“
And so with the sunshine and the great bursts of leaves growing on the trees, just as things grow in fast movies, I had that familiar conviction that life was beginning over again with the summer.
”
”
F. Scott Fitzgerald (The Great Gatsby)
“
The early summer sky was the color of cat vomit.
”
”
Scott Westerfeld (Uglies (Uglies, #1))
“
I love New York on summer afternoons when everyone's away. There's something very sensuous about it - overripe, as if all sorts of funny fruits were going to fall into your hands.
”
”
F. Scott Fitzgerald (The Great Gatsby)
“
We can't possibly have a summer love. So many people have tried that the name's become proverbial. Summer is only the unfulfilled promise of spring, a charlatan in place of the warm balmy nights I dream of in April. It's a sad season of life without growth...It has no day.
”
”
F. Scott Fitzgerald (This Side of Paradise)
“
Some people are meant to fall in love with each other, but not meant to be together.
”
”
Scott Neustadter ((500) Days of Summer: The Shooting Script)
“
I wish we could spend July by the sea, browning ourselves and feeling water-weighted hair flow behind us from a dive. I wish our gravest concerns were the summer gnats. I wish we were hungry for hot dogs and dopes, and it would be nice to smell the starch of summer linens and the faint odor of talc in blistering summer bath houses ... We could lie in long citoneuse beams of the five o'clock sun on the plage at Juan-les-Pins and hear the sound of the drum and piano being scooped out to sea by the waves.
”
”
Zelda Fitzgerald (Dear Scott, Dearest Zelda: The Love Letters of F. Scott and Zelda Fitzgerald)
“
Summer is only the unfulfilled promise of spring, a charlatan in place of the warm balmy nights I dream of in April. It’s a sad season of life without growth…It has no day.
”
”
F. Scott Fitzgerald (This Side of Paradise)
“
The early summer sky was the color of cat vomit. Of course, Tally thought, you’d have to feed your cat only salmon-flavored cat food for a while, to get the pinks right.
”
”
Scott Westerfeld (Uglies (Uglies, #1))
“
And then, one fairy night, May became June.
”
”
F. Scott Fitzgerald
“
Most days of the year are unremarkable. They begin and they end with no lasting memory made in between. Most days have no impact on the course of a life.
”
”
Scott Neustadter ((500) Days of Summer: The Shooting Script)
“
You can't ascribe great cosmic significance to a simple earthly event. Coincidence. That's all anything ever is. Nothing more than coincidence.
”
”
Scott Neustadter ((500) Days of Summer: The Shooting Script)
“
Life has puffed and blown itself into a summer day, and clouds and spring billow over the heavens as if calendars were a listing of mathematical errors.
”
”
Zelda Fitzgerald (Dear Scott, Dearest Zelda: The Love Letters of F. Scott and Zelda Fitzgerald)
“
She looked up, her face pink as a Christmas ham. “You ever try chasing down a car?” she gasped.
“I’ll one-up you. I gave Scott my hot dog and asked if he’d go to Summer Solstice with me.”
“What does the hot dog have to do with anything?”
“I said he’d be a wiener if he didn’t go with me.” Vee wheezed laughter.
“I’d have run harder had I known I’d get to see you call him a wiener.
”
”
Becca Fitzpatrick (Crescendo (Hush, Hush, #2))
“
I had that familiar conviction that life was beginning over again with the summer.
”
”
F. Scott Fitzgerald (The Great Gatsby)
“
Summer has no day,' she said. 'We can't possibly have a summer love. So many people have tried that the name's become proverbial. Summer is only the unfulfilled promise of spring, a charlatan in place of the warm balmy nights I dream of in April. It's a sad season of life without growth...it has no day.
”
”
F. Scott Fitzgerald (This Side of Paradise)
“
Summers with Rene began with a cigarette in one side of her mouth and a squinting of her eyes as she thought . . . . Shortly, she would make her pronouncement and it would seem magical no matter how often the words were said. "It's a beach day," blessed the day. The rest was understood. No more needed to be said. I knew that she knew. She had the gift to read what would come from the skies as surely as my mother could see births and betrayals in the cards.
”
”
Georgia Scott (American Girl: Memories That Made Me)
“
taking her hand he led her out into a broad stretch of hard sandy soil that the moon flooded with great splendor. They floated out like drifting moths under the rich hazy light, and as the fantastic symphony wept and exulted and wavered and despaired, Ardita's last sense of reality dropped away, and she abandonded her imagination to the dreamy summer scents of tropial flowers and the infinite starry spaces overhead, feeling that if she opened her eyes it would be to find herself dancing with a ghost in a land created by her own fantasy.
”
”
F. Scott Fitzgerald (The Offshore Pirate)
“
When I think back those tides were like women with different scents and different demands. Low tide was fruity and cool. It took a while to get to her edge. Low tide held back. The onus was on you to go on over to her. High tide smelled of heat that built up. It was Chanel No. 5 to her drugstore opposite. She went after you in no uncertain terms.
”
”
Georgia Scott (American Girl: Memories That Made Me)
“
You can't ascribe great cosmic significance to a simple earthly event. Coincidence. That's all anything ever is. Nothing more than coYou can't ascribe great cosmic significance to a simple earthly event. Coincidence. That's all anything ever is. Nothing more than co
”
”
Scott Neustadter ((500) Days of Summer: The Shooting Script)
“
Take off that darn fur coat!...Or maybe you'd like to have us open all the windows.
”
”
F. Scott Fitzgerald (Gatsby Girls)
“
Lo,” she says, “you’ve made it. You’re my Scott Summers, and without you, I wouldn’t be here.
