Semantics Quotes

We've searched our database for all the quotes and captions related to Semantics. Here they are! All 100 of them:

Do you wish me a good morning, or mean that it is a good morning whether I want it or not; or that you feel good this morning; or that it is a morning to be good on?
J.R.R. Tolkien (The Hobbit (The Lord of the Rings, #0))
But these words people threw around - humans, monsters, heroes, villains - to Victor it was all just a matter of semantics. Someone could call themselves a hero and still walk around killing dozens. Someone else could be labeled a villain for trying to stop them. Plenty of humans were monstrous, and plenty of monsters knew how to play at being human.
V.E. Schwab (Vicious (Villains, #1))
He showed the words “chocolate cake” to a group of Americans and recorded their word associations. “Guilt” was the top response. If that strikes you as unexceptional, consider the response of French eaters to the same prompt: “celebration.
Michael Pollan (In Defense of Food: An Eater's Manifesto)
I penetrated the outer cell membrane with a nanosyringe." "You poked it with a stick?" "No!" I said. "Well. Yes. But it was a scientific poke with a very scientific stick.
Andy Weir (Project Hail Mary)
Human society as a whole is a vast brainwashing machine whose semantic rules and sex roles create a social robot.
Robert Anton Wilson (Prometheus Rising)
It is important to view knowledge as sort of a semantic tree -- make sure you understand the fundamental principles, ie the trunk and big branches, before you get into the leaves/details or there is nothing for them to hang on to.
Elon Musk
We are, all four of us, blood relatives, and we speak a kind of esoteric, family language, a sort of semantic geometry in which the shortest distance between any two points is a fullish circle.
J.D. Salinger (Franny and Zooey)
The pervert." "He prefers to think of himself as sexual deviant." "Semantics.
Ilona Andrews (Magic Strikes (Kate Daniels, #3))
Classifying thoughts, feelings and behaviors as diseases is a logical and semantic error, like classifying whale as fish.
Thomas Szasz
What I am trying to do when I use symbols is to awaken in your unconscious some reaction. I am very conscious of what I am using because symbols can be very dangerous. When we use normal language we can defend ourselves because our society is a linguistic society, a semantic society. But when you start to speak, not with words, but only with images, the people cannot defend themselves.
Alejandro Jodorowsky
If he'd had to judge based on the two of them, then ExtraOrdinaries were damaged, to say the least. But these words people threw around--humans, monsters, heroes, villains--to Victor it was all just a matter of semantics.
V.E. Schwab (Vicious (Villains, #1))
With his eyes and those hands there won't be a woman safe in all the world when he starts hunting after the ladies.' 'Courting, dear,' my father corrected gently. 'Semantics,' she shrugged.
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
There is so much I want to tell you, Ma. I was once foolish enough to believe knowledge would clarify, but some things are so gauzed behind layers of syntax and semantics, behind days and hours, names forgotten, salvaged and shed, that simply knowing the wound exists does nothing to reveal it. I don't know what I'm saying. I guess what I mean is that sometimes I don't know what or who we are. Days I feel like a human being, while other days I feel more like a sound. I touch the world not as myself but as an echo of who I was. Can you hear me yet? Can you read me?
Ocean Vuong (On Earth We're Briefly Gorgeous)
Looking but not seeing is the hearing but not understanding of the eye.
Mokokoma Mokhonoana
The objective level is not words, and cannot be reached by words alone. We must point our finger and be silent, or we will never reach this level.
Alfred Korzybski (Science and Sanity: An Introduction to Non-Aristotelian Systems and General Semantics)
There are only two things in the world: nothing and semantics.
Werner Erhard
The whole of language is a continuous process of metaphor, and the history of semantics is an aspect of the history of culture; language is at the same time a living thing and a museum of fossils of life and civilisations.
Antonio Gramsci (Selections from the Prison Notebooks)
I was once foolish enough to believe knowledge would clarify, but some things so gauzed behind layers of syntax and semantics, behind days and hours, names forgotten, salvaged and shed, that simply knowing the wound exists does nothing to reveal it.
Ocean Vuong (On Earth We're Briefly Gorgeous)
The seeding of Gaia gave us meaning, a germination of thought into shape. Seminal semantic semiology from the semen of the sky.
Stephen Fry (Mythos: The Greek Myths Retold (Stephen Fry's Great Mythology, #1))
I felt every level, graphemic, morphological, and semantic, and they all hurt.
Elif Batuman (The Idiot)
Where are we?” Nick shouted. “I don’t know, you’re the nautical one. I just piloted the boat out of the harbor.” “Pirated! You pirated it out of the harbor!” “Semantics.
Abigail Roux (Crash & Burn (Cut & Run, #9))
As the semantic engineer, your job is naming the parts and tightening nuts and bolts. I suggest you get back to your office and do that - right now!
John Sladek (The Steam-driven Boy)
I think that lesson was the most important: that none of us actually grow up. We get bigger, and older, but put of us always retains that small rabbit heart, trembling furiously, secretively, with wonder and fear. There's no irony in it. No semantics or subtext. Only red blood and green grass and silver stars
Leah Raeder (Unteachable)
I think back to my dream of the boy, because in it I find solace. I like that word. I'm going to make it my word of the year. There is just something about that boy that makes me feel like I belong. Belong. Long to be. Weird word, but semantics aside, it is up there with solace.
Melina Marchetta (On the Jellicoe Road)
Never underestimate the ridiculous things that have been done in the name of religious-semantic obscurity.
Kate Griffin (A Madness of Angels (Matthew Swift, #1))
Ambition’ is ‘greed’ rebranded.
