Sensitive Skin Quotes

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She surveyed him for a long moment, her brows knitting together. "Murder?" His grin grew. "Thank you, but no. I started a riot on t he yard." He adjusted his collar, before adding, "We were protesting the soap." Her confusion grew, and Thorne noticed that she was still in her defensive stance. "The soap," he said again, wondering if she'd heard him. "It's too drying." She said nothing. "I have sensitive skin.
Marissa Meyer (Scarlet (The Lunar Chronicles, #2))
Back at home inside our garage, Ren opened the door for me. Instead of helping me out, he leaned over and growling softly. His lips brushed against the sensitive skin under my ear. His voice was seductive, dangerous. "I'm warning you, Kelsey. I'm an extremely patient man. I've had extensive practice in waiting out the enemy. My life as a tiger has taught me that persistence and diligence always pay off. Consider yourself forewarned, priyatama. I'm on the hunt. I've caught your scent, and I won't be thwarted in my course.
Colleen Houck (Tiger's Quest (The Tiger Saga, #2))
Why is it that everyone else can look like they’re part of a zombie hunting party, but I still have to worry about fashion?” He won’t stop snickering. “You look like a leopard-spotted Shar-Pei.” I think those are the little pug-like dogs drowning in massive folds of skin. “You’re scarring me, you know. It could haunt me for the rest of my life to be called a wrinkly little dog at the tender age of seventeen.” “Yup. A sensitive girl. That just defines you, Penryn.
Susan Ee (World After (Penryn & the End of Days, #2))
I will never grow thick skin so that you don't have to feel bad about being a jerk to me.
Dan Pearce (Single Dad Laughing: The Best of Year One)
Fuck, I love you,” he whispers, his hand wrapped around my neck, crushing the chain into my already sensitive skin. “Remember that when I rip you apart.
Shantel Tessier (The Ritual (L.O.R.D.S., #1))
He grasped her by the wrist , running a thumb along the sensitive skin underneath. "Then let me call you Mine for a dance or two" She grinned but someone was suddenly between them, a tall, powerfully built person. Sam. He ripped the stranger's hand off of her wrist. "She's spoken for," he growled, all too close to the young man's maked face. The stranger's friend was behind him in an instant, his bronze eyes fixed on Sam. Celaena grabbed Sam's elbow. "Enough," she warned him. The masked stranger looked Sam up and down, then held up his hands. "My mistake," he said, but winked at Celaena before disappeared into the crowd, his armed friend close behind. Celaena whirled to face Sam. "What in hell was that for?" "You're drunk," he told her, so close her chest brushed his, "And he knew it, too." "So?" Even as she said it, someone dancing wildly crashed into her and set her reeling. Sam caught her around the waist, his hands firm on her as he kept her from falling to the ground. "You'll thank me in the morning." "Just because we're working together doesn't mean I'm suddenly incapable of handling myself." His hands were still on her waist. "Let me take you home.
Sarah J. Maas (The Assassin and the Underworld (Throne of Glass, #0.4))
Warmth slid through my veins as my body tensed in a welcomed, delicious way. My eyes fluttered shut as his lips brushed mine once and then twice, as if he was getting reacquainted with the feel of them. The slight, barely there touch was nerve racking. Cam shifted his weight onto his left arm and with his other hand, he spread his fingers along my cheek. He placed a kiss to the corner of my lips and the other side before sliding his hand back around the nape of my neck. His lips moved along my jaw, trailing a fiery path to my ear. A shiver danced along my skin, eliciting a deep, husky chuckle from him. His lips pressed against the sensitive spot under my ear, and a moan crawled up my throat. “Goodnight, Avery.” And then he kissed me—kissed me like he’d had right before he’d left the night of our date. Kissed me like he was a man starving for oxygen and I was the only air he needed to breathe. The hand around my neck held me there, raised up on my elbows as his mouth devoured mine. And that was the only word I could use to accurately explained how he kissed me. Cam devoured me.
Jennifer L. Armentrout (Wait for You (Wait for You, #1))
Human beings are not designed to be alone. Our creator gave us smooth, sensitive skin that craves the warmth of other skin. Our arms seek to hold. Our hands yearn to touch. We are drawn to companionship and affection out of an innate need.
Amy Harmon (Running Barefoot)
stay is a sensitive word. we wear who stayed and who left in our skin forever
Nayyirah Waheed (Salt)
I’m gonna hold on to my self-control as long as I fucking can. And when I can’t…” She held her breath until her lungs burned, but he didn’t elaborate. “When you can’t? What happens then?” His mouth brushed the sensitive spot where her neck joined her shoulder. Teeth grazed her skin. “Then Lord have mercy on you, Lexie love. Because I won’t.
Kit Rocha (Beyond Control (Beyond, #2))
In the shower today I tried to think about the best advice I'd ever been given by another writer. There was something that someone said at my first Milford, about using style as a covering, but sooner or later you would have to walk naked down the street, that was useful... And then I remembered. It was Harlan Ellison about a decade ago. He said, "Hey. Gaiman. What's with the stubble? Every time I see you, you're stubbly. What is it? Some kind of English fashion statement?" "Not really." "Well? Don't they have razors in England for Chrissakes?" "If you must know, I don't like shaving because I have a really tough beard and sensitive skin. So by the time I've finished shaving I've usually scraped my face a bit. So I do it as little as possible." "Oh." He paused. "I've got that too. What you do is, you rub your stubble with hair conditioner. Leave it a couple of minutes, then wash it off. Then shave normally. Makes it really easy to shave. No scraping." I tried it. It works like a charm. Best advice from a writer I've ever received.
Neil Gaiman
There weren't as many layers between her and the world as there were with the rest of us.
Renée Knight (Disclaimer)
Are you sure about that, Mrs. Maddox?” “Are you ever going to stop calling me that? You’ve said it a hundred times since we left the chapel.” He shook his head as he held the cab door open for me. “I’ll quit calling you that when it sinks in that this is real.” “Oh, it’s real all right,” I said, sliding to the middle of the seat to make room. “I have wedding night memories to prove it. He leaned against me, running his nose up the sensitive skin of my neck until he reached my ear. “We sure do.
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
The Skin Horse had lived longer in the nursery than any of the others. He was so old that his brown coat was bald in patches and showed the seams underneath, and most of the hairs in his tail had been pulled out to string bead necklaces. He was wise, for he had seen a long succession of mechanical toys arrive to boast and swagger, and by-and-by break their mainsprings and pass away, and he knew that they were only toys, and would never turn into anything else. For nursery magic is very strange and wonderful, and only those playthings that are old and wise and experienced like the Skin Horse understand all about it. "What is REAL?" asked the Rabbit one day, when they were lying side by side near the nursery fender, before Nana came to tidy the room. "Does it mean having things that buzz inside you and a stick-out handle?" "Real isn't how you are made," said the Skin Horse. "It's a thing that happens to you. When a child loves you for a long, long time, not just to play with, but REALLY loves you, then you become Real." "Does it hurt?" asked the Rabbit. "Sometimes," said the Skin Horse, for he was always truthful. "When you are Real you don't mind being hurt." "Does it happen all at once, like being wound up," he asked, "or bit by bit?" "It doesn't happen all at once," said the Skin Horse. "You become. It takes a long time. That's why it doesn't happen often to people who break easily, or have sharp edges, or who have to be carefully kept. Generally, by the time you are Real, most of your hair has been loved off, and your eyes drop out and you get loose in the joints and very shabby. But these things don't matter at all, because once you are Real you can't be ugly, except to people who don't understand." "I suppose you are real?" said the Rabbit. And then he wished he had not said it, for he thought the Skin Horse might be sensitive. But the Skin Horse only smiled. "The Boy's Uncle made me Real," he said. "That was a great many years ago; but once you are Real you can't become unreal again. It lasts for always.
Margery Williams Bianco (The Velveteen Rabbit)
There, there, sweetin’,” he murmured into her hair. “He loved me, he truly did,” she gasped. “I know he did,” Michael said. “And I loved him.” “Mm-hmm.” She raised her head, glaring angrily. “You don’t even believe in love. Why are you agreeing with me?” He laughed. “Because”—he leaned down and licked at the tears on her cheeks, his lips brushing softly against her sensitive skin as he spoke, “ye’ve bewitched and bespelled me, my sweet Silence, didn’t ye know? I’ll agree that the sky is pink, that the moon is made o’ marzipan and sugared raisins, and that mermaids swim the muddy waters o’ the Thames, if ye’ll only stop weepin’. Me chest breaks apart and gapes wide open when I see tears in yer pretty eyes. Me lungs, me liver, and me heart cannot stand to be thus exposed.” She stopped breathing. She simply inhaled and stopped, looking at him in wonder. His lips were quirked in a mocking smile, but his eyes—his fathomless black eyes—seemed to hold a great pain as if his strong chest really had been split open.
Elizabeth Hoyt (Scandalous Desires (Maiden Lane, #3))
Alexander leaned down,whispered in her ear,"If he touches you,"he said,lapping at the sensitive skin of her lobe,"I swear I will hunt him down and rip out his heart.
Laura Wright (Eternal Hunger (Mark of the Vampire, #1))
But a new thing, a great hitch, had happened yesterday in the gliding and noiseless current of his life, and he felt as a snake must feel who has sloughed off its winter skin, and cannot understand the brightness and sensitiveness of its new one.
Thomas Hardy (Jude the Obscure)
What other agents then are there, which, at the same time that they are under the influence of man's direction, are susceptible of happiness? They are of two sorts: (1) Other human beings who are styled persons. (2) Other animals, which, on account of their interests having been neglected by the insensibility of the ancient jurists, stand degraded into the class of things... But is there any reason why we should be suffered to torment them? Not any that I can see. Are there any why we should not be suffered to torment them? Yes, several. The day has been, I grieve to say in many places it is not yet past, in which the greater part of the species, under the denomination of slaves, have been treated by the law exactly upon the same footing as, in England for example, the inferior races of animals are still. The day may come, when the rest of the animal creation may acquire those rights which never could have been withholden from them but by the hand of tyranny. The French have already discovered that the blackness of the skin is no reason why a human being should be abandoned without redress to the caprice of a tormentor. It may come one day to be recognized, that the number of the legs, the villosity of the skin, or the termination of the os sacrum, are reasons equally insufficient for abandoning a sensitive being to the same fate. What else is it that should trace the insuperable line? Is it the faculty of reason, or, perhaps, the faculty of discourse? But a full-grown horse or dog is beyond comparison a more rational, as well as a more conversable animal, than an infant of a day, or a week, or even a month, old. But suppose the case were otherwise, what would it avail? the question is not, Can they reason? nor, Can they talk? but, Can they suffer? Why should the law refuse its protection to any sensitive being? The time will come when humanity will extend its mantle over everything which breathes.