”
”
Krista Ritchie (Addicted for Now (Addicted #3))
“
The past--the wild charge at the head of his men up San Juan Hill; the first years of his marriage when he worked late into the summer dusk down in the busy city for young Hildegarde whom he loved; the days before that when he sat smoking far into the night in the gloomy old Button house on Monroe Street with his grandfather-all these had faded like unsubstantial dreams from his mind as though they had never been. He did not remember.
”
”
F. Scott Fitzgerald (The Curious Case of Benjamin Button)
“
After that summer, after being friends with Won-a-nee and her young, I never killed another otter. I had an otter cape for my shoulders, which I used until it wore out, but never again did I make a new one. Nor did I ever kill another cormorant for its beautiful feathers, though they have long, think necks and make ugly sounds when they talk to each other. Nor did I kill seals for their sinews, using instead kelp to bind the things that needed it. Nor did I kill another wild dog, nor did I try to speak another sea elephant.
Ulape would have laughed at me, and other would have laughed, too -- my father most of all. Yet this is the way I felt about the animals who had become my friends and those who were not, bu in time could be. If Ulape and my father had come back and laughed, and all the other had come back and laughed, still I would have felt the same way, for animals and birds are like people, too, though they do no talk the same or do the same things. Without them the earth would be an unhappy place.
”
”
Scott O'Dell (Island of the Blue Dolphins)
“
He found himself remembering how on one summer morning they two had started from New York in search of happiness. They had never expected to find it, perhaps, yet in itself that quest had been happier than anything he expected forevermore. Life, it seemed, must be a setting up of props around one - otherwise it was disaster. There was no rest, no quiet. He had been futile in longing to drift and dream, no one drifted except to maelstroms, no one dreamed, without his dreams becoming fantastic nightmares of indecision and regret.
”
”
F. Scott Fitzgerald (The Beautiful and Damned)
“
We drove over to Fifth Avenue, so warm and soft, almost pastoral, on the summer Sunday afternoon that I wouldn't have been surprised to see a great flock of white sheep turn the corner.
”
”
F. Scott Fitzgerald (The Great Gatsby)
“
Here, Earth-born, over the lilt of the water,
Lisping its music and bearing a burden of light,
Bosoming day as a laughing and radiant daughter…
Here we may whisper unheard, unafraid of the night.
Walking alone…was it splendor, or what, we were bound with?
Deep in the time when summer lets down her hair?
Shadows we loved and the patterns they covered the ground with
Tapestries, mystical, faint in the breathless air.
”
”
F. Scott Fitzgerald (This Side of Paradise)
“
At first she thought the writing would be easy. She was extremely confident in her ability to dream, to imagine, and she supposed that expressing her dreams in words, in writing, would be entirely natural, like drawing breath. She had read widely from the time she was a child, and she knew how to recognize something that was well written. She admired certain lines and passages so much that she had taken complete possession of them and committed them to memory. She could recite “The Gettysburg Address” and “The Twenty-Third Psalm.” She could recite “Jabberwocky” and Emily Dickinson’s “Further in summer that the birds” and Wallace Stevens’s “Sunday Morning.” She knew by heart the final paragraph of Joyce’s “The Dead,” and if challenged she could say in whole the parts of both Romeo and Juliet. And she knew many Kiowa stories and many long prayers in Navajo. These were not feats of memory in the ordinary sense; it was simply that she attended to these things so closely that they became a part of her most personal experience. She had assumed them, appropriated them to her being.
But to write! She discovered that was something else again.
”
”
N. Scott Momaday (The Ancient Child)
“
Amory wandered slowly up the avenue and thought of the night as inevitably his-- the pageantry and carnival of rich dusk and dim streets... it seemed that he had closed the book of fading harmonies at last and stepped into the sensuous vibrant walks of life. Everywhere these countless lights, this promise of a night of streets and singing-- he moved in a half-dream through the crowd as if expecting to meet Rosalind hurrying toward him with eager feet from every corner... How the unforgettable faces of dusk would blend to her, the myriad footsteps, a thousand overtures, would blend to her footsteps; and there would be more drunkenness than wine in the softness of her eyes on his. Even his dreams now were faint violins drifting like summer sounds upon the summer air.
”
”
F. Scott Fitzgerald (This Side of Paradise)
“
This morning, when she got on the bus, it kind of felt like he was waiting for her. He was holding a comic called Watchmen, and it looked so ugly that Eleanor decided not to bother eavesdropping. Or eavesreading. Whatever. (She liked it best when he read the X-Men, even though she didn’t get everything that was going on there; the X-Men were worse than General Hospital. It took Eleanor a couple weeks to figure out that Scott Summers and Cyclops were the same guy, and she still wasn’t sure what was up with Phoenix.)
”
”
Rainbow Rowell (Eleanor & Park)
“
Maybe we'll have more fun this summer but this particular fun is over. I want it to die violently instead of fading out sentimentally-- that's why I gave this party.
”
”
F. Scott Fitzgerald (Tender Is the Night)
“
It smelled something like a keg of bad beer overturned in a mortician's storage room on a hot summer's day.
”
”
Scott Lynch (The Lies of Locke Lamora (Gentleman Bastard, #1))
“
From the night into his high-walled room there came, persistently, that evanescent and dissolving sound - something the city was tossing up and calling back again, like a child playing with a ball. In Harlem, the Bronx, Gramercy Park, and along the water-fronts, in little parlors or on pebble-strewn, moon-flooded roofs, a thousand lovers were making this sound, crying little fragments of it into the air. All the city was playing with this sound out there in the blue summer dark, throwing it up and calling it back, promising that, in a little while, life would be beautiful as a story, promising happiness - and by that promise giving it. It gave love hope in its own survival. It could do no more.
”
”
F. Scott Fitzgerald (The Beautiful and Damned)
“
Reading over what I have written so far I see I have given the impression that the events of three nights several weeks apart were all that absorbed me. On the contrary they were merely casual events in a crowded summer and, until much later, they absorbed me infinitely less than my personal affairs.
