Daughter Of Invention Quotes

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Fathers never have exactly the daughters they want because they invent a notion a them that the daughters have to conform to.
Simone de Beauvoir (The Woman Destroyed)
War is all we've been taught, but there are other ways to live. We can find them, Akiva. We can invent them. This is the beginning, here." She touched his chest and felt a rush of love for the heart that moved his blood, for his smooth skin and his scars and his unsoldierly tenderness. She took his hand and pressed it to her breast and said, "We are the beginning.
Laini Taylor (Daughter of Smoke & Bone (Daughter of Smoke & Bone, #1))
When we justify a flaw we are actually inventing a new one. When a woman neglects developing her own character, she not only chisels away her own reputation, but the reputation of everyone in her household.
Michael Ben Zehabe (Song of Songs: The Book for Daughters)
A woman's body does a thousand different things, toils, runs, studies, fantasizes, invents, wearies, and meanwhile the breasts enlarge, the lips of the sex swell, the flesh throbs with a round life that is yours, your life, and yet pushes elsewhere, draws away from you although it inhabits your belly, joyful and weighty, felt as a greedy impulse and yet repellent, like an insect's poison injected into a vein.
Elena Ferrante (The Lost Daughter)
If, for example, I saw my grandparents or my daughter for an instant, would I recognize them? Probably not, because in looking so hard for a way to keep them alive, remembering them in the most minimal details, I have been changing them, adorning them with qualities they may not have had. I have given them a destiny much more complex than the ones they lived.
Isabel Allende (My Invented Country: A Nostalgic Journey Through Chile)
You come from your mauma, you sleep in the bed with her till you're near twenty years grown, and you still don't know what haunches in the dark corners of her.
Sue Monk Kidd (The Invention of Wings)
POCKET-SIZED FEMINISM The only other girl at the party is ranting about feminism. The audience: a sea of rape jokes and snapbacks and styrofoam cups and me. They gawk at her mouth like it is a drain clogged with too many opinions. I shoot her an empathetic glance and say nothing. This house is for wallpaper women. What good is wallpaper that speaks? I want to stand up, but if I do, whose coffee table silence will these boys rest their feet on? I want to stand up, but if I do, what if someone takes my spot? I want to stand up, but if I do, what if everyone notices I’ve been sitting this whole time? I am guilty of keeping my feminism in my pocket until it is convenient not to, like at poetry slams or my women’s studies class. There are days I want people to like me more than I want to change the world. There are days I forget we had to invent nail polish to change color in drugged drinks and apps to virtually walk us home at night and mace disguised as lipstick. Once, I told a boy I was powerful and he told me to mind my own business. Once, a boy accused me of practicing misandry. You think you can take over the world? And I said No, I just want to see it. I just need to know it is there for someone. Once, my dad informed me sexism is dead and reminded me to always carry pepper spray in the same breath. We accept this state of constant fear as just another part of being a girl. We text each other when we get home safe and it does not occur to us that our guy friends do not have to do the same. You could saw a woman in half and it would be called a magic trick. That’s why you invited us here, isn’t it? Because there is no show without a beautiful assistant? We are surrounded by boys who hang up our naked posters and fantasize about choking us and watch movies we get murdered in. We are the daughters of men who warned us about the news and the missing girls on the milk carton and the sharp edge of the world. They begged us to be careful. To be safe. Then told our brothers to go out and play.
Blythe Baird
Did you blame the men who fired the guns, the men who built the guns, or the men who invented the guys? Did you blame the men who had put those particular guns in the hands attached to those particular trigger fingers? When Nick's plane crashed into the ocean off Honduras at a speed which turned the ocean to unyielding stone, was it Western Mountain's fault, for sending him out?Nick's, for going? Anne's, for letting him? Did you blame the human beings who had made such a world possible, or the world that had made such human beings possible? The answer, she thought, lying now in her missing daughter's bed (Was it Miranda, for pushing a limit any time she saw one? Anne again, for uprooting her so callously, for failing in some way to adequately console her after her father's death?), was that you had two choices: you could blame everybody, or you could blame nobody.
Kelly Braffet (Last Seen Leaving)
But it's a curse, a condemnation, like an act of provocation, to have been aroused from not being, to have been conjured up from a clot of dirt and hay and lit on fire and sent stumbling among the rocks and bones of this ruthless earth to weep and worry and wreak havoc and ponder little more than the impending return to oblivion, to invent hopes that are as elaborate as they are fraudulent and poorly constructed, and that burn off the moment they are dedicated, if not before, and are at best only true as we invent them for ourselves or tell them to others, around a fire, in a hovel, while we all freeze or starve or plot or contemplate treachery or betrayal or murder or despair of love, or make daughters and elaborately rejoice in them so that when they are cut down even more despair can be wrung from our hearts, which prove only to have been made for the purpose of being broken. And worse still, because broken hearts continue beating.
Paul Harding (Enon)
In conversations with my daughters I hear omitted words or phrases. Sometimes they get mad, they say Mama, I never said that, you’re saying it, you invented it. But I invent nothing; you just have to listen—the unspoken says more than the spoken.
Elena Ferrante (The Lost Daughter)
When he dipped into the mysteries of nature, he was sure that there must be a God. Who else could create such lovely works of art? Man's inventions could only ape those of his Creator. On the other hand, it was the same God who ensured that people died like flies, carried off by plague and war. It was difficult in such times to believe in God, but Jakob Kuisl discovered Him in the beauties of nature.
Oliver Pötzsch (The Hangman's Daughter (The Hangman's Daughter, #1))
I drift off for a while. I don't know how long, but when I open my eyes, the Oscars are still on and Alex tells me that Sid has gone and this makes me a little sad. Whatever the four of us had is over. He is my daughter's boyfriend now, and I am a father. A widower. No pot, no cigarettes, no sleeping over. They'll have to find inventive ways to conduct their business, most likely in uncomfortable places, just like the rest of them. I let him and my old ways go. We all let him go, as well as who we were before this, and now it's really just the three of us. I glance over at the girls, taking a good look at what's left.
Kaui Hart Hemmings (The Descendants)
But you couldn't really start over. That was a huge, modern lie invented by talk-show hosts. Sure you could change things that improved your life, but all the bad stuff lingered. It lingered in your body compromising your organs.
Elizabeth Brundage (Somebody Else's Daughter)
The Tudor rose was invented to symbolize the unity that had supposedly been brought about when Henry VII married Edward IV’s daughter Elizabeth of York in 1486, entwining the two warring branches, the houses of Lancaster and York, together.
Dan Jones (The Wars of the Roses: The Fall of the Plantagenets and the Rise of the Tudors)
In Pliny I read about the invention of clay modeling. A Sicyonian potter came to Corinth. There his daughter fell in love with a young man who had to make frequent long journeys away from the city. When he sat with her at home, she used to trace the outline of his shadow that a candle’s light cast on the wall. Then, in his absence she worked over the profile, deepening, so that she might enjoy his face, and remember. One day the father slapped some potter’s clay over the gouged plaster; when the clay hardened he removed it, baked it, and "showed it abroad" (63).
Annie Dillard (Pilgrim at Tinker Creek)
It was unthinkable. Unmarried daughters didn’t go off to live unprotected on their own in a foreign place. They lived at home with their mothers, and when there was no mother, with their sisters, and when there were no sisters, with their brothers.
Sue Monk Kidd (The Invention of Wings)
Olha thought that simply murdering her enemies would not be enough to satisfy herself and her people. A true daughter of her time, she was tireless in inventing inhumane tortures for her victims in an effort to see them tortured to death in front of her.
Leopold von Sacher-Masoch (Bloody Wedding in Kyiv: Two Tales of Olha, Kniahynia of Kyivan Rus)
Fairy tales might not be history, but as I learned in the hours I spent in the library over Christmas break, Wilhelm and Jacob Grimm were historians. They didn’t invent their fairy tales—they collected them, writing down the folk tales and stories they heard from friends and servants, aristocrats and innkeepers’ daughters. Their first collection of stories was meant for grown-ups and I could see why—they’re way too bloody and creepy for children. Even the heroes go around boiling people in oil and feeding them red-hot coals. Imagine Disney making a musical version of “The Girl Without Hands,” a story about a girl whose widowed father chops off her hands when she refuses to marry him!
Polly Shulman (The Grimm Legacy (The Grimm Legacy, #1))
Here is what I have come to believe: in the end, religion has done more harm than good. For one thing, there’s war, ethnic cleansing, genital mutilation, abused altar boys, the systematic oppression of women—the foundational text of Christianity locates women as the source of all evil, do not forget this when interacting with the faithful—as well as anyone who doesn’t fit into its narrow moral straitjacket. Hierarchy breeds corruption. Patriarchy cultivates debasement. Believing in something—anything—so blindly is corrosive. You follow a recipe instead of inventing your own world. There are certain corners you can’t see into. My mother used to say that raising your son or daughter to believe in God is child abuse. I have repeated this often, to shocked looks, even from my secular friends. I’m sorry: I believe it. Religious belief may be a pleasant distortion, a comfort, for a while, but too much, unexamined, for too long and it eats away at your body, turns you stupid, kills you. Serena was right: the effect is not dissimilar to alcohol.
Emily Temple (The Lightness)
they say Mama, I never said that, you’re saying it, you invented it. But I invent nothing; you just have to listen—the unspoken says more than the spoken.
Elena Ferrante (The Lost Daughter)
Nina and I laughed, and then astonishingly, Mother laughed, and the sound the three of us made together in the room created a silly joy inside me.
