Minimal Art Quotes

We've searched our database for all the quotes and captions related to Minimal Art. Here they are! All 100 of them:

You can kill people with sound. And if you can kill, then maybe there is also the sound that is opposite of killing. And the distance between these two points is very big. And you are free--you can choose. In art everything is possible, but everything is not necessary.
Arvo Pärt
How do you turn catastrophe into art? Nowadays the process is automatic. A nuclear plant explodes? We'll have a play on the London stage within a year. A President is assissinated? You can have the book or the film or the filmed book or booked film. War? Send in the novelists. A series of gruesome murders? Listen for the tramp of the poets. We have to understand it, of course, this catastrophe; to understand it, we have to imagine it, so we need the imaginative arts. But we also need to justify it and forgive it, this catastrophe, however minimally. Why did it happen, this mad act of Nature, this crazed human moment? Well, at least it produced art. Perhaps, in the end, that's what catastrophe is for.
Julian Barnes (A History of the World in 10½ Chapters)
Principle 1: By setting limitations, we must choose the essential. So in everything you do, learn to set limitations.   Principle 2: By choosing the essential, we create great impact with minimal resources. Always choose the essential to maximize your time and energy.
Leo Babauta (The Power Of Less: The Fine Art of Limiting Yourself to the Essential)
togetherness, encouragement, autonomy, and minimal interference.
Michaeleen Doucleff (Hunt, Gather, Parent: What Ancient Cultures Can Teach Us About the Lost Art of Raising Happy, Helpful Little Humans)
The more minimal the art, the more maximum the explanation.
Hilton Kramer
Minimalism is the constant art of editing your life.
Danny Dover (The Minimalist Mindset)
The overarching point here is that a good night of sleep may depend in part on a good day of wakefulness: one that includes exercise, some outdoor time, sensible eating (no late-night snacking), minimal to no alcohol, proper management of stress, and knowing where to set boundaries around work and other life stressors.
Peter Attia (Outlive: The Science and Art of Longevity)
Trying to minimize weakness doesn’t produce strength.
Guy Kawasaki (The Art of the Start 2.0: The Time-Tested, Battle-Hardened Guide for Anyone Starting Anything)
The truth is that there’s no such thing as a personal problem. If you’ve got a problem, chances are millions of other people have had it in the past, have it now, and are going to have it in the future. Likely people you know too. That doesn’t minimize the problem or mean that it shouldn’t hurt. It doesn’t mean you aren’t legitimately a victim in some circumstances
Mark Manson (The Subtle Art of Not Giving a F*ck: A Counterintuitive Approach to Living a Good Life)
In particular, our culture focuses almost entirely on one aspect of the parent-child relationship. That’s control—how much control the parent exerts over the child, and how much control the child tries to exert over the parent. The most common parenting “styles” all revolve around control. Helicopter parents exert maximal control. Free-range parents exert minimal. Our culture thinks either the adult is in control or the child is in control.
Michaeleen Doucleff (Hunt, Gather, Parent: What Ancient Cultures Can Teach Us About the Lost Art of Raising Happy, Helpful Little Humans)
Mi resi conto che il valore degli oggetti di cui ho goduto da sola è decisamente minore del valore degli oggetti che mi ricordano i bei momenti trascorsi insieme agli altri.
Marie Kondō (Spark Joy: An Illustrated Master Class on the Art of Organizing and Tidying Up)
Minimalism is the art of finding happiness in what you have and not what you desire.
Sukant Ratnakar (Quantraz)
There's a fine line between minimalism and not trying very hard.
Tom Pappalardo
Half of mathematics is the art of saving space.
Mokokoma Mokhonoana
Certainty is a convenient and easy way out of our discomfort. It is the mind's equivalent of fast food - to satisfy our hunger for answers with minimal effort.
Rod Judkins (The Art of Creative Thinking)
So really, minimalism is about the art of balance—creating a physical space that helps us feel peaceful and focused on our priorities, while intentionally pursuing experiences that will bring us enjoyment and lasting memories.
Anthony Ongaro (Break the Twitch: A Practical Guide to Minimalism, Intentional Living & Doing More of What Matters)
To learn theory by experimenting and doing. To learn belonging by participating and self-rule. Permissiveness in all animal behavior and interpersonal expression. Emphasis on individual differences. Unblocking and training feeling by plastic arts, eurythmics and dramatics. Tolerance of races, classes, and cultures. Group therapy as a means of solidarity, in the staff meeting and community meeting. Taking youth seriously as an age in itself. Community of youth and adults, minimizing 'authority.' Educational use of the actual physical plant (buildings and farms) and the culture of the school community. Emphasis in the curriculum on real problems and wider society, its geography and history, with actual participation in the neighboring community (village or city). Trying for functional interrelation of activities.
Paul Goodman (Growing Up Absurd: Problems of Youth in the Organized System)
The things sane societies loved, it hated. The things sane societies hated, it loved; the things sane societies tried to do, it tried to avoid; the things sane societies tried to avoid, it did with relish. It pursued chaos and hated order, it worshipped ugliness and loathed beauty. If sane people wished to dress as neatly and well as they could, these people were persuaded to dress as hideously and grotesquely as possible; if sane people wanted music to be melodious, these people (whether we are speaking of their "popular" or their "serious" music) were cozened into believing they liked raucous and tuneless noise. If women had been feminine, if home life had been secure, if children had been innocent, if men had been gallant, if art had been beautiful, if love had been romantic, then all these things must be stood on their heads. Of course, life was not always like that. Of course things had often fallen short of their ideals, or even of their minimal norms; but at least most people tried to do things properly and at least the surrounding civilisation encouraged them to try. Never before had the deliberate aim been an inverted parody of all that should be. Everywhere, in every area of life, a single principle reigned: inversion; the worship of chaos; the creed of the madhouse.
Alice Lucy Trent (The Feminine Universe)
Fine art refers to an accomplished or advanced skill being used to testify and reveal the knowledge, ability, and wisdom of the creator. There is no art more exquisite than the work of the Master Artist Himself. Even those who choose to deny Him credit for His own creation are often engaged as an admirer of His work. Refusing to acknowledge the Source will never minimize His glory or extinguish the truth. With God’s loving guidance our life can be a great masterpiece filled with beauty, adventure, hope and purpose.
Traci Lea LaRussa
The world needs more people who celebrate the little things in life and find life in every little thing.
Bhuwan Thapaliya
Rejection is inevitable. The goal is to minimize it.
Keith Grafman (The Art of Instant Message: Be Yourself, Be Confident, Be Successful Communicating Personality)
Paradoxically, minimalism is the maximum use of space.
Mokokoma Mokhonoana
Minimalism began as an art movement before branching off into other cultural sectors of society, including the music and fashion industry
Gwyneth Snow (Minimalism: The Path to an Organized, Stress-free and Decluttered Life)
Beauty is a need. Beauty in all its forms is indispensable to our well-being. Beauty is in invitation to contemplation. Buy and keep only things you find beautiful.