Jeremy Bentham (The Principles of Morals and Legislation)
The money felt scratchy, hard against his skin. He wished he had a nice, sensitive woman to share the party with. No one. Tears wet his eyes. He didn’t try to stop them.
Nancy Mangano (Deadly Decisions)
Physically it's kind of lassitude, the apathy and tiredness that precedes the flu or some other illness, or death. My legs ache and feel heavy, my skin has become more sensitive to cold and to heat, to the hardness or rigidity of things. Nothing interests me, I feel uncomfortable being still but would feel even more uncomfortable if I moved. I don't know whether speaking is painful or just boring. I sit here, staring straight ahead, with no desires, no needs, hollow. I'm not even sad. I feel only passivity and indifference.
António Lobo Antunes (The Fat Man and Infinity: And Other Writings)
You will be identified as thin-skinned and moody; in reaction you will identify yourself as civilized and sensitive. You will barricade yourself in that preposterous condition known as self-respect.
Alphonso Lingis (Dangerous Emotions)
I could really appreciate him now - could properly see every beautiful line of his perfect face, of his long, flawless body with my strong new eyes, every angle and every plane of him. I could taste his pure, vivid scent on my tongue and feel the unbelievable silkiness of his marble skin under my sensitive fingertips.
Stephenie Meyer (Breaking Dawn (The Twilight Saga, #4))
The more I dim my eyes over print and frazzle my brain over abstract ideas, the more I appreciate the delight of being basically an animal wrapped in a sensitive skin: sex, the resistance of rock, the taste and touch of snow, the feel of the sun, good wine and a rare beefsteak and the company of friends around a fire with a guitar and lousy old cowboy songs. Despair: I'll never be a scholar, never be a decent good Christian. Just a hedonist, a pagan, a primitive romantic
Edward Abbey
I’d spent the last three years trying to build up some kind of a skin, so I wouldn’t drip with blood every time I brushed up against something.
Janet Fitch (White Oleander)
Good?” she whispered, stroking the sensitive skin there, no smile, no frown, simply needing to know. I nodded, reaching to run my thumb over her cheek. “You’re perfect.
Christina Lauren (Beautiful Player (Beautiful Bastard, #3))
I feel his teeth against the sensitive skin there. “Scream if it makes you feel better. We both know why you won’t make me stop. You want this.
Katee Robert (Desperate Measures (Wicked Villains, #1))
And if he was kind and friendly and funny, and if he told you about places so beautiful that you wanted to go with him to see them, and if he listened to you talk like he actually cared about what you were saying? And if he tried to protect you when other people tried to tell you what to do, as if they owned you? And if he has the handsomest face you've ever seen, no matter if the skin has been damaged, because he's just lovely even so?
Caroline Leech (Wait for Me)
God, you're so sweet.” He holds my face in his hands and kisses me deeply. I slowly unzip his hoodie and touch a hand to his bare chest. I relish in the feel of it. Barely an hour ago I was admiring it from afar, and now it's no longer just a tease. When I slide my hand down to his stomach, he groans and his hands slip just under my shirt. “So that's why you didn't want to change.” I can feel his smile against my lips. “You just wanted me to take your clothes off for you.” “Guilty.” I lift my arms for him to pull it off. Instead of returning to kissing me, his eyes roam down my body. I fight the urge to cover myself; even though my bra is still on, I feel exposed. His hands lightly touch each side along the seam. My breath catches in my throat. Meeting my eyes, he says, “You're so damn beautiful.” He leans forward, pressing a soft kiss in between my breasts. I shiver at the light touch of his lips to my sensitive skin. If this is how he makes me feel with such little contact, then how will the rest of this feel? The need is building inside like a spark starting a fire.
Lilly Avalon (Here All Along)
When the tip of his nose touched my skin and gently followed the contours of my neck, it was like all my sensitive trigger points had been hit in one go and my mind was saturated with immense, electrical sensations.
Eli Wilde (My Unbeating Heart)
Vampires, contrary to popular belief, don't incinerate when exposed to sunlight. If that were true, there would be a heck of a lot more stories about spontaneous combustion around the world. They are, however, very sensitive to sunlight and their skin cannot take long term exposure without damaging and burning it, which was painful. From Vampire Princess Rising book two of the Winters Saga
Jami Brumfield
To feel the tender skin of sensitive child-fingers thicken; to feel the sex organs develop and call loudly to the flesh; to become aware of school, exams (the very words as unlovely as the sound of chalk shrilling on the blackboard,) bread and butter, marriage, sex, compatibility, war, economics, death and self. What a pathetic blighting of the beauty and reality of childhood.
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
stay is a sensitive word. we wear who stayed and who left in our skin forever. – sojourn
Nayyirah Waheed (salt.)
Then viselike fingers clenched my throat, the stake was wrenched from my hand, and a sharp stabbing pain shot up my right thigh as I landed on the ground with a thump that knocked the breath out of me. And as if that wasn’t bad enough, once I landed, something hard and heavy—his knee, I thought—hit me right in the sternum. You know, just in case there was one last breath left in my lungs. The point of the stake scraped the sensitive skin just under my chin. I looked up, wheezing, into Archer’s face.
Rachel Hawkins (Hex Hall (Hex Hall, #1))
I have listened with the greatest pleasure to all the inspirations of your brilliant mind. But all your grand principles, which I understand very well, would do splendidly in books and very badly in practice. In your plans for reform, you are forgetting the difference between our two positions: you work only on paper which accepts anything, is smooth and flexible and offers no obstacles either to your imagination or your pen, while I, poor empress, work on human skin, which is far more sensitive and touchy.
Robert K. Massie (Catherine the Great: Portrait of a Woman)
Grief, however, creates a strange sensitivity. The world is too intense to tolerate: a veil, a drink, another anesthetic is required to blot out the ache of what remains. One sees too much and feels it, as Robert Lowell puts it, "with one skin-layer missing.
Kay Redfield Jamison (Nothing Was the Same)
I have no name," she purred. "I am whoever the keepers of my fate tell me to be." He grasped her by her wrist, running a thumb along the sensitive skin underneath. "Then let me call you Mine for a dance or two.
Sarah J. Maas (The Assassin's Blade (Throne of Glass, #0.1-0.5))
I was terrified of death by the time I was three or four, actively if not lucidly. I had frequent nightmares about snakes and scary neighbors. By the age of four or five, I was terrified by my thoughts. By the time I was five, the migraines began. I was so sensitive about myself and the world that I cried or shriveled up at the slightest hurt. People always told me, "You've got to get a thicker skin," like now they might say, jovially, "Let go and let God." Believe me, if I could, I would, and in the meantime I feel like stabbing you in the forehead. Teachers wrote on my report cards that I was too sensitive, excessively worried, as if this were an easily correctable condition, as if I were wearing too much of the violet toilet water little girls wore then.
Anne Lamott (Help Thanks Wow: The Three Essential Prayers)
A human being was connected to the world through his or her skin and how could someone with clogged pores feel the environment or be sensitive to its vibrations?
Fatema Mernissi
People who are truly sensual bruise easily, so be careful when you handle them.
Lebo Grand
How did you even know where to look?” “I’m the president’s son, remember? I’d heard rumors about a group near the river, southeast of Westfall. I figured it was as good a place to start as any.” “Why?” I draw back. “Why would you do that?” “Remember what I told you once?” He pauses. His fingers graze the sensitive skin of my waist underneath my shirt. “About not giving up on you?
Amy Engel (The Revolution of Ivy (The Book of Ivy, #2))
Sometimes you look at yourself in the mirror, any mirror, and you wonder why that nose looks as it does, or those eyes--what is behind them, what depths can they reach. Your flesh, your skin, your lips--you know that that face which you behold is not yours alone but is already something which belongs to those who love it, to your family and all those who esteem you. But a person is more than a face or a bundle of nerves and a spigot of blood; a person is more than talking and feeling and being sensitive to the changes in the weather, to the opinions of people. A person is part of a clan, a race. And knowing this, you wonder where you came from and who preceded you; you wonder if you are strong, as you know those who lived before you were strong, and then you realize that there is a durable thread which ties you to a past you did not create but which created you. Then you know that you have to be sure about who you are and if you are not sure or if you do not know, you have to go back, trace those who hold the secret to your past. The search may not be fruitful; from this moment of awareness, there is nothing more frustrating than the belief that you have been meaningless. A man who knows himself can live with his imperfections; he knows instinctively that he is part of a wave that started from great, unnavigable expanses.
F. Sionil José
I didn't sleep all night, thinking. I thought about you, about those puppy eyes you give me, when you fake your sadness to make me smile-- and that upper lip of yours that brings life to all of my senses. I thought about your laughter when you get tickled, and that soft mellow place near your arm pit that I wish could be knit into a pillow for me to hug all night long. I thought about your stomach, your soft and sensitive stomach, scared like a baby kitten under the pouring rain. And I remembered the feeling of protection that comes washing over me when I get a glimpse of it, the feeling of covering it with the layers of my very own skin. I remembered your head when it rests on my heart, a rock sheltering itself on the verdure of infinity. I remembered your silky black hair, and how I never imagined that hair curls so thin could twirl, in the way they do, the rigid core of my existence.
Malak El Halabi
When I lie back and close my eyes, this farthest lip of beach right next to the end of the ocean feels like being up close to an enormous breathing being, the bass drum surf thump reverberating through the sand. Living out here with no lights, alone, you would indeed become sensitive to seasons, rhythms, weather, sounds- right up next to the sea, right up under the sky, like lying close to a lover’s skin to hear blood and breath and heartbeat.
