — and who, after all, speak with greater authority?— has nothing whatever to do with kindness, fidelity, generosity, or poetry. Love is slipping off one’s petticoat and — But we all know what love is. Did Orlando do that? Truth compels us to say no, she did not. If then, the subject of one’s biography will neither love nor kill, but will only think and imagine, we may conclude that he or she is no better than a corpse and so leave her.

Our scars define us,” Maddis said quietly, the tip of her finger tracing the three slashed lines. “They tell a story of courage and survival. They tell of who we are at our deepest being, of the challenges we’ve faced and overcome.” Whispering now, she patted Kiva’s hand and finished, “Not all scars are as visible as this. I daresay you have many more on the inside. But never forget that every scar is beautiful. And you should never, ever, be ashamed of them.

She began to see that character is a better possession than money, rank, intellect, or beauty; and to feel that if greatness is what a wise man has defined it to be,

Creativity is on constant sensory over-load. She believes life is full of Beauty, but Beauty is highly subjective and Creativity finds it in unconventional places. What turns others off might attract Creativity. She defines Beauty for herself.

I know you are afraid, mon amour," he whispered softly, his hands sliding up her rib cage to her breasts. "But I am no longer a beast. You leashed the demon. There is only me, a man who very much wants to make love to his lifemate." She felt his breath against her nipple. "Let me show you how it is supposed to be. Beautiful. Such pleasure.I can bring you so much pleasure,ma petite." His mouth closed over her breast, hot and moist. The sound of his voice was memerizing, enticing. She could get caught up forever in the mere sound of it. There was no thought in his mind for his own burning body, his own urgent demands; he wanted to show her the beauty and pleasure of true mating. Flames raced through her blood and licked down her skin at the intensity of the eroticism, the craving his mouth at her breast created. She moaned, low and soft, the note brushing at his soul like the flutter of butterfly wings. Her hands slid over his back, tracing each defined muscle with her fingertips, commiting him to memory. Tears filled her eyes. How could a man be so sensual, so perfect? He was stealing her will as easily as he was stealing her body. "Want me, Savannah," he whispered softly. "Want me the way I want you.

Life, it has been agreed by everyone whose opinion is worth consulting, is the only fit subject for novelist or biographer; life, the same authorities have decided, has nothing whatever to do with sitting still in a chair and thinking. Thought and life are as the poles asunder. Therefore — since sitting in a chair and thinking is precisely what Orlando is doing now — there is nothing for it but to recite the calendar, tell one’s beads, blow one’s nose, stir the fire, look out of the window, until she has done… Surely, since she is a woman, and a beautiful woman, and a woman in the prime of life, she will soon give over this pretence of writing and thinking and begin at least to think of a gamekeeper (and as long as she thinks of a man, nobody objects to a woman thinking). And then she will write him a little note (and as long as she writes little notes nobody objects to a woman writing either) and make an assignation for Sunday dusk… She was kind to dogs, faithful to friends, generosity itself to a dozen starving poets, had a passion for poetry. But love — as the male novelists define it — and who, after all, speak with greater authority? — has nothing whatever to do with kindness, fidelity, generosity, or poetry. Love is slipping off one’s petticoat and — But we all know what love is… If then, the subject of one’s biography will neither love nor kill, but will only think and imagine, we may conclude that he or she is no better than a corpse and so leave her.

I like looking at your body,” she said. “Thank you. I like looking at you, period,” I responded. She removed her shirt. She asked for help with her bra. We embraced. Our skins touched. I felt her heart beat against my chest. I felt my heart beating. Our heartbeats became one. One heartbeat. We became one. Time passed. I looked at my watch. 10:10. I stood. She remained on the bed, defining beauty. “It’s getting close to eleven, baby. You should probably get up,” I said, looking for my shirt. I ran my hands through my hair. “Stand right there,” she said. “Don’t move.” I stood. She reached to the side of the bed, and got her phone from her purse. She held it at arm’s length. “Don’t move,” she said. “I heard you,” I responded. I stood. She took three photos. “I wish I could paint a picture of you,” I said. “Do you paint?” she asked. “No,” I responded, “But I wish I could. I would paint a picture of you right now, lying there without your shirt. I could stand here, Britney, and admire you for all of what is forever. You make me want to cry. But. That part of me is broken.

She defines me, accepts me, sees me, and I swear to Christ, it fucking feels like love.

She began to see that character is a better possession than money, rank, intellect, or beauty, and to feel that if greatness is what a wise man has defined it to be, ‘truth, reverence, and good will’,

Beauty and the Beast” embraces one last important moral truth: a person’s decisions in life will define what kind of person she becomes. In this sense also our destinies are not fated: we decide our own destinies.

She had that strange mutant beauty that models have. It’s the kind of beauty that no matter what they are wearing or how they try to hide themselves, a sharply defined, electric appeal comes through and zaps your desire.

No.” Mom placed her hand on my knee. “We don’t do that. We don’t put ourselves down.” She combed my hair behind my ear and placed her hands on my cheeks. “Not only are you beautiful on the outside, Eleanor Rose, you are stunning on the inside. You are creative. You have the best laugh I’ve ever heard. You are kind, giving, and brave. Don’t ever think you aren’t good enough based on what the magazines define as beauty. You. Are. Beautiful.

An employer can’t prove an employee incompetent simply by announcing that she is. But because “beauty” lives so deep in the psyche, where sexuality mingles with self-esteem, and since it has been usefully defined as something that is continually bestowed from the outside and can always be taken away, to tell a woman she is ugly can make her feel ugly, act ugly, and, as far as her experience is concerned, be ugly, in the place where feeling beautiful keeps her whole.

She began to see that character is a better possession than money, rank, intellect, or beauty, and to feel that if greatness is what a wise man has defined it to be, "truth, reverence. and good will." then her friend Friedrich Bhaer was not only good, but great.

I have been with a hundred women, but never loved one until her. I could be with a thousand more and never find another Layana. She is beautiful, classy, but with a sharp edge that defines her personality, a thread of dark that complements all of her light. One that will cut you should you cross her. One that will fight for her wants, her needs, her opinions. She stares in my eyes and loves me with a vehemence all her own. A scary, passionate type of love. One that rips away all pretenses and allows us to love each other bare and without consequence.

I went to the room in Great Jones Street, a small crooked room, cold as a penny, looking out on warehouses, trucks and rubble. There was snow on the windowledge. Some rags and an unloved ruffled shirt of mine had been stuffed into places where the window frame was warped and cold air entered. The refrigerator was unplugged, full of record albums, tapes, and old magazines. I went to the sink and turned on both taps all the way, drawing an intermittent trickle. Least is best. I tried the radio, picking up AM only at the top of the dial, FM not at all." The industrial loft buildings along Great Jones seemed misproportioned, broad structures half as tall as they should have been, as if deprived of light by the great skyscraper ranges to the north and south." Transparanoia owns this building," he said. She wanted to be lead singer in a coke-snorting hard-rock band but was prepared to be content beating a tambourine at studio parties. Her mind was exceptional, a fact she preferred to ignore. All she desired was the brute electricity of that sound. To make the men who made it. To keep moving. To forget everything. To be that sound. That was the only tide she heeded. She wanted to exist as music does, nowhere, beyond maps of language. Opal knew almost every important figure in the business, in the culture, in the various subcultures. But she had no talent as a performer, not the slightest, and so drifted along the jet trajectories from band to band, keeping near the fervers of her love, that obliterating sound, until we met eventually in Mexico, in somebody's sister's bed, where the tiny surprise of her name, dropping like a pebble on chrome, brought our incoherent night to proper conclusion, the first of all the rest, transactions in reciprocal tourism. She was beautiful in a neutral way, emitting no light, defining herself in terms of attrition, a skinny thing, near blond, far beyond recall from the hard-edged rhythms of her life, Southwestern woman, hard to remember and forget...There was never a moment between us that did not measure the extent of our true connection. To go harder, take more, die first.

People who profess to have no faith, do not actually have no faith. They simply do not have faith as defined by the rest of the people. Many people who do not have faith as defined by the rest— do have a faith in many other good things— honesty, dedication, inner strength, and so on and so forth. And if you ask him (or her) why do they abide by these beliefs if there be no external force to damn them if they do not abide, they will answer and say, that it is because it is who they are, it is what they believe in, and that to them any other way is abominable. He (or she) does have a faith. It is just not expressed on one of the main paths of expression that most of the population walk on. They are just different in their faith, that is all. Religion should be rightly termed "The love of the beautiful." For anyone who has a true love and devotion to what is beautiful, does have a faith. That is his faith, that is his religion.

