“
It's a funny thing... but people mostly have it backward. They think they live by what they want. But really, what guides them is what they're afraid of. What they don't want.
”
”
Khaled Hosseini (And the Mountains Echoed)
“
It’s funny. I met a man once who did a lot of mountain climbing. I asked him which was harder, ascending or descending? He said without a doubt descending, because ascending you were so focused on reaching the top, you avoided mistakes.
The backside of a mountain is a fight against human nature,” he said. “You have to care as much about yourself on the way down as you did on the way up.
”
”
Mitch Albom (For One More Day)
“
I like mountains, always have done. Big obstinate bits of rock sticking up where they're not wanted and getting in folk's way. Great. Climbing them is a different matter altogether though. I hate that.
”
”
Mark Lawrence (Prince of Thorns (The Broken Empire, #1))
“
Hubby,
At the pool. If I don’t return by nightfall, it’s your marital duty to rescue me. If it goes that late, this means I’ve passed out on a lounge chair in Vegas in summer so my advice is to stock up on aloe vera before you launch the rescue effort.
Lexie
Walker stared at the note thinking that Alexa Berry… Strike that. Alexa Walker was fucking funny.
”
”
Kristen Ashley (Lady Luck (Colorado Mountain, #3))
“
Never underestimate the power of funny, it moves mountains.
”
”
James Patterson (Fang (Maximum Ride, #6))
“
You have a gorgeous ass, and it holds handprints beautifully.”
Oh, well, how nice for me.
”
”
Cherise Sinclair (My Liege of Dark Haven (Mountain Masters & Dark Haven, #3))
“
You don’t speak again, unless to use your safe word or yellow to indicate you’re frightened.”
“I was at yellow the minute I walked in the door.
”
”
Cherise Sinclair (My Liege of Dark Haven (Mountain Masters & Dark Haven, #3))
“
Ladies and gentleman," he said over the speakers, "welcome aboard this recently liberated Gulfstream V. If I could have your attention for just a few moments, I'd like to go over the safety features of this aircraft. It has an engine, to make us go, and wings, to keep us in the air. There are seatbelts, which won't do you an awful lot of good if we fly into the side of a mountain.
”
”
Derek Landy (The Maleficent Seven (Skulduggery Pleasant, #7.5))
“
Now, can I help you with something? I’m new, but I’ll do my best to figure out how to get what you need.”
…
“That’s good to hear, Abby, since I need your breasts for a few minutes.
”
”
Cherise Sinclair (My Liege of Dark Haven (Mountain Masters & Dark Haven, #3))
“
Why had she set limits like no sex? I want sex.
”
”
Cherise Sinclair (My Liege of Dark Haven (Mountain Masters & Dark Haven, #3))
“
Hunger is a funny thing. It has a kind of intelligence of it's own.
”
”
Jean Craighead George (My Side of the Mountain (Mountain, #1))
“
I could make better pie-type love with a new stove!
I heard his disembodied voice shout back, “Dick territory, babe. Don’t even think about it unless I’m there.”
“Chick territory,” I kept shouting. “A stove’s in the kitchen!”
“It’s got a plug and weighs over fifty pounds. Totally dick,” he shot back on his own shout.
I gave in, turning to the plans while giggling.
Totally dick.
My old may was funny.
”
”
Kristen Ashley (Sweet Dreams (Colorado Mountain, #2))
“
It's a funny thing, Markos, but people mostly have it backward. They think they live by what they want. But really what guides them is what they're afraid of. What they don't want.
”
”
Khaled Hosseini (And the Mountains Echoed)
“
You, lass, have a self-image problem.”
Well, that might be a little true, but she also had a mirror.
”
”
Cherise Sinclair (Doms of Dark Haven (Truckee Wolves #2; Hawkeye #2.5; Mountain Masters & Dark Haven #1.5))
“
It’s funny. No matter where you go, or how many books you read, you still know nothing, you haven’t seen anything. And that’s life. We live our lives trying to find our way. It’s like that Santōka Taneda poem, the one that goes, ‘On and on, in and in, and still the blue-green mountains.
”
”
Satoshi Yagisawa (Days at the Morisaki Bookshop)
“
Needs? I guess that is what bothers so many folks. They keep expanding their needs until they are dependent on too many things and too many other people... I wonder how many things in the average American home could be eliminated if the question were asked, "Must I really have this?" I guess most of the extras are chalked up to comfort or saving time.
Funny thing about comfort - one man's comfort is another man's misery. Most people do't work hard enough physically anymore, and comfort is not easy to find. It is surprising how comfortable a hard bunk can be after you come down off a mountain.
”
”
Richard L. Proenneke (One Man's Wilderness: An Alaskan Odyssey)
“
My cousin fell in love with a dom, so I checked into it to see if I needed to kill him before they got married.
”
”
Cherise Sinclair (Doms of Dark Haven 2: Western Nights (Mountain Masters & Dark Haven, #2.5))
“
Cross your ankles and do not move.”
“Does shaking count?
”
”
Lyn Gala (Mountain Prey)
“
She was a Valkyrie. She could do this. No mountain too high. No neck too thick to hack through.
”
”
Jane Cousins (A Demon Is Forever (Vexatious Valkyries, #2))
“
Think of what it must have been like in the Scholomance for all those years it was closed,” said Dru, her eyes gleaming with horror-movie delight. “All the way up in the mountains, totally abandoned and dark, full of spiders and ghosts and shadows . . .”
"If you want to think about somewhere scary, think about the Bone City,” said Livvy. The City of Bones was where the Silent Brothers lived: It was an underground place of networked tunnels built out of the ashes of dead Shadowhunters.
“I’d like to go to the Scholomance,” interrupted Ty.
“I wouldn’t,” said Livvy. “Centurions aren’t allowed to have parabatai.”
“I’d like to go anyway,” said Ty. “You could come too if you wanted.”
“I don’t want to go to the Scholomance,” said Livvy. “It’s in the middle of the Carpathian Mountains. It’s freezing there, and there are bears.”
Ty’s face lit up as it often did at the mention of animals. “There are bears?”
“Enough chatter,” said Diana.
”
”
Cassandra Clare (Lady Midnight (The Dark Artifices, #1))
“
Cages, spanking benches, sawhorses, bondage tables. Scene after scene. Throaty moans, high screams, whining, whimpering, and groaning. Jesus, Mary, and Joseph. All his cop instincts shouted for him to get his cuffs out and start arresting people.
”
”
Cherise Sinclair (Doms of Dark Haven 2: Western Nights (Mountain Masters & Dark Haven, #2.5))
“
We can’t all be Byronic adventurers like you Jude. Have you been wrestling with any brigands in the mountains there?”
“No, but you’ve got to watch the drivers! Funny you should mention the poetic lord. He used to take his holidays down here, you know?”
“What… picking up last-minute bargains with ‘EasyFrigate’?
”
”
Paul Alkazraji (The Silencer)
“
Groupies? Did BDSM have groupies?
”
”
Cherise Sinclair (Doms of Dark Haven (Truckee Wolves #2; Hawkeye #2.5; Mountain Masters & Dark Haven #1.5))
“
He caught her staring and smiled-not a conceited I-work-out-and-have-a-great-body type smirk, but more of a I’m-a-boy; you’re-a-girl; life is good.
”
”
Cherise Sinclair (Doms of Dark Haven 2: Western Nights (Mountain Masters & Dark Haven, #2.5))
“
Trust me, there are things in this mountain that will make your jaw bounce off the floor.
”
”
Jaleigh Johnson (The Secrets of Solace (World of Solace, #2))
“
Thank God she wasn't wearing shorts. She hadn't shaved her legs in a week, theorizing that October in the mountains was pretty darn cold and she might need the extra layer of insulation.
”
”
Victoria Dahl (Talk Me Down (Tumble Creek, #1))
“
Take its head off.” “What?” “You’ve used the Cut before.”
“It’s a mountain,” I said. “A really big mountain.”
“And you’re the first Grisha to wear two amplifiers. Do it.”
“It’s miles away!”
“Are you hoping I’ll grow old and die while you complain?
”
”
Leigh Bardugo (Ruin and Rising (The Shadow and Bone Trilogy, #3))
“
My mom believed that you make your own luck. Over the stove she had hung these old, maroon painted letters that spell out, “MANIFEST.” The idea being if you thought and dreamed about the way you wanted your life to be -- if you just envisioned it long enough, it would come into being.
But as hard as I had manifested Astrid Heyman with her hand in mine, her blue eyes gazing into mine, her lips whispering something wild and funny and outrageous in my ear, she had remained totally unaware of my existence. Truly, to even dream of dreaming about Astrid, for a guy like me, in my relatively low position on the social ladder of Cheyenne Mountain High, was idiotic. And with her a senior and me a junior? Forget it.
Astrid was just lit up with beauty: shining blonde ringlets, June sky blue eyes, slightly furrowed brow, always biting back a smile, champion diver on the swim team. Olympic level.