Paul Bogard (The End of Night: Searching for Natural Darkness in an Age of Artificial Light)
At its most elemental level the human organism, like crawling life, has a mouth, digestive tract, and anus, a skin to keep it intact, and appendages with which to acquire food. Existence, for all organismic life, is a constant struggle to feed-a struggle to incorporate whatever other organisms they can fit into their mouths and press down their gullets without choking. Seen in these stark terms, life on this planet is a gory spectacle, a science-fiction nightmare in which digestive tracts fitted with teeth at one end are tearing away at whatever flesh they can reach, and at the other end are piling up the fuming waste excrement as they move along in search of more flesh. I think this is why the epoch of the dinosaurs exerts such a strange fascination on us: it is an epic food orgy with king-size actors who convey unmistakably what organisms are dedicated to. Sensitive souls have reacted with shock to the elemental drama of life on this planet, and one of the reasons that Darwin so shocked his time-and still bothers ours-is that he showed this bone crushing, blood-drinking drama in all its elementality and necessity: Life cannot go on without the mutual devouring of organisms. If at the end of each person’s life he were to be presented with the living spectacle of all that he had organismically incorporated in order to stay alive, he might well feel horrified by the living energy he had ingested. The horizon of a gourmet, or even the average person, would be taken up with hundreds of chickens, flocks of lambs and sheep, a small herd of steers, sties full of pigs, and rivers of fish. The din alone would be deafening. To paraphrase Elias Canetti, each organism raises its head over a field of corpses, smiles into the sun, and declares life good.
Ernest Becker (Escape from Evil)
It's funny: one starts off thinking one is shrinkingly sensitive & intelligent & always one down & all the rest of it: then at thirty one finds one is a great clumping brute, incapable of appreciating anything finer than a kiss or a kick, roaring our one's hypocrisies at the top of one's voice, thick skinned as a rhino. At least I do.
Philip Larkin (Philip Larkin: Letters to Monica)
Nicole had no right to be jealous.Hell,she didn´t even have a reason.They might have some sort of physical chemistry thing going on,but there wasn´t anything emotional.Nothing.She didn´t even like Riker.Liar."There´s nothing to finish,"she said. "Nothing to finish?You wondered why sex with a vampire was such a big deal.I´m going to show you."Riker moved toward her,slowly,like a cat sneaking up on a bird."Stamina."He stepped closer."Multiple orgasms."Closer,and her mouth went dry."Flexibility."Closer.Her skin flushed hot."Strenght."Closer.Her stomach did a flip-flop."The ability to sense heat so we know what parts of the body are the most sensitive at the right time."Closer.A throbbing ache started low in her pelvis."The ability to hear the slightest change in the tempo of your pulse so we know exactly how every stroke,kiss,and lick effects you." Oh.Dear.lord.
Larissa Ione (Bound by Night (MoonBound Clan Vampire, #1))
Fuck,” I groan, my voice gritty, my eyes closing as I tilt my head back. Her hand is warm, her skin velvety soft, but her touch is firm as she strokes, hitting just the right places to set me off. Her thumb massages the sweet spot on the underside of my cock, the sensitive outer ridges of the head, right where those nerve endings are bundled. Jesus, this woman knows her anatomy. A+ Top marks. Summa cum laude. Valedictorian of her motherfucking class.
J.M. Darhower (Menace (Scarlet Scars, #1))
Gently, I caressed along the puckered, angry scar slanting in a long, jagged line across my lower abdomen to where it crossed the smooth, silvered scar running in a horizontal line just above my pelvis, wishing she could somehow find comfort in my touch. Chills shook my body as I ran my fingers over the still sensitive skin, and just like every night, the bitterness and anger I found myself feeling faded away into sadness as I lost myself in this tangible reminder of my child. I loved her, so much. Steam filled the room, and I eased myself into the water, allowing myself to drift back to Daniel. I missed him, almost more than I could bear. This was never supposed to have happened to us. We were supposed to make it…we should have made it.
A.L. Jackson (Pulled)
One night, when the moon was full and peering in at us through my window, my Knight kissed the sensitive skin beneath my ear. “Moonshine,” he whispered. “You fill up the empty, dark space—like the moon owns the sky. It is quiet. It is bright. It doesn’t need to be a ball of flame to be noticed. It simply exists. It forever glows.” He’d called me Moonshine every single day since.
L.J. Shen (Broken Knight (All Saints High, #2))
As children, a great number of us were taught by our parents, carers, extended family members, and teachers, that showing any form of emotional vulnerability was “not OK.” We were conditioned to believe that in order to be acceptable as human beings, we had to be like the other children. We were taught to “suck it up,” “stop being cry babies,” “get thicker skin,” “stop being so sensitive” and go participate with the other kids, even if they overwhelmed us with their energy.
Mateo Sol (Awakened Empath: The Ultimate Guide to Emotional, Psychological and Spiritual Healing)
If he lies pressed against me, he gently twines his legs about mine and our legs are merged by the very soft cloth of our pajamas; he then takes great pains to find the right spot to cuddle his cheek. So long as he is not sleeping, I feel the quivering of his eyelids and upturned lashes against the very sensitive skin of my neck. If he feels a tickling in his nostrils, his laziness and drowsiness keep him from lifting his hand, so that in order to scratch himself he rubs his nose against my beard, thus giving me delicate little taps with his head, like a young calf sucking its mother.
Jean Genet (The Thief's Journal)
The whole skin has this delightful sensitivity; it feels the sun, it feels the wind running inside one's garment, it feels water closing on it as one slips under - the catch in the breath, like a wave held back, the glow that releases one's entire cosmos, running to the ends of the body as the spent wave runs out upon the sand. This plunge into the cold water of a mountain pool seems for a brief moment to disintegrate the very self; it is not to be borne: one is lost: stricken: annihilated. Then life pours back.
Nan Shepherd (The Living Mountain)
You deserve a sensitive and caring lover. Someone who loves you madly, passionately, and totally. Someone who misses you like he misses his own breaths. Someone who reads your eyes as easily as he reads a book. Someone who misses your fragrance like he misses his own shadow. Someone who is scared of touching you lest he might damage your fragile skin. Someone who protects you and loves you as the beautiful flower you are.
Avijeet Das
When Ronan was young and didn’t know any better, he thought everyone was like him. He made rules for humanity based upon observation, his idea of the truth only as broad as his world was. Everyone must sleep and eat. Everyone has hands, feet. Everyone’s skin is sensitive; no one’s hair is. Everyone whispers to hide and shouts to be heard. Everyone has pale skin and blue eyes, every man has long dark hair, every woman has long golden hair. Every child knows the stories of Irish heroes, every mother knows songs about weaver women and lonely boatmen. Every house is surrounded by secret fields and ancient barns, every pasture is watched by blue mountains, every narrow drive leads to a hidden world. Everyone sometimes wakes with their dreams still gripped in their hands. Then he crept out of childhood, and suddenly the uniqueness of experience unveiled itself. Not all fathers are wild, charming schemers, wiry, far-eyed gods; and not all mothers are dulcet, soft-spoken friends, patient as buds in spring. There are people who don’t care about cars and there are people who like to live in cities. Some families do not have older and younger brothers; some families don’t have brothers at all. Most men do not go to Mass every Sunday and most men do not fall in love with other men. And no one brings dreams to life. No one brings dreams to life. No one brings dreams to life.
Maggie Stiefvater (Call Down the Hawk (Dreamer Trilogy, #1))
Cocky little king. You assume you're the only one that gives me satisfaction?" His smile widens as he lifts one of my arms and kisses the sensitive skin of my wrist. "If there is something in this world that can please you more than me," he says, his warm breath caressing my skin, "then I'll be extra diligent in my duties tonight, my queen. Indulge me with every sensation that gives you pleasure, and I will match it and more." Whatever retort was on my tongue vanishes, his heated words stealing all reason from my mind. Only one lingers: queen. Hearing him refer to me as his intended opens my heart like the sea opens to the sky, and I am his.
Trisha Wolfe (Astarte's Wrath (Kythan Guardians, #0.5))
I also wrote them about you.” His blue gaze bored into her with paralyzing force. She couldn’t move. Couldn’t flee. Could only stare at the social travesty of his ungroomed features—the scruffy half beard shadowing his jaw, the too-long hair falling over his forehead—and feel her heart beat with love for this unconventional man. Darius’s grip softened on her wrist until his fingers were tracing tiny circles over the sensitive skin. “I told them that I had met a woman who wasn’t afraid to stand toe-to-toe with me. A woman who had seen my flaws and learned my darkest secrets, yet didn’t immediately run for the hills.” His self-deprecating chuckle coaxed a reluctant smile from her, the sound soothing the sharp edges of her turmoil. “I told them how this woman seemed instinctively to know when to comfort and when to confront, and how I was better with her in my life than I’d ever been on my own.
Karen Witemeyer (Full Steam Ahead)
You're not mad at me?" she asked. He leaned to the side and placed a lingering kiss on her neck. "If I pretended I was, would you make it up to me?" Another kiss landed on the sensitive skin of her collarbone, testing the edges of the coveralls. "Um," Jenna stammered. "No." "No?" He leveled his eyes with hers. They sparkled with amusement. She tried to think, but her body had apparently decided her brain was a nonessential system and shut it down. "Yes?
Aria Kane (A Titan for Christmas)
Kale's body was the warmest I'd ever felt it. Normally his hands were freezing, but as he caressed the hem of my shirt, his thumb grazed my skin, sending sparks of heat up and down my spine. I'd never felt this way before-so alive that every inch of my body was so sensitive the mere thought of Kale's touch excited me. My need for Kale was so urgent it slammed through me like a freight train.
Inger Iversen (Few Are Angels (Few Are Angels, #1))
If anyone was capable of understanding how someone else felt, it was Nancy. There weren't as many layers between her and the world as there were with the rest of us. She had that rare ability of being able to stand in someone else's shoes and get inside their skin.
Renée Knight (Disclaimer)
Nick laughed and gave in to the urge to brush Perry’s fair hair out of his eyes ‑‑ his fingertips sensitive to the silky texture of eyebrows and hair, warm skin, eyelashes. Perry’s lashes fluttered down, concealing his eyes. “Hey,” Nick said huskily. Perry gave him an uncertain look. It was a mistake, of course. A huge mistake. But suddenly, urgently Nick wanted to taste Perry’s mouth, so he bent his head. Perry’s eyes widened, then their faces bumped, and his mouth found Perry’s. It was a gentle kiss, because Nick was thinking what a stupid thing this was to do, and that Perry, being inexperienced, would probably expect songbirds and firecrackers. Perry tasted like hot chocolate and something warm and young and male. It was unexpectedly erotic. He responded sweetly, opening right up, and Nick’s heart turned over in his chest.
Josh Lanyon (The Ghost Wore Yellow Socks (The Ghost Wore Yellow Socks, #1))
When I meet young girls in Montreal or elsewhere who injure their bodies intentionally, deliberately, who want permanent scars to be drawn on their skin, I can't help secretly wishing they could meet other young girls whose permament scars are so deep they're invisible to the naked eye. I would like to seat them face to face and hear them make comparisons between a wanted scar and an inflicted scar, one that's paid for, the other that pays off, one visible, the other impenetrable, one inordinately sensitive, the other unfanthomable, one drawn, the other misshapen.
