Satin Clothes Quotes

When I am an old woman I shall wear purple with a red hat which doesn't go, and doesn't suit me. And I shall spend my pension on brandy and summer gloves and satin sandles, and say we've no money for butter. I shall sit down on the pavement when I'm tired And gobble up samples in shops and press alarm bells And run my stick along the public railings And make up for the sobriety of my youth. I shall go out in my slippers in the rain and pick flowers in other people's gardens And learn to spit. You can wear terrible shirts and grow more fat And eat three pounds of sausages at a go Or only bread and pickle for a week And hoard pens and pencils and beer mats and things in boxes. But now we must have clothes that keep us dry And pay our rent and not swear in the street And set a good example for the children.

Go away,” he said. “Do you know you’ve almost no clothes on?” “Never mind. I need—” “Never mind? Listen to me, Miss Innocence. There are many things a man can ‘never mind.’ A nearly naked woman isn’t one of them.

The most confident of women are those who believe in every scrap of fabric they wear. They are the ones who are as happy wih their drawers as they are with their gowns. You can tell the difference between a woman who wraps herself in beautiful silks and satins and she who wears...otherwise.

Magnus had animated one of his magnificent Chinese fans, and it flapped ineffectively at him, barely stirring the breeze. It was, if he was completely honest with himself (and he did not want to be), a bit too hot for this new striped blue-and-rose-colored coat, made of taffeta and satin, and the silk faille waistcoat embroidered with a scene of birds and cherubs. The wing collar, and the wig, and the silk breeches, the wonderful new gloves in the most delicate lemon yellow . . . it was all a bit warm. Still. If one could look this fabulous, one had an obligation to. One should wear everything, or one should wear nothing at all.

The Earl and Countess of Langford!" That announcement caused an immediate reaction among the inhabitants of the ballroom, who began looking at one another in surprise and then turned to the balcony, but it was nothing compared to the reaction among the small group of seven people who'd been keeping a vigil of hope. A jolt went through the entire group; hands reached out blindly and were clasped tightly by other hands; faces lifted to the balcony, while joyous smiles dawned brightly and eyes misted with tears. Attired in formal black evening clothes with white waistcoat and frilled white shirt, Stephen Westmoreland, Earl of Langford, was walking across the balcony. On his arm was a medieval princess clad in a pearl-encrusted ivory satin gown with a low, square bodice that tapered to a deep V at the waist. A gold chain with clusters of diamonds and pearls in each link rode low on her hips, sawying with each step, and her hair tumbled in flaming waves and heavy curls over her shoulders and back.

Orlando curtseyed; she complied; she flattered the good man's humours as she would not have done had his neat breeches been a woman's skirts, and his braided coat a woman's satin bodice. Thus, there is much to support the view that it is clothes that wear us and not we them' we may make them take the mould of arm or breast, but they mould our hearts, our brains, our tongues to their liking.

Djinn,” she said. “We go to review the troops. Clothe me as befits a queen.” “Silks and satins?” he asked, eyes sparkling like sapphires. “White brocade?” “Armor,” she said. “And flame.

Warning When I am an old woman I shall wear purple With a red hat which doesn't go, and doesn't suit me. And I shall spend my pension on brandy and summer gloves And satin sandals, and say we've no money for butter. I shall sit down on the pavement when I'm tired And gobble up samples in shops and press alarm bells And run my stick along the public railings And make up for the sobriety of my youth. I shall go out in my slippers in the rain And pick flowers in other people's gardens And learn to spit. You can wear terrible shirts and grow more fat And eat three pounds of sausages at a go Or only bread and pickle for a week And hoard pens and pencils and beermats and things in boxes. But now we must have clothes that keep us dry And pay our rent and not swear in the street And set a good example for the children. We must have friends to dinner and read the papers. But maybe I ought to practice a little now? So people who know me are not too shocked and surprised When suddenly I am old, and start to wear purple.

As my muscles marginally relax, the tension flicks from anger to fevered desire. I want to tear each wisp of clothing off her and tie her to this f**king desk. I’ll know next time, to bring my satin ribbon.

The night seemed varnished with a golden sheen. Carriages rounded the manor's drive, their horses pounding gravel as if to applaud the parade. One by one, gentry clothed in satin and velvet emerged from their boxes. They bid adieu to their drivers and flocked to the main house, glittering like jewels in the torchlight.

Guy cradled his tux, stroking it, running his fingers incestuously over the satin stripe on the trousers. There is a satisfaction that only superb clothing can offer, the joy of man raising himself from the mud, vindicating evolution. Life cannot lack purpose if a tuxedo exists—this is the obvious reply to the Samuel Beckett canon.

