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Religion is an attempt to get control over the sensory world, in which we are placed, by means of the wish-world, which we have developed inside us as a result of biological and psychological necessities. But it cannot achieve its end. Its doctrines carry with them the stamp of the times in which they originated, the ignorant childhood days of the human race. Its consolations deserve no trust. Experience teaches us that the world is not a nursery. The ethical commands, to which religion seeks to lend its weight, require some other foundations instead, for human society cannot do without them, and it is dangerous to link up obedience to them with religious belief. If one attempts to assign to religion its place in man’s evolution, it seems not so much to be a lasting acquisition, as a parallel to the neurosis which the civilized individual must pass through on his way from childhood to maturity.
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Sigmund Freud (Moses and Monotheism)
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We are all born with extraordinary powers of imagination, intelligence, feeling, intuition, spirituality, and of physical and sensory awareness. (p.9)
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Ken Robinson (The Element: How Finding Your Passion Changes Everything)
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Critical art is an art that aims to produce a new perception of the world, and therefore to create a commitment to its transformation. This schema, very simple in appearance, is actually the conjunction of three processes: first, the production of a sensory form of 'strangeness'; second, the development of an awareness of the reason for that strangeness and third, a mobilization of individuals as a result of that awareness.
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Jacques Rancière (Dissensus: On Politics and Aesthetics)
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We are thus faced with the following question: Why should an organ like our brain, with the sensorial system attached to it, of necessity consist of an enormous number of atoms, in order that its physically changing state should be in close and intimate correspondence with a highly developed thought?
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Erwin Schrödinger (What is Life? (Canto Classics))
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Let go and let in. When we avoid prejudging our sources of information, we become more receptive to what they have to offer. If we come to listening with a blank slate, our environment can write on it what we need to hear. Similarly, if our mental and sensory channels are open, there’s more room to import energy and information.
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Joseph Deitch (Elevate: An Essential Guide to Life)
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Coghill has shown that the motor patterns of the animal develop prior to the development of sensory innervation.
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Arthur Koestler (The Act of Creation)
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Talent is an amalgam of high sensitivity; easy vulnerability; high sensory equipment (seeing, hearing, touching, smelling, tasting—intensely); a vivid imagination as well as a grip on reality; the desire to communicate one’s own experience and sensations, to make one’s self heard and seen. Talent alone is not enough. Character and ethics, a point of view about the world in which you live and an education, can and must be acquired and developed.
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Uta Hagen (Respect for Acting)
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People with PTSD have their floodgates wide open. Lacking a filter, they are on constant sensory overload. In order to cope, they try to shut themselves down and develop tunnel vision and hyperfocus.
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Bessel van der Kolk (The Body Keeps the Score: Brain, Mind, and Body in the Healing of Trauma)
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There are many things we don’t understand, and many ways to unlock the brain and maximize function. Don’t ever let anybody tell you it can’t be done.
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Sally Fryer Dietz (When Kids Fly: Solutions for Children with Sensory Integration Challenges)
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I believe the only real limits in life, are the ones we put on ourselves and/or others….so I say forget the limits and “go for it.” You may be surprised at what is really possible!
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Sally Fryer Dietz (When Kids Fly: Solutions for Children with Sensory Integration Challenges)
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If nature didn't whittle down your network to a smaller number of strongly forged connections, you would never become an adult. You would remain a permanent child, frozen in sensory overload.
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Donald O. Clifton (Now, Discover Your Strengths: The revolutionary Gallup program that shows you how to develop your unique talents and strengths)
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Further evidence for the pathogenic role of dissociation has come from a largescale clinical and community study of traumatized people conducted by a task force of the American Psychiatric Association. In this study, people who reported having dissociative symptoms were also quite likely to develop persistent somatic symptoms for which no physical cause could be found. They also frequently engaged in self-destructive attacks on their own bodies. The results of these investigations validate the century-old insight that traumatized people relive in their bodies the moments of terror that they can not describe in words. Dissociation appears to be the mechanism by which intense sensory and emotional experiences are disconnected from the social domain of language and memory, the internal mechanism by which terrorized people are silenced.
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Judith Lewis Herman (Trauma and Recovery: The Aftermath of Violence - From Domestic Abuse to Political Terror)
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Modulation and processing of the range of sensory experiences allows for social engagement and attachment to others. A person who is easily overwhelmed by sounds, touch, movement, or visual stimulation may avoid interactions with
persons or situations that are highly stimulating. In contrast, the person who does not process sensory input unless it is very intense may develop a pattern of thrill seeking, high stimulation, and risky behavior.
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Georgia A. Degangi (Dysregulated Adult: Integrated Treatment Approaches)
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if we were organisms so sensitive that a single atom, or even a few atoms, could make a perceptible impression on our senses – Heavens, what would life be like! To stress one point: an organism of that kind would most certainly not be capable of developing the kind of orderly thought which, after passing through a long sequence of earlier stages, ultimately results in forming, among many other ideas, the idea of an atom. Even though we select this one point, the following considerations would essentially apply also to the functioning of organs other than the brain and the sensorial system.
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Erwin Schrödinger (What is Life? (Canto Classics))
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Genie
In 1970 a child called Genie was admitted to a children’s hospital in Los Angeles. She was thirteen years old and had spent most of her life tied to a chair in a small closed room. Her father was intolerant of any kind of noise and had beaten the child whenever she made a sound. There had been no radio or television, and Genie’s only other human contact was with her mother who was forbidden to spend more than a few minutes with the child to feed her. Genie had spent her whole life in a state of physical, sensory, social and emotional deprivation.
As might be expected, Genie was unable to use language when she was first brought into care. However, within a short period of time, she began to respond to the speech of others, to try to imitate sound and to communicate. Her syntax remained very simple. However, the fact that she went on to develop an ability to speak and understand a fairly large number of English words provides some evidence against the notion that language cannot be acquired at all after the critical period.
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George Yule
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The growth of the nervous system from beginning to end is dominated by 'a totally integrated matrix, and not a progressive integration of primarily individuated units'. The organism is not a sum of its reflexes, but on the contrary 'the mechanism of the total pattern is an essential component of the performance of the part, i.e. the reflex'. The stimulus-response scheme cannot explain even embryonic behaviour, because movements appear long before the motor neurons of the reflex arc are connected with the sensory neurons. This centrifugal mode of development means that the individual acts on its environment before it reacts to its environment.
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Arthur Koestler (The Act of Creation)
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Haekel's reasoning is simple: humans are nature, they are part of, and a result of, evolution. Our actions and our thoughts are products of this evolution. Accordingly, when humans come to know something, ultimately it reveals their own nature. Our knowledge -- which has developed in and is subject to the laws of nature -- is in itself nature (and according to Haeckel, nothing more.) The draftsman, his sensory organs, his motor activity, are results of a development with which, in the end, nature merely represents itself.
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Ernst Haeckel
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But one cannot rely solely on games and art to improve the quality of life. To achieve control over what happens in the mind, one can draw upon an almost infinite range of opportunities for enjoyment—for instance, through the use of physical and sensory skills ranging from athletics to music to Yoga (chapter 5), or through the development of symbolic skills such as poetry, philosophy, or mathematics
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Mihály Csíkszentmihályi (Flow: The Psychology of Optimal Experience)
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The Greek thinkers was no way of bridging the gap between the rectilinear and the curvilinear which would at the same time satisfy their strict demands of mathematical rigor and appeal to the clear evidence of sensory experience.
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Carl B. Boyer (The History of the Calculus and Its Conceptual Development (Dover Books on Mathematics))
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However, traumatized people chronically feel unsafe inside their bodies: The past is alive in the form of gnawing interior discomfort. Their bodies are constantly bombarded by visceral warning signs, and, in an attempt to control these processes, they often become expert at ignoring their gut feelings and in numbing awareness of what is played out inside. They learn to hide from their selves.
The more people try to push away and ignore internal warning signs, the more likely they are to take over and leave them bewildered, confused, and ashamed. People who cannot comfortably notice what is going on inside become vulnerable to respond to any sensory shift either by shutting down or by going into a panic — they develop a fear of fear itself.
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Bessel van der Kolk (The Body Keeps the Score: Brain, Mind, and Body in the Healing of Trauma)
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I’d gone from not noticing Lucas ever to being consumed by noticing him constantly. I developed the sensory awareness of an apex predator: at any time I could tell you where Lucas was in the common room, without you ever seeing my eyes flicker toward him.
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Mhairi McFarlane (Don't You Forget About Me)
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At parties, people no longer showed off their new gadgets, jewelry, or hairstyles, but prosthetic cochleas that improved the sense of balance, artificial muscles with augmented contraction characteristics, prosthetic limbs that obeyed mental directions, or updated firmware that enhanced sensory organs. SBT developed a revolutionary substance for mediating between the biological and the electronic worlds. Extracted from the gladii of squids, this modified chitosan complex could convert the biological ion flow that carried brain signals into electric currents that could be deciphered by machines, thereby seamlessly forming a feedback loop between the nervous system and the prosthesis. The invention had expanded the definition of the boundary of the body beyond imagination.
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Chen Qiufan (Waste Tide)
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Though it accounts for only 2 percent of the body’s mass, it uses up a fifth of all the oxygen we breathe, and it’s where a quarter of all our glucose gets burned. The brain is the most energetically expensive piece of equipment in our body, and has been ruthlessly honed by natural selection to be efficient at the tasks for which it evolved. One might say that the whole point of our nervous system, from the sensory organs that feed information to the glob of neurons that interprets it, is to develop a sense of what is happening in the present and what will happen in the future, so that we can respond in the best possible way. Strip away the emotions, the philosophizing, the neuroses, and the dreams, and our brains, in the most reductive sense, are fundamentally prediction and planning machines.
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Joshua Foer (Moonwalking with Einstein: The Art and Science of Remembering Everything)
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Class-Z mnestics are the last word in biochemical memory fortification. Class-Z mnestics permanently destroy the subject's ability to forget. The result is perfect eidetic memory and perfect immunity to arbitrarily strong antimemetic interference.
The dose is taking effect now. Wheeler didn't read the book because she already knew every word of it. She knows everything that's about to happen to her. She can already feel her mind hardening, like steel, and the developing symptoms of extreme sensory overload.
She can see everything.
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qntm (There Is No Antimemetics Division)
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Trance helps depotentiate our old programs and gives us an opportunity to learn something new. The only reason why we cannot produce an anesthesia at will, for example, is because we don’t know how to give up our habitual generalized reality orientation that emphasizes the importance of pain and gives it primacy in consciousness. But if we allowed young children to experiment with their sensory perceptual processes in a fun way, they might easily develop skills with anaesthesia that could be very useful when they needed it. This would be an interesting piece of research, indeed.
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Milton H. Erickson (The Collected Works of Milton H. Erickson, MD: Volume 1: The Nature of Therapeutic Hypnosis)
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Communicatory inputs from the world can occur through any of the six primary sensory modalities at any time. The important thing is to first develop the capacity to feel the deeper meanings inside any of the sensory modalities, second to seek their meanings, and third to craft congruent responses.