Kim Thúy
Your skin feels hot to the touch, yeah. Like a … a heated, weighted blanket.” I turned, watching him frown. “I say it as a compliment. I mean it in a I’d love to get under you and snuggle right now way.” That frown disappeared. “I can live with that.” His head dipped, and he placed a kiss on top of my hair. “What else?” “You are loyal.” He hummed in agreement. “Also private. You keep to yourself. And even if people think that you are cold and unfriendly, it’s just that you have a stoic approach to most things. You watch everything so that you can anticipate every single thing that comes your way, which, honestly, it’s really impressive but very annoying too.” I peeked at him over my shoulder, finding him looking at me strangely. “What?” “Nothing.” He shook his head, getting rid of whatever it had been that was making him look all dazed. I watched him compose himself. “You are forgetting something.” My eyebrows rose. “And what’s that?” “I bite,” he said before grazing his teeth over my shoulder. Then, he nibbled on the sensitive skin where my shoulder met my neck. Giggling like a madwoman, I let my body burrow into his embrace.
Elena Armas (The Spanish Love Deception (Spanish Love Deception, #1))
He remained still for a moment, not long enough for her to wonder if she’d made a mistake. Then he took charge, wrapping his arms around her, cupping his hand over the back of her head, loosening her hair from its style so it tumbled against her sensitized skin. His lips were firm, like the rest of him, and demanding, his tongue stroking along her bottom lip and into her mouth. His breath came hot and heavy against her cheek, and his erection pressed against her hip. Raindrops fell from his skin to hers, and she marveled that she could feel the warmth of him in those drops.
M.J. Fredrick (Guarded Hearts)
I was not alone. The room was the same, unchanged in any way since I came into it. I could see along the floor, in the brilliant moonlight, my own footsteps marked where I had disturbed the long accumulation of dust. In the moonlight opposite me were three young women, ladies by their dress and manner. I thought at the time that I must be dreaming when I saw them, they threw no shadow on the floor. They came close to me, and looked at me for some time, and then whispered together. Two were dark, and had high aquiline noses, like the Count, and great dark, piercing eyes, that seemed to be almost red when contrasted with the pale yellow moon. The other was fair, as fair as can be, with great masses of golden hair and eyes like pale sapphires. I seemed somehow to know her face, and to know it in connection with some dreamy fear, but I could not recollect at the moment how or where. All three had brilliant white teeth that shone like pearls against the ruby of their voluptuous lips. There was something about them that made me uneasy, some longing and at the same time some deadly fear. I felt in my heart a wicked, burning desire that they would kiss me with those red lips. It is not good to note this down, lest some day it should meet Mina’s eyes and cause her pain, but it is the truth. They whispered together, and then they all three laughed, such a silvery, musical laugh, but as hard as though the sound never could have come through the softness of human lips. It was like the intolerable, tingling sweetness of waterglasses when played on by a cunning hand. The fair girl shook her head coquettishly, and the other two urged her on. One said, “Go on! You are first, and we shall follow. Yours is the right to begin.” The other added, “He is young and strong. There are kisses for us all.” I lay quiet, looking out from under my eyelashes in an agony of delightful anticipation. The fair girl advanced and bent over me till I could feel the movement of her breath upon me. Sweet it was in one sense, honey-sweet, and sent the same tingling through the nerves as her voice, but with a bitter underlying the sweet, a bitter offensiveness, as one smells in blood. I was afraid to raise my eyelids, but looked out and saw perfectly under the lashes. The girl went on her knees, and bent over me, simply gloating. There was a deliberate voluptuousness which was both thrilling and repulsive, and as she arched her neck she actually licked her lips like an animal, till I could see in the moonlight the moisture shining on the scarlet lips and on the red tongue as it lapped the white sharp teeth. Lower and lower went her head as the lips went below the range of my mouth and chin and seemed to fasten on my throat. Then she paused, and I could hear the churning sound of her tongue as it licked her teeth and lips, and I could feel the hot breath on my neck. Then the skin of my throat began to tingle as one’s flesh does when the hand that is to tickle it approaches nearer, nearer. I could feel the soft, shivering touch of the lips on the super sensitive skin of my throat, and the hard dents of two sharp teeth, just touching and pausing there. I closed my eyes in languorous ecstasy and waited, waited with beating heart.
Bram Stoker (Dracula (Annotated))
Nothing to finish? You wondered why sex with a vampire was such a big deal. I’m going to show you.” He moved toward her, slowly, like a cat sneaking up on a bird. “Stamina.” He stepped closer. “Multiple orgasms.” Closer, and her mouth went dry. “Flexibility.” Closer. Her skin flushed hot. “Strength.” Closer. Her stomach did a flip-flop. “The ability to sense heat so we know what parts of the body are the most sensitive at the right time.” Closer. A throbbing ache started low in her pelvis. “The ability to hear the slightest change in the tempo of your pulse so we know exactly how every stroke, kiss, and lick affects you.” Oh. Dear. Lord.
Larissa Ione (Bound by Night (MoonBound Clan Vampire, #1))
He looked at them and saw their faces did not fit. The skin on the skulls crawled and twitched like half-solid paste. All the heads in his angle of vision seemed irregular lumps, like potatoes but without a potato’s repose: potatoes with crawling surfaces punctured by holes which opened and shut, holes blocked with coloured jelly or fringed with bone stumps, elastic holes through which air was sucked or squirted, holes secreting salt, wax, spittle and snot. He grasped a pencil in his trouser pocket, wishing it were a knife he could thrust through his cheek and use to carve his face down to the clean bone. But that was foolish. Nothing clean lay under the face. He thought of sectioned brains, palettes, eyeballs and ears seen in medical diagrams and butcher’s shops. He thought of elastic muscle, pulsing tubes, gland sacks full of lukewarm fluid, the layers of cellular and fibrous and granular tissues inside a head. What was felt as tastes, caresses, dreams and thoughts could be seen as a cleverly articulated mass of garbage.
Alasdair Gray (Lanark)
The kiss comes hotter and faster than before. Our lips move quickly, a hunger grows between us that can’t seem to be quenched. There’s a rhythm, a dance, and somehow, I know the steps. An instinct tells me to follow his lead, to explore even further, to touch. My hands drift down his back and when I feel scorching skin near the hem of his shirt, I gasp for air. Isaiah moans, and his lips leave mine to travel along my throat. My heart picks up speed as my entire body becomes one live electrical current. His tongue swirls against the sensitive skin right where my jaw meets my neck. I shiver and press my body closer to his. When he meets my lips again, Isaiah loops his arm around my waist and pulls me farther onto the bed. On our sides, his body heat penetrates past my clothes, past my skin, creating an inferno in my blood. A sudden coldness causes my eyes to flash open. Kneeling beside me, Isaiah’s hands go behind his head and he yanks off his shirt, tossing it to the floor. A flutter of excitement and nerves trembles in my stomach.
Katie McGarry (Crash into You (Pushing the Limits, #3))
What is the use of beauty in woman? Provided a woman is physically well made and capable of bearing children, she will always be good enough in the opinion of economists. What is the use of music? -- of painting? Who would be fool enough nowadays to prefer Mozart to Carrel, Michael Angelo to the inventor of white mustard? There is nothing really beautiful save what is of no possible use. Everything useful is ugly, for it expresses a need, and man's needs are low and disgusting, like his own poor, wretched nature. The most useful place in a house is the water-closet. For my part, saving these gentry's presence, I am of those to whom superfluities are necessaries, and I am fond of things and people in inverse ratio to the service they render me. I prefer a Chinese vase with its mandarins and dragons, which is perfectly useless to me, to a utensil which I do use, and the particular talent of mine which I set most store by is that which enables me not to guess logogriphs and charades. I would very willingly renounce my rights as a Frenchman and a citizen for the sight of an undoubted painting by Raphael, or of a beautiful nude woman, -- Princess Borghese, for instance, when she posed for Canova, or Julia Grisi when she is entering her bath. I would most willingly consent to the return of that cannibal, Charles X., if he brought me, from his residence in Bohemia, a case of Tokai or Johannisberg; and the electoral laws would be quite liberal enough, to my mind, were some of our streets broader and some other things less broad. Though I am not a dilettante, I prefer the sound of a poor fiddle and tambourines to that of the Speaker's bell. I would sell my breeches for a ring, and my bread for jam. The occupation which best befits civilized man seems to me to be idleness or analytically smoking a pipe or cigar. I think highly of those who play skittles, and also of those who write verse. You may perceive that my principles are not utilitarian, and that I shall never be the editor of a virtuous paper, unless I am converted, which would be very comical. Instead of founding a Monthyon prize for the reward of virtue, I would rather bestow -- like Sardanapalus, that great, misunderstood philosopher -- a large reward to him who should invent a new pleasure; for to me enjoyment seems to be the end of life and the only useful thing on this earth. God willed it to be so, for he created women, perfumes, light, lovely flowers, good wine, spirited horses, lapdogs, and Angora cats; for He did not say to his angels, 'Be virtuous,' but, 'Love,' and gave us lips more sensitive than the rest of the skin that we might kiss women, eyes looking upward that we might behold the light, a subtile sense of smell that we might breathe in the soul of the flowers, muscular limbs that we might press the flanks of stallions and fly swift as thought without railway or steam-kettle, delicate hands that we might stroke the long heads of greyhounds, the velvety fur of cats, and the polished shoulder of not very virtuous creatures, and, finally, granted to us alone the triple and glorious privilege of drinking without being thirsty, striking fire, and making love in all seasons, whereby we are very much more distinguished from brutes than by the custom of reading newspapers and framing constitutions.
Théophile Gautier (Mademoiselle de Maupin)
Grief said C.S. Lewis is like "a winding valley where any bend may reveal a totally new landscape." This is so. The lessons that come from grief come from its unexpected moves, from its shifting views of what had gone before and what is yet to come. Pain brought so often into one's consciousness cannot maintain the same capacity to wound. Grief, however creates strange sensitivity. The world is too intense to tolerate: a veil, a drink, another anaesthetic is required to blot out the ache of what remains. One sees too much and feels it, as Robert Lowell put it, "with one skin-layer missing." Grief conspires to ensure that it will in time wear itself out. Unlike depression, it acts to preserve the self. Depression is malignant, indiscriminately destructive. Grief may bear resemblance to depression, but it is a distant kinship. In Grief, death occasions the pain. In depression, death is the solution to the pain. In Grief, one feels the absence of a life, not life itself. In depression, it is otherwise one cannot access the beat of life!
