Islam Festivals Quotes

Festivals and fasts are unhinged, traveling backward at a rate of ten days per year, attached to no season. Even Laylat ul Qadr, the holiest night in Ramadan, drifts--its precise date is unknown. The iconclasm laid down by Muhammed was absolute: you must resist attachment not only to painted images, but to natural ones. Ramadan, Muharram, the Eids; you associate no religious event with the tang of snow in the air, or spring thaw, or the advent of summer. God permeates these things--as the saying goes, Allah is beautiful, and He loves beauty--but they are transient. Forced to concentrate on the eternal, you begin to see, or think you see, the bones and sinews of the world beneath its seasonal flesh. The sun and moon become formidable clockwork. They are transient also, but hint at the dark planes that stretch beyond the earth in every direction, full of stars and dust, toward a retreating, incomprehensible edge

Like other people in the ancient world, the Babylonians attributed their cultural achievements to the gods, who had revealed their own lifestyle to their mythical ancestors. Thus Babylon itself was supposed to be an image of heaven, with each of its temples a replica of a celestial palace. This link with the divine world was celebrated and perpetuated annually in the great New Year Festival, which had been firmly established by the seventeenth century BCE. Celebrated in the holy city of Babylon during the month of Nisan—our April—the Festival solemnly enthroned the king and established his reign for another year. Yet this political stability could only endure insofar as it participated in the more enduring and effective government of the gods, who had brought order out of primordial chaos when they had created the world.

The media suffer from an internalised as well as institutionalised Islamophilia. They could never broadcast, or print, during Ramadan, Eid or any other Muslim festival a programme or article explaining from the Christian – or any other – point of view why Islam’s founding story simply doesn’t stack up. It wouldn’t be hard to write or make it. Let any scholar loose on the materials and they could do it. Biblical or Torah scholars using the tools of criticism could use them on the Koran and have a wonderful and fascinating time of it. But would the nation’s broadcaster run it? Or the ‘paper of record’ print it? If during any day of the year – let alone a major Muslim festival – the main newspapers in Britain or America chose to commission a Christian scholar to review a book casting doubt on the likelihood of Mohammed’s existence, say, or his claims to be a prophet, I think everybody knows what would happen. The papers and broadcasters know what would happen too. Which is why they don’t do it. And which is why when it comes to Islam we begin by avoiding it, go on to treat it with kid gloves,

Despite his earthbound approach and his preoccupation with scientific fact, Aristotle had an acute understanding of the nature and importance of religion and mythology. He pointed out that people who had become initiates in the various mystery religions were not required to learn any facts “but to experience certain emotions and to be put in a certain disposition.”35 Hence his famous literary theory that tragedy effected a purification (katharsis) of the emotions of terror and pity that amounted to an experience of rebirth. The Greek tragedies, which originally formed part of a religious festival, did not necessarily present a factual account of historical events but were attempting to reveal a more serious truth. Indeed, history was more trivial than poetry and myth: “The one describes what has happened, the other what might. Hence poetry is something more philosophic and serious than history; for poetry speaks of what is universal, history of what is particular.”36 There may or may not have been a historical Achilles or Oedipus, but the facts of their lives were irrelevant to the characters we have experienced in Homer and Sophocles, which express a different but more profound truth about the human condition. Aristotle’s account of the katharsis of tragedy was a philosophic presentation of a truth that Homo religiosus had always understood intuitively: a symbolic, mythical or ritual presentation of events that would be unendurable in daily life can redeem and transform them into something pure and even pleasurable.