Gary tried not to notice how pale Savannah was as she fixed him a pot of coffee.Her satin skin was almost translucent.He was groggy from the trance-induced sleep and had a hard time waking up, even after a long shower. He had no idea where the change of clothes had come from,but they were lying on the end of the bed when he awakened. Savannah was beautiful, moving through the house like flowing water, like music in the air.She was dressed in faded blue jeans and a pale turquoise shirt that clung to her curves and emphasized her narrow rib cage and small waist.Her long hair was pulled back in a thick braid that hung below her bottom.Gary tried to keep his eyes to himself.He hadn't seen any evidence of Gregori this evening,but he didn't want to take any chances.He had a feeling the one thing that could change that remote expression fast was to have another man ogling Savannah.

As for describing the smell of a spaniel mixed with the smell of torches, laurels, incense, banners, wax candles and a garland of rose leaves crushed by a satin heel that has been laid up in camphor, perhaps Shakespeare, had he paused in the middle of writing Antony and Cleopatra — But Shakespeare did not pause. Confessing our inadequacy, then, we can but note that to Flush Italy, in these the fullest, the freest, the happiest years of his life, meant mainly a succession of smells. Love, it must be supposed, was gradually losing its appeal. Smell remained. Now that they were established in Casa Guidi again, all had their avocations. Mr. Browning wrote regularly in one room; Mrs. Browning wrote regularly in another. The baby played in the nursery. But Flush wandered off into the streets of Florence to enjoy the rapture of smell. He threaded his path through main streets and back streets, through squares and alleys, by smell. He nosed his way from smell to smell; the rough, the smooth, the dark, the golden. He went in and out, up and down, where they beat brass, where they bake bread, where the women sit combing their hair, where the bird-cages are piled high on the causeway, where the wine spills itself in dark red stains on the pavement, where leather smells and harness and garlic, where cloth is beaten, where vine leaves tremble, where men sit and drink and spit and dice — he ran in and out, always with his nose to the ground, drinking in the essence; or with his nose in the air vibrating with the aroma. He slept in this hot patch of sun — how sun made the stone reek! he sought that tunnel of shade — how acid shade made the stone smell! He devoured whole bunches of ripe grapes largely because of their purple smell; he chewed and spat out whatever tough relic of goat or macaroni the Italian housewife had thrown from the balcony — goat and macaroni were raucous smells, crimson smells. He followed the swooning sweetness of incense into the violet intricacies of dark cathedrals; and, sniffing, tried to lap the gold on the window- stained tomb. Nor was his sense of touch much less acute. He knew Florence in its marmoreal smoothness and in its gritty and cobbled roughness. Hoary folds of drapery, smooth fingers and feet of stone received the lick of his tongue, the quiver of his shivering snout. Upon the infinitely sensitive pads of his feet he took the clear stamp of proud Latin inscriptions. In short, he knew Florence as no human being has ever known it; as Ruskin never knew it or George Eliot either.

Tildy warned us the Winter King could identify a person by scent,” Summer said. “Since he thinks you’re Autumn, Tildy said the wedding night should take place here, in Autumn’s bedroom, where her scent is already absorbed into everything.” “She added the flowers and incense to help mask your own scent,” Spring added, “and deliberately arranged the candles so he won’t be able to get a good look at your face so long as you keep to the bed.” “Where’s Autumn?” she asked. “Here.” Khamsin turned. Her sister emerged from the connecting wardrobe room wrapped in a forest green satin robe. Her long auburn hair spilled around her shoulders in ringlets. “Scenting up your nightclothes.” Autumn grimaced. “I know I’m clean. I bathed this morning, but there’s still something wrong about rolling on sheets and rubbing myself on clothes all day. It just seems so . . . so . . . dirty.” Despite everything, Khamsin laughed. For some reason, Autumn’s complaint struck her as funny. “You rolled on the sheets?” “Tildavera suggested it.

It was darker in the tower than any place Devnee had ever been. The dark had textures, some velvet, some satin. The dark shifted positions. The dark continued to breathe. The breath of the tower lifted her clothing like the flaps of a tent, and sounded in her ears like falling snow. It's the wind coming through the double shutters, Devnee told herself. But how could the wind come through? There were glass windows between the inside and outside shutters. Or were there? The windows weren't just holes in the wall, were they? What if there was no glass? What if things crawled through those open louvers, crept into the room, blew in with the cold that fingered her hair? What creatures of the night could slither through those slats? She had not realized how wonderful glass was, how it protected you and kept you inside. She knew something was out there.