Sue Monk Kidd (The Invention of Wings)
most common people oft he market-place much prefer light literature to improving books. The problem is, that so many romances contain slanderous anecdotes about sovereigns and ministers or cast aspersions upon man’s wives and daughters so that they are packed with sex and violence. Even worse are those writers of the breeze-and-moonlight school, who corrupt the young with pornography and filth. As for books of the beauty-and-talented-scholar type, a thousand are written to a single pattern and none escapes bordering on indecency. They are filled with allusions to handsome, talented young men and beautiful, refined girls in history; but in order to insert a couple of his own love poems, the author invents stereotyped heroes and heroines with the inevitable low character to make trouble between them like a clown in a play, and makes even the slave girls talk pedantic nonsense. So all these novels are full of contradictions and absurdly unnatural.
Cao Xueqin (The Story of the Stone, or The Dream of the Red Chamber, Vol. 1: The Golden Days)
The hangman looked through the glass at a heap of yellow stars, which were glittering in the light of the tallow candle. Crystals like snow, each one perfect in its form and arrangement. Jakob Kuisl smiled. When he dipped into the mysteries of nature, he was sure that there must be a God. Who else could create such lovely works of art? Man’s inventions could only ape those of his Creator. On the other hand, it was the same God who ensured that people died like flies, carried off by plague and war. It was difficult in such times to believe in God, but Jakob Kuisl discovered Him in the beauties of nature.
Oliver Pötzsch (The Hangman's Daughter (The Hangman's Daughter, #1))
Let us not despise the woman who is neither mother nor daughter nor wife. Let us not limit our esteem to family life, narrow our tolerance to simple egotism. Given that heaven rejoices more at the repentance of one sinner than over a hundred good men who have never sinned, let us endeavor to make heaven rejoice. We may be rewarded with interest. Let us leave along the path the alms of our forgiveness for those whose earthly desires have marooned them, so that a divine hope may save them, and, as the wise old women say when they prescribe a remedy of their own invention, if it doesn't help, at least it can't hurt.
Alexandre Dumas fils (The Lady of the Camellias)
My mother overstated the dangers of the world – invented threats. And so I saw: Starbursts’ hoof-made gelatin never gave me mad cow. Mad cow was not a threat to me. And so I thought: most risks weren’t truly real.
Aspen Matis (Girl in the Woods: A Memoir)
To daughter Scotty Oct. 20, 1936 p. 313 Don't be a bit discouraged about your story not being tops. At the same time, I am not going to encourage you about it, because, after all, if you want to get into the big time, you have to have your own fences to jump and learn from experience. Nobody ever became a writer just by wanting to be one. If you have anything to say, anything you feel nobody has ever said before, you have got to feel it so desperately that you will find some way to say it that nobody has ever found before, so that the thing you have to say and the way of saying it blend as one matter - as indissolubly as if they were conceived together. Let me preach again for a moment: I mean that what you have felt and thought will by itself invent a new style, so that when people talk about style they are always a little astonished at the newness of it, because they think that it is only style that they are talking about, when what they are talking about is the attempt to express a new idea with such force that it will have the originality of the thought. It is an awfully lonesome business, and as you know, I never wanted you to go into it, but if you are going into it at all I want you to go into it knowing the sort of things that took me years to learn.
F. Scott Fitzgerald (A Life in Letters)
Love is the Creator’s greatest invention and, as St. Ambrose said, that is especially true when our entire spirit and body are involved in this extraordinary rite, which is after all the rite of our own birth and of our descent.
Dario Fo (The Pope's Daughter: A Novel of Lucrezia Borgia)
Our only hope is to follow the example of Jesus and get back out there, winning people over with ridiculous love and a lifestyle that causes them to finally sit up and take notice. Listen, no church can ever do this for me—not one who once hired us, not one we started, not an invented one in our imaginations. This is my high calling: to live on mission as an adopted daughter of Jesus. If people around me aren’t moved by my Christ or my church, then I must be doing a miserable job of representing them both.
Jen Hatmaker (Interrupted: When Jesus Wrecks Your Comfortable Christianity)
Earthquake in Sumatra. Plane crash in Russia. Man holds daughter captive in cellar for thirty years. Heidi Klum separates from Seal. Record salaries at Bank of America. Attack in Pakistan. Resignation of Mali’s president. New world record in shot put. Do you really need to know all these things? We are incredibly well informed, yet we know incredibly little. Why? Because two centuries ago, we invented a toxic form of knowledge called “news.” News is to the mind what sugar is to the body: appetizing, easy to digest—and highly destructive in the long run.
Rolf Dobelli (The Art of Thinking Clearly)
Why should we hate them? Because ours is the only true civilization! Even in science -- consider that we invented the sternpost rudder twelve hundred years before the Europeans did! Fore-and-aft sails in the third century! Treadmill paddle wheel for boats five hundred years later! Warships with rams and twenty paddle wheels by the twelfth century -- the British thought we had copied theirs, the fools! In the thirteenth century we had ships with fifty cabins for passengers, six-masts, double planking, water-tight compartments! Only in the last century did the barbarians even have transverse bulkheads! Five hundred years ago we already had ships four hundred and fifty feet long, and we grew fresh vegetables aboard in tubs! WE sailed the high seas to Sumatra and India, to Aden and Africa and even to Madagascar -- sixty years before the Portuguese bit a piece from the thigh of India! I curse Confucius and all those mad saints who persuaded us against war! Did you ever hear of Sun Wa, who lived three thousand years ago? No? Read the Art of War! 'If you are not in danger, do not fight,' he wrote. Now we are in danger!
Pearl S. Buck (Three Daughters of Madame Liang)
Her words infuriated me. I wondered for a moment if holding my tongue would help my cause with Mother. Was it ever right to sacrifice one’s truth for expedience? Mother would do what she would do, wouldn’t she? I wondered how it was possible I’d found my words out there in the world, but could lose them in the house where I was born.
Sue Monk Kidd (The Invention of Wings)
Rousseau saw the invention of farming as one big fiasco, and for this, too, we now have abundant scientific evidence. For one thing, anthropologists have discovered that hunter-gatherers led a fairly cushy life, with work weeks averaging twenty to thirty hours, tops. And why not? Nature provided everything they needed, leaving plenty of time to relax, hang out and hook up. Farmers, by contrast, had to toil in the fields and working the soil left little time for leisure. No pain, no grain. Some theologists even suspect that the story of the Fall alludes to the shift to organised agriculture, as starkly characterised by Genesis 3: ‘By the sweat of your brow you shall eat bread.’29 Settled life exacted an especially heavy toll on women. The rise of private property and farming brought the age of proto-feminism to an end. Sons stayed on the paternal plot to tend the land and livestock, which meant brides now had to be fetched for the family farm. Over centuries, marriageable daughters were reduced to little more than commodities, to be bartered like cows or sheep.30
Rutger Bregman (Humankind: A Hopeful History)
Nadia had invented versions of her mother’s life that did not end with a bullet shattering her brain. Her mother, no longer cradling a tiny, wrinkled body in a hospital bed, an exhausted smile on her face, but seventeen and scared, sitting inside an abortion clinic, waiting for her name to be called. Her mother, no longer her mother, graduating from high school, from college, from graduate school even. Her mother listening to lectures or delivering her own, stationed behind a podium, running a toe up the back of her calf. Her mother traveling the world, posing on the cliffs of Santorini, her arms bent toward the blue sky. Always her mother, although in this version of reality, Nadia did not exist. Where her life ended, her mother’s life began.
Brit Bennett (The Mothers)
early childhood she had given her deepest trust, and which for half a century has suggested what she might do, think, feel, desire, and become, has suddenly fallen silent. Now, at last, all those books have no instructions for her, no demands—because she is just too old. In the world of classic British fiction, the one Vinnie knows best, almost the entire population is under fifty, or even under forty—as was true of the real world when the novel was invented. The few older people—especially women—who are allowed into a story are usually cast as relatives; and Vinnie is no one’s mother, daughter, or sister. People over fifty who aren’t relatives are pushed into minor parts, character parts, and are usually portrayed as comic, pathetic, or disagreeable. Occasionally one will appear in the role of tutor or guide to some young protagonist, but more often than not their advice and example are bad; their histories a warning rather than a model. In most novels it is taken for granted that people over fifty are as set in their ways as elderly apple trees, and as permanently shaped and scarred by the years they have weathered. The literary convention is that nothing major can happen to them except through subtraction. They may be struck by lightning or pruned by the hand of man; they may grow weak or hollow; their sparse fruit may become misshapen, spotted, or sourly crabbed. They may endure these changes nobly or meanly. But they cannot, even under the best of conditions, put out new growth or burst into lush and unexpected bloom. Even today there are disproportionately few older characters in fiction. The
Alison Lurie (Foreign Affairs)
She kept the picture, though. She carried it with her everywhere she traveled: Istanbul and Rome, Berlin where she lived for three moths, sharing a flat with two Swedes. One night they got blitzed and she showed them the picture. The blond boys smiled at her quizzically, handing it back. It meant nothing to anybody but her, which was part of the reason she could never get rid of it. It was the only part of her life that was real. She didn't know what to do with the rest. All the stories she knew were fiction, so she began to create new ones. She was the daughter of a doctor, an actor, a baseball player. She was taking a break from medical school. She had a boyfriend back home named Reese. She was white, she was black, she became a new person as soon as she crossed a border. She was always inventing her life.