One day, you’re 19 And the boy who broke your heart a year ago, is now off in some parallel lifetime from you, breaking someone else’s heart. It’s not you this time But you understand how she will hurt. You’re still wearing your red lipstick Still squatting Still blossoming. And you cut your hair off because you didn’t want to be defined by your looks. You make drastic changes And end up wearing more black Than you did before. You’re beautiful. You started telling yourself that in the mirror because you started recognizing your worth. You slick your short hair back And smile. You’re happy. And for once, that’s all that matters.

Ask a woman who she is, and she’ll tell you who she loves, who she serves, and what she does. I am a mother, a wife, a sister, a friend, a career woman. The fact that we define ourselves by our roles is what keeps the world spinning. It’s also what makes us untethered and afraid. If a woman defines herself as a wife, what happens if her partner leaves? If a woman defines herself as a mother, what happens when the kids leave for college? If a woman defines herself as a career woman, what happens when the company folds? Who we are is perpetually being taken from us, so we live in fear instead of peace. We cling too tightly, close our eyes to what we need to look at hard, avoid questions that need to be asked, and in a million ways insist to our friends, partners, and children that the purpose of their existence is to define us. We build sandcastles and then try to live inside them, fearing the inevitable tide. Answering the question Who do I love? is not enough. We must live lives of our own. To live a life of her own, each woman must also answer: What do I love? What makes me come alive? What is beauty to me, and when do I take the time to fill up with it? Who is the soul beneath all of these roles? Each woman must answer these questions now, before the tide comes. Sandcastles are beautiful, but we cannot live inside them. Because the tide rises. That’s what the tide does. We must remember: I am the builder, not the castle. I am separate and whole, over here, eyes on the horizon, sun on my shoulders, welcoming the tide. Building, rebuilding. Playfully. Lightly. Never changing. Always changing.

In less than an hour, Sophia had efficiently arranged and copied the notes in a neat hand that would delight the printer to no end. She was so quiet and economical in her movements that Ross would have forgotten she was there, except that her scent filtered through the air. It was a tantalizing distraction that he could not dismiss. Breathing deeply, he tried to identify the fragrance. He detected tea and vanilla, blended with the elixir of warm female skin. Stealing glances at her delicate profile, he was fascinated by the way the light moved over her hair. She had small ears, a sharply defined chin, a soft snippet of a nose, and eyelashes that cast spiky shadows on her cheeks.

When she looked up and smiled at him–a genuine, wide-open smile–it took his breath away. It lit up her face and those beautiful tawny eyes and made her more than just beautiful. Stunning. He’d never thought about the meaning of that word when it came to looks before, but at this moment he’d define it as feeling like he’d been hit with a two by four. Paralyzed but still breathing. Knocked on his ass, but still standing.

He was again struck by her good looks...only it occurred to him now that she might actually be beau tiful. It had never really occurred to him until that moment that there might be beautiful girls outside of the movies, or that he himself might know one. Perhaps it was the bruise that allowed him to see the possibility of her beauty- an essential contrast, a particular flaw which first drew attention to itself and then somehow defined the rest.

She did neither, but she remembered the scene, and gave the Professor her heartiest respect, for she knew it cost him an effort to speak out then and there, because his conscience would not let him be silent. She began to see that character is a better possession than money, rank, intellect, or beauty, and to feel that if greatness is what a wise man has defined it to be, 'truth, reverence, and good will', then her friend Friedrich Bhaer was not only good, but great.

I saw Kate becoming a jointed doll on which certain rags are hung,” Mantel wrote, adding that the duchess appeared like a “shop-window mannequin, with no personality of her own, entirely defined by what she wore.” A harsh observation to be sure, but also a truth most find hard to swallow. Like Diana, Kate became a sparkling showpiece for the Firm, a symbol of refined beauty and those white, English Rose genetics the British newspapers love so much. Freya in an Emilia Wickstead coat dress.

shook her, this place. It was awful. Tragic. Yet… yet it moved her. The sorrow she felt. It was profound. It was moving, somehow. The sorrow of the terrible abandoned garbage dump and the sad graves and the lonesome shacks made her feel something so far inside herself that she could not define it or place it. She was so disturbed that it gave her the strangest comfort, as though something she had suspected about life all along was being confirmed, and the sorrow she felt in her bed at night was reflected by this soil.

What is it,” Maestra had asked quite rhetorically, “that separates human beings from the so-called lower animals? Well, as I see it, it’s exactly one half-dozen significant things: Humor, Imagination, Eroticism—as opposed to the mindless, instinctive mating of glowworms or raccoons—Spirituality, Rebelliousness, and Aesthetics, an appreciation of beauty for its own sake. “Now,” she’d gone on to say, “since those are the features that define a human being, it follows that the extent to which someone is lacking in those qualities is the extent to which he or she is less than human. Capisce? And in those cases where the defining qualities are virtually nonexistent, well, what we have are entities that are north of the animal kingdom but south of humanity, they fall somewhere in between, they’re our missing links.” In his grandmother’s opinion, the missing link of scientific lore was neither extinct nor rare. “There’re more of them, in fact, than there are of us, and since they actually seem to be multiplying, Darwin’s theory of evolution is obviously wrong.” Maestra’s stand was that missing links ought to be treated as the equal of full human beings in the eyes of the law, that they should not suffer discrimination in any usual sense, but that their writings and utterances should be generally disregarded and that they should never, ever be placed in positions of authority. “That could be problematic,” Switters had said, straining, at the age of twenty, to absorb this rant, “because only people who, you know, lack those six qualities seem to ever run for any sort of office.” Maestra thoroughly agreed, although she was undecided whether it was because full-fledged humans simply had more interesting things to do with their lives than marinate them in the torpid waters of the public trough or if it was because only missing links, in the reassuring blandness of their banality, could expect to attract the votes of a missing link majority. In any event, of the six qualities that distinguished the human from the subhuman, both grandmother and grandson agreed that Imagination and Humor were probably the most crucial.

That’s not something I am capable of doing.” I make my voice gentle, and I stroke a wet lock of hair from her face and tuck it behind her ear. She stares up at me, eyes shining. So beautiful. My precious, lovely Toy. “I don’t want to lie to you again, and to say that I was sorry would be a lie. Being sorry would require a conscience, and I’m not wired that way. In my world, I define right and wrong. For me to apologize would mean that I was saying I thought what I did was…bad. You want me to be honest with you? I’m not sorry. What is right is what benefits me. End of story. But I am saying that I should not have gone so far when I punished you. And we’re going to have to work out a new set of rules and a new way to get along. Because I’m not going to lose you.” “Why?” she demands despairingly, her face twisting with anguish. “I just want to be free. I hate it here. I hate you, and if I could kill you, I would. I will keep trying to kill you, myself, and Elizabeth, until I succeed. Do you not understand that?” “I do. And all I can do is watch you day and night so I can protect you from yourself,

But the face I saw this time was beautiful, luminous. My eyes were big, but soft, haunting. My cheekbones were defined and full of stories. My lips didn't scream for attention; they were available, but still mine. A secret, barely whispered; the prologue to a book you could get lost in. I'd say it didn't look like me, but it did- a me I'd never thought I'd reach. "Wow," I breathed. Victoria smiled, pleased with her work. She turned to the makeup saleswoman. "It's all about subtlety," she explained. "The best seduction is the one you never see coming.

Does she bring you happiness, make you laugh?" Gideon had asked. When Caleb confessed that she did, his father then asked, "Do you like who you are when you are with her?" Again Caleb answered in the affirmative. He confessed she was not what he had planned, that at first she was just a case to solve. Then his father said something Caleb couldn't get out of his head. "Our whole lives people try to tell us what beautiful is. As young boys we think we know exactly which women are the loveliest. Then we meet one who doesn't fit the mold and we know we were taught wrong our whole lives." While his pa talked, Caleb envisioned Em's freckled face. "Beauty is something we get to define. We may not see it right away, but when we do, we have trouble remembering the other definition. We wonder how we were ever to misled. All we can see is the one person who defines it for us." Then his father put a hand on his shoulder and said, "Don't let anyone else decide which kind of beautiful is right for you. You find a girl who brings out the best in you. Who you can see a happy future with. That's your kind of beautiful.