Mokokoma Mokhonoana
Truth is a matter of semantics, whether we like it or not.
Michael Robotham (Suspect (Joseph O'Loughlin, #1))
I heard you're campaigning on my behalf." He walked over to me. "That wouldn't be because you'd miss me too much if I were gone,would it?" "Don't be absurd," I scoffed. "I don't condone murder, even for people like you." "People like me,huh?" He cocked an eyebrow. "You mean devilishly handsome, debonair young men who come to sweep rebellious princesses of their feet?" "You came to kidnap me, not sweep me off my feet," I said,but he waved his hand at the idea. "Semantics.
Amanda Hocking (Torn (Trylle, #2))
We must think things not words, or at least we must constantly translate our words into the facts for which they stand, if we are to keep to the real and the true.
Oliver Wendell Holmes Jr.
Nothing complements a fast mind better than a slow tongue. And nothing aggravates a slow mind better than a fast tongue.
Mokokoma Mokhonoana
Now, perhaps, we are in a better position to understand the abyss separating Sabina and Franz: he listened eagerly to the story of her life and she was equally eager to hear the story of his, but although they had a clear understanding of the logical meaning of the words they exchanged, they failed to hear the semantic susurrus of the river flowing through them.
Milan Kundera (The Unbearable Lightness of Being)
A map is not the territory it represents, but, if correct, it has a similar structure to the territory, which accounts for its usefulness.
Alfred Korzybski (Science and Sanity: An Introduction to Non-Aristotelian Systems and General Semantics)
Any proposition containing the word "is" creates a linguistic structural confusion which will eventually give birth to serious fallacies.
Alfred Korzybski
The rich are poor without the poor's acknowledgment of money.
Mokokoma Mokhonoana
In fact, if you look at the last four syllables of the word individuality, you will see that they spell duality. That’s not just a semantic accident.
Gary R. Renard (The Disappearance of the Universe: Straight Talk about Illusions, Past Lives, Religion, Sex, Politics, and the Miracles of Forgiveness)
Go home, Butch. I'm not going to do anything stupid." [Vishous to Butch] "Stupider, you mean." "Semantics are for shit.
J.R. Ward
In the morning I'm often anti-semantic.
John D. MacDonald (The Deep Blue Good-By (Travis McGee, #1))
Don't play semantic games with the prospect. Advertising is not a debate. It's a seduction.
Al Ries (Positioning: The Battle for Your Mind)
The purpose of abstracting is not to be vague, but to create a new semantic level in which one can be absolutely precise.
Edsger W. Dijkstra
When I was first aware that I had been laid low by the disease, I felt a need, among other things, to register a strong protest against the word "depression." Depression, most people know, used to be termed "melancholia," a word which appears in English as the year 1303 and crops up more than once in Chaucer, who in his usage seemed to be aware of its pathological nuances. "Melancholia" would still appear to be a far more apt and evocative word for the blacker forms of the disorder, but it was usurped by a noun with a blank tonality and lacking any magisterial presence, used indifferently to describe an economic decline or a rut in the ground, a true wimp of a word for such a major illness. It may be that the scientist generally held responsible for its currency in modern times, a Johns Hopkins Medical School faculty member justly venerated -- the Swiss-born psychiatrist Adolf Meyer -- had a tin ear for the finer rhythms of English and therefore was unaware of the semantic damage he had inflicted for such a dreadful and raging disease. Nonetheless, for over seventy-five years the word has slithered innocuously through the language like a slug, leaving little trace of its intrinsic malevolence and preventing, by its insipidity, a general awareness of the horrible intensity of the disease when out of control.
William Styron (Darkness Visible: A Memoir of Madness)
There's a scientific hypothesis that every person's name is a primary suggestive command that contains the entire script of their life in highly concentrated form. . . . According to this point of view, there is only a limited number of names, because society only needs a limited number of human types. Just a few models of worker and warrior ants, if I could put it like that. And everybody's psyche is preprogrammed at a basic level by the associative semantic fields that their first name and surname activate.
Victor Pelevin (The Sacred Book of the Werewolf)
Semantics is about the relation of words to thoughts, but it also about the relation of words to other human concerns. Semantics is about the relation of words to reality—the way that speakers commit themselves to a shared understanding of the truth, and the way their thoughts are anchored to things and situations in the world.
Steven Pinker (The Stuff of Thought: Language as a Window Into Human Nature)
The abuse of symbolism is like the abuse of food or drink: it makes people ill, and so their reactions become deranged.
Alfred Korzybski (Science and Sanity: An Introduction to Non-Aristotelian Systems and General Semantics)
People tend to overuse any idea or concept that delivers an emotional kick.
Chip Heath (Made to Stick: Why Some Ideas Survive and Others Die)
Faith is a continuum, and we each fall on that line where we may. By attempting to rigidly classify ethereal concepts like faith, we end up debating semantics to the point where we entirely miss the obvious-that is, that we are all trying to decipher life's big mysteries, and we're each following our own paths of enlightenment.
Dan Brown
I thought you were supposed to teach me, not try to kill me," I forced out through my sore throat. "Semantics." He flicked a glance at the clock and smirked, telling me with a look exactly how much damage he could do in the next four minutes.
Kelly Keaton (A Beautiful Evil (Gods & Monsters, #2))
Our rulers, who rule our symbols, and so rule a symbolic class of life, impose their own infantilism on our instituitions, educational methods, and doctrines. This leads to maladjustment of the incoming generations which, being born into, are forced to develop under the un-natural (for man) semantic conditions imposed on them. In turn, they produce leaders afflicted with the old animalistic limitations. The vicious circle is completed; it results in a general state of human un-sanity, reflected again in our instituitions. And so it goes, on and on.