The Greeks, on the other hand, were passionately interested in logic and reason. Plato (ca. 428–ca. 348 BCE) was continually occupied with problems of epistemology and the nature of wisdom. Much of his early work was devoted to the defense of Socrates, who had forced men to clarify their ideas by his thought-provoking questions but had been sentenced to death in 399 on the charges of impiety and the corruption of youth. In a way that was not dissimilar to that of the people of India, he had become dissatisfied with the old festivals and myths of religion, which he found demeaning and inappropriate. Plato had also been influenced by the sixth-century philosopher Pythagoras, who may have been influenced by ideas from India, transmitted via Persia and Egypt. He had believed that the soul was a fallen, polluted deity incarcerated in the body as in a tomb and doomed to a perpetual cycle of rebirth. He had articulated the common human experience of feeling a stranger in a world that does not seem to be our true element. Pythagoras had taught that the soul could be liberated by means of ritual purifications, which would enable it to achieve harmony with the ordered universe. Plato also believed in the existence of a divine, unchanging reality beyond the world of the senses, that the soul was a fallen divinity, out of its element, imprisoned in the body but capable of regaining its divine status by the purification of the reasoning powers of the mind. In the famous myth of the cave, Plato described the darkness and obscurity of man’s life on earth: he perceives only shadows of the eternal realities flickering on the wall of the cave. But gradually he can be drawn out and achieve enlightenment and liberation by accustoming his mind to the divine light.

This is the mighty and branching tree called mythology which ramifies round the whole world whose remote branches under separate skies bear like colored birds the costly idols of Asia and the half-baked fetishes of Africa and the fairy kings and princesses of the folk-tales of the forest and buried amid vines and olives the Lares of the Latins, and carried on the clouds of Olympus the buoyant supremacy of the gods of Greece. These are the myths and he who has no sympathy with myths has no sympathy with men. But he who has most Sympathy with myths will most fully realize that they are not and never were a religion, in the sense that Christianity or even Islam is a religion. They satisfy some of the needs satisfied by a religion; and notably the need for doing certain things at certain dates; the need of the twin ideas of festivity and formality. But though they provide a man with a calendar they do not provide him with a creed. A man did not stand up and say 'I believe in Jupiter and Juno and Neptune,' etc., as he stands up and says 'I believe in God the Father Almighty' and the rest of the Apostles' Creed.... Polytheism fades away at its fringes into fairy-tales or barbaric memories; it is not a thing like monotheism as held by serious monotheists. Again it does satisfy the need to cry out on some uplifted name, or some noble memory in moments that are themselves noble and uplifted; such as the birth of a child or the saving of a city. But the name was so used by many to whom it was only a name. Finally it did satisfy, or rather it partially satisfied, a thing very deep in humanity indeed; the idea of surrendering something as the portion of the unknown powers; of pouring out wine upon the ground, of throwing a ring into the sea; in a word, of sacrifice....A child pretending there is a goblin in a hollow tree will do a crude and material thing like leaving a piece of cake for him. A poet might do a more dignified and elegant thing, like bringing to the god fruits as well as flowers. But the degree of seriousness in both acts may be the same or it may vary in almost any degree. The crude fancy is no more a creed than the ideal fancy is a creed. Certainly the pagan does not disbelieve like an atheist, any more than he believes like a Christian. He feels the presence of powers about which he guesses and invents. St. Paul said that the Greeks had one altar to an unknown god. But in truth all their gods were unknown gods. And the real break in history did come when St. Paul declared to them whom they had worshipped. The substance of all such paganism may be summarized thus. It is an attempt to reach the divine reality through the imagination alone; in its own field reason does not restrain it at all..... There is nothing in Paganism whereby one may check his own exaggerations.... The only objection to Natural Religion is that somehow it always becomes unnatural. A man loves Nature in the morning for her innocence and amiability, and at nightfall, if he is loving her still, it is for her darkness and her cruelty. He washes at dawn in clear water as did the Wise Man of the Stoics, yet, somehow at the dark end of the day, he is bathing in hot bull’s blood, as did Julian the Apostate.

