Olivia Twelfth Night Quotes

We've searched our database for all the quotes and captions related to Olivia Twelfth Night. Here they are! All 10 of them:

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Many a good hanging prevents a bad marriage.
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William Shakespeare (Twelfth Night)
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What's a drunken man like, fool? Feste: Like a drowned man, a fool, and a madman: one draught above heat makes him a fool; the second mads him; and a third drowns him.
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William Shakespeare (Twelfth Night)
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Where lies your text? Viola: In Orsino's bosom. Olivia: In his bosom! In what chapter of his bosom? Viola: To answer by the method, in the first of his heart.
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William Shakespeare (Twelfth Night)
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I do I know not what, and fear to find Mine eye too great a flatterer for my mind. Fate, show thy force. Ourselves we do not owe. What is decreed must be; and be this so.
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William Shakespeare (Twelfth Night)
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Good madonna, give me leave to prove you a fool.
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William Shakespeare (Twelfth Night)
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O, when mine eyes did see Olivia first, Methought she purged the air of pestilence! That instant was I turn'd into a hart; And my desires, like fell and cruel hounds, E'er since pursue me.
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William Shakespeare (Twelfth Night)
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In his bosom? In what chapter of his bosom? In his heart? In what chapter and verse of his heart? VIOLA (200) To answer by the method, in the first of his heart. To continue this metaphorβ€”in the first chapter of his heart. OLIVIA Oh, I have read it. It is heresy. Have you no more to say? Oh, I have read that. It's not a holy message, it's heresy. Do you
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William Shakespeare (Twelfth Night (The Modern Shakespeare: The Original Play with a Modern Translation))
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Stay, I prithee tell me what thou think'st of me. Viola: That you do think you are not what you are. Olivia: If I think so, I think the same of you. Viola: Then think you right; I am not what I am. Olivia: I would you were as I would have you be. Viola: Would it be better, madam, than I am? I wish it might, for now I am your fool.
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William Shakespeare (Twelfth Night)
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I left no ring with her. What means this lady? Fortune forbid my outside have not charmed her. She made good view of me; indeed, so much That, as methought, her eyes had lost her tongue, For she did speak in starts distractedly. She loves me sure; the cunning of her passion Invites me in this churlish messenger. None of my lord's ring? Why, he sent her none. I am the man. If it be so, as 'tis, Poor lady, she were better love a dream. Disguise, I see thou art a wickedness Wherein the pregnant enemy does much. How easy is it for the proper false In women's waxen hearts to set their forms! Alas, our frailty is the cause, not we, For such as we are made of, such we be. How will this fadge? My master loves her dearly; And I (poor monster) fond as much on him; And she (mistaken) seems to dote on me. What will become of this? As I am man, My state is desperate for my master's love. As I am woman (now alas the day!), What thriftless sighs shall poor Olivia breathe? O Time, thou must untangle this, not I; It is too hard a knot for me t' untie.
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William Shakespeare
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Thus in Twelfth Night the fact that Malvolio is called demon-possessed, and is associated with the devil over and over again, points to his thematic role in the play. Like Satan, he is sick with self-love, falling by the force of his own gravity, as Chesterton said. Of course, Malvolio is a comic devil, not nearly so threatening as Iago or Shylock, but he is a devil nonetheless. And his devilry is manifest particularly in his desire to end the gaiety of Olivia’s house. Here especially the title of the play comes into its own. Twelfth Night is named for the last night of the Christmas season, the final celebration of the Incarnation. It is a night for carnival, for suspension of the serious and structured. Malvolio wants to stop the merriment, and so it is fitting that he is ultimately excluded from it. But more: Malvolio is not only excluded from the comic climax of the play. He is excluded and overcome through trickery, practical joking, mirth. Satan digs a pit for the merry, but Satan falls into the very pit of merriment. And it tortures him forever. In the final analysis, that is the practical import of all that has been said in this little book: the joy of Easter, the joy of resurrection, the joy of trinitarian life does not simply offer an alternative β€œworldview” to the tragic self-inflation of the ancients. Worked out in the joyful life of the Christian church, deep comedy is the chief weapon of our warfare. For in the joy of the Lord is our strength, and Satan shall be felled with β€œcakes and ale” and midnight revels.
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Peter J. Leithart (Deep Comedy: Trinity, Tragedy, & Hope In Western Literature)