Dominique Loreau (L'art de la Simplicité: How to Live More with Less)
The 5 Principles of JOMO: 1. JOMO is the opposite of FOMO (the Fear Of Missing Out). 2. JOMO is intentionally choosing what to keep and what to give. 3. JOMO is choosing to ignore the Joneses (NOT just NOT keep up). 4. JOMO is framing the moment to keep the big picture dream in focus. 5. JOMO is the art of improved results with minimalism over maximalism.
Richie Norton
In the end, he settled on posting one picture every week of whatever personal art project he happens to be working on. “It’s a great way for me to have a visual archive of my projects,” he explained. He also follows only a small number of accounts, all of which belong to artists whose work inspires him—making the experience of checking his feed both fast and meaningful.
Cal Newport (Digital Minimalism: Choosing a Focused Life in a Noisy World)
Although it might not be possible to eliminate grief from our life, it is possible, Seneca thinks, to take steps to minimize the amount of grief we experience over the course of a lifetime
William B. Irvine (A Guide to the Good Life: The Ancient Art of Stoic Joy)
This is merely one of the sides of the conspiracy. The other side is that of the spectator who, for want of understanding anything whatever most of the time, consumes his own culture at one remove. He literally consumes the fact that he understands nothing and that there is no necessity in all this except the imperative of culture, of being a part of the integrated circuit of culture. But culture is itself merely an epiphenomenon of global circulation. The idea of art has become rarefied and minimal, leading ultimately to conceptual art, where it ends in the non-exhibition of non-works in non-galleries - the apotheosis of art as non-event. As a corollary, the consumer circulates in all this in order to experience his non- enjoyment of the works.
Jean Baudrillard (The Intelligence of Evil or the Lucidity Pact (Talking Images))
This is why the origins of the minimalist art movement matter to the present day understanding of the minimalist philosophy. While the way in which people interact act with the idea of minimalism are categorically different from how the artists during this period used them, the basic ideas surrounding the movement as a whole certainly have influenced how minimalism is understood today.
Gwyneth Snow (Minimalism: The Path to an Organized, Stress-free and Decluttered Life)
Most of them, I suspect, come to the mall not because there is something specific that they need to buy. Rather, they come in the hope that doing so will trigger a desire for something that, before going to the mall, they didn't want. It might be a desire for a cashmere sweater, a set of socket wrenches, or the latest cell phone. Why go out of their way to trigger desire? Because if they trigger one, they can enjoy the rush that comes when they extinguish that desire by buying its object. It is a rush, of course, that has little to do with their long-term happiness as taking a hit of heroin has to do with the long-term happiness of a heroin addict. My ability to form desires for consumer goods seems to have atrophied. What brought about this state of affairs? The profound realization, thanks to the practice of Stoicism, that requiring the things that those in my social circle typically crave and work hard to afford will, in the long run, make zero difference in how happy I am and will in no way contribute to my having a good life.
William B. Irvine (A Guide to the Good Life: The Ancient Art of Stoic Joy)
I have written all this because I have thought that there might still be somewhere, possibly in literature or the arts, where something could be saved. I would call back at least for literature this world of shadows we are losing. In the mansion called literature I would have the eaves deep and the walls dark, I would push back into the shadows the things that come forward too clearly, I would strip away the useless decoration.
Jun'ichirō Tanizaki
The moment you understand who you will have to spend the rest of your life with and learn to accept it, you’ll eliminate self-judgment, which will empower you to make more bold moves. It will minimize overthinking and increase execution.
Patrick Bet-David (Your Next Five Moves: Master the Art of Business Strategy)
Procrastinators often follow exactly the wrong tack. They try to minimize their commitments, assuming that if they have only a few things to do, they will quit procrastinating and get them done. But this goes contrary to the basic nature of the procrastinator and destroys his most important source of motivation. The few tasks on his list will be, by definition, the most important, and the only way to avoid doing them will be to do nothing. This is a way to become a couch potato, not an effective human being.
John R. Perry (The Art of Procrastination: A Guide to Effective Dawdling, Lollygagging and Postponing)
Remembering that you are going to die is the best way I know to avoid the trap of thinking you have something to lose. You are already naked. There is no reason not to follow your heart. The artful minimalism of the speech gave it simplicity, purity, and charm.
Walter Isaacson (Steve Jobs)
The real test for poets is how far they resist their impulse to utterance, or, in another word, to the publication of their own work—not how much they have written, but how much they have destroyed. To live poetry is the main thing, and the question of the poems written or published is indeed secondary.
Yoné Noguchi (The spirit of Japanese poetry)
A modern princess—of England, say, or Monaco— serves the purpose of being an adornment in the fantasy life of the public. Consequently, she receives the kind of education that one might think of giving to a particularly splendid papier-mâché angel before putting it at the top of the Christmas tree: an education whose main goal is proficiency in the arts of looking pretty and standing straight. Our century, whatever virtues it may have, is not an optimal time for princesses. Things were different in the Renaissance. Intelligence had a primary value then. At almost every level of the social order, education was meant to create true amateurs—people who were in love with quality. A gentleman or lady needed to be at least minimally skilled in many arts, because that was considered the fittest way of appreciating the good things in life and honoring the goodness itself. Nor did being well-rounded mean smoothing over your finest points and becoming like the reflection of a smile in a polished teaspoon. Intelligence walked hand in hand with individuality, although having finely sharpened points of view did not, it was felt, require you to poke other people with them. If wit was a rapier, courtesy was the button at the end of the blade.
Stephen Mitchell (The Frog Prince: A Fairy Tale for Consenting Adults)
So do red and processed meats actually cause cancer or not? We don’t know, and we will probably never get a more definitive answer, because a clinical trial testing this proposition is unlikely ever to be done. Confusion reigns. Nevertheless, I’m going to stick my neck out and assert that a risk ratio of 1.17 is so minimal that it might not matter that much whether you eat red/processed meats versus some other protein source, like chicken. Clearly, this particular study is very far from providing a definitive answer to the question of whether red meat is “safe” to eat. Yet people have been fighting about it for years.
Peter Attia (Outlive: The Science and Art of Longevity)
Likewise, there are individuals who, when they wrong us, are incapable of changing their behavior in response to our measured, rational entreaties. When dealing with this sort of shallow individual, it does not make sense to become actually angry—doing so will likely spoil our day—but it might make sense, Seneca thinks, to feign anger.4 By doing this, we can get this person to mend his ways with minimal disruption of our own tranquility. In other words, although Seneca rejects the idea of allowing ourselves to become angry in order to motivate ourselves, he is open to the idea of pretending to be angry in order to motivate others.
William B. Irvine (A Guide to the Good Life: The Ancient Art of Stoic Joy)
If Ever You Feel Down, Remember, 100Trillion Cells Make Up Your Body and ALL each of them cares About is You. Our body is made up of about 100,000 Billions of cells (100 Trillion)... all living working and sacrificing themselves completely for the exclusive benefit, well-being, and survival of the whole (which is you). We are each of us a universe unto ourselves. To put 100 Trillion in perspective... Jeremy Harper counted from one to one million in about 3 months. He did NOTHING but count, eat, and sleep (minimal). During this time; he didn't leave his home nor even shave. And that's only one MILLION, so if you ignore the fact that pronunciation takes much, much longer on ever larger numbers (more than a minute each), counting to 100 Trillion would take more than 25 Million years. It's awe inspiring to think that 100 Trillion cells (worlds) are counting ON me also, my decisions determine (to a large degree) whether they are allowed to continue living and experiencing in this life or not. Knowing all of this, who could realistically say that there are no miracles. We each have over 100 Trillion miracles working FOR us and depending ON us each and every second of every day. So when praying, I must always keep in mind that each word is in behalf of 100 Trillion worlds. OUR Father Who Art in Heaven...