Kay Redfield Jamison (Nothing Was the Same)
I stood behind the man’s chair, my blade at his throat. “Why do you do it?” I asked, knowing he wouldn’t answer. “Kill people, and blow up buildings, and sell drugs?” It was what they all did. Committed crimes. That was why I killed them. “You’re a criminal, a terrorist, a danger. And I have been asked to take you out.” I told him. I was legend now, yet he asked the same question all the others did. “What is your name?” My sensitive ears tuned out the slit as my sword cut his neck. I walked around the chair to see his face. I watched as his eyes–slowly at first–changed from blue to milky white. His skin went pale. And as I heard him take his last breath, I ducked in so my lips hovered at his ear, and whispered, “My name, is Sharden.
Alysha Speer (Sharden (Body of Blades #1))
Between them all the poor little Rabbit was made to feel himself very insignificant and commonplace, and the only person who was kind to him at all was the Skin Horse. The Skin Horse had lived longer in the nursery than any of the others. He was so old that his brown coat was bald in patches and showed the seams underneath, and most of the hairs in his tail had been pulled out to string bead necklaces. He was wise, for he had seen a long succession of mechanical toys arrive to boast and swagger, and by-and-by break their mainsprings and pass away, and he knew that they were only toys, and would never turn into anything else. For nursery magic is very strange and wonderful, and only those playthings that are old and wise and experienced like the Skin Horse understand all about it. "What is REAL?" asked the Rabbit one day, when they were lying side by side near the nursery fender, before Nana came to tidy the room. "Does it mean having things that buzz inside you and a stick-out handle?" "Real isn't how you are made," said the Skin Horse. "It's a thing that happens to you. When a child loves you for a long, long time, not just to play with, but REALLY loves you, then you become Real." "Does it hurt?" asked the Rabbit. "Sometimes," said the Skin Horse, for he was always truthful. "When you are Real you don't mind being hurt." "Does it happen all at once, like being wound up," he asked, "or bit by bit?" "It doesn't happen all at once," said the Skin Horse. "You become. It takes a long time. That's why it doesn't happen often to people who break easily, or have sharp edges, or who have to be carefully kept. Generally, by the time you are Real, most of your hair has been loved off, and your eyes drop out and you get loose in the joints and very shabby. But these things don't matter at all, because once you are Real you can't be ugly, except to people who don't understand." "I suppose you are real?" said the Rabbit. And then he wished he had not said it, for he thought the Skin Horse might be sensitive. But the Skin Horse only smiled.
Margery Williams Bianco (The Velveteen Rabbit (Illustrated))
I began to turn my body, but he held me and laid me back onto the bed, insistently, kissing my breasts but not lingering, kissing a line down my stomach and lower. “You want me to prove to you that I want you more than I’ve ever wanted anything in my life, Roses. Is that true, aye? Because I just can’t take this anymore.” I gasped as he licked into my sensitive flesh, wetting me with his soft strokes, speaking soft words against my skin. “If you insist on doubting me, Roses, if you absolutely insist on breaking down every defense that I have with your tears and your plush, wet, ripe beauty, then that’s what I’ll have to do, lass. Is that what you want from me? Proof?” I could only sigh a soft response, already falling, burning, wanting too much.
Juliette Miller (Highlander Claimed (Clan Mackenzie, #1))
I’ve missed this ass.” His breath tickles the nape of my neck, and then his tongue comes out for a taste, swirling over my feverish skin. “You don’t know how many times I jerked when we were on the road. How many times I got myself off to the thought of sliding my cock into this tight ass.” He rubs my opening with the tip of his finger, and the sensitive nerve endings there roar to life. My dick leaks in my hand. Shit. I’m still close. Too close. I squeeze my cockhead hard enough to bring a sting of pain, trying to curb the release that’s threatening to spill over.
Sarina Bowen (Us (Him, #2))
I curse him silently for moving my hands as he raises them to study the scars. He kisses them, his lips a fluid brush along sensitive flesh, then places them on his cheeks. Mouth inches from mine, he whispers, "Forgive me for bringing you into this. There was no other way." His skin is softer than clouds must feel, and the tears gathering around my fingertips are hot and tangible. But are they sincere? Our breaths swirl between us, and his black eyes swallow me whole. My heart knocks against the bottom of his rib cage. I know what's coming next. I fear it. But it's the surest way to distract him and get the wish. And if it has to happen, I'm going to be the instigator. Rising up on my toes, I press my mouth to his. He moans, frees my wrists, and sweep-s me into his arms—sealing the teddy bear between us.
A.G. Howard (Splintered (Splintered, #1))
His body was sweet and clean smelling. As she finished [massaging his dislocated shoulder], Fay bent and gently kissed him on the neck, that part where the skin is so soft abd sensitive, midway between the angle of the jaw and the hair line at the back of the neck. He opened his eyes, startled, then smiled as he murmured, "Oh! It's you. That's all right." He folded his arms about her, bringing her head close to his, then like a contented child sank into a deep sleep. His clean body odor gave her keenest delight. She hesitated to attempt to alter their relationship, and possibly lose him entirely. He had accepted her as a pal, that she would be.
Robert Scully
I had a dream about you. You had no skin or muscle on your face, and to try to conceal your bare skull you liberally applied lipstick and makeup. Your birthday was coming up, and I knew you were probably sensitive about parties that emphasize the aging process, so I decided to box up your gift in a coffin and wrap it with black wrapping paper. I got you the best gift ever too—a hooker, who happened to be dead, because that enabled me to procure a sizeable discount.

Dora J. Arod (I Had a Dream About You)
Is this weird?” she asked with a satisfied sigh. Jay shook his head. “Nah,” he answered, rubbing his hand along the sensitive skin of her arm. “It was gonna happen eventually. I’m just glad it’s finally out there . . . I was getting tired of waiting.” Violet was confused. Out there? What the hell was that supposed to mean? It was going to happen eventually? How could he have known what was going to happen? She wiggled out from beneath him. “What do you mean, you were tired of waiting? Waiting for what, exactly?” She propped herself back up on her elbow as she interrogated him, waiting for an answer. He let the questions linger between them for longer than he needed to, deliberately teasing Violet as she waited impatiently. But when he finally did answer her, it proved to be well worth the minor annoyance. “I was just waiting for you to want me as much as I wanted you.” His words were quiet but carried one hell of an impact. “I knew we were going to be together; it was just a matter of time. I kept hoping that you would figure it out. But for a smart girl, you’re a little dense, Vi. I kept bringing up Lissie Adams, and showing you the notes she was leaving me, hoping that you’d get pissed enough to finally admit how you felt about me.” “What makes you think I was feeling anything?” she asked him suspiciously, as if he’d somehow read her mind. If she had been the kind of girl who kept a diary, she would have sworn that he’d picked the lock and read it word for word. He grinned at her. “Because you did,” he stated matter-of-factly. “I know, because I did, and there was just no way that you didn’t feel it too.” She didn’t bother denying it and instead asked, “So you used Lissie to make me jealous?” She tried to sound indignant, but it was difficult when what she really wanted to do was dance around her room triumphantly. She wondered what Lissie would think if she could see them now, together on Violet’s bed. “No, I tried to use Lissie. But apparently you’re more pigheaded than I gave you credit for. I thought for sure that would do it. Instead, it backfired on me, and you agreed to go to the dance with . . . someone else.” He gritted his teeth, probably without even realizing it, as he choked out the words, unable to actually say Grady’s name. “And when I realized you were going with him, I figured the only way I was going to get to see you that night was to ask Lissie to go with me. I figured I could sneak in at least one dance with you.
Kimberly Derting (The Body Finder (The Body Finder, #1))
Elephants command attention. But their size is not what makes the heart skip a beat. It's how they walk with the world's weight on their shoulders, sensitive, noble, their hearts pulsing and as wide open as the great grey leaves that are their ears. MoFos used to say that an elephant never forgets and until this very moment, I hadn't understood what that really meant. An elephant's memories don't reside in organ or skin or bone. They live closer to tree time than we do, and their memories reside in the soul of their species, which dwarfs them in size, is untouchable, and lives on forever to honor every story. They carry stories from generations back, as far as when their ancestors wore fur coats, That is why, when you are close to an elephant, you feel so deeply. If they so choose, they have the ability to hold your sadness so you may safely sit in the lonely seat of loss, still hopeful and full of love. Their great secret is that they know everything is a tide—not a black tide, but the natural breath of life—in and out, in and out, and to be with them is to know this too, And here they were, suddenly lifting the weight of our sadness for us, carrying it in the curl of their trunks. We all sat together in our loss, not dwelling, but remembering. For an elephant never forgets,
Kira Jane Buxton (Hollow Kingdom (Hollow Kingdom, #1))
Jacks-' Evangeline tried not to sound as if her heart was racing. 'Don't you want to hurt me anymore, Little Fox?' His finger reached out and lightly traced her exposed collarbone, setting every inch of her skin on fire. 'You can pick up the dagger any time now.' But Evangeline couldn't pick up the dagger. She could barely manage to keep breathing. His hand was now at the hollow of her throat, careful and caressing. Jacks had touched her before- last night he'd held her while she'd slept, but he'd acted if that had been torture. His touch hadn't been warm, or curious. Or maybe she was the one who was curious. She knew she shouldn't be. But hadn't she wondered what it would be like to be wanted with the intensity that Jacks seemed to want things? His mouth curved wider as his hands moved from her throat to her shoulders and slowly slid the cape away, leaving more of her skin exposed. 'You should go back on the other side of the gate.' Her voice was hoarse. 'You're the one who said I needed a distraction.' HIs fingers drifted lower, trailing down her chest to the sensitive stretch of skin right above the lacy line of her corset. 'Isn't this better than talking?' One finger dipped all the way in to the corset. Her breathing hitched. 'I don't think this is a good idea.' 'That's what makes it interesting.' His other hand found her jaw, while the finger in her corset gently stroked just above her heart, coaxing it to beat even faster. 'You can always pick up the blade,' he taunted. 'You wouldn't like me as a vampire, Little Fox.