I had no sister, but I felt as if she were one." "A sister? You think of a woman that gorgeous as a sister, but you fell in love with me?" "You are more beautiful than Asha. I see this inside of you as well as outside." Mari shook her head. "Have I told you that you sound totally crazy sometimes? You expect me to believe that she never lit any fires in you, and I did?" "Yes," Alain replied, his tone faintly bewildered as he looked at her. "Asha never changed the way I saw things, as you have." That reminded her of something. "What did you tell her about me? That I define your world or something? I couldn't believe you said that." Alain nodded. "You define the world I see. Yes. I needed to explain what you mean to me in terms another Mage would understand." Mari could feel her lips quivering but tried to fight of laughter. "Alain, I 'define the world' for you? That's too much." "Too much?" "It's so sweet, it's nauseating." Alain pondered her words. "What is wrong with that statement? I see the false world through my own illusions. You are now my reference for those illusions. Why should that make you feel ill? You define the world I see.

How to Come Out as Gay Don’t. Don’t come out unless you want to. Don’t come out for anyone else’s sake. Don’t come out because you think society expects you to. Come out for yourself. Come out to yourself. Shout, sing it. Softly stutter. Correct those who say they knew before you did. That’s not how sexuality works, it’s yours to define. Being effeminate doesn’t make you gay. Being sensitive doesn’t make you gay. Being gay makes you gay. Be a bit gay, be very gay. Be the glitter that shows up in unexpected places. Be Typing . . . on WhatsApp but leave them waiting. Throw a party for yourself but don’t invite anyone else. Invite everyone to your party but show up late or not at all. If you’re unhappy in the closet but afraid of what’s outside, leave the door ajar and call out. If you’re happy in the closet for the time being, play dress-up until you find the right outfit. Don’t worry, it’s okay to say you’re gay and later exchange it for something else that suits you, fits, feels better. Watch movies that make it seem a little less scary: Beautiful Thing, Moonlight. Be southeast London, a daytime dance floor, his head resting on your shoulder. Be South Beach, Miami, night of water and fire, your head resting on his shoulder. Be the fabric of his shirt the muscles in his shoulder, your shoulder. Be the bricks, be the sand. Be the river, be the ocean. Remember your life is not a movie. Accept you will be coming out for your whole life. Accept advice from people and sources you trust. If your mother warns you about STDs within minutes of you coming out, try to understand that she loves you and is afraid. If you come out at fifteen, this is not a badge of honor, it doesn’t matter what age you come out. Be a beautiful thing. Be the moonlight, too. Remember you have the right to be proud. Remember you have the right to be you.

This is a song for, every girl who’s ever been through something, and thought she couldn’t make it through. I sing these words because, I was that girl too, wanting something better than this, but who do I turn to? Now we’re moving from the darkness into the light. This is the defining moment of our lives. ‘Cause you’re beautiful like a flower. More valuable than a diamond. You are powerful like a fire. You can heal the world with your mind. There is nothing in the world that you cannot do, when you believe in you, who are beautiful. Yeah, you, who are brilliant. Yeah, you, who are powerful. Yeah, you, who are resilient.

After all, a kiss between real lovers is not some type of contract, a neatly defined moment of pleasure, something obtained by greedy conquest, or any kind of clear saying of how it is. It is a grief-drenched hatching of two hearts into some ecstatic never-before-seen bird whose new uncategorizable form, unrecognized by the status quo, gives the slip to Death's sure rational deal. For love is a delicious and always messy extension of life that unfrantically outgrows mortality's rigid insistence on precise and efficient definition. Having all the answers means you haven't really ecstatically kissed or lived, thereby declaring the world defined and already finished. Loving all the questions on the other hand is a vitality that makes any length of life worth living. Loving doesn't mean you know all the notes and that you have to play all the notes, it just means you have to play the few notes you have long and beautifully. Like the sight of a truly beautiful young woman, smooth and gliding, melting hearts at even a distant glimpse, that no words, no matter how capable, can truly describe; a woman whose beauty is only really known by those who take a perch on the vista of time to watch the years of life speak out their long ornate sentences of grooves as they slowly stretch into her smoothness, wrinkling her as she glides struggling, decade by decade, her gait mitigated by a long trail of heavy loads, joys, losses, and suffering whose joint-aching years of traveling into a mastery of her own artistry of living, becomes even more than beauty something about which though we are even now no more capable of addressing than before, our admiration as original Earth-loving human beings should nonetheless never remain silent. And for that beauty we should never sing about, but only sing directly to it. Straightforward, cold, and inornate description in the presence of such living evidence of the flowering speech of the Holy in the Seed would be death of both the beauty and the speaker. Even if we always fail when we speak, we must be willing to fail magnificently, for even an eloquent failure, if in the service of life, feeds the Divine. Is it not a magical thing, this life, when just a little ash, cinder, and unclear water can arrange themselves into a beautiful old woman who sways, lifts, kisses, loves, sickens, argues, loses, bears up under it all, and, wrinkling, still lives under all that and yet feeds the Holy in Nature by just the way she moves barefoot down a path? If we can find the hearts, tongues, and brightness of our original souls, broken or not, then no matter from what mess we might have sprung today, we would be like those old-time speakers of life; every one of us would have it in our nature to feel obligated by such true living beauty as to know we have to say something in its presence if only for our utter feeling of awe. For, finally learning to approach something respectfully with love, slowly with the courtesy of an ornate indirectness, not describing what we see but praising the magnificence of her half-smiles of grief and persistent radiance rolling up from the weight-bearing thumping of her fine, well-oiled dusty old feet shuffling toward the dawn reeds at the edge of her part of the lake to fetch a head-balanced little clay jar of water to cook the family breakfast, we would know why the powerful Father Sun himself hurries to get his daily glimpse of her, only rising early because she does.

Can I come look?” He sat back on his heels and gestured to his artwork. “By all means. I’m done.” I got up, happily noting that my ankle was now pain free. I carefully tiptoed around the two square feet of floor over which his drawing sprawled, and settled in next to him. “It’s beautiful,” I told him. “I’m flattered. I’ve never had anyone draw a picture of me before.” Sage cocked his head and studied what he’d etched. “You think it looks like you?” Again a hot crawl of embarrassment raced up my neck and flooded my face. I looked more closely at the etching. The image did look like me, but only if you really wanted to see the resemblance. The woman in it had the same hair, and slept in the same position I had, but on closer inspection her features were quite different. Her eyes were farther apart, her nose more pointed, her cheekbones less defined…differences that seemed insignificant when I’d assumed the picture was of me, but knowing it wasn’t… I was an egocentric idiot. My dreams about this man may have been vivid, but they were dreams. They had nothing to do with reality; not mine, and clearly not his. I stammered, groping for some kind of explanation. I had nothing. “She does look like you, a little,” Sage admitted. His eyes lingered on the contours of the drawing’s face. I was eager to change the subject, but I felt like I had to ask. “Who is she?” “Someone I loved a long time ago,” he murmured.

After a deep silence, mingled with sweet dreams, I asked, "Speak to me of that beauty which the people interpret and define, each one according to his own conception; I have seen her honoured and worshipped in different ways and manners." She answered, "Beauty is that which attracts your soul, and that which loves to give and not to receive. When you meet Beauty, you feel that the hands deep within your inner self are stretched forth to bring her into the domain of your heart. It is the magnificence combined of sorrow and joy; it is the Unseen which you see, and the Vague which you understand, and the Mute which you hear−−it is the Holy of Holies that begins in yourself and ends vastly beyond your earthly imagination.

Night fell. The full moon shone sweetly and tremulously, bewitching and foreboding with rays which were cold and funereally silent. The heart of the Youth was filled with an apprehensive fear as he went up to his window. His hand, clutching the edge of the yellow curtain, hesitated and vacillated for a long time before he resolved to draw the curtain slowly aside. The yellow linen rustled as it slowly gathered, and its rustle was like the barely audible hissing of a serpent in the forest's undergrowth; and the thin brass rings jingled and scraped against the brass curtain rod. The Beauty stood beneath the window and looked at the window and waited. And the heart of the Youth shuddered, and he could not make out whether his heart was seized by ecstasy or terror. The black braids of the Beauty were undone and fell on her naked shoulders. A sharply outlined shadow lay on the ground beside her. Illuminated from the side by the moon, she stood like some distinct and well-defined spectre. That half of her face which was illuminated by the moon, as well as her shoulders and her arms, were deathly white, as white as her robe. The folds of her white robe were severe and dark. Dark was the azure of her eyes, mysterious her frozen smile. A smooth, burnished clasp, fastened at the shoulder, gleamed dully against the strange tranquility of her body and garments. She began to speak softly, and her words, ringing like the fine silver chains of a lighted censer, gave forth a fragrance of ambergris, musk and lily. ("The Poison Garden

As the physicist Richard Feynman once observed, “[Quantum mechanics] describes nature as absurd from the point of view of common sense. And it fully agrees with experiment. So I hope you can accept nature as She is— absurd.” Quantum mechanics seems to study that which doesn’t exist—but nevertheless proves true. It works. In the decades to come, quantum physics would open the door to a host of practical inventions that now define the digital age, including the modern personal computer, nuclear power, genetic engineering, and laser technology (from which we get such consumer products as the CD player and the bar-code reader commonly used in supermarkets). If the youthful Oppenheimer loved quantum mechanics for the sheer beauty of its abstractions, it was nevertheless a theory that would soon spawn a revolution in how human beings relate to the world.