Hell, Astrid was Olympic level in every possible way.
”
”
Emmy Laybourne
“
I knew how she smelled, and I knew how she acted in front of me, and I knew how she acted in front of others, and I knew that she liked Mountain Dew and adventure and dramatic gestures, and I knew that she was funny and smart and just generally more than the rest of us. But I didn't know what brought her here, or what kept her here, or what made her leave.
”
”
John Green (Paper Towns)
“
In the morning
After taking cold shower
—-what a mistake—-
I look at the mirror.
There, a funny guy,
Grey hair, white beard, wrinkled skin,
—-what a pity—-
Poor, dirty, old man,
He is not me, absolutely not.
Land and life
Fishing in the ocean
Sleeping in the desert with stars
Building a shelter in the mountains
Farming the ancient way
Singing with coyotes
Singing against nuclear war—
I’ll never be tired of life.
Now I’m seventeen years old,
Very charming young man.
I sit quietly in lotus position,
Meditating, meditating for nothing.
Suddenly a voice comes to me:
“To stay young,
To save the world,
Break the mirror.
”
”
Nanao Sakaki (Break the Mirror)
“
You're going to, Clay? She whispered before he could leave. You're really going to read to me?
Sure.
The smile that lit Jackie's face was the first Clayton had seen from her in more than a year. It did funny things in the region of his chest. He moved toward the door but ran into the doorpost because he was staring behind him watching her. Eddie who was headed that way laughed when she witnessed it.
Are you in a hurry Eddie asked noticing that he looked a little dazed.
She smiled He said his voice bemused. I saw her smile.
Eddie's gaze became very tender. If Jackie could see him now she'd know in an instant how much he still loved her.
”
”
Lori Wick (Where the Wild Rose Blooms (Rocky Mountain Memories, #1))
“
Here’s what I like about God: Trees are crooked, mountains are lumpy, a lot of his creatures are funny-looking, and he made it all anyway. He didn’t let the aardvark convince him he had no business designing creatures. He didn’t make a puffer fish and get discouraged. No, the maker made things—and still does. European film directors often enjoy creative careers, during which their films mature from the manifestos of angry young men to the rueful wisdom of great works by creative masters. Is an afternoon siesta the secret? Is their vita just a little more dolce? We’ve taken espresso to our American hearts, but we haven’t quite taken to the “break” in our coffee breaks. Worried about playing the fool, we forget how to simply play. We try to make our creativity linear and goal oriented. We want our “work” to lead somewhere. We forget that diversions do more than merely divert us.
”
”
Julia Cameron (Walking in This World (Artist's Way))
“
And last, it was after he was relieved to find she was right about Psych. It wasn’t geeky. There were no spaceships, alternate universes or fantastical explanations for ridiculous plot devices. It was just damned funny and, to top that, clever.
”
”
Kristen Ashley (Breathe (Colorado Mountain, #4))
“
Tell her about the screaming," Janelle said. "Because I can't."
"The screaming?" Stevie repeated.
"The other morning he started something called 'screaming meditation'," Nate said. "Guess what happens in screaming meditation? Did you guess screaming? For fifteen minutes? Because that's what happens in screaming meditation. Fifteen. Minutes. Outside. At five in the morning. Do you know what happens when someone screams outside at a remote location in the mountains, especially after a...
”
”
Maureen Johnson (The Vanishing Stair (Truly Devious, #2))
“
Yet there was a momentary hint of blue sky, and even this bit of light was enough to release a flash of diamonds across the wide landscape, so oddly disfigured by its snowy adventure. Usually the snow stopped at that hour of the day, as if for a quick survey of what had been achieved thus far; the rare days of sunshine seemed to serve much the same purpose—the flurries died down and the sun’s direct glare attempted to melt the luscious, pure surface of drifted new snow. It was a fairy-tale world, child-like and funny. Boughs of trees adorned with thick pillows, so fluffy someone must have plumped them up; the ground a series of humps and mounds, beneath which slinking underbrush or outcrops of rock lay hidden; a landscape of crouching, cowering gnomes in droll disguises—it was comic to behold, straight out of a book of fairy tales. But if there was something roguish and fantastic about the immediate vicinity through which you laboriously made your way, the towering statues of snow-clad Alps, gazing down from the distance, awakened in you feelings of the sublime and holy.
”
”
Thomas Mann (The Magic Mountain)
“
You are funny like a kid and awesome like a princess
Unseen like an angel, like the morning sunshine…
Kindness like a river and highness like a mountain,
In the middle of the Rheine, the cute face and sweet lips …
(La la la la, La la , mmmm , mm …)
Keep the lovely smile, in your juicy icy eyes
Open the heaven for my eyes, forever angel voice
Never angry never harsh, never mad never marsh
Dear or darling, either diamond or dime,
Overall the dream of the world
”
”
M.F. Moonzajer (A moment with God ; Poetry)
“
That top," he said when he dipped his face close, and I realized his voice sounded funny. It was intense but it was also hoarse like when we were fooling around and I understood why when he again spoke. "Tonight, when I fuck you, I want you naked. Later, I want you ridin' my cock wearin' nothin' but that fuckin' top.
”
”
Kristen Ashley (The Gamble (Colorado Mountain, #1))
“
Mountains could be what happens when Father Earth eats something that doesn’t agree with him. When he burps, mountains pop up."
"That’s absurd," Keselo said, trying not to laugh.
"If you’ve got a better theory, I’d be happy to hear it," Red-Beard said mildly. "Anyway, a burp isn’t anything but air that boils up out of a man’s stomach, so Father Earth’s mountains have chunks of empty air in the middle of them—burps that didn’t quite manage to make it to the surface, you understand.
”
”
David Eddings (The Elder Gods (The Dreamers, #1))
“
A pig is a jolly companion,
Boar, sow, barrow, or gilt--
A pig is a pal, who'll boost your morale,
Though mountains may topple and tilt.
When they've blackballed, bamboozled, and burned you,
When they've turned on you, Tory and Whig,
Though you may be thrown over by Tabby or Rover,
You'll never go wrong with a pig, a pig,
You'll never go wrong with a pig!
”
”
Thomas Pynchon (Gravity’s Rainbow)
“
I can't wait to hike around the mountains looking for old bones,” Stacey said. “Can we do it at midnight under a full moon on Friday the 13th?
”
”
J.L. Bryan (House of Whispers (Ellie Jordan, Ghost Trapper, #5))
“
You took the sunrise seriously." She nodded. "Googled it and everything.
”
”
Kate Willis (Addie's Mountain)
“
Heya, Arlene. What’s shakin’?” Cotton greeted.
“Don’t shift some of this weight, everything,” Arlene replied.
”
”
Kristen Ashley (The Gamble (Colorado Mountain, #1))
“
Obviously she's the kind of woman who gives people the benefit of the doubt. I prefer to assume bad stuff first; correct it later.
”
”
Heather Day Gilbert (Miranda Warning (A Murder in the Mountains, #1))
“
He won’t be as funny as a mountain—he’ll be hill-arious. He is my clone, and I hope he kills me for this terrible pun.
”
”
Jarod Kintz (This Book is Not for Sale)
“
Ils se sont groupés, car une chose comme un pneumothorax rapproche naturellement les hommes, et ils s'appellent "l'Association des demi-poumons" [...].
”
”
Thomas Mann (The Magic Mountain)
“
We have the power to move mountain, if we have faith that the mountain can be moved.
”
”
COMPTON GAGE
“
Funny how the mountains always inspire our work.
”
”
Kai Bird (American Prometheus)
“
I thought you had to go to The Hall?" she said.
"To learn?" Dar looked genuinely surprised. "No, Kale, Wulder is everywhere, therefore His lessons are everywhere."
"I know Wulder made all things, and Pretender tried to copy His work. But I didn't know Wulder is everywhere. How could that be?"
"You're thinking of Wulder as having a body and moving from place to place." Dar stood and pivoted in a circle with his arms outstretched. "Wulder is everywhere. You can see His power by recognizing His work. When a flower opens, that's His work. When the stars twinkle at night, that's His work."
He paused, facing her. He let his arms fall to his sides. "Look at me, Kale. Right now, I am standing with Wulder all around me. I'm under His protection, within His will, standing on His pledge. And Wulder is, at the very same moment, in me."
"Me, too?" asked Kale.
"Yes." Dar knelt in front of her, his earnest face only inches away.
She looked into his dark brown eyes and saw strength and peace. She wondered at his patience with her. Often her marione masters gruffly explained things they thought she should already understand.
Dar winked before he continued, his funny face serious and yet cheerful at imparting what must be old knowledge to him. "So many people don't know who Wulder is or what He's capable of doing. Their ignorance doesn't make Wulder less of a being; it makes them less. Until they know, they can't be whole."