The day Emilienne met Satin Lush, she was wearing her cloche hat, newly painted with red poppies. Her hair was curled and peeked lightly out from under the hat to cup the curve of her chin. There was a rip in her stocking. It was May and heavy wet lines of spring rain streamed down the windows of the café where Emilienne had just spent her day serving black coffee and sticky buns to dreamless Irishmen. The smell of glazed sugar and folded pride still lingered on her clothes. As she waited for the rain to let up, the bells of Saint Peter’s chimed five times and the water fell only harder upon the awning over her head. She

WHEN I AM AN OLD WOMAN I SHALL WEAR PURPLE With a red hat which doesn't go, and doesn't suit me. And I shall spend my pension on brandy and summer gloves And satin sandals, and say we've no money for butter. I shall sit down on the pavement when I'm tired And gobble up samples in shops and press alarm bells And run my stick along the public railings And make up for the sobriety of my youth. I shall go out in my slippers in the rain And pick the flowers in other people's gardens And learn to spit You can wear terrible shirts and grow more fat And eat three pounds of sausages at a go Or only bread and pickle for a week And hoard pens and pencils and beermats and things in boxes But now we must have clothes that keep us dry And pay our rent and not swear in the street And set a good example for the children. We must have friends to dinner and read the papers. But maybe I ought to practice a little now? So people who know me are not too shocked and surprised When suddenly I am old, and start to wear purple.

A flaming red flapper dress, a sleek black dress with full, satin purple sleeves and a matching flounce, a summery cotton frock with a cheerful red poppy print, and a musketeer's gold-trimmed jacket tumbled out of the pile of clothing. A mound of scarves fluttered onto the bed. Marge fingered the frayed, tasseled edge of a silk jacquard scarf in shades of amethyst and emerald green.

The rough fabric of my cotton nightgown chafes so I lie very still. Once, during a training exercise, they gave me a satin blouse in place of my coarse uniform. For a few moments, I was completely her—eighteen-year-old Raven Rogen, my Authentic—down to the fabric. The slippery material felt like cool fingertips on a hot day. All I could think was: She wears clothes like this every single day. I

One story clearly illustrates Anne Bonny's particular mix of comedy and ingenuity. She'd heard of a French Merchantman, loaded down with silks and satins, and decided to attack it. Her plan was quite nuts. She got the crew to smear the sails and the deck of the ship with turtle blood, covered most of the crew with the same blood, dressed one of Bouspeut’s dressmaker dummies in women’s clothing and stood it in the bow of the ship, likewise splashed with blood, and positioned the crew around it like corpses. She then lobbed her tits out and, brandishing a blood-soaked boarding axe, stood quite still over this horrific scene as they sailed out to meet the Merchantman. Sailors are profoundly superstitious and once the Frenchmen caught sight of this demonic ship with the bare-breasted maniac lit by a raging moon, the Frenchmen were so repelled that they gave up without a fight. What theatre!

With my polished Verses as a trellis of pure metal Studded cunningly with rhymes of crystal, I shall make for your head an immense Crown, And from my Jealousy, O mortal Madonna, I shall know how to cut a cloak in a fashion, Barbaric, heavy, and stiff, lined with suspicion, Which, like a sentry-box, will enclose your charms; Embroidered not with Pearls, but with all of my Tears! Your Gown will be my Desire, quivering, Undulant, my Desire which rises and which falls, Balances on the crests, reposes in the troughs, And clothes with a kiss your white and rose body. Of my Self-respect I shall make you Slippers Of satin which, humbled by your divine feet, Will imprison them in a gentle embrace, And assume their form like a faithful mold; If I can’t, in spite of all my painstaking art, Carve a Moon of silver for your Pedestal, I shall put the Serpent which is eating my heart Under your heels, so that you may trample and mock, Triumphant queen, fecund in redemptions, That monster all swollen with hatred and spittle. from “To a Madonna

As for my clothes, they suit the life I lead. The current fashions are impractical for an active person. Skirts so tight one must toddle like an infant, bodices boned so firmly it is impossible to draw a deep breath…And bustles! Of all the idiotic contrivances foisted upon helpless womankind, the bustle is certainly the worst. I wear them, since it is impossible to have a gown made without them, but at least I can insist on sensible dark fabrics and a minimum of ornament. What a fool I should look in puffs and frills and crimson satin—or a gown trimmed with dead birds, like one I saw!

She opened the door of the room and went into the corridor, and then she began her wanderings. It was a long corridor and it branched into other corridors and it led her up short flights of steps which mounted to others again. There were doors and doors, and there were pictures on the walls. Sometimes they were pictures of dark, curious landscapes, but oftenest they were portraits of men and women in queer, grand costumes made of satin and velvet. She found herself in one long gallery whose walls were covered with these portraits. She had never thought there could be so many in any house. She walked slowly down this place and stared at the faces which also seemed to stare at her. She felt as if they were wondering what a little girl from India was doing in their house. Some were pictures of children—little girls in thick satin frocks which reached to their feet and stood out about them, and boys with puffed sleeves and lace collars and long hair, or with big ruffs around their necks. She always stopped to look at the children, and wonder what their names were, and where they had gone, and why they wore such odd clothes. There was a stiff, plain little girl rather like herself. She wore a green brocade dress and held a green parrot on her finger. Her eyes had a sharp, curious look. "Where do you live now?" said Mary aloud to her. "I wish you were here." Surely no other little girl ever spent such a queer morning. It seemed as if there was no one in all the huge rambling house but her own small self, wandering about up-stairs and down, through narrow passages and wide ones, where it seemed to her that no one but herself had ever walked. Since so many rooms had been built, people must have lived in them, but it all seemed so empty that she could not quite believe it true.