Brit Bennett (The Vanishing Half)
He closed his eyes. This bed was a wedding gift from friends he had not seen in years. He tried to remember their names, but they were gone. In it, or on it, his marriage had begun and, six years later, ended. He recognized a musical creak when he moved his legs, he smelled Julie on the sheets and banked-up pillows, her perfume and the close, soapy essence that characterized her newly washed linen. Here he had taken part in the longest, most revealing, and, later, most desolate conversations of his life. He had had the best sex ever here, and the worst wakeful nights. He had done more reading here than in any other single place - he remembered Anna Karenina and Daniel Deronda in one week of illness. He had never lost his temper so thoroughly anywhere else, nor had been so tender, protective, comforting, nor, since early childhood, been so cared for himself. Here his daughter had been conceived and born. On this side of the bed. Deep in the mattress were the traces of pee from her early-morning visits. She used to climb between then, sleep a little, then wake them with her chatter, her insistence on the day beginning. As they clung to their last fragments of dreams, she demanded the impossible: stories, poems, songs, invented catechisms, physical combat, tickling. Nearly all evidence of her existence, apart from photographs, they had destroyed or given away. All the worst and the best things that had ever happened to him had happened here. This was where he belonged. Beyond all immediate considerations, like the fact that his marriage was more or less finished, there was his right to lie here now in the marriage bed.
Ian McEwan (The Child in Time)
The first inkling of this notion had come to him the Christmas before, at his daughter's place in Vermont. On Christmas Eve, as indifferent evening took hold in the blue squares of the windows, he sat alone in the crepuscular kitchen, imbued with a profound sense of the identity of winter and twilight, of twilight and time, of time and memory, of his childhood and that church which on this night waited to celebrate the second greatest of its feasts. For a moment or an hour as he sat, become one with the blue of the snow and the silence, a congruity of star, cradle, winter, sacrament, self, it was as though he listened to a voice that had long been trying to catch his attention, to tell him, Yes, this was the subject long withheld from him, which he now knew, and must eventually act on. He had managed, though, to avoid it. He only brought it out now to please his editor, at the same time aware that it wasn't what she had in mind at all. But he couldn't do better; he had really only the one subject, if subject was the word for it, this idea of a notion or a holy thing growing clear in the stream of time, being made manifest in unexpected ways to an assortment of people: the revelation itself wasn't important, it could be anything, almost. Beyond that he had only one interest, the seasons, which he could describe endlessly and with all the passion of a country-bred boy grown old in the city. He was beginning to doubt (he said) whether these were sufficient to make any more novels out of, though he knew that writers of genius had made great ones out of less. He supposed really (he didn't say) that he wasn't a novelist at all, but a failed poet, like a failed priest, one who had perceived that in fact he had no vocation, had renounced his vows, and yet had found nothing at all else in the world worth doing when measured by the calling he didn't have, and went on through life fatally attracted to whatever of the sacerdotal he could find or invent in whatever occupation he fell into, plumbing or psychiatry or tending bar. ("Novelty")
John Crowley (American Fantastic Tales: Terror and the Uncanny from the 1940s to Now)
The truth was that Svetlana did not know what love was. Some deep part of her probably believed she couldn’t be loved. She was still looking for a romanticized, idealized substitute for love. In this she was not unlike many women, though perhaps her case was extreme. She felt she needed a man to invent her or complete her. Her desperation came from the terror of being alone, but who among the men she was drawn to would bind themselves to Stalin’s daughter and take on that darkness?
Rosemary Sullivan (Stalin's Daughter: The Extraordinary and Tumultuous Life of Svetlana Alliluyeva)
Lucy never bought the reason for trimming the pot roast,” he recounted. Her mother had offered other reasonable explanations. The smaller end tended to be too fatty, for example. The bit they trimmed away always served up too bitter or too tough. Whatever the case, her mother had reasoned, this was how she’d been taught by her mother, Lucinda’s grandmother, so this was how she meant to teach her own daughter. “And still”—Foster shrugged and offered up both hands helplessly—“Lucinda insisted they call her grandmother and keep asking.” So they’d called Lucinda’s grandmother. A woman dead of cancer for three years now. And they’d asked why it was so important to trim the smaller end off the pot roast. Here he wound up to deliver the story’s payoff. “It wasn’t because the meat cooked unevenly or dried out,” he said. “It was because the only roasting pan they’d had—so long ago—had only been so-big.” A lesson in perpetuating a mistake across generations. A dozen valid reasons, all wrong.
Chuck Palahniuk (The Invention of Sound)
It meant nothing to anybody but her, which was part of the reason she could never get rid of it. It was the only part of her life that was real. She didn’t know what to do with the rest. All the stories she knew were fiction, so she began to create new ones. She was the daughter of a doctor, an actor, a baseball player. She was taking a break from medical school. She had a boyfriend back home named Reese. She was white, she was black, she became a new person as soon as she crossed a border. She was always inventing her life.
Brit Bennett (The Vanishing Half)
For example, my stepfather Tío Ramón calls from time to time to tell me that some uncle three times removed, whom I have never met, has died and left a daughter in a difficult situation. The girl wants to study nursing but doesn’t have the means to do so. It is up to Tío Ramón, as the elder of the clan, to contact anyone who has blood ties to the deceased, from close relatives to far-flung cousins, to finance the education of the future nurse. To refuse to help would be so despicable that it would be writ in the annals of the family for several generations.
Isabel Allende (My Invented Country: A Nostalgic Journey Through Chile)
Edward confessed to me that for all of the tales of mystery and horror that he had read and heard and invented for his sisters, the night in the clearing of the woods, when he fled for his life and sought refuge in this house, was his first experience of true fear. It changed him, he said: terror opened up something inside him that could never be properly sealed. I know now exactly what he meant. True fear is indelible; the sensation does not recede, even when the cause is long forgotten. It is a new way of seeing the world: the opening of a door that can never be closed again.
Kate Morton (The Clockmaker's Daughter)
The first great Greek powers were the Mycenaeans who were basically pirates at first: they sacked Phoenician boats, rammed Cretan ships, and soon had enough goods to go into business for themselves. Around 1500 BCE, they destroyed the Minoan civilization on Crete. Their stories describe this as a war with an evil king Minos who kept demanding that the Greeks deliver virgins to him every year until finally the great Greek hero Theseus went over and crushed the bastard and, just to salt the wound, made off with his (virgin) daughter. The Cretan version of this event would probably be different, if we but knew it.
Tamim Ansary (The Invention of Yesterday: A 50,000-Year History of Human Culture, Conflict, and Connection)
in truth there is as much adultery, as many teenage pregnancies, children born out of wedlock, and abortions, as in any other country. I have a woman friend who is a gynecologist and has specialized in looking after unmarried pregnant teenagers, and she assures me that unwanted pregnancies are much less common among university students. That happens more in low-income families, in which parents place more emphasis on educating and providing opportunities to their male children than to their daughters. These girls have no plans, they see a gray future, and they have limited education and little self-esteem; some become pregnant out of pure ignorance.
Isabel Allende (My Invented Country: A Nostalgic Journey Through Chile)
Whoever maintains that racism is a thing of the past is dead wrong, as I found out in my latest visit, when I learned that one of the most brilliant graduates in the law school was denied a place in a prestigious law firm because “he didn’t fit the corporate profile.” In other words, he was a mestizo, that is, he had mixed blood, and a Mapuche surname. The firm’s clients would never be confident of his ability to represent them; nor would they allow him to go out with one of their daughters. Just as in the rest of Latin America, the upper class of Chile is relatively white, and the farther one descends the steep social ladder the more Indian the characteristics become.
Isabel Allende (My Invented Country: A Nostalgic Journey Through Chile)
And barbarians were inventors not only of philosophy, but almost of every art. The Egyptians were the first to introduce astrology among men. Similarly also the Chaldeans. The Egyptians first showed how to burn lamps, and divided the year into twelve months, prohibited intercourse with women in the temples, and enacted that no one should enter the temples from a woman without bathing. Again, they were the inventors of geometry. There are some who say that the Carians invented prognostication by the stars. The Phrygians were the first who attended to the flight of birds. And the Tuscans, neighbours of Italy, were adepts at the art of the Haruspex. The Isaurians and the Arabians invented augury, as the Telmesians divination by dreams. The Etruscans invented the trumpet, and the Phrygians the flute. For Olympus and Marsyas were Phrygians. And Cadmus, the inventor of letters among the Greeks, as Euphorus says, was a Phoenician; whence also Herodotus writes that they were called Phoenician letters. And they say that the Phoenicians and the Syrians first invented letters; and that Apis, an aboriginal inhabitant of Egypt, invented the healing art before Io came into Egypt. But afterwards they say that Asclepius improved the art. Atlas the Libyan was the first who built a ship and navigated the sea. Kelmis and Damnaneus, Idaean Dactyli, first discovered iron in Cyprus. Another Idaean discovered the tempering of brass; according to Hesiod, a Scythian. The Thracians first invented what is called a scimitar (arph), -- it is a curved sword, -- and were the first to use shields on horseback. Similarly also the Illyrians invented the shield (pelth). Besides, they say that the Tuscans invented the art of moulding clay; and that Itanus (he was a Samnite) first fashioned the oblong shield (qureos). Cadmus the Phoenician invented stonecutting, and discovered the gold mines on the Pangaean mountain. Further, another nation, the Cappadocians, first invented the instrument called the nabla, and the Assyrians in the same way the dichord. The Carthaginians were the first that constructed a triterme; and it was built by Bosporus, an aboriginal. Medea, the daughter of Æetas, a Colchian, first invented the dyeing of hair. Besides, the Noropes (they are a Paeonian race, and are now called the Norici) worked copper, and were the first that purified iron. Amycus the king of the Bebryci was the first inventor of boxing-gloves. In music, Olympus the Mysian practised the Lydian harmony; and the people called Troglodytes invented the sambuca, a musical instrument. It is said that the crooked pipe was invented by Satyrus the Phrygian; likewise also diatonic harmony by Hyagnis, a Phrygian too; and notes by Olympus, a Phrygian; as also the Phrygian harmony, and the half-Phrygian and the half-Lydian, by Marsyas, who belonged to the same region as those mentioned above. And the Doric was invented by Thamyris the Thracian. We have heard that the Persians were the first who fashioned the chariot, and bed, and footstool; and the Sidonians the first to construct a trireme. The Sicilians, close to Italy, were the first inventors of the phorminx, which is not much inferior to the lyre. And they invented castanets. In the time of Semiramis queen of the Assyrians, they relate that linen garments were invented. And Hellanicus says that Atossa queen of the Persians was the first who composed a letter. These things are reported by Seame of Mitylene, Theophrastus of Ephesus, Cydippus of Mantinea also Antiphanes, Aristodemus, and Aristotle and besides these, Philostephanus, and also Strato the Peripatetic, in his books Concerning Inventions. I have added a few details from them, in order to confirm the inventive and practically useful genius of the barbarians, by whom the Greeks profited in their studies. And if any one objects to the barbarous language, Anacharsis says, "All the Greeks speak Scythian to me." [...]