He leaned back and sighed, spread his arms out in a gesture of explanation, and continued, "It's so simple, Kale. Everything hinges on His willingness to be involved with our world. When a mountain stands instead of tumbling down. He's holding it there. If He were to leave..." Dar shook his head. "If He were to leave, all that He holds in order would spin out of control. But He will never leave.
”
”
Donita K. Paul (DragonSpell (DragonKeeper Chronicles, #1))
“
Clevinger really thought he was right, but Yossarian had proof, because strangers he didn’t know shot at him with cannons every time he flew up into the air to drop bombs on them, and it wasn’t funny at all. And if that wasn’t funny, there were lots of things that weren’t even funnier. There was nothing funny about living like a bum in a tent in Pianosa between fat mountains behind him and a placid blue sea in front that could gulp down a person with a cramp in the twinkling of an eye and ship him back to shore three days later, all charges paid, bloated, blue and putrescent, water draining out through both cold nostrils.
”
”
Joseph Heller (Catch-22)
“
Finally, we entered Chetaube County, my imaginary birthplace, where the names of the little winding roads and minuscule mountain communities never failed to inspire me: Yardscrabble, Big Log, Upper, Middle and Lower Pigsty, Chicken Scratch, Cooterville, Felchville, Dust Rag, Dough Bag, Uranus Ridge, Big Bottom, Hooter Holler, Quickskillet, Buck Wallow, Possum Strut ... We always say a picture speaks a thousand words, but isn’t the opposite equally true?
”
”
Sol Luckman (Beginner's Luke (Beginner's Luke, #1))
“
I knew how she smelled, and I knew how she acted in front of me, and I knew how she acted in front
of others, and I knew that she liked Mountain Dew and adventure and dramatic gestures, and I knew
that she was funny and smart and just generally more than the rest of us. But I didn’t know what
brought her here, or what kept her here, or what made her leave. I didn’t know why she owned
thousands of records but never told anyone she even liked music. I didn’t know what she did at night,
with the shades down, with the door locked, in the sealed privacy of her room.
And maybe this was what I needed to do above all. I needed to discover what Margo was like when
she wasn’t being Margo.
”
”
John Green (Paper Towns)
“
It's funny. I met a man once who did a lot of mountain climbing. I asked him which was harder, ascending or descending? He said without a doubt descending, because ascending you were so focused on reaching the top, you avoided mistakes.
”
”
Mitch Albom (For One More Day)
“
This freedom is a funny thing,' he told them. 'It ain't something permanent like rocks and hills. It's like manna; you just got to keep on gathering it fresh every day. If you don't, one day you're going to find you ain't got none no more.
”
”
Zora Neale Hurston (Moses, Man of the Mountain)
“
I do not see how my agreeing to marry a scruffy old brute will have the power to keep a fire-breathing dragon locked beneath a mountain. And if I don’t agree to marry him, will I truly be fed to the dragon? That is savage, and inhumane, and crazy.
”
”
Bethany Wiggins (The Dragon's Price (Transference, #1))
“
Suddenly, lots of things of my own life occurred to me for the first time as stories: my great-granddaddy's 'other family' in West Virginia; Hardware Breeding, who married his wife Beulah, four times; how my Uncle Vern taught my daddy to drink good liquor in a Richmond hotel; how I got saved at the tent revival; John Hardin's hanging in the courthouse square; how Petey Chaney rode the flood; the time Mike Holland and I went to the serpent handling-church in Jolo; the murder Daddy saw when he was a boy, out riding his little pony - and never told...
I started to write these stories down. Many years later, I'm still at it. And it's a funny thing: Though I have spent my most of my working life in universities, though I live in piedmont North Carolina now and eat pasta and drive a Subaru, the stories that present themselves to me as worth the telling are often those somehow connected to that place and those people. The mountains that used to imprison me have become my chosen stalking ground.
”
”
Lee Smith (Dimestore: A Writer's Life)
“
What the hell happened to your leg?" Ang asked him.
Matt looked down at his shin, which was scraped and oozing and seemed to be caked in mud. "Crashed."
"Crashed what?" Ang asked.
"My mountain bike. We just got back."
"You crashed, then what? Rolled in dirt?"
He laughed. "Something like that actually. It's not a successful ride if you don't bleed." He must not have noticed the look of horror on my face, because he asked, suddenly enthusiastic, "You guys ride?"Angelo and I just looked at each other, and he seemed to realize that was a "no." "Too bad. Well, make yourselves at home. Beer's in the fridge. I have to get cleaned up. Kickoff's in ten minutes."
"Football?" Angelo asked.
Matt looked at his as if he had just asked if the sky was really blue. "Yeah! First game of the regular season!" We just stared blankly at him, and he just laughed and disappeared down the hall.
Angelo looked at me with a smile on his face. "Four fags watchin' football. Must be pretty fuckin' cold in hell right now.
”
”
Marie Sexton (A to Z (Coda, #2))
“
Obsessions were funny things; unhealthy ones could ruin lives, but some obsessions lifted people to higher planes of life, made them shine with a brighter light, burn with a hotter fire, and if those obsessions weren't fed, then the person withered, a life blighted by starvation of the soul.
”
”
Linda Howard (Mackenzie's Mountain (Mackenzie Family, #1))
“
What strange sweet thoughts come to you in the mountain solitudes! - One night I realized that when you give people understanding and encouragement a funny little meek childish look abashes their eyes, no matter what they've been doing they werent sure it was right - lambies all over the world.
”
”
Jack Kerouac (Lonesome Traveler)
“
See that stream over there?" I stretch an arm to point out the small branch coming off the lake. "It's fed off the mountain thaw. So is this lake. There's kind of a funny story to it. the stream runs all the way down into our neighbors property. Our neighbor, Mr Fitzgerald-he's gone now- didn't like it so close to their barn. For years, he'd try to stop it. My granddad would hep him. they'd dump gravel and dirt. One year, they built a dam. But every single spring, the water would find it's way onto the Fitzgerald property." I chuckle, remembering the two old men standing over the stream, scratching their beards in wonder. "finally they just gave up and let it be. Realized there was no stopping it. The water was going to go where it was meant to go." I feel a smile touch my lips. "My granddad used to tell us that story every spring, when we came out here after the thaw. Of course, it wasn't just a story to him. He turned it into a life lesson about telling the truth. I had a problem with lying when I was little," I admit, sheepishly. "He said the truth is like water: it doesn't matter how hard you try to bury it; it'll always find someway back to the surface. It's resilient.
”
”
K.A. Tucker (Burying Water (Burying Water, #1))
“
I am a bit old fashion but I believe in prayer, I believe prayer can move mountain. Prayer might not be our responsibility but it is a good starting place. It can give us heaven's prospectives on human problems. I know we need to do a bit more than pray but that doesn't mean we don't need to pray.
”
”
Patience Johnson (Why Does an Orderly God Allow Disorder)
“
You heard me. Let someone else send you to your blaze of glory. You're a speck, man. You're nothing. You're not worth the bullet or the mark on my soul for taking you out."
You trying to piss me off again, Patrick?" He removed Campbell Rawson from his shoulder and held him aloft.
I tilted my wrist so the cylinder fell into my palm, shrugged. "You're a joke, Gerry. I'm just calling it like I see it."
That so?"
Absolutely." I met his hard eyes with my own. "And you'll be replaced, just like everything else, in maybe a week, tops. Some other dumb, sick shit will come along and kill some people and he'll be all over the papers, and all over Hard Copy and you'll be yesterday's news. Your fifteen minutes are up, Gerry. And they've passed without impact."
They'll remember this," Gerry said. "Believe me."
Gerry clamped back on the trigger. When he met my finger, he looked at me and then clamped down so hard that my finger broke.
I depressed the trigger on the one-shot and nothing happened.
Gerry shrieked louder, and the razor came out of my flesh, then swung back immediately, and I clenched my eyes shut and depressed the trigger frantically three times.
And Gerry's hand exploded.
And so did mine.
The razor hit the ice by my knee as I dropped the one shot and fire roared up the electrical tape and gasoline on Gerry's arm and caught the wisps of Danielle's hair.
Gerry threw his head back and opened his mouth wide and bellowed in ecstasy.
I grabbed the razor, could barely feel it because the nerves in my hand seemed to have stopped working.
I slashed into the electric tape at the end of the shotgun barrel, and Danielle dropped away toward the ice and rolled her head into the frozen sand.
My broken finger came back out of the shotgun and Gerry swung the barrels toward my head.
The twin shotgun bores arced through the darkness like eyes without mercy or soul, and I raised my head to meet them, and Gerry's wail filled my ears as the fire licked at his neck.
Good-bye, I thought. Everyone. It's been nice.
Oscar's first two shots entered the back of Gerry's head and exited through the center of his forehead and a third punched into his back.
The shotgun jerked upward in Gerry's flaming arm and then the shots came from the front, several at once, and Gerry spun like a marionette and pitched toward the ground. The shotgun boomed twice and punched holes through the ice in front of him as he fell.