The sharpie uniform is perhaps the most unlikely fashion statement you will ever see, a Frankenstein’s monster of baby-doll plucked eyebrows, skinhead-meets-mullet hair, 1970s fat ties and just a hint of bovver boy. Clothes worn too tight and too small. Kerry had prepared a shopping list: • bluebird earrings • three-inch Mary Jane corkie platform shoes • treads (shoes made using recycled tyres for the sole with suede thonging for the upper) • Lee canvas jeans • beachcombers • short white bobby socks • ribbed tights • a short, flared, preferably panelled skirt • satin baggies • a striped Golden Breed t-shirt or a KrestKnit polo shirt • a tight coral necklace from the surf shop • a Conti brand striped cardigan • blue metallic eye shadow from a small pot or a crayon

Poor little Tom, in his rags, approached, and was moving slowly and timidly past the sentinels, with a beating heart and a rising hope, when all at once he caught sight through the golden bars of a spectacle that almost made him shout for joy. Within was a comely boy, tanned and brown with sturdy outdoor sports and exercises, whose clothing was all of lovely silks and satins, shining with jewels; at his hip a little jeweled sword and dagger; dainty buskins on his feet, with red heels; and on his head a jaunty crimson cap, with drooping plumes fastened with a great sparkling gem. Several gorgeous gentlemen stood near,—his servants, without a doubt. Oh! he was a prince—a prince, a living prince, a real prince—without the shadow of a question; and the prayer of the pauper-boy’s heart was answered at last.

Quincenañera My dolls have been put away like dead children in a chest I will carry with me when I marry. I reach under my skirt to feel a satin slip bought for this day. It is soft as the inside of my thighs. My hair has been nailed back with my mother's black hairpins to my skull. Her hands stretched my eyes open as she twisted braids into a tight circle at the nape of my neck. I am to wash my own clothes and sheets from this day on, as if the fluids of my body were poison, as if the little trickle of blood I believe travels from my heart to the world were shameful. Is not the blood of saints and men in battle beautiful? Do Christ's hands not bleed into your eyes from His cross? At night I hear myself growing and wake to find my hands drifting of their own will to soothe skin stretched tight over my bones. I am wound like the guts of a clock, waiting for each hour to release me.

he herself will serve them coffee in tiny, cracked cups of precious porcelain and little sugar cakes. The hobbledehoys sit with a spilling cup in one hand and a biscuit in the other, gaping at the beautiful Countess in her satin finery as she pours from a silver pot and chatters distractedly to put them at their fatal ease. A certain desolate stillness of her eyes indicates she is inconsolable. She would like to caress their lean, brown cheeks and stroke their ragged hair. When she takes them by the hand and leads them to her bedroom, they can scarcely believe their luck. Afterwards, her governess will tidy the remains into a neat pile and wrap it in its own discarded clothes. This mortal parcel she then discreetly buries in the garden. The blood on the Countess' cheeks will be mixed with tears; her keeper probes her fingernails for her with a little silver toothpick, to get rid of the fragments of skin and bone that have lodged there.

Thus, there is much to support the view that it is clothes that wear us and not we them; we may make them take the mould of arm or breast, but they mould our hearts, our brains, our tongues to their liking. So, having now worn skirts for a considerable time, a certain change was visible in Orlando, which is to be found if the reader will look at the above, even in her face. If we compare the picture of Orlando as a man with that of Orlando as a woman we shall see that though both are undoubtedly one and the same person, there are certain changes. The man has his hand free to seize his sword, the woman must use hers to keep the satins from slipping from her shoulders. The man looks the world full in the face, as if it were made for his uses and fashioned to his liking. The woman takes a sidelong glance at it, full of subtlety, even of suspicion. Had they both worn the same clothes, it is possible that their outlook might have been the same.

Female sensibility is layers, words, membranes, cotton, cloth, rope, repetition, bodies, wet, opening, closing repetition, lists, lifestories, grids, destroying grids, houses, intimacy, doorways, breasts, vaginas, flow, strong, building, putting together many disparaging elements, repetition, red, ink, black, earth feel colors, the sun, the moon, roots skins, walls, yellow, flowers, streams, puzzles, questions, stuffing, sewing, fluffing, satin, hearts, tearing, tearing, tearing, tying, decorating, baking, feeding, holding, listening, seeing thru the layers, oil, varnish, shellac, jell, paste, glue, seeds, thread, more, not less, repetition, women critics, women, writers, women artists, either nourishing us or eating us up alive, tokenism, curators, universities, tokenism, fear of other women to acknowledge female sensibility, hostile boy artists, accepting men artists, separating the men from the boys, dividing women, piece of pie-ism, money, art, sex, beasts, layers, symphonies, multi-roled, multi-part, stories, narrative, paint/flesh, serious, overwhelming, soft, hard, women working, working women, hanging, dangling, breaking, being fruity, angry, naïve, born again and trying to describe hot white flesh ties.