Raymond D. Longoria Jr.
A 2020 clinical trial by Ethan Weiss and colleagues found no weight loss or cardiometabolic benefits in a group of 116 volunteers on a 16/8 eating pattern. Two similar studies also found minimal benefit. One other study did find that shifting the eating window to early in the day, from 8 a.m. to 2 p.m., actually did result in lower twenty-four-hour glucose levels, reduced glucose excursions, and lower insulin levels compared to controls. So perhaps an early-day feeding window could be effective, but in my view sixteen hours without food simply isn’t long enough to activate autophagy or inhibit chronic mTOR elevation, or engage any of the other longer-term benefits of fasting that we would want to obtain. Another
Peter Attia (Outlive: The Science and Art of Longevity)
After embracing minimalism, Dave reduced his persistent social media use down to only a single service, Instagram, which he felt offered significant benefits to his deep interest in art. In true minimalist fashion, however, Dave didn't settle for simply deciding to "use" Instagram; he instead thought hard about how best to integrate this tool into his life. [...] making the experience of checking his feed both fast & meaningful.
Cal Newport (Digital Minimalism: Choosing a Focused Life in a Noisy World)
Although it may seem like you're losing your individuality when you part with your belongings, the reality seems to be the other way around. Take the people you see in old European photographs as an example. All the men are generally wearing the same types of suits and hats, and they're all smoking cigarettes with the same sort of possessions around them. Yet the art and literature that those people created was incredibly original, to say the least.
Fumio Sasaki (Goodbye, Things: The New Japanese Minimalism)
Many people with this condition receive minimally invasive surgery, or use adhesive strips called Breathe Right or nasal dilator cones. If these simpler approaches fail, the drills come out. About three-quarters of modern humans have a deviated septum clearly visible to the naked eye, which means the bone and cartilage that separate the right and left airways of the nose are off center. Along with that, 50 percent of us have chronically inflamed turbinates; the erectile tissue lining our sinuses is too puffed up for us to breathe comfortably through our noses.
James Nestor (Breath: The New Science of a Lost Art)
The truth is that there’s no such thing as a personal problem. If you’ve got a problem, chances are millions of other people have had it in the past, have it now, and are going to have it in the future. Likely people you know too. That doesn’t minimize the problem or mean that it shouldn’t hurt. It doesn’t mean you aren’t legitimately a victim in some circumstances. It just means that you’re not special. Often, it’s this realization—that you and your problems are actually not privileged in their severity or pain—that is the first and most important step toward solving them.
Mark Manson (The Subtle Art of Not Giving a F*ck: A Counterintuitive Approach to Living a Good Life)
Earning Trust & Cooperation The number one thing which stands between you and meeting a new person is tension. What is the number one thing which stands between a sales person and their prospect? You guessed it . . . tension. One of our first priorities as we initiate a first impression must be to focus on how to effectively minimize or eliminate tension. Regardless of your relationship or venue, when tension is high, trust and cooperation are low. When tension is reduced, trust and cooperation increase. It is an inverse relationship. So, how can you move to reduce tension in your first impressions to increase trust and cooperation? Put yourself in their shoes and seek to relate to them with an equal footing on a level playing field. Demonstrate how you can bring value to their lives.
Susan C. Young (The Art of Connection: 8 Ways to Enrich Rapport & Kinship for Positive Impact (The Art of First Impressions for Positive Impact, #6))
When heuristics don’t yield the results we expect, you’d think we would eventually realize that something’s wrong. Even if we don’t locate the biases, we should be able to see the discrepancy between what we wanted and what we got, right? Well, not necessarily. As it turns out, we have biases that support our biases! If we’re partial to one option—perhaps because it’s more memorable, or framed to minimize loss, or seemingly consistent with a promising pattern—we tend to search for information that will justify choosing that option. On the one hand, it’s sensible to make choices that we can defend with data and a list of reasons. On the other hand, if we’re not careful, we’re likely to conduct an imbalanced analysis, falling prey to a cluster of errors collectively known as “confirmation biases.
Sheena Iyengar (The Art of Choosing)
14 Ways to Become an Incredible Listener 1. Be present and provide your undivided attention. 2. Seek first to understand, then to be understood. 3. Listen attentively and respond appropriately. 4. Minimize or eliminate distractions. 5. Focus your attention and energy with singleness of purpose on what the other person is saying. 6. Quiet your mind and suspend your thoughts to make room in your head to hear what is said—in the moment! 7. Ask questions and demonstrate empathy. 8. Use your body language and nonverbal cues constructively and pay attention to theirs. 9. Follow the rhythm of their speech; hear their tone. 10. Repeat and summarize what you have heard them say to confirm understanding. 11. Be open-minded and non-defensive. 12. Respond rather than react. 13. Be respectful, calm, and positive. 14. Try to resolve conflicts, not win them.
Susan C. Young (The Art of Communication: 8 Ways to Confirm Clarity & Understanding for Positive Impact(The Art of First Impressions for Positive Impact, #5))
The truth is that there’s no such thing as a personal problem. If you’ve got a problem, chances are millions of other people have had it in the past, have it now, and are going to have it in the future. Likely people you know too. That doesn’t minimize the problem or mean that it shouldn’t hurt. It doesn’t mean you aren’t legitimately a victim in some circumstances. It just means that you’re not special. Often, it’s the realization - that you and your problems are actually not privileged in their severity or pain - that is the first and most important step toward solving them. But for some reason, it appears that more and more people, particularly young people, are forgetting this. Numerous professors and educators have noted a lack of emotional resilience and an excess of selfish demands in today’s young people. It’s not uncommon now for books to be removed from the class is curriculum for no other reason then they made someone feel bad. Speakers and professors are shouted down and banned from campuses for in fractions as simple as suggesting that maybe some Halloween costumes really aren’t that offensive. School counsellors note that more students than ever are exhibiting severe signs of emotional distress over what are otherwise run-of-the-mill daily college experiences, such as an argument with her roommate, or getting a low grade in the class. It’s strange that in an age when we are more connected than ever, entitlement seems to be at an all time high. Something about recent technology seems to allow our insecurities to run amok like never before. The more freedom were given to express ourselves, the more we want to be free of having to deal with anyone who may disagree with us or upset us. The more exposed we are to opposing viewpoints, the more we seem to get upset that those other viewpoints exist. The easier and more problem free our lives become, the more we seem to feel entitled for them to get even better.