He landed on his knees and, for a moment, I wasn't sure if he was dead or not. His rusty hair was afire and his head lolled to the left as one eye disappeared in flames but the other shimmered at me through waves of heat, and an amused derision shone in the pupil.
Patrick, the eye said through the gathering smoke, you still know nothing.
Oscar rose up on the other side of Gerry's corpse, Campbell Rawson clutched tight to his massive chest as it rose and fell with great heaving breaths. The sight of it-something so soft and gentle in the arms of something so thick and mountaineous-made me laugh.
Oscar came out of the darkness toward me, stepped around Gerry's burning body, and I felt the waves of heat rise toward me as the circle of gasoline around Gerry caught fire.
Burn, I thought. Burn. God help me, but burn.
Just after Oscar stepped over the outer edge of the circle, it erupted in yellow flame, and I found myself laughing harder as he looked at it, not remotely impressed.
I felt cool lips smack against my ear, and by the time I looked her way, Danielle was already past me, rushing to take her child from Oscar.
His huge shadow loomed over me as he approached, and I looked up at him and he held the look for a long moment.
How you doing, Patrick?" he said and smiled broadly.
And, behind him, Gerry burned on the ice.
And everything was so goddamned funny for some reason, even though I knew it wasn't. I knew it wasn't. I did. But I was still laughing when they put me in the ambulance.
”
”
Dennis Lehane
“
For Her, I Can:
> travel to the farthest of destinations
> marathon across the globe
> hike through the lengthiest of trails
> dive into the deepest of oceans
> climb the highest of mountains
> fly to the edges of the sky and beyond
> standstill patiently for eons
> g̶o̶ s̶h̶o̶p̶p̶i̶n̶g̶ w̶i̶t̶h̶ h̶e̶r̶
”
”
Mohith Agadi
“
From his beach bag the man took an old penknife with a red handle and began to etch the signs of the letters onto nice flat pebbles. At the same time, he spoke to Mondo about everything there was in the letters, about everything you could see in them when you looked and when you listened. He spoke about A, which is like a big fly with its wings pulled back; about B, which is funny, with its two tummies; or C and D, which are like the moon, a crescent moon or a half-full moon; and then there was O, which was the full moon in the black sky. H is high, a ladder to climb up trees or to reach the roofs of houses; E and F look like a rake and a shovel; and G is like a fat man sitting in an armchair. I dances on tiptoes, with a little head popping up each time it bounces, whereas J likes to swing. K is broken like an old man, R takes big strides like a soldier, and Y stands tall, its arms up in the air, and it shouts: help! L is a tree on the river's edge, M is a mountain, N is for names, and people waving their hands, P is asleep on one paw, and Q is sitting on its tail; S is always a snake, Z is always a bolt of lightning, T is beautiful, like the mast on a ship, U is like a vase, V and W are birds, birds in flight; and X is a cross to help you remember.
”
”
J.M.G. Le Clézio (Mondo et autres histoires)
“
For my friend Fong,” he says, and begins singing John Denver. If you didn’t know it already, now you do: old dudes from rural Taiwan are comfortable with their karaoke and when they do karaoke for some reason they love no one like they love John Denver. Maybe it’s the dream of the open highway. The romantic myth of the West. A reminder that these funny little Orientals have actually been Americans longer than you have. Know something about this country that you haven’t yet figured out. If you don’t believe it, go down to your local karaoke bar on a busy night. Wait until the third hour, when the drunk frat boys and gastropub waitresses with headshots are all done with Backstreet Boys and Alicia Keys and locate the slightly older Asian businessman standing patiently in line for his turn, his face warmly rouged on Crown or Japanese lager, and when he steps up and starts slaying “Country Roads,” try not to laugh, or wink knowingly or clap a little too hard, because by the time he gets to “West Virginia, mountain mama,” you’re going to be singing along, and by the time he’s done, you might understand why a seventy-seven-year-old guy from a tiny island in the Taiwan Strait who’s been in a foreign country for two-thirds of his life can nail a song, note perfect, about wanting to go home.
”
”
Charles Yu (Interior Chinatown)
“
Explaining how the two of them, up there in the Green Mountains, had managed to dial down life's urgencies and dial up its pleasures and richness, Gary put it beautifully and poetically: "We've discovered a way" he confided with a sense of gleeful wonderment, "to bend time." I imagined Tracy and me engaged in a similar conspiracy a dozen years or so from now.
”
”
Michael J. Fox (A Funny Thing Happened on the Way to the Future...)
“
We surf the waves of capitalism, from crest to trough and back again, but the funny thing is that no matter how often we ride the wave, nobody notices that it's wet. When we are on the crest, we believe that we have climbed a mountain through our own virtuous efforts, and when we are in the trough, we believe that we have fallen into a pit through out own vice.
”
”
Adam Gopnik
“
In time, when we became adults, we might look back on this pain and loneliness as a funny thing, perfectly ordinary, but—but how were we expected to get by, to get through this interminable period of time until that point when we were adults? There was no one to teach us how. Was there nothing to do but leave us alone, like we had the measles? But people died from the measles, or went blind. You couldn't just leave them alone. Some of us, in our daily depressions and rages, were apt to stray, to become corrupted, irreparably so, and then our lives would be forever in disorder. There were even some who would resolve to kill themselves. And when that happened, everyone would say, Oh, if only she had lived a little longer she would have known, if she were a little more grown up she would have figured it out. How saddened they would all be. But if those people were to think about it from our perspective, and see how we had tried to endure despite how terribly painful it all was, and how we had even tried to listen carefully, as hard as we could, to what the world might have to say, they would see that, in the end, the same bland lessons were always being repeated over and over, you know, well, merely to appease us. And they would see how we always experienced the same embarrassment of being ignored. It's not as though we only care about the present. If you were to point to a faraway mountain and say, If you can make it there, it's a pretty good view, I'd see that there's not an ounce of untruth to what you tell us. But when you say, Well, bear with it just a little longer, if you can make it to the top of that mountain, you'll have done it, you are ignoring the fact that we are suffering from a terrible stomachache—right now. Surely one of you is mistaken to let us go on this way. You're the one who is to blame.
”
”
Osamu Dazai (Schoolgirl)
“
It’s funny. I met a man once who did a lot of mountain climbing. I asked him which was harder, ascending or descending? He said without a doubt descending, because ascending you were so focused on reaching the top, you avoided mistakes. “The backside of a mountain is a fight against human nature,” he said. “You have to care as much about yourself on the way down as you did on the way up.
”
”
Mitch Albom (For One More Day)
“
You'll be staying in your old room.'
As if she had any sort of claim on this place. On anywhere at all.
He went on, 'My room's a level above that.'
'Why would I need to know that?' The words snapped out of her.
He began walking toward the glass doors that led into the mountain's interior. 'In case you have a bad dream and need someone to read you a story,' he drawled, a half smile dancing on his face. 'Maybe one of those smutty books you like so much.
”
”
Sarah J. Maas (A Court of Silver Flames (A Court of Thorns and Roses, #4))
“
Later on, like practically everyone else in our stupid and godless society, I was to consider these two years as “my religious phase.” I am glad that that now seems very funny. But it is sad that it is funny in so few cases. Because I think that practically everybody does go through such a phase, and for the majority of them, that is all that it is, a phase and nothing more. If that is so, it is their own fault: for life on this earth is not simply a series of “phases” which we more or less passively undergo. If the impulse to worship God and to adore Him in truth by the goodness and order of our own lives is nothing more than a transitory and emotional thing, that is our own fault. It is so only because we make it so, and because we take what is substantially a deep and powerful and lasting moral impetus, supernatural in its origin and in its direction, and reduce it to the level of our own weak and unstable and futile fancies and desires.
”
”
Thomas Merton (The Seven Storey Mountain)
“
You might want to stop with the threats before my heart gives out.”
“You look healthy enough.”
“And you look sane. Imagine that,” Stunt shot right back. His common sense kicked in about a second too late to save him from his mouth, and there was a long silence. Insulting the man holding you at gunpoint showed a real lack of common sense. Insulting him and then not being able to see the reaction because your back was turned and he’d gone utterly silent was so very much worse.
”
”
Lyn Gala (Mountain Prey)
“
She insisted that they focus their energies on raising a little girl who was, by nature, a tangle of mischief and motion and curiosity. Each day, Luna’s ability to break rules in new and creative ways was an astonishment to all who knew her. She tried to ride the goats, tried to roll boulders down the mountain and into the side of the barn (for decoration, she explained), tried to teach the chickens to fly, and once almost drowned in the swamp. (Glerk saved her. Thank goodness.) She gave ale to the geese to see if it made them walk funny (it did) and put peppercorns in the goat’s feed to see if it would make them jump (they didn’t jump; they just destroyed the fence). Every day she goaded Fyrian into making atrocious choices or she played tricks on the poor dragon, making him cry. She climbed, hid, built, broke, wrote on the walls, and spoiled dresses when they had only just been finished. Her hair ratted, her nose smudged, and she left handprints wherever she went.