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Stephen Harrod Buhner (Plant Intelligence and the Imaginal Realm: Beyond the Doors of Perception into the Dreaming of Earth)
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Lacking a filter, they are on constant sensory overload. In order to cope, they try to shut themselves down and develop tunnel vision and hyperfocus. If they can’t shut down naturally, they may enlist drugs or alcohol to block out the world. The tragedy is that the price of closing down includes filtering out sources of pleasure and joy, as well.
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Bessel van der Kolk (The Body Keeps the Score: Brain, Mind, and Body in the Healing of Trauma)
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the hippocampus is perhaps the central organ in the brain responsible for processing sensory data and acting as a gateway for inflows. As Kisley et al. note: “The cholinergic innervation of the hippocampus, which is crucial for intact sensory gating, exhibits extensive remodeling during pre- and early postnatal development.”4 It displays a great deal of plasticity in response to incoming sensory flows; the more it works with meaning and the more sensory input it is sensitive to, the more it shifts its neural structure as it sensorally interacts with the world.
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Stephen Harrod Buhner (Plant Intelligence and the Imaginal Realm: Beyond the Doors of Perception into the Dreaming of Earth)
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It is possible, just as it is with the auditory training of musicians, to begin using the feeling sense actively. This will increase neuronal development in the hippocampal and the cardiovascular (heart) system and with practice, over time, increase sensitivity to tiny modulations in that sensory flow. Sensitivity to the tiniest shifts in feeling will develop, just as they do in musicians with sound complexes. And, with experience, the ability to determine the meanings inside those feelings will become a reliable skill. In other words, it becomes possible to immediately know the intent of the dog as soon as it is seen/nonkinesthetically felt.
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Stephen Harrod Buhner (Plant Intelligence and the Imaginal Realm: Beyond the Doors of Perception into the Dreaming of Earth)
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Buddhist meditation takes this untrained, everyday mind as its natural starting point, and it requires the development of one particular attentional posture—of naked, or bare, attention. Defined as “the clear and single-minded awareness of what actually happens to us and in us at the successive moments of perception,”1 bare attention takes this unexamined mind and opens it up, not by trying to change anything but by observing the mind, emotions, and body the way they are. It is the fundamental tenet of Buddhist psychology that this kind of attention is, in itself, healing: that by the constant application of this attentional strategy, all of the Buddha’s insights can be realized for oneself. As mysterious as the literature on meditation can seem, as elusive as the koans of the Zen master sometimes sound, there is but one underlying instruction that is critical to Buddhist thought. Common to all schools of thought, from Sri Lanka to Tibet, the unifying theme of the Buddhist approach is this remarkable imperative: “Pay precise attention, moment by moment, to exactly what you are experiencing, right now, separating out your reactions from the raw sensory events.” This is what is meant by bare attention: just the bare facts, an exact registering, allowing things to speak for themselves as if seen for the first time, distinguishing any reactions from the core event.
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Mark Epstein (Thoughts Without A Thinker: Psychotherapy from a Buddhist Perspective)
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If Marzulli's anatomical observation of the elongated skulls of the Paracas were right in that they are completely devoid of a sagittal suture (i.e., Scaphocephaly), then such a desired physically induced mutation could be perceived as a medical procedure aimed at increasing the transfer of perceptual, sensory, motor and cognitive information between the two hemispheres; this was possibly done to prevent each hemisphere from processing information outside the awareness of the other. In essence, this meant that the operation was intended to prevent the brain from producing and developing any margin of a double consciousness as normal humans are equipped with; culminating thereby in some form of a unified consciousness.
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Ibrahim Ibrahim (Quotable: My Worldview)
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Nevertheless I’d like to end this chapter on a positive note about how research into how humans acquire language is leading to better informed, conscious parents. Though there has been a cultural misunderstanding that a baby’s brain is not developed enough to learn and comprehend language, nothing could be further from the truth. The acquisition of language plays a fundamental role in exercising an infant’s brain and shaping its organization, neural connectivity, and intelligence. Research on the fetal brain’s ability to acquire and download environmental experiences in the womb reveal that the nervous system’s sensory input mechanisms, such as hearing, develop long before the system’s motor outputs—in this case, coordinated muscular control needed for speech. Consequently, the brain’s potential to learn and understand language is not dependent on the infant’s ability to speak.
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Bruce H. Lipton (The Biology of Belief: Unleashing the Power of Consciousness, Matter & Miracles)
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I grabbed a handful of tarragon and closed my eyes, inhaling its sweet fragrance. I could almost feel my grandmother next to me, smell the aromas embedded into her poppy-print apron, taste her creamy veloutés. Thanks to her, my skills in the kitchen started developing from the age of seven. I'd learned how to chop, slice, and dice without cutting my fingers, to sauté, fry, and grill, pairing flavors and taming them into submission.
Just as I'd experienced with my grandmother's meals, when people ate my creations, I wanted them to think "now this is love"- while engaging all of the five senses. For me, cooking was the way I expressed myself, each dish a balance of flavors and ingredients representing my emotions- sweet, sour, salty, smoky, spicy-hot, and even bitter. My inspiration as a chef was to give people sensorial experiences, to bring them back to times of happiness, to let them relive their youth, or to awaken their minds.
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Samantha Verant (The Secret French Recipes of Sophie Valroux (Sophie Valroux #1))
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Æsthetic and moral education are closely related to this sensory education. Multiply the sensations, and develop the capacity of appreciating fine differences in stimuli and we refine the sensibility and multiply man’s pleasures. Beauty lies in harmony, not in contrast; and harmony is refinement; therefore, there must be a fineness of the senses if we are to appreciate harmony. The æsthetic harmony of nature is lost upon him who has coarse senses. The world to him is narrow and barren. In life about us, there exist inexhaustible fonts of æsthetic enjoyment, before which men pass as insensible as the brutes seeking their enjoyment in those sensations which are crude and showy, since they are the only ones accessible to them. Now, from the enjoyment of gross pleasures, vicious habits very often spring. Strong stimuli, indeed, do not render acute, but blunt the senses, so that they require stimuli more and more accentuated and more and more gross.
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Montessori Maria (The Montessori Method)
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A further result of the abstracting attitude of consciousness, and one whose significance will become more apparent in the course of our exposition, is that the unconscious develops a compensating attitude. For the more the relation to the object is restricted by abstraction (because too many “experiences” and “laws” are made), the more insistently does a craving for the object develop in the unconscious, and this finally expresses itself in consciousness as a compulsive sensuous tie to the object. The sensuous relation to the object then takes the place of a feeling relation, which is lacking, or rather suppressed, because of abstraction. Characteristically, therefore, Schiller regards the senses, and not feelings, as the way to divinity. His ego makes use of thinking, but his affections, his feelings, make use of sensation. Thus for him the schism is between spirituality in the form of thinking, and sensuousness in the form of affectivity or feeling. For the extravert the situation is reversed: his relation to the object is highly developed, but his world of ideas is sensory and concrete.
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C.G. Jung (Collected Works of C. G. Jung, Volume 6: Psychological Types (The Collected Works of C. G. Jung))
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The auditory cortex, as an example, processes the sound inputs that have not already been gated earlier in the stream. It specifically works with tone, pitch, harmony, loudness, and beat patterning or timing. In people that use auditory inputs as a primary or major area of sensory processing musicians for instance there is much less gating of sound in the deeper levels of the brain than in nonmusicians. In consequence, much more sound input reaches the auditory cortex. Because the auditory cortex is continually used to work with larger amounts of sound inflows (with more subtlety), it becomes highly developed and shows tremendous plasticity, that is, continuous new neuronal development. Frances Densmore, for example, the ethnomusicologist who recorded thousands of Native plant songs in the early twentieth century, could perceive pitch differentiations as tiny as 1/32 in deviation. (She had as well total recall and prefect pitch.) The more a sensory modality is consciously used to analyze incoming sensory inflows, the more sensitive it becomes, and the larger the neural network within it becomes.
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Stephen Harrod Buhner (Plant Intelligence and the Imaginal Realm: Beyond the Doors of Perception into the Dreaming of Earth)
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More Activities to Develop Sensory-Motor Skills Sensory processing is the foundation for fine-motor skills, motor planning, and bilateral coordination. All these skills improve as the child tries the following activities that integrate the sensations. FINE-MOTOR SKILLS Flour Sifting—Spread newspaper on the kitchen floor and provide flour, scoop, and sifter. (A turn handle is easier to manipulate than a squeeze handle, but both develop fine-motor muscles in the hands.) Let the child scoop and sift. Stringing and Lacing—Provide shoelaces, lengths of yarn on plastic needles, or pipe cleaners, and buttons, macaroni, cereal “Os,” beads, spools, paper clips, and jingle bells. Making bracelets and necklaces develops eye-hand coordination, tactile discrimination, and bilateral coordination. Egg Carton Collections—The child may enjoy sorting shells, pinecones, pebbles, nuts, beans, beads, buttons, bottle caps, and other found objects and organizing them in the individual egg compartments. Household Tools—Picking up cereal pieces with tweezers; stretching rubber bands over a box to make a “guitar”; hanging napkins, doll clothes, and paper towels with clothespins; and smashing egg cartons with a mallet are activities that strengthen many skills.
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Carol Stock Kranowitz (The Out-of-Sync Child: Recognizing and Coping with Sensory Processing Disorder)
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My general philosophy regarding endurance contains four key points: 1. Build a great aerobic base. This essential physical and metabolic foundation helps accomplish several important tasks: it prevents injury and maintains a balanced physical body; it increases fat burning for improved stamina, weight loss, and sustained energy; and it improves overall health in the immune and hormonal systems, the intestines and liver, and throughout the body. 2. Eat well. Specific foods influence the developing aerobic system, especially the foods consumed in the course of a typical day. Overall, diet can significantly influence your body’s physical, chemical, and mental state of fitness and health. 3. Reduce stress. Training and competition, combined with other lifestyle factors, can be stressful and adversely affect performance, cause injuries, and even lead to poor nutrition because they can disrupt the normal digestion and absorption of nutrients. 4. Improve brain function. The brain and entire nervous system control virtually all athletic activity, and a healthier brain produces a better athlete. Improved brain function occurs from eating well, controlling stress, and through sensory stimulation, which includes proper training and optimal breathing.
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Philip Maffetone (The Big Book of Endurance Training and Racing)
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Finally, Tononi argues that the neural correlate of consciousness in the human brain resembles a grid-like structure. One of the most robust findings in neuroscience is how visual, auditory, and touch perceptual spaces map in a topographic manner onto visual, auditory, and somatosensory cortices. Most excitatory pyramidal cells and inhibitory interneurons have local axons strongly connected to their immediate neighbours, with the connections probability decreasing with distance. Topographically organized cortical tissue, whether it develops naturally inside the skull or is engineered out of stem cells and grown in dishes, will have high intrinsic causal power. This tissue will feel like something, even if our intuition revels at the thought that cortical carpets, disconnected from all their inputs and outputs, can experience anything. But this is precisely what happens to each one of us when we close our eyes, go to sleep, and dream. We create a world that feels as real as the awake one, while devoid of sensory input and unable to move.