Mark Manson (The Subtle Art of Not Giving a F*ck: A Counterintuitive Approach to Living a Good Life)
At this point the reader should be warned that the argument here developed would not be accepted by all schools of psychology. The Gestalt school would have none of it. The pioneers of this important movement want to minimize the role of learning and experience in perception. They think that our compulsion to see the tiled floor, or the letters, not as irregular units in the plane but as regular units arranged in depth is far too universal and too compelling to be attributed to learning. Instead they postulate an inborn tendency of our brain. Their theory centers on the electrical forces which come into play in the cortex during the process of vision. It is these forces, they claim, that tend toward simplicity and balance and make our perception always weighted, as it were, in favor of geometrical simplicity and cohesion. A flat, regularly tiled floor is simpler than the complex pattern of rhomboids in the plane, hence it is a flat, regularly tiled floor we actually see.
E.H. Gombrich (Art and Illusion: A Study in the Psychology of Pictorial Representation)
If the best we could do was to minimize injustice and human suffering, so that life was not positively bad, there would be no point in living life at all. If human life is not a mistake, there must be some things that matter not because they solve a problem or address a need that we would rather do without but because they make life positively good. They would have what I've called "existential value." Art, pure science, theoretical philosophy: they have value of this kind. But so do mundane activities like telling funny stories, amatueur painting, swimming or sailing, carpentry or cooking, playing games with family and friends—what the philosopher Zena Hitz has called "the little human things." It's not just that we need them in order to recharge so that we can get back to work, but that they are the point of being alive. A future without art or science or philosophy, or the little human things, would be utterly bleak. Since they will not survive unless we nurture them, that is our responsibility, too.
Kieran Setiya (Life Is Hard: How Philosophy Can Help Us Find Our Way)
He perceived too in these still hours how little he had understood her hitherto. He had been blinded, — obsessed. He had been seeing her and himself and the whole world far too much as a display of the eternal dualism of sex, the incessant pursuit. Now with his sexual imaginings newly humbled and hopeless, with a realization of her own tremendous minimization of that fundamental of romance, he began to see all that there was in her personality and their possible relations outside that. He saw how gravely and deeply serious was her fine philanthropy, how honest and simple and impersonal her desire for knowledge and understandings. There is the brain of her at least, he thought, far out of Sir Isaac's reach. She wasn't abased by her surrenders, their simplicity exalted her, showed her innocent and himself a flushed and congested soul. He perceived now with the astonishment of a man newly awakened just how the great obsession of sex had dominated him — for how many years? Since his early undergraduate days. Had he anything to put beside her own fine detachment? Had he ever since his manhood touched philosophy, touched a social question, thought of anything human, thought of art, or literature or belief, without a glancing reference of the whole question to the uses of this eternal hunt? During that time had he ever talked to a girl or woman with an unembarrassed sincerity? He stripped his pretences bare; the answer was no. His very refinements had been no more than indicative fig-leaves. His conservatism and morality had been a mere dalliance with interests that too brutal a simplicity might have exhausted prematurely. And indeed hadn't the whole period of literature that had produced him been, in its straining purity and refinement, as it were one glowing, one illuminated fig-leaf, a vast conspiracy to keep certain matters always in mind by conspicuously covering them away? But this wonderful woman — it seemed — she hadn't them in mind! She shamed him if only by her trustful unsuspiciousness of the ancient selfish game of Him and Her that he had been so ardently playing.... He idealized and worshipped this clean blindness. He abased himself before it.
H.G. Wells (The Wife of Sir Isaac Harman)
In the EPJ results, there were two statistically distinguishable groups of experts. The first failed to do better than random guessing, and in their longer-range forecasts even managed to lose to the chimp. The second group beat the chimp, though not by a wide margin, and they still had plenty of reason to be humble. Indeed, they only barely beat simple algorithms like “always predict no change” or “predict the recent rate of change.” Still, however modest their foresight was, they had some. So why did one group do better than the other? It wasn’t whether they had PhDs or access to classified information. Nor was it what they thought—whether they were liberals or conservatives, optimists or pessimists. The critical factor was how they thought. One group tended to organize their thinking around Big Ideas, although they didn’t agree on which Big Ideas were true or false. Some were environmental doomsters (“We’re running out of everything”); others were cornucopian boomsters (“We can find cost-effective substitutes for everything”). Some were socialists (who favored state control of the commanding heights of the economy); others were free-market fundamentalists (who wanted to minimize regulation). As ideologically diverse as they were, they were united by the fact that their thinking was so ideological. They sought to squeeze complex problems into the preferred cause-effect templates and treated what did not fit as irrelevant distractions. Allergic to wishy-washy answers, they kept pushing their analyses to the limit (and then some), using terms like “furthermore” and “moreover” while piling up reasons why they were right and others wrong. As a result, they were unusually confident and likelier to declare things “impossible” or “certain.” Committed to their conclusions, they were reluctant to change their minds even when their predictions clearly failed. They would tell us, “Just wait.” The other group consisted of more pragmatic experts who drew on many analytical tools, with the choice of tool hinging on the particular problem they faced. These experts gathered as much information from as many sources as they could. When thinking, they often shifted mental gears, sprinkling their speech with transition markers such as “however,” “but,” “although,” and “on the other hand.” They talked about possibilities and probabilities, not certainties. And while no one likes to say “I was wrong,” these experts more readily admitted it and changed their minds. Decades ago, the philosopher Isaiah Berlin wrote a much-acclaimed but rarely read essay that compared the styles of thinking of great authors through the ages. To organize his observations, he drew on a scrap of 2,500-year-old Greek poetry attributed to the warrior-poet Archilochus: “The fox knows many things but the hedgehog knows one big thing.” No one will ever know whether Archilochus was on the side of the fox or the hedgehog but Berlin favored foxes. I felt no need to take sides. I just liked the metaphor because it captured something deep in my data. I dubbed the Big Idea experts “hedgehogs” and the more eclectic experts “foxes.” Foxes beat hedgehogs. And the foxes didn’t just win by acting like chickens, playing it safe with 60% and 70% forecasts where hedgehogs boldly went with 90% and 100%. Foxes beat hedgehogs on both calibration and resolution. Foxes had real foresight. Hedgehogs didn’t.
Philip E. Tetlock (Superforecasting: The Art and Science of Prediction)
Something must be wrong then in art, or the happiness of life is sickening in the house of civilization. What has caused the sickness? Machine-labour will you say? Well, I have seen quoted a passage from one of the ancient Sicilian poets rejoicing in the fashioning of a water-mill, and exulting in labour being set free from the toil of the hand-quern in consequence; and that surely would be a type of man's natural hope when foreseeing the invention of labour-saving machinery as 'tis called; natural surely, since though I have said that the labour of which art can form a part should be accompanied by pleasure, so one could deny that there is some necessary labour even which is not pleasant in itself, and plenty of unnecessary labour which is merely painful. If machinery had been used for minimizing such labour, the utmost ingenuity would scarcely have been wasted on it; but is that the case in any way? Look round the world, and you must agree with John Stuart Mill in his doubt whether all the machinery of modern times has lightened the daily work of one labourer. And why have our natural hopes been so disappointed? Surely because in these latter days, in which as a matter of fact machinery has been invented, it was by no means invented with the aim of saving the pain of labour. The phrase labour-saving machinery is elliptical, and means machinery which saves the cost of labour, not the labour itself, which will be expended when saved on tending other machines. For a doctrine which, as I have said, began to be accepted under the workshop-system, is now universally received, even though we are yet short of the complete development of the system of the Factory. Briefly, the doctrine is this, that the essential aim of manufacture is making a profit; that it is frivolous to consider whether the wares when made will be of more or less use to the world so long as any one can be found to buy them at a price which, when the workman engaged in making them has received of necessaries and comforts as little as he can be got to take, will leave something over as a reward to the capitalist who has employed him. This doctrine of the sole aim of manufacture (or indeed of life) being the profit of the capitalist and the occupation of the workman, is held, I say, by almost every one; its corollary is, that labour is necessarily unlimited, and that to attempt to limit it is not so much foolish as wicked, whatever misery may be caused to the community by the manufacture and sale of the wares made.