”
”
F. Scott Fitzgerald (The Great Gatsby)
“
There was a midsummer restlessness abroad--early August with imprudent loves and impulsive crimes. With little more to expect from summer, one tried anxiously to live in the present--or, if there was no present, to invent one.
”
”
F. Scott Fitzgerald (The Love of the Last Tycoon)
“
Summer is only the unfulfilled promise of spring, a charlatan in place of the warm balmy nights I dream of in April.
”
”
F. Scott Fitzgerald (This Side of Paradise)
“
Maybe we'll have more fun this summer but this particular fun is over. I want it to die violently instead of fading out sentimentally.
”
”
F. Scott Fitzgerald (Tender Is the Night)
“
Since the disintegration of her parents' marriage, she'd only loved two things. The first was her long blonde hair. The second was how easily she could cut it off... And feel nothing.
”
”
Scott Neustadter ((500) Days of Summer: The Shooting Script)
“
...nothing from the summer carries more lasting allure for me than the memory of sitting with Ruth on the bank of a stream on campus, taking turns reading aloud from the books we held on our laps, while the wind wet leaves gossiping in the old trees above us and the creek rustled in its stony bed.
”
”
Scott Russell Sanders (A Private History of Awe)
“
If Mrs. Child's ghost was planting, my father's was building. Half finished, nearly finished, and just started projects which waited throughout the house. In Evie's room, the closet he built swung open with a bang, impatient for a latch. The closet without a door in Rene's room just stared - day and night - like someone gone mad. The garage let in birds that left a mess where planks had been pried off for a second car to rest. Worst of all, the hole that he dug for my mother's patio filled with rainwater and grew grass as tall as in the marsh. Instead of a place to entertain in summer, it became a nature reserve which she could not close down. A holiday park for mosquitos. A rest home for caterpillars and other things that she loathed that squirmed.
”
”
Georgia Scott (American Girl: Memories That Made Me)
“
Odd coincidence – he had just been wishing that very thing. They plunged like divers into the dark eddying crowd and emerging in the cool Fifties sauntered indolently homeward, infinitely romantic to each other… both were walking alone in a dispassionate garden with a ghost found in a dream. Halcyon days like boats drifting along slow-moving rivers; spring evenings full of a plaintive melancholy that made the past beautiful and bitter, bidding them look back and see that the loves of other summers long one were dead with the forgotten waltzes of their years.
”
”
F. Scott Fitzgerald (The Beautiful and Damned)
“
Instructions for Dad.
I don't want to go into a fridge at an undertaker's. I want you to keep me at home until the funeral. Please can someone sit with me in case I got lonely? I promise not to scare you.
I want to be buried in my butterfly dress, my lilac bra and knicker set and my black zip boots (all still in the suitcase that I packed for Sicily). I also want to wear the bracelet Adam gave me.
Don't put make-up on me. It looks stupid on dead people.
I do NOT want to be cremated. Cremations pollute the atmosphere with dioxins,k hydrochloric acid, hydrofluoric acid, sulphur dioxide and carbon dioxide. They also have those spooky curtains in crematoriums.
I want a biodegradable willow coffin and a woodland burial. The people at the Natural Death Centre helped me pick a site not for from where we live, and they'll help you with all the arrangements.
I want a native tree planted on or near my grave. I'd like an oak, but I don't mind a sweet chestnut or even a willow. I want a wooden plaque with my name on. I want wild plants and flowers growing on my grave.
I want the service to be simple. Tell Zoey to bring Lauren (if she's born by then). Invite Philippa and her husband Andy (if he wants to come), also James from the hospital (though he might be busy).
I don't want anyone who doesn't know my saying anything about me. THe Natural Death Centre people will stay with you, but should also stay out of it. I want the people I love to get up and speak about me, and even if you cry it'll be OK. I want you to say honest things. Say I was a monster if you like, say how I made you all run around after me. If you can think of anything good, say that too! Write it down first, because apparently people often forget what they mean to say at funerals.
Don't under any circumstances read that poem by Auden. It's been done to death (ha, ha) and it's too sad. Get someone to read Sonnet 12 by Shakespeare.
Music- "Blackbird" by the Beatles. "Plainsong" by The Cure. "Live Like You Were Dying" by Tim McGraw. "All the Trees of the Field Will Clap Their Hands" by Sufian Stevens. There may not be time for all of them, but make sure you play the last one. Zoey helped me choose them and she's got them all on her iPod (it's got speakers if you need to borrow it).
Afterwards, go to a pub for lunch. I've got £260 in my savings account and I really want you to use it for that. Really, I mean it-lunch is on me. Make sure you have pudding-sticky toffee, chocolate fudge cake, ice-cream sundae, something really bad for you. Get drunk too if you like (but don't scare Cal). Spend all the money.
And after that, when days have gone by, keep an eye out for me. I might write on the steam in the mirror when you're having a bath, or play with the leaves on the apple tree when you're out in the garden. I might slip into a dream.
Visit my grave when you can, but don't kick yourself if you can't, or if you move house and it's suddenly too far away. It looks pretty there in the summer (check out the website). You could bring a picnic and sit with me. I'd like that.
OK. That's it.
I love you.
Tessa xxx
”
”
Jenny Downham
“
I was born three drinks short of comfortable...'"
"But I knew what that guy meant about the way he was born three drinks short. It made me think about the first beer I ever drank, down at North Beach with a bunch of kids one summer night. It made me think about that first exquisite relief. It made me think about my ex-husband, Scott, who always said I should stop after the third drink. "That's when you get out of control," he'd say. I had no idea what we was talking about. After a couple of drinks is when I start to feel IN control.