Cerebral organoids or grid-like substances will not be conscious of love or hate, but of space.; of up, down, close by and far away and other spatial phenomenology distinctions. But unless provided with sophisticated motor outputs, they will be unable to do anything.
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Christof Koch (The Feeling of Life Itself: Why Consciousness Is Widespread but Can't Be Computed)
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Just how important a close moment-to-moment connection between mother and infant can be was illustrated by a cleverly designed study, known as the “double TV experiment,” in which infants and mothers interacted via a closed-circuit television system. In separate rooms, infant and mother observed each other and, on “live feed,” communicated by means of the universal infant-mother language: gestures, sounds, smiles, facial expressions. The infants were happy during this phase of the experiment.
“When the infants were unknowingly replayed the ‘happy responses’ from the mother recorded from the prior minute,” writes the UCLA child psychiatrist Daniel J. Siegel, “they still became as profoundly distressed as infants do in the classic ‘flat face’ experiments in which mothers-in-person gave no facial emotional response to their infant’s bid for attunement.” Why were the infants distressed despite the sight of their mothers’ happy and friendly faces? Because happy and friendly are not enough. What they needed were signals that the mother is aligned with, responsive to and participating in their mental states from moment to moment. All that was lacking in the instant video replay, during which infants saw their mother’s face unresponsive to the messages they, the infants, were sending out. This sharing of emotional spaces is called attunement.
Emotional stress on the mother interferes with infant brain development because it tends to interfere with the attunement contact. Attunement is necessary for the normal development of the brain pathways and neurochemical apparatus of attention and emotional selfregulation. It is a finely calibrated process requiring that the parent remain herself in a relatively nonstressed, non-anxious, nondepressed state of mind. Its clearest expression is the rapturous mutual gaze infant and mother direct at each other, locked in a private and special emotional realm, from which, at that moment, the rest of the world is as completely excluded as from the womb. Attunement does not mean mechanically imitating the infant. It cannot be simulated, even with the best of goodwill.
As we all know, there are differences between a real smile and a staged smile. The muscles of smiling are exactly the same in each case, but the signals that set the smile muscles to work do not come from the same centers in the brain. As a consequence, those muscles respond differently to the signals, depending on their origin. This is why only very good actors can mimic a genuine, heartfelt smile. The attunement process is far too subtle to be maintained by a simple act of will on the part of the parent. Infants, particularly sensitive infants, intuit the difference between a parent’s real psychological states and her attempts to soothe and protect the infant by means of feigned emotional expressions.
A loving parent who is feeling depressed or anxious may try to hide that fact from the infant, but the effort is futile. In fact, it is much easier to fool an adult with forced emotion than a baby. The emotional sensory radar of the infant has not yet been scrambled. It reads feelings clearly. They cannot be hidden from the infant behind a screen of words, or camouflaged by well-meant but forced gestures. It is unfortunate but true that we grow far more stupid than that by the time we reach adulthood.
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Gabor Maté (Scattered: How Attention Deficit Disorder Originates and What You Can Do About It)
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Interactions with the world program our physiological and psychological development. Emotional contact is as important as physical contact. The two are quite analogous, as we recognize when we speak of the emotional experience of feeling touched. Our sensory organs and brains provide the interface through which relationships shape our evolution from infancy to adulthood. Social-emotional interactions decisively influence the development of the
human brain. From the moment of birth, they regulate the tone, activity and development of the psychoneuroimmunoendocrine (PNI) super-system. Our characteristic modes of handling psychic and physical stress are set in our earliest years.
Neuroscientists at Harvard University studied the cortisol levels of orphans who were raised in the dreadfully neglected child-care institutions established in Romania during the Ceausescu regime. In these facilities the caregiver/child ratio was one to twenty. Except for the rudiments of care, the children were seldom physically picked up or touched. They displayed the self-hugging motions and depressed demeanour typical of abandoned young, human or primate. On saliva tests, their cortisol levels were abnormal, indicating that their hypothalamic-pituitary-adrenal axes were already impaired.
As we have seen, disruptions of the HPA axis have been noted in autoimmune disease, cancer and other conditions. It is intuitively easy to understand why abuse, trauma or extreme neglect in childhood would have negative consequences. But why do many people develop stress-related illness without having been abused or traumatized? These persons suffer not because something negative was inflicted on them but because something positive was withheld.
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Gabor Maté (When the Body Says No: The Cost of Hidden Stress)
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Suggestions to Develop Self-Help Skills Self-help skills improve along with sensory processing. The following suggestions may make your child’s life easier—and yours, too! DRESSING • Buy or make a “dressing board” with a variety of snaps, zippers, buttons and buttonholes, hooks and eyes, buckles and shoelaces. • Provide things that are not her own clothes for the child to zip, button, and fasten, such as sleeping bags, backpacks, handbags, coin purses, lunch boxes, doll clothes, suitcases, and cosmetic cases. • Provide alluring dress-up clothes with zippers, buttons, buckles, and snaps. Oversized clothes are easiest to put on and take off. • Eliminate unnecessary choices in your child’s bureau and closet. Clothes that are inappropriate for the season and that jam the drawers are sources of frustration. • Put large hooks inside closet doors at the child’s eye level so he can hang up his own coat and pajamas. (Attach loops to coats and pajamas on the outside so they won’t irritate the skin.) • Supply cellophane bags for the child to slip her feet into before pulling on boots. The cellophane prevents shoes from getting stuck and makes the job much easier. • Let your child choose what to wear. If she gets overheated easily, let her go outdoors wearing several loose layers rather than a coat. If he complains that new clothes are stiff or scratchy, let him wear soft, worn clothes, even if they’re unfashionable. • Comfort is what matters. • Set out tomorrow’s clothes the night before. Encourage the child to dress himself. Allow for extra time, and be available to help. If necessary, help him into clothes but let him do the finishing touch: Start the coat zipper but let him zip it up, or button all but one of his buttons. Keep a stool handy so the child can see herself in the bathroom mirror. On the sink, keep a kid-sized hairbrush and toothbrush within arm’s reach. Even if she resists brushing teeth and hair, be firm. Some things in life are nonnegotiable.
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Carol Stock Kranowitz (The Out-of-Sync Child: Recognizing and Coping with Sensory Processing Disorder)
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Myth 1: Infants don’t remember anything, so experience in infancy doesn’t really matter.
Reality: The infant brain has a huge capacity for memory. Memories from infancy are stored in the brain as implicit memory, which makes up the emotional brain, the unconscious mind, and the foundation for lifelong mental and physical health.
Myth 2: Responding to cries spoils an infant or teaches an infant to be dependent.
Reality: Responding reliably strengthens a baby’s emotional brain circuits, helps them grow confidently independent, and gives them the gift of stress regulation for life.
Myth 3: Babies can and need to learn to self-soothe, which means go from a state of high stress to a state of safety on their own.
Reality: Babies cannot self-soothe because they do not have the brain parts to do so until way beyond infancy.
Myth 4: Babies are resilient, so experience in infancy doesn’t matter.
Reality: Experience in infancy matters. It interacts with genes to influence mental health.
Myth 5: We can’t make a difference to our baby’s mental health outcomes if our baby inherits mental health genetics and intergenerational trauma through epigenetics.
Reality: Nurture makes an impact on inherited DNA and epigenetics to reduce or silence mental health effects.
Myth 6: Everyone falls in love with and knows what to do with their baby right away.
Reality: Lots of time touching, smelling, and looking into your baby’s eyes slowly builds your love, knowledge, and relationship with your baby.
Myth 7: Having a baby impairs your brain function.
Reality: Having a baby changes your brain to give you nurturing superpowers.
Myth 8: Being with my baby is doing nothing.
Reality: Being with my baby is vital brain-building, circuit-sculpting, cycle-starting activism for my baby’s future.
Myth 9: Only pay attention to your baby’s stress and emotions when there’s a reason for them.
Reality: All of your baby’s stress and emotions need to feel welcome and safe.
Myth 10: Since my baby will be with a grandparent, a nanny, or at daycare, I should reduce my care at home to prepare them.
Reality: Providing my baby with as much nurture as possible when we are together is what they need to build their brain.
Myth 11: You need to buy things for your baby’s brain development.
Reality: Your presence is the key to your baby’s brain development.
Myth 12: I need swings, seats, and containers to take care of my baby. My baby needs lots of classes and socialization to thrive.
Reality: The sensory experiences from my body are the only thing my baby needs.
Myth 13: I should feed my baby on a schedule.
Reality: Feed your baby when their body is experiencing physiological signals of hunger and showing hunger cues.
Myth 14: Breastfeeding or body feeding past six or twelve or twenty-four or thirty-six months is extra, spoiling, or for no reason.
Reality: Breastfeeding or body feeding at six or twelve or twenty-four or thirty-six months is brain-building and nurturing.
Myth 15: Holding a baby is doing nothing.
Reality: Holding a baby is seriously hard and brain-building work.
Myth 16: Newborn babies are happy with a swaddle, hat, pacifier, and bassinet.
Reality: Newborns are happy on someone’s skin, chest-to-chest, covered by a blanket—no swaddle, hat, pacifier, or bassinet needed.
Myth 17: Babies’ stress and emotions don’t matter and can be ignored.
Reality: Babies feel transformational stress and a huge range of emotions that influence how their brains and bodies develop.
Myth 18: If we respond to our crying, clinging babies, we teach them that that behavior is good, so they learn to cry and cling more.
Reality: When we respond to crying and clinging, babies cry less, and we build the infant brain to be more independent later.
Myth 19: There’s no difference if I hold my crying baby; they’re crying anyway.
Reality: Holding my crying baby provides a nurture bath to their brain regardless of how long they cry...
”
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Greer Kirshenbaum, PhD
“
We must rediscover the structure of the perceived world through a process similar to that of an
archaeologist. For the structure of the perceived world is buried under the sedimentations of later knowledge. Digging down to the perceived world, we see that sensory qualities are not opaque, indivisible "givens," which are simply exhibited to a remote consciousness—a favorite idea of classical philosophy. We see too that colors (each surrounded by an affective atmosphere which psychologists have been able to study and define) are themselves different modalities of our co-existence with the
world. We also find that spatial forms or distances are not so much relations between different points in objective space as they are relations between these points and a central perspective—our body. In
short, these relations are different ways for external stimuli to test, to solicit, and to vary our grasp on the world, our horizontal and vertical anchorage in a place and in a here-and-now. We find that perceived
things, unlike geometrical objects, are not bounded entities whose laws of construction we possess a priori, but that they are open, inexhaustible systems which we recognize through a certain style of development, although we are never able, in principle, to explore them entirely, and even though they never give us more than profiles and perspectival views of themselves. Finally, we find that the perceived world, in its turn, is not a pure object of thought without fissures or lacunae; it is,
rather, like a universal style shared in by all perceptual beings. While the world no doubt coordinates these perceptual beings, we can never
presume that its work is finished. Our world, as Malebranche said, is an "unfinished task."