William Morris (Art Under Plutocracy: Exploring the Corrosive Influence of Wealth on Art in the 19th Century)
Here too I had seen people who had the gift...who with minimal effort could draw whatever [they] wanted, the tree in the grounds outside the window, the car parked beyond it, the teacher standing in front of the board. When we had to choose optional subjects I wanted to take Form and Color, but since I knew how things stood, that the other students knew how to draw, had the gift, I decided against it. Instead I chose cinematography. The thought of this could sometimes weigh me down because I wanted so much to be someone. I wanted so much to be special.
Karl Ove Knausgård (Min kamp 1 (Min kamp, #1))
People who blame others, make excuses, minimize, or deny their guilt will be forever bound by the past. People who confess and speak truthfully about their actions set themselves and everyone else free. And this is why we must confess truth both corporately and individually. Why faith cannot be a matter of private belief. Why we must speak truth to and with and about each other. Confessing the truth about who we are and who Christ is unites us, allowing us to move forward into hope and restoration.
Hannah Anderson (All That's Good: Recovering the Lost Art of Discernment)
A mediocre strategy with strong Adherence will produce better results than a brilliant strategy with minimal Adherence.
Lee Colan (Sticking to It: The Art of Adherence)
According to David Allen, author of Getting Things Done: The Art of Stress-Free Productivity, “If there’s something on a daily to-do list that doesn’t absolutely have to get done that day, it will dilute the emphasis on the things that truly do.
Brett Blumenthal (52 Small Changes for the Mind: Improve Memory * Minimize Stress * Increase Productivity * Boost Happiness)
So the aim is to minimize repetition as much as possible, by having an eye for consistent psychological and technical themes of error.
Josh Waitzkin (The Art of Learning: An Inner Journey to Optimal Performance)
Secondo dei dati statistici, trascorriamo in media trenta minuti al giorno a cercare le cose, e chi è particolarmente disordinato dedica alla ricerca degli oggetti smarriti addirittura due ore al giorno. Se una persona lavora venti giorni al mese, significa che spreca fino a quaranta ore al mese a cercare cose che non sono al loro posto. Se riuscite a risolvere questo problema in sole sei ore, il ritorno dell’investimento di tempo sarà enorme e immediato. Con una scrivania ordinata che vi dà gioia, la vostra efficienza al lavoro è destinata a crescere.
Marie Kondō (Spark Joy: An Illustrated Master Class on the Art of Organizing and Tidying Up)
Danshari, the art of de-cluttering, discarding, and parting with your possessions 2.
Fumio Sasaki (Goodbye, Things: The New Japanese Minimalism)
The traditional illustration of the direct rule-based approach is the “three laws of robotics” concept, formulated by science fiction author Isaac Asimov in a short story published in 1942.22 The three laws were: (1) A robot may not injure a human being or, through inaction, allow a human being to come to harm; (2) A robot must obey any orders given to it by human beings, except where such orders would conflict with the First Law; (3) A robot must protect its own existence as long as such protection does not conflict with the First or Second Law. Embarrassingly for our species, Asimov’s laws remained state-of-the-art for over half a century: this despite obvious problems with the approach, some of which are explored in Asimov’s own writings (Asimov probably having formulated the laws in the first place precisely so that they would fail in interesting ways, providing fertile plot complications for his stories).23 Bertrand Russell, who spent many years working on the foundations of mathematics, once remarked that “everything is vague to a degree you do not realize till you have tried to make it precise.”24 Russell’s dictum applies in spades to the direct specification approach. Consider, for example, how one might explicate Asimov’s first law. Does it mean that the robot should minimize the probability of any human being coming to harm? In that case the other laws become otiose since it is always possible for the AI to take some action that would have at least some microscopic effect on the probability of a human being coming to harm. How is the robot to balance a large risk of a few humans coming to harm versus a small risk of many humans being harmed? How do we define “harm” anyway? How should the harm of physical pain be weighed against the harm of architectural ugliness or social injustice? Is a sadist harmed if he is prevented from tormenting his victim? How do we define “human being”? Why is no consideration given to other morally considerable beings, such as sentient nonhuman animals and digital minds? The more one ponders, the more the questions proliferate. Perhaps
Nick Bostrom (Superintelligence: Paths, Dangers, Strategies)
Per quanti oggetti possediate, la loro quantità è pur sempre limitata. Se riuscite a scoprire quali oggetti vi danno gioia e a decidere dove riporli, il riordino finirà, prima o poi. Più andate avanti, più vi avvicinate all'obiettivo di avere una casa piena di felicità.
Marie Kondō (Spark Joy: An Illustrated Master Class on the Art of Organizing and Tidying Up)
Alerted by the door’s subtle chime, Dr. Ricard emerged from an interior room. She had shoulder-length silver hair that didn’t match her youthful face. Square black glasses, minimal makeup, black knit pants with a deep-cut black-and-white silk top—Ricard was an odd mixture of hippie and hip. She couldn’t be more than forty, but Taylor wasn’t very good with ages. Ricard crossed the room and held out her hand. Taylor shook it, then followed when the doctor gestured, leading the way into her inner sanctum. The room was filled with sunlight—facing east, the early morning sun spilled through the windows, lending an air of good cheer to the surroundings. Two heavy couches faced one another across a second art deco glass coffee table; a large wing chair covered in black velvet bore the markings of frequent use. Sure enough, Ricard crossed the room, curled like a cat with her feet tucked under her, laid the notepad and pen on the coffee table and indicated Taylor should sit with a nod of her head. Taylor did, amazed at the control the woman exuded without even speaking. After a moment, the doctor spoke, her accented voice making Taylor feel like she was on a museum tour in Great Britain.
J.T. Ellison (Judas Kiss (Taylor Jackson #3))
The numerous choices you have around yourself are often superficial; they don’t matter. The art lies in doing more with less. Minimal requirements, more work.
Vishal Ostwal (Pocket Productivity: A Simplified Guide to Getting More Outcomes from Your Hard Work and Giving Your Hustle a Meaning)
To remember people’s names, Pay Attention—Minimize distractions and focus on what they are saying. Making a concerted effort to concentrate will help you improve your memory.
Susan C. Young (The Art of Communication: 8 Ways to Confirm Clarity & Understanding for Positive Impact(The Art of First Impressions for Positive Impact, #5))
Having is like the Star of Bethlehem here. It’ll also minimize your fear and anxiety.