Alfred Korzybski (Science and Sanity: An Introduction to Non-Aristotelian Systems and General Semantics)
You speak of yourself and others who were in your same position as objects." Boyd's eyebrows ticked up. "Isn't that what I am? I was merchandise there but now I'm back to being a tool. It's nothing but semantics.
Santino Hassell (Fade (In the Company of Shadows, #4))
Of the thousands of patients I have seen, only two or three have ever claimed to be unhappy: all the rest have said that they were depressed. This semantic shift is deeply significant, for it implies that dissatisfaction with life is itself pathological, a medical condition, which it is the responsibility of the doctor to alleviate by medical means. Everyone has a right to health; depression is unhealthy; therefore everyone has a right to be happy (the opposite of being depressed). This idea in turn implies that one’s state of mind, or one’s mood, is or should be independent of the way that one lives one’s life, a belief that must deprive human existence of all meaning, radically disconnecting reward from conduct. A ridiculous pas de deux between doctor and patient ensues: the patient pretends to be ill, and the doctor pretends to cure him. In the process, the patient is wilfully blinded to the conduct that inevitably causes his misery in the first place.
Theodore Dalrymple (Our Culture, What's Left Of It)
Ignorance is no excuse when once we know that ignorance is the only possible excuse.
Alfred Korzybski (Science and Sanity: An Introduction to Non-Aristotelian Systems and General Semantics)
An individual cannot be considered entirely sane if he is wholly ignorant of scientific method and structure of nature and so retains primitive semantic reactions.
Alfred Korzybski
There is so much I want to tell you, Ma. I was once foolish enough to believe knowledge would clarify, but some things are so gauzed behind layers of syntax and semantics, behind days and hours, names forgotten, salvaged and shed, that simply knowing the wound exists does nothing to reveal it.
Ocean Vuong (On Earth We're Briefly Gorgeous)
Whatever we may say will not be the objective level, which remains fundamentally un-speakable. Thus, we can sit on the object called 'a chair', but we cannot sit on the noise we made or the name we applied to that object.
Alfred Korzybski (Science and Sanity: An Introduction to Non-Aristotelian Systems and General Semantics)
Modernist discourse [...] incorporates semantic devices - such as the labeling of theism as 'religion' and naturalism as 'science' - that work to prevent a dangerous debate over fundamental assumptions from breaking out in the open.
Phillip E. Johnson (Reason in the Balance: The Case Against Naturalism in Science, Law Education)
The fallacy that Morley in his life of Gladstone asserts to be the greatest affliction of politicians; it is indeed a common plague of humanity. It is: The fallacy of attributing to one cause what is due to many causes.
Alfred Korzybski (Science and Sanity: An Introduction to Non-Aristotelian Systems and General Semantics)
Words are things. The words he is in possession of he cannot be deprived of. Their authority transcends his ignorance of their meaning.
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
The resulting texts always took a narrative term, enigmatic at first but ultimately explicit and often premonitory. The semantic distribution of these basic elements diverted them from their original meaning, thus revealing their real significance. Henceforth, every form of writing will consist of an operation of decoding, of contamination, and of sense perversion. All this because all language is essentially mystification, and everything is fiction.
Brion Gysin
I think most historians would agree that the part played by impulses of selfish, individual aggression in the holocausts of history was small; first and foremost, the slaughter was meant as an offering to the gods, to king and country, or the future happiness of mankind. The crimes of a Caligula shrink to insignificance compared to the havoc wrought by Torquemada. The number of victims of robbers, highwaymen, rapists, gangsters and other criminals at any period of history is negligible compared to the massive numbers of those cheerfully slain in the name of the true religion, just policy or correct ideology. Heretics were tortured and burnt not in anger but in sorrow, for the good of their immortal souls. Tribal warfare was waged in the purported interest of the tribe, not of the individual. Wars of religion were fought to decide some fine point in theology or semantics. Wars of succession dynastic wars, national wars, civil wars, were fought to decide issues equally remote from the personal self-interest of the combatants. Let me repeat: the crimes of violence committed for selfish, personal motives are historically insignificant compared to those committed ad majorem gloriam Dei, out of a self-sacrificing devotion to a flag, a leader, a religious faith or a political conviction. Man has always been prepared not only to kill but also to die for good, bad or completely futile causes. And what can be a more valid proof of the reality of the self-transcending urge than this readiness to die for an ideal?
Arthur Koestler (The Ghost in the Machine)
All our work, our whole life is a matter of semantics, because words are the tools with which we work, the material out of which laws are made, out of which the Constitution was written. Everything depends on our understanding of them.
Felix Frankfurter
Moreover, every language having a structure, by the very nature of language, reflects in its own structure that of the world as assumed by those who evolve the language. In other words, we read unconsciously into the world the structure of the language we use.
Alfred Korzybski (Science and Sanity: An Introduction to Non-Aristotelian Systems and General Semantics)
To make biological survival possible, Mind at Large has to be funnelled through the reducing valve of the brain and nervous system. What comes out at the other end is a measly trickle of the kind of consciousness which will help us to stay alive on the surface of this particular planet. To formulate and express the contents of this reduced awareness, man has invented and endlessly elaborated those symbol-systems and implicit philosophies which we call languages. Every individual is at once the beneficiary and the victim of the linguistic tradition into which he or she has been born -- the beneficiary inasmuch as language gives access to he accumulated records of other people's experience, the victim in so far as it confirms him in the belief that reduced awareness is the only awareness and as it be-devils his sense of reality, so that he is all too apt to take his concepts for data, his words for actual things.