”
”
Kelly Barnhill (The Girl Who Drank the Moon)
“
I might be a shameless flirt, but at least I don't have a horrible temper. You should come tend to my wounds from our squabble in the snow. I'm bruised all over thanks to you.
Something clicked against the nightstand, and a pen rolled across the polished mahogany. Hissing, I snatched it up and scribbed:
Go lick your wounds and leave me be.
The paper vanished.
It was gone for a while- far longer than it should have taken to write the few words that appeared on the paper when it returned.
I'd much rather you licked my wounds for me.
My heart pounded, faster and faster, and a strange sort of rush went through my veins as I read the sentence again and again. A challenge.
I clamped my lips shut to keep from smiling as I wrote,
Lick you where exactly?
The paper vanished before I'd even completed the final mark.
His reply was a long time coming. Then,
Wherever you want to lick me, Feyre.
I'd like to start with "Everywhere," but I can choose, if necessary.
I wrote back,
Let's hope my licking is better than yours. I remember how horrible you were at it Under the Mountain.
Lie. He'd licked away my tears when I'd been a moment away from shattering.
He'd done it to keep me distracted- keep me angry. Because anger was better than feeling nothing; because anger and hatred were the long-lasting fuel in the endless dark of my despair. The same way that music had kept me from breaking.
Lucien had come to patch me up a few times, but no one risked quite so much in keeping me not only alive, but as mentally intact as I could be considering the circumstances. Just as he'd been doing these past few weeks- taunting and teasing me to keep the hollowness at bay. Just as he was doing now.
I was under duress, his next note read. If you want, I'd be more than happy to prove you wrong. I've been told I'm very, very good at licking.
I clenched my knees together and wrote back, Good night.
A heartbeat later, his note said, Try not to moan too loudly when you dream about me. I need my beauty rest.
I got up, chucked the letter in the burbling fire, and gave it a vulgar gesture.
I could have sworn laughter rumbled down the hall.
”
”
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
“
New Rule: If you're going to have a rally where hundreds of thousands of people show up, you may as well go ahead and make it about something. With all due respect to my friends Jon Stewart and Stephen Colbert, it seems that if you truly wanted to come down on the side of restoring sanity and reason, you'd side with the sane and the reasonable--and not try to pretend the insanity is equally distributed in both parties. Keith Olbermann is right when he says he's not the equivalent of Glenn Beck. One reports facts; the other one is very close to playing with his poop. And the big mistake of modern media has been this notion of balance for balance's sake, that the left is just as violent and cruel as the right, that unions are just as powerful as corporations, that reverse racism is just as damaging as racism. There's a difference between a mad man and a madman.
Now, getting more than two hundred thousand people to come to a liberal rally is a great achievement that gave me hope, and what I really loved about it was that it was twice the size of the Glenn Beck crowd on the Mall in August--although it weight the same. But the message of the rally as I heard it was that if the media would just top giving voice to the crazies on both sides, then maybe we could restore sanity. It was all nonpartisan, and urged cooperation with the moderates on the other side. Forgetting that Obama tried that, and found our there are no moderates on the other side.
When Jon announced his rally, he said that the national conversation is "dominated" by people on the right who believe Obama's a socialist, and by people on the left who believe 9/11 was an inside job. But I can't name any Democratic leaders who think 9/11 was an inside job. But Republican leaders who think Obama's socialist? All of them. McCain, Boehner, Cantor, Palin...all of them. It's now official Republican dogma, like "Tax cuts pay for themselves" and "Gay men just haven't met the right woman."
As another example of both sides using overheated rhetoric, Jon cited the right equating Obama with Hitler, and the left calling Bush a war criminal. Except thinking Obama is like Hitler is utterly unfounded--but thinking Bush is a war criminal? That's the opinion of Major General Anthony Taguba, who headed the Army's investigation into Abu Ghraib.
Republicans keep staking out a position that is farther and farther right, and then demand Democrats meet them in the middle. Which now is not the middle anymore. That's the reason health-care reform is so watered down--it's Bob Dole's old plan from 1994. Same thing with cap and trade--it was the first President Bush's plan to deal with carbon emissions. Now the Republican plan for climate change is to claim it's a hoax.
But it's not--I know because I've lived in L.A. since '83, and there's been a change in the city: I can see it now. All of us who live out here have had that experience: "Oh, look, there's a mountain there." Governments, led my liberal Democrats, passed laws that changed the air I breathe. For the better. I'm for them, and not the party that is plotting to abolish the EPA. I don't need to pretend both sides have a point here, and I don't care what left or right commentators say about it, I can only what climate scientists say about it.
Two opposing sides don't necessarily have two compelling arguments. Martin Luther King Jr. spoke on that mall in the capital, and he didn't say, "Remember, folks, those southern sheriffs with the fire hoses and the German shepherds, they have a point, too." No, he said, "I have a dream. They have a nightmare. This isn't Team Edward and Team Jacob."
Liberals, like the ones on that field, must stand up and be counted, and not pretend we're as mean or greedy or shortsighted or just plain batshit at them. And if that's too polarizing for you, and you still want to reach across the aisle and hold hands and sing with someone on the right, try church.
”
”
Bill Maher (The New New Rules: A Funny Look At How Everybody But Me Has Their Head Up Their Ass)
“
These are the things I cannot imagine, and I realize that I cannot imagine them because I didn't know Margo. I knew how she smelled, and I knew how she acted in front of me, and I knew how she acted in front of others, and I knew that she liked Mountain Dew and adventures and dramatic gestures, and I knew that she was funny and smart and just generally more than the rest of us. But I didn't know what brought her here, or what kept her here, or what made her leave. I didn't know why she owned thousands of records but never told anyone she even liked music. I didn't know what she did at night, with the shades down, with the door locked, in the sealed privacy of her room.
”
”
John Green (Paper Towns)
“
I came here a great deal in those weeks after Under the Mountain.'
My throat tightened as I leaned in to brush a kiss to his cheek. 'Thank you for sharing this place with me.'
'It belongs to you, too, now.' And I knew he meant not just in terms of us being mates, but... in the ways it belonged to the other females here. Who had endured and survived.
I gave him a half smile. 'I suppose it's a miracle that I can even stand to be underground.'
But his features remained solemn, contemplative. 'It is.' He added softly. 'I'm very proud of you.'
My eyes burned, and I blinked as I faced the books. 'And I suppose,' I said with an effort at lightness, 'that it's a miracle I can actually read these things.'
Rhys's answering smile was lovely- and just a bit wicked. 'I believe my little lessons helped.'
'Yes, "Rhys is the greatest lover a female can hope for" is undoubtedly how I learned to read.'
'I was only trying to tell you what you now know.
”
”
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
“
Rhys's face was drawn, his shoulders tense as I gripped them. I knew what to expect, but... even after he told me what he needed me to do, even after I had agreed, he'd been... aloof. Haunted.
Worried for me, I realised.
And just because of that worry, just to get that tightness off his face, even for these few minutes before we faced his unholy realm beneath that mountain, I said over the wind, 'Amren and Mor told me that the span of an Illyrian male's wings says a lot about the size of... other parts.'
His eyes shot to mine, then to pine-tree-coated slopes below. 'Did they now.'
I shrugged in his arms, trying not to think about the naked body that night all those weeks ago- though I hadn't glimpsed much. 'They also say Azriel's wings are the biggest.'
Mischief danced in those violet eyes, washing away the cold distance, the strain. The spymaster was a black blur against the pale blue sky. 'When we return home, let's get out the measuring stick, shall we?
”
”
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
“
Good morning.'
Cassian's fingers idly smoothed her hair. 'Good morning to you, too.' He glanced toward the mantel- the small wooden clock in its centre, then lurched up. 'Shit.'
Nesta frowned. 'You have somewhere to be?' He was already hopping into his pants, scanning the floor for the rest of his clothes. Nesta silently pointed to the other side of the bed, where his shirt lay atop her dress.
'Snowball fight. I'll be late.'
Nesta had to unload every word of his statement. But she could only ask. 'What?'
'Annual tradition, with Rhys and Az. We go up tot he mountain cabin- remind me to take you there one day- and... Well, it's a long story, but we've done it pretty much every year for centuries, and I haven't won in years. If I don't win this year, I will never hear the end of it.' All of this was said while shoving himself into his shirt, leather jacket, and boots.
Nesta just laughed. 'You three- the most feared warriors in all the land- have an annual snowball fight?'
Cassian reached the door, throwing her a wicked grin. 'Did I mention we take a steam in the birchin attached to the cabin afterward?'
From that wicked grin, she knew he meant completely naked.