Suh Yoon Lee (The Having: The Secret Art of Feeling and Growing Rich)
The real test for pots is how far they resist their impulse to utterance, or, in another word, to the publication of their own work—not how much they have written, but how much they have destroyed. To live poetry is the main thing, and the question of the poems written or published is indeed secondary.
Yoné Noguchi (The spirit of Japanese poetry)
happiness is a choice you make by enjoying whatever you have right now.
Nicole Garrod (Japanese Minimalism: Your Personal Guide To The Art Of Minimalist Living)
Advertisements that covertly promise peace, prosperity, and joy from material possessions do no such thing; they only cloud our thought process and judgment.
Nicole Garrod (Japanese Minimalism: Your Personal Guide To The Art Of Minimalist Living)
Pursuing worldly gains and possessions is stressful and unhealthy because it causes you to go after things you don’t need.
Nicole Garrod (Japanese Minimalism: Your Personal Guide To The Art Of Minimalist Living)
Remember, front-burner projects command your best creative energy. Back-burner projects, you can complete with minimal creative energy, thanks to reliable Creative Systems. But simmer projects are cooking almost completely in the background. Yes, once in a while you open the pot and take a peek at a simmer project. Maybe you stir it up, to keep yourself moving.
David Kadavy (Mind Management, Not Time Management: Productivity When Creativity Matters (Getting Art Done Book 2))
Please allow me to wax philosophical. The purpose of eyesight, as well as insight for that matter, is for you and I to be in awe of not just creation itself but of the very One who created it. I will confidently propose that this is the purpose behind creation. Consider this: Evolution cannot explain purpose. It can only explain function. Science can explain how and why you and I function. It might even suggest your function within society. However, science alone will never give you the answer to your ultimate purpose for being on this Earth. “Let’s suppose you go to an art museum. While pursuing the halls of art, your eyes are directed to a certain painting. You become fixated on that painting. It is beautiful. The painting is so mesmerizing and beautiful that you are taken with the image it conveys. You begin to speculate on the story behind the painting. You become emotional and even shed a tear as you stare at it in wonder. For a brief moment in time you become immersed in the essence of this work of art. What is happening here? The one who designed and created the painting did so in order to perhaps bring about an emotional response from the viewer. You didn’t look at the painting and wonder about the chemical makeup of paint or the composition of the canvas mat or what type of device was used to apply those chemical compounds to the mat. You didn’t measure the dimensions of the frame. No. The painter gave that painting a purpose. While the painting itself is remarkable and beautiful, the ultimate purpose of it is to direct you to the one who created it. We give honor to Rembrandt, Monet, Goya, Van Gogh, and Picasso. Why does evolution deny that we give honor to the One who designed, created, and gave beauty to you and me, or to any other created thing? For sure, some evolutionists will try to say that the method the grand Creator used in His creation was evolution but will continue to ignore any mention of His creative hand and minimize other accounts such as the evidence for the origin of life in Scripture. They suppress the truth as they give high honor to their evolutionary theories that they guard with defiance. “The appearance of design isn’t just a common sense factor; it comes from a scientific explanation to which I have spoken here tonight. “Each one of you has the ability to hear, read, study, and think on everything that goes into your mind. While we do well to consider objective theory, we still must then decide for ourselves what it is we are going to believe. We are not just lab rats responding to stimuli. We have the ability to reason, love, express emotions, think deeply on matters, and create things—not just as an evolutionary function but from our innate giftedness and developed talents. “Give much consideration to what is true. Consider what is splendid and beautiful and magnificent. Think on things that are right or lovely or worthy of your admiration. Reflect on those things, not just as some facts of science but on the effect these things have on your very heart and soul. There is a word for those thoughts and feelings that penetrate deep within the depths of your soul. The word is visceral. No other creature on this privileged terrestrial ball has this ability. Visceral feelings are not merely a product of our DNA or the chemical and electrical impulses within our brain. Evolution offers no explanation for these deeply rooted expressions of artistic and creative thoughts and ideas. These things come from our Creator. May we not merely skim the surface of wisdom and knowledge without ever going deep. These things are meant to propel you to a deeper awareness of the world around you. They are even meant to propel us to the eternal realm.
Richlon Merrill (Skimming Eternity: The Astonishing and Revelatory Discovery from Neutrinos and Thought Transmission)
Whiles much of the Victorian Era's education prepared young people for the workforce, school looked different for children of wealthy families. A governess would offer the upper class children lessons in music and art and languages that in turn benefited the child's education and understanding of the world. Meanwhile, the children in the lower classes received only the minimal basics of reading, writing and arithmetic. An important premise of the born person approach is that people of every background and status should have access to a wide curriculum and the freedom to search for knowledge. Each child is worthy of a liberal education for all.
Leah Boden (Modern Miss Mason: Discover How Charlotte Mason’s Revolutionary Ideas on Home Education Can Change How You and Your Children Learn and Grow Together)
Seneca believed that one should spend their time fulfilling their duties and responsibilities, enjoying any wealth and fortune that might come of them, but not work for the purpose of social status or material success beyond one’s minimal needs, because beyond almost everything else, he argued for allocating as much time as possible to leisure—more specifically, a particular type of well-focused leisure in which one finds tranquility, introspection, and stillness.
Robert Pantano (The Art of Living a Meaningless Existence: Ideas from Philosophy That Change the Way You Think)
People could look like anything. Any person with a phone managed their identity through a selection of photos whose appearances were impractical to debunk. One could reap the impression of a character if they pleased. People could post to appear like-minded, tough, the best, smart, creative, melancholy, and rich regardless of their actual state. A profile was a catalog of identity theft: books made one dreamy. Luxury made one wanted. Art made one complex. Travel made one busy. And minimalism made a person seem above it all. And the pursuit of this fraud only produced further unhappiness. Users’ contributions to the internet proceeded to tell the world that they were content and did not need love, while the very act of posting such a statement said that they were unhappy and indeed in need of love.
Kristian Ventura (A Happy Ghost)
Scientists have been exploring the medical mysteries of the human heart for almost as long as poets have been probing its metaphorical depths. It is a wondrous organ, a tireless muscle that pumps blood around the body every moment of our lives. It pounds hard when we are exercising, slows down when we sleep, and even microadjusts its rate between beats, a hugely important phenomenon called heart rate variability. And when it stops, we stop. Our vascular network is equally miraculous, a web of veins, arteries, and capillaries that, if stretched out and laid end to end, would wrap around the earth more than twice (about sixty thousand miles, if you’re keeping score). Each individual blood vessel is a marvel of material science and engineering, capable of expanding and contracting dozens of times per minute, allowing vital substances to pass through its membranes, and accommodating huge swings in fluid pressure, with minimal fatigue. No material created by man can even come close to matching this.