Aldous Huxley (The Doors of Perception / Heaven and Hell)
Different ‘philosophies’ represent nothing but methods of evaluation, which may lead to empirical mis-evaluation if science and empirical facts are disregarded.
Alfred Korzybski (Science and Sanity: An Introduction to Non-Aristotelian Systems and General Semantics)
It is a sign of intellectual maturity to always crawl to conclusions.
Mokokoma Mokhonoana
The difference between "boundaries we set for ourselves" and "rules we place on someone else" might just seem like one of semantics, but it is profound. Rules tend to come from the idea that it's acceptable, or even desirable, for you to control someone else's behavior, or for someone else to control yours. Boundaries derive from the idea that the only person you really control is yourself.
Franklin Veaux (More Than Two: A practical guide to ethical polyamory)
Satan has certainly been the best friend the church has ever had, as he has kept it in business all these years. The false doctrine of Hell and the Devil has allowed the Protestant and Catholic Churches to flourish far too long. Without a devil to point their fingers at, religionists of the right hand path would have nothing with which to threaten their followers. "Satan leads you to temptation"; "Satan is the prince of evil"; "Satan is vicious, cruel, brutal," they warn. "If you give in to the temptations of the devil, you will surely suffer eternal damnation and roast in Hell." The semantic meaning of Satan is the "adversary" or "opposition" or the "accuser." The very word "devil" comes from the Indian devi which means "god." Satan represents opposition to all religions which serve to frustrate and condemn man for his natural instincts. He has been given an evil role simply because he represents the carnal, earthly, and mundane aspects of life.
Anton Szandor LaVey (The Satanic Bible)
There is absolutely nothing feminine about the colour pink, or, anything bad-luck'ish about the colour black — in itself.
Mokokoma Mokhonoana
The Greek word for "return" is nostos. Algos means "suffering." So nostalgia is the suffering caused by an unappeased yearning to return. To express that fundamental notion most Europeans can utilize a word derived from the Greek (nostalgia, nostalgie) as well as other words with roots in their national languages: añoranza, say the Spaniards; saudade, say the Portuguese. In each language these words have a different semantic nuance. Often they mean only the sadness caused by the impossibility of returning to one's country: a longing for country, for home. What in English is called "homesickness." Or in German: Heimweh. In Dutch: heimwee. But this reduces that great notion to just its spatial element. One of the oldest European languages, Icelandic (like English) makes a distinction between two terms: söknuour: nostalgia in its general sense; and heimprá: longing for the homeland. Czechs have the Greek-derived nostalgie as well as their own noun, stesk, and their own verb; the most moving, Czech expression of love: styska se mi po tobe ("I yearn for you," "I'm nostalgic for you"; "I cannot bear the pain of your absence"). In Spanish añoranza comes from the verb añorar (to feel nostalgia), which comes from the Catalan enyorar, itself derived from the Latin word ignorare (to be unaware of, not know, not experience; to lack or miss), In that etymological light nostalgia seems something like the pain of ignorance, of not knowing. You are far away, and I don't know what has become of you. My country is far away, and I don't know what is happening there. Certain languages have problems with nostalgia: the French can only express it by the noun from the Greek root, and have no verb for it; they can say Je m'ennuie de toi (I miss you), but the word s'ennuyer is weak, cold -- anyhow too light for so grave a feeling. The Germans rarely use the Greek-derived term Nostalgie, and tend to say Sehnsucht in speaking of the desire for an absent thing. But Sehnsucht can refer both to something that has existed and to something that has never existed (a new adventure), and therefore it does not necessarily imply the nostos idea; to include in Sehnsucht the obsession with returning would require adding a complementary phrase: Sehnsucht nach der Vergangenheit, nach der verlorenen Kindheit, nach der ersten Liebe (longing for the past, for lost childhood, for a first love).
Milan Kundera (Ignorance)
A poetic form is essentially a codified pattern of silence. We have a little silence at the end of a line, a bigger one at the end of a stanza, and a huge one at the end of the poem. The semantic weight of the poem tends to naturally distribute itself according to that pattern of silence, paying especial care to the sounds and meanings of the words and phrases that resonate into the little empty acoustic of the line-ending, or the connecting hallway of stanza-break, or the big church of the poem's end.
Don Paterson
I paid you five thousand instead and promised the balance only if you made the match. As it turns out, this is your lucky day because I've decided to write you the full check, whether the match comes from you or from Portia. As long as I have a wife and you've been part of the process, you'll get your money." He toasted her with his beer mug. "Congratulations." She put down her fork. "Why would you do that?" "Because it's efficient." "Not as efficient as having Powers handle her own introductions. You're paying her a fortune to do exactly that." "I'd rather have you." Her pulse kicked. "Why?" He gave her the melty smile he must have been practicing since the cradle, one that made her feel as though she was the only woman in the world. "Because you're easier to bully. Do we have a deal or not?" "You don't want a matchmaker. You want a lackey." "Semantics. My hours are erratic, and my schedule changes without warning. It'll be your job to cope with all that. You'll soothe ruffled feathers when I need to cancel at the last minute. You'll keep my dates company when I'm going to be late, entertain them if I have to take a call. If things are going well, you'll disappear. If not, you'll make the woman disappear. I told you before. I work hard at my job. I don't want to have to work hard at this, too." "Basically, you expect me to find your bride, court her, and hand her over at the altar. Or do I have to come on the honeymoon, too?" "Definitely not." He gave her a lazy smile. "I can take care of that all by myself.