Clement of Alexandria (Stromateis, Books 1-3 (Fathers of the Church))
The introverted attitude need not necessarily coincide with the figure of Prometheus, by which I mean that the traditional Prometheus can be interpreted quite differently. This other version is found, for instance, in Plato’s Protagoras, where the bestower of vital powers on the creatures the gods have created out of fire and water is not Prometheus but Epimetheus. Here, as in the myth, Prometheus (conforming to classical taste) is the crafty and inventive genius. There are two versions of Prometheus in Goethe’s works. In the “Prometheus Fragment” of 1773 Prometheus is the defiant, self-sufficient, godlike, god-disdaining creator and artist. His soul is Minerva, daughter of Zeus. The relation of Prometheus to Minerva is very like the relation of Spitteler’s Prometheus to his soul:
C.G. Jung (Collected Works of C. G. Jung, Volume 6: Psychological Types (The Collected Works of C. G. Jung))
As they left the library, Arin said, “Kestrel--” “Not a word. Don’t speak until we are in the carriage.” They walked swiftly down the halls--Arin’s halls--and when Kestrel stole sidelong looks at him he still seemed stunned and dizzy. Kestrel had been seasick before, at the beginning of her sailing lessons, and she wondered if this was how Arin felt, surrounded by his home--like when the eyes can pinpoint the horizon but the stomach cannot. Their silence broke when the carriage door closed them in. “You are mad.” Arin’s voice was furious, desperate. “It was my book. My doing. You had no right to interfere. Did you think I couldn’t bear the punishment for being caught?” “Arin.” Fear trembled through her as she finally realized what she had done. She strove to sound calm. “A duel is simply a ritual.” “It’s not yours to fight.” “You know you cannot. Irex would never accept, and if you drew a blade on him, every Valorian in the vicinity would cut you down. Irex won’t kill me.” He gave her a cynical look. “Do you deny that he is the superior fighter?” “So he will draw first blood. He will be satisfied, and we will both walk away with honor.” “He said something about a death-price.” That was the law’s penalty for a duel to the death. The victor paid a high sum to the dead duelist’s family. Kestrel dismissed this. “It will cost Irex more than gold to kill General Trajan’s daughter.” Arin dropped his face into his hands. He began to swear, to recite every insult against the Valorian’s the Herrani had invented, to curse them by every god. “Really, Arin.” His hands fell away. “You, too. What a stupid thing for you to do. Why did you do that? Why would you do such a stupid thing?” She thought of his claim that Enai could never have loved her, or if she had, it was a forced love. “You might not think of me as your friend,” Kestrel told Arin, “but I think of you as mine.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
You needn't instruct me to think about my children's welfare," Phoebe said quietly. "I've always put them first, and always will. As for me being a child... I'm afraid I'm not nearly enough like one." A faint smile touched her lips. "Children are optimistic. They have a natural sense of adventure. To them, the world has no limitations, only possibilities. Henry was always a bit childlike in that way- he never became disenchanted with life. That was what I loved most about him." "If you loved Henry, you will honor his wishes. He wanted Edward to have charge of his family and estate." "Henry wanted to make sure our future would be in capable hands. But it already is." "Yes. Edward's." "No, mine. I'll learn everything I need to know about managing this estate. I'll hire people to help me if necessary. I'll have this place thriving. I don't need a husband to do it for me. If I marry again, it will be to a man of my choosing, in my own time. I can't promise it will be Edward. I've changed during the past two years, but so far, he doesn't see me for who I am, only who I was. For that matter, he doesn't see how the world has changed- he ignores the realities he doesn't like. How can I trust him with our future?" Georgiana regarded her bitterly. "Edward is not the one who is ignoring reality. How can you imagine yourself capable of running this estate?" "Why wouldn't I be?" "Women aren't capable of leadership. Our intelligence is no less than men's, but it is shaped for the purpose of motherhood. We're clever enough to operate the sewing machine, but not to have invented it. If you asked the opinions of a thousand people whether they would trust you or Edward to make decisions for the estate, whom do you think they would choose?" "I'm not going to ask a thousand people for their opinions," Phoebe said evenly. "Only one opinion is required, and it happens to be mine." She went to the doorway and paused, unable to resist adding, "That's leadership." And she left the dowager fuming in silence.
Lisa Kleypas (Devil's Daughter (The Ravenels, #5))
On February 14 Jefferson accepted the post. On February 23, 1790, Jefferson’s daughter Martha was married at Monticello to a third cousin, Thomas Mann Randolph Jr. Presumably, on the scene was her youthful aunt the slave Sally Hemings, daughter of Martha’s grandfather, John Wayles. The fact that Jefferson would have six children by Sally (half-sister to his beloved wife, another Martha) has been a source of despair to many old-guard historians, but, unhappily for them, recent DNA testings establish consanguinity between the Hemingses and their master, whose ambivalences about slavery (not venery) are still of central concern to us. If all men are created equal, then, if you are serious, free your slaves, Mr. Jefferson. But they were his capital. He could not and survive, and so he did not. He even transferred six families of slaves to daughter Martha and her husband. It might be useful for some of his overly correct critics to try to put themselves in his place. But neither empathy nor compassion is an American trait. Witness, the centuries of black slavery taken for granted by much of the country.
Gore Vidal (Inventing a Nation: Washington, Adams, Jefferson)
After dinner the younger daughters desired to love Leora, in swarms. Martin had to take the twins on his knees and tell them a story. They were remarkably heavy twins, but no heavier than the labor of inventing a plot. Before they went to bed, the entire Healthette Octette sang the famous Health Hymn (written by Dr. Almus Pickerbaugh) which Martin was to hear on so many bright and active public occasions in Nautilus. It was set to the tune of “The Battle Hymn of the Republic,” but as the twins’ voices were energetic and extraordinarily shrill, it had an effect all its own: Oh, are you out for happiness or are you out for pelf? You owe it to the grand old flag to cultivate yourself, To train the mind, keep clean the streets, and ever guard your health. Then we’ll all go marching on. A healthy mind in A clean body, A healthy mind in A clean body, A healthy mind in A clean body, The slogan for one and all. As a bedtime farewell, the twins then recited, as they had recently at the Congregational Festival, one of their father’s minor lyrics: What does little birdie say On the sill at break o’ day? “Hurrah for health in Nautilus For Pa and Ma and all of us, Hurray, hurray, hurray!
Sinclair Lewis
5236 rue St. Urbain The baby girl was a quick learner, having synthesized a full range of traits of both of her parents, the charming and the devious. Of all the toddlers in the neighbourhood, she was the first to learn to read and also the first to tear out the pages. Within months she mastered the grilling of the steaks and soon thereafter presented reasons to not grill the steaks. She was the first to promote a new visceral style of physical comedy as a means of reinvigorate the social potential of satire, and the first to declare the movement over. She appreciated the qualities of movement and speed, but also understood the necessity of slowness and leisure. She quickly learned the importance of ladders. She invented games with numerous chess-boards, matches and glasses of unfinished wine. Her parents, being both responsible and duplicitous people, came up with a plan to protect themselves, their apartment and belongings, while also providing an environment to encourage the open development of their daughter's obvious talents. They scheduled time off work, put on their pajamas and let the routines of the apartment go. They put their most cherished books right at her eye-level and gave her a chrome lighter. They blended the contents of the fridge and poured it into bowls they left on the floor. They took to napping in the living room, waking only to wipe their noses on the picture books and look blankly at the costumed characters on the TV shows. They made a fuss for their daughter's attention and cried when she wandered off; they bit or punched each other when she out of the room, and accused the other when she came in, looking frustrated. They made a mess of their pants when she drank too much, and let her figure out the fire extinguisher when their cigarettes set the blankets smoldering. They made her laugh with cute songs and then put clothes pins on the cat's tail. Eventually things found their rhythm. More than once the three of them found their faces waxened with tears, unable to decide if they had been crying, laughing, or if it had all been a reflex, like drooling. They took turns in the bath. Parents and children--it is odd when you trigger instinctive behaviour in either of them--like survival, like nurture. It's alright to test their capabilities, but they can hurt themselves if they go too far. It can be helpful to imagine them all gorging on their favourite food until their bellies ache. Fall came and the family went to school together.
