Mud Season Quotes

I think sometimes I am not a woman, but the light that falls on this gate, on this ground. I am the seasons, I think sometimes, January, May, November; the mud, the mist, the dawn.

People lie. They use you and they lie, all the while feeding you bullshit about being loyal and never leaving you. No one can make that promise, because life is all about seasons, and seasons change.

The to Cathal was battered and only one wagon wide, with swells of hard earth where mud had frozen during cold ad rainy seasons. Enna tripped often, and cursed each time she tripped, until Dasha said, "Enna, you might watch your language." Enna grimaced. "I was. You should hear my thoughts.

Soon after the completion of his college course, his whole nature was kindled into one intense and passionate effervescence of romantic passion. His hour came,—the hour that comes only once; his star rose in the horizon,—that star that rises so often in vain, to be remembered only as a thing of dreams; and it rose for him in vain. To drop the figure,—he saw and won the love of a high-minded and beautiful woman, in one of the northern states, and they were affianced. He returned south to make arrangements for their marriage, when, most unexpectedly, his letters were returned to him by mail, with a short note from her guardian, stating to him that ere this reached him the lady would be the wife of another. Stung to madness, he vainly hoped, as many another has done, to fling the whole thing from his heart by one desperate effort. Too proud to supplicate or seek explanation, he threw himself at once into a whirl of fashionable society, and in a fortnight from the time of the fatal letter was the accepted lover of the reigning belle of the season; and as soon as arrangements could be made, he became the husband of a fine figure, a pair of bright dark eyes, and a hundred thousand dollars; and, of course, everybody thought him a happy fellow. The married couple were enjoying their honeymoon, and entertaining a brilliant circle of friends in their splendid villa, near Lake Pontchartrain, when, one day, a letter was brought to him in that well-remembered writing. It was handed to him while he was in full tide of gay and successful conversation, in a whole room-full of company. He turned deadly pale when he saw the writing, but still preserved his composure, and finished the playful warfare of badinage which he was at the moment carrying on with a lady opposite; and, a short time after, was missed from the circle. In his room,alone, he opened and read the letter, now worse than idle and useless to be read. It was from her, giving a long account of a persecution to which she had been exposed by her guardian's family, to lead her to unite herself with their son: and she related how, for a long time, his letters had ceased to arrive; how she had written time and again, till she became weary and doubtful; how her health had failed under her anxieties, and how, at last, she had discovered the whole fraud which had been practised on them both. The letter ended with expressions of hope and thankfulness, and professions of undying affection, which were more bitter than death to the unhappy young man. He wrote to her immediately: I have received yours,—but too late. I believed all I heard. I was desperate. I am married, and all is over. Only forget,—it is all that remains for either of us." And thus ended the whole romance and ideal of life for Augustine St. Clare. But the real remained,—the real, like the flat, bare, oozy tide-mud, when the blue sparkling wave, with all its company of gliding boats and white-winged ships, its music of oars and chiming waters, has gone down, and there it lies, flat, slimy, bare,—exceedingly real. Of course, in a novel, people's hearts break, and they die, and that is the end of it; and in a story this is very convenient. But in real life we do not die when all that makes life bright dies to us.

I am the seasons, I think sometimes, January, May, November; the mud, the mist, the dawn. I cannot be tossed about, or float gently, or mix with other people.

POOR MARCH It is the HOMELIEST month of the year. Most of it is MUD, Every Imaginable Form of MUD, and what isn't MUD in March is ugly late-season SNOW falling onto the ground in filthy muddy heaps that look like PILES of DIRTY LAUNDRY.

Maturity is when you no longer get the urge to make snow angels in mud season

There are times in relationships, when we blow it. In spite of our best intentions, we wrong others. Our jealousy makes us feel inferior. Our own wounds cause us to act irrationally. Our insecurities lead us to say hurtful things. And so, we find ourselves acting out. In short, we cloud our lives with muddy water. We trash around the pond of our emotions until things are just too messed up to figure out how to fix them. It is in the times of muddy water that we learn how to wait it out. We have to wait until the mud settles. We must wait until we can clearly see where the water of our lives ends and the mud of misplaced emotions begin. Have the patience to wait until the mud settles. Be still until the water is clear. In clear water, words come. Right actions reveal them selves and healing appears.---From the Devotional A Word in Season

As we drove back to Enugu, I laughed loudly,above Fela's stringent singing. I laughed because Nsukka's untarred roads coat cars with dust in the harmattan and with sticky mud in the rainy season. Because the tarred roads spring potholes like surprise presents and the air smells of hills and history and the sunlight scatters the sand and turns it into gold dust. Because Nsukka could free something deep inside your belly that would rise up to your throat and come out as freedom song. As laughter.(299)

The tree was not only stripped by the cold season, it seemed weary with age, enfeebled, dry. So more the things remain the same, the more they change after all. Nothing endures, not a tree, not love, not even a death by violence. Changed, I headed back though the mud. I was drenched; anybody could see it was time to come out of the rain.

Here we are," he said, pointing down an unshoveled path. "The Gardens." Cath tried to look appreciative. You wouldn't know there was a path here at all if it weren't for one set of footprints in the melting snow. All she could see were the footprints, some dead bushes, and a few weedy patches of mud. "It's breathtaking," she laughed. "I knew you'd like it. Play your cards right, and I'll bring you back during the high season.

I am not a woman, but the light that falls on this gate, on this ground. I am the seasons, I think sometimes, January, May, November; the mud, the mist, the dawn. I cannot be tossed about, or float gently, or mix with other people.

It’s never been a matter for me to compare really. First hour of the day calls loudest as the last, no matter what the season.” Terrance said, adjusting his already faded Caterpillar cap, anxiously, clomping mud from his father’s old work boots, a glimmer of steel visible from the wear on one toe and the uncharted map of manhood sketched across the young boys face like a scar in the making.

I think sometimes [...] I am not a woman, but the light that falls on this gate, on this ground. I am the seasons, I think sometimes, January, May, November; the mud, the mist, the dawn

There aren't four seasons in Rocky Mountains, but three: summer, winter, and mud.

Our lives are our stories, each day a fresh new page, each season a whole new chapter. Our parenting chapters become the beginning of our children's stories in glorious, dog-eared, mud-stained, daisy-chain pages of sunshine-filled days and wish-on-a-star nights and shared struggles and triumphs and tears and laughter. Where their stories go from there is up to them, but where they begin is up to us.