Gracie Allen wasn’t as dumb as she seemed on the air. She proved that in 1939, appearing on the intellectual quiz show Information, Please, and holding her own with the experts. It takes a keen intelligence to play a dumb role that long and well, but Gracie had more than that. From the beginning, she had a singular ability to make audiences love her. “The audience found her, I didn’t,” said George Burns in a Playboy interview years after her death. The crowds they played to in the early ’20s, when they were “just a lousy small-time act,” defined what Gracie Allen was and would be for the next 35 years. The audience wouldn’t stand for it if her lines required sarcasm or spite. Burns learned that if he blew a puff of cigar smoke in Gracie’s direction, “the audience would hate me.” As he told the interviewer: “She was too dainty, too ladylike,” for malice or mean humor. “She was a beautiful little girl, like a little doll, a little Irish doll.

The argument is not simply that some women are not beautiful, therefore it is not fair to judge women on the basis of physical beauty; or that men are not judged on that basis, therefore women also should not be judged on that basis; or that men should look for character in women; or that our standards of beauty are too parochial in and of themselves; or even that judging women according to their conformity to a standard of beauty serves to make them into products, chattels, differing from the farmer’s favorite cow only in terms of literal form. The issue at stake is different, and crucial. Standards of beauty describe in precise terms the relationship that an individual will have to her own body. They prescribe her mobility, spontaneity, posture, gait, the uses to which she can put her body. They define precisely the dimensions of her physical freedom. And, of course, the relationship between physical freedom and psychological development, intellectual possibility, and creative potential is an umbilical one.

Ah, my friends, that innocent afternoon with Larry provoked me into thought in a way my own dicelife until then never had. Larry took to following the dice with such ease and joy compared to the soul-searching gloom that I often went through before following a decision, that I had to wonder what happened to every human in the two decades between seven and twenty-seven to turn a kitten into a cow. Why did children seem to be so often spontaneous, joy-filled and concentrated while adults seemed controlled, anxiety-filled and diffused? It was the Goddam sense of having a self: that sense of self which psychologists have been proclaiming we all must have. What if - at the time it seemed like an original thought - what if the development of a sense of self is normal and natural, but is neither inevitable nor desirable? What if it represents a psychological appendix: a useless, anachronistic pain in the side? - or, like the mastodon's huge tusks: a heavy, useless and ultimately self-destructive burden? What if the sense of being some-one represents an evolutionary error as disastrous to the further development of a more complex creature as was the shell for snails or turtles? He he he. What if? indeed: men must attempt to eliminate the error and develop in themselves and their children liberation from the sense of self. Man must become comfortable in flowing from one role to another, one set of values to another, one life to another. Men must be free from boundaries, patterns and consistencies in order to be free to think, feel and create in new ways. Men have admired Prometheus and Mars too long; our God must become Proteus. I became tremendously excited with my thoughts: 'Men must become comfortable in flowing from one role to another' - why aren't they? At the age of three or four, children were willing to be either good guys or bad guys, the Americans or the Commies, the students or the fuzz. As the culture molds them, however, each child comes to insist on playing only one set of roles: he must always be a good guy, or, for equally compulsive reasons, a bad guy or rebel. The capacity to play and feel both sets of roles is lost. He has begun to know who he is supposed to be. The sense of permanent self: ah, how psychologists and parents lust to lock their kids into some definable cage. Consistency, patterns, something we can label - that's what we want in our boy. 'Oh, our Johnny always does a beautiful bower movement every morning after breakfast.' 'Billy just loves to read all the time...' 'Isn't Joan sweet? She always likes to let the other person win.' 'Sylvia's so pretty and so grown up; she just loves all the time to dress up.' It seemed to me that a thousand oversimplifications a year betrayed the truths in the child's heart: he knew at one point that he didn't always feel like shitting after breakfast but it gave his Ma a thrill. Billy ached to be out splashing in mud puddles with the other boys, but... Joan wanted to chew the penis off her brother every time he won, but ... And Sylvia daydreamed of a land in which she wouldn’t have to worry about how she looked . . . Patterns are prostitution to the patter of parents. Adults rule and they reward patterns. Patterns it is. And eventual misery. What if we were to bring up our children differently? Reward them for varying their habits, tastes, roles? Reward them for being inconsistent? What then? We could discipline them to be reliably various, to be conscientiously inconsistent, determinedly habit-free - even of 'good' habits.

Tresses of lustrous, snow-white hair tumbled from their cloth-bound imprisonment, streaming like a waterfall down the young woman’s back. In an effort to make his student more at ease, Alexi did his best to appear wholly disinterested as she carefully removed her protections with delicate, private ceremony. But then she turned to face him, clutching those items that had held her unusual features in mystery : glasses, gloves, long scarf. "As you would have it so, Professor, here is your pupil in all her ghastliness." Though Miss Parker's hands clearly trembled, her voice did not. Luminous crystal eyes held streaks of pale blue shooting from tiny black pupils. A face youthful but devoid of color, smooth and unblemished like porcelain, had graceful lines as well-defined and proportioned as a marble statue. Her long, blanched locks shimmered in the candlelight like spider silk. Upon high cheekbones lay hints of rouge : any more would have appeared garish against her blindingly white skin, but she had been artful in her application. Her rosebud lips were tinted in the same manner. "You see, Professor, even you, so stern and stoic, cannot hide your shock, surprise, distaste-" "Distaste ?" he interrupted quietly. "Is that what you see ?

You risked your own life to save me,” she said. “I won’t forget that.” His face grew expressionless again. “I told you, Becca. You belong to me. I will not let you go until my father is released.” You belong to me. You belong to me. The words echoed in her mind. “I belong to no one but myself,” she said throatily. But deep inside, she wished . . . “You are my captive.” “I could have left you to bleed to death,” she reminded him. “Ahikta. It is true. But my father is old. If I do not save him, he will die. It shames me to use a woman for a weapon, but sometimes a man must do what he must.” “I think I understand that now,” she said. As I must return to a husband that I can never love, as I might have loved this man were we not born mortal enemies. Talon did not speak again, and in a little while he drifted off to sleep. She sat beside him, hands in her lap, gazing at his sleeping face. How alien he is, she thought, and how beautiful. His skin tone was a warm red-bronze, his cheekbones high and prominent. His lips were thin but sensual, his eyes slightly slanted beneath raven-black brows. His forehead was high and broad, his chin and nose ruggedly defined. It was all she could do to keep from touching his face again. She wanted to stroke the smooth lines of his beardless jaw, to trace those fierce arching brows and commit them all to memory.

What do woman say to little boys? " Stop fighting. Stop being so rough. Stop rough housing." They're boys you know, that's kinda what they're sapossed to do. So, men are sapossed to overcome all these biological drives and I'm just really interested in helping women overcome theirs caus' I think the spotlight of " Outgrow your bestial nature." has been pointed just a little bit too long at men and I think it's time to swivel that motherfucker around and point it at woman and say stop making yourself look like fucking sex clowns to milk money out of men's dicks. Stop lying about who you are and what you're about. Stop being flirty, manipulative, and trying to be sexy. Just stop doing it. It's time for women to outgrow biology just as men have been instructed to for about the last 20,000 years to outgrow their biology. "Stop slamming doors. Stop yelling. Stop climbing trees. Stop being rude. Stop farting. Stop enjoying fart jokes. Just stop being men." Ok, Well; women stop being women. Be people. Be people who have sex, absolutely but, don't be caricatures. Don't aim to be like a woman who looks like the outline of some playboy mudflap on a trucker's rig. Just be people. Be sexual. Enjoy your sexuality and bodies but, stop trying to bury us in tits so that we pass out and you can rifle through our bank accounts. Just stop doing that shit. I won't enable it anymore. Why does your face have to look like some half rained on Picasso water color? I don't need rainbows on the face of a woman. I don't need these weird butterfly wing goth eyebrows and shit like that. Male sexuality is demonized and female sexuality is elevated. That's bullshit. Then women wonder why men prefer porn to them. It's caus' porn doesn't nag you for wanting stuff that's defined as "kinky" or "weird". Male sexuality is demonized and held in low esteem. Woman's sexuality is always beautiful. Woman's sexuality is unremitting shallow. I'm not saying men's isn't but, we know that about men, right? What turns women on? Women say confidence. Do you know what that means? Money. Do women say " He is really confident about his sidewalk art. He is really confident about his subway busking. That's such a turn on!" Why do men like looking at naked women and women get turned on looking at clothed men? Because if a man's clothes aren't on you don't know how expensive his wardrobe is. This is what Mohammad Ali said. I'm going to throw on some old jeans and a old t-shirt and I'm just gonna walk down into some little town and find some woman who doesn't know who the hell I am and then when she's fallen in love with me and we get married, I'm going to take her to my million dollar mansion and my yacht. This is the reality. Once you start having money, once you start having power, then the true nature of massive swaths of female sexuality becomes clear.