”
”
Ann Leary (The Good House)
“
...I have never cared for any men as much as for these who felt the first springs when I did, and saw death ahead, and were reprieved - and who now walk the long stormy summer. It is a generation staunch by inheritance, sophisticated by fact - and rather deeply wise. More than that, what I feel about them is summed up in a line of Willa Cather's: "We possess together the precious, the incommunicable past.
”
”
F. Scott Fitzgerald (A Short Autobiography)
“
America will aim no higher than the creation and aggressive marketing of minor consumer products that replace similar, and perfectly satisfactory, consumer products. “America may be losing a competitive edge in many enterprises, from cars to space,” riffed National Public Radio host Scott Simon in the summer of 2010, “but as long as we can devise a five-bladed, mineral-oil-saturated razor, we face the future well-shaved.
”
”
Neil deGrasse Tyson (Accessory to War: The Unspoken Alliance Between Astrophysics and the Military (Astrophysics for People in a Hurry Series))
“
There was music from my neighbor's house through the summer nights. In his blue gardens men and girls came and went like moths among the whisperings and the champagne and the stars. At high tide in the afternoon I watched his guests diving from the tower of his raft, or taking the sun on the hot sand of his beach while his two motor-boats slit the waters of the Sound, drawing aquaplanes over cataracts of foam. On week-ends his Rolls-Royce became an omnibus, bearing parties to and from the city between nine in the morning and long past midnight, while his station wagon scampered like a brisk yellow bug to meet all trains. And on Mondays eight servants, including an extra gardener, toiled all day with mops and scrubbing-brushes and hammers and garden-shears, repairing the ravages of the night before.
Every Friday five crates of oranges and lemons arrived from a fruiterer in New York--every Monday these same oranges and lemons left his back door in a pyramid of pulpless halves. There was a machine in the kitchen which could extract the juice of two hundred oranges in half an hour if a little button was pressed two hundred times by a butler's thumb.
At least once a fortnight a corps of caterers came down with several hundred feet of canvas and enough colored lights to make a Christmas tree of Gatsby's enormous garden. On buffet tables, garnished with glistening hors-d'oeuvre, spiced baked hams crowded against salads of harlequin designs and pastry pigs and turkeys bewitched to a dark gold. In the main hall a bar with a real brass rail was set up, and stocked with gins and liquors and with cordials so long forgotten that most of his female guests were too young to know one from another.
By seven o'clock the orchestra has arrived, no thin five-piece affair, but a whole pitful of oboes and trombones and saxophones and viols and cornets and piccolos, and low and high drums. The last swimmers have come in from the beach now and are dressing up-stairs; the cars from New York are parked five deep in the drive, and already the halls and salons and verandas are gaudy with primary colors, and hair shorn in strange new ways, and shawls beyond the dreams of Castile. The bar is in full swing, and floating rounds of cocktails permeate the garden outside, until the air is alive with chatter and laughter, and casual innuendo and introductions forgotten on the spot, and enthusiastic meetings between women who never knew each other's names.
The lights grow brighter as the earth lurches away from the sun, and now the orchestra is playing yellow cocktail music, and the opera of voices pitches a key higher. Laughter is easier minute by minute, spilled with prodigality, tipped out at a cheerful word. The groups change more swiftly, swell with new arrivals, dissolve and form in the same breath; already there are wanderers, confident girls who weave here and there among the stouter and more stable, become for a sharp, joyous moment the centre of a group, and then, excited with triumph, glide on through the sea-change of faces and voices and color under the constantly changing light.
Suddenly one of the gypsies, in trembling opal, seizes a cocktail out of the air, dumps it down for courage and, moving her hands like Frisco, dances out alone on the canvas platform. A momentary hush; the orchestra leader varies his rhythm obligingly for her, and there is a burst of chatter as the erroneous news goes around that she is Gilda Gray's understudy from the FOLLIES. The party has begun.
”
”
F. Scott Fitzgerald (The Great Gatsby)
“
All the city was playing with this sound out there in the blue summer dark, throwing it up and calling it back, promising that, in a little while, life would be beautiful as a story, promising happiness – and by that promise giving it. It gave love hope in its own survival. It could do no more.
”
”
F. Scott Fitzgerald (The Beautiful and Damned)
“
Idiot!" he cried, "that from you! Here I sit, young Anthony, as I'll sit for a generation or more and watch such gay souls as you and Dick and Gloria Gilbery go past me, dancing and singing and loving and hating one another and being moved, being eternally moved. And I am moved only by my lack of emotion. I shall sit and the snow will come--oh, for a Caramel to take notes--and another winter and I shall be thirty and you and Dick and Gloria will go on being eternally moved and dancing by me and singing. But after you've all gone I'll be saying things for new Dicks to write down, and listening to the disillusions and cynicisms and emotions of new Anthonys--yes, and talking to new Glorias about the tans of summers yet to come."
The firelight flurried up on the hearth. Maury left the window, stirred the blaze with a poker, and dropped a log upon the andirons. Then he sat back in his chair and the remnants of his voice faded in the new fire that spit red and yellow along the bark.
"After all, Anthony, it's you who are very romantic and young. It's you who are infinitely more susceptible and afraid of your calm being broken. It's me who tries again and again to be moved--let myself go a thousand times and I'm always me. Nothing--quite--stirs me.
"Yet," he murmured after another long pause, "there was something about that little girl with her absurd tan that was eternally old--like me.
”
”
F. Scott Fitzgerald (The Beautiful and Damned)
“
It's not that I have any moral compunctions about work . . . but grampa may die to-morrow and he may live for ten years. Meanwhile we're living above our income and all we've got to show for it is a farmer's car and a few clothes. We keep an apartment that we've only lived in three months and a little old house way off in nowhere. We're frequently bored and yet we won't make any effort to know any one except the same crowd who drift around California all summer wearing sport clothes and waiting for their families to die.
”
”
F. Scott Fitzgerald (The Beautiful and Damned)
“
Summer is only the unfulfilled promise of spring.