She went alone to the vast room where the second-hand clothes were kept. Later, she thought it the happiest hour of her life. There were silks and brocades by the yard, and pile upon pile of hats, wigs, cloaks, and masks. After two years in wretched rags, even the linen shifts felt as soft as thistledown. She whirled from one delight to another- clutching lace, burying her nose in furs, holding flashy paste jewels next to her new-bleached skin. Catching her reflected eye in the mirror she laughed out loud, her red mouth wide and knowing. She put aside a few carefully-chosen costumes and elbow-length mittens. Then, finally, she chose a few costumes of a particular nature: shiny satin, ebony black. Lastly, she gathered the garments she would wear for her journey: a grass-green woolen gown and a lace cap and apron. The effect was somewhat grand for a domestic servant. Her auburn locks were pinned tightly, her figure flattered by a frilled muslin kerchief, crisscrossed in an 'X' over her breast. Pulling out a few auburn tendrils from her cap, she adjusted her bodice to show a little more flesh. Then she grew very still, and smiled slowly into the empty space before her. "How do you do, sir," she said with a graceful curtsy. "Now, what pretty dish might you care for tonight?

Liam was wrenched out of sleep the next morning by Kim banging on the attic door and shouting his name. His instincts had him on his feet and wrenching open the door before his brain even knew he was awake. He found Kim in the hall, her eyes blazing, in a big black T-shirt with a Guinness logo on it. Kim had obviously slept in the rumpled T-shirt, which she must have found in Liam’s dresser drawer. Liam knew she’d be warm and very naked beneath it, and then he realized he was naked himself, prepared to shift. One part of him was shifting already. “Gods, Kim, why are you out here yelling like a banshee?” Kim held up a small bit of satin fabric, her eyes wide with fury. “Who packed this? It was a man, wasn’t it?” “Probably. Why?” She shook the red satin patch. “This is a thong. Have you ever worn a thong? Do you know how it feels to have a string up your ass all day?” Liam sensed the rest of his family listening: Connor sitting up in bed behind him, Sean in the hall below, Dylan behind him in the same clothes he’d worn last night, which meant he’d slept next door. “What’s wrong with a thong?” Liam asked her. “I bet it’s sexy on you.” He pictured it, and immediately clamped down on his imagination. Gods. “Oh, right,” Kim said. “I’m standing in a courtroom, trying to think on my feet while the prosecution is laughing its butt off at me, but that’s all right— at least my underwear is sexy.

Rebecca,why haven't you burned his wardrobe yet?" Rebecca turned to see what had provoked that question, then just stared. Her husband was wearing one of those horribly bright satin coats better suited to a costume ball, this one in a ghastly orange, with excesive lace at the wrists and the throat. With his long black hair and his soft cheeks so smoothly shaved,it made him look somewhat effeminate when she knew he was anything but. But he actually looked to be trying not to laugh when he said to his mother, "She'll do nothing of the sort. She likes my taste in clothes. It reminds her of when we first met." Rebecca continued to just stare, her mind in a whirl. It sounded as if he was just teasing, but she couldn't be sure. To imply that she had fond memories of their first meeting wasn't even remotely amusing. She had nothing of the sort. "You can't seriously intend to take your wife out wearing something like that?" Julie continued. "What's wrong with what she's wearing?" "Not her,you fool.You! You're married now. Your old taste in clothes-" "Marriage has nothing to do with taste, Mother," Rupert cut in. "Well, perhaps a little,at least in women, but nothing a'tall to do with one's wardrobe.Shall we go, m'dear?" The last was added for Rebecca as he put an arm around her to lead her out of the room. His hand on her hip was all she could think about. But his mother refused to be dismissed so easily. Julie actually shouted at him, "Find a new tailor! You're mortifying your wife!

One of the most effective ways to quicken your story’s pace is to move from a static description of an object, place or person to an active scene. The classic method for accomplishing this is to have your character interact with the subject that’s been described. For instance, let’s say you’ve just written three paragraphs describing a wedding dress in a shop window. You’ve detailed the Belgian lace veil, the beaded bodice, the twelve-foot train, even the row of satin buttons down the sleeves. Instinctively you feel it’s time to move into an action scene, but how do you do it without making your transition obvious? A simple, almost seamless way is to initiate an action between your character (let’s call her Miranda) and the dress you’ve just described. Perhaps Miranda could be passing by on the sidewalk when the dress in the window catches her attention. Or she could walk into the shop and ask the shopkeeper how much the dress costs. This method works well to link almost any static description with a scene of action. Describe an elegant table, for instance, complete with crystal goblets, damask tablecloth, monogrammed napkins and sterling silver tableware; then let the maid pull a cloth from her apron and begin to polish one of the forks. Or describe a Superman kite lying beside a tree, then watch as a little girl grabs the string and begins to run. You will still be describing, but the nature of your description will have changed from static to active, thus quickening the story’s pace. Throughout