In the world of mental health, the lowest-functioning clients and the highest-functioning clients receive the worst care. The lowest-functioning clients typically struggle with serious mental illnesses that are maintained more than cured. And, because of downward drift that draws a disproportionate number of such patients into the lower income brackets, these clients often do not have access to top-notch care. The highest-functioning clients, on the other hand, usually have a lot going for them, including family or schools that connect them with private therapists when needed. These high-functioning clients are what therapists call YAVIS—young, attractive, verbal, intelligent, and successful—and these qualities bestow all sorts of social and psychological advantages. Being young means, as a colleague once put it, “that you haven’t completely screwed up your life yet.” Being verbal allows you to easily exchange a common currency with friends and bosses as you parlay being talkative into social status. Intelligence aids achievement and problem-solving, and even leadership. Successful people are generally brimming with confidence. And, as Aristotle said, “beauty is a greater recommendation than any letter of introduction.” So, YAVIS clients are well received nearly everywhere they go, and many therapists light up when one comes walking in the door. Still, there are two paths to being smart and charming when you are young: Life has been good or life has been bad. When life has been good, maybe someone goes to see a therapist for a while because some isolated thing is not currently going well. Most likely, the difficulty will be resolved quickly and the client will be on his way. When life has been bad, someone goes to see a therapist because even though things look pretty on the outside the person feels horrible on the inside, and this is a discrepancy that even many therapists cannot hold. Sometimes it is just too jarring to imagine that someone who seems so perfect has lived a life that has been so imperfect. What results is a therapy where the client’s image gets in the way of the help that he or she needs. The client has come to focus on what has not gone well, but the therapist is blinded by what has. Too often, being successful when you are young is about survival. Some people are good at hiding their troubles. They are good at “falling up.

From her father she had inherited a beautiful olive complexion and defined angular features; from her Irish mother she got a mass of fiery copper curls that hung down to the middle of her back. The combination was almost outrageously unusual, and Sylvie was sure that half the male population of Avening was in love with her. Molly's looks were so loud that she herself spoke only when she needed to. But Sylvie and Molly had known each other for so long that often times they didn't say anything.

When DC Comics was trying to figure out how to retool Wonder Woman’s image to make her cooler, they looked at another Diana—Diana Rigg. Rigg had caused a stir as Mrs. Emma Peel when the British TV series The Avengers was imported to the US in 1966. Mrs. Peel defined the heroine of the mod ’60s—brilliant as she was beautiful, witty, champion fencer, martial arts ex-pert, modern artist, crack shot with a pistol, and fearless secret agent. Attired in sleek black leather catsuits or mod body stockings, Emma Peel was a true force to be reckoned with, combining beauty, brains, and power.

Eyes blazing with desire, he said, "Tell me. Tell me what you want." "You know what I want." "Say it." "I want you to make love to me. Here, now." He growled low in his throat as he lowered her to the rug in front of the hearth. His hands made short work of getting rid of her clothing and then his own. Soft sounds of delight rose in her throat as she ran her hands over him. In spite of the scars that marred his chest, he was very beautiful, each muscle sharply defined as though sculpted by an artist's hand. His skin was cool beneath her questing fingertips as she explored the width of his shoulders, his six-pack abs, the long, ridged scar that ran the length of his back.

The Light Fae. As a race, they were supposed to be all about good and decency, but there wasn’t a shred of either emotion within the walls of Usaeil’s castle. Neve observed Talin examining everything around him – from the castle, the Fae walking outside, the trees, and even the sky. His pale silver eyes missed nothing. She wondered what he saw, and how he catalogued things. His long, black hair had the barest hint of a wave to it as it hung to the shoulders of his pale blue shirt. He shoved one side behind an ear and tilted his head as if listening. She didn’t think he realized she was still beside him, not that she minded. It gave her a chance to fill her gaze with his sharply chiseled features. The hard planes of his jaw and chin were in direct contrast to his wide lips and thick eyelashes. It was difficult to look at Talin and notice anything but those beautiful eyes. Except when she did look down, she saw a body that made her hands itch to touch him. His shirt barely contained wide shoulders that tapered to narrow hips where navy pants encased his legs. Every muscle was honed and defined. As eye-catching as Talin’s personal package was, it didn’t hold a candle to what drew her interest – his bearing. The way he stood, walked, talked. In a castle full of Light who believed themselves above others, the only one who had the attitude and demeanor to carry it off was Talin.

His breath halted as he stared at her. Why hadn't he seen it before? The woman in his carriage, the one who'd emerged from his carriage like a Botticelli Venus, was beautiful. Not in the way Cassandra had been beautiful, with glittering eyes and full, red lips. Cassandra's blond beauty might have faded in time, become handsomeness instead. This woman's beauty was simple; well-defined cheekbones, a high forehead, slender nose, and stubborn chin. As the years passed she might grow even more attractive. He suspected that her laugh would captivate, just as her tears would act like a razor to whomever brought them forth. Her smile had already charmed him, and now her silence incited his curiosity. Not about who she was and why she was here, but about more. Who was the woman behind the smile?

The word reality is also beautiful to understand. It comes from the root, res; it means thing or things. Truth is not a thing. Once interpreted, once the mind has grabbed it, defined it, demarked it, it becomes a thing. When you fall in love with a woman there is some truth – if you have fallen absolutely unaware, if you have not “done” it in any way, if you have not acted, managed, if you have not even thought about it. Suddenly you see a woman, you look into her eyes, she looks into your eyes, and something clicks. You are not the doer of it, you are simply possessed by it, you simply fall into it. It has nothing to do with you. Your ego is not involved, at least not in the very, very beginning, when love is virgin. In that moment there is truth, but there is no interpretation. That’s why love remains indefinable. Soon the mind comes in, starts managing things, takes possession of you. You start thinking about the girl as your girlfriend, you start thinking of how to get married, you start thinking about the woman as your wife. Now these are things; the girlfriend, the wife – these are things. The truth is no longer there, it has receded. Now things are becoming more important. The definable is more secure, the indefinable is insecure. You have started killing, poisoning the truth. Sooner or later there will be a wife and a husband, two things. But the beauty is gone, the joy has disappeared, the honeymoon is over. The honeymoon is over at that exact moment when truth becomes reality, when love becomes a relationship. The honeymoon is very short, unfortunately – I’m not talking about the honeymoon that you take. The honeymoon is very short. Maybe for a single moment it was there, but the purity of it, the crystal purity of it, the divinity of it, the beyondness of it – it is from eternity, it is not of time. It is not part of this mundane world, it is like a ray coming into a dark hole. It comes from the transcendental. It is absolutely appropriate to call love God, because love is truth. The closest that you come to truth in ordinary life is love.

It is the industrial complex of cosmetics, enhancements and services that promise individual women beauty. The idea that Big Beauty is evil but good men are nice is part of Big Beauty’s systematic charm. Big Beauty is just negging without the slimy actor. The constant destabilization of self is part and parcel of beauty’s effectiveness as a social construct. When a woman must consume the tastes of her social position to keep it, but cannot control the tastes that define said position, she is suspended in a state of being negged. A good man need only then to come along and capitalize on the moment of negging, exploit the value of negged women, and consume the beauty that negs. It is really quite neat, if you think about it.