”
”
F. Scott Fitzgerald (This Side of Paradise)
Stephanie J. Scott (All Last Summer (Love on Summer Break, #1))
“
And maybe, just maybe, the ten hours of hot summer wind blowing past my face would dry the tears of pride which were beginning to roll down my cheeks.
”
”
Scott Hildreth (Ex-Con (Selected Sinners MC, #5))
“
I am sad, like the hot dust on the streets
And the music of fresh fallen leaves
Caught in a sliding summer breeze.
”
”
Scott Hastie
“
Mental note: Danger! Danger! Frenemy warning!
”
”
Stephanie J. Scott (All Last Summer (Love on Summer Break, #1))
“
It was like seeing someone open their mouths to speak but hearing tuba sounds instead of English words.
”
”
Stephanie J. Scott (All Last Summer (Love on Summer Break, #1))
“
Hello, Elephant. Meet room.
”
”
Stephanie J. Scott (All Last Summer (Love on Summer Break, #1))
“
Real men sew hair bows.
”
”
Stephanie J. Scott (All Last Summer (Love on Summer Break, #1))
“
He flashed a smile hitting me at the knees. Him being so understanding only made me sink further.
”
”
Stephanie J. Scott (All Last Summer (Love on Summer Break, #1))
“
My breath left me. Aidan was still protecting me even though I’d pushed him away.
”
”
Stephanie J. Scott (All Last Summer (Love on Summer Break, #1))
“
That’s what mature people do. They call each other out when they’ve done wrong. They listen to each other. And then they change.
”
”
Stephanie J. Scott (All Last Summer (Love on Summer Break, #1))
“
A sense of peace, of certainty, settled over me. I was right where I needed to be.
”
”
Stephanie J. Scott (All Last Summer (Love on Summer Break, #1))
“
I’m sorry. I guess I was caught between smiling at you taking him down and not wanting to look like I was laughing about it. I wasn’t laughing. I was…proud.
”
”
Stephanie J. Scott (All Last Summer (Love on Summer Break, #1))
“
It was everything I needed. One person who understood. The swirling shame and hurt and awkwardness settled and sank. Not gone, but no longer rising to the top.
”
”
Stephanie J. Scott (All Last Summer (Love on Summer Break, #1))
“
My blush game came on so strong my mom probably sensed it at work two zip codes away.
”
”
Stephanie J. Scott (All Last Summer (Love on Summer Break, #1))
“
Aidan nodded and grinned. He was teasing me with that grin. I loved it. I hated it. I hated that I loved it.
”
”
Stephanie J. Scott (All Last Summer (Love on Summer Break, #1))
“
I wanted to get over old hang-ups. I wanted to move on.
”
”
Stephanie J. Scott (All Last Summer (Love on Summer Break, #1))
“
He lightly pumped his fist in the air. “What?” I asked. “I made you laugh.
”
”
Stephanie J. Scott (All Last Summer (Love on Summer Break, #1))
“
Aidan looked at me with care and concern. With something more I couldn’t name.
”
”
Stephanie J. Scott (All Last Summer (Love on Summer Break, #1))
“
I wanted a guy in tights to say to me, “Good morn, M’Lady.
”
”
Stephanie J. Scott (All Last Summer (Love on Summer Break, #1))
“
Just us, here, right now. Us, who we were now and whoever we wanted to be.
”
”
Stephanie J. Scott (All Last Summer (Love on Summer Break, #1))
“
More like the boy is having trouble with life.” “Boys that age don’t have sense. You’ll be fine without him.
”
”
Stephanie J. Scott (All Last Summer (Love on Summer Break, #1))
“
Take Greg with you.” Manny stood from the passenger seat, leaning over the SUV’s roof. “And leave you with all the girls? No way, dude.” “Bad deal,” Greg agreed.
”
”
Stephanie J. Scott (All Last Summer (Love on Summer Break, #1))
“
Hello, Universe? Could I rewind and start over?
”
”
Stephanie J. Scott (All Last Summer (Love on Summer Break, #1))
“
Today’s list: Goal: Nobody talk to me 1. Sleep 2. Wake up in an alternate timeline Someone pounded on my bedroom door.
”
”
Stephanie J. Scott (All Last Summer (Love on Summer Break, #1))
“
I couldn’t believe that used to feel special.
”
”
Stephanie J. Scott (All Last Summer (Love on Summer Break, #1))
“
Aidan had this way of looking at me like he saw all of me. Seeing me and accepting. Freak outs, mishaps, and all.
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Stephanie J. Scott (All Last Summer (Love on Summer Break, #1))
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Of being a maker of things. Useful things. This concept of crafting, of creating with my hands—that’s what I want to do. That’s what you’re doing.
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Stephanie J. Scott (All Last Summer (Love on Summer Break, #1))
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Somewhere in the middle of my old and new Lila personas, the real me was trapped and trying to break free.
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Stephanie J. Scott (All Last Summer (Love on Summer Break, #1))
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Well, thanks for thinking of me.” “Kind of a trend lately.” “Oh?” I managed in a nonchalant tone. He grinned. “Yeah. I think about you a lot.
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Stephanie J. Scott (All Last Summer (Love on Summer Break, #1))
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I’d been trying not to overanalyze, but this was me. Analyzing was my DNA. Not part of it, but my actual DNA.
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Stephanie J. Scott (All Last Summer (Love on Summer Break, #1))
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There was music from my neighbor’s house through the summer nights. In his blue gardens men and girls came and went like moths among the whisperings and the champagne and the stars.