Almost everywhere int eh world, he noted, and certainly in China, India and the Islamic world, one found commerce, wealthy merchants and people who might justly be referred to as 'capitalists'. But almost everywhere, anyone who acquired an enormous fortune Ould eventually cash in their chips. They would either buy themselves a palace and enjoy life, or come under enormous moral pressure from their community to spend their profits on religious or public works, or boozy popular festivities (usually they did a bit of both). Capitalism, on the other hand, involved constant reinvestment, turning one's wealth into an engine for creating ever more wealth, increasing production, expanding operations, and so forth. But imagine, Weber suggested, being the very first person in one's community to act this way. To do so would have meant defying all social expectations, to be utterly despised by almost alll your neighbours - who would, increasingly, also become your employees. Anyone capable of acting in such a defiantly single-minded manner, Weber observed, would 'have to be some sort of hero'. This, he said, is the reason why it took a Puritanical strain of Christianity, like Calvinism, to make capitalism possible. Puritans not only believed almost anything they could spend their profits now as sinful; but also, joining a Puritan congregation meant one had a moral community whose support would allow one to endure the hostility of one's hell-bounded neighbours.

Ibn Ishaq has recorded that Makkan ladies were once gathered around Ka’abah on the occasion of a festival. Hubal’s idol was set up in the vicinity of Ka’abah along with numerous smaller idols. Pilgrims not only circumambulated Ka’abah, but also prostrated before the idols and invoked them to fulfill their needs. Khadijah (May Allah be pleased with her) was also present on the occasion. The gathering of women, consisting of old as well young, rich as well as poor, assumed divinity in the idols and paid them respects. A Jewish man who witnessed the occasion observed the women for some time, then spoke, “Respected ladies! A Messenger of God is due to arrive amongst you. Whoever of you finds the opportunity to marry him should do so.” The chitchat of the ladies was suspended for a moment. They were astonished by what the man had just said. They wondered who this man was and what he meant. Then some of them said he was not one of the Makkans. They thought he had mocked them and insulted their deities. Some of them started yelling at him. Others picked up stones and pebbles and hurled at him. With the exception of Khadijah, every other woman participated in scorning the man. It is recorded that Khadijah (May Allah be pleased with her) chose not to speak in defense of the false deities and remained silent. Khadijah (May Allah be pleased with her) did not sympathize with the idols and the false deities even before Islam.

Wajid Ali Shah, denounced as effeminate and inept and deposed a year later by British imperialists, was the last great exponent of the Indo-Persian culture that emerged in Awadh toward the end of the Moghul empire, when India was one of the greatest centers of the Islamic world, along with the Ottoman and the Safavid empires. Islam in India lost some of its Arabian and Persian distinctiveness, blended with older cultures, but its legacy is still preserved amid the squalor of a hundred small Indian towns, in the grace and elegance of Najam's Urdu, in the numerous songs and dances that accompany festivals and marriages, in the subtle cuisines of Northern India, and the fineness of the silk saris of Benares, but one could think of it, as I did, as something just there, without a history or tradition. The Indo-Islamic inheritance has formed very little part of, and is increasingly an embarrassment to, the idea of India that has been maintained by the modernizing Hindu elite over the last fifty years.

We admire Sufism in the West for its tolerance, mysticism, and poetry, its ecstatic rituals, its music, even. But it’s also, especially in rural parts, a religion that bears more than a casual resemblance to late medieval Catholicism. It encourages the veneration of saint-like figures at special shrines and their celebration at festivities. It’s something the fundamentalist mullahs abhor. Just as the Protestants smashed icons, prohibited carnivals, and defaced cathedrals, the Wahhabists insist on a reformed style of Islam, purged of all that. Remember all the TV footage from 1996. When the Taliban took over in Afghanistan, their first task was stamping that stuff out.

The ultimate irony of the influence of communism was that those who opposed it so ferociously – first the Ba‘th Party and then the Islamists – borrowed heavily from its ideological framework and organisational model. (For the influence of Marxism on the ideology of Ayatollah Khomeini, see Ervand Abrahamian, Khomeinism, London, I. B. Tauris, 1993.) Khomeini, beyond his denunciations of ‘world-devouring’ jahankhor imperialism, also celebrated 1 May as the Festival of the Islamic Worker. He cited a hadith (a saying of the Prophet) to the effect that the sweat of the worker meant more in the eyes of Allah than the prayers of the faithful.