Stephanie Garber (Once Upon a Broken Heart (Once Upon a Broken Heart, #1))
Their conversation ceased abruptly with the entry of an oddly-shaped man whose body resembled a certain vegetable. He was a thickset fellow with calloused and jaundiced skin and a patch of brown hair, a frizzy upheaval. We will call him Bell Pepper. Bell Pepper sidled up beside The Drippy Man and looked at the grilled cheese in his hand. The Drippy Man, a bit uncomfortable at the heaviness of the gaze, politely apologized and asked Bell Pepper if he would like one. “Why is one of your legs fatter than the other?” asked Bell Pepper. The Drippy Man realized Bell Pepper was not looking at his sandwich but towards the inconsistency of his leg sizes. “You always get your kicks pointing out defects?” retorted The Drippy Man. “Just curious. Never seen anything like it before.” “I was raised not to feel shame and hide my legs in baggy pants.” “So you flaunt your deformity by wearing short shorts?” “Like you flaunt your pockmarks by not wearing a mask?” Bell Pepper backed away, kicking wide the screen door, making an exit to a porch over hanging a dune of sand that curved into a jagged upward jab of rock. “He is quite sensitive,” commented The Dry Advisor. “Who is he?” “A fellow who once manipulated the money in your wallet but now curses the fellow who does.
Jeff Phillips (Turban Tan)
Raise your chin and bare your throat for me—now.” There was a demanding tone in his deep, growling voice she found it impossible to disobey. Tilting her head, she turned her face to the side and offered him her throat in a display of complete submission. Baird growled in approval and placed a hot, sucking kiss on the tender skin of her offered throat. “Mine,” Liv heard him mutter as he pulled her even closer, lapping at the sensitive place where her shoulder met her neck and thrusting against her. “Mine, Lilenta. Mine forever and always.” The possessive words and the heat in his voice should have sent Liv running but instead she felt a thrill go through her. The thrill of being cherished and cared for. The thrill of being owned. God, yes…I’m yours, Baird. Always and forever yours.
Evangeline Anderson (Claimed (Brides of the Kindred, #1))
He’s a very, very sensitive guy. That’s one of the things that makes his antisocial behavior, his rudeness, so unconscionable. I can understand why people who are thick-skinned and unfeeling can be rude, but not sensitive people. I once asked him why he gets so mad about stuff. He said, “But I don’t stay mad.” He has this very childish ability to get really worked up about something, and it doesn’t stay with him at all. But there are other times, I think honestly, when he’s very frustrated, and his way to achieve catharsis is to hurt somebody. And I think he feels he has a liberty and a license to do that. The normal rules of social engagement, he feels, don’t apply to him. Because of how very sensitive he is, he knows exactly how to efficiently and effectively hurt someone. And he does do that.
Walter Isaacson (Steve Jobs)
Rhodes Must Fall was a small-scale example of what racial injustice looks like in Britain. It looks normal. It is pedestrian. It is unquestioned. It's just a part of the landscape, you might walk past it every day. For people who oppose anti-racism on the grounds of freedom of speech, opposition to gross racial disparities is about 'offence', rather than the heavily unequal material conditions that people affected by it carry as burden. Being in a position where their lives are so comfortable that they don't really have anything material to oppose, faux 'free speech' defenders spend all their spare time railing against 'offence culture'. When they make it about offence rather than their own complicity in a drastically unjust system, they successfully transfer the responsibility of fixing the system from the benefactors of it to those who are likely to lose out because of it. Tackling racism moves from conversations about justice to conversations about sensitivity. Those who are repeatedly struck by racism's tendency to hinder their life chances are told to toughen up and grow a thicker skin.
Reni Eddo-Lodge (Why I'm No Longer Talking to White People About Race)
I push my ragged mouth against the mirror. A thousand bleeding, crusted lips push back. What does it feel like to walk in a new skin? Was she completely sensitive like a baby, or numb, without nerve endings, just walking in a skin bag? I exhale and my mouth disappears in a fog. I feel like my skin has been burned off. I stumble from thornbush to thornbush—my mother and father who hate each other, Rachel who hates me, a school that gags on me like I’m a hairball. And Heather.   I just need to hang on long enough for my new skin to graft. Mr. Freeman thinks I need to find my feelings. How can I not find them? They are chewing me alive like an infestation of thoughts, shame, mistakes. I squeeze my eyes shut. Jeans that fit, that’s a good start. I have to stay away from the closet, go to all my classes. I will make myself normal. Forget the rest of it.
Laurie Halse Anderson (Speak)
With a knowing tilt of his lips, he ran his knuckles over the silky underwear, up and down, shifting the material over her achy, sensitive flesh. Her back arched on the pillows, and she whimpered. “Soon, there won’t be any barrier between us, Ruby. Just skin on skin. It’s going to be so fucking sweet. But tonight I’m going to make you regret saying no.” “Who said no?” She shook her head once. “Not me.” Laughter rumbled in his chest. “You said no matter how good the omelet tastes, the answer is no.” One knuckle pressed and held firm against her clitoris. “Next time, maybe you’ll say yes.
Tessa Bailey (His Risk to Take (Line of Duty, #2))
It was safe to say, standing as close to him as she was, that she was very aware of the rise of his aroused sensuality. Even if his hand had not been burning across her skin, the unapologetic hardness of his body pressing with erotic familiarity against hers would have told her how very much lost in his need for her he was. Gideon had to be the most sexual creature she had ever encountered. And yet, only a few short days ago, if she had been asked her opinion on that particular subject, she would have made suppositions that were quite the opposite. Was he telling her the truth when he said it was because of her? “I never lie, my beauty,” he murmured, reminding her of her own understandings about that. His lips against her hair, just beneath the back of her ear, were warm and smiling even as he kissed the thrillingly sensitive spot. “And even if I were just a dirty old man, Neliss,” he whispered like the warmth of sunshine in her ear, “it would never account for the tenderness you see in me even now.” He tightened his hold on her, drawing her so close that he burned hotly against her. “And you would have been in my bed, beneath the press of my body, open and inviting me in by now.” The raw observation and the aggressive heat of his body made her grasp, a mix between shocked sensibilities and excited delight. Legna looked up into his famished eyes, licking her lips with a hunger all her own. “If we do not find something to do, we will end up in bed together,” she reminded him with her heart pounding so obviously against his chest. “Yes. Perhaps without the intention of rousing until Jacob and Bella’s Beltane wedding,” he mused, the pleasure of the speculation quite evident in his expression. It was an attractive thought to Legna as well, especially as his mouth dipped beneath her hair to continue to tease the sensitive skin of her neck. But just the same, she took matters into her own hand, so to speak, and teleported out of his grasp, reappearing all the way on the other side of the room. Finding his arms so abruptly vacated, Gideon gave her an eloquent look. She was going to pay for her little trick one day, and his eyes promised it to her as thoroughly as a worded threat.
Jacquelyn Frank (Gideon (Nightwalkers, #2))
Gentle hands, soft lips, and hot little breaths down my stomach. Pleasure, a thick syrup pouring over my limbs. My cock rose, growing heavy with desire. We were so new together, by all accounts, I should be panting madly, trying to take over. But I was slowly heating wax molding to her will. Emma palmed me through my briefs, and I grunted. I wanted them off, no barriers between us. As if she heard the silent demand, she kissed my nipple and slowly eased the briefs down. I lifted my butt to help her. My dick slapped against my belly as it was freed. Emma made a noise of appreciation and then wrapped her clever fingers around me. "Please," I whispered. My body was weak, but my need grew stronger, drowning out everything else. She complied, stroking, her lips on my lower abs, teasing along the V leading to my hips. "Em..." My plea broke off into a groan as her hot mouth enveloped me. There were no more words. I let her have me, do as she willed, and I was thankful for it. And it felt so good I could only lie there and take it, try not to thrust into her mouth like an animal. But she pulled free with a lewd pop and gazed up at me. Panting lightly, I stared back at her, ready to promise her anything, when she kissed my pulsing tip. "Go ahead," she said. "Fuck my mouth." I almost spilled right there. She sucked me deep once more, and a sound tore out of me that was part pained, part "Oh God, please don't ever stop." The woman was dismantling me in the best of ways. Waves of heat licked up over my skin as I pumped gently into her mouth, keeping my moves light because I didn't want to hurt her, and because denying myself was outright torture. Apparently, I was into that. She sucked me like I was dessert----all the while, her hand stroking steady circles on the tight, sensitive skin of my lower abs. It was that touch, the knowledge that she was doing this because she wanted to take care of me, that rushed me straight to the edge. My trembling hand touched the crown of her head. "Em. Baby, I'm gonna..." I gasped as she did something truly inspired with her tongue. "I'm gonna..." She pulled free with one last suck and surged up to kiss me, her hand wrapping around my aching dick and stroking it. Panting into her mouth, my kiss frantic and sloppy, I came with a shudder of pleasure. And all the tension, all the pain, dissolved like a sugar cube dropped into hot tea.
Kristen Callihan (Make It Sweet)
So Callie is a rake." She blushed. "I don't think so." Silence fell between them as he watched the wash of pink across her cheeks. He lifted her wounded arm in his hand, placing a soft kiss on the back of her hand. She breathed deeply at the feel of his lips on her skin, so warm and soft, and her eyes flew to his, intently focused on her. He held her gaze, and she felt a shock of liquid heat as his tongue circled one of her knuckles. He registered her surprise, smiling against her and turning her hand palm up, then setting his tongue and lips to work on the soft, sensitive spot at its center. Her breath quickened, and she closed her eyes to the sensation, unable to watch the erotic movement of his mouth across her skin. He lifted his lips from her hand and, when she opened her eyes again, it was to find him watching her, a wicked smile on his lips. Reaching out, he traced one finger along the line of her jaw, sending a shiver through her. When he spoke, his voice was thick and liquid, and it sent a shock of heat down her spine. "I shouldn't give up on that part of her just yet, Empress." She caught her breath at the endearment, which brought with it a hazy memory from long ago. He chased the vision away with the vivid present as he clasped her chin, bringing her face closer to his. "You forget, I've met the women several times... In carriages..." His lips hovered just above hers, sending a tremor of anticipation through her, "And in theatres..." She tried to close the distance between them and he pulled back just enough to drive her slightly mad. "And in bedchambers. In fact," he added, his words a caress along the sensitive skin of her lips, "I rather like the rakish side of her." And then he settled his lips upon hers, and she was lost. She was consumed by the softness of his mouth, the gentleness of the caress- so very different than the kisses they had shared before. This kiss consumed her, made her forget herself, their surroundings, everything but the magnificent pressure of his lips on hers. His thumb stroked her jaw as his mouth ate at hers, sending waves of pulsing pleasure through her. She gasped at the feeling, and he took advantage of her open lips to plunder her mouth with deep, drugging kisses that made her dizzy. She reached for him, her anchor in a sea of sensuality, wrapping her arms around his neck and plunging her fingers into his heavy, soft hair. He made a deep, satisfied sound at the feeling of her wrapped around him, and traced a path across her cheek and down the column of her throat with soft, moist kisses that sent explosions of pleasure through her.