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F. Scott Fitzgerald (The Great Gatsby)
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Every human alive today lives in a cocoon of consistency: an eternal summer. “We’re overlit, overfed, and overstimulated, and in terms of how long we’ve been on Earth, that’s all new,
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Scott Carney (What Doesn't Kill Us: How Freezing Water, Extreme Altitude, and Environmental Conditioning Will Renew Our Lost Evolutionary Strength)
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Aidan: Thought of you today. A photo of a rose blossom appeared beneath his message. The area around it faded in soft focus, almost muted, so the bright red of the rose stood out even more.
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Stephanie J. Scott (All Last Summer (Love on Summer Break, #1))
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His grin. Oh my goodness, his grin was…not terrible. I tore myself away from staring at his lips. And his white and very much imperfect teeth that were possibly endearing in their slight crookedness.
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Stephanie J. Scott (All Last Summer (Love on Summer Break, #1))
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I had that familiar conviction that life was beginning over again with the summer. There was so much to read, for one thing, and so much fine health to be pulled down out of the young breath-giving air. I
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F. Scott Fitzgerald (The Great Gatsby)
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Why shouldn’t I? I demand silently. Why shouldn’t I become a famous writer? Like Norman Mailer. Or Philip Roth. And F. Scott Fitzgerald and Hemmingway and all those other men. Why can’t I be like them? I mean, what is the point of becoming a writer if no one reads what you’ve written?
Damn Viktor Greene and The New School. Why do I have to keep proving myself all of the time? Why can’t I be like L’il, with everyone praising and encouraging me? Or Rainbow, with her sense of entitlement. I bet Viktor Greene never asked Rainbow why she wanted to be a writer.
Or what if-I wince-Viktor Greene is right? I’m not a writer after all.
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Candace Bushnell (Summer and the City (The Carrie Diaries, #2))
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I crawled into bed, tucking blankets around me into a fluffy cocoon. I didn’t want to think about Matt. Thinking about him meant replaying the breakup, and replaying all the things I’d done wrong leading up to it.
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Stephanie J. Scott (All Last Summer (Love on Summer Break, #1))
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All Summer in a Day” by Ray Bradbury Because of Winn-Dixie by Kate DiCamillo Big Nate series by Lincoln Peirce The Black Cauldron (The Chronicles of Prydain) by Lloyd Alexander The Book Thief by Markus Zusak Brian’s Hunt by Gary Paulsen Brian’s Winter by Gary Paulsen Brown Girl Dreaming by Jacqueline Woodson Bud, Not Buddy by Christopher Paul Curtis The Call of the Wild by Jack London The Cat in the Hat by Dr. Seuss Charlotte’s Web by E. B. White The Chronicles of Narnia series by C. S. Lewis Diary of a Wimpy Kid series by Jeff Kinney Fahrenheit 451 by Ray Bradbury The Giver by Lois Lowry Goodnight Moon by Margaret Wise Brown Harry Potter series by J. K. Rowling Hatchet by Gary Paulsen The High King (The Chronicles of Prydain) by Lloyd Alexander The Hobbit by J. R. R. Tolkien Holes by Louis Sachar The Hunger Games by Suzanne Collins I Am LeBron James by Grace Norwich I Am Stephen Curry by Jon Fishman Island of the Blue Dolphins by Scott O’Dell Johnny Tremain by Esther Hoskins Forbes Julie of the Wolves by Jean Craighead George Kidnapped by Robert Louis Stevenson LeBron’s Dream Team: How Five Friends Made History by LeBron James and Buzz Bissinger The Lightning Thief (Percy Jackson and the Olympians) by Rick Riordan A Long Walk to Water by Linda Sue Park The Merry Adventures of Robin Hood by Howard Pyle Number the Stars by Lois Lowry The Outsiders by S. E. Hinton The River by Gary Paulsen The Sailor Dog by Margaret Wise Brown Sarah, Plain and Tall by Patricia MacLachlan Shiloh by Phyllis Reynolds Naylor “A Sound of Thunder” by Ray Bradbury Star Wars Expanded Universe novels (written by many authors) Star Wars series (written by many authors) The Swiss Family Robinson by Johann D. Wyss Tales from a Not-So-Graceful Ice Princess (Dork Diaries) by Rachel Renée Russell Tales of a Fourth Grade Nothing by Judy Blume “The Tell-Tale Heart” by Edgar Allan Poe Treasure Island by Robert Louis Stevenson Tuck Everlasting by Natalie Babbitt Under the Blood-Red Sun by Graham Salisbury The Very Hungry Caterpillar by Eric Carle When You Reach Me by Rebecca Stead A Wrinkle in Time by Madeleine L’Engle
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Andrew Clements (The Losers Club)
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Aphrodite - She stays by the sea shore. Shining shells and soft surf sounds surround her shelter. Cythera simmers with summer, and seals swim in the sun. Songbirds circle in the sapphire sky, and sea stars sit semi-submerged in the sand.
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Scott Alexander (A Modern Myth)
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I’m sorry I was such a good girlfriend. I was so good, I tricked you into believing you had to do absolutely nothing to gain my devotion. You could have spat on me, and I’d wipe it from my face and tell you how great you were at spitting
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Stephanie J. Scott (All Last Summer (Love on Summer Break, #1))
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There was the sun, letting down great glowing masses of heat; there was life, active and snarling, moving about them like a fly swarm—the dark pants of smoke from the engine, a crisp "all aboard!" and a bell ringing. Confusedly Maury saw eyes in the milk train staring curiously up at him, heard Gloria and Anthony in quick controversy as to whether he should go to the city with her, then another clamor and she was gone and the three men, pale as ghosts, were standing alone upon the platform while a grimy coal-heaver went down the road on top of a motor truck, carolling hoarsely at the summer morning. CHAPTER
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F. Scott Fitzgerald (The Beautiful and Damned)
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In a moment he would call Tana and they would pour into themselves a gay and delicate poison which would restore them momentarily to the pleasurable excitement of childhood, when every face in a crowd had carried its suggestion of splendid and significant transactions taking place somewhere to some magnificent and illimitable purpose...Life was no more than this summer afternoon; a faint wind stirring the lace collar of Gloria's dress, the slow baking drowsiness of the veranda...Intolerably unmoved they all seemed, removed from any romantic imminency of action. Even Gloria's beauty needed wild emotions, needed poignancy, needed death...