If we now wish to characterize a subject capable of this perceptual experience, it obviously will not be a self-transparent thought, absolutely present to itself without the interference of its body and its history. The perceiving subject is not this absolute thinker; rather, it functions according to a natal pact between our body and the world, between ourselves and our body. Given a perpetually new natural and historical situation to control, the perceiving subject undergoes a continued birth; at each instant it is something new. Every incarnate subject is like an open notebook in which we do not yet know what will be written. Or it is like a new language; we do not know what works it will accomplish but only that, once it has appeared, it cannot fail to say
little or much, to have a history and a meaning. The very productivity or freedom of human life, far from denying our situation, utilizes it and turns it into a means of expression.
”
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Maurice Merleau-Ponty (The Primacy of Perception: And Other Essays on Phenomenological Psychology, the Philosophy of Art, History and Politics (Studies in Phenomenology and Existential Philosophy))
“
The functions to be established by the child fall into two groups: (1) the motor functions by which he is to secure his balance and learn to walk, and to coordinate his movements; (2) the sensory functions through which, receiving sensations from his environment, he lays the foundations of his intelligence by a continual exercise of observation, 7 comparison and judgment. In this way he gradually comes to be acquainted with his environment and to develop his intelligence. At the same time he is learning a language, and he is faced not only with the motor difficulties of articulation, sounds and words, but also with the difficulty of gaining an intelligent understanding of names and of the syntactical composition of the language.
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Maria Montessori (Dr. Montessori's Own Handbook)
“
At the level of spirituality, the intentionality of human consciousness is expressed through contemplative or ecstatic illumination, which transcends the levels of instinct, sensory experience, and intellect. In particular, at the level of spirituality, which Plato calls „noesis“ (intelligence), not only has a conscious being achieved to distinguish appearance from reality, to impose the government of reason on one‘s emotions, and to develop a scientific consciousness, but one has also cleansed and cured one‘s soul, thus being psychologically „open“ to a mystical, intuitive communication with the „absolute“, or the good-in-itself. (p. xvi)
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Nicolas Laos (The Meaning of Being Illuminati)
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Extrasensory abilities are naturally developed within us by being more receptive to the subtler and finer messages around us. We all have extrasensory, as well as sensory, faculties.
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Donna Goddard (The Love of Being Loving)
“
The more people try to push away and ignore internal warning signs, the more likely they are to take over and leave them bewildered, confused, and ashamed. People who cannot comfortably notice what is going on inside become vulnerable to respond to any sensory shift either by shutting down or by going into a panic—they develop a fear of fear itself.
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Bessel van der Kolk (The Body Keeps the Score: Brain, Mind, and Body in the Healing of Trauma)
“
Humans have what is called a triune brain, or a three-part brain. The midbrain or reptilian brain is the oldest part of our brain, where our survival instinct lives; the limbic or mammalian brain is where our emotions live; and finally the neocortex is our thinking brain. Adult humans with a fully developed neocortex are typically operating from the top down, from the neocortex down to the midbrain. This basically means we (normally) don’t bang each other on the sidewalk or resort to fistfights to settle disagreements at work because our moral, rational, thinking brain—the neocortex—asserts control over our base survival instincts. The neocortex, and specifically the prefrontal cortex, is where our judgment, personality, willpower, inhibition, social skills, morality, decision making, planning, and loads of other functions live. If the brain is a car, the survival response (midbrain) is the gas, and the prefrontal cortex is the brake. In alcohol addiction, the top-down control gets flipped, and the survival, animal instinct overrides the rational, thinking brain. This is due to two different causes. First, the prefrontal cortex loses its strength and volume; it’s like a muscle, and the chemical component of alcohol (it’s a neurotoxin, as in it attacks gray matter or the regions of the brain involved in sensory perception, memory, emotions, speech, decision making, and self-control), along with the consistent deferral to the survival instincts, weakens its function. So the part of our brain that is responsible for inhibiting actions (willpower), making decisions, moderating social behavior, constructing our personality, upholding our ethics, and planning our future goes offline. At the same time, the midbrain—which thinks only about the next fifteen seconds, not tomorrow or next year—
”
”
Holly Whitaker (Quit Like a Woman: The Radical Choice to Not Drink in a Culture Obsessed with Alcohol)
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Freelancing and Creativity -
In Freelancing, doing a job in different ways is called creativity. The importance of creativity is immense among all that is required for freelancing work because creativity is the main thing of freelancing.
It is difficult to give an exact definition of creativity. Because there is no end to creativity. In the case of some, creativity or the development of creativity begins to manifest naturally, while for some it manifests through talent, practice, and practice.
Creativity is basically a mental process that is the result of positive thinking, perseverance, and high analytical ability.
Just as it takes practice, practice, and dedication to develop this creativity, there is a high chance that this creativity will be wasted if it is not properly used or applied.
Below are the causes of creativity loss and ways to increase Creativity:
** Reasons for loss of Creativity -
Lack of focus on work – Creativity does not arise if there is no focus on work, to complete a task properly, there must be focus on it.
Irregular sleep – the brain does not work properly if you do not sleep properly, repeated sleep disturbances can also cause many mental problems that hinder creativity.
Suffering from indecisiveness – Having too many negative thoughts running through your head while doing a task can also hamper creativity. For example: if the work is going well, if the client likes it, if the client doesn't like it, if the client doesn't pay, etc.
Fear of not succeeding at work – Many people rush to work for quick cash income, but it does not work properly or on the contrary, more creativity is lost, which results in payment time problems. As a result, the fear of not succeeding enters the freelancer.
** Ways to Increase Creativity -
Dietary discipline – Of course, there is no substitute for healthy eating. Consuming regular meals maintains mental and physical well-being which in turn enhances creativity.
Gaining knowledge from nature – Nature is the main source of knowledge. All the sages and poets in the world were worshipers of nature. All of them could see something extraordinary in the ordinary things of this nature. Try to see it that way.
From everyday events – notice what is happening around you. You can get new ideas from it, for example, you can get an idea on any subject by reading a book, and new ideas can be invented while watching TV or watching newspaper advertisements.
Write down ideas – We all have something going on in our heads all the time, either mainly through thought or sensory processing. So whenever you get an idea, note it down so that you don't forget to read it.
So, creativity is created by the combination of ideas and skills. Freelancing is unthinkable without this creativity because to do freelancing you must have a clear idea about something or acquire full skill in that subject.
Please Visit Our Blogging Website to read more Articles related to Freelancing and Outsourcing, Thank You.
”
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Bhairab IT Zone
“
The second ingredient on which our identity is based is the same as for the chariot. In the process of reflecting the world, we organize it into entities: we conceive of the world by grouping and segmenting it as best we can in a continuous process that is more or less uniform and stable, the better to interact with it. We group together into a single entity the rocks that we call Mont Blanc, and we think of it as a unified thing. We draw lines over the world, dividing it into sections; we establish boundaries, we approximate the world by breaking it down into pieces. It is the structure of our nervous system that works in this way. It receives sensory stimuli, elaborates information continuously, generating behavior. It does so through networks of neurons, which form flexible dynamic systems that continuously modify themselves, seeking to predict109—as far as possible—the flow of information intake. In order to do this, the networks of neurons evolve by associating more or less stable fixed points of their dynamic with recurring patterns that they find in the incoming information, or—indirectly—in the procedures of elaboration themselves. This is what seems to emerge from the very lively current research on the brain.110 If this is so, then “things,” like “concepts,” are fixed points in the neuronal dynamic, induced by recurring structures of the sensorial input and of the successive elaborations. They mirror a combination of aspects of the world that depends on recurrent structures of the world and on their relevance in their interactions with us. This is what a chariot consists of. Hume would have been pleased to know about these developments in our understanding of the brain.
”
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Carlo Rovelli (The Order of Time)
“
MacIver notes that octopuses, while underwater creatures, seem to maximize the extent of their sensory capacities. They have very large eyes, and tend to remain still while executing complex tasks. It’s dangerous being an octopus; from the point of view of a predatory sea-dweller, you are a vulnerable bag of delicious nutrients. To survive, they have had to develop innovative defensive strategies, camouflaging themselves by changing skin color and emitting clouds of ink when forced to flee. Intelligence is a part of that defensive arsenal; an octopus will hide among rocks and coral when it sleeps, often arranging pieces so as to better shield itself from view. Perhaps the evolutionary pressure that led to large octopus brains was of a completely different type from that which led to land-dwelling animals.
”
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Sean Carroll (The Big Picture: On the Origins of Life, Meaning, and the Universe Itself)
“
Freelancing and Creativity
In Freelancing, doing a job in different ways is called creativity. The importance of creativity is immense among all that is required for freelancing work because creativity is the main thing of freelancing.
It is difficult to give an exact definition of creativity. Because there is no end to creativity. In the case of some, creativity or the development of creativity begins to manifest naturally, while for some it manifests through talent, practice, and practice.
Creativity is basically a mental process that is the result of positive thinking, perseverance, and high analytical ability.
Just as it takes practice, practice, and dedication to develop this creativity, there is a high chance that this creativity will be wasted if it is not properly used or applied.
Below are the causes of creativity loss and ways to increase Creativity:
** Reasons for loss of Creativity -
1. Lack of focus on work – Creativity does not arise if there is no focus on work, to complete a task properly, there must be focus on it.
2. Irregular sleep – the brain does not work properly if you do not sleep properly, repeated sleep disturbances can also cause many mental problems that hinder creativity.
3. Suffering from indecisiveness – Having too many negative thoughts running through your head while doing a task can also hamper creativity. For example: if the work is going well, if the client likes it, if the client doesn't like it, if the client doesn't pay, etc.
4. Fear of not succeeding at work – Many people rush to work for quick cash income, but it does not work properly or on the contrary, more creativity is lost, which results in payment time problems. As a result, the fear of not succeeding enters the freelancer.
** Ways to Increase Creativity -
1. Dietary discipline – Of course, there is no substitute for healthy eating. Consuming regular meals maintains mental and physical well-being which in turn enhances creativity.
2. Gaining knowledge from nature – Nature is the main source of knowledge. All the sages and poets in the world were worshipers of nature. All of them could see something extraordinary in the ordinary things of this nature. Try to see it that way.
3. From everyday events – notice what is happening around you. You can get new ideas from it, for example, you can get an idea on any subject by reading a book, and new ideas can be invented while watching TV or watching newspaper advertisements.
4. Write down ideas – We all have something going on in our heads all the time, either mainly through thought or sensory processing. So whenever you get an idea, note it down so that you don't forget to read it.
So, creativity is created by the combination of ideas and skills. Freelancing is unthinkable without this creativity because to do freelancing you must have a clear idea about something or acquire full skill in that subject.