Lance Blomgren (Walkups)
A challenge.” He tsked. “I’ll let you take it back. Just this one.” “I cannot take it back.” At that, Irex drew his dagger and imitated Kestrel’s gesture. They stood still, then sheathed their blades. “I’ll even let you choose the weapons,” Irex said. “Needles. Now it is to you to choose the time and place.” “My grounds. Tomorrow, two hours from sunset. That will give me time to gather the death-price.” This gave Kestrel pause. But she nodded, and finally turned to Arin. He looked nauseated. He sagged in the senators’ grip. It seemed they weren’t restraining him, but holding him up. “You can let go,” Kestrel told the senators, and when they did, she ordered Arin to follow her. As they left the library, Arin said, “Kestrel--” “Not a word. Don’t speak until we are in the carriage.” They walked swiftly down the halls--Arin’s halls--and when Kestrel stole sidelong looks at him he still seemed stunned and dizzy. Kestrel had been seasick before, at the beginning of her sailing lessons, and she wondered if this was how Arin felt, surrounded by his home--like when the eyes can pinpoint the horizon but the stomach cannot. Their silence broke when the carriage door closed them in. “You are mad.” Arin’s voice was furious, desperate. “It was my book. My doing. You had no right to interfere. Did you think I couldn’t bear the punishment for being caught?” “Arin.” Fear trembled through her as she finally realized what she had done. She strove to sound calm. “A duel is simply a ritual.” “It’s not yours to fight.” “You know you cannot. Irex would never accept, and if you drew a blade on him, every Valorian in the vicinity would cut you down. Irex won’t kill me.” He gave her a cynical look. “Do you deny that he is the superior fighter?” “So he will draw first blood. He will be satisfied, and we will both walk away with honor.” “He said something about a death-price.” That was the law’s penalty for a duel to the death. The victor paid a high sum to the dead duelist’s family. Kestrel dismissed this. “It will cost Irex more than gold to kill General Trajan’s daughter.” Arin dropped his face into his hands. He began to swear, to recite every insult against the Valorian’s the Herrani had invented, to curse them by every god. “Really, Arin.” His hands fell away. “You, too. What a stupid thing for you to do. Why did you do that? Why would you do such a stupid thing?” She thought of his claim that Enai could never have loved her, or if she had, it was a forced love. “You might not think of me as your friend,” Kestrel told Arin, “but I think of you as mine.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
In fact, if I really think about it, what I loved best in my daughters was what seemed alien to me. In them—I felt—I liked most the features that came from their father, even after our marriage stormily ended. Or those which went back to ancestors of whom I knew nothing. Or those which seemed, in the combining of organisms, an ingenious invention of chance. It seemed to me, in other words, that the closer I felt to them, the less responsibility I bore for their bodies. But that alien closeness was rare. Their troubles, their griefs, their conflicts returned to impose themselves, continuously, and I was bitter, I felt a sense of guilt. I was always, in some way, the origin of their sufferings, and the outlet. only of obvious resemblances but of secret ones, those we become aware of later, the aura of bodies, the aura that stuns like a strong liquor. Barely perceptible tones of voice. A small gesture, a way of batting the eyelashes, a smile-sneer. The walk, the shoulder that leans slightly to the left, a graceful swinging of the arms. The impalpable mixture of tiny movements that, combined in a certain way, make Bianca seductive, Marta not, or vice versa, and so cause pride, pain. Or hatred, because the mother’s power always seems to be that she gives unfairly, beginning in the living niche of the womb.
Elena Ferrante (The Lost Daughter)
Tom, will you let me love you in your restaurant? i will let you make me a sandwich of your invention and i will eat it and call it a carolyn sandwich. then you will kiss my lips and taste the mayonnaise and that is how you shall love me in my restaurant. Tom, will you come up to my empty beige apartment and help me set up my daybed? yes, and i will put the screws in loosely so that when we move on it, later, it will rock like a cradle and then you will know you are my baby Tom, I am sitting on my dirt bike on the deck. Will you come out from the kitchen and watch the people with me? yes, and then we will race to your bedroom. i will win and we will tangle up on your comforter while the sweat rains from your stomachs and foreheads. Tom, the stars are sitting in tonight like gumball gems in a little girl’s jewlery box. Later can we walk to the duck pond? yes, and we can even go the long way past the jungle gym. i will push you on the swing, but promise me you’ll hold tight. if you fall i might disappear. Tom, can we make a baby together? I want to be a big pregnant woman with a loved face and give you a squalling red daughter. no, but i will come inside you and you will be my daughter Tom, will you stay the night with me and sleep so close that we are one person, no, but i will lay down on your sheets and taste you. there will be feathers of you on my tongue and then I will never forget you Tom, when we are in line at the convenience store can I put my hands in your back pockets and my lips and nose in your baseball shirt and feel the crook of your shoulder blade? no, but later you can lay against me and almost touch me and when i go i will leave my shirt for you to sleep in so that always at night you will be pressed up against the thought of me. Tom, if I weep and want to wait until you need me will you promise that someday you will need me? no, but i will sit in silence while you rage. you can knock the chairs down any mountain. i will always be the same and you will always wait. Tom, will you climb on top of the dumpster and steal the sun for me? It’s just hanging there and I want it. no, it will burn my fingers. no one can have the sun: it’s on loan from god. but i will draw a picture of it and send it to you from richmond and then you can smooth out the paper and you will have a piece of me as well as the sun Tom, it’s so hot here, and I think I’m being born. Will you come back from Richmond and baptise me with sex and cool water? i will come back from richmond. i will smooth the damp spiky hairs from the back of your wet neck and then i will lick the salt off it. then i will leave Tom, Richmond is so far away. How will I know how you love me? i have left you. that is how you will know
Carolyn Creedon
The doctors had hit an artery, which is not standard procedure. They worked quickly to deal with it-to this day I have no idea what actually happened, but whatever they did worked, because our beautiful Angel was born soon after. Chris was the first person to hold her. They word beaming was invented to describe the proud expression on his face. I went into the recovery room and slept for a while. When I woke up, Chris was holding Angel. He looked so natural with her-a big six-footer holding a six-pound bundle in the crook of his arm, already bonded to her. “Do you want to hold her?” he asked. I was exhausted, and I knew she was safe with him, so I told him no. He forced himself to smile. He explained later that he thought my response meant I was rejecting the baby-having worked on a ranch, I guess he had seen animals do that, with dire results for their new offspring. But of course I wasn’t; they just looked perfect together, and I was barely conscious. I asked for her a few minutes later, when I felt stronger. He passed her on gently, and I held her for the first time. There is no way really to describe how that feels. In many ways, the birth was a miracle, not a disaster. Because of Angel’s dilemma, her father was able to be there at her birth-something that wouldn’t have happened had that ultrasound been routine, since I would have waited another four or five weeks for her. A potential tragedy had been turned into something beautiful. It was quite a miracle, I thought, that he had been present for both births, despite the long odds against it. Sometimes God’s plan for us is difficult to decipher, but the end result can be far more wonderful than we thought. I knew that. I felt that. And yet, I had a terrible feeling, lying in the bed that night, one I couldn’t shake and one I didn’t dare put into words: Maybe God gave Chris this chance to be with his daughter because he’s going to die in Iraq.
Taya Kyle (American Wife: Love, War, Faith, and Renewal)
Sometimes I have thought I heard a Dwarf-drum in the mountains. Sometimes at night, in the woods, I thought I had caught a glimpse of Fauns and Satyrs dancing a long way off; but when I came to the place, there was never anything there. I have often despaired; but something always happens to start me hoping again. I don’t know. But at least you can try to be a King like the High King Peter of old, and not like your uncle.” “Then it’s true about the Kings and Queens too, and about the White Witch?” said Caspian. “Certainly it is true,” said Cornelius. “Their reign was the Golden Age in Narnia and the land has never forgotten them.” “Did they live in this castle, Doctor?” “Nay, my dear,” said the old man. “This castle is a thing of yesterday. Your great-great-grandfather built it. But when the two sons of Adam and the two daughters of Eve were made Kings and Queens of Narnia by Aslan himself, they lived in the castle of Cair Paravel. No man alive has seen that blessed place and perhaps even the ruins of it have now vanished. But we believe it was far from here, down at the mouth of the Great River, on the very shore of the sea.” “Ugh!” said Caspian with a shudder. “Do you mean in the Black Woods? Where all the--the--you know, the ghosts live?” “Your Highness speaks as you have been taught,” said the Doctor. “But it is all lies. There are no ghosts there. That is a story invented by the Telmarines. Your Kings are in deadly fear of the sea because they can never quite forget that in all stories Aslan comes from over the sea. They don’t want to go near it and they don’t want anyone else to go near it. So they have let great woods grow up to cut their people off from the coast. But because they have quarreled with the trees they are afraid of the woods. And because they are afraid of the woods they imagine that they are full of ghosts. And the Kings and great men, hating both the sea and the wood, partly believe these stories, and partly encourage them. They feel safer if no one in Narnia dares to go down to the coast and look out to sea--toward Aslan’s land and the morning and the eastern end of the world.