You’re…you’re what? Where?” I stood up and glimpsed myself in the mirror. I was a vision, having changed into satin pajama pants, a torn USC sweatshirt, and polka-dotted toe socks, and to top it off, my hair was fastened in a haphazard knot on the top of my head with a no. 2 Ticonderoga pencil. Who wouldn’t want me? “I’m outside,” he repeated, throwing in a trademark chuckle just to be extra mean. “Get out here.” “But…but…,” I stalled, hurriedly sliding the pencil out of my hair and running around the room, stripping off my pathetic house clothes and searching in vain for my favorite faded jeans. “But…but…I’m in my pajamas.” Another trademark chuckle. “So?” he asked. “You’d better get out here or I’m comin’ in…” “Okay, okay…,” I replied. “I’ll be right down.” Panting, I settled for my second-favorite jeans and my favorite sweater of all time, a faded light blue turtleneck I’d worn so much, it was almost part of my anatomy. Brushing my teeth in ten seconds flat, I scurried down the stairs and out the front door. Marlboro Man was standing outside his pickup, hands inside his pockets, his back resting against the driver-side door. He grinned, and as I walked toward him, he stood up and walked toward me, too. We met in the middle--in between his vehicle and the front door--and without a moment of hesitation, greeted each other with a long, emotional kiss. There was nothing funny or lighthearted about it. That kiss meant business. Our lips separated for a short moment. “I like your sweater,” he said, looking at the light blue cotton rib as if he’d seen it before. I’d hurriedly thrown it on the night we’d met a few months earlier. “I think I wore this to the J-bar that night…,” I said. “Do you remember?” “Ummm, yeah,” he said, pulling me even closer. “I remember.” Maybe the sweater had magical powers. I’d have to be sure to hold on to it. We kissed again, and I shivered in the cold night air. Wanting to get me out of the cold, he led me to his pickup and opened the door so we could both climb in. The pickup was still warm and toasty, like a campfire was burning in the backseat. I looked at him, giggled like a schoolgirl, and asked, “What have you been doing all this time?” “Oh, I was headed home,” he said, fiddling with my fingers. “But then I just turned around; I couldn’t help it.” His hand found my upper back and pulled me closer. The windows were getting foggy. I felt like I was seventeen. “I’ve got this problem,” he continued, in between kisses. “Yeah?” I asked, playing dumb. My hand rested on his left bicep. My attraction soared to the heavens. He caressed the back of my head, messing up my hair…but I didn’t care; I had other things on my mind. “I’m crazy about you,” he said. By now I was on his lap, right in the front seat of his Diesel Ford F250, making out with him as if I’d just discovered the concept. I had no idea how I’d gotten there--the diesel pickup or his lap. But I was there. And, burying my face in his neck, I quietly repeated his sentiments. “I’m crazy about you, too.

As if reading his mind, she smiled happily up at him. “Gary really came through for us, didn’t he?” “Absolutely, ma petite. And Beau LaRue was not so bad either. Come, we cannot leave the poor man pacing the swamp. He will think we are engaging in something other than conversation.” Wickedly Savannah moved her body against his, her hands sliding provocatively, enticingly, over the rigid thickness straining his trousers. “Aren’t we?” she asked with that infuriating sexy smile he could never resist. “We have a lot of clean-up to do here, Savannah,” he said severely. “And we need to get word to our people, spread the society’s list through our ranks, warn those in danger.” Her fingers were working at the buttons of his shirt so that she could push the material aside to examine his chest and shoulder, where two of the worst wounds had been. She had to see his body for herself, touch him to assure herself he was completely healed. “I suggest, for now, that your biggest job is to create something for Gary to do so we can have a little privacy.” With a smooth movement, she pulled the shirt from over her head so that her full breasts gleamed temptingly at him. Gregori made a sound somewhere between a sigh and a moan. His hands came up to cup the weight of her in his palms, the feel of her soft, satin skin soothing after the burning torture of the tainted blood. His thumbs caressed the rosy tips into hard peaks. He bent his head slowly to the erotic temptation because he was helpless to do anything else. He needed the merging of their bodies after such a close call as much as she did. He could feel the surge of excitement, the rush of liquid heat through her body at the feel of his mouth pulling strongly at her breast. Gregori dragged her even closer, his hands wandering over her with a sense of urgency. Her need was feeding his. “Gary,” she whispered. “Don’t forget about Gary.” Gregori cursed softly, his hand pinning her hips so that he could strip away the offending clothes on her body. He spared the human a few seconds of his attention, directing him away from the cave. Savannah’s soft laughter was taunting, teasing. “I told you, lifemate, you’re always taking off my clothes.” “Then stop wearing the damn things,” he responded gruffly, his hands at her tiny waist, his mouth finding her flat stomach. “Someday my child will be growing right here,” he said softly, kissing her belly. His hands pinned her thighs so that he could explore easily without interruption. “A beautiful little girl with your looks and my disposition.” Savannah laughed softly, her arms cradling his head lovingly. “That should be quite a combination. What’s wrong with my disposition?” She was writhing under the onslaught of his hands and mouth, arcing her body more fully into his ministrations. “You are a wicked woman,” he whispered. “I would have to kill any man who treated my daughter the way I am treating you.” She cried out, her body rippling with pleasure. “I happen to love the way you treat me, lifemate,” she answered softly and cried out again when he merged their bodies, their minds, their hearts and souls.