”
”
Bhairab IT Zone
“
Children develop strength when they have daily opportunities to activate and use big muscle groups in a variety of ways. For instance, when babies have plenty of time to be on the ground day after day, they build strength simply by interacting with the environment around them. They reach for objects, attempt to kick things, push up for a better view, and roll over for a new perspective. They don’t need to do formal baby exercises that so many parenting forums recommend; simply moving about in a sensory-rich, yet soothing, environment is more than adequate for developing muscles naturally.
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Angela J. Hanscom (Balanced and Barefoot: How Unrestricted Outdoor Play Makes for Strong, Confident, and Capable Children)
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People with PTSD have their floodgates wide open. Lacking a filter, they are on constant sensory overload. In order to cope, they try to shut themselves down and develop tunnel vision and hyperfocus. If they can’t shut down naturally, they may enlist drugs or alcohol to block out the world. The tragedy is that the price of closing down includes filtering out sources of pleasure and joy, as well.
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Bessel van der Kolk (The Body Keeps the Score: Brain, Mind, and Body in the Healing of Trauma)
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People who cannot comfortably notice what is going on inside become vulnerable to respond to any sensory shift either by shutting down or by going into a panic—they develop a fear of fear itself.
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Bessel van der Kolk (The Body Keeps the Score: Brain, Mind, and Body in the Healing of Trauma)
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The brain develops, processes incoming sensory input, and heals in sequence.
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Bruce D. Perry (What Happened to You?: Conversations on Trauma, Resilience, and Healing)
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And it is directly relevant to our interest in the siddhis because the ganzfeld design was explictly developed to test whether telepathy would be easier to detect when sensory noise was reduced. This idea in turn was based on the yogic lore that withdrawal of the senses would assist the yogin to become more aware of subtle inner impressions, including telepathic experiences.
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Dean Radin (Supernormal: Science, Yoga and the Evidence for Extraordinary Psychic Abilities)
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bottom-up modalities (primary sensory, somatic, movement, rhythmic) help establish basic homeostatic stability will top-down treatments such as insight, reflection, trauma integration, narrative development, social development, or affect enhancement be effective (Kliem & Jones, 2008; Perry, 2008, 2009).
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Cathy A. Malchiodi (What to Do When Children Clam Up in Psychotherapy: Interventions to Facilitate Communication (Creative Arts and Play Therapy))
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The emotions we experience don't reflect our external reality; they reflect our internal reality. We don't see the world as it is; we see the world as we are. That's why prayer is so critical. It's a way of seeing reality - and, more specifically, the reality that is beyond that reality we can perceive with our five senses.
Some things cannot be perceived with the five senses; they can only be conceived by the Holy Spirit. Some things cannot be deduced by deductive reasoning; they can only be imagined by the Holy Spirit. Some things cannot be learned by logic; they can only be revealed by the Holy Spirit.
The Holy Spirit compensates for our sensory limits by enabling us to conceive of things we cannot perceive with our five senses. Think of it as a sixth sense. The revelation of the Spirit gives us extrasensory perception, in the truest sense of that phrase. He helps us see the invisible and hear the inaudible. But that sixth sense has to be cultivated, much like our five senses do. Our spiritual vision develops much like our physical vision does.
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Mark Batterson (Draw the Circle: The 40 Day Prayer Challenge)
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Lacking a filter, they are on constant sensory overload. In order to cope, they try to shut themselves down and develop tunnel vision and hyperfocus.
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Bessel van der Kolk (The Body Keeps the Score: Brain, Mind, and Body in the Healing of Trauma)
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That in perception we do not merely add together given sensory elements, and that complex perceptions possess attributes which cannot be derived from the discernible attributes of the separate parts, is one of the conclusions most strongly emphasized by practically all recent developments in psychology.
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Friedrich A. Hayek (The Sensory Order: An Inquiry into the Foundations of Theoretical Psychology)
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Attention is a yin to the yang in focus. Attention (mindfulness) and attention (focus) work together to provide a true, rounded experience of both being centered on the task at hand (whatever it may be), as well as being fully aware of, and responsive to, the many facets of the moment in which you are. In most forms of meditation you must demonstrate a certain level of concentration as well as free mind. What You’ll Get Out of It You must expand your mind and embrace the fullness of the moment in which you are. We might compare our sensitivity to light: When we concentrate on something, we could say we're "shining a spotlight" about it. Instead of shining a spotlight on one particular thing, as we exercise transparent consciousness, we may suggest that we encourage our awareness to "shine" in every direction around us, like the glow of a candle flame. This light of consciousness surrounding us will be referred to as our area of knowledge. The response area is the total sum of all the sensory input. The practice of open consciousness is an experiment of encouraging the senses to feel the fullness of the present moment, being mindful of even the subtleties you would usually forget, neglect or completely miss, such as the warmth of the air around you or the occasional crackling of floorboards. When we just accept and allow things to be as they are, we disengage instinctively from the urges that would try to control or change things. In passivity or indifference, this isn't a custom–quite the contrary. This is an exercise of opening your mind and encouraging you to obtain all the knowledge you can potentially before you make any moves or take any action. Remember that the term makes. We don't push ourselves to pick up on sensory input; perception simply grows from a state of quiet, comfortable allowing. We have a biological tendency to "brace for impact" when we are resistant to something that is happening, which means we withdraw and tighten up the muscles in our body. The subconscious then automatically begins to think all the way things could or ought to be different from what they are. When we're open to something, we seem to be more enthusiastic about the unexpected, and even more willing to embrace, leaving the body more at ease. It helps us to be more open to learning what we're doing and to learn. With an open mind we strive to see more options on issues and multiple perspectives. Open Awareness Meditation will strengthen the ability to see things as they really are and embrace them for what they are. By practicing Open Awareness Meditation, you will cultivate: Discernment Open Awareness Meditation allows us to better appreciate the moment we are at. The more we know the more educated our choices can be in any situation. Through cultivating conscious awareness, we develop discernment by being more sensitive to the larger picture, and how it is connected to the present moment.
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Adrian Satyam (Energy Healing: 6 in 1: Medicine for Body, Mind and Spirit. An extraordinary guide to Chakra and Quantum Healing, Kundalini and Third Eye Awakening, Reiki and Meditation and Mindfulness.)
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We have talked about how an infant’s brain takes in sensory information to make sense of their world and build associations. And we’ve talked about how we’re deeply relational creatures whose developing brains—starting with the lowest areas—begin to make “memories” of the smells, sounds, and images of “our people.” These memories exist on a very deep, pre-cortical, unconscious level: the way your people talk, the way they dress, the color of their skin. Now remember that your brain is always monitoring your world—both inside and outside—to ensure your survival. And when the brain encounters any unfamiliar experience, its default move is to activate the stress response. Better to be safe than sorry—better to assume that novelty can be a potential threat. Now add to this the fact that the major predator of humans has always been other humans. Our stress response has evolved to be relationally sensitive, such that when we’re with people who have attributes similar to our childhood “clan,” we feel safe. But when we encounter people with attributes that are different from “our people,” the brain’s default is to activate the stress response. When that happens, we feel dysregulated, even threatened.
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Bruce D. Perry (What Happened to You?: Conversations on Trauma, Resilience, and Healing)
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The world bombards us with a constant flow of sensory information, and some brains can handle this bombardment better than others.
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Devina King (From Surviving To Thriving: The Art and Science of Guiding Children To Develop Behavioral Regulation)
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Infants (one month to twelve months)—Infants benefit from having opportunities throughout the day to be active and outdoors. Physical activity encourages organization of the sensory system and important motor development. Toddlers (twelve months to three years)—Toddlers could benefit from at least five to eight hours worth of active play a day, preferably outdoors. They will naturally be active throughout the day. As long as you provide plenty of time for free play, they will seek out the movement experiences they need in order to develop. Preschoolers (three years to five years)—Preschoolers could also use five to eight hours of activity and play outdoors every day. Preschoolers learn about life, practice being an adult, and gain important sensory and movement experiences through active play. It’s a good idea to provide them plenty of time for this. School age (five years to thirteen years)—Young children up to preadolescence could benefit from at least four to five hours of physical activity and outdoor play daily. Children in elementary school need movement throughout the day in order to stay engaged and to learn in traditional school environments. They should have frequent breaks to move their body before, during, and after school hours. Adolescents (thirteen years to nineteen years)—Adolescents could benefit from physical activity three to four hours a day. Children in the teens still need to move in order to promote healthy brain and body development, regulate new emotions, and experience important social opportunities with friends out in nature.
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Angela J. Hanscom (Balanced and Barefoot: How Unrestricted Outdoor Play Makes for Strong, Confident, and Capable Children)
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Tips for Play Turn it off
Turn off the TV and the electronics! Imagination is an essential ingredient for play to have its positive effects. Create an enriching environment
Studies show that a sensory-rich environment coupled with play facilitates cortical growth in the brain. Having a variety of materials around that can stimulate all of the senses—visual, auditory, tactile, and so on—enhances brain development during play. Use art
Children’s brains grow when they make art. Therefore, don’t show them how to do it—just put out the art supplies and let them create spontaneously. Let them explore outside
Get them outside as much as possible to play in nature—the woods, the park, the beach, wherever. Try to find safe areas where you aren’t afraid to let them be free and explore the environment. These are places they can really use their imaginations and have fun. Mix children of different ages
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Jessica Joelle Alexander (The Danish Way of Parenting: What the Happiest People in the World Know About Raising Confident, Capable Kids)
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And as we’ve mentioned, one of the most powerful tools we use to help regulate a distressed infant is rhythm. Oprah: Why is that? Dr. Perry: All life is rhythmic. The rhythms of the natural world are embedded in our biological systems. This begins in the womb, when the mother’s beating heart creates rhythmic sound, pressure, and vibrations that are sensed by the developing fetus and provide constant rhythmic input to the organizing brain. These experiences create powerful associations—essentially, memories—that connect rhythms of roughly sixty to eighty beats per minute (bpm) to regulation. Sixty to eighty bpm is the average resting heart rate for an adult; it’s the rhythm the fetus sensed, and it equates to being in balance, to being warm, full, quenched, safe. After birth, rhythms at these frequencies can comfort and soothe, whereas the loss of rhythm, or high, variable, and unpredictable patterns of sensory input, becomes associated with threat.
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Bruce D. Perry (What Happened to You?: Conversations on Trauma, Resilience, and Healing)
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trauma and toxic stress is any disruption in the attachment and caregiving system that leaves the developing child in a chronic state of uncertainty and without the co-regulation of a safe, secure adult.
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Robyn Gobbel (Raising Kids with Big, Baffling Behaviors: Brain-Body-Sensory Strategies That Really Work)
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Technology enables frequent, low-stakes testing, an activity that powerfully promotes memory for material. Technology encourages better spacing of study over the time course of the class and helps prevent cramming. Technology facilitates presentation of material in ways that take advantage of learners’ existing knowledge about a topic. Technology facilitates presentation of material via multiple sensory modalities, which, if done in the right ways, can promote comprehension and memory. Technology offers new methods for capturing and holding students’ attention, which is a necessary precursor for memory. Technology supports frequent, varied practice that is a necessary precursor to the development of expertise. Technology offers new avenues to connect students socially and fire them up emotionally. Technology allows us to borrow from the techniques of gaming to promote practice, engagement, and motivation.