Sarah MacLean (Nine Rules to Break When Romancing a Rake (Love By Numbers, #1))
Never in my life had I even contemplated making love on a motorcycle, but there was no way Gareth would let me fall. I understood this on a primal level. He would keep me from harm, protect me... No matter how much I distracted and pleasured him. He pulled gently at the sensitive tip of my breast with his lips, soothing and teasing all at once. I reached behind to brace myself on the handlebars, my back arching toward him, offering myself as I watched his mouth on my skin, his tongue circling my nipple. He moved his other hand lower, pushing the bottom of my dress up. Moving his fingers up the soft skin of my inner thigh, he rubbed and teased me through the thin fabric of my thong underwear. "I need you," I gasped. "Now." He ripped my thong like it'd been made of tissue paper, and slid his fingers deep inside of me. His growl made me shiver with desire as he discovered just how ready I was for him. I gripped the handlebars tighter and leaned back a little, breaking the kiss as I stared into his eyes. Gareth took hold of my hips and pulled me closer, guiding me onto him. Every rock hard inch slid into me so slowly, my entire body shuddered with pleasure. He reached forward, taking my hands from the grips and putting them around his neck. Nose to nose, his dark eyes locked on mine as he thrust deeper inside of me. "You're mine. I'm yours." I wasn't sure what was happening, but my wolf came alive in my soul and I whispered, "I claim my mate.
Lisa Kessler (Blood Moon (Moon, #3))
I have spent my life clinging to my own shores for safety. Flying like a bird above the storm waters of my own body, too scared to land. I guess that is why the sea floods in to visit me. I have been too frightened to venture out into her depths alone. The central core of me is dark and churning, I can only sense it vaguely. It scares me with its power. As a late-diagnosed autistic woman, I realise that this experience is partly neurological…my sensory abilities are all hyper-aroused on the surface, and my nervous system melts down when it becomes overwhelmed in everyday places. But my ability to know what is going on within is flawed. Instead of an accurate information readout, there is a big, dark, unknowable mass within. I am sailing blind without map or lighthouse within my own skin. It feels a very scary place to have a life sentence. This is why I write: to attempt to find words for what this big scariness is, to try and find images to give form and name to the wild churning expanse.
Lucy H. Pearce (She of the Sea)
To the newborn, love is action; it is the attentive, responsive, nurturing care that adults provide. A parent may truly love his child, but if he is sitting at a computer posting on social media about how much he loves his child while the infant is in another room, awake, hungry, and crying, the infant experiences no love. To the infant, skin-to-skin warmth, the smell of the parent, the sights and sounds of her caregivers, the attentive and responsive caregiver’s actions-that becomes love. The thousands of these loving, responsive interactions shape the developing brain of the infant. These loving moments literally build the foundation of the organizing brain….the infant begins to associate these responsive people with pleasure, sustenance, warmth; her view of the world is being shaped…it is through these interactions that the child’s worldview is built, and depending upon the quality and pattern of the caregiver’s responses, will build resilience or contribute to a sensitized, vulnerable child.
Bruce D. Perry (What Happened To You?: Conversations on Trauma, Resilience, and Healing)
I have spent my life clinging to my own shores for safety. Flying like a bird above the storm waters of my own body, too scared to land. I guess that is why the sea floods in to visit me. I have been too frightened to venture out into her depths alone. The central core of me is dark and churning, I can only sense it vaguely. It scares me with its power. As a late-diagnosed autistic woman, I realise that this experience is partly neurological…my sensory abilities are all hyper-aroused on the surface, and my nervous system melts down when it becomes overwhelmed in everyday places. But my ability to know what is going on within is flawed. Instead of an accurate information readout, there is a big, dark, unknowable mass within. I am sailing blind without map or lighthouse within my own skin. It feels a very scary place to have a life sentence. This is why I write: to attempt to find words for what this big scariness is, to try and find images to give form and name to the wild churning expanse. Pearce, Lucy H.. She of the Sea
Lucy H. Pearce (She of the Sea)
Shaking, I pushed at him and managed to turn my head long enough to gasp, “I can’t. No. That’s enough, Jack.” He stopped at once. But he kept me against him, his chest moving hard and fast. I couldn’t look at him. My voice was hoarse as I said, “That shouldn’t have happened.” “I’ve wanted this since the first second I saw you.” His arms tightened, and he bent over me until his mouth was close to my ear. Gently he whispered, “You did, too.” “I didn’t. I don’t.” “You need some fun, Ella.” I let out an incredulous laugh. “Believe me, I don’t need fun, I need—” I broke off with a gasp as he pressed my hips closer to his. The feel of him was more than my dazzled senses could handle. To my mortification, I hitched up against him before I could stop myself, heat and instinct winning out over sanity. Feeling the reflexive response, Jack smiled against my scarlet cheek. “You should take me on. I’d be good for you.” “You are so full of yourself . . . and you would not be good for me, with your steaks and power tools and your attention-deficit libido, and . . . I’ll bet you’re a card-carrying member of the NRA. Admit it, you are.” I couldn’t seem to shut up. I was talking too much, breathing too fast, jittering like a wind-up toy that had been wound to the limits of its mechanism. Jack nuzzled into a sensitive place behind my ear. “Why does that matter?” “Is that a yes? It must be. God. It matters because— stop that. It matters because I would only go to bed with a man who respected me and my views. My—” I broke off with an inarticulate sound as he nibbled lightly at my skin. “I respect you,” he murmured. “And your views. I think of you as an equal. I respect your brains, and all those big words you like to use. But I also want to rip your clothes off and have sex with you until you scream and cry and see God.” His mouth dragged gently along my throat. I jerked helplessly, muscles jolting with pleasure, and his hands gripped my hips, keeping me in place. “I’m gonna show you a good time, Ella. Starting with some take-no-prisoners sex. The kind when you can’t remember your own name after.
Lisa Kleypas (Smooth Talking Stranger (Travises, #3))
Here am I, a little animal called a man--a bit of vitalized matter, one hundred and sixty-five pounds of meat and blood, nerve, sinew, bones, and brain,--all of it soft and tender, susceptible to hurt, fallible, and frail. I strike a light back-handed blow on the nose of an obstreperous horse, and a bone in my hand is broken. I put my head under the water for five minutes, and I am drowned. I fall twenty feet through the air, and I am smashed. I am a creature of temperature. A few degrees one way, and my fingers and ears and toes blacken and drop off. A few degrees the other way, and my skin blisters and shrivels away from the raw, quivering flesh. A few additional degrees either way, and the life and the light in me go out. A drop of poison injected into my body from a snake, and I cease to move--for ever I cease to move. A splinter of lead from a rifle enters my head, and I am wrapped around in the eternal blackness. Fallible and frail, a bit of pulsating, jelly-like life--it is all I am. About me are the great natural forces--colossal menaces, Titans of destruction, unsentimental monsters that have less concern for me than I have for the grain of sand I crush under my foot. They have no concern at all for me. They do not know me. They are unconscious, unmerciful, and unmoral. They are the cyclones and tornadoes, lightning flashes and cloud-bursts, tide-rips and tidal waves, undertows and waterspouts, great whirls and sucks and eddies, earthquakes and volcanoes, surfs that thunder on rock-ribbed coasts and seas that leap aboard the largest crafts that float, crushing humans to pulp or licking them off into the sea and to death--and these insensate monsters do not know that tiny sensitive creature, all nerves and weaknesses, whom men call Jack London, and who himself thinks he is all right and quite a superior being.
Jack London (The Cruise of the Snark)
I’m crossing our backyard to the Pearces’, trying to juggle the bag and the portable speakers and my phone, when I see John Ambrose McClaren standing in front of the tree house, staring up at it with his arms crossed. I’d know the back of his blond head anywhere. I freeze, suddenly nervous and unsure. I’d thought Peter or Chris would be here with me when he arrived, and that would smooth out any awkwardness. But no such luck. I put down all my stuff and move forward to tap him on the shoulder, but he turns around before I can. I take a step back. “Hi! Hey!” I say. “Hey!” He takes a long look at me. “Is it really you?” “It’s me.” “My pen pal the elusive Lara Jean Covey who shows up at Model UN and runs off without so much as a hello?” I bite the inside of my cheek. “I’m pretty sure I at least said hello.” Teasingly he says, “No, I’m pretty sure you didn’t.” He’s right: I didn’t. I was too flustered. Kind of like right now. It must be that distance between knowing someone when you were a kid and seeing them now that you’re both more grown-up, but still not all the way grown-up, and there are all these years and letters in between you, and you don’t know how to act. “Well--anyway. You look…taller.” He looks more than just taller. Now that I can take the time to really look at him, I notice more. With his fair hair and milky skin and rosy cheeks, he looks like he could be an English farmer’s son. But he’s slim, so maybe the sensitive farmer’s son who steals away to the barn to read. The thought makes me smile, and John gives me a curious look but doesn’t ask why. With a nod, he says, “You look…exactly the same.” Gulp. Is that a good thing or a bad thing? “I do?” I get up on my tiptoes. “I think I’ve grown at least an inch since eighth grade.” And my boobs are at least a little bigger. Not much. Not that I want John to notice--I’m just saying.
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
Shocked, she uttered a hoarse protest and shifted beneath him, but he soothed her with his hands, stroking her legs and hips, resettling her on the mattress. "Lie still. You don't have to do anything, my love. Let me take care of you. Yes. You can touch me if you... mmm, yes..." He purred as he felt her trembling fingers touch his glistening hair, the back of his neck, the hard slope of his shoulders. He moved lower, his hair-roughened legs sliding along the insides of hers, and she realized that his face was just above the triangle of fiery red curls. Flooded with embarrassment, she automatically reached down to cover the private area with her hand. St. Vincent's erotic mouth lowered to her hip, and she felt him smile against her tender skin. "You shouldn't do that," he whispered. "When you hide something from me, I want it all the more. I'm afraid you're filling my head with the most lascivious ideas... you'd better take your hand away, sweet, or I might do something really depraved." As her shaking hand withdrew, he let one fingertip wander into the springy hair, delicately searching the cushiony softness. "That's right... obey your husband," he whispered wickedly, stroking farther, deeper, until he had separated the cluster of curls. "Especially in bed. How beautiful you are. Open your legs, my love. I'm going to touch inside you. No, don't be afraid. Will it help if I kiss you here? Be still for me..." Evie sobbed as his mouth searched through the triangle of brilliant red hair. His warm, ruthlessly patient tongue found the little peak half concealed beneath the vulnerable hood. His long, agile finger probed the entrance of her body, but he was momentarily dislodged as she jerked in surprise. Whispering reassurances against her swollen flesh, St. Vincent slid his finger inside her again, deeper this time. "Innocent darling," came his soft murmur, and his tongue tickled a place so excruciatingly sensitive that she quivered and moaned. At the same time, his finger stroked her inner softness with a languid rhythm.