So this was passion, these intense sensations centered below her belly that made her feel boneless as satin and…and hot as… Faith, she couldn’t think what. Her knees were open and her bosom bare, and she just wanted more. More. More heat, more stroking, more… A keening began low in her throat that matched the building intensity between her legs. His fingers inside her fell into a provocative, rushing rhythm that was like…like… “That’s it, my lovely Jane,” Dom whispered against her breast. “Give yourself to the dance.” Ah, yes, like dancing. Only better. Because the music rising inside her came from her pounding heart and beating blood, from Dom’s devilish playing upon her privates, from the crescendo…of her own…quickening…gasps… Someone screamed. Her, apparently, for Dom uttered an oath seconds before he swallowed her cry with his kiss. And just like that, she vaulted out of the dance into heaven. Her body shook and her hand gripped his neck hard enough to leave marks, and it was marvelous. Every inch of her felt alive, from bones to flesh to skin. She wanted to shout, but Dom’s mouth wouldn’t leave hers. His tongue slid silkily in and out, slowing, softening, bringing her down from wherever it was she’d been. After a while, his kiss gentled to a tender sweetness that made her ache in a different way. In her heart. Her stupid, foolish heart. Regretfully, she drew her lips from his, and he let her, though his gaze didn’t leave her face. He drew up her bodice, pulled down her skirts, and lifted her until she was sitting straight up on his lap. His thing felt like a rod of iron beneath her bottom, but he made no move to have her touch it again. Which was good because at the moment, she could only sit there, limp and panting. He briefly kissed her forehead. “That, sweeting, is passion,” he said in a throttled voice. She nodded. It was all she could manage. “And if you wish to leave this room an innocent, you’d best go without delay.” That startled her. But she was grateful for the warning. Because now that their encounter was done, and she was returning to reality, she realized how mad this was. If she still meant to marry Edwin… No, she couldn’t think about that. Not right now, when she had Dom’s taste in her mouth and his scent engulfing her senses. Blushing, she rose from his lap and straightened her clothes, sure that if she came across anyone in the halls, they would guess at once what she’d been doing. Thank heaven the servants had probably already retired to their quarters. She would die if any of them saw her and guessed she’d been playing the wanton. “Dom…” she began, not sure what to say. Thank you? That was lovely? When may we do it again? Not that. If they ever did this again, she wouldn’t rest until he made her his. And she still wasn’t sure she wanted that. “It’s all right, Jane,” he said tightly, as if he could read the conflict inside her. “Get some sleep. We’ll talk tomorrow.” She bobbed her head and fled.

She watched as Cade opened the wardrobe and pulled out a white shirt of the finest linen weave, even finer than the one she had made for him. She had seen him wear only three shirts in the entire time she had known him, and suddenly he was wearing his best dress shirt through mud and donning rich clothes that made him seem a stranger. He pulled on a pair of skintight trousers that appeared to be satin, and Lily's breath caught in her chest at the sight. Her gaze strayed to his narrow hips and the crotch of his trousers. He was her husband and she knew him intimately, but his new clothing made her interest seem almost obscene. He covered himself with a short jacket embellished with silver braid and added a cravat that hung in loose folds over his elegant shirt. His thick, straight hair brushed the cravat, but in all other respects he looked like a Spanish gentleman. The sharp Roman nose and high cheekbones now resembled aristocracy more than it revealed his Indian heritage. There