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Michelle D. Miller (Minds Online: Teaching Effectively with Technology)
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The mind extraction sensory tool Barbelo had developed for the Mindplant program was unique it actually sensed and locked onto the interior of a clients brain, extracted and then inserted their consciousness into the body of the profile they'd selected within the simulated Mindplant world she'd built with Visual's assistance.
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Jill Thrussell
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Barbelo was proud of her achievements and she knew the mind extraction sensory tool she had developed especially for the Mindplant program was unique in form; it actually sensed and locked onto the interior of a clients brain, extracted it and then inserted their consciousness into the body of the profile they'd selected within the simulated Mindplant world, she'd built with Visual's assistance and it had taken them a few years to achieve the required results.
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Jill Thrussell (Mindplant: Trimorphia (Glitches #3))
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Science and philosophy have for centuries been sustained by unquestioning faith in perception. Perception opens a window on to things. This means that it is directed, quasi-teleologically, towards a *truth in itself* in which the reason underlying all appearances is to be found. The tacit thesis of perception is that at every instant experience can be co-ordinated with that of the previous instant and that of the following, and my perspective with that of other consciousnesses—that all contradictions can be removed, that monadic and intersubjective experience is one unbroken text—that what is now indeterminate for me could become determinate for a more complete knowledge, which is as it were realized in advance in the thing, or rather which is the thing itself. Science has first been merely the sequel or amplification of the process which constitutes perceived things. Just as the thing is the invariant of all sensory fields and of all individual perceptual fields, so the scientific concept is the means of fixing and objectifying phenomena. Science defined a theoretical state of bodies not subject to the action of any force, and *ipso facto* defined force, reconstituting with the aid of these ideal components the processes actually observed. It established statistically the chemical properties of pure bodies, deducing from these those of empirical bodies, and seeming thus to hold the plan of creation or in any case to have found a reason immanent in the world. The notion of geometrical space, indifferent to its contents, that of pure movement which does not by itself affect the properties of the object, provided phenomena with a setting of inert existence in which each event could be related to physical conditions responsible for the changes occurring, and therefore contributed to this freezing of being which appeared to be the task of physics. In thus developing the concept of the thing, scientific knowledge was not aware that it was working on a presupposition. Precisely because perception, in its vital implications and prior to any theoretical thought, is presented as perception of a being, it was not considered necessary for reflection to undertake a genealogy of being, and it was therefore confined to seeking the conditions which make being possible. Even if one took account of the transformations of determinant consciousness, even if it were conceded that the constitution of the object is never completed, there was nothing to add to what science said of it; the natural object remained an ideal unity for us and, in the famous words of Lachelier, a network of general properties. It was no use denying any ontological value to the principles of science and leaving them with only a methodical value, for this reservation made no essential change as far as philosophy was concerned, since the sole conceivable being remained defined by scientific method. The living body, under these circumstances, could not escape the determinations which alone made the object into an object and without which it would have had no place in the system of experience. The value predicates which the reflecting judgment confers upon it had to be sustained, in being, by a foundation of physico-chemical properties. In ordinary experience we find a fittingness and a meaningful relationship between the gesture, the smile and the tone of a speaker. But this reciprocal relationship of expression which presents the human body as the outward manifestation of a certain manner of being-in-the-world, had, for mechanistic physiology, to be resolved into a series of causal relations.”
—from_Phenomenology of Perception_. Translated by Colin Smith, pp. 62-64
—Artwork by Cristian Boian
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Maurice Merleau-Ponty
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One day, however, they had an experience that revealed just how fragile their life had become. Bella developed a cold, causing fluid to accumulate in her ears. An eardrum ruptured. And with that she became totally deaf. That was all it took to sever the thread between them. With her blindness and memory problems, the hearing loss made it impossible for Felix to achieve any kind of communication with her. He tried drawing out letters on the palm of her hand but she couldn’t make them out. Even the simplest matters—getting her dressed, for instance—became a nightmare of confusion for her. Without sensory grounding, she lost track of time of day. She grew severely confused, at times delusional and agitated. He couldn’t take care of her. He became exhausted from stress and lack of sleep. He didn’t know what to do, but there was a system for such situations. The people at the residence proposed transferring her to a skilled nursing unit—a nursing home floor. He couldn’t bear the thought of it. No, he said. She needed to stay at home with him. Before the issue was forced, they got a reprieve. Two and a half weeks into the ordeal, Bella’s right eardrum mended and, although the hearing in her left ear was lost permanently, the hearing in her right ear came back. “Our communication is more difficult,” Felix said. “But at least it is possible.
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Atul Gawande (Being Mortal: Medicine and What Matters in the End)
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First, we developed the self-model, because we had to integrate our sensory perceptions with our bodily behavior. Then this self-model became conscious, and the phenomenal self-model was born into the Ego Tunnel, allowing us to achieve global control of our bodies in a much more selective and flexible manner. This was the step from being an embodied natural system that has and uses an internal image of itself as a whole to a system that, in addition, consciously experiences this fact.
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Thomas Metzinger (The Ego Tunnel: The Science of the Mind and the Myth of the Self)
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Neuroplasticity simply put is the brain’s ability to recreate new synapses and neural pathways that allow for growth and development. In children, the brain is incredibly pliable
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Shelley Margow (Is This My Child?: Sensory Integration Simplified)
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Change the material environment by altering the availability of amino acids or fats or carbohydrates in the diet of young animal, and the gene-environment interactions that occur will change as well, potentially affecting the structural development of the brain or the activity of hormone-releasing organs, with assorted behavioral consequences for the affected individual. Alter the experiential environment by changing the sensory inputs from the physical environment or from social interactions with other animals, and behavioral development will shift as well.
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John Alcock (Animal Behavior: An Evolutionary Approach)
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Brain Life began around 3.5 billion years ago. Multicelled creatures first appeared about 650 million years ago. (When you get a cold, remember that microbes had nearly a three-billion-year head-start!) By the time the earliest jellyfish arose about 600 million years ago, animals had grown complex enough that their sensory and motor systems needed to communicate with each other; thus the beginnings of neural tissue. As animals evolved, so did their nervous systems, which slowly developed a central headquarters in the form of a brain.
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Rick Hanson (Buddha's Brain: The Practical Neuroscience of Happiness, Love, and Wisdom)
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There is a very important lesson for human evolution hidden in figures 9.3 and 12.1. At the cortical level, the three levels of processing are special to the human. Rolls has discussed the evidence that rodents do not have these successive levels; in fact, they have only a tiny area equivalent to the OFC for Level 2 processing. Experiments have reported that in the rodent, sensory identification and reward evaluation are combined and occur even before reaching the cortex. This means that the cortical processing of independent streams of sensory input at successive levels of behavioral analysis is a primate, and perhaps most highly developed human, invention. It is of adaptive value in enabling humans to carry out a more detailed analysis of food and drink flavors. Humans thereby are able to differentiate themselves to a greater degree in terms of flavor preferences. It supports the proposal in Neurogastronomy that humans are more adapted for flavor perception than are other species. It also supports our hypothesis that wine tasting takes advantage of this ability, developed for survival in selecting foods, and uses it to discriminate and enjoy the flavors of wine.
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Gordon M. Shepherd (Neuroenology: How the Brain Creates the Taste of Wine)
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1. Give your toddler some large tubular pasta and a shoelace. Show her how to thread the shoelace through the pasta. 2. Take an empty long wrapping paper tube and place one end on the edge of the sofa and the other end on the floor. Give him a small ball such as a Ping Pong ball to roll down the tube. 3. Give her some individually wrapped toilet tissues, some boxes of facial tissue or some small tins of food such as tomato paste. Then let her have fun stacking them. 4. Wrap a small toy and discuss what might be inside it. Give it to him to unwrap. Then rewrap as he watches. Have him unwrap it again. 5. Cut such fruits as strawberries and bananas into chunks. Show her how to slide the chunks onto a long plastic straw. Then show her how you can take off one chunk at a time, dip it into some yogurt and eat it. 6. Place a paper towel over a water-filled glass. Wrap a rubber band around the top of the glass to hold the towel in place. Then place a penny on top of the paper towel in the centre of the glass. Give your child a pencil to poke holes in the towel until the penny sinks to the bottom of the glass. 7. You will need a small sheet of coarse sandpaper and various lengths of chunky wool. Show him how to place these lengths of wool on the sandpaper and how the strands stick to it. 8. Use a large photo or picture and laminate it or put it between the sheets of clear contact paper. Cut it into several pieces to create a puzzle. 9. Give her two glasses, one empty and one filled with water. Then show her how to use a large eyedropper in order to transfer some of the water into the empty glass. 10. Tie the ends/corners of several scarves together. Stuff the scarf inside an empty baby wipes container and pull a small portion up through the lid and then close the lid. Let your toddler enjoy pulling the scarf out of the container. 11. Give your child some magnets to put on a cookie sheet. As your child puts the magnets on the cookie sheet and takes them off, talk about the magnets’ colours, sizes, etc. 12. Use two matching sets of stickers. Put a few in a line on a page and see if he can match the pattern. Initially, you may need to lift an edge of the sticker off the page since that can be difficult to do. 13. You will need a piece of thin Styrofoam or craft foam and a few cookie cutters. Cut out shapes in the Styrofoam with the cookie cutters and yet still keep the frame of the styrofoam intact. See if your child can place the cookie cutters back into their appropriate holes. 14. Give her a collection of pompoms that vary in colour and size and see if she can sort them by colour or size into several small dishes. For younger toddlers, put a sample pompom colour in each dish. 15. Gather a selection of primary colour paint chips or cut squares of card stock or construction paper. Make sure you have several of the same colour. Choose primary colours. See if he can match the colours. Initially, he may be just content to play with the colored chips stacking them or making patterns with them.