Fasting and feasting all turn mere futile choir, If, for whatever reason, life is distant from life. Celebration of Ramadan is celebration of rahmat*, Ramadan without *compassion is Ramadan without life. Ramadan is not a muslim festival, Ramadan is a human festival. Ramadan is a reminder to rekindle our light, Ramadan is the end of all feelings uncharitable.

Ramadan Sonnet Bismillah-ir-Rahman-ir-Rahim doesn't mean, God is merciful only to the muslim. The spirit of godliness that we hold within, is meant to light up the world as our kin. Fasting and feasting all turn mere futile choir, If, for whatever reason, life is distant from life. Celebration of Ramadan is celebration of rahmat*, Ramadan without *compassion is Ramadan without life. Ramadan is not a muslim festival, Ramadan is a human festival. Ramadan is a reminder to rekindle our light, Ramadan is the end of all feelings uncharitable. None of us will have faith till we wish for our neighbor as we wish for ourselves (Hadith 13). The reward for goodness is goodness itself (Q55:60).

Ramadan is resurrection of a promise divine, Festival of one people is festival of humankind. Ramadan is the end of all feelings unkind, Ramadan is a human being a human's lifeline.

Ramadan is not a muslim festival, Ramadan is a human festival. Ramadan is a reminder to rekindle our light, Ramadan is the end of all feelings uncharitable.

Ten shockingly arty events What arty types like to call a ‘creative tension’ exists in art and music, about working right at the limits of public taste. Plus, there’s money to be made there. Here’s ten examples reflecting both motivations. Painting: Manet’s Breakfast on the Lawn, featuring a group of sophisticated French aristocrats picnicking outside, shocked the art world back in 1862 because one of the young lady guests is stark naked! Painting: Balthus’s Guitar Lesson (1934), depicting a teacher fondling the private parts of a nude pupil, caused predictable uproar. The artist claimed this was part of his strategy to ‘make people more aware’. Music: Jump to 1969 when Jimi Hendrix performed his own interpretation of the American National Anthem at the hippy festival Woodstock, shocking the mainstream US. Film: In 1974 censors deemed Night Porter, a film about a love affair between an ex-Nazi SS commander and his beautiful young prisoner (featuring flashbacks to concentration camp romps and lots of sexy scenes in bed with Nazi apparel), out of bounds. Installation: In December 1993 the 50-metre-high obelisk in the Place Concorde in the centre of Paris was covered in a giant fluorescent red condom by a group called ActUp. Publishing: In 1989 Salman Rushdie’s novel Satanic Verses outraged Islamic authorities for its irreverent treatment of Islam. In 2005 cartoons making political points about Islam featuring the prophet Mohammed likewise resulted in riots in many Muslim cities around the world, with several people killed. Installation: In 1992 the soon-to-be extremely rich English artist Damien Hirst exhibited a 7-metre-long shark in a giant box of formaldehyde in a London art gallery – the first of a series of dead things in preservative. Sculpture: In 1999 Sotheby’s in London sold a urinoir or toilet-bowl-thing by Marcel Duchamp as art for more than a million pounds ($1,762,000) to a Greek collector. He must have lost his marbles! Painting: Also in 1999 The Holy Virgin Mary, a painting by Chris Ofili representing the Christian icon as a rather crude figure constructed out of elephant dung, caused a storm. Curiously, it was banned in Australia because (like Damien Hirst’s shark) the artist was being funded by people (the Saatchis) who stood to benefit financially from controversy. Sculpture: In 2008 Gunther von Hagens, also known as Dr Death, exhibited in several European cities a collection of skinned corpses mounted in grotesque postures that he insists should count as art.

God's hate' my ass. While God's somewhat cranky in the Torah, it's a matter of 'Screw With My People, I Will End You.' Hate is never stressed as a key component of any modern faith I know of; the others were wiped out centuries ago.” Edward was a military veteran of a branch that he couldn't legally discuss. He blinked at Ryan's offhand statement. “What about Islam?” “When the majority of real estate that Islam owns resembles the modern world, get back to me.