Susan Elizabeth Phillips (Match Me If You Can (Chicago Stars, #6))
We live in a highly complex, technological world – and it's not entirely obvious what's right and what's wrong in any given situation, unless you can parse the situation, deconstruct it. People just don't have the insight to be able to do that very effectively.
Christopher Michael Langan
The sage does not become trapped in semantics, does not mistake map for territory, but rather "opens things up to the light of Heaven" by flowing with the words, by playing with the words. Once attuned to this flow, the sage need make no special effort to "illumine," for language does it by itself, spontaneously. Language spills over.
Hakim Bey
I am a firm believer that knowledge is power but only if it leads to comprehension.
David Amerland (Google Semantic Search: Search Engine Optimization (SEO) Techniques That Get Your Company More Traffic)
It is not what you meant to say, but it is what your saying meant.
Walter M. Miller Jr.
The reader must be reminded that it takes a good 'mind' to be 'insane'. Morons, imbeciles, and idiots are 'mentally' deficient, but could not be insane.
Alfred Korzybski (Science and Sanity: An Introduction to Non-Aristotelian Systems and General Semantics)
Photojournalism has frequently been lambasted for being the product of circumstance. In fact rarely are any of these images considered in terms of their composition and semantic intent. They are merely news, a happy intersection of event and opportunity. It hardly helps that photographs in general also take only a fraction of a second to acquire. It is incredible how so many people can constantly misread speed to mean ease. This is certainly most common where photography is concerned. However simply because anyone can buy a camera, shutter away, and then with a slightly prejudiced eye justify the product does not validate the achievement. Shooting a target with a rifle is accomplished with similar speed and yet because the results are so objective no one suggests that marksmanship is easy.
Mark Z. Danielewski (House of Leaves)
I detest love lyrics. I think one of the causes of bad mental health in the United States is that people have been raised on 'love lyrics'. You're a young kid and you hear all those 'love lyrics', right? Your parents aren't telling you the truth about love, and you can't really learn about it in school. You're getting the bulk of your 'behaviour norms' mapped out for you in the lyrics to some dumb fucking love song. It's a subconscious training that creates desire for an imaginary situation which will never exist for you. People who buy into that mythology go through life feeling that they got cheated out of something. What I think is very cynical about some rock and roll songs -- especially today -- is the way they say: "Let's make love." What the fuck kind of wussy says shit like that in the real world? You ought to be able to say "Let's go fuck", or at least "Let's go fill-in-the-blank" -- but you gotta say "Let's make love" in order to get on the radio. This creates a semantic corruption, by changing the context in which the word 'love' is used in the song. When they get into drooling about love as a 'romantic concept' -- especially in the lyrics of sensitive singer/songwriter types -- that's another shove in the direction of bad mental health. Fortunately, lyrics over the last five or six years have gotten to be less and less important, with 'art rock groups' and new wavers specializing in 'nonjudgemental' or 'purposely inconsequential' lyrics. People have stopped listening to the lyrics -- they are now only 'pitched mouth noises'.
Frank Zappa (The Real Frank Zappa Book)
Suppose ‘Heaven’ and ‘Hell’ are just other universes.” “Just other universes,” Eliza repeated, smiling. “And the Big Bang was just an explosion.” Dr. Chaudhary chuckled. “Is another universe bigger or smaller than the idea of God? Does it matter? If there is a sphere where ‘angels’ dwell, is it a matter of semantics, whether we choose to call it Heaven?” “No,” Eliza replied, swiftly and firmly, a bit to her own surprise. “It isn’t a matter of semantics. It’s a matter of motive.” “I beg your pardon?” Dr. Chaudhary gave her a quizzical look. Something in Eliza’s tone had hardened. “What do they want?” she asked. “I think that’s the bigger question. They came from somewhere.” There is another universe. “And if that somewhere has nothing to do with ‘God’ ”—It doesn’t.—“then they’re acting on their own behalf. And that’s scary.
Laini Taylor (Dreams of Gods & Monsters (Daughter of Smoke & Bone, #3))
For too long, we have overemphasised the external aspect of choices (our options) and underemphasised our internal ability to choose (our actions). This is more than semantics. Think about it this way. Options (things) can be taken away, while our core ability to choose (free will) cannot be. The ability to choose cannot be taken away or even given away – it can only be forgotten.
Greg McKeown (Essentialism: The Disciplined Pursuit of Less)
What luck! If the theories of Epictetus, Karen Horney (who first talked about the “tyranny of the shoulds”), Alfred Korzybski (the founder of general semantics), and REBT are correct, you almost always bring on your emotional problems by rigidly adopting one of the basic methods of crooked thinking—musturbation. Therefore, if you understand how you upset yourself by slipping into irrational shoulds, oughts, demands, and commands, unconsciously sneaking them into your thinking, you can just about always stop disturbing yourself about anything.
Albert Ellis (How To Stubbornly Refuse To Make Yourself Miserable About Anything – Yes, Anything!)
Terrorism" is a word with little content - it is a label for brutalities committed by "the enemy", and from which one's own acts of destruction are exempted. It is an inchoate and emotionally laden concept, a semantic mirror of our dishonesty and a repository for everything about war that we would like to disavow. Making a sharp distinction between war and terrorism is at best a self-deceptive game.
David Livingstone Smith (The Most Dangerous Animal: Human Nature and the Origins of War)
It seemed to a number of philosophers of language, myself included, that we should attempt to achieve a unification of Chomsky's syntax, with the results of the researches that were going on in semantics and pragmatics. I believe that this effort has proven to be a failure. Though Chomsky did indeed revolutionize the subject of linguistics, it is not at all clear, at the end the century, what the solid results of this revolution are. As far as I can tell there is not a single rule of syntax that all, or even most, competent linguists are prepared to agree is a rule.