Let my heart and mind The heart loves, The mind thinks, The heart wants to believe in what it loves, But the mind denies to feel before it thinks, The day brings her forth in beauty’s all possible forms, The night hides her from the eyes desperate to see her, Then the mind creates her in all known and felt forms, While the heart begins to only beat for her, The pulse of life seeks her in everything, While the fear of death scares the mind, But the heart is busy creating her life’s impressions in everything, So that when the mind dies, it loves her with its own mind, But neither the heart nor the mind bother to consult me, For the mind believes what it thinks and the heart believes only what it feels, And my mind constantly thinks of her, my heart only loves to feel her, and ah what a joy they both bring to me, Because only when my heart is loving her, my mind the true pulse of life feels, So I finally get to know the heart in love, My mind that loves to think only her thoughts, And finally I allow my heart to be the heart of love, And my mind the mind of loving thoughts, Her thoughts, her love, her feelings, her everything, Until I lose every sense that defines me, Because now just like my heart, wherever I might be, I only see her in everything, Even her sensation now fills a major part of me, And finally I manage to give all these feelings a name, That always feels and sounds the same, She, her beauty, her feelings and her name, The world around me has not evolved, but it certainly has changed, but her feeling and my love for her remain the same, So my love Irma, let my heart feel you long enough, For it loves beating for you, Let my mind think of you long enough, For I love it, when it only thinks of you!

Let my heart and mind The heart loves, The mind thinks, The heart wants to believe in what it loves, But the mind denies to feel before it thinks, The day brings her forth in beauty’s all possible forms, The night hides her from the eyes desperate to see her, Then the mind creates her in all known and felt forms, While the heart begins to only beat for her, The pulse of life seeks her in everything, While the fear of death scares the mind, But the heart is busy creating her life’s impressions in everything, So that when the mind dies, it loves her with its own mind, But neither the heart nor the mind bother to consult me, For the mind believes what it thinks and the heart believes only what it feels, And my mind constantly thinks of her, my heart only loves to feel her, and ah what a joy they both bring to me, Because only when my heart is loving her, my mind the true pulse of life feels, So I finally get to know the heart in love, My mind that loves to think only her thoughts, And finally I allow my heart to be the heart of love, And my mind the mind of loving thoughts, Her thoughts, her love, her feelings, her everything, Until I lose every sense that defines me, Because now just like my heart, wherever I might be, I only see her in everything, Even her sensation now fills a major part of me, And finally I manage to give all these feelings a name, That always feels and sounds the same, She, her beauty, her feelings and her name, The world around me has not evolved, but certainly has changed, but her feeling and my love for her remain the same, So my love Irma, let my heart feel you long enough, For it loves beating for you, Let my mind think of you long enough, For I love it, when it only thinks of you!

I meant what I said. She’s a masterpiece. Absolute perfection laced in ink. Beauty that can’t be defined or contained.

The defining moments are those moments in which you think that you will lose everything and that your love for her has ended and has reached a point where there is no return until you discover, by God’s great mercy, that those moments were important for the mask that she was wearing all the time to fall and for you to see her true personality and for your love for her that was to end For twenty years you spent being deceived. Otherwise, your life will be better without this fake love that broke your beautiful heart

Botox" In a friendly exchange with a shopper in a grocery story line, she joyfully declared: “Today is my 50th birthday!” I said, “It looks like the hands of Time have touched your face gently. Happy birthday!” “The hands of Time weren’t gentle on me, my dear. What you see are the wonders of botox,” she said. “They say it freezes face features and expressions. Is that true?” I inquired half-jokingly. “At this stage of my life, it makes no difference. I no longer need any expressions. There is nothing worth smiling for or frowning upon. I spent decades expressing in every physical and verbal way possible, all in vain,” she said. Her words were followed by a hopeless giggle that reminded me of the philosopher who wrote that as we advance in age, our fears are replaced with giggles. She then continued, “There is a time when you discover that all verbal and physical expressions are futile. In everyone’s life, there’s one defining event that freezes everything in their lives. Anything that happens after that event is no more than desperate and hopeless attempts to pretend that we are okay.” Before I managed to find the appropriate words, the cashier called on her. The timing was ideal as words froze on my tongue just like the botox freezes features and expression in a world in which words and expressions are of no use anymore. [Original text published in Arabic on October 14, 2024 at ahewar.org]

What you see in yourself and define as sickness is what makes you beautiful. You understand what others can’t.” “I don’t understand you,” she says as I release her throat. “And I definitely don’t understand myself.

With Other Words by George G. Asztalos With Other Words we do not see things as they are Because simple as that we only see things as we are We see as they are the sick ambitions To idolize and define about everything With The Same Damn Words But only with Other Words we see as we really are With Other Words everything is in the hands minds and our hearts Everything is Here and Now And There or Then Is really nothing There and Then everything Was or Will Be There and Then Is Nowhere and Never My heart is shamelessly steering at the world with Other Words My heart is a bitch unveiling you’re intimal beautiful parts And if she does not see them she fantasizes shameless with Other Words With The Same intimal beautiful Words is really nothing There and Then Go figure that all that shameless beauty is only in my eyes Go figure that all that shameless beauty is Here and Now Yesterday is dead and tomorrow could be in the course of Creation Well me from Now on I stay to kill myself with a lively joy Because simply as this I am Here and Now with Other Words Because everything Is and goes to hell With a wonder of sickening of shameless of beauty

Why are you so eager, anyway? We just met this girl—this Kat. What makes her so special that you’re already thinking of claiming her?” Lock ran a hand through his dark blond hair. “Because she is, as you said, gorgeous. But it isn’t just that—she’s special, Deep. Couldn’t you feel it when you spoke to her?” “I didn’t feel a damn thing and there’s no way you could have either,” Deep growled. “Our minds aren’t even aligned with hers—we haven’t shared a single dream.” “But we could.” Lock glared at his twin in frustration. Deep had always been a pessimist, but ever since Miranda he’d closed himself off almost entirely. It was like he thought if he didn’t allow himself to feel anything he could never be hurt again. “Kat has potential,” he told his twin. “If you don’t scare her off, that is.” Deep narrowed his eyes. “Define potential.” “She’s beautiful, single, and she can stand up to you. The way she slapped you when you scented her…” Lock shook his head, laughing softly. “If that’s not potential, I don’t know what is.” “She does have spirit, I’ll give you that.” Deep smiled grudgingly and Lock felt something loosen in his heart. He seldom saw a genuine smile on his twin’s face anymore. “But Brother,” Deep continued, “If you don’t want to scare her off, you shouldn’t have agreed to let her act as our focus. If there’s anything more frightening than having two males inside her body, it would have to be having two males inside her mind. She’ll have to have a will of iron to withstand our joining.” Lock nodded, feeling troubled. “You’re right. But you saw her, Deep—she wouldn’t be denied.” He went and dropped down onto the extra long couch which was standard for all Twin Kindred suites. “And she’s right—she may make the difference between finding Sylvan in time or losing him and the Earth female he was with forever.” “True.” Deep seated himself beside his twin and put an arm over the other man’s shoulders in a rare gesture of affection. “Take heart, Brother. If she survives the joining and still comes back for more, I’ll admit she has potential.” “Very

Do you want to go out with me?” he asks. He looks surprised by his own question, and I assume he wants to take it back. But he doesn’t. He just looks at me expectantly. “Define out?” I say. He grins. “You and me on a date.” He doesn’t have a car, and he just got out of prison. A date might be kind of difficult. But I can’t say that. I’ll hurt his feelings. “What kind of date?” I ask instead. “The kind where you and I spend some time together,” he says with a shrug. “We’re doing that now,” I inform him. “Well, damn,” he sings. “You’re right.” He looks around at the horses. “Next time, remind me to take you someplace nicer.” I laugh. He smiles at me. “That’s a beautiful sound,” he says quietly. I look at Tequila and pat her behind. “Did you pass gas, girl?” I ask. I grin at him. “Sorry, but she can be kind of noisy.” He smiles and rubs his chin. I bet it’s scratchy under his fingertips, and if I were another person, I would want to touch it to find out. “And she’s funny, too,” he says under his breath.