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F. Scott Fitzgerald (The Beautiful and the Damned)
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Scott told me about the Riviera and how my wife and I must come there' the next summer and how we would go there and how he would find a place for us that was not expensive and we would both work hard every day and swim and lie on the beach and be brown and only have a single aperitif before lunch and one before dinner. Zelda. would be happy there, he said. She loved to swim and was a beautiful diver and she was happy with that life and would want him to work and everything would be disciplined. He and Zelda. and their daughter were going to go there that summer. I was trying to get him to write his stories as well as he could and not trick them to conform to any formula, as he had explained that he did.
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Ernest Hemingway
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After dark on Saturday night one could stand on the first tee of the golf-course and see the country-club windows as a yellow expanse over a very black and wavy ocean. The waves of this ocean, so to speak, were the heads of many curious caddies, a few of the more ingenious chauffeurs, the golf professional's deaf sister--and there were usually several stray, diffident waves who might have rolled inside had they so desired. This was the gallery.
The balcony was inside. It consisted of the circle of wicker chairs that lined the wall of the combination clubroom and ballroom. At these Saturday-night dances it was largely feminine; a great babel of middle-aged ladies with sharp eyes and icy hearts behind lorgnettes and large bosoms. The main function of the balcony was critical. It occasionally showed grudging admiration, but never approval, for it is well known among ladies over thirty-five that when the younger set dance in the summer-time it is with the very worst intentions in the world, and if they are not bombarded with stony eyes stray couples will dance weird barbaric interludes in the corners, and the more popular, more dangerous, girls will sometimes be kissed in the parked limousines of unsuspecting dowagers.
But, after all, this critical circle is not close enough to the stage to see the actors' faces and catch the subtler byplay. It can only frown and lean, ask questions and make satisfactory deductions from its set of postulates, such as the one which states that every young man with a large income leads the life of a hunted partridge. It never really appreciates the drama of the shifting, semicruel world of adolescence. No; boxes, orchestra-circle, principals, and chorus are represented by the medley of faces and voices that sway to the plaintive African rhythm of Dyer's dance orchestra.
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F. Scott Fitzgerald (The Stories of F. Scott Fitzgerald)
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Summers with Rene began with a cigarette in one side of her mouth and a squinting of her eyes as she thought . . . . Shortly, she would make her pronouncement and it would seem magical no matter how often the words were said. "It's a beach day," blessed the day. The rest was understood. No more needed to be said. I knew that she knew. She had the gift to read what would come from the skies as surely as my mother could see births and betrayals in the cards.
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Georgia Scott (American Girl: Memories That Made Me)
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Have you ever run twenty miles without stopping? Ever done it in the summer? Yeah, me too. And without all the sordid details, running clothes (including underwear) get funky. That about captures it: funky. Crusty is excessive, but not by much. When I run, I don’t perspire or glow or any of that happy horseshit women are supposed to imply politely over lemonade after tennis. Nope. I sweat like an obese Bavarian trombone player. I sweat and my underwear gets nasty and my socks smell like a North Jersey mafia hit. I often have dried snot on the left shoulder of my shirts and dried chocolate in the hollow cups of my sports bra.
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Robert Scott (Emails from Jennifer Cooper)
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Because all men are but reflections of their upbringing, education, and experiences, we also expend considerable effort scrutinizing both the man and the general who led the Army of Northern Virginia north that summer. Robert E. Lee was trained as an engineer at West Point, studied extensively the campaigns of the Great Captains of military history, and learned the art of command and maneuver at the elbow of General Winfield Scott during the Mexican War. The aggregate of these experiences had a profound and demonstrable influence on his generalship. It is against this backdrop of education and experience that Lee’s decisions during the Gettysburg Campaign must be examined, understood, and judged.
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Scott Bowden (Last Chance For Victory: Robert E. Lee And The Gettysburg Campaign)
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Some years later, after Scott’s death, we came my father and I to the Field Museum, a long dismal peristyle dwindling away into the howling distance, and inside stood before a tableau of Stone Age Man, father mother and child crouched around an artificial ember in postures of minatory quiet—until, feeling my father’s eye on me, I turned and saw what he required of me—very special father and son we were that summer, he staking his everything this time on a perfect comradeship—and I, seeing in his eyes the terrible request, requiring from me his very life; I, through a child’s cool perversity or some atavistic recoil from an intimacy too intimate, turned him down, turned away, refused him what I knew I could not give.
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Walker Percy (The Moviegoer)
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(from Lady of the Lake)
The western waves of ebbing day
Rolled o’er the glen their level way;
Each purple peak, each flinty spire,
Was bathed in floods of living fire.
But not a setting beam could glow
Within the dark ravines below,
Where twined the path in shadow hid,
Round many a rocky pyramid,
Shooting abruptly from the dell
Its thunder-splintered pinnacle;
Round many an insulated mass,
The native bulwarks of the pass,
Huge as the tower which builders vain
Presumptuous piled on Shinar’s plain.
The rocky summits, split and rent,
Formed turret, dome, or battlement,
Or seemed fantastically set
With cupola or minaret,
Wild crests as pagod ever decked,
Or mosque of Eastern architect.
Nor were these earth-born castles bare,
Nor lacked they many a banner fair;
For, from their shivered brows displayed,
Far o’er the unfathomable glade,
All twinkling with the dewdrop sheen,
The brier-rose fell in streamers green,
And creeping shrubs, of thousand dyes,
Waved in the west-wind’s summer sighs.