This is the season when I start to believe that the beach is all mine, miles of windswept solitude that I can march along without encountering another soul. Nobody else seems to enjoy the cold or the bluster as I do. Winter is the best season for walking, as long as you can withstand a little earache and are immune to mud. Best are the coldest days when even that freezes solid and the ground crunches underfoot, firm and satisfying. A good frost picks out every blade of grass, the crenellated edge of every leaf. The cold renders everything exquisite.

Weakness or strength: there you are, strength. You do not know where you are going, nor why you are going; enter anywhere, reply to anything. They will no more kill you than if you were a corpse.” In the morning I had a look so lost, a face so dead, that perhaps those whom I met did not see me. In cities, suddenly, the mud seemed red and black like a mirror when the lamp moves about in the adjoining room, like a treasure in the forest! Good luck, I cried, and I saw a sea of flames and smoke in the sky; to the right, to the left all the riches of the world flaming like a billion thunder-bolts.

The conviction that life has a purpose is rooted in every fibre of man, it is a property of the human substance. Free men give many names to this purpose, and think and talk a lot about its nature. But for us the question is simpler. Today, in this place, our only purpose is to reach the spring. At the moment we care about nothing else. Behind this aim there is not at the moment any other aim. In the morning while we wait endlessly lined up in roll-call square for the time to leave for work, while every breath of wind penetrates our clothes and runs in violent shivers over our defenceless bodies, and everything is grey around us, and we are grey; in the morning, when it is still dark, we all look at the sky in the east to spot the first signs of a milder season, and the rising of the sun is commented on every day: today a little earlier than yesterday, today a little warmer than yesterday, in two months, in a month, the cold will call a truce and we will have one enemy less. Today the sun rose bright and clear for the first time from the horizon of mud. It is a Polish sun, cold, white, distant, and only warms the skin, but when it dissolved the last mists a murmur ran through our colourless numbers, and when even I felt its lukewarmth through my clothes I understood how men can worship the sun.

Outside, I could smell the Zebra. Even if for some reason I stopped feeling cold or hot or rain or sun, I bet I could close my eyes and still tell which season I was in just by the smell of the trees and dirt there. Spring was sweet mud and flowers. Fall has a kind of moldy edge to it, and winter was all dust and bark. As for summer, the Zebra carried a mossy, thick aroma full of baking leaves and oozing sap, which I guessed was its growing smell.

The trees frothed with leaf and blossom. The ground softened to mud, then thickened with an embroidery of flowers. Birds whirled and swooped and sang, and colts and calves tottered or gamboled in farmyards. The back of winter finally broke, and warmth and color came rushing in. And hope. Always, hope.

I would look out upon the wildflowers, the mulch of swamps and leaves, the spring mosses greening on the rocks, or the boulderous mountains of street-black snow, whatever season it happened to be- my mittens clotted with ice, or my hands grimy with marsh mud- and from the back of my larynx I’d send part of my voice out toward the horizon and part of it straight up toward the sky. There must have been some pain in me. I wanted to howl and fly and break apart.

Hey fellow busy human! Do not forget to take a quick pause to feel the magic of fresh air; to enjoy the change of seasons; to take a deep refreshing sigh standing under a tree; to lull your ears with bird's melodious symphonies; to sense the cool rain water; to walk barefoot on mud; to live like a real human.

I hope the world doesn’t get all dry and flaky. Or soggy like cereal. I hope Trump doesn’t beat me up and put me in my locker. I hope he doesn’t touch my pecker in a rough way.

Certain creatures laid eggs that were able to endure the dry season. Others survived by burying themselves in mud, simulating death, waiting for the return of rain.

Nobody in Faha could remember when it started. Rain there on the western seaboard was a condition of living. It came straight-down and sideways, frontwards, backwards and any other wards God could think of. It came in sweeps, in waves, sometimes in veils. It came dressed as drizzle, as mizzle, as mist, as showers, frequent and widespread, as a wet fog, as a damp day, a drop, a dripping, and an out-and-out downpour. It came the fine day, the bright day, and the day promised dry. It came at any time of the day and night, and in all seasons, regardless of calendar and forecast, until in Faha your clothes were rain and your skin was rain and your house was rain with a fireplace. It came off the grey vastness of an Atlantic that threw itself against the land like a lover once spurned and resolved not to be so again. It came accompanied by seagulls and smells of salt and seaweed. It came with cold air and curtained light. It came like a judgment, or, in benign version, like a blessing God had forgotten he had left on. It came for a handkerchief of blue sky, came on westerlies, sometimes—why not?—on easterlies, came in clouds that broke their backs on the mountains in Kerry and fell into Clare, making mud the ground and blind the air. It came disguised as hail, as sleet, but never as snow. It came softly sometimes, tenderly sometimes, its spears turned to kisses, in rain that pretended it was not rain, that had come down to be closer to the fields whose green it loved and fostered, until it drowned them.

The first day of spring, the vernal equinox—the season of renewal when the earth sheds its winter cloak, flowers bloom, and the heart feels as though everything is once again imaginable. The smell of fresh-cut grass, shagging fly balls, and scraping mud from baseball cleats. A brief contemplation and tear for those gone from the field, their easy laugh and nimble sprint no longer gracing the game.

Darlin'," he drawled, "go when you are invited. Bring good boots, drive slow, take blankets, carry your own salt, but by all means... go where the light is. That's not bad advice, wherever you live. Darlin'.