C.S. Lewis (Prince Caspian (Chronicles of Narnia, #2))
Sung was a land which was famous far and wide, simply because it was so often and so richly insulted. However, there was one visitor, more excitable than most, who developed a positive passion for criticizing the place. Unfortunately, the pursuit of this hobby soon lead him to take leave of the truth. This unkind traveler once claimed that the king of Sung, the notable Skan Askander, was a derelict glutton with a monster for a son and a slug for a daughter. This was unkind to the daughter. While she was no great beauty, she was definitely not a slug. After all, slugs do not have arms and legs - and besides, slugs do not grow to that size. There was a grain of truth in the traveler's statement, in as much as the son was a regrettable young man. However, soon afterwards, the son was accidentally drowned when he made the mistake of falling into a swamp with his hands and feet tied together and a knife sticking out of his back. This tragedy did not encourage the traveler to extend his sympathies to the family. Instead, he invented fresh accusations. This wayfarer, an ignorant tourist if ever there was one, claimed that the king had leprosy. This was false. The king merely had a well-developed case of boils. The man with the evil mouth was guilty of a further malignant slander when he stated that King Skan Askander was a cannibal. This was untrue. While it must be admitted that the king once ate one of his wives, he did not do it intentionally; the whole disgraceful episode was the fault of the chef, who was a drunkard, and who was subsequently severely reprimanded. .The question of the governance, and indeed, the very existence of the 'kingdom of Sung' is one that is worth pursuing in detail, before dealing with the traveler's other allegations. It is true that there was a king, his being Skan Askander, and that some of his ancestors had been absolute rulers of considerable power. It is also true that the king's chief swineherd, who doubled as royal cartographer, drew bold, confident maps proclaiming that borders of the realm. Furthermore, the king could pass laws, sign death warrants, issue currency, declare war or amuse himself by inventing new taxes. And what he could do, he did. "We are a king who knows how to be king," said the king. And certainly, anyone wishing to dispute his right to use of the imperial 'we' would have had to contend with the fact that there was enough of him, in girth, bulk, and substance, to provide the makings of four or five ordinary people, flesh, bones and all. He was an imposing figure, "very imposing", one of his brides is alleged to have said, shortly before the accident in which she suffocated. "We live in a palace," said the king. "Not in a tent like Khmar, the chief milkmaid of Tameran, or in a draughty pile of stones like Comedo of Estar." . . .From Prince Comedo came the following tart rejoinder: "Unlike yours, my floors are not made of milk-white marble. However, unlike yours, my floors are not knee-deep in pigsh*t." . . .Receiving that Note, Skan Askander placed it by his commode, where it would be handy for future royal use. Much later, and to his great surprise, he received a communication from the Lord Emperor Khmar, the undisputed master of most of the continent of Tameran. The fact that Sung had come to the attention of Khmar was, to say the least, ominous. Khmar had this to say: "Your words have been reported. In due course, they will be remembered against you." The king of Sung, terrified, endured the sudden onset of an attack of diarrhea that had nothing to do with the figs he had been eating. His latest bride, seeing his acute distress, made the most of her opportunity, and vigorously counselled him to commit suicide. Knowing Khmar's reputation, he was tempted - but finally, to her great disappointment, declined. Nevertheless, he lived in fear; he had no way of knowing that he was simply the victim of one of Khmar's little jokes.
Hugh Cook (The Wordsmiths and the Warguild)
It is a saga of mothers and daughters, men and women, hope, despair, passion, and the striving after an impossible "American" ideal. Barbie is an emblem of "femininity," a concept quite different from biological femaleness. Barbie was invented by women for women, and the wrath brought to bear upon Barbie by some women is perhaps wrath deflected from themselves.
M.G. Lord (Forever Barbie: The Unauthorized Biography of a Real Doll)
The written word for the trouble is two women beneath one rooftree, and I greatly fear that the wise man who invented writing had knowledge that cost him dear. Perhaps he, too, had a daughter-in-law.
Eileen Goudge (Golden Lilies)
The next morning, while everyone else sat in the waiting area, Mia and I met with the doctor. “Well, I have good news and bad news,” Dr. Genecov said. “The bad news is that she needs this surgery, and we need to get it on the books right now. The good news is that I’ve worked with a company to invent a new device. Instead of using the halo, I can now do everything internally.” What? Did I just hear what I think I heard? He continued talking, but I honestly didn’t hear anything for the next few seconds while I tried to process this new information. Seriously? I can’t believe this! I thought. Where did this come from? I knew he was working on a better bone graft procedure before we needed it, but this just came out of nowhere! I tried my best to hold myself together. All I wanted to do was call Jase and tell him this news. Actually, I wanted to climb the nearest mountain (if there were mountains in Dallas) and shout it from the top of my lungs! After thanking him profusely, Mia and I walked down the hall for our appointment with Dr. Sperry. “Do you know what you just avoided?” Dr. Sperry asked, grinning from ear to ear. “A shaved head, the intensive care unit for a week, and a much longer recovery period.” That was it. I couldn’t hold back any longer and let my tears flow. Mia looked at me in surprise. If I was embarrassing her, I didn’t care. It was for a good reason. “Dr. Genecov has been working hard to perfect this procedure, and he has done it one time so far.” She looked right at Mia and said, “And I’m convinced he did that one to get ready for you.” Mia smiled and said, “Cool.” Mia had enjoyed her honeymoon period. She felt no stress or anxiety about the future, which was a great blessing. I was thankful that I had not told her about the distraction surgery and glad that my eleven-year-old daughter didn’t understand all that she had been spared because of this development. When I filled in my mom, Bonny, and Tori on this unexpected and exhilarating news, they all gasped, then shouted and hugged me. All I could think of was how grateful I was to my Father in heaven. He had done this. Why? I don’t know. But I knew He had chosen this moment for Dr. Genecov to perfect a new invention that would spare my daughter, at this exact time in her life, the ordeal of a device that would have been surgically screwed into her skull. After getting to the parking lot, I immediately called Jase with this incredible news. Like me, he was having a hard time wrapping his head around it. “How many of these has he done?” I hesitated, then said, “One.” “One? He’s done one? I don’t know about this, Missy.” I quickly reminded him of Dr. Genecov’s success in the new bone graft surgery and said, “Babe, I think it’s worth the risk. He’s proven to us just how good he is.” Jase is not one to make a quick decision about anything, but before our phone call ended, he agreed that we should move forward with the surgery.
Missy Robertson (Blessed, Blessed ... Blessed: The Untold Story of Our Family's Fight to Love Hard, Stay Strong, and Keep the Faith When Life Can't Be Fixed)
It is obvious the First Mother favors you overmuch, Gen,” Chertanne observed haughtily. “In matters of being over favored, I will certainly defer to your judgment,” Gen returned. “I certainly judge correctly in this! I am the Savior of the World and her future son-in-law and she has not invited me to a private dinner!” “Considering that during the last meal she took with you, you tried to drag her daughter off to your bed like a common street whore, I think it’s understandable that she needs an ample period of time to invent some good feeling for you before inviting you to dinner.
Brian Fuller (Ascension (The Trysmoon Saga, #1))
I certainly judge correctly in this! I am the Savior of the World and her future son-in-law and she has not invited me to a private dinner!” “Considering that during the last meal she took with you, you tried to drag her daughter off to your bed like a common street whore, I think it’s understandable that she needs an ample period of time to invent some good feeling for you before inviting you to dinner.
Brian Fuller (Ascension (The Trysmoon Saga, #1))
Peel finally decided to interrupt the endless stream of complaints and grievances and call Babbage to order with a hard fact: ‘Mr Babbage, by your own admission you have rendered the Difference Engine useless by inventing a better machine.’ Babbage took the bait and glared at Peel. ‘But if I finish the Difference Engine it will do even more than I promised. It is true that it has been superseded by better machinery, but it is very far from being “useless.
James Essinger (Ada's Algorithm: How Lord Byron's Daughter Ada Lovelace Launched the Digital Age)
As the priest in Harold Frederic’s novel The Damnation of Theron Ware cynically concludes, There must always be a church. If one did not exist, it would be necessary to invent it. It is needed, first and foremost, as a police force. It is needed, secondly, so to speak, as a fire insurance. . . . . It furnishes the best obtainable social machinery for marrying off one’s daughters, getting to know the right people, patching up quarrels, and so on. The priesthood earn their salaries as the agents for these valuable social arrangements. Sometimes
Philip Yancey (Christians and Politics Uneasy Partners)
Ideographically the Chinese represent wife by a woman holding a broom—certainly not to brandish it offensively or defensively against her conjugal ally, neither for witchcraft, but for the more harmless uses for which the besom was first invented—the idea involved being thus not less homely than the etymological derivation of the English wife (weaver) and daughter (duhitar, milkmaid).