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Kristen Jervis Cacka (Busy Toddler, Happy Mom: Over 280 Activities to Engage your Toddler in Small Motor and Gross Motor Activities, Crafts, Language Development and Sensory Play)
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Both methods develop increased awareness that can lead to neural changes and neurodifferentiation. (Put differently, when Feldenkrais trained his pupils to refine their sensory awareness of how it felt to perform a movement, he was training them to make more use of the feedback provided by their senses.) Some introductory books on
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Norman Doidge (The Brain's Way of Healing: Remarkable Discoveries and Recoveries from the Frontiers of Neuroplasticity)
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counselors, often confuses stages, states, and lines. He mentioned that clients could move through all four stages (sensorimotor to formal operations) in a single counseling session. People do not actually develop through four (or even two) stages in a day. Rather, different lines of development may be differentially developed, so that a client may appear to exhibit very rudimentary development in one aspect (for example, morality) and advanced development in another (scientific or mathematical thinking). Similar phenomena (clients’ appearing to exhibit the qualities of different stages of development) can be accounted for by distinguishing between stages and states of consciousness. For example, a client may have a developmental center of gravity that hovers around the formal-reflexive mind but experience a state of panic or intense depression during which he resorts to the type of illogical and contrary-to-evidence thinking that characterize preoperational thinking. There are a few places where Ivey seems to distinguish between stages and states, as when he is describing a concrete operational client with whom the counselor finds various deletions, distortions, overgeneralizations, and other errors of thinking or behaving that “represent preoperational states” (1986, p. 163, italics added). This is an important point. The basic structures are not completely stable; otherwise, they would endure even under extreme stress. Hence, developmental waves are conceived of as relatively stable and enduring—far more stable and enduring than states of consciousness, but also far from rigidly permanent structures. Levels and Lines of Development Ivey also wrote of how clients cycle through Piaget’s stages of cognitive development: Each person who continues on to higher levels of development is also, paradoxically, forced to return to basic sensori-motor and pre-operational experience… . the skilled individual who decides to learn a foreign language … must enter language training at the lowest level and work through sensori-motor, preoperational, and concrete experience before being able to engage in formal operations with the new language. (Ivey, 1986, p. 161) People do not revert from the capacity for formal operational thinking to sensorimotor, except perhaps because of a brain injury or organic disorders of the nervous system. Piaget was very emphatic that cognitive development occurs in invariant stages, meaning that everyone progresses through the stages in the same order. At the same time, it is true that just because an individual exhibits formal operational thinking (a stage or level of cognitive development) in chemistry and mathematics does not mean that she automatically can perform at mastery levels in any domain, such as, in this case, a foreign language. This is another example of the utility of Wilber’s (2000e) distinguishing the sundry lines
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André Marquis (The Integral Intake: A Guide to Comprehensive Idiographic Assessment in Integral Psychotherapy)
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Exercise: Yellow Square for Your Physical Health. CHAPTER FOUR—Clairvoyance in the Lab Our thoughts, emotions, drives, and perceptions, both sensory and extrasensory, are all interrelated and converge at all levels of consciousness to take us from where we are now to where and what we want to be. By interacting with these inner components
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Carl Llewellyn Weschcke (Clairvoyance for Psychic Empowerment: Develop Psychic Clarity & True Vision (Carl Llewellyn Weschcke's Psychic Empowerment Book 6))
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(see figure 1) or the macro-steps of the day’s plans (see figure 4). The level of detail depends on the context and the child’s needs for communication support. To help encourage literacy and develop sight words at
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Teresa Garland Mot Otr (Self-Regulation Interventions and Strategies: Keeping the Body, Mind & Emotions on Task in Children with Autism, Adhd or Sensory Disorders)
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the FDA’s own Web site states that “dental amalgams contain mercury, which may have neurotoxic effects on the nervous systems of children and developing fetuses. When amalgam fillings are placed in teeth or removed from teeth, they release mercury vapor. Mercury vapor is also released during chewing.
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Lindsey Biel (Raising a Sensory Smart Child: The Definitive Handbook for Helping Your Child with Sensory Processing Issues)
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4. In the struggle against your own weakness, humility is the greatest virtue. Humility is having an accurate assessment of your own nature and your own place in the cosmos. Humility is awareness that you are an underdog in the struggle against your own weakness. Humility is an awareness that your individual talents alone are inadequate to the tasks that have been assigned to you. Humility reminds you that you are not the center of the universe, but you serve a larger order. 5. Pride is the central vice. Pride is a problem in the sensory apparatus. Pride blinds us to the reality of our divided nature. Pride blinds us to our own weaknesses and misleads us into thinking we are better than we are. Pride makes us more certain and closed-minded than we should be. Pride makes it hard for us to be vulnerable before those whose love we need. Pride makes coldheartedness and cruelty possible. Because of pride we try to prove we are better than those around us. Pride deludes us into thinking that we are the authors of our own lives. 6. Once the necessities for survival are satisfied, the struggle against sin and for virtue is the central drama of life. No external conflict is as consequential or as dramatic as the inner campaign against our own deficiencies. This struggle against, say, selfishness or prejudice or insecurity gives meaning and shape to life. It is more important than the external journey up the ladder of success. This struggle against sin is the great challenge, so that life is not futile or absurd. It is possible to fight this battle well or badly, humorlessly or with cheerful spirit. Contending with weakness often means choosing what parts of yourself to develop and what parts not to develop. The purpose of the struggle against sin and weakness is not to “win,” because that is not possible; it is to get better at waging it. It doesn’t matter if you work at a hedge fund or a charity serving the poor. There are heroes and schmucks in both worlds. The most important thing is whether you are willing to engage in this struggle.
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David Brooks (The Road to Character)
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sensory experiences that last mere seconds or are endured for years can remain locked deep in the brain. Yet as our brains develop, constantly absorbing new experiences while continuing to make sense of the world around us, every moment builds upon all the moments that came before.
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Bruce D. Perry (What Happened to You?: Conversations on Trauma, Resilience, and Healing)
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When we discipline with threats—whether explicitly through our words or implicitly through scary nonverbals like our tone, posture, and facial expressions—we activate the defensive circuits of our child’s reactive reptilian downstairs brain. We call this “poking the lizard,” and we don’t recommend it because it almost always leads to escalating emotions, for both parent and child. When your five-year-old throws a fit at the grocery store, and you tower over him and point your finger and insist through clenched teeth that he “calm down this instant,” you’re poking the lizard. You’re triggering a downstairs reaction, which is almost never going to lead anywhere productive for anyone involved. Your child’s sensory system takes in your body language and words and detects threat, which biologically sets off the neural circuitry that allows him to survive a threat from his environment—to fight, to flee, to freeze, or to faint. His downstairs brain springs into action, preparing to react quickly rather than fully considering alternatives in a more responsive, receptive state. His muscles might tense as he prepares to defend himself and, if necessary, attack with freeze and fight. Or he may run away in flight, or collapse in a fainting response. Each of these is a pathway of reactivity of the downstairs brain. And his thinking, rational self-control circuitry of the upstairs brain goes off-line, becoming unavailable in that moment. That’s the key—we can’t be in both a reactive downstairs state and a receptive upstairs state at the same time. The downstairs reactivity holds sway. In this situation, you can appeal to your child’s more sophisticated upstairs brain, and allow it to help rein in the more reactive downstairs brain.
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Daniel J. Siegel (No-Drama Discipline: The Whole-Brain Way to Calm the Chaos and Nurture Your Child's Developing Mind)
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This sessile lifestyle means any given tree must find everything it needs, and must defend itself, while remaining fixed in place. It follows that a highly developed sensory repertoire is required to locate food and identify threats. And so, a tree smells and tastes—they sense and respond to chemicals in the air or on their bodies. A tree sees—they react differently to various wavelengths of light as well as to shadow. A tree touches—a vine or a root knows when it encounters a solid object. And trees hear; the sound of a caterpillar chomping a leaf primes the tree’s genetic machinery to produce defence chemicals. Tree roots seek out the water flowing through buried pipes, which suggests that plants somehow hear the sound of flowing water.
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Ian Stuart Sharpe (The All Father Paradox (Vikingverse #1))
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yama—moral discipline comprising nonharming (ahimsā), nonstealing (asteya), truthfulness (satya), chastity (brahmacarya), and nongrasping or greedlessness (aparigraha) 2. niyama—self-restraint comprising purity (shauca), contentment (samtosha), asceticism (tapas), self-study (svādhyāya), and devotion to the Lord (īshvara-pranidhāna) 3. āsana—posture (specifically for meditation) 4. prānāyāma—breath control 5. pratyāhāra—sensory inhibition 6. dhāranā—concentration 7. dhyāna—meditation, or sustained and deepening concentration 8. samādhi—ecstasy, or merging in consciousness with the object of meditation Together the eight limbs lead practitioners out of the maze of their own preconceptions and confusions to a sublime state of freedom. This is accomplished through the progressive control of the mind (citta). Beyond the highest ecstatic state lies the freedom of the transcendental Self, which is the pure Witness (sākshin) of all mental processes. For Patanjali, Self-realization is kaivalya, or the “isolation” or “aloneness” of that transcendental Witness. The many free Selves (purusha) all intersect in infinity and eternity. Enlightenment, or liberation, consists in simply waking up to our true nature, which is the transcendental Spirit, or Self. HATHA-YOGA The word hatha means “force” or “forceful.” Thus Hatha-Yoga is the “forceful Yoga” or “Yoga of Force,” meaning the Yoga of the inner kundalinī power. This branch of Yoga, which is particularly associated with Matsyendra Nātha and Goraksha Nātha, two perfected masters or siddhas, is a medieval development arising out of Tantra. It approaches Self-realization through the vehicle of the physical body and its energetic (pranic/etheric) template. In the first instance, Hatha-Yoga seeks to strengthen or “bake” the body so that practitioners have a chance to cultivate higher realizations. Secondly, it means to transubstantiate the body into a “divine body” (divyadeha) or “adamantine body” (vajra-deha), which is endowed with all kinds of paranormal capacities. Thus, the disciplines of Hatha-Yoga are designed to help manifest the ultimate Reality in the finite human body-mind. Sri Aurobindo put it this way: The chief processes of Hathayoga are āsana and prānāyāma. By its numerous Asanas or fixed postures it first cures the body of that restlessness which is a sign of its inability to contain without working them off in action and movement the vital forces poured into it from the universal Life-Ocean, gives to it an extraordinary health, force and suppleness and seeks to liberate it from the habits by which it is subjected to ordinary physical Nature and kept within the narrow bounds of her normal operations. . . . By various subsidiary but elaborate processes the Hathayogin next contrives to keep the body free from all impurities and the nervous system unclogged for those exercises of respiration which are his most important instruments.1
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Georg Feuerstein (The Deeper Dimension of Yoga: Theory and Practice)
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We have seen that a toddler needs to be surrounded to build fixed landmarks in his mind; he needs to move, to discover the environment by himself through the five senses, and he needs to do. All other needs of the toddler are always related to the sensory periods and are: Need for direct contact with the mother; Need to feel protected and safe; Need to develop relationships; Need to find stable reference points; Need its biological rhythms to be respected; Need for self-awareness as an individual; Need for freedom and independence; Need for a tailored space; Need for concentration; Need to use hands; Need to experience nature; Need for silence.