THOSE BORN UNDER Pacific Northwest skies are like daffodils: they can achieve beauty only after a long, cold sulk in the rain. Henry, our mother, and I were Pacific Northwest babies. At the first patter of raindrops on the roof, a comfortable melancholy settled over the house. The three of us spent dark, wet days wrapped in old quilts, sitting and sighing at the watery sky. Viviane, with her acute gift for smell, could close her eyes and know the season just by the smell of the rain. Summer rain smelled like newly clipped grass, like mouths stained red with berry juice — blueberries, raspberries, blackberries. It smelled like late nights spent pointing constellations out from their starry guises, freshly washed laundry drying outside on the line, like barbecues and stolen kisses in a 1932 Ford Coupe. The first of the many autumn rains smelled smoky, like a doused campsite fire, as if the ground itself had been aflame during those hot summer months. It smelled like burnt piles of collected leaves, the cough of a newly revived chimney, roasted chestnuts, the scent of a man’s hands after hours spent in a woodshop. Fall rain was not Viviane’s favorite. Rain in the winter smelled simply like ice, the cold air burning the tips of ears, cheeks, and eyelashes. Winter rain was for hiding in quilts and blankets, for tying woolen scarves around noses and mouths — the moisture of rasping breaths stinging chapped lips. The first bout of warm spring rain caused normally respectable women to pull off their stockings and run through muddy puddles alongside their children. Viviane was convinced it was due to the way the rain smelled: like the earth, tulip bulbs, and dahlia roots. It smelled like the mud along a riverbed, like if she opened her mouth wide enough, she could taste the minerals in the air. Viviane could feel the heat of the rain against her fingers when she pressed her hand to the ground after a storm. But in 1959, the year Henry and I turned fifteen, those warm spring rains never arrived. March came and went without a single drop falling from the sky. The air that month smelled dry and flat. Viviane would wake up in the morning unsure of where she was or what she should be doing. Did the wash need to be hung on the line? Was there firewood to be brought in from the woodshed and stacked on the back porch? Even nature seemed confused. When the rains didn’t appear, the daffodil bulbs dried to dust in their beds of mulch and soil. The trees remained leafless, and the squirrels, without acorns to feed on and with nests to build, ran in confused circles below the bare limbs. The only person who seemed unfazed by the disappearance of the rain was my grandmother. Emilienne was not a Pacific Northwest baby nor a daffodil. Emilienne was more like a petunia. She needed the water but could do without the puddles and wet feet. She didn’t have any desire to ponder the gray skies. She found all the rain to be a bit of an inconvenience, to be honest.

What the hell happened to your leg?" Ang asked him. Matt looked down at his shin, which was scraped and oozing and seemed to be caked in mud. "Crashed." "Crashed what?" Ang asked. "My mountain bike. We just got back." "You crashed, then what? Rolled in dirt?" He laughed. "Something like that actually. It's not a successful ride if you don't bleed." He must not have noticed the look of horror on my face, because he asked, suddenly enthusiastic, "You guys ride?"Angelo and I just looked at each other, and he seemed to realize that was a "no." "Too bad. Well, make yourselves at home. Beer's in the fridge. I have to get cleaned up. Kickoff's in ten minutes." "Football?" Angelo asked. Matt looked at his as if he had just asked if the sky was really blue. "Yeah! First game of the regular season!" We just stared blankly at him, and he just laughed and disappeared down the hall. Angelo looked at me with a smile on his face. "Four fags watchin' football. Must be pretty fuckin' cold in hell right now.

I am the seasons, I think sometimes, January, May, November; the mud, the mist, the dawn. I cannot be tossed about, or float gently, or mix with other people. —Virginia Woolf, The Waves (Harvest Books, January 1, 1978) Originally published October 1931.

It was autumn, the season of pomegranate and quince. The scent of roasted nuts and barbecued corn from the street vendors, of mud-packed alleyways, gasoline fumes, and concrete roads—I hadn’t known, until I encountered them again, how much I’d missed the city.

People lie. They use you and they lie, all the while feeding you bullshit about being loyal and never leaving you. No one can make that promise, because life is all about seasons, and seasons change. I hate change. You can’t rely on it, you can only rely on the fact that it will happen.

The seasons split at the seams: spring, summer, fall and winter. I’ve always pictured them as giant sacks filled with air and color and smell. When it’s time for one season to be over, the next seasons splits open and pours over the world, drowning its tired and waning predecessor with its strength.

The ox hath therefore stretch'd his yoke in vain, The ploughman lost his sweat; and the green corn Hath rotted ere his youth attain'd a beard: The fold stands empty in the drownèd field, And crows are fatted with the murrion flock; The nine men's morris is fill'd up with mud; And the quaint mazes in the wanton green, For lack of tread, are undistinguishable: The human mortals want their winter here; No night is now with hymn or carol blest:— Therefore the moon, the governess of floods, Pale in her anger, washes all the air, That rheumatic diseases do abound: And thorough this distemperature we see The seasons alter: hoary-headed frosts Fall in the fresh lap of the crimson rose; And on old Hyem's thin and icy crown An odorous chaplet of sweet summer buds Is, as in mockery, set: the spring, the summer, The childing autumn, angry winter, change Their wonted liveries; and the maz'd world, By their increase, now knows not which is which: And this same progeny of evils comes

The mind splices fragments of sensation and language into story after story. The blood in my veins and every blade of grass is oxygen, sugar, photosynthesis, genetic expression, electrochemistry, and time. I watch clouds crush the last bit of pink sky. Breath slips even as I inhale, even as snow falls out of season and mud thaws, even as lightning ignites a late spring.

Ah, New England. An amalgam of picket fences and crumbling bricks; Ivy League schools and dropped Rs; social tolerance and the Salem witch trials, Henry David Thoreau and Stephen King, P-town rainbows and mill-town rust; Norman Rockwell and Aerosmith; lobster and Moxie; plus the simmering aromas of a million melting pot cuisines originally brought here by immigrants from everywhere else searching for new ways to live. It’s a place where rapidly-growing progressive cities full of the ‘wicked smaaht’ coexist alongside blight-inflicted Industrial Revolution landscapes full of the ‘wicked poor’. A place of forested mountains, roaring rivers, crystalline lakes, urban sprawl, and a trillion dollar stores. A place of seasonal tourism beach towns where the wild, rank scent of squishy seaweed casts its cryptic spell along the vast and spindrift-misted seacoast, while the polished yachts of the elite glisten like rare jewels on the horizon, just out of reach. Where there are fiery autumn hues and leaves that need raking. Powder snow ski slopes and icy windshields that need scraping. Crisp daffodil mornings and mud season. Beach cottage bliss and endless miles of soul-sucking summer traffic . Perceived together, the dissonant nuances of New England stir the imagination in compelling and chromatic whorls.