His voice had a rough note to it as he said, “Tienes una chocha tan linda.” “What?” she mumbled behind her gag. “I said you have a beautiful pussy. And it is. Do you want me to suck on that pretty pussy?” She nodded vigorously and drew in a deep breath of anticipation as he rolled her over to her front. “If I untie your hands, do you promise to behave?” Giving him a pleading look she nodded again. “If you’re a bad girl I’ll just tie you up again and continue teasing you.” She tried to keep from glaring at him, but he must have noticed because he chuckled as he unbound her hands. <...>She smiled at him, feeling too good to fight. “I do.” He laughed and cuddled her close, his dick jumping inside of her when she involuntarily squeezed him. “Good God, woman, you’re going to kill me.” A giggle escaped her and she wondered at the light, happy sound. “Stop being such a whiner.” ''Mmm, feisty,” he gave her neck a sharp nip. “I like it.” “You won’t like it when I kill you for letting her touch you,” she grumped, but cuddled closer. “Why do you love me?” “Fishing for compliments?” she teased. “No…I just want to know why so I can keep doing whatever it is that makes you love me.” “Oh, baby,” she lifted her head to kiss his chin, the note of vulnerability in his voice touching her deeply. “Just be you. You’re the man I fell in love with. All of you. The UFC fighter, the businessman, the asshole—” “Hey now.” She shook her head against his chest. “Admit it, you can be an asshole.” “I plead the fifth.” “All of you,” she continued. “I love all of you.” He made a pleased sound and began to move inside of her again. The man must be snacking on Viagra because he seemed to have a permanent hard-on. His voice had a teasing tone as he said, “Do you love my dick?” Warm tingles raced through her and she licked at the slightly salty skin of his chest. “It’s one of my favorite parts.” “Hmmm, what are your other favorite parts?” Once again she wondered if he was fishing for compliments, but it occurred to her that he’d dated woman who always wanted something from him, not Dallas himself. “I love your lips because they kiss me, your hands because they touch me, but most of all I love your mind and your heart because they define who you are, a strong, smart, and compassionate man. My man.” His grunt made her smile as she continued to kiss her way across his chest as he moved slowly inside of her, a constant stroke that made her want to moan with pleasure. “My Amanda.” Kissing her way up to his lips, she whispered against his mouth, “Love you.” “Love you too, mi querida.

She had magnificent eyes to go with that hair, and a rather strong nose. The nose suited her, as did the defined jaw and chin. As his pen moved over the paper, he watched the image taking form on the page. Magdalene Windham was beautiful. Not in the pale, mousey English mold, but in an earthier, more dramatic way. Her brows and lashes were darker than her hair, and having held her in his arms he could attest to a few freckles across her nose and on her shoulders. Just a few. They made a man want to kiss… He tossed the pen down, for he’d drawn the woman not in her ballroom attire but as he’d seen her previously, with her hair tumbling down, her eyes alit with mischief as she prepared to stab him with his lapel pin. A

She was beautiful in a neutral way, emitting no light, defining herself in terms of attrition, a skinny thing, near blond, far beyond recall from the hard-edged rhythms of her life, Southwestern woman, hard to remember and forget. She went on tour with the band and we lived together in houses, motels and apartments, Bucky and Opel, rarely minus an entourage, the beds piled high with androgynous debris. There was never a moment between us that did not measure the extent of our true connection. To go harder, take more, die first. But before it could happen, Opel began her travel to timeless lands.

A real woman will embrace her beauty, modesty, she is not defined by appearance nor exposure of private body parts to impress a public pole opinion. Her confidence is measured by brain not clothing".

Since her separation she had slowly, cautiously--perhaps even unconsciously--performed a kind of striptease, unpeeling the veils of convention which had surrounded her. During the 1980s she had been defined only by her fashions, seen merely as a glamorous clothes horse, a royal adjunct, a wife and mother. Since the separation, however, her regal wardrobe, which defined her royal mystique, had been left in the closet. Indeed, her decision, inspired by Prince William, to hold an auction of her royal wardrobe for Aids charities in New York in the summer of 1997 was a very public farewell to that old life. She no longer wanted to be seen as just a beautiful model for expensive clothes. Moreover, during her days as a semi-detached royal she had deliberately stripped away other trappings of monarchy, her servants, her ladies-in-waiting, her limousines and, most controversially, her bodyguards. The casting off of her royal title was one giant step on that journey. She had spent much time grieving a failed relationship, lost hopes and broken ambitions. She had once said: ‘I had so many dreams as a young girl. I hoped for a husband to look after me, he would be a father figure to me, he would support me, encourage me, say “Well done” or “That wasn’t good enough”. I didn’t get any of that. I couldn’t believe it.’ The days of betrayal, anguish and hurt lay in the past. Now it was time to move on, to make the most of her position and her personality. Opportunity beckoned. As the Princess admitted: ‘I have learned much over the last years. From now on I am going to own myself and be true to myself. I no longer want to live someone else’s idea of what and who I should be.’ ‘I am going to be me.

EUPHORIA   Holding her in my arms makes me feel young and makes me feel old. Here there is no question as to how strong our love is and always will be. Reaching for her face, both my hands now caress her above the eyes before drawing a single finger down the side of her face in close examination of her perfect beauty. She now takes each breath in congruence to my every touch. Holding her close to me I follow the main artery reaching up into her brain cavity, ever so gently grabbing a hold of her shape with each amalgamating crimp of my lip’s kiss. Her honeyed lips now overlap in a mesmerizing sequence of twists and turns defining all of nature within this gravitating romance. Beautifully naked in a sciatic squirm of innate belonging her igneous hourglass-like figure curls up against mine in a deliquescent manner formulating the equilibrium of our edifying.   She woos me with her altruism and her childlike glow. Gliding over the emollient ewer of her extricating kiss our hearts conjoin in this luminescent rectitude of irrepressible euphoria. Sketching down her solar plexus by my touch abreast we bask in the bounteous espy of everlasting jubilance. When we kiss it’s as if we are dancing in the serene existence of Mother Nature’s melody. Her slender arms and hands revolve around my face and shoulders with an enchanting gentleness like gracious fireflies gleaming against the starry dusk of a fervid fantasia. Intertwined within the gradient of our love’s desiderated gavotte her second nature becomes aware of herself in me–and I in her.

As a rule things happened to Dot. She was not weak, because there was nothing in her to tell her she was being weak. She was not strong because she never knew that some of the things she did were brave. She neither defined nor conformed nor compromised.

This dress was a tube of finely pleated silk, each pleat as fine as a harp string... driven by an urge she didnt question, she quickly shed her clothes and slipped the dress over her head. Knotting the belt around her waist, she went to the mirror. Her reflection stunned her. The natural elasticity of the pleats defined her curves molding like rows of vines to the contours of the land... Shauna stared at her face before her, growing leaner and far more beautiful. Unable to blink or move, she felt an unbearable sadness swinging through her. Tears began to course down her cheeks. Where did this grief come from? ... It came from a cause more terrible and one without remedy. The woman in the mirror flared her airs back at her in desperate appeal.

burned the memo that defined selflessness as the pinnacle of womanhood, but first I forgave myself for believing that lie for so long. I had abandoned myself out of love. They’d convinced me that the best way for a woman to love her partner, family, and community was to lose herself in service to them. In my desire to be of service, I did myself and the world a great disservice. I’ve seen what happens out in the world and inside our relationships when women stay numb, obedient, quiet, and small. Selfless women make for an efficient society but not a beautiful, true, or just one. When women lose themselves, the world loses its way. We do not need more selfless women. What we need right now is more women who have detoxed themselves so completely from the world’s expectations that they are full of nothing but themselves. What we need are women who are full of themselves. A woman who is full of herself knows and trusts herself enough to say and do what must be done. She lets the rest burn.

Christine had gone into the city archives, found them in an old City of Edmonton telephone book. Her family was in a book. Her family and herself were defined by a street, an avenue, and a phone number. This line of type will rearrange itself into a story of ghosts in that place. A story of her ghost. Christine thought of herself as a child, with no idea of the world but all the ideas of the world. Maybe this was her dream self. She wasn't sure anymore.

my attraction to Sunny isn’t just about her body, her age, her innocence but how she makes every goddamn cell in my body come to life. She defines me, accepts me, sees me,

An Eden’s Girl is every man’s deepest, darkest fantasy. She’s soft and beautiful and unique. She’s real, with real flaws, scars, and curves. An Eden’s Girl creates her own definition of beautiful. She’s not defined by her femininity, she defines it. Strong. Independent. Entertaining. Intelligent. Secretive.

The woman who comes to know the goddess grows in the understanding of that divine aspect of her feminine nature that is part of the Self, the archetype of wholeness and the regulating center of the personality. She is not contaminated by external circumstances or overly affected by criticism. The woman conscious of the goddess cares for her body with proper nutrition and exercise and enjoys the ceremonies of bathing, cosmetics and dress. This is not just for the superficial purpose of personal appeal, which is related to ego gratification, but out of respect for the nature of the feminine. Her beauty derives from a vital connection to the Self. Such a woman is virginal. This has nothing to do with a physical state, but with an inner attitude. She is not dependent on the reactions of others to define her own being. The virginal woman is not just a counterpart to the male, whether father, lover or husband. She stands as an equal in her own right. She is not governed by an abstract idea of what she "should" be like or "what people will think.