Boon nature scattered, free and wild,
Each plant or flower, the mountain’s child.
Here eglantine embalmed the air,
Hawthorn and hazel mingled there;
The primrose pale, and violet flower,
Found in each cliff a narrow bower;
Fox-glove and night-shade, side by side,
Emblems of punishment and pride,
Grouped their dark hues with every stain
The weather-beaten crags retain.
With boughs that quaked at every breath,
Gray birch and aspen wept beneath;
Aloft, the ash and warrior oak
Cast anchor in the rifted rock;
And, higher yet, the pine-tree hung
His shattered trunk, and frequent flung,
Where seemed the cliffs to meet on high,
His boughs athwart the narrowed sky.
Highest of all, where white peaks glanced,
Where glist’ning streamers waved and danced,
The wanderer’s eye could barely view
The summer heaven’s delicious blue;
So wondrous wild, the whole might seem
The scenery of a fairy dream.
Onward, amid the copse ’gan peep
A narrow inlet, still and deep,
Affording scarce such breadth of brim
As served the wild duck’s brood to swim.
Lost for a space, through thickets veering,
But broader when again appearing,
Tall rocks and tufted knolls their face
Could on the dark-blue mirror trace;
And farther as the hunter strayed,
Still broader sweep its channels made.
The shaggy mounds no longer stood,
Emerging from entangled wood,
But, wave-encircled, seemed to float,
Like castle girdled with its moat;
Yet broader floods extending still
Divide them from their parent hill,
Till each, retiring, claims to be
An islet in an inland sea.
And now, to issue from the glen,
No pathway meets the wanderer’s ken,
Unless he climb, with footing nice
A far projecting precipice.
The broom’s tough roots his ladder made,
The hazel saplings lent their aid;
And thus an airy point he won,
Where, gleaming with the setting sun,
One burnished sheet of living gold,
Loch Katrine lay beneath him rolled,
In all her length far winding lay,
With promontory, creek, and bay,
And islands that, empurpled bright,
Floated amid the livelier light,
And mountains, that like giants stand,
To sentinel enchanted land.
High on the south, huge Benvenue
Down to the lake in masses threw
Crags, knolls, and mountains, confusedly hurled,
The fragments of an earlier world;
A wildering forest feathered o’er
His ruined sides and summit hoar,
While on the north, through middle air,
Ben-an heaved high his forehead bare.
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Walter Scott
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Well,’ she says, ‘shit happens. Life is a party, and parties weren’t meant to last.’
He looks sideways at her, a little startled. ‘Is that F. Scott Fitzgerald?’
‘Prince,’ she says. ‘I can’t get over how gorgeous those mountains are. When the sun goes down I don’t think I’ll look. My heart might break. And the only reason I’m here is because those men raped me and threw me out in the rain. I guess everything happens for a reason.’
Billy has heard the saying many times before and it always makes him mad. ‘I don’t believe that. I won’t believe that.’
‘Okay. I’m sorry.’ She sounds a little scared. ‘I didn’t mean to—’
‘Believing that would mean believing that someone or something up the line was more important than my sister. Same with Albie Stark. Taco. Johnny Capps, who’ll never walk again. There’s nothing reasonable about any of that.’
She doesn’t answer. When he looks at her she’s looking down at her tightly clasped hands and there are tears on her cheeks.
‘Jesus, Alice, I didn’t mean to make you cry.’
‘You didn’t,’ she says, brushing away the evidence on her cheeks.
‘It’s just that if there’s a God, he’s doing a piss poor job.’
Alice points ahead, at the blue teeth of the Rockies. ‘If there’s a God, He made those.’
Well, Billy thinks, girl’s got a point.
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Stephen King (Billy Summers)
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Some years ago I saw a documentary on dying whose main theme was that people die as they lived. That was Jimmy. For five years, since he began undergoing operations for bladder cancer and even after his lung cancer was diagnosed, he continued the activities that he considered important, marching against crackhouses, campaigning against the demolition of the Ford Auditorium, organizing Detroit Summer, making speeches, and writing letters to the editor and articles for the SOSAD newsletter and Northwest Detroiter. In 1992 while he was undergoing the chemotherapy that cleared up his bladder cancer, he helped form the Coalition against Privatization and to Save Our City. The coalition was initiated by activist members of a few AFSCME locals who contacted Carl Edwards and Alice Jennings who in turn contacted us. Jimmy helped write the mission statement that gave the union activists a sense of themselves as not only city workers but citizens of the city and its communities. The coalition’s town meetings and demonstrations were instrumental in persuading the new mayor, Dennis Archer, to come out against privatization, using language from the coalition newsletter to explain his position. At the same time Jimmy was putting out the garbage, keeping our corner at Field and Goethe free of litter and rubbish, mopping the kitchen and bathroom floors, picking cranberries, and keeping up “his” path on Sutton. After he entered the hospice program, which usually means death within six months, and up to a few weeks before his death, Jimmy slowed down a bit, but he was still writing and speaking and organizing. He used to say that he wasn’t going to die until he got ready, and because he was so cheerful and so engaged it was easy to believe him. A few weeks after he went on oxygen we did three movement-building workshops at the SOSAD office for a group of Roger Barfield’s friends who were trying to form a community-action group following a protest demonstration at a neighborhood sandwich shop over the murder of one of their friends. With oxygen tubes in his nostrils and a portable oxygen tank by his side, Jimmy spoke for almost an hour on one of his favorite subjects, the need to “think dialectically, rather than biologically.” Recognizing that this was probably one of Jimmy’s last extended speeches, I had the session videotaped by Ron Scott. At the end of this workshop we asked participants to come to the next session prepared to grapple with three questions: What can we do to make our neighborhoods safe? How can we motivate people to transform? How can we create jobs?
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Grace Lee Boggs (Living for Change: An Autobiography)