Peter Attia (Outlive: The Science and Art of Longevity)
of menopause—not to mention a potentially increased risk of Alzheimer’s disease, as we’ll see in chapter 9. Medicine 2.0 would rather throw out this therapy entirely, on the basis of one clinical trial, than try to understand and address the nuances involved. Medicine 3.0 would take this study into account, while recognizing its inevitable limitations and built-in biases. The key question that Medicine 3.0 asks is whether this intervention, hormone replacement therapy, with its relatively small increase in average risk in a large group of women older than sixty-five, might still be net beneficial for our individual patient, with her own unique mix of symptoms and risk factors. How is she similar to or different from the population in the study? One huge difference: none of the women selected for the study were actually symptomatic, and most were many years out of menopause. So how applicable are the findings of this study to women who are in or just entering menopause (and are presumably younger)? Finally, is there some other possible explanation for the slight observed increase in risk with this specific HRT protocol?[*3] My broader point is that at the level of the individual patient, we should be willing to ask deeper questions of risk versus reward versus cost for this therapy—and for almost anything else we might do. The fourth and perhaps largest shift is that where Medicine 2.0 focuses largely on lifespan, and is almost entirely geared toward staving off death, Medicine 3.0 pays far more attention to maintaining healthspan, the quality of life. Healthspan was a concept that barely even existed when I went to medical school. My professors said little to nothing about how to help our patients maintain their physical and cognitive capacity as they aged. The word exercise was almost never uttered. Sleep was totally ignored, both in class and in residency, as we routinely worked twenty-four hours at a stretch. Our instruction in nutrition was also minimal to nonexistent. Today, Medicine 2.0 at least acknowledges the importance of healthspan, but the standard definition—the period of life free of disease or disability—is totally insufficient, in my view. We want more out of life than simply the absence of sickness or disability. We want to be thriving, in every way, throughout the latter half of our lives. Another, related issue is that longevity itself, and healthspan in particular, doesn’t really fit into the business model of our current
Peter Attia (Outlive: The Science and Art of Longevity)
Which company is best for using construction Project work? The Shree Siva Balaaji Steels project is a significant endeavor that encompasses the establishment and operation of a modern and advanced steel manufacturing facility. This project represents a fusion of innovation, cutting-edge technology, and industrial expertise, aimed at delivering high-quality steel products to meet the growing demands of various sectors. Key Features: State-of-the-Art Manufacturing Plant: The project involves the construction and operation of a state-of-the-art manufacturing plant equipped with the latest machinery, automation systems, and environmentally friendly processes. This allows for efficient production and reduced environmental impact. Diverse Product Range: Shree Siva Balaaji Steels aims to offer a diverse range of steel products to cater to different industries such as construction, automotive, infrastructure, and manufacturing. This versatility enables the company to meet the varying needs of clients and partners. Quality Assurance: A cornerstone of the project is its commitment to delivering high-quality steel products. The facility adheres to strict quality control measures and follows international standards to ensure that the end products are durable, reliable, and meet or exceed industry specifications. Sustainability Focus: The project places a strong emphasis on sustainability and environmentally conscious practices. Energy-efficient processes, recycling initiatives, and waste reduction strategies are integrated into the manufacturing process to minimize the ecological footprint. Employment Opportunities: Shree Siva Balaaji Steels contributes to local economies by creating employment opportunities across various skill levels, from skilled labor to technical experts. This helps stimulate economic growth in the region surrounding the manufacturing facility. Collaboration and Partnerships: The project fosters collaborations with suppliers, distributors, and clients, establishing strong relationships within the steel industry. This network facilitates efficient supply chain management and enables the company to provide tailored solutions to its customers. Innovation and Research: The project invests in research and development to constantly improve manufacturing processes, product quality, and the development of new steel products. This dedication to innovation positions the company at the forefront of the steel industry. Community Engagement: Shree Siva Balaaji Steels is committed to engaging with local communities and implementing corporate social responsibility initiatives. These efforts include supporting education, healthcare, and other community-centric projects, fostering goodwill and positive impact. Vision: The Shree Siva Balaaji Steels project envisions becoming a leading name in the steel manufacturing sector, renowned for its exceptional quality, technological innovation, and sustainability practices. By adhering to its core values of integrity, excellence, and environmental responsibility, the project strives to contribute positively to the industry and the communities it operates within.
shree sivabalaaji steels
One analysis suggests that the bulk of the changes in adult sleep patterns occur between the ages of nineteen and sixty and only minimally decline after that, if one remains in good health (a big if).
Peter Attia (Outlive: The Science and Art of Longevity)
The Four-Month Fussies Your baby’s growing awareness has its temporary downside. At an LLL meeting a while back, a mother arrived with a four-month-old, saying he had begun “nursing funny.” Another mother in the room said, “My baby’s four months old, too, and she’s started nursing funny.” And another mother spoke up with the same age baby and same concern. We dubbed it the “Four-Month Fussies” but didn’t have a perfect solution for them beyond nursing in a quiet room, minimizing distractions, time, and nursing in whatever position the baby seemed to need. The group concluded that by around four months, babies had gained enough intellectual ability to tune in to the room around them but didn’t yet have enough gray matter to tune in and nurse well.
La Leche League International (The Womanly Art of Breastfeeding)
Funnel all potentially meaningful inputs through minimal channels, directed to you for easily accessed review and assessment about their nature.
David Allen (Getting Things Done: The Art of Stress-Free Productivity)
Now that you understand the key players in ecosystems, here are the key principles of building an ecosystem. They are similar to the principles of creating a community discussed in chapter 8, “The Art of Evangelizing.” CREATE SOMETHING WORTHY OF AN ECOSYSTEM. Once again, the key to evangelism, sales, presentations, and now ecosystems is a great product. In fact, if you create a great product, you may not be able to stop an ecosystem from forming. By contrast, it’s hard to build an ecosystem around crap. DESIGNATE A CHAMPION. Many employees would like to help build an ecosystem, but who wakes up every day with this task at the top of her list of priorities? Another way to look at this is, “Who’s going to get fired if an ecosystem doesn’t happen?” Ecosystems need a champion—an identifiable hero—within the company to carry the flag for the community. DON’T COMPETE WITH THE ECOSYSTEM. If you want people or organizations to take part in your ecosystem, then you shouldn’t compete with them. For example, if you want people to create apps for your product, then don’t sell (or give away) apps that do the same thing. It was hard to convince companies to create a Macintosh word processor when Apple was giving away MacWrite. CREATE AN OPEN SYSTEM. An “open system” means that there are minimal requirements to participating and minimal controls on what you can do. A “closed system” means that you control who participates and what they can do. Either can work, but I recommend an open system because it appeals to my trusting, anarchic personality. This means that members of your ecosystem will be able to write apps, access data, and interact with your product. I’m using software terminology here, but the point is to enable people to customize and tweak your product. PUBLISH INFORMATION. The natural complement of an open system is publishing books and articles about the product. This spreads information to people on the periphery of a product. Publishing also communicates to the world that your startup is open and willing to help external parties. FOSTER DISCOURSE. The definition of “discourse” is “verbal exchange.” The key word is “exchange.” Any company that wants an ecosystem should foster the exchange of ideas and opinions. This means your website should provide a forum where people can engage with other members as well as your employees. This doesn’t mean that you let the ecosystem run your company, but you should hear what members have to say. WELCOME CRITICISM. Most organizations feel warm and fuzzy toward their ecosystem as long as the ecosystem says nice things, buys their products, and never complains. The minute that the ecosystem says anything negative, however, many organizations freak out and get defensive. This is dumb. A healthy ecosystem is a long-term relationship, so an organization shouldn’t file for divorce at the first sign of discord. Indeed, the more an organization welcomes—or even celebrates—criticism, the stronger its bonds to its ecosystem become. CREATE A NONMONETARY REWARD SYSTEM. You already know how I feel about paying people off to help you, but this doesn’t mean you shouldn’t reward people in other ways. Things as simple as public recognition, badges, points, and credits have more impact than a few bucks. Many people don’t participate in an ecosystem for the money, so don’t insult them by rewarding them with it.