She defined the meter by which he measured all beauty.

Who is who? In the silence that sinks into you, In the seclusion that excludes you, You begin to realise without her you are not you, And you begin to believe in her more than you do in you, Wherever you might be, her thoughts seem stubbornly pervasive, And in this state of her pervasiveness you let her memories become invasive, And now you are no more you and this happens to you in phases successive, Now everything appears yonder and so inconclusive, But you love her because now she is a part of you, You exist in her and not in you, Even your heart revolts as it begins to beat for her and not for you, You no longer exist in days or months, you just exist in moments where you wonder without her what are you? In life everything seems pertinent because you have evolved into a poker face, Because no matter how hard you try, in the mirror, in your own reflection you see her face, A sort of a purgatory for true lover’s face, Where through some intermediary grace you now kiss her face, Because now it is difficult to tell who is who, Whether it is you, it is her, and you wonder who can tell; who? After struggling to define who is who, You let her face, her memories, her feelings, her heart beats define you. Because this is who you are, the real you! So let me love you Irma with this poker face, And see if you can find the grace in this superimposed face, And when million reflections are cast in the mirror of life let me see if you can identify the face, That loved you for your beautiful heart and your inward grace!

It dawns on me when she laughs, the warmth in her voice sounding so familiar that my attraction to Sunny isn’t just about her body, her age, her innocence but how she makes every goddamn cell in my body come to life. She defines me, accepts me, sees me, and I swear to Christ, it fucking feels like love. And it scares the ever-loving piss out of me.

The definition of art is problematic, but, simplistically, it is the application of skills to the creation of aesthetic values. Science can be defined as the methodical pursuit of knowledge about the phenomena of the physical world on the basis of unbiased observation and systematic experimentation. Roughly speaking, the objects of art and science are beauty and truth, respectively. Yoga is an art because it evidently does not have the mathematical exactitude of the natural sciences. The British-American mathematician-philosopher Alfred North Whitehead once remarked: “Art flourishes when there is a sense of adventure, a sense of nothing having been done before, of complete freedom to experiment; but when caution comes in you get repetition, and repetition is the death of art.”2 These comments apply to Yoga quite well. It is an incredible adventure of the spirit, which seeks to create an altogether new destiny. Each time the practitioner applies the wisdom of Yoga to life’s many situations, he or she must engage the process as if it were the first time. Thus Yoga is continuous self-application but not merely repetition. The Sanskrit term abhyāsa, which literally means “repetition,” has the primary meaning of “practice” in the context of Yoga, and practice calls for what the Zen masters call “beginner’s mind.” Any efforts to squeeze Yoga into the much-celebrated scientific method is doomed to failure, which is not to say that Yoga cannot or should not be studied rigorously from a scientific perspective. In fact, since the 1920s various research organizations and individual researchers have conducted such research, especially medical investigations, with varying degrees of success, and their findings have definitely been helpful in appraising Yoga’s effectiveness.3 Yet, Yoga is not completely subjective and inexact either. It proceeds according to careful rules established over a long period of (repeatable) personal experimentation.

She was an intoxication, yet addictive, a living heroin that defined my existence!

She was an intoxication, yet addictive, a living heroin that defined my existence!

I burned the memo that defined selflessness as the pinnacle of womanhood, but first I forgave myself for believing that lie for so long. I had abandoned myself out of love. They’d convinced me that the best way for a woman to love her partner, family, and community was to lose herself in service to them. In my desire to be of service, I did myself and the world a great disservice. I’ve seen what happens out in the world and inside our relationships when women stay numb, obedient, quiet, and small. Selfless women make for an efficient society but not a beautiful, true, or just one. When women lose themselves, the world loses its way. We do not need more selfless women. What we need right now is more women who have detoxed themselves so completely from the world’s expectations that they are full of nothing but themselves. What we need are women who are full of themselves. A woman who is full of herself knows and trusts herself enough to say and do what must be done. She lets the rest burn.

We were driving up to Palos Verdes from Long Beach after a day of second grade. I was eight years old. I had written, illustrated, and turned in a story that required my grandmother’s presence at school, a substitution for my mother who was always at work. We met with Sister Mary, the principal, and Sister Bernadette, the nice one, and the school nurse. As we drove home, my grandmother asked me to read the offending piece aloud. In the story, it is an October night. Five girls are invited to a slumber party. Each girl has a defining characteristic: one of them is sporty, one is brainy, one is shy, one of them is the most beautiful and the leader. One of them is the orphan. During the slumber party the girls play with a Ouija board and detect the existence of spirits. They perform a séance to entreat the spirits to come closer. They perform “Light as a Feather, Stiff as a Board,” lifting the Orphan with their fingertips because she is the smallest. All the lights go out and she ascends toward the ceiling. They are successful. The Orphan drops down to the floor, unconscious. She wakes up and realizes that she is not alone. She has been possessed by an evil spirit, her twin who died when they were in the womb. The Evil Twin begins to twist her thoughts, then her words. The Orphan knows it will make her do awful things, turn her into someone she doesn’t want to be. She goes to the kitchen, where the mother of one of the girls is cooking. The Evil Twin tells her to pick up a knife. The Orphan picks it up. The Evil Twin tells her to use the knife to kill the mother, then her friends. The Orphan stabs herself in the chest instead. The End, I said. I watched for my grandmother’s reaction. From this vantage point it doesn’t take a psychologist to see how terrified I was by what might seize me. There was already a split in me: disorder, abandonment. I leaned into the gothic to illustrate what I couldn’t articulate. At eight years old, I unconsciously understood the function of symbols. I mimicked my favorite writer, Poe, but with this story I had taken the perilous and grandiose first step of making it my own. Did I already know that art could make sense of madness? Did my grandmother? Her navy Cadillac was at a stoplight. There was a Pavilions supermarket behind her, a row of eucalyptus trees, an air-conditioned stream through the car that made my nose run. She looked at me, so directly I flinched, and she said, Never stop writing.

No one told Triyama who she was. He had heard from someone that the princess was very beautiful, but he never expected a beauty beyond the world. Any word that could define her beauty must be written with gold in all the dictionaries.

Juliette Récamier (1777–1849), is remembered for her exquisite beauty and grace—her portrait by David hangs in the Louvre; Gerard’s in the Carnavalet—but most of all she is defined by her romantic “friendships” which brought a certain frisson to the hermetic world of the literary salon. Madame Récamier’s salon was the first one to reopen its doors after the Revolution.

She is in union with God. She understands fear and need creates unconscious ulterior motives. She sees God in everything...even within herself and ... she is more powerful for it. She observes His glory with an attitude of gratitude, calls nature her home, and her spirit soars with the birds. She is divinity defined.

Beauty lies within ourselves. It grows as we further love ourselves. It isn't defined by the clothes we don or the shape of our bodies. A succubus can be slim or curvy and yet command a room to all look her way. She has that ability from her walk to the way she smiles with pure confidence.

She stayed away from gender politics because, in her own words, she was still “broken” in that area, but worked on new rooms chronicling and displaying the rise of the new “identitarian” far right, the arrival in America of the European ultraist movement whose birthplace was the French youth movement, the Nouvelle Droite Génération Identitaire, and programming events around racial and national identity, a series she called Identity Crisis, dealing in general with racial and religious issues, but focusing, above all, on the schismatic convulsion that had gripped America following the triumph of the cackling cartoon narcissist America torn in half, its defining myth of city-on-a-hill exceptionalism lying trampled in the gutters of bigotry and racial and male supremacism, Americans’ masks ripped off to reveal the Joker faces beneath. Sixty million. Sixty million. And ninety million more too uncaring to vote. .... At some later point when we were in bed together I added more prosaic thoughts to the magic of the song. It had been more than a year since the Joker’s conquest of America and we were all still in shock and going through the stages of grief but now we needed to come together and set love and beauty and solidarity and friendship against the monstrous forces that faced us. Humanity was the only answer to the cartoon. I had no plan except love. I hoped another plan might emerge in time but for now there was only holding each other tightly and passing strength to each other, body to body, mouth to mouth, spirit to spirit, me to you. There was only the holding of hands and slowly learning not to be afraid of the dark. Shut up, she said, and drew me toward her.

If a person is defined handsome/beautiful by the clothes he/she wears, then you are probably blind; cause its their personality, mind and heart that need to be seen not their style...

The true beauty of oneself is define by whom he or she from the inside.