”
”
Sarah J. Maas (A Court of Silver Flames (A Court of Thorns and Roses, #4))
“
My fingers grazed his. Warm and sturdy- patient, as if waiting to see what else I might do. Maybe it was the wind, but I stroked a finger down his.
And as I turned to him more fully, something blinding and tinkling slammed into my face.
I reeled back, crying out as I bent over, shielding my face against the light that I could still see against my shut eyes.
Rhys let out a startled laugh.
A laugh.
And when I realised that my eyes hadn't been singed out of their sockets, I whirled on him. 'I could have been blinded!' I hissed, shoving him. He took a look at my face and burst out laughing again. Real laughter, open and delighted and lovely.
I wiped at my face, and when I pulled my hands down, I gasped. Pale green light- like drops of paint- glowed in flecks on my hand.
Splattered star-spirit. I didn't know if I should be horrified or amused. Or disgusted.
When I went to rub it off, Rhys caught my hand. 'Don't,' he said, still laughing. 'It looks like your freckles are glowing.'
My nostrils flared, and I went to shove him again, not caring if my new strength knocked him off the balcony. He could summon wings; he could deal with it.
He sidestepped me, veering toward the balcony rail, but not fast enough to avoid the careening star that collided with the side of his face.
He leaped back with a curse. I laughed, the sound rasping out of me. Not a chuckle or snort, but a cackling laugh.
And I laughed again, and again, as he lowered his hands from his eyes.
The entire left side of his face had been hit.
Like heavenly war paint, that's what it looked like. I could see why he didn't want me to wipe mine away.
Rhys was examining his hands, covered in the dust, and I stepped toward him, peering at the way it glowed and glittered.
He went still as death as I took one of his hands in my own and traced a star shape on the top of his palm, playing with the glimmer and shadows, until it looked like one of the stars that had hit us.
His fingers tightened on mine, and I looked up. He was smiling at me. And looked so un-High-Lord-like with the glowing dust on the side of his face that I grinned back.
I hadn't even realised what I'd done until his own smile faded,, and his mouth partly slightly.
'Smile again,' he whispered.
I hadn't smiled for him. Ever. Or laughed. Under the Mountain, I had never grinned, never chuckled. And afterward...
And this male before me... my friend...
For all that he had done, I had never given him either. Even when I had just... I had just painted something. On him. For him.
I'd- painted again.
So I smiled at him, broad and without restraint.
'You're exquisite,' he breathed.
”
”
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
“
In that moment Ned felt a swelling, a ripping expansion, a hugeness that rang through him for the length of his life, a feeling that was sometimes rivalled but never quite matched. Not at weddings, not at births, not at funerals. Not when he worked his way north to Longreach, where he finally saw Toby again, finding him cocky, funny and largely unchanged. Not during good seasons or bad. Not when he was alone on cold waterways, not when he was in the grip of people he loved. Not as he poured dirt into graves, not as he watched his children, then his grandchildren, play. Not on the white sands of hidden beaches. Not in the shade of ancient trees, in whose canopies he imagined he could see the darting of cream-brown quolls. Not on rocky mountain roofs. Not in the presence of whales, not while viewing fine ships. Not at the scent of Huon pine. Not as Callie's last breath eased out of her, in their house overlooking kanamaluka, the eastern sun warming her face right up to the final moments of her life. Not at his ninetieth birthday, surrounded by his family and what was left of his friends, as he felt both powerfully loved and profoundly alone.
Not even then, at the very end of his life, did he feel it again, although he always remembered it: this hugeness of feeling. This undamming of a whole summer's fear, this half-sickening lurch to joy. (pp.225-6)
”
”
Robbie Arnott (Limberlost)
“
When everyone is seated, Galen uses a pot holder to remove the lid from the huge speckled pan in the center of the table. And I almost upchuck. Fish. Crabs. And...is that squid hair? Before I can think of a polite version of the truth-I'd rather eat my own pinky finger than seafood-Galen plops the biggest piece of fish on my plate, then scoops a mixture of crabmeat and scallops on top of it. As the steam wafts its way to my nose, my chances of staying polite dwindle. The only think I can think of is to make it look like I'm hiccupping instead of gagging. What did I smell earlier that almost had me salivating? It couldn't have been this.
I fork the fillet and twist, but it feels like twisting my own gut. Mush it, dice it, mix it all up. No matter what I do, how it looks, I can't bring it near my mouth. A promise is a promise, dream or no dream. Even if real fish didn't save me in Granny's pond, the fake ones my imagination conjured up sure comforted me until help arrived. And now I'm expected to eat their cousins? No can do.
I set the fork down and sip some water. I sense Galen is watching. Out of my peripheral, I see the others shoveling the chum into their faces. But not Galen. He sits still, head tilted, waiting for me to take a bite first.
Of all the times to be a gentleman! What happened to the guy who sprawled me over his lap like a three-year-old just a few minutes ago? Still, I can't do it. And they don't even have a dog for me to feed under the table, which used to be my go-to plan at Chloe's grandmother's house. One time Chloe even started a food fight to get me out of it. I glance around the table, but Rayna's the only person I'd aim this slop at. Plus, I'd risk getting the stuff on me, which is almost as bad as in me.
Galen nudges me with his elbow. "Aren't you hungry? You're not feeling bad again, are you?"
This gets the others' attention. The commotion of eating stops. Everyone stares. Rayna, irritated that her gluttony has been interrupted. Toraf smirking like I've done something funny. Galen's mom wearing the same concerned look he is. Can I lie? Should I lie? What if I'm invited over again, and they fix seafood because I lied about it just this once? Telling Galen my head hurts doesn't get me out of future seafood buffets. And telling him I'm not hungry would be pointless since my stomach keeps gurgling like an emptying drain.
No, I can't lie. Not if I ever want to come back here. Which I do. I sigh and set the fork down. "I hate seafood," I tell him. Toraf's sudden cough startles me. The sound of him choking reminds me of a cat struggling with a hair ball.
I train my eyes on Galen, who has stiffened to a near statue. Jeez, is this all his mom knows how to make? Or have I just shunned the Forza family's prize-winning recipe for grouper?
"You...you mean you don't like this kind of fish, Emma?" Galen says diplomatically.
I desperately want to nod, to say, "Yes, that's it, not this kind of fish"-but that doesn't get me out of eating the crabmeat-and-scallop mountain on my plate. I shake my head. "No. Not just this kind of fish. I hate it all. I can't eat any of it. Can hardly stand to smell it."
Way to go for the jugular there, stupid! Couldn't I just say I don't care for it? Did I have to say I hate it? Hate even the smell of it? And why am I blushing? It's not a crime to gag on seafood. And for God's sakes, I won't eat anything that still has its eyeballs.
”
”
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
“
That New Year I was invited to stay with one of my old school buddies, Sam Sykes, at his house on the far northwestern coast of Sutherland, in Scotland.
It is as wild and rugged a place as anywhere on earth, and I love it there.
It also happens to boast one of my favorite mountains in the world, Ben Loyal, a pinnacle of rock and steep heather that overlooks a spectacular estuary. So I did not need much encouraging to go up to Sam’s and climb.
This time up there, I was to meet the lady who would change my life forever; and I was woefully ill-prepared for the occasion.
I headed up north primarily to train and climb. Sam told me he had some other friends coming up for New Year. I would like them, he assured me.
Great. As long as they don’t distract me from training, I thought to myself. I had never felt more distant from falling in love. I was a man on a mission. Everest was only two months away.
Falling in love was way off my radar.
One of Sam’s friends was this young girl called Shara. As gentle as a lamb, beautiful and funny--and she seemed to look at me so warmly.
There was something about this girl. She just seemed to shine in all she did. And I was totally smitten, at once.
All I seemed to want to do was hang out with her, drink tea, chat, and go for nice walks.
I tried to fight the feeling by loading up my backpack with rocks and heavy books, then going off climbing on my own. But all I could think about was this beautiful blond girl who laughed in the most adorable way at how ridiculous it was to carry Shakespeare up a mountain.
I could sense already that this was going to be a massive distraction, but somehow, at the same time, nothing else seemed to matter. I found myself wanting to be with this girl all the time.