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
Chapter 28 Genghis Cat Gracing Whatever Shithole This Is, Washington, USA You can all relax now, because I am here. What did you think? I’d run for safety at the whim of a fucking parrot with under-eye bags like pinched scrotums? Did you suspect I—a ninja with feather-wand fastness and laser-pointer focus—had the spine of a banana slug? Then you are a shit-toned oink with the senses of a sniveling salamander. Then you don’t know Genghis Cat. I look around and can see that we are surrounded by The Bird Beasts, those crepe-faced, hair ball–brained fuck goblins. I intensely dislike these lumpy whatthefuckareyous who straddle between the Mediocre Servant and animal worlds, trying to be one thing and really not being, like imitation crabmeat in a sushi log that is really just fucking whitefish and WE ALL KNOW IT. “Would you like a little of the crabmeat, Genghis?” my Mediocre Servants seemed to ask with their blobfish lips and stupid faces. “THAT’S FUCKING WHITEFISH, YOU REGURGITATED MOLES!” I’d yowl, and then I’d steal the sushi log and run off and growl very much so they couldn’t have it back, and later I would pee on their night pillows for good measure. I cannot imagine their lives before me. We mustn’t think of those bleak dark ages. But the Beasts are dangerous. I have watched them morph and chew into a house. I have seen them with spider legs and second stomachs and camouflage skins. I have seen them tear the legs off a horse and steal flight from those with feathers. Orange and I have lost family to their fuckish appetites. But they are still fakish faking beasts and I’m fucking Genghis Cat. They are imitation crab and Genghis is filet mignon Fancy Feast, bitch. Probably I should come clean here and tell you that I’m immortal. I always suspected it but can confirm it now that I have surpassed the allocated nine lives. I’m somewhere around life 884, give or take seventy-eight. Some mousers have called me a god, but I insist on modesty. I also don’t deny it. I might be a god. It seems to fit. It feels right. A stealthy, striped god with an exotically spotted tummy—it seems certain, doesn’t it to you? I’m 186 percent sure at this point. Orange insists we stay away from the Beasts all the time, but I only let Orange think he’s in charge. Orange is incredibly sensitive, despite being the size of a Winnebago. He hand-raised each of my kittens and has terrible nightmares, and I have to knead my paws on him to calm him down. Orange and I have a deal. I will kill anything that comes to harm Orange and Orange will continue to be the reason I purr.
Kira Jane Buxton (Feral Creatures (Hollow Kingdom #2))
A 2016 study published in Proceedings of the National Academy of Sciences of the United States of America suggested that health care providers may underestimate black patients' pain in part due to a belief that they simply don't actually feel as much pain - a myth that dates all the way back to the days of slavery. For centuries, the claim that black people were biologically different from whites was 'championed by scientists, physicians, and slave owners alike to justify slavery and the inhumane treatment of black men and women in medical research,' the authors wrote. Black people were thought to have 'thicker skulls, less sensitive nervous systems,' and a super-human ability to 'tolerate surgical operations with little, if any, pain at all.' In the first phase of the study, over two hundred white medical students and residents were asked whether a series of statements about differences between black and white patients were true or false. Some of the statements were true, while others - for example, 'blacks' skin is thicker than whites' and 'blacks' nerve endings are less sensitive than whites' - were false. They found that a full half of the respondents thought that one or more the false statements - many of which were 'fantastical in nature' - were possibly, probably, or definitely true. Also, notably, many of them didn't agree with the statements that were actually true; only half of the residents knew that white patients are less likely to have heart disease than black patients are. When asked to read case studies of two patients complaining of pain, one white and one black, the respondents who had endorsed more false beliefs were more likely to believe that the black patient felt less pain, and undertreated them accordingly.
Maya Dusenbery (Doing Harm: The Truth About How Bad Medicine and Lazy Science Leave Women Dismissed, Misdiagnosed, and Sick)
Is this weird?" she asked with a satisfied sigh. Jay shook his head. "Nah," he answered, rubbing his hand along the sensitive skin of her arm. "It was gonna happen eventually. I'm just glad it's finally out there...I was getting tired of waiting." Violet was confused. Out there? What the hell was that supposed to mean? It was going to happen eventually? How could he have known what was going to happen? She wiggled out from beneath him. "What do you mean, you were tried of waiting? Waiting for what, exactly?" She propped herself back up on her elbow as she interrogated him, waiting for an answer. He let the question linger between them for longer than he needed to, deliberately teasing Violet as she waited impatiently. But when he finally did answer her, it proved to be well worth the minor annoyance. "I was just waiting for you to want me as much as I wanted you." His words were quiet but carried one hell of an impact. "I knew we were going to be together; it was just a matter of time. I kept hoping that you would figure it out. But for a smart girl, you're a little dense, Vi. I kept bringing up Lissie Adams, and showing you the notes she was leaving me, hoping that you'd get pissed enough to finally admit how you felt about me." Lissie Adams. Just hearing the other girl's name made Violet bristle enviously, causing her to shiver. She rubbed her arms protectively and hoped that Jay didn't notice. "What makes you think I was feeling anything?" she asked him suspiciously, as if he'd somehow read her mind. If she had been the kind of girl who kept a diary, she would have sworn that he'd picked the lock and read it word for word. He grinned at her. "Because you did," he stated matter-of-factly. "I know, because I did, and there was just no way that you didn't feel it too." She didn't bother denying it and instead asked, "So you used Lissie to make me jealous?" She tried to sound indignant, but it was difficult when what she really wanted to do was dance around her room triumphantly. She wondered what Lissie would think if she could see them now, together on Violet's bed. "No, I tried to use Lissie. But apparently you're more pigheaded than I gave you credit for. I thought for sure that would do it. Instead, it backfired on me, and you agreed to go to the dance with...someone else." He gritted his teeth, probably without even realizing it, as he choked out the words, unable to actually say Grady's name. "And when I realized you were going with him, I figured the only way I was going to get to see you that night was to ask Lissie to go with me. I figured I could sneak in at least one dance with you." Violet couldn't help it-she giggled. Just a little. It was just too much. The whole thing. Jay trying to trick her into revealing her feelings for him. Grady trying to kiss her last night. And then this...now...she and Jay cuddled up together on her bed...making out. It was crazy. "You think that's funny, huh?" He seemed a little bent that she was laughing at him. "Joke's on me, I guess," she said, serious now. "I get to sit at home, while you and Lissie Adams go to Homecoming." She tried to sound like it was no big deal, but the truth was that it stung more than she wanted it to. Jay reached up and wrapped his hand around the back of her neck. He pulled her toward him, staring her in the eye as they closed the distance between them. Violet felt an agonizing thrill at just being so hear him again. "I called her last night to cancel after I dropped you off." His voice was thick and husky, giving her chills. "I told her I was going to the dance with you instead.
Kimberly Derting (The Body Finder (The Body Finder, #1))
Nowadays, enormous importance is given to individual deaths, people make such a drama out of each person who dies, especially if they die a violent death or are murdered; although the subsequent grief or curse doesn't last very long: no one wears mourning any more and there's a reason for that, we're quick to weep but quicker still to forget. I'm talking about our countries, of course, it's not like that in other parts of the world, but what else can they do in a place where death is an everyday occurrence. Here, though, it's a big deal, at least at the moment it happens. So-and-so has died, how dreadful; such-and-such a number of people have been killed in a crash or blown to pieces, how terrible, how vile. The politicians have to rush around attending funerals and burials, taking care not to miss any-intense grief, or is it pride, requires them as ornaments, because they give no consolation nor can they, it's all to do with show, fuss, vanity and rank. The rank of the self-important, super-sensitive living. And yet, when you think about it, what right do we have, what is the point of complaining and making a tragedy out of something that happens to every living creature in order for it to become a dead creature? What is so terrible about something so supremely natural and ordinary? It happens in the best families, as you know, and has for centuries, and in the worst too, of course, at far more frequent intervals. What's more, it happens all the time and we know that perfectly well, even though we pretend to be surprised and frightened: count the dead who are mentioned on any TV news report, read the birth and death announcements in any newspaper, in a single city, Madrid, London, each list is a long one every day of the year; look at the obituaries, and although you'll find far fewer of them, because an infinitesimal minority are deemed to merit one, they're nevertheless there every morning. How many people die every weekend on the roads and how many have died in the innumerable battles that have been waged? The losses haven't always been published throughout history, in fact, almost never. People were more familiar with and more accepting of death, they accepted chance and luck, be it good or bad, they knew they were vulnerable to it at every moment; people came into the world and sometimes disappeared at once, that was normal, the infant mortality rate was extraordinarily high until eighty or even seventy years ago, as was death in childbirth, a woman might bid farewell to her child as soon as she saw its face, always assuming she had the will or the time to do so. Plagues were common and almost any illness could kill, illnesses we know nothing about now and whose names are unfamiliar; there were famines, endless wars, real wars that involved daily fighting, not sporadic engagements like now, and the generals didn't care about the losses, soldiers fell and that was that, they were only individuals to themselves, not even to their families, no family was spared the premature death of at least some of its members, that was the norm; those in power would look grim-faced, then carry out another levy, recruit more troops and send them to the front to continue dying in battle, and almost no one complained. People expected death, Jack, there wasn't so much panic about it, it was neither an insuperable calamity nor a terrible injustice; it was something that could happen and often did. We've become very soft, very thin-skinned, we think we should last forever. We ought to be accustomed to the temporary nature of things, but we're not. We insist on not being temporary, which is why it's so easy to frighten us, as you've seen, all one has to do is unsheathe a sword. And we're bound to be cowed when confronted by those who still see death, their own or other people's, as part and parcel of their job, as all in a day's work. When confronted by terrorists, for example, or by drug barons or multinational mafia men.
Javier Marías (Your Face Tomorrow: Fever and Spear / Dance and Dream / Poison, Shadow, and Farewell (Your face tomorrow, #1-3))