John Rogers Searle
The archetype of the witch is long overdue for celebration. Daughters, mothers, queens, virgins, wives, et al. derive meaning from their relation to another person. Witches, on the other hand, have power on their own terms. They have agency. They create. They praise. They commune with nature/ Spirit/God/dess/Choose-your-own-semantics, freely, and free of any mediator. But most importantly: they make things happen. The best definition of magic I’ve been able to come up with is “symbolic action with intent" — “action" being the operative word. Witches are midwives to metamorphosis. They are magical women, and they, quite literally, change the world.
Pamela J. Grossman
Kevyn, Ennesby tells me you are building a time machine. Actually I'm finished. In one afternoon? Wow... Does it work? After a fashion. ... I put a whole lot of energy into it, and the next thing I knew it was time for dinner. -Captain Tagon & Commander Andreyasn
Howard Tayler (The Tub of Happiness (Schlock Mercenary, #1))
In Unistat, due to the strong encouragement of individualistic third-and fourth-circuit (semantic-moral) functions, slavery had grown so repugnant that it was formally “abolished” within a century after the formation of the pack constitution; it lingered on through inertia in the form of “wage slavery,” which required that all primates not born into the sixty families that “owned” almost everything would have to “work” for those families or their corporations in order to get the tickets (called “money”) which were necessary for survival.
Robert Anton Wilson (Schrödinger's Cat Trilogy)
The demon say’s “Do you view sexual acts between individuals of the same gender to be an abomination?”… “Do you approve,” the demon says, “of marriage between individuals of differing racial backgrounds?” The demon continues without hesitation, asking, “Should the Zionist state of Israel be allowed to exist?” Question after question, I’m stumped. Even fingers crossed. The paradox: Is God a racist, homophobic, anti-semantic ass? Or is God testing to see if I am?
Chuck Palahniuk
Get a degree in mechanical engineering, Hiro. Get a pilot’s license, Hiro. Learn meditation and hypnosis, Hiro. Slip your roommate out of prison, Hiro. Drive thousands of clones and humans around in space, Hiro. Sit on your butt for four hundred years, Hiro.’ That’s what they told me. Not once did they say, Get shot and chased and stabbed by crazed crewmates, Hiro!” “To be fair, you were one of the people doing the chasing, crazed at the time too,” Maria said. “Semantics,” he said.
Mur Lafferty (Six Wakes)
I’m not saying you did anything,” said Sandow mildly. “I’m just saying by dint of what you are, you may have brought this on.” Dawes crossed her arms. “That sounds a lot like She was asking for it, Dean Sandow.” Alex couldn’t quite believe what she was hearing. Pamela Dawes disagreeing with Dean Sandow. On her behalf. Sandow set his mug down with a clatter. “That’s certainly not what I meant to imply.” “But that is the implication,” said Dawes in a voice Alex had never heard her use before, clear and incisive. Her eyes were cold. “Alex has indicated her own concerns regarding her assault, and instead of hearing her out, you’ve chosen to question her credibility. You may not have meant to imply anything, but the intent and the effect were to silence her, so it’s hard not to think this stinks of victim blaming. It’s the semantic equivalent of saying her skirt was too short.
Leigh Bardugo (Ninth House (Alex Stern, #1))
For my present purpose I require a word which shall embrace both the Sub-Creative Art in itself, and a quality of strangeness and wonder in the Expression, derived from the Image: a quality essential to fairy-story. I propose, therefore, to arrogate to myself the powers of Humpty-Dumpty, and to use Fantasy for this purpose: in a sense, that is, which combines with its older and higher use as an equivalent of Imagination the derived notions of 'unreality' (that is, of unlikeness to the Primary World), of freedom from the dominion of 'observed fact,' in short of the fantastic. I am thus not only aware but glad of the etymological and semantic connexions of fantasy with fantastic: with images of things that are not only 'not actually present,' but which are indeed not to be found in our primary world at all, or are generally believed not to be found there. But while admitting that, I do not assent to the depreciative tone. That the images are of things not in the primary world (if that indeed is possible) is, I think, not a lower but a higher form of Art, indeed the most nearly pure form, and so (when achieved) the most Potent. Fantasy, of course, starts out with an advantage: arresting strangeness. But that advantage has been turned against it, and has contributed to its disrepute. Many people dislike being 'arrested.' They dislike any meddling with the Primary World, or such small glimpses of it as are familiar to them. They, therefore, stupidly and even maliciously confound Fantasy with Dreaming, in which there is no Art; and with mental disorders, in which there is not even control; with delusion and hallucination. But the error or malice, engendered by disquiet and consequent dislike, is not the only cause of this confusion. Fantasy has also an essential drawback: it is difficult to achieve. . . . Anyone inheriting the fantastic device of human language can say the green sun. Many can then imagine or picture it. But that is not enough -- though it may already be a more potent thing than many a 'thumbnail sketch' or 'transcript of life' that receives literary praise. To make a Secondary World inside which the green sun will be credible, commanding Secondary Belief, will probably require labour and thought, and will certainly demand a special skill, a kind of elvish craft. Few attempt such difficult tasks. But when they are attempted and in any degree accomplished then we have a rare achievement of Art: indeed narrative art, story-making in its primary and most potent mode.
J.R.R. Tolkien
...i have in all honesty believed that two people with similar names must have similar characters, that an unfamiliar word - be it Turkish or foreign - must be semantically similar to a word spelt like it, that the soul of a dimpled woman must carry something of the soul of another dimpled woman i knew before, that all fat people are the same, that all poor people belong to a fraternity about which i know nothing, that there must be a link between peas and Brazil - not just because Brazil is Breziliya in Turkish and the word for pea is bezelye but also because the Brazilian flag has, it seems, an enormous pea on it....