But as yet, the neighbourhood was shy to own the Railroad. One or two bold speculators had projected streets; and one had built a little, but had stopped among the mud and ashes to consider farther of it. A bran-new Tavern, redolent of fresh mortar and size, and fronting nothing at all, had taken for its sign The Railway Arms; but that might be rash enterprise—and then it hoped to sell drink to the workmen. So, the Excavators’ House of Call had sprung up from a beer shop; and the old-established Ham and Beef Shop had become the Railway Eating House, with a roast leg of pork daily, through interested motives of a similar immediate and popular description. Lodging-house keepers were favourable in like manner; and for the like reasons were not to be trusted. The general belief was very slow. There were frowzy fields, and cow-houses, and dunghills, and dustheaps, and ditches, and gardens, and summer-houses, and carpet-beating grounds, at the very door of the Railway. Little tumuli of oyster shells in the oyster season, and of lobster shells in the lobster season, and of broken crockery and faded cabbage leaves in all seasons, encroached upon its high places. Posts, and rails, and old cautions to trespassers, and backs of mean houses, and patches of wretched vegetation stared it out of countenance. Nothing was the better for it, or thought of being so. If the miserable waste ground lying near it could have laughed, it would have laughed it to scorn, like many of the miserable neighbours.

They were loath to leave, for they felt, understandably enough, and rightly, I think, that as soon as they left their place, they were no longer quite themselves, but shadows or ghost, unrooted and uprooted .... the Kwakwaka'wakw mourned the loss of everything they knew in the most tactile and sensual way, the scents and sounds, the way the mist slid in and out of the firs, the wail of gulls, the sheen of seals, the melancholy exhalation of whales sliding by under the terrific stars. The clawing mud, the sift of sand, the scrabble of pebbles in the surf; the plain of owls, the scent of cedar, the bite of huckleberries from a certain thicket in a certain season --- they were convinced that these things were part and parcel of their being, and who is to gainsay them?

These are the forgeries of jealousy; And never, since the middle summer’s spring, Met we on hill, in dale, forest, or mead, By pavèd fountain or by rushy brook, Or in the beachèd margent of the sea, To dance our ringlets to the whistling wind, But with thy brawls thou hast disturbed our sport. Therefore the winds, piping to us in vain, As in revenge have sucked up from the sea Contagious fogs, which, falling in the land, Hath every pelting river made so proud That they have overborne their continents. The ox hath therefore stretched his yoke in vain, The plowman lost his sweat, and the green corn Hath rotted ere his youth attained a beard. The fold stands empty in the drownèd field, And crows are fatted with the murrain flock. The nine-men’s-morris is filled up with mud, And the quaint mazes in the wanton green, For lack of tread, are undistinguishable. The human mortals want their winter here. No night is now with hymn or carol blessed. Therefore the moon, the governess of floods, Pale in her anger, washes all the air, That rheumatic diseases do abound. And thorough this distemperature we see The seasons alter: hoary-headed frosts Fall in the fresh lap of the crimson rose, And on old Hiems’ thin and icy crown An odorous chaplet of sweet summer buds Is, as in mockery, set. The spring, the summer, The childing autumn, angry winter, change Their wonted liveries, and the mazèd world By their increase now knows not which is which. And this same progeny of evils comes From our debate, from our dissension; We are their parents and original.

One night, I sat Beauty on my knee. —And I found her bitter. —And I hurt her. I took arms against justice. I fled, entrusting my treasure to you, o witches, o misery, o hate. I snuffed any hint of human hope from my consciousness. I made the muffled leap of a wild beast onto any hint of joy, to strangle it. Dying, I called out to my executioners so I could bite the butts of their rifles. I called plagues to suffocate me with sand, blood. Misfortune was my god. I wallowed in the mud. I withered in criminal air. And I even tricked madness more than once. And spring gave me an idiot’s unbearable laughter. Just now, having nearly reached death’s door, I even considered seeking the key to the old feast, through which, perhaps, I might regain my appetite. [...] “A hyena you’ll remain, etc.… ” cries the demon that crowns me with merry poppies. “Make for death with every appetite intact, with your egotism, and every capital sin.” Ah. It seems I have too many already: —But, dear Satan, I beg you not to look at me that way, and while you await a few belated cowardices—you who so appreciate a writer’s inability to describe or inform—I’ll tear a few terrible leaves from my book of the damned.

Della & I are drunk at the top of Mont-Royal. We have an open blue plastic thermos of red wine at our feet. It's the first day of spring & it's midnight & we've been peeling off layers of winter all day. We stand facing each other, as if to exchange vows, chests heaving from racing up & down the mountain to the sky. My face is hurting from smiling so much, aching at the edges of my words. She reaches out to hold my face in her hands, dirty palms form a bowl to rest my chin. I’m standing on a tree stump so we’re eye to eye. It’s hard to stay steady. I worry I may start to drool or laugh, I feel so unhinged from my body. It’s been one of those days I don’t want to end. Our goal was to shirk all responsibility merely to enjoy the lack of everyday obligations, to create fullness & purpose out of each other. Our knees are the colour of the ground-in grass. Our boots are caked in mud caskets. Under our nails is a mixture of minerals & organic matter, knuckles scraped by tree bark. We are the thaw embodied. She says, You have changed me, Eve, you are the single most important person in my life. If you were to leave me, I would die. At that moment, our breath circling from my lungs & into hers, I am changed. Perhaps before this I could describe our relationship as an experiment, a happy accident, but this was irrefutable. I was completely consumed & consuming. It was as though we created some sort of object between us that we could see & almost hold. I would risk everything I’ve ever known to know only this. I wanted to honour her in a way that was understandable to every part of me. It was as though I could distill the meaning of us into something I could pour into a porcelain cup. Our bodies on top of this city, rulers of love. Originally, we were celebrating the fact that I got into Concordia’s visual arts program. But the congratulatory brunch she took me to at Café Santropol had turned into wine, which had turned into a day for declarations. I had a sense of spring in my body, that this season would meld into summer like a running-jump movie kiss. There would be days & days like this. XXXX gone away on a sojurn I didn’t care to note the details of, she simply ceased to be. Summer in Montreal in love is almost too much emotion to hold in an open mouth, it spills over, it causes me to not need any sleep. I don’t think I will ever feel as awake as I did in the summer of 1995.