”
”
Bear Grylls (Mud, Sweat and Tears)
“
It was at night,” I say. “What was?” “What happened. The car wreck. We were driving along the Storm King Highway.” “Where’s that?” “Oh, it’s one of the most scenic drives in the whole state,” I say, somewhat sarcastically. “Route 218. The road that connects West Point and Cornwall up in the Highlands on the west side of the Hudson River. It’s narrow and curvy and hangs off the cliffs on the side of Storm King Mountain. An extremely twisty two-lane road. With a lookout point and a picturesque stone wall to stop you from tumbling off into the river. Motorcycle guys love Route 218.” We stop moving forward and pause under a streetlamp. “But if you ask me, they shouldn’t let trucks use that road.” Cool Girl looks at me. “Go on, Jamie,” she says gently. And so I do. “Like I said, it was night. And it was raining. We’d gone to West Point to take the tour, have a picnic. It was a beautiful day. Not a cloud in the sky until the tour was over, and then it started pouring. Guess we stayed too late. Me, my mom, my dad.” Now I bite back the tears. “My little sister. Jenny. You would’ve liked Jenny. She was always happy. Always laughing. “We were on a curve. All of a sudden, this truck comes around the side of the cliff. It’s halfway in our lane and fishtailing on account of the slick road. My dad slams on the brakes. Swerves right. We smash into a stone fence and bounce off it like we’re playing wall ball. The hood of our car slides under the truck, right in front of its rear tires—tires that are smoking and screaming and trying to stop spinning.” I see it all again. In slow motion. The detail never goes away. “They all died,” I finally say. “My mother, my father, my little sister. I was the lucky one. I was the only one who survived.
”
”
James Patterson (I Funny: A Middle School Story)
“
Rhys laughed, finally sauntering toward the other end of the hall, which ended in a veranda open to the stars. 'I'm willing to accept your thanks at any time, you know,' he called to me without looking back.
Red exploded in my vision, and I couldn't breathe fast enough, couldn't think above the roar in my head. One heartbeat, I was staring at him- the next, I had my shoe in a hand.
I hurled it at him with all my strength.
All my considerable, immortal strength.
I barely saw my silk slipper as it flew through the air, fast as a shooting star, so fast that even a High Lord couldn't detect it as it neared-
And slammed into his head.
Rhys whirled, a hand rising to the back of his head, his eyes wide.
I already had the other shoe in my hand.
Rhys's lip pulled back from his teeth. 'I dare you.' Temper- he had to be in some mood today to let his temper show this much.
Good. That made two of us.
I flung my other shoe right at his head, as swift and hard as the first one.
His hand snatched up, grabbing the shoe mere inches from his face. Rhys hissed and lowered the shoe, his eyes meeting mine as the silk dissolved to glittering black dust in his fist. His fingers unfurled, the last of the sparkling ashes blowing into oblivion, and he surveyed my hand, my body, my face.
'Interesting,' he murmured, and continued on his way.
I debated tackling him and pummelling that face with my firsts, but I wasn't stupid. I was in his home, on top of a mountain in the middle of absolutely nowhere, it seemed. No one would be coming to rescue me- no one was even here to witness my screaming.
So I turned toward the doorway he'd indicated, heading for the dim stairwell beyond.
I'd nearly reached it, not daring to breathe too loudly, when a bright, amused female voice said behind me- far away, from wherever Rhys had gone to at the opposite end of the hall, 'So, that went well.'
Rhys's answering snarl sent my footsteps hurrying away.
”
”
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
“
On the third day, I asked if she would like to climb Ben Loyal with me--with anyone else who fancied coming along. None of the guys wanted to join me and I ended up with a group of four girls, including Shara.
We spent two hours crossing the marshy moon grass to reach the foot of the mountain before starting up the steep slope toward the summit ridge. It was fairly sheer, but essentially we were still going the “easy” way.
Within two hundred feet, half of the girls were looking pretty beat.
I figured that having slogged across the marsh for so long, we should definitely do some of the climb. After all, that was the fun bit.
They all agreed and we continued up steadily.
Before the slope eases at the top, though, there is a section where the heather becomes quite exposed. It is only a short, few hundred feet, and I wrongly figured the girls would enjoy a safe, steep scramble that didn’t require any ropes. Plus the views were amazing out to sea.
But things didn’t quite go to plan.
The first panicked whimper seemed to set off a cacophony of cheeps, as, one by one, the girls began to voice their fears. It is funny how quickly everyone can go from being totally fine to totally not-fine, very fast, once one person starts to panic.
Then the tears started.
Nightmare.
I ended up literally having to shadow the three girls who were worst struck by this fear, one by one down the slope. I had to stand behind them, hands on top of their hands, and help them move one step at a time, planting their feet exactly where I did, to shield them from the drop.
The point of this story is that the only girl who was supercool through the whole mission was Shara, who steadily plodded up, and then just as steadily plodded down beside me, as I tried to help the others.
Now I was really smitten.
A cool head under pressure is truly irresistible to me, and if I hadn’t been totally besotted before, then our mountain experience together tipped the balance.
I had a sneaking feeling that I had met the girl of my dreams.
”
”
Bear Grylls (Mud, Sweat and Tears)
“
My knuckles brushed one of his wings- smooth and cool like silk, but hard as stone with it stretched taut.
Fascinating, I blindly reached again... and dared to run a fingertip along some inner edge.
Rhysand shuddered, a soft groan slipping past my ear. 'That,' he said tightly, 'is very sensitive.'
I snatched my finger back, pulling away far enough to see his face. With the wind, I had to squint, and my braided hair ripped this way and that, but- he was entirely focused on the mountains around us. 'Does it tickle?'
He flicked his gaze to me, then to the snow and pine that went on forever. 'It feels like this,' he said, and leaned in so close that his lips brushed the shell of my ear as he sent a gentle breath into it. My back arched on instinct, my chin tipping up at the caress of that breath.
'Oh,' I managed to say, I felt him smile against my ear and pull away.
'If you want an Illyrian male's attention, you'd be better off grabbing him by the balls. We're trained to protect our wings at all costs. Some males attack first, ask questions later, if their wings are touched without invitation.'
'And during sex?' The question blurted out.
Rhys's face was nothing but feline amusement as he monitored the mountains. 'During sex, an Illyrian male can find completion just by having someone touch his wings in the right spot.'
My blood thrummed. Dangerous territory; more lethal than the drop below. 'Have you found that to be true?'
His eyes stripped me bare. 'I've never allowed anyone to see or touch my wings during sex. It makes you vulnerable in a way that I'm not... comfortable with.'
'Too bad,' I said, staring out too casually toward the mighty mountain that now appeared on the horizon, towering over the others. And capped, I noted, with that glimmering palace of moonstone.
'Why?' he asked warily.
I shrugged, fighting the upward tugging of my lips. 'Because I bet you could get into some interesting positions with those wings.'
Rhys loosed a barking laugh, and his nose grazed my ear. I felt him open his mouth to whisper something, but-
Something dark and fast and sleek shot for us, and he plunged down and away, swearing.
”
”
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
“
The best advice came from the legendary actor the late Sir John Mills, who I sat next to backstage at a lecture we were doing together. He told me he considered the key to public speaking to be this: “Be sincere, be brief, be seated.”
Inspired words. And it changed the way I spoke publicly from then on. Keep it short. Keep it from the heart.
Men tend to think that they have to be funny, witty, or incisive onstage. You don’t. You just have to be honest. If you can be intimate and give the inside story--emotions, doubts, struggles, fears, the lot--then people will respond.
I went on to give thanks all around the world to some of the biggest corporations in business--and I always tried to live by that. Make it personal, and people will stand beside you.
As I started to do bigger and bigger events for companies, I wrongly assumed that I should, in turn, start to look much smarter and speak more “corporately.” I was dead wrong--and I learned that fast. When we pretend, people get bored.
But stay yourself, talk intimately, and keep the message simple, and it doesn’t matter what the hell you wear.
It does, though, take courage, in front of five thousand people, to open yourself up and say you really struggle with self-doubt. Especially when you are meant to be there as a motivational speaker.
But if you keep it real, then you give people something real to take away.
“If he can, then so can I” is always going to be a powerful message. For kids, for businessmen--and for aspiring adventurers.
I really am pretty average. I promise you. Ask Shara…ask Hugo.
I am ordinary, but I am determined.
I did, though--as the corporation started to pay me more--begin to doubt whether I was really worth the money. It all seemed kind of weird to me. I mean, was my talk a hundred times better now than the one I gave in the Drakensberg Mountains?
No.
But on the other hand, if you can help people feel stronger and more capable because of what you tell them, then it becomes worthwhile for companies in ways that are impossible to quantify.
If that wasn’t true, then I wouldn’t get asked to speak so often, still to this day.
And the story of Everest--a mountain, like life, and like business--is always going to work as a metaphor. You have got to work together, work hard, and go the extra mile. Look after each other, be ambitious, and take calculated, well-timed risks.
Give your heart to the goal, and it will repay you.
Now, are we talking business or climbing?
That’s what I mean.
”
”
Bear Grylls (Mud, Sweat and Tears)
“
A school bus is many things.
