Purely Sensual Visions Quotes

The extremists had declared jihad against anyone and anything that challenged their vision of a pure Islamic society, and these artifacts - treatises about logic, astrology, and medicine, paeans to music, poems idealizing romantic love - represented five hundred years of human joy. They celebrated the sensual and the secular, and they bore the explicit message that humanity, as well as God, was capable of creating beauty. They were monumentally subversive.

The Dying Man" in memoriam W.B. Yeats 1. His words I heard a dying man Say to his gathered kin, “My soul’s hung out to dry, Like a fresh salted skin; I doubt I’ll use it again. “What’s done is yet to come; The flesh deserts the bone, But a kiss widens the rose I know, as the dying know Eternity is Now. “A man sees, as he dies, Death’s possibilities; My heart sways with the world. I am that final thing, A man learning to sing. 2. What Now? Caught in the dying light, I thought myself reborn. My hand turn into hooves. I wear the leaden weight Of what I did not do. Places great with their dead, The mire, the sodden wood, Remind me to stay alive. I am the clumsy man The instant ages on. I burned the flesh away, In love, in lively May. I turn my look upon Another shape than hers Now, as the casement blurs. In the worst night of my will, I dared to question all, And would the same again. What’s beating at the gate? Who’s come can wait. 3. The Wall A ghost comes out of the unconscious mind To grope my sill: It moans to be reborn! The figure at my back is not my friend; The hand upon my shoulder turns to horn. I found my father when I did my work, Only to lose myself in this small dark. Though it reject dry borders of the seen, What sensual eye can keep and image pure, Leaning across a sill to greet the dawn? A slow growth is a hard thing to endure. When figures our of obscure shadow rave, All sensual love’s but dancing on a grave. The wall has entered: I must love the wall, A madman staring at perpetual night, A spirit raging at the visible. I breathe alone until my dark is bright. Dawn’s where the white is. Who would know the dawn When there’s a dazzling dark behind the sun. 4. The Exulting Once I delighted in a single tree; The loose air sent me running like a child– I love the world; I want more than the world, Or after image of the inner eye. Flesh cries to flesh, and bone cries out to bone; I die into this life, alone yet not alone. Was it a god his suffering renewed?– I saw my father shrinking in his skin; He turned his face: there was another man, Walking the edge, loquacious, unafraid. He quivered like a bird in birdless air, Yet dared to fix his vision anywhere. Fish feed on fish, according to their need: My enemies renew me, and my blood Beats slower in my careless solitude. I bare a wound, and dare myself to bleed. I think a bird, and it begins to fly. By dying daily, I have come to be. All exultation is a dangerous thing. I see you, love, I see you in a dream; I hear a noise of bees, a trellis hum, And that slow humming rises into song. A breath is but a breath: I have the earth; I shall undo all dying with my death. 5. They Sing, They Sing All women loved dance in a dying light– The moon’s my mother: how I love the moon! Out of her place she comes, a dolphin one, Then settles back to shade and the long night. A beast cries out as if its flesh were torn, And that cry takes me back where I was born. Who thought love but a motion in the mind? Am I but nothing, leaning towards a thing? I scare myself with sighing, or I’ll sing; Descend O gentlest light, descend, descend. I sweet field far ahead, I hear your birds, They sing, they sing, but still in minor thirds. I’ve the lark’s word for it, who sings alone: What’s seen recededs; Forever’s what we know!– Eternity defined, and strewn with straw, The fury of the slug beneath the stone. The vision moves, and yet remains the same. In heaven’s praise, I dread the thing I am. The edges of the summit still appall When we brood on the dead or the beloved; Nor can imagination do it all In this last place of light: he dares to live Who stops being a bird, yet beats his wings Against the immense immeasurable emptiness of things.

The difference between mystics and saints is that the former stop at an inner vision, while the latter put it into practice. Saintliness suffers the consequences of mysticism, especially on the ethical side. A saint is a mystic, a mystic may not be a saint. Charity is not a necessary attribute of mysticism; but we cannot conceive of saintliness without it. Ethics plus mysticism gives birth to the intriguing phenomenon of sainthood. The mystics cultivate a heavenly sensuality, a voluptuousness born of their intercourse with the sky; only saints take on their shoulders the load of others, the suffering of unknown people; only they act. Compared to the pure mystic, the saint is a politician. Next to the mystic, the saint is the most active of men. Yet their troubled lives are not biographies because the are one-dimensional, variations on a single theme: absolute passion. 'The mystic is a man who tells you about your mystery while you remain silent.

Her words died away when she felt the heat of his mouth, the slow, sensual strokes of his tongue, the rub of his unshaven jaw against the soft skin of her inner thigh. Her pulse hammered and she sank her fingers into his scalp, holding him in place. He took his time, stoking her desire with a steady seduction, licking, teasing, his tongue everywhere except where she needed it to go. She sank against the door, gave herself over to the long, liquid wave of pleasure, the firm grip of his hands on her thighs, the exquisite sensation of his tongue sliding over her most sensitive spot. When he slid a thick finger deep inside her, and then another, she moaned, certain the ground was quaking beneath her feet. His mouth went from light and gentle to hot and demanding, and she rocked her hips against him, trying to soothe the wicked ache between her thighs. She came in a rush, fisting his hair, her vision narrowing, breath lost to the exquisite pleasure of giving her body over to pure physical sensation.

To lead the soul through ascetic praxis to erotic ecstasy was the aim of Platonic spirituality, described immortally by Plotinus: 'Exulting like Bacchus ... straining upwards, ... and longing to break away from the body ... are emotions of souls under the spel of love .... The ancients teach that ... every virtue ... is purification .... In the soul's becoming a good and beautiful thing is its becoming like God.... Therefore we must ascend again towards the Good, the desired of every soul ... until, passing on the upward way all that is other than God, each in the solitude of himself shall behold that solitary-dwelling Existence, the Apart, the Unmingled, the Pure .... And one that shall know this vision - with what passion of love shall he not be seized, with what pang of desire, what longing to be molten into one with This, what wondering delight?' Despite the sensual language, love's proper object is immaterial, and eros must escape the world in order to meld with the One.