If you are afflicted with melancholy at this season, go to the swamp and see the brave spears of skunk-cabbage buds already advanced toward a new year. Their gravestones are not bespoken yet. Who shall be sexton to them? Is it the winter of their discontent? Do they seem to have lain down to die, despairing of their skunk-cabbagedom? “Up and at ‘em,” “Give it to ‘em,” “Excelsior,” “Put it through,” –these are their mottoes. Mortal human creatures must take a little respite in this fall of the year; their spirits do flag a little. There is a little questioning of destiny, and thinking to go like cowards to where the “weary shall be at rest.” But not so with skunk-cabbage. Its withered leaves fall and are transfixed by a rising bud. Winter and death are ignored; the circle of life is complete. Are these false prophets? Is it a lie or a vain boast underneath the skunk-cabbage bud, pushing it upward and lifting the dead leaves with it? They rest with spears advanced; they rest to shoot! I say it is good for me to be here, slumping in the mud, a trap covered with withered leaves. See those green cabbage buds lifting the dry leaves in that watery and muddy place. There is no can’t nor cant to them. They see over the brow of winter’s hill. They see another summer ahead.

If you are afflicted with melancholy at this season, go to the swamp and see the brave spears of skunk-cabbage buds already advanced toward a new year. Their gravestones are not bespoken yet. Who shall be sexton to them? Is it the winter of their discontent? Do they seem to have lain down to die, despairing of their skunk-cabbagedom? “Up and at ‘em,” “Give it to ‘em,” “Excelsior,” “Put it through,” –these are their mottoes. Mortal human creatures must take a little respite in this fall of the year; their spirits do flag a little. There is a little questioning of destiny, and thinking to go like cowards to where the “weary shall be at rest.” But not so with skunk-cabbage. Its withered leaves fall and are transfixed by a rising bud. Winter and death are ignored; the circle of life is complete. Are these false prophets? Is it a lie or a vain boast underneath the skunk-cabbage bud, pushing it upward and lifting the dead leaves with it? They rest with spears advanced; they rest to shoot! I say it is good for me to be here, slumping in the mud, a trap covered with withered leaves. See those green cabbage buds lifting the dry leaves in that watery and muddy place. There is no can’t nor cant to them. They see over the brow of winter’s hill. They see another summer ahead. (October 31, 1857)

New trout, having never seen rain on the river, rise eagerly to ripples on the Mink. Some windows close against the moist and some open for the music. Rain slips and slides along hawsers and chains and ropes and cables and gladdens the cells of mosses and weighs down the wings of moths. It maketh the willow shiver its fingers and thrums on doors of dens in the fens. It falls on hats and cats and trucks and ducks and cars and bars and clover and plover. It grayeth the sand on the beach and fills thousands of flowers to the brim. It thrills worms and depresses damselflies. Slides down every window rilling and murmuring. Wakes the ancient mud and mutter of the swamp, which has been cracked and hard for months. Falls gently on leeks and creeks and bills and rills and the last shriveled blackberries like tiny dried purple brains on the bristles of bushes. On the young bear trundling through a copse of oaks in the woods snorffling up acorns. On ferns and fawns, cubs and kits, sheds and redds. On salmon as long as your arm thrashing and roiling in the river. On roof and hoof, doe and hoe, fox and fence, duck and muck. On a slight man in a yellow slicker crouched by the river with his recording equipment all covered against the rain with plastic wrap from the grocery store and after he figures out how to get the plastic from making crinkling sounds when he turns the machine on he settles himself in a little bed of ferns and says to the crow huddled patiently in rain, okay, now, here we go, Oral History Project, what the rain says to the river as the wet season opens, project number …something or other … where’s the fecking start button? …I can’t see anything … can you see a green light? yes? is it on? damn my eyes … okay! there it is! it’s working! rain and the river! here we go!

March 10 Protection from the Storms God is our refuge and strength, an ever-present help in trouble.—Psalm 46:1 I’m a Texan. When we think of storms, tornado is the word. March through May is the peak time for tornados in our state. We get hit about 110 times a year. Texans know where to take refuge from tornados. We have periodic drills in our schools and sometimes in our churches. I have gone to our church basement several times because we have had many warnings. What kind of storms do you take refuge from? You may be on the coast and dread hurricane season. You may be from California and have not only fires, but mud slides. Wherever you live, I know that you encounter storms in your life. Where do you take refuge from the storms of life? Do you plunge into the pit of despair, or do you seek the protection of the one who controls the storms? God’s Word is so precious. The older I get, the more I relish verses like the one for today. He is my refuge. No matter what the reason for our storms and our heartaches, we are promised that God will be our strength in times of trouble. Go to His storm cellar. Dear Father, thank You for the promises from Your Word: “So do not fear, for I am with you; do not be dismayed, for I am your God. I will strengthen you and help you; I will uphold you with my righteous right hand” (Isaiah 41:10).

Although Vermont is frigid in the winter, its summertime shimmers. That’s stating the obvious to anyone who knows New England, but it was my brave new world. The mud season that begins in March and lasts well through May buffers one’s mind from winter’s ravages, so that, by the glorious day when neon-green leaf buds first appear on every tree, one can barely remember the bitter February winds streaming off the lake in great, frigid sloughs. Every year, the lake freezes solid around the shoreline, groaning and cracking under the push of the shifting wind, but, in the century-long life of Winloch, the winter had been heard only by the workingmen, men called in to plow the roads, or plumb frozen pipes, men who had the north country in their blood and the dried-up curl of French Canadian on their tongues.

Will appeared at Cameron’s door promptly at seven o’clock. With his coat unzipped, she could see that he’d worn a brown wool sweater over dark jeans with heavy mud-season-approved boots. He smelled of fresh air, soap and cologne so subtle she wasn’t sure it was cologne. No matter what it was, she wanted to get closer for a better sniff of the intriguing scent. His hair was damp and his face freshly shaven. That he’d gone to some trouble to prepare for their dinner pleased her.

Here, spring is the worst season. The earth and sky soak up the mud churned up by all the rain; even the seagulls get spattered with it when they come to peck at rubbish in the puddles. Everything that has died in winter goes bad only in spring, because the ice keeps it alive for months. You’ll see, there will be a smell of rotten wood, dead animals and stagnant water, all coming from the woods. It’s like that on battlefields: it’s only now that many mothers will weep; only now will the earth be soft enough for digging graves. That is another thing the summer does: it frees us from the dead.