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Serena De Micheli (The Montessori Method: The Best Guide to Raising Your Child 0 to 3 Years Old in a Healthy Way. Stimulate His Mind with 375+ Hands-on Developmental and Sensory Activities at Home and Outdoors)
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Future motor neurons are located ventrally, and form the ventral roots of the spinal cord. The neurons of the sensory nervous system develop from neural crest cells. The dorso-ventral organization of the spinal cord is produced by Sonic hedgehog protein signals from ventral regions such as the notochord. Sonic hedgehog forms a gradient of activity from ventral to dorsal in the neural tube, and acts as the ventral patterning positional signal. As well as being organized along the dorso-ventral axis, neurons at different positions along the antero-posterior axis of the spinal cord become specified to serve different functions. The antero-posterior specification of neuronal function in the spinal cord was dramatically illustrated some 40 years ago by experiments in which a section of the spinal cord that would normally innervate wing muscles was transplanted from one chick embryo into the region that normally serves the legs of another embryo. Chicks developing from the grafted embryos spontaneously activated both legs together, as though they were trying to flap their wings, rather than activating each leg alternately as if walking. These studies showed that motor neurons generated at a given antero-posterior level in the spinal cord had intrinsic properties characteristic of that position. The spinal cord becomes demarcated into different regions along the antero-posterior axis by combinations of expressed Hox genes. A typical vertebrate limb contains more than 50 muscle groups with which neurons must connect in a precise pattern. Individual neurons express particular combinations of Hox genes, which determine which muscle they will innervate. So all together, expression of genes resulting from dorso-ventral position together with those resulting from antero-posterior position confers a virtually unique identity on functionally distinct sets of neurons in the spinal cord.
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Lewis Wolpert (Developmental Biology: A Very Short Introduction)
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Develop a mind that is like the four great elements (earth, water, fire and air) because if you do this, pleasant or unpleasant sensory impressions that have arisen and taken hold of the mind will not persist. Develop love, Rahula, for by doing so you will get rid of ill-will. Develop compassion, for by doing so you will get rid of violence. Develop sympathetic joy, for by doing so you will get rid of animosity. Develop equanimity, for by doing so you will get rid of uncontrolled reaction. Develop the perception of the foul, for by doing so you will get rid of attachment. Develop the perception of impermanence, for by doing so you will get rid of the conceit of selfhood. Develop mindfulness of breathing for it is of great benefit and advantage.
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Olga Gutsol (108 Buddhist Parables and Stories (Sacred Wisdom Stories))
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hypothesis that psychically sensitive individuals may somehow, through some as-yet-undiscovered “psychic retina,” be detecting large, rapid changes in entropy as bright beacons on the landscape ahead in time.24 May’s argument makes a certain amount of sense given the classical equivalence of time’s arrow with entropy. Things that are very rapidly dissipating heat, such as stars and nuclear reactors and houses on fire, or even just a living body making the ultimate transition to the state of disorder called death, could perhaps be seen as concentrated time. But steep entropy gradients also represent a category of information that is intrinsically interesting and meaningful to humans and toward which we are particularly vigilant, whatever the sensory channel through which we receive it. An attentional bias to entropy gradients has been shown for the conventional senses of sight and hearing, not just psi phenomena. Stimuli involving sudden, rapid motion, and especially fire and heat, as well as others’ deaths and illness, are signals that carry important information related to our survival, so we tend to notice and remember them.25 Thus, an alternative explanation for the link between psi accuracy and entropy is the perverse pleasure—that is, jouissance—aroused in people by signs of destruction. Some vigilant part of us needs be constantly scanning the environment for indications of threats to our life and health, which means we need on some level to find that search rewarding. If we were not rewarded, we would not keep our guard up. Entropic signals like smoke from an advancing fire, or screams or cries from a nearby victim of violence or illness, or the grief of a neighbor for their family member are all signifiers, part of what could be called the “natural language of peril.” We find it “enjoyable,” albeit in an ambivalent or repellent way, to engage with such signifiers because, again, their meaning, their signified, is our own survival. The heightened accuracy toward entropic targets that May observed could reflect a heightened fascination with fire, heat, and chaotic situations more generally, an attentional bias to survival-relevant stimuli. Our particular psychic fascination with fire may also reflect its central role as perhaps the most decisive technology in our evolutionary development as well as the most dangerous, always able to turn on its user in an unlucky instant.26 The same primitive threat-vigilance orientation accounts for the unique allure of artworks depicting destruction or the evidence of past destruction. In the 18th century, the sublime entered the vocabulary of art critics and philosophers like Edmund Burke and Immanuel Kant to describe the aesthetic appeal of ruins, impenetrable wilderness, thunderstorms and storms at sea, and other visual signals of potential or past peril, including the slow entropy of erosion and decay. Another definition of the sublime would be the semiotic of entropy.
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Eric Wargo (Time Loops: Precognition, Retrocausation, and the Unconscious)
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The rattlesnake represents the very acme of serpentine sophistication. It has superlative sensing organs that exploit infra-red and chemo-sensory stimuli to enable it to locate its prey. It is armed with one of the most powerful of all venoms with which it can inject its victims with surgical precision. It is long-lived and produces its young fully formed and immediately capable of fending for themselves.
But it has one vulnerability, one way in which human beings who see rattlesnakes as a threat to their own dominance are able to attack it. In North America, in the northern part of the rattlesnake’s range, winters can be so severe that a cold-blooded snake cannot remain active. So many species that are common elsewhere in North America do not spread far north. Rattlers are among the few that do. They survive the winter by another special adaptation. They have developed the ability to hibernate.
On the prairies of the mid-West and north into Canada, they choose to do so in the burrows of prairie dogs, rodents related to marmots. Elsewhere in the woodlands, they find outcrops of rocks that are riven by deep clefts. But such places are not abundant. As autumn approaches and temperatures fall, great numbers of rattlesnakes set out on long cross-country journeys of many miles following traditional routes to the places where they and their parents before them hibernate each year. Some of these wintering dens may contain a thousand individuals. So those human beings who hate snakes and who, in spite of the rattler’s sophisticated early warning system, believe that they are a constant and lethal threat, are also able, at this season of the year, to massacre rattlesnakes in thousands.
As a consequence one of the most advanced and wonderfully sophisticated of all snakes — perhaps of all reptiles — is now, in many parts of the territories it once ruled, in real danger of extinction.
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David Attenborough (Life in Cold Blood)
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Humanity is not the exclusive owner of personality and sensations. We are not the only creature with feelings and emotions, family ties, an sense of right and wrong, or thinking ability. We should always bear this in mind when we talk about "dumb animals," many of whom have sensory development that puts us to shame.
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H. Jay Dinshah (Powerful Vegan Messages: Out of the Jungle for the Next Generation)
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We cannot blame the public, science, or the media for the myths, misrepresentations, cynicism — and sometimes blatant ignorance of what it truly means to be a psychic or medium — while we continue as a community to use inaccurate, ill-conceived jargon and misconstrued concepts based on a flawed ‘sensory’ model of psychic perception.
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Anthon St. Maarten (The Sensible Psychic: A Leading-Edge Guide To True Psychic Perception)
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The vestibular system tells us about up and down and whether we are upright or not. It tells us where our heads and bodies are in relation to the earth’s surface. It sends sensory messages about balance and movement from the neck, eyes, and body to the CNS for processing and then helps generate muscle tone so we can move smoothly and efficiently. This sense tells us whether we are moving or standing still, and whether objects are moving or motionless in relation to our body. It also informs us what direction we are going in, and how fast we are going. This is extremely useful information should we need to make a fast getaway! Indeed, the fundamental functions of fight, flight, and foraging for food depend on accurate information from the vestibular system. Dr. Ayres writes that the “system has basic survival value at one of the most primitive levels, and such significance is reflected in its role in sensory integration.” The receptors for vestibular sensations are hair cells in the inner ear, which is like a “vestibule” for sensory messages to pass through. The inner-ear receptors work something like a carpenter’s level. They register every movement we make and every change in head position—even the most subtle. Some inner-ear structures receive information about where our head and body are in space when we are motionless, or move slowly, or tilt our head in any linear direction—forward, backward, or to the side. As an example of how this works, stand up in an ordinary biped, or two-footed, position. Now, close your eyes and tip your head way to the right. With your eyes closed, resume your upright posture. Open your eyes. Are you upright again, where you want to be? Your vestibular system did its job. Other structures in the inner ear receive information about the direction and speed of our head and body when we move rapidly in space, on the diagonal or in circles. Stand up and turn around in a circle or two. Do you feel a little dizzy? You should. Your vestibular system tells you instantly when you have had enough of this rotary stimulation. You will probably regain your balance in a moment. What stimulates these inner ear receptors? Gravity! According to Dr. Ayres, gravity is “the most constant and universal force in our lives.” It rules every move we make. Throughout evolution, we have been refining our responses to gravitational pull. Our ancient ancestors, the first fish, developed gravity receptors, on either side of their heads, for three purposes: 1) to keep upright, 2) to provide a sense of their own motions so they could move efficiently, and 3) to detect potentially threatening movements of other creatures through the vibrations of ripples in the water. Millions of years later, we still have gravity receptors to serve the same purposes—except now vibrations come through air rather than water.
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Carol Stock Kranowitz (The Out-of-Sync Child: Recognizing and Coping with Sensory Processing Disorder)
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Perceptual motor therapy provides integrated movement experiences that remediate gross-motor, fine-motor, and visual discrimination problems. Activities, including sensory-input techniques, stimulate left/right brain communication to help the child interpret incoming information to the nervous system. Goals are to develop more mature patterns of response to specific stimuli, improve motor skills and balance, and stimulate alternate routes to memory and sequencing for those children who do not respond to the methods taught in the conventional classroom.
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Carol Stock Kranowitz (The Out-of-Sync Child: Recognizing and Coping with Sensory Processing Disorder)
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Activities to Develop the Tactile Sense Rub-a-Dub-Dub—Encourage the child to rub a variety of textures against her skin. Offer different kinds of soap (oatmeal soap, shaving cream, lotion soap) and scrubbers (loofah sponges, thick washcloths, foam pot-scrubbers, plastic brushes). Water Play—Fill the kitchen sink with sudsy water and unbreakable pitchers and bottles, turkey basters, sponges, eggbeaters, and toy water pumps. Or, fill a washtub with water and toys and set it on the grass. Pouring and measuring are educational and therapeutic, as well as high forms of entertainment. Water Painting—Give the child a bucket of water and paintbrush to paint the porch steps, the sidewalk, the fence, or her own body. Or, provide a squirt bottle filled with clean water (because the squirts often go in the child’s mouth). Finger Painting—Let the sensory craver wallow in this literally “sensational” activity. Encourage (but don’t force) the sensory avoider to stick a finger into the goop. For different tactile experiences, mix sand into the paint, or place a blob of shaving cream, peanut butter, or pudding on a plastic tray. Encourage him to draw shapes, letters, and numbers. If he “messes up,” he can erase the error with his hand and begin again. Finger Drawing—With your finger, “draw” a shape, letter, number, or design on the child’s back or hand. Ask the child to guess what it is and then to pass the design on to another person. Sand Play—In a sandbox, add small toys (cars, trucks, people, and dinosaurs), which the child can rearrange, bury, and rediscover. Instead of sand, use dried beans, rice, pasta, cornmeal, popcorn, and mud. Making mud pies and getting messy are therapeutic, too.
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Carol Stock Kranowitz (The Out-of-Sync Child: Recognizing and Coping with Sensory Processing Disorder)