Orhan Pamuk (Istanbul: Memories and the City)
Moreover, we look in vain to philosophy for the answer to the great riddle. Despite its noble purpose and history, pure philosophy long ago abandoned the foundational questions about human existence. The question itself is a reputation killer. It has become a Gorgon for philosophers, upon whose visage even the best thinkers fear to gaze. They have good reason for their aversion. Most of the history of philosophy consists of failed models of the mind. The field of discourse is strewn with the wreckage of theories of consciousness. After the decline of logical positivism in the middle of the twentieth century, and the attempt of this movement to blend science and logic into a closed system, professional philosophers dispersed in an intellectual diaspora. They emigrated into the more tractable disciplines not yet colonized by science – intellectual history, semantics, logic, foundational mathematics, ethics, theology, and, most lucratively, problems of personal life adjustment. Philosophers flourish in these various endeavors, but for the time being, at least, and by a process of elimination, the solution of the riddle has been left to science. What science promises, and has already supplied in part, is the following. There is a real creation story of humanity, and one only, and it is not a myth. It is being worked out and tested, and enriched and strengthened, step by step. (9-10)
Edward O. Wilson (The Social Conquest of Earth)
Both ignorance and the old metaphysics tend to produce these undesirable nervous effects of reversed order and so non-survival evaluation. If we use the nervous ystem in a way which is against its survival structure, we must expect non-survival. Human history is short, but already we have astonishing records of extinction.
Alfred Korzybski (Science and Sanity: An Introduction to Non-Aristotelian Systems and General Semantics)
If a mathematician wishes to disparage the work of one of his colleagues, say, A, the most effective method he finds for doing this is to ask where the results can be applied. The hard pressed man, with his back against the wall, finally unearths the researches of another mathematician B as the locus of the application of his own results. If next B is plagued with a similar question, he will refer to another mathematician C. After a few steps of this kind we find ourselves referred back to the researches of A, and in this way the chain closes.
Alfred Tarski
We humans, through old habits, and because of the inherent structure of human knowledge have a tendency to make static, definite, and, in a way, absolutistic one-valued statements. But when we fight absolutism, we quite often establish, instead, some other dogma equally silly and harmful. For instance, an active atheist is psycho-logically as unsound as a rabid theist.
Alfred Korzybski (Science and Sanity: An Introduction to Non-Aristotelian Systems and General Semantics)
Words accrue and lose meaning through a semantic mobility dependent on the community in which they thrive, and these meanings cannot be divorced from bodily sensation and emotion. Slang emerges among a circle of speakers. Irony requires double consciousness, reading one meaning and understanding another. Elegant prose involves a feeling for the rhythms and the music of sentences, a product of the sensual pleasure a writer takes in the sounds of words and the varying metric beats of sentences. Creative translation must take all this into account. If a meaning is lost in one sentence, it might be gained or added to the next one. Such considerations are not strictly logical. They do not involve a step-by-step plan but come from the translator’s felt understanding of the two languages involved. Rodney
Siri Hustvedt (A Woman Looking at Men Looking at Women: Essays on Art, Sex, and the Mind)
As always when he worked with this much concentration he began to feel a sense of introverting pressure. There was no way out once he was in, no genuine rest, no one to talk to who was capable of understanding the complexity (simplicity) of the problem or the approaches to a tentative solution. There came a time in every prolonged effort when he had a moment of near panic, or "terror in a lonely place," the original semantic content of the word. The lonely place was his own mind. As a mathematician he was free from subjection to reality, free to impose his ideas and designs on his own test environment. The only valid standard for his work, its critical point (zero or infinity), was the beauty it possessed, the deft strength of his mathematical reasoning. THe work's ultimate value was simply what it revealed about the nature of his intellect. What was at stake, in effect, was his own principle of intelligence or individual consciousness; his identity, in short. This was the infalling trap, the source of art's private involvement with obsession and despair, neither more nor less than the artist's self-containment, a mental state that led to storms of overwork and extended stretches of depression, that brought on indifference to life and at times the need to regurgitate it, to seek the level of expelled matter. Of course, the sense at the end of a serious effort, if the end is reached successfully, is one of lyrical exhilaration. There is air to breathe and a place to stand. The work gradually reveals its attachment to the charged particles of other minds, men now historical, the rediscovered dead; to the main structure of mathematical thought; perhaps even to reality itself, the so-called sum of things. It is possible to stand in time's pinewood dust and admire one's own veronicas and pavanes.
Don DeLillo (Ratner's Star)
Brain scans prove that patients who’ve sustained significant childhood trauma have brains that look different from people who haven’t. Traumatized brains tend to have an enlarged amygdala—a part of the brain that is generally associated with producing feelings of fear. Which makes sense. But it goes further than that: For survivors of emotional abuse, the part of their brain that is associated with self-awareness and self-evaluation is shrunken and thin. Women who’ve suffered childhood sexual abuse have smaller somatosensory cortices—the part of the brain that registers sensation in our bodies. Victims who were screamed at might have an altered response to sound. Traumatized brains can result in reductions in the parts of the brain that process semantics, emotion and memory retrieval, perceiving emotions in others, and attention and speech. Not getting enough sleep at night potentially affects developing brains’ plasticity and attention and increases the risk of emotional problems later in life. And the scariest factoid, for me anyway: Child abuse is often associated with reduced thickness in the prefrontal cortex, the part of the brain associated with moderation, decision-making, complex thought, and logical reasoning. Brains do have workarounds. There are people without amygdalae who don’t feel fear. There are people who have reduced prefrontal cortices who are very logical. And other parts of the brain can compensate, make up the lost parts in other ways. But overall, when I looked at the breadth of evidence, the results felt crushing. The fact that the brain’s cortical thickness is directly related to IQ was particularly threatening to me. Even if I wasn’t cool, or kind, or personable, I enjoyed the narrative that I was at least effective. Intelligent. What these papers seemed to tell me is that however smart I am, I’m not as smart as I could have been had this not happened to me. The questions arose again: Is this why my pitches didn’t go through? Is this why my boss never respected me? Is this why I was pushed to do grunt work in the back room?