It was almost November and the leaves were starting to fall - before the war, she'd loved the autumn colours, going for a walk with a nip in the air. But now it meant that the soldiers would be covered in mud, suffering frostbite, more at risk of developing horrible infection, all of it adding to their misery. As the leaves drifted down, it made her feel sad, mournful, the seasons were still turning and the menace of war seemed unstoppable

Though the spring is late and cold, though uproar of greed and malice shudders in the sky, pond, stream, and treetop raise their ancient songs; the robin molds her mud nest with her breast; the air is bright with breath of bloom, wise loveliness that asks nothing of the season but to be.

Turgenev complained in a letter that Spring in Europe lacked the explosiveness of that season in Russia.

Times of suffering will come, use them To grow into a better version of yourself. Use the dirt to grow flowers. Let the storm water them. Watch them grow in the sunshine.

Bread will win the war. Work will win, sugar will win, peach pits will win the war. Nonsense. Not nonsense, I tell you, there's some kind of valuable high explosive to be got out of peach pits. So all the happy housewives hurry during the canning season to lay their baskets of peach pits on the altar of their country. It keeps them busy and makes them feel useful, and all these women running wild with the men away are dangerous, if they aren't given something to keep their little minds out of mischief. So rows of young girls, the intact cradles of the future, with their pure serious faces framed becomingly in Red Cross wimples, roll cock-eyed bandages that will never reach a base hospital, and knit sweaters that will never warm a manly chest, their minds dwelling lovingly on all the blood and mud and the next dance at the Acanthus Club for the officers of the flying corps. Keeping still and quiet will win the war.

An act of holy heroism? No! It was an act of arrogance, a sin of presumption. Uzzah assumed that his hand was less polluted than the earth. But it wasn’t the ground or the mud that would desecrate the ark; it was the touch of man. The earth is an obedient creature. It does what God tells it to do. It brings forth its yield in its season. It obeys the laws of nature that God has established. When the temperature falls to a certain point, the ground freezes. When water is added to the dust, it becomes mud, just as God designed it. The ground doesn’t commit cosmic treason. There is nothing polluted about the ground.

miss the seasons,” Margot said wistfully. “Although in California we have four seasons too. Fire, mud, drought and … earthquakes.

I'm happy to play in the mud with you. So before you try anything, before you try and fuck with my fiancé and his legacy, just know that if you go low, I’ll tunnel to the core of the fucking earth.

August passed in a series of hot, rain-drenched days; sometimes the air was so humid it was hard to breathe. Everything Frankie put on and took off in this monsoon season smelled like mildew and was splattered with mud.

You can say whatever you want about me, but none of it's true. You just can't stand the fact that your career is stagnant and you don't have enough talent to climb your way up on your own. If calling me names and threatening me makes you feel like more of a man, fine. Knock yourself out." Eden yanks her hand away and jabs her forefinger against his chest hard enough that it makes him wince. "You have a problem with me? You tell me. I'll cook circles around you, you snake. You think you can get away with it because I look like an easy target? I've got news for you, asshole, I've got a lot more fight in me than you think. But don't for a second think you can get away with dragging Alexander's name through the mud. He's twice the man you will ever hope to be. You're nothing but a little boy throwing a tantrum. So go ahead, do your fucking worst. Just don't be surprised when karma comes around to bite you in the ass.

Prayer for the Dads Enduring the Epic Winter Rains Along the Muddy Sidelines at Pee Wee Soccer Games Brothers, I have stood where you stand, in ankle-deep mud, trying not to call instructions and warnings to my child, trying to restrict myself to supportive remarks and not roars of fury at the gangly mute teenage referee who totally missed an assault upon my beloved progeny; and I have also shuffled from leg to leg for an entire hour in an effort to stay warm; and I have also realized I was supposed to bring snacks at halftime five minutes before halftime, and dashed to the store for disgusting liquids in colors unlike any natural color issued from the Creator; and I too have pretended not to care about the score, or about my child’s athletic performance, but said cheery nonsense about how I did not care; and I too have resisted the urge to bring whiskey to the game in a thermos, and so battle the incredible slicing wet winds; and I too have resisted the urge to bring the newspaper or a magazine and at least get some reading done during the long periods of languor as small knots of children surround the ball like wolves around a deer and happily kick each other in the shins; and I too have carefully not said a word when my child and six mud-soaked teammates cram into my car and bang out their cleats on my pristine car floor and leave streaks of mud and disgusting plastic juice on the windows; and I too know that this cold wet hour is a great hour, for you are with your child, and your child is happy, and the Coach of all things gave you that child, and soon enough you will be like me, the father of teenagers who no longer stands along the sidelines laughing with the other dads in the rain. Be there now, brothers, and know how great the gift; for everything has its season, and the world spins ever faster. And so: amen.

Over the past quarter century, La Russa had learned to survive in the foxhole by examining his own actions first: a detached clinical examination to avoid wallowing in the mud of what just occurred. As he stood in the corner of the dugout waiting for Francona, he knew that his team had just played its worst baseball of the entire season: silent

I think sometimes (I am not twenty yet) I am not a woman, but the light that falls on this gate, on this ground. I am the seasons, I think sometimes, January, May, November; the mud, the mist, the dawn. I cannot be tossed about, or float gently, or mix with other people.

BETWEEN SEASONS Today I bring you cold chrysanthemums, white as absence, long-stemmed as my grief. I stand before your grave, a few unfallen leaves overhead, the sucking mud beneath. What survives best are chrysanthemums in a month which arrives austere as grief. The hearty blossoms persevere, unfallen. Suffering even snow, they flourish beneath. You walked in mornings among chrysanthemums, and bowed to them as if to hear their grief. Your sleeves grew damp from brushing unfallen dew. A drop lay by your eye, and one beneath. Truest to your nature were chrysanthemums, brilliant while first snows descended like grief. You watched them from your bed, your heart unfallen, steadfast through winter, and then you slipped beneath. What is it they told you, once, the chrysanthemums? It made you sigh, Ah, Grief! Who savors you more than us, the unfallen, long after we’ve forgotten the fallen beneath?