A school bus is a substitute for a limousine. More class. A school bus is a classroom with a substitute teacher. A school bus is the students' version of a teachers' lounge. A school bus is the principal's desk. A school bus is the nurse's cot. A school bus is an office with all the phones ringing. A school bus is a command center. A school bus is a pillow fort that rolls. A school bus is a tank reshaped- hot dogs and baloney are the same meat. A school bus is a science lab- hot dogs and baloney are the same meat. A school bus is a safe zone. A school bus is a war zone. A school bus is a concert hall. A school bus is a food court. A school bus is a court of law, all judges, all jury. A school bus is a magic show full of disappearing acts. Saw someone in half. Pick a card, any card. Pass it on to the person next to you. He like you. She like you. K-i-s-s-i . . . s-s-i-p-p-i is only funny on a school bus. A school bus is a stage. A school bus is a stage play. A school bus is a spelling bee. A speaking bee. A get your hand out of my face bee. A your breath smell like sour turnips bee. A you don't even know what a turnip bee is. A maybe not, but I know what a turn up is and your breath smell all the way turnt up bee. A school bus is a bumblebee, buzzing around with a bunch of stingers on the inside of it. Windows for wings that flutter up and down like the windows inside Chinese restaurants and post offices in neighborhoods where school bus is a book of stamps. Passing mail through windows. Notes in the form of candy wrappers telling the street something sweet came by. Notes in the form of sneaky middle fingers. Notes in the form of fingers pointing at the world zooming by. A school bus is a paintbrush painting the world a blurry brushstroke. A school bus is also wet paint. Good for adding an extra coat, but it will dirty you if you lean against it, if you get too comfortable. A school bus is a reclining chair. In the kitchen. Nothing cool about it but makes perfect sense. A school bus is a dirty fridge. A school bus is cheese. A school bus is a ketchup packet with a tiny hole in it. Left on the seat. A plastic fork-knife-spoon. A paper tube around a straw. That straw will puncture the lid on things, make the world drink something with some fizz and fight. Something delightful and uncomfortable. Something that will stain. And cause gas. A school bus is a fast food joint with extra value and no food. Order taken. Take a number. Send a text to the person sitting next to you. There is so much trouble to get into. Have you ever thought about opening the back door? My mother not home till five thirty. I can't. I got dance practice at four. A school bus is a talent show. I got dance practice right now. On this bus. A school bus is a microphone. A beat machine. A recording booth. A school bus is a horn section. A rhythm section. An orchestra pit. A balcony to shot paper ball three-pointers from. A school bus is a basketball court. A football stadium. A soccer field. Sometimes a boxing ring. A school bus is a movie set. Actors, directors, producers, script. Scenes. Settings. Motivations. Action! Cut. Your fake tears look real. These are real tears. But I thought we were making a comedy. A school bus is a misunderstanding. A school bus is a masterpiece that everyone pretends to understand. A school bus is the mountain range behind Mona Lisa. The Sphinx's nose. An unknown wonder of the world. An unknown wonder to Canton Post, who heard bus riders talk about their journeys to and from school. But to Canton, a school bus is also a cannonball. A thing that almost destroyed him. Almost made him motherless.
”
”
Jason Reynolds (Look Both Ways: A Tale Told in Ten Blocks)
“
Questions
When she asked me out for coffee,
I knew she was different.
Her words were funny but lonely.
Her eyes nervously asked questions.
I was looking into a murky well,
but I couldn't turn away.
Sometimes I wish I could take her away.
We could walk a beach sipping coffee,
and she'd laugh and feel really well
and not start crying. She'd be different.
No one would ask me questions
about being with someone so weird, lonely.
'Save me,' she whispers. It makes me lonely.
My life before that first day seems far away.
Her cutting habit scares me. I ask questions
so maybe she can say what hurts. I offer coffee
with lots of sugar and milk, something different.
She dries her smudged eyes, sighs, 'Oh, well.'
I wish we could hold hands by a rock well
and fling in her thorny wounds, fears, loneliness.
Maybe things with her will never be different.
Maybe I need to pack up and run far away,
but then tomorrow, alone, she'd drink bitter coffee
again, and I'd be asking myself what-if questions.
My counselor asks me confusing questions
about whether I can cure her, make her well,
and what if I hadn't gone out for that first coffee,
can I really save anyone but me. 'But she's so lonely,'
I say, 'and I love her and can't just turn away.'
I even pray that she'll wake up smiling, different.
My family says, 'Think of college, a new different
life, a clean start.' Maybe a roommate will question
my politics, sign us up for a trip to the mountains far away.
Can, should I, forget her, and focus just on me? Well,
I'd miss her too, digging into my skin, lonely
for what I provide, warmth and not just in the coffee.
People say I don't look well, I stopped coffee,
but the broken questions just replay, won't go away.
I want to be different even if I'm lonely.
”
”
Pat Mora (Dizzy in Your Eyes: Poems about Love)
“
Each day, Luna's ability to break rules in new and creative ways was an astonishment to all who knew her. She tried to ride the goats, tried to roll boulders down the mountain and into the side of the barn (for decoration, she explained), tried to teach the chickens to fly, and once almost drowned in the swamp. (Glerk saved her. Thank goodness.) She gave ale to the geese to see if it made them walk funny (it did) and put peppercorns in the goat's feed to see if it would make them jump (they didn't jump; they just destroyed the fence). Every day she goaded Fyrian into making atrocious choices or she played tricks on the poor dragon, making him cry. She climbed, hid, built, broke, wrote on the walls, and spoiled dresses when they had only just been finished. Her hair ratted, her nose smudged, and she left handprints wherever she went
”
”
Kelly Barnhill (The Girl Who Drank the Moon)
“
Once a plane crashed somewhere in the mountains, only a monkey who was traveling in the plane was left alive. Fortunately the monkey was intelligent enough to understand English and reply. The officials went to see the monkey in the hospital and had a talk with the monkey. Officer: “When the plane took off what were the travelers doing?” Monkey: “Tying their belts” Officer: “What were the air hostesses doing?” Monkey: “Saying Hello! Good morning!” Officer: “What were the pilots doing?” Monkey: “Checking the system” Officer: “What were you doing?” Monkey: “Looking for my people” Officer: “After 10 minutes what were the travelers doing?” Monkey: “Having beverages and snacks” Officer: “What were the air hostesses doing?” Monkey: “Serving the travelers” Officer: “What were the Pilots doing?” Monkey: “Handling the steering” Officer: “What were you doing?” Monkey: “Eating & throwing” Officer: “After 30 minutes what were the travelers doing?” Monkey: “Some were sleeping and some were reading” Officer: “What were the air hostesses ?” Monkey: “Make up” Officer: “What were the pilots doing?” Monkey: “Handling the steering” Officer: “What were you doing?” Monkey: “Nothing” Officer: “Just before plane crash what were the travelers doing?” Monkey: “All were sleeping” Officer: “What were the air hostesses doing?” Monkey: “Kissing the pilots” Officer: “What were the pilots doing?” Monkey: “Responding” Officer: “What were you doing?” Monkey: “Handling the steering !!!
”
”
Olav Laudy (4000 decent very funny jokes)
“
On the cuffs, she noted his initials, HEA, and laughed. “What’s so funny?” “Do you know what HEA stands for?” “Um, Hunter Elmer Abbott?” “In romance it stands for happily ever after.
”
”
Marie Force (And I Love Her (Green Mountain #4))
“
Her heart beat a funny staccato when he reached out to relieve her of the heavy computer bag. “I’ll carry that for you.” “Oh. Okay. Thanks.” Whew, is it hot in here or is it just me?
”
”
Marie Force (All You Need is Love (Green Mountain #1))
“
If this whole thing weren’t so ridiculous, it would be funny. Here he was crazy about a woman who was crazy about his brother who was crazy about someone else altogether. Funny, right? Yeah, not so much
”
”
Marie Force (I Want to Hold Your Hand (Green Mountain, #2))
“
Happiness can be as elusive as a small fish darting away in a mountain stream.
”
”
Ruskin Bond (Funny Side Up)
“
His eyebrows clematis craggy forehead like mountaineering caterpillars.
”
”
Mortal Engines
“
The man who moves a mountain begins by carrying away small stones. Confucius
”
”
M. Prefontaine (501 Quotes about Life: Funny, Inspirational and Motivational Quotes (Quotes For Every Occasion Book 9))
“
It’s very liberating."
"I’m sure it is for a wolf. But I’m no bitch"
"I’m not sure about that." Ro smirked.
"Okay. I’m not a howling bitch, how is that?
”
”
Paulina Ian-Kane (Wolf Down (Forsaken Mountain Series Book 1))
“
Couldn’t I, for once, fight in a field full of fragrant flowers with a small clean stream to wash the blood away after? I hated caked blood on my skin. Or a Chinese restaurant with steamed dumplings and Kung Pao chicken available for later? Food after a fight was always welcome.
”
”
Paulina Ian-Kane (Wolf Down (Forsaken Mountain Series Book 1))
“
You know what they say: to get over something, you need to get under someone.”
“I remember the saying differently. Plus if I do, I need to be on top of someone, Brutus.”
She raised her brow at me teasingly. Fuck, I wanted her. Top, bottom, side, upside down I didn’t give a damn.
”
”
Paulina Ian-Kane (Wolf Down (Forsaken Mountain Series Book 1))