Stephanie Foo (What My Bones Know: A Memoir of Healing from Complex Trauma)
Existem várias maneiras de destruir um assunto, de deteriorar a realidade até não sobrar coisa nenhuma. Passa-se com as palavras o mesmo que com as coisas: quantas mais vezes as proferimos menos substância têm, as palavras e as coisas, porque as palavras podem tirar ou roubar às coisas o seu sentido. [...] Imagina agora o que acontece quando as palavras se reportam somente a si próprias. As palavras Deus ou Amor, por exemplo. Imagina o género de esvaziamento que acontece quando as usamos de maneira desenfreada e as pronunciamos milhares ou milhões de vezes todos os dias. 'Amo-te'. 'Amo-te'. 'Amo-te'. 'Meu Deus'. 'Meu Deus'. 'Meu Deus'. Palavras que não têm qualquer referente no mundo que lhes devolva o sentido. Palavras que são somente isso: a junção aleatória de vogais e consoantes; e, contudo, palavras que movem montanhas.
João Tordo (Anatomia dos Mártires)
I sit in the center row of the SUV, fuming on the way back to the hotel. “Can I offer you a bit of advice, Prince Nicholas?” Tommy asks. I may have been mumbling out loud. “Shut up, Tommy,” Logan says from the driver’s seat... “It’s all right.” I meet Tommy’s light brown eyes in the rearview mirror, where he sits behind me. “Offer away.” He scratches his head. “I think the lass was embarrassed.” “Embarrassed?” “Aye. It’s like my younger sister, Janey. She’s a good-looking girl, but one day she had a zit on her forehead that was so big it made her look like a dickicorn. And she was walking—” James, in the front passenger seat, reads my mind. “What the fuck is a dickicorn?” “It’s an expression,” Tommy explains. James angles around to look at Tommy, his blue eyes crinkled. “An expression for what?” “For…someone with something big coming out o’ their forehead that looks like a cock.” “Wouldn’t it be a unicock, then?” James wonders. “For Christ’s sake,” Logan cuts in. “Would you forget about the fuckin’ unicorn or dickicock or whatever the hell it is—” “It doesn’t make any sense!” James argues. “—and let Tommy finish his story? We’re never gonna hear the end at this rate.” James throws up his hands, grumbling. “Fine. But it still doesn’t make any sense.” For the record, my semantic vote goes to unidick
Emma Chase (Royally Screwed (Royally, #1))
... everything based on arguments involving the ''is'' of identidy and the older el (elementalistic) 'logic' and 'psychology', such as the prevailing doctrines, laws, institutions, systems. , cannot possibly be in full accordance with the structure of our nervous system. This, in turn, affects the latter and results in the prevailing private and public un-sanity. Hence, the unrest, unhappines, nervous strain, irritability, lack of wisdom and absence of balance, the instability of our instituitions, the wars and revolutions, the increase of ''mental ills, prostitution, criminality, commercialism as a creed, the inadequate standards of education, the low professional standards of lawyers, priests, politicians, physicians, teachers, parents, and even of scientists - which in the last-named field often lead to dogmatic and antisocial attitudes and lack of creativeness.
Alfred Korzybski (Science and Sanity: An Introduction to Non-Aristotelian Systems and General Semantics)
As a result of the work done by all these stratifying force in language, there are no "neutral" words and forms - words and forms that can belong to "no one"; language has been completely taken over, shot through with intentions and accents. For any individual consciousness living in it, language is not an abstract system of normative forms, but rather a concrete heteroglot conception of the world. All words have the "taste" of a profession, a genre, a tendency, a party, a particular work, a particular person, a generation, an age group, the day and hour. Each word tastes of the context and contexts in which it has lived it socially charged life; all words and forms are populated by intentions. Contextual overtones (generic, tendentious, individualistic) are inevitable in the word. As a living, socio-ideological concrete thing, as heteroglot opinion, language, for the individual consciousness, lies on the borderline between oneself and the other. The word in language is half someone else's. It becomes "one's own" only when the speaker populates it with his own intention, his own accent, when he appropriates the word, adapting it to his own semantic and expressive intention. Prior to this moment of appropriation, the word does not exist in a neutral and impersonal language (it is not, after all, out of a dictionary that the speaker gets his words!), but rather it exists in other people's mouths, in other people's contexts, serving other people's intentions: it is from there that one must take the word, and make it one's own. And not all words for just anyone submit equally easy to this appropriation, to this seizure and transformation into private property: many words stubbornly resist, others remain alien, sound foreign in the mouth of the one who appropriated them and who now speaks them; they cannot be assimilated into his context and fall out of it; it is as if they put themselves in quotation marks against the will of the speaker. Language is not a neutral medium that passes freely and easily into the private property of the speaker's intentions; it is populated - overpopulated - with the intentions of others. Expropriating it, forcing it to submit to one's own intentions and accents, is a difficult and complicated process.
Mikhail Bakhtin