Tonight she'll be with Jeremy, her lieutenant, but she wants to be with Roger. Except that, really, she doesn't. Does she? She can't remember being so confused. When she is with Roger it's all love, but at any distance- any at all, Jack- she finds that he depresses and even frightens her. Why? On top of him in the wild nights riding up and down his cock her axis, trying herself to stay rigid enough not to turn to cream taper-wax and fall away melting to the coverlet coming there's only room for Roger, Roger, oh love to the end of breath. But out of bed, walking talking, his bitterness, his darkness, run deeper than the War, the winter: he hates England so, hates "the System," gripes endlessly, says he'll emigrate when the War's over, stays inside his paper cynic's cave hating himself... and does she want to bring him out, really? Isn't it safer with Jeremy? She tried not to allow this question to often, but it's there. Three years with Jeremy. They might as well be married. Three years ought to count for something. Daily, small stitches and easings. She's worn old Beaver's bathrobes, brewed his tea and coffee, sought his eye across lorry-parks, day rooms and rainy mud fields when all the day's mean, dismal losses could be rescued in the one look- familiar, full of trust, in a season where the word is invoked for quaintness or a minor laugh. And to rip it all out? three years? for this erratic, self-centered- boy, really. Weepers, he supposed to be past thirty, he's years older than she. He ought to've learned something, surely? A man of experience? /// If the rockets don't get her there's still her lieutenant. Damned Beaver/Jeremy IS the War, he is every assertion the fucking War has ever made- that we are meant work and government, for austerity: and these shall take priority over love, dreams, the spirit, the senses and the second-class trivia that are found among the idle and mindless hours of the day... Damn them, they are wrong. They are insane. Jeremy will take her like the Angel itself, in his joyless weasel-worded come-along, and Roger will be forgotten, an amusing maniac, but with no place in the rationalized power-ritual that will be the coming peace. She will take her husband's orders, she will become a domestic bureaucrat, a junior partner, and remember Roger, if at all, as a mistake thank God she did not make... Oh, he feels a raving fit coming on- how the bloody hell can he survive without her? She is the British warm that protects his stooping shoulders, and the wintering sparrow he holds inside his hands. She is his deepest innocence in spaces of bough and hay before wishes were given a separate name to warn they might not come true, and his lithe Parisian daughter of joy, beneath the eternal mirror, forswearing perfumes, capeskins to the armpits, all that is too easy, for his impoverishment and more worthy love. /// Jessica steps away from Roger to blow her nose. The sound is as familiar to him as a bird's song, ip-ip-ip-ip NGUNNGG as the hankerchief comes away..."Oh sooper dooper," she says, "think I'm catching a cold." You're catching the War. It's infecting you and I don't know how to keep it away. Oh, Jess. Jessica. Don't leave me....

When a TV show starts out, it is incredibly competitive: maybe one in a hundred TV ideas goes on to get made into pilot (tester) episodes. Maybe one in twenty of those pilots will go on to have a first series commissioned. And maybe one in ten of those will be asked back for a second season. It takes a sprinkling of fairy dust and a lot of goodwill. But do two seasons and you will quite probably go on to do five--or more. So we got lucky. No doubt. And I never even asked for it. Let alone expected it. I was simply, and blissfully, unaware. But on this journey, Man vs. Wild has had to endure a lot of flak from critics and the press. Anything successful inevitably does. (Funny how the praise tends just to bounce off, but small amounts of criticism sting so much. Self-doubt can be a brute, I guess.) The program has been accused of being set up, staged, faked, and manipulated. One critic even suggested it was all shot in a studio with CGI. If only.

So suddenly here we are. Six years on. I genuinely never believed we would film more than six episodes of Man vs. Wild, let alone six seasons. I mean, where has the time gone? I also really had no idea quite how many hellholes, remote jungles, stinking swamps, searing deserts, and forbidding, unexplored mountain ranges we have on this small planet of ours. People forget. Me included.

Tonight she'll be with Jeremy, her lieutenant, but she wants to be with Roger. Except that, really, she doesn't. Does she? She can't remember being so confused. When she is with Roger it's all love, but at any distance- any at all, Jack- she finds that he depresses and even frightens her. Why? On top of him in the wild nights riding up and down his cock her axis, trying herself to stay rigid enough not to turn to cream taper-wax and fall away melting to the coverlet coming there's only room for Roger, Roger, oh love to the end of breath. But out of bed, walking talking, his bitterness, his darkness, run deeper than the War, the winter: he hates England so, hates "the System," gripes endlessly, says he'll emigrate when the War's over, stays inside his paper cynic's cave hating himself... and does she want to bring him out, really? Isn't it safer with Jeremy? She tried not to allow this question to often, but it's there. Three years with Jeremy. They might as well be married. Three years ought to count for something. Daily, small stitches and easings. She's worn old Beaver's bathrobes, brewed his tea and coffee, sought his eye across lorry-parks, day rooms and rainy mud fields when all the day's mean, dismal losses could be rescued in the one look- familiar, full of trust, in a season where the word is invoked for quaintness or a minor laugh. And to rip it all out? three years? for this erratic, self-centered- boy, really. Weepers, he supposed to be pas thirty, he's years older than she. He ought to've learned something, surely? A man of experience? /// If the rockets don't get her there's still her lieutenant. Damned Beaver/Jeremy IS the War, he is every assertion the fucking War has ever made- that we are meant work and government, for austerity: and these shall take priority over love, dreams, the spirit, the sense and the second-class trivia that are found among the idle and mindless hours of the day... Damn them, they are wrong. They are insane. Jeremy will take her like the Angel itself, in his joyless weasel-worded come-along, and Roger will be forgotten, an amusing maniac, but with no place in the rationalized power-ritual that will be the coming peace. She will take her husband's orders, she will become a domestic bureaucrat, a junior partner, and remember Roger, if at all, as a mistake thank God she did not make... Oh, he feels a raving fit coming on- how the bloody hell can he survive without her? She is the British warm that protects his stooping shoulders, and the wintering sparrow he holds inside his hands. She is his deepest innocence in spaces of bough and hay before wishes were given a separate name to warn they might not come true, and his lithe Parisian daughter of joy, beneath the eternal mirror, forswearing perfumes, capeskins to the armpits, all that is too easy, for his impoverishment and more worthy love. /// Jessica steps away from Roger to blow her nose. The sound is as familiar to him as a bird's song, ip-ip-ip-ip NGUNNGG as the hankerchief comes away..."Oh sooper dooper," she says, "think I'm catching a cold." You're catching the War. It's infecting you and I don't know how to keep it away. Oh, Jess. Jessica. Don't leave me,,,,