Nitobe Inazō (Bushido: The Soul of Japan)
He began his tenure proclaiming that he would make Uzbekistan great again and plastered his catchphrase, “Uzbekistan—a future great state!,” on ubiquitous signs.1 He called independent media “the enemy of the people” and hid information about national crises from the public.2 He persecuted political opponents, LGBT citizens, pious Muslims, and other marginalized groups.3 He had an intense yet strange relationship with Russia. And he had a glamorous fashionista daughter who kept inserting herself into political affairs despite her utter lack of qualifications …
Sarah Kendzior (Hiding in Plain Sight: The Invention of Donald Trump and the Erosion of America)
Lewis’s Chronicles of Narnia are about finding a master story that makes sense of all other stories—and then embracing that story with delight because of its power to give meaning and value to life. Yet Lewis’s narrative nevertheless subtly raises darker questions. Which story is the true story? Which stories are merely its shadows and echoes? And which are mere fabrications—tales spun to entrap and deceive? At an early stage in The Lion, the Witch and the Wardrobe, the four children begin to hear stories about the true origins and destiny of Narnia. Puzzled, they find they have to make decisions about which people and which stories are to be trusted. Is Narnia really the realm of the White Witch? Or is she a usurper, whose power will be broken when two Sons of Adam and two Daughters of Eve sit on the four thrones at Cair Paravel? Is Narnia really the realm of the mysterious Aslan, whose return is expected at any time? Gradually, one narrative emerges as supremely plausible—the story of Aslan. Each individual story of Narnia turns out to be part of this greater narrative. The Lion, the Witch and the Wardrobe hints at (and partially discloses) the big picture, expanded in the remainder of the Narnia series. This “grand narrative” of interlocking stories makes sense of the riddles the children see and experience around them. It allows the children to understand their experiences with a new clarity and depth, like a camera lens bringing a landscape into sharp focus. Yet Lewis did not invent this Narnian narrative. He borrowed and adapted one that he already knew well, and had found to be true and trustworthy—the Christian narrative of Creation, Fall, redemption, and final consummation. Following his late-evening conversation with Tolkien and Dyson about Christianity as the true myth in September 1931, Lewis began to grasp the explanatory and imaginative power of an incarnational faith. As we saw (page 134), Lewis came to believe in Christianity partly because of the quality of its literary vision—its ability to give a faithful and realistic account of life. Lewis was thus drawn to Christianity not so much by the arguments in its favour, but by its compelling vision of reality, which he could not ignore—and, as events proved, could not resist.
Alister E. McGrath (C. S. Lewis: A Life: Eccentric Genius, Reluctant Prophet)
Mr. Fitzwilliam, you may leave your daughter with me under one condition. You must grant me authority in all matters pertaining to her welfare, financially and otherwise. Should I decide to lock her in a closet with only bread and water for sustenance, I will not tolerate any complains or –“ “Heavens, no. You can’t do that.” Mother swished her hand through the air as if swatting away the idea. “It won’t work. Don’t you think we would’ve tried something so simple? It’s no use. You can’t leave her in solitude to think. She’ll simply concoct more mischief while she’s locked up. You’ll have to come up with something more inventive than that.
Kathleen Baldwin (A School for Unusual Girls (Stranje House, #1))
General Sherman praised the shows as "wonderfully realistic and historically reminiscent." Reviews and the show's own publicity always stressed its "realism." There is no doubt it was more realistic, visually and in essence, than any of the competing Wild Wests. There were four other Wild West shows that year: Adam Forepaugh had one, Dr. A. W. Carver another; there was a third called Fargo's Wild West and one known as Hennessey's Wild West. Cody criticized all their claims and their use of the words "Wild West." He had copyrighted the term according to an act of Congress on December 22, 1883, and registered a typescript at the Library of Congress on June 1, 1885. The copyright title read: The Wild West or Life among the Red Man and the Road Agents of the Plains and Prairies-An Equine Dramatic Exposition on Grass or Under Canvas, of the Adventures of Frontiersmen and Cowboys. Additional copy was headed BUFFALO BILL'S "WILD WEST" PRAIRIE EXHIBITION AND ROCKY MOUNTAIN SHOW, A DRAMATIC-EQUESTRIAN EXPOSITION OF LIFE ON THE PLAINS, WITH ACCOMPANYING MONOLOGUE AND INCIDENTAL MUSIC THE WHOLE INVENTED AND ARRANGED BY W.F. CODY W.F. CODY AND N. SALSBURY, PROPRIETORS AND MANAGERS WHO HEREBY CLAIM AS THEIR SPECIAL PROPERTY THE VARIOUS EFFECTS INTRODUCED IN THE PUBLIC PERFORMANCES OF BUFFALO BILL'S "WILD WEST" Although the show's first year under enlarged and reorganized management had not been a financial success, at least one good thing had come from it. Also showing in New Orleans that winter had been the Sells Brothers Circus. One of its performers who had wandered over to visit the Wild West lot was Annie Oakley. The story of Annie Oakley's life was so much in the American grain that it might have come from the pen of Horatio Alger Jr., the minister turned best-selling author, who chronicled the fictional lives of poor boys who made good. Ragged Dick: or, Street Life in New York, Ragged Tom, and Luck Moses then married Dan Brumbaugh, who died in an accident shortly afterward, leaving another daughter. When she was seven, Annie frequently fed the family with quail she had caught in homemade traps, much as young Will Cody had trapped small game. In an interview she once said: "I was eight years old when I made my first shot, and I still consider it one of the best shots I ever
Robert A. Carter (Buffalo Bill Cody: The Man Behind the Legend)
The relationship between an artist’s biography and his writing is always a difficult subject,” concedes Worden, “but there can be no other important writer since the invention of printing for whom we are unable to demonstrate any relationship at all.” Why didn’t Shakespeare bother to educate his children? His daughters couldn’t write. One signed with what Sir Edward Maunde Thompson, paleographer and director of the British Museum, called a “painfully formed signature, which was probably the most that she was capable of doing with the pen.” The other, he concluded, “could not write at all, for she signed with a mark.” How could a writer—any writer, let alone the greatest writer in the English language—be indifferent to the literacy of his children?
Elizabeth Winkler (Shakespeare Was a Woman and Other Heresies: How Doubting the Bard Became the Biggest Taboo in Literature)
The same people who'd mocked her for her love of reading, and gossiped about her father, now cozied up with a good book while enjoying a fire fueled by wood cut with her father's wood-chopping machine. Many minds had been changed those past few years. Particularly when word of her father's prize-winning invention had spread and Monsieur René le Prince, an entrepreneur (a new profession, funnily enough, born out of the word adventurer,) proposed a partnership. With Monsieur le Prince's resources, Maurice's knack for machinery, and Belle's cleverness, they had formed a formidable team. They traveled to other fairs and looked for new innovations to support, Belle often finding successes in the inventors no one else would take a chance on.
Elizabeth Lim (A Twisted Tale Anthology)
But the Count and Sofia? They looked forward to it all day long—because it was the moment allotted for Zut. A game of their own invention, Zut’s rules were simple. Player One proposes a category encompassing a specialized subset of phenomena—such as stringed instruments, or famous islands, or winged creatures other than birds. The two players then go back and forth until one of them fails to come up with a fitting example in a suitable interval of time (say, two and a half minutes). Victory goes to the first player who wins two out of three rounds. And why was the game called Zut? Because according to the Count, Zut alors! was the only appropriate exclamation in the face of defeat. Thus, having searched throughout their day for challenging categories and carefully considered the viable responses, when Martyn reclaimed the menus father and daughter faced each other at the ready.
Amor Towles (A Gentleman in Moscow)
You’ve got Hangul memorized, right?” he asks, referencing the Korean writing system, but I don’t respond. “You’ve had days all alone in that room to study; you better have it memorized.” I still refuse to look at him, but damn, he’s charming. “King Sejong—that is, a Korean king—he invented this alphabet. He was once quoted as saying something like, a smart man can learn it in a morning, a stupid man can learn it in ten days.
C.M. Stunich (Game Over Boys (Lost Daughter of a Serial Killer, #4))
Everyone in my family loves novels,” Poppy finally said, pushing the conversation back into line. “We gather in the parlor nearly every evening, and one of us reads aloud. Win is the best at it—she invents a different voice for each character.” “I’d like to hear you read,” Harry said. Poppy shook her head. “I’m not half as entertaining as Win. I put everyone to sleep.” “Yes,” Harry said. “You have the voice of a scholar’s daughter.” Before she could take offense, he added, “Soothing. Never grates. Soft . . .” He was extraordinarily tired, she realized. So much that even the effort to string words together was defeating him. “I should go,” he muttered, rubbing his eyes. “Finish your sandwiches first,” Poppy said authoritatively. He picked up a sandwich obediently. While he ate, Poppy paged through the book until she found what she wanted . . . a description of walking through the countryside, under skies filled with fleecy clouds, past almond trees in blossom and white campion nestled beside quiet brooks. She read in a measured tone, occasionally stealing a glance at Harry while he polished off the entire plate of sandwiches. And then he settled deeper into the corner, more relaxed than she had ever seen him. She read a few pages more, about walking past hedges and meadows, through a wood dressed with a counterpane of fallen leaves, while soft pale sunshine gave way to a quiet rain . . . And when she finally reached the end of the chapter, she looked at Harry once more. He was asleep. His chest rose and fell in an even rhythm, his long lashes fanned against his skin. One hand was palm down against his chest, while the other lay half open at his side, the strong fingers partially curled. “Never fails,” Poppy murmured with a private grin.