Guy Kawasaki (The Art of the Start 2.0: The Time-Tested, Battle-Hardened Guide for Anyone Starting Anything)
Keep the things that add value to your life. If the item does not add value to your life, it is just clutter and needs to be cleared from your space.
Dub Haynes (The Japanese Art of Decluttering Your World: Understanding the Ancient Principles of Minimalism and Ma)
A crowded space creates noise in your mind because your mind is trying to process the noise in your environment.
Dub Haynes (The Japanese Art of Decluttering Your World: Understanding the Ancient Principles of Minimalism and Ma)
Searching as the first step can make you cherish following benefits Discarding first will mean you have to carry on lesser “weight” along. Discarding the unneeded objects will enhance the sense of accomplishment. Lesser energy will be needed to arrange the remaining few. The duplication of work and resulting wastage of resources and physical exertion will be minimized.
InstanSum (The Life-Changing Magic of Tidying Up: The Japanese Art of Decluttering and Organizing By Marie Kondo | Key Summary Breakdown & Analysis)
The Lionel History of Modern Art: 4. Le Train Bleu TGV : Minimalism [10w] $ € £ Ұ ₰₤ ¥ ₳ ₵ 元
Beryl Dov
Code should be written to minimize the time it would take for someone else to understand it.
Dustin Boswell (The Art of Readable Code: Simple and Practical Techniques for Writing Better Code)
The number of people alive today, the increased pace and proximity of our social and other interactions, as well as the inequities that exist globally, all drive a rapidly widening ingenuity gap. If I had to walk across an empty room, the ingenuity required is minimal. If that same room was filled with snipers, tigers, mines and banana peels, the ingenuity required to safely cross to the other side would be much greater. Thus Homer-Dixon reminds us that we must be realistic about the challenges and then get past the faulty notion that steam-powered strategies for institution building are sufficient for a rocket fuel era.
Milton Friesen (Ingenuity Arts: Adaptive Leadership and the New Science)
What a person considers the minimal necessities depends as much on his character as it depends on his actual possessions.
Erich Fromm (The Art of Loving)
Since we are all unique and individual, being cognizant of different personality styles will help you better recognize where others are coming from to minimize barriers, build trust, and catapult your newfound communication skills into meaningful connections. The savvy socializer knows this all.
Susan C. Young (The Art of Communication: 8 Ways to Confirm Clarity & Understanding for Positive Impact(The Art of First Impressions for Positive Impact, #5))
How do you minimize the awkwardness in that moment? What are some of the conversations starters you've used to open, encourage, and support enjoyable and beneficial conversations?
Susan C. Young (The Art of Communication: 8 Ways to Confirm Clarity & Understanding for Positive Impact(The Art of First Impressions for Positive Impact, #5))
In The Magical Art of Tidying up by Kon Mari[viii], the author urges people to touch each possession they own and ask the question, “Does this spark joy?” While I agree with the heart of what this question is trying to get at (does this item have value to you?), the question is misleading. If we think of joy as warm, bubbly feelings… it’s unlikely we will find value in our toothbrush or our toilet cleaner.
Sterling Jaquith (Not Of This World: A Catholic Guide to Minimalism)
Procrastinators often follow exactly the wrong tack. They try to minimize their commitments, assuming that if they have only a few things to do, they will quit procrastinating and get them done.
John R. Perry (The Art of Procrastination: A Guide to Effective Dawdling, Lollygagging and Postponing)
Sniff, swill, sip 329 words Leading whisky expert Charles MacLean on the underrated art of downing a good Scotch. USE ALL YOUR SENSES We all love a splash of golden liquor now and then, but the fine art of appreciating whisky requires a heightening of the senses. 'Nosing' whisky, a technique employed by blenders, is called sensory evaluation or analeptic assessment. Prior to sipping, examine its colour and 'tears', which are the reams left behind on the glass after you swirl it. Even our sense of hearing can help us judge the whisky; a full bottle should open with a happy little pluck of the cap. APPRECIATE A GOOD MALT Appreciation and enjoyment are two dimensions of downing a stiff one. Identify how you like your whisky (with ice, soda or water) and stick with it. Getting sloshed on blended whisky is all very good, but you will need single malt and an understanding of three simple things to truly cherish your drink. A squat glass with a bulb at the bottom releases the full burst of its aroma when swilled. A narrow rim is an added advantage. Instead of topping the drink with ice, which dilutes the aroma, go for water. NIBBLE, DON'T GOBBLE Small bites pair best with your whisky. It excites the palate minimally, letting you detect the characteristics of the whisky through contrast. If you're not a big fan of food and whisky pairing, skip it. OLD IS GOLD While old whiskies are not necessarily better, it's a known fact that most of the finer whiskies are well-aged. I would consider whiskies that are anywhere between 18 and 50 years as old, but it also depends on the age of the cask. If the cask is reactive, it will dominate the flavours of the whisky within ten years of the ageing process. If you leave the spirit in the cask for much longer, the flavour of the whisky will be overpowered by the wood, lending it a distinct edge. Maclean was in Delhi to conduct the Singleton Sensorial experience.
Anonymous
إننا نجر عبء مقتنياتنا وننسى،أو لا ندرك ،أن طمعنا و شهواتنا قد حولتنا إلى كائنات بلا حياة،لأننا أصبحنا عبيدا لرغباتنا التي لا تنتهي أبدا.
Dominique Loreau (L'art de la Simplicité: How to Live More with Less)
نحن نقتني الكثير من الأشياء التي تزيد عن حاجتنا،ونستخدمها لأننا نمتلكها،لا لأنها ضرورية. فكم من الأشياء نشتريها لا لحاجتنا لها ،بل لأننا رأيناها عند الآخرين !
Dominique Loreau (L'art de la Simplicité: How to Live More with Less)
تجد ثقافتنا صعوبة في تقبل أولئك الذين اختاروا حياة الزهد و البساطة،لأنهم يشكلون خطرا على الإقتصاد والمجتمع الاستهلاكي.
Dominique Loreau (L'art de la Simplicité: How to Live More with Less)
إننا نخسر طاقتنا ومساحات كبيرة بملئها بتحف،بهدف تزيين مجالسنا،تبعا لما نراه في المجلات و مواقع التواصل ،اضافة الى ما نخسره من وقت في الترتيب والتنظيف.
Dominique Loreau (L'art de la Simplicité: How to Live More with Less)
الإنسان غني بامتلاكه أشياء يمكنه الإستغناء عنها (دافيد ثورو والدن)
Dominique Loreau (L'art de la Simplicité: How to Live More with Less)
العيش بالقليل يحسن نوعية الحياة
Dominique Loreau (L'art de la Simplicité: How to Live More with Less)