First and foremost, I am experiencing much better sleep, and I am actually dreaming vividly almost every night now! This began happening during the FIRST WEEK of use! I used to have dreams like this when I was a kid, but before using this appliance, not in YEARS! I am sleeping all the way through the night as well. I am so much more awake and alert in the mornings, and all the way throughout the day, for that matter. As for the side effects, I am seeing my skin glowing, my eyes are brighter, and the bags under my eyes are gone! I feel like my circulation all around is much better, and I do not “gasp” for air anymore. Before, I would take [various brand-named allergy medications], nasal spray and gels, humidifiers, tea kettles, exotic muds and salves—you name it! Nothing would prevent me from going to bed fine and waking up stuffed up like hell and feeling like I was going to suffocate! Oh, and that is during NON-allergy season. During allergy season (or a bad allergy day), I would just be stuffed up constantly and medicate myself to the point of exhaustion. Now, I take nothing. I now sleep all the way through the night, and I wake up renewed and refreshed. I was skeptical trying this out. I had braces in the past and did not offer any resistance to the plan to remove two of my front teeth and “shrink” my upper jaw, effectively shrinking the “tiger’s cage” too small to allow normal growth or function. When seeing Dr. Liao, he saw this right away and recommended strongly that I be tested for a narrowed airway. I did not come for this: I came to have mercury amalgam fillings removed, so I was unsure. Dr. Liao took the time to explain to me that, despite my legitimate concern about the fillings, my priority should be to open the airway that had become so narrow that it, unbeknownst to me, affected almost every area of my life. … I opted to have both upper and lower appliances made to increase the size of my jaws, and braces and two false teeth installed later on to hold the shape of my new bite pattern. This was to take place over the course of two to three years’ time, and was to cost a significant amount of money. The appliance(s) began to work immediately, and since they are to be adjusted weekly (easily by us right at home with a small tool provided), they continue to open the airway more and more every day, allowing me to experience these results to an even greater degree as I go. I even had a flight recently to California (from Virginia), and I had NO ear pain or discomfort! I used to have to take a bunch of pills and wear [earplugs for airplane travel], and it would STILL kill my ears to fly, but not now. I never knew that I was being deprived of the oxygen I needed to thrive, but now that I am experiencing it for the first time in my adult life, I regret not looking into having this done YEARS ago! I highly recommend this to anyone who feels stuffed up in the morning, tired and groggy all day, or any of the plethora of other symptoms associated with a narrowed airway. Thank you, Dr. Liao!

Some people said that Minnesota had two seasons: Shovel and Swat. Hannah knew that wasn’t the case. The land of the frozen north had four seasons—Fishing Season, Duck Season, Deer Season, and Mud Season.

A sweet friend of my Hannah's said that Christmas only makes her sad. "It's just for happy families it makes everyone else miserable." But there is a secret truth about family. Eventually you get to pick a family for yourself m. And thanks to the sticky, sweet, funny, loud, rambunctious people I chose, Christmas is my favorite time of the year.

Never forget that the first European fell in the ranks of the Waffen-SS, that those killed after the war mostly came from our ranks. It only became open season on them because of their belief in the indivisible unity of western society. Consider the evidence of their blood. Don’t take half measures. The idea of Europe is the only political ideal that is still worth fighting for today. Never was its realization closer. Strangle lies, punch slander in the nose, help your neighbor and the war widow. When everyone goes back to simple values, gives up egoism, makes a virtue of poverty, and once more feels himself responsible to all, then once more we will get the carts out of the mud; the dams will be ready when the storm tide comes.

For me, the house and all its contents are like the mud collecting on my boots as I walk the dog round the fields in a rainy season. Holding me back, weighting me down, limiting how far I can travel.

He wanted the teahouse to blend in with nature and become more of a backdrop for the tea ceremony, so he helped influence its redesign. Over time, the teahouse became a simple hut set in a garden with mud and plaster walls, a thatched roof, a bamboo lattice ceiling, tatami floors, and small paper-covered windows. It became a refuge in the city meant to echo a mountain retreat, where samurai from warring clans, lowly merchants, and even the emperor could come together on equal footing and focus on nothing more than the sensory pleasures of the tea ceremony, such as the gentle bubbling of the tea water on the brazier, the seasonal flower arrangement in the alcove, and the smell of the particular incense chosen to represent the time of year.

Next came a desert, the Coconino Sandstone, which is believed to have persisted for about 10 million years and covered a large area from present day Arizona to Canada. Given the secular interpretation, it seems only natural to assume that these cracks at the top of the Hermit Shale and the bottom of the Coconino Sandstone be interpreted as bona fide mud cracks. Whitmore and Strom, however, were intrigued by several inconsistencies with a mud crack interpretation. Many of the cracks intruded into the Hermit Shale more than 9 meters and perhaps as deep as 15 meters (nearly 50 feet, Figure 3C). Go out to a modern-day floodplain during the dry season and you will find mud cracks that are typically less than a meter deep.

The growing interest in medieval-period reconstruction is vividly legible in the music, cinema listings and television schedules of the late 1960s and early 70s. Besides the BBC Tudor series mentioned earlier – which led to a spin-off cinema version, Henry VIII and his Six Wives, in 1972 – there was Anne of the Thousand Days (1969), centred on Henry’s first wife Anne Boleyn, starring Richard Burton and Geneviève Bujold; the Thomas More biopic A Man for All Seasons (1966); Peter O’Toole as Henry II in Anthony Harvey’s The Lion in Winter (1968); David Hemmings as Alfred the Great (1969); the hysterical convent of Russell’s The Devils (1971); and future singer Murray Head in a melodramatic retelling of Gawain and the Green Knight (1973). In the same period HTV West made a series of often repeated mud-and-guts episodes of Arthur of the Britons (1972–3), and visionary Italian director Pier Paolo Pasolini unveiled his earthy adapations of the Decameron (1970) and The Canterbury Tales (1971). From the time of the English Civil War, Ken Hughes cast Richard Harris in his erratic portrait of Cromwell (1970); and the twenty-three-year-old doomed genius Michael Reeves made his Witchfinder General in 1968, in which the East Anglian farmland becomes a transfigured backdrop to a tale of superstition and violent religious persecution in 1645. Period reconstruction, whether in film, television or music, has been a staple of British culture, innate to a mindset that always finds its identity in the grain of the past.