Lisa Kleypas (Tempt Me at Twilight (The Hathaways, #3))
If you’re assuming that my plans to leave are nothing more than a reaction to Miss Hathaway … I’ve been considering this for a long time. I’m not an idiot. Nor am I inexperienced with women.” “To say the least,” St. Vincent commented dryly. “But in your pursuit of women—or perhaps I should say their pursuit of you—you seem to have regarded them all as interchangeable. Until now. If you are taken with this Hathaway creature, don’t you think it bears investigating?” “God, no. There’s only one thing it could lead to.” “Marriage,” the viscount said rather than asked. “Yes. And that’s impossible.” “Why?” The fact that they were discussing Amelia Hathaway and the subject of marriage was enough to make Cam blanch in discomfort. “I’m not the marrying kind—” St. Vincent snorted. “No man is. Marriage is a female invention.” “—but even if I were so inclined,” Cam continued, “I’m a Roma. I wouldn’t do that to her.” There was no need to elucidate. Decent gadjis didn’t marry Gypsies. His blood was mixed, and even though Amelia herself might harbor no prejudices, the routine discriminations Cam encountered would certainly extend to his wife and children. And if that wasn’t bad enough, his own people would be even more disapproving of the match. Gadje Gadjensa, Rom Romensa … Gadje with Gadje, Roma with Roma. “What if your heritage made no difference to her?” Westcliff asked quietly. “That’s not the point. It’s how others would view her.” Seeing that the older man was about to argue, Cam murmured, “Tell me, would either of you wish your daughter to marry a Gypsy?” In the face of their discomforted silence, he smiled without amusement. After a moment, Westcliff stubbed out his cigar in a deliberate, methodical fashion. “Obviously you’ve made up your mind. Further debate would be pointless.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
(Kleptocracy literally means “rule by thieves.”) Kleptocracy usually goes hand in hand with autocracy—a system of government in which one ruler holds absolute control—and Karimov was no exception. He began his tenure proclaiming that he would make Uzbekistan great again and plastered his catchphrase, “Uzbekistan—a future great state!,” on ubiquitous signs.1 He called independent media “the enemy of the people” and hid information about national crises from the public.2 He persecuted political opponents, LGBT citizens, pious Muslims, and other marginalized groups.3 He had an intense yet strange relationship with Russia. And he had a glamorous fashionista daughter who kept inserting herself into political affairs despite her utter lack of qualifications …4 You may see where I’m going here.
Sarah Kendzior (Hiding in Plain Sight: The Invention of Donald Trump and the Erosion of America)
thoughts. After a vicious election in which he had challenged the incumbent president, John Adams, it turned out that while Jefferson had defeated Adams in the popular vote, the tall Virginian had received the same number of electoral votes for president as the dashing, charismatic, and unpredictable Aaron Burr of New York, who had been running as Jefferson’s vice president.16,17 Under the rules in effect in 1800, there was no way to distinguish between a vote for president and one for vice president. What was supposed to have been a peaceful transfer of power from one rival to another—from Adams to Jefferson—had instead produced a constitutional crisis. Anxious and unhappy, Jefferson was, he wrote to his eldest daughter, “worn down here with pursuits in which I take no delight, surrounded by enemies and spies catching and perverting every word which falls from my lips or flows from my pen, and inventing where facts fail them.”18 His fate was in the hands of other men, the last place he wanted it to be. He hated the waiting, the whispers, the not knowing. But there was nothing he could do.
Jon Meacham (Thomas Jefferson: The Art of Power)
It means that you will learn to speak and write in a way that will give you authority. Does that mean that the way you speak in your neighborhood is wrong? That slang is bad? That you can’t say on fleek or whatever you kids are saying these days? Absolutely not. That form of speaking is often fun, inventive, and creative, but would it be helpful to speak that way in a job interview? Unfortunately not. I want you to think about these things. I want you to think about words in a way you’ve never done before. I want you to leave this class with the tools to compete with kids in the suburbs, because you’re just as capable, just as smart.
Erika L. Sánchez (I Am Not Your Perfect Mexican Daughter)
You mean Christians invented war, invented religious war, invented slavery and racial prejudice and treating women like objects and all that?” “Well, yeah–” “None of those things ever happened before Christianity existed?” Tom started to answer and stopped. War had been around forever. The ancient Egyptians, the Jews, and the Romans had fought wars over religion. Slavery went back to Mesopotamia and beyond. The Chinese had long called outsiders “foreign devils.” And in the Code of Hammurabi, the penalty for killing another man’s daughter had been for him to kill your daughter.
Lars Walker (Death's Doors)
War is all we've been taught, but there are other ways to live. We can find them, Akiva. We can invent them. This is the beginning, here.
Laini Taylor (Daughter of Smoke & Bone (Daughter of Smoke & Bone, #1))
It is intriguing that, in the Christian Scripture’s story of creation, God says, “Let there be . . .” and then there is. (This has nothing to do with the question of evolution; oughtness makes reality, however it comes about.) I can relate to this easily when I think of all the birthday party games I invented over my children’s young lives, and all the classes I have invented over my students’ lives. I have said plenty of “let there be’s,” which have brought realities to be. Also, when my daughters each said “I do” at their weddings, they said something normative; they generously let something be, and that brought reality to be. If all real things require a “let there be,” a normative dimension, they require a larger context of persons in which promise and covenant and gift pertain.
Esther Lightcap Meek (A Little Manual for Knowing)
The Crocodile The sun of the Macusi people was worried. Every day there were fewer fish in their ponds. He put the crocodile in charge of security. The ponds got emptier. The crocodile, security guard and thief, invented a good story about invisible assailants, but the sun didn’t believe it, took a machete, and left the crocodile’s body all crisscrossed with cuts. To calm him down, the crocodile offered his beautiful daughter in marriage. “I’ll be expecting her,” said the sun. As the crocodile had no daughter, he sculpted a woman in the trunk of a wild plum tree. “Here she is,” he said, and plunged into the water, looking out of the corner of his eye, the way he always looks. It was the woodpecker who saved his life. Before the sun arrived, the woodpecker pecked at the wooden girl below the belly. Thus she, who was incomplete, was open for the sun to enter. (112)
Eduardo Galeano (Genesis (Memory of Fire Book 1))
King Edward, who "smoke cigars, was addicted to and entente cordials, married a Sea King's daughter and invented appendicitis," pursued a policy of peace that "was very successful and culminated in the Great War to End War.
Jane Ridley (The Heir Apparent: A Life of Edward VII, the Playboy Prince)
hereinafter invented, without the express written
Anne Hillerman (Spider Woman's Daughter (Leaphorn & Chee, #19))
request. “A king’s ransom would hardly have procured all that my other daughters asked.” he said: “but I thought that I might at least take Beauty her rose. I beg you to forgive me, for you see I meant no harm.” The Beast considered for a moment, and then he said, in a less furious tone: “I will forgive you on one condition—that is, that you will give me one of your daughters.” “Ah!” cried the merchant, “if I were cruel enough to buy my own life at the expense of one of my children’s, what excuse could I invent to bring her here?” “No excuse would be necessary,” answered the Beast. “If she comes at all she must come willingly. On no other condition will I have her. See if any one of them is courageous enough and loves you well enough to come and save your life. You seem to be an honest man, so I will trust you to go home. I give you a month to see if either of your daughters will come back with you and stay here, to let you go free.
Jeanne-Marie Leprince de Beaumont (Beauty and the Beast)
do you not know the first rule of story? Endings are not invented; they are discovered.
Lindsey Drager (The Lost Daughter Collective)
Ciao, papa,” she said in as deadpan a voice as she could manage. “You look very well this evening. Quite dashing.” He couldn’t help himself; he glanced down and preened for just a moment before he remembered that this was his daughter speaking. She hadn’t said anything that wasn’t sarcastic since she turned thirteen. He felt a touch of nostalgia for the twelve-year-old Silvia, who had prepared her bedroom walls with photos of clean-cut pop stars and cute puppies, who had begged to go to work with him just so they could be together, who had blushed if a neighbor chided her for being too loud . . . But that Silvia was gone. In her place was this, this alien who said everything with a sneer and eyed him disdainfully and made him feel like the oldest, most ridiculous man on earth. “More to the point, I am dressed appropriately,” he said. He realized that he was gritting his teeth. He remembered what his dentist had said about cracked molars, and made a conscious effort to relax his jaw. “You, on the other hand—” He glanced at the tattoo and closed his eyes in pain. “The invitation said formal,” she said, innocently. Her face darkened as she remembered that she had a grievance of her own. “I wanted to buy a new dress for this party, but you said it would cost too much! You said that the babies needed new high chairs! You said that our family now had different financial priorities! And this is the only formal dress I have, remember?” “Yes, and I also remember that there used to be a bit more of it!” her father hissed. Silvia glanced down complacently. “I know,” she said. “I altered it myself. It’s an original design.” “Original.” Her father glared at her. “You’ll be lucky not to be charged with indecent exposure. And if you are”—he gave her a warning look—“don’t expect any favors just because you’re the mayor’s daughter!” Silvia ignored this comment with the disdain it deserved. First, she never told anyone she was the mayor’s daughter. Second, her father was not, by any stretch of the imagination, an authority on fashion. She curled her lip at his tuxedo (which was vintage, but not in a good way), his high-heeled shoes (which kept making him lose his balance), and that scarlet sash (which made him look like an extra in a second-rate opera company). “Fine,” she said loftily. “If the police arrest me, I will plead guilty to having a unique and inventive fashion sense.” He remembered what his wife had said about keeping his temper and forced himself to smile.
Suzanne Harper (The Juliet Club)
It was time for Morse to make his first major demonstration of his invention. All he needed was an inaugural message. Based on a suggestion from the daughter of the patent commissioner who had supported Morse’s innovation, he tapped a well-known phrase from the end of the book of Numbers: WHAT HATH GOD WROUGHT? As Winchester notes, these words, when considered in isolation, “formed a simple declarative exclamation, a statement of Samuel Morse’s faith.” But in the context of the transformation this invention and its successors would spark, it was better understood as a “suitably portentous epigraph for an era of change that now commenced with unimagined speed and unimaginable consequences.
Cal Newport (Digital Minimalism: Choosing a Focused Life in a Noisy World)
The other day I made a maxim off-hand without once thinking of it; and I liked it so well that I fancied I had taken it out of M. de La Rochefoucauld’s; … Pray where did this come from? have I read it? or did I dream it? or is it my own idea? Nothing can be truer than the thing itself, nor than that I am totally ignorant how I came by it. I found it properly arranged in my brain, and at the end of my tongue.
Marie de Rabutin-Chantal de Sévigné (The Letters of Madame De Sevigne to Her Daughter and Friends)