Hello, Major,” Lily said, and she went right on scrubbing. Caleb approached. “Put down those long Johns and look at me, Lily. I’ve got something to give you.” She glared resentfully at his perfectly pressed coat, thinking of his plans to escort Sandra back to Tylerville. “Who washed your clothes?” she demanded. “Your competition,” he answered easily. “After all, if I brought my laundry to you, it would be like paying you, wouldn’t it? And I know how you feel about that.” Lily stiffened at having her own logic thrown back in her face, then went on scrubbing. The washboard was rubbing her knuckles raw. “Sandra tells me you’re going to Tylerville with her,” she said, careful not to look at him. “Lily, if you don’t stop that washing and look at me, I swear I’ll throw you over my shoulder and carry you inside like a sack of grain.” Because she knew Caleb wouldn’t be afraid to carry out his threat she stopped working and glared up at him impatiently. He laughed. “You’re a bad-tempered little creature. Maybe it will take me two months to get you in line rather than one.” Lily’s eyes were drawn to the satin box despite valiant efforts to avoid looking at it. “Is that for me?” “Yes.” She reached for the box, knowing it contained her favorite indulgence: chocolate. Caleb withheld the temptation. “Not only bad-tempered,” he teased, “but greedy, too.” Defiantly, Lily went back to her washing, and Caleb immediately hoisted her off her feet. The breath went out of her when her stomach struck his shoulder, but she managed to kick. Caleb gave her a hard swat on the bottom and strode through the maze of clotheslines to the back door, where he stood her summarily on the stoop. The expression snapping in his eyes was not one of mischief when he jammed the box of chocolates into her hands. “I’ve had enough of this nonsense,” he announced. “You’re moving in with me. From now on, you’re going to be my housekeeper.” Lily’s backside was stinging as badly as her cheeks. “I’m staying right here!” she said fiercely. Caleb remained on the ground, his eyes level with Lily’s. “My house is two doors down from the Tibbets’. I’ll expect you to be there waiting when I get home. Preferably with dinner on the table.” Lily would have clouted him over the head with the candy box if not for the distinct possibility that her chocolates would be squashed. She whirled, stormed into her little house, slammed the door closed, and drove the bolt home. “Saturday,” Caleb called to her, and she watched through the window as he put his hat back on and strode out of the yard. Thirty

I was wondering,” she began as if the argument hadn’t happened. “If I went to buy the new bedding, would you pick out the mattress? It would save time.” “Huh?” His eyebrows went up. “I don’t need to test it,” she said hastily. “Well, I’m not going to be sleeping on it.” Kenzie didn’t respond directly to his faintly mocking comment. “Let me explain. You’re a guy. You don’t know what it’s like to lie down on a mattress with a store salesman grinning at you.” Linc could see her point. It was all too easy to imagine her stretched out on a satin-topped, brand-new double. Fully clothed, of course. But even so. “It’s on Norm.” She reached into her pocket for a handful of hundreds. “Just get whatever mattress seems reasonable, so long as it’s in stock and they can deliver it today.” His arms uncrossed but he didn’t take the money. “Did I say yes to this? I don’t think I did.” “Please, Linc.” He studied her, making her wait. The room was nothing to write home about but she seemed happy here and, all of a sudden, a lot less tense, judging by her body language. He gave in. “All right.” Claws retracted, Kenzie patted his cheek. “Thank you so much.” A while later, he was tying a plastic-wrapped mattress to the top of his car.

The cloth from which I'd been cut was as wildly divergent from the one that had produced my mother and sister as satin was from tweed.

A similar couch was on this side of the room and the whole wall above it, on either side of the door, was painted with two brilliant murals. One was of four women and three men with no clothes on, doing what might be expected of four women and three men with no clothes on, and the other was just as much fun. It was a bold, red and black painting of a semi-nude, black-skinned woman and a dark red satyr, the lascivious demigod of mythology, both under the gaze of a laughing, sharp-horned, scarlet devil. More huge silk-and-satin-covered pillows, plus two round black hassocks, were scattered on the carpet. In another minute, it would be ten o'clock. I walked to the projector, a new Bell and Howell sixteen-millimeter job, the Filmosound Model 385 with all the gadgets. Switches to start, stop, or reverse the film, a switch for showing single frames, the works. A rubber-covered cord ran from the base of the projector down along the carpet to the front wall and disappeared under the black drapery. One reel of film was

Tunics are one of the most popular and versatile garments in fashion. They can be worn in a variety of ways to create different looks. Here are some tips on how to wear a tunic: Pair tunic tops for women with leggings or skinny jeans for a comfortable and stylish look. Wear a belt around your waist to define your figure and create an hourglass shape. Layer long tunics for women over a collared shirt or turtleneck for a chic and polished look. Add interest to your outfit with accessories such as statement necklaces, scarves, or belts. For a more casual look, pair a tunic with shorts or Capri pants. To dress up your outfit, wear heels or wedges with your tunic. How to Style a Tunic ? Tunics are a versatile and comfortable item of clothing that can be worn in a variety of ways. They are perfect for both casual and formal occasions, and can be styled to suit any taste. Here are some tips on how to style a tunic: -Pair your designer tunics online with leggings or skinny jeans for a casual look. -Wear it over a dress or skirt for a more formal outfit. -Layer it under a jacket or cardigan for extra warmth. Tunics For Women Fashion: A Guide to Using This All-Time Favorite Tunic Fashion is an all-time favorite for many women. Wearing one makes you feel light and confident all at once – the perfect combination! Tunics come in a variety of patterns, lengths, and sleeves, so there’s something for every woman no matter what your personal style might be. Tunic Lengths Tunic fashion is all about comfort and style. This all-time favorite can be dressed up or down, making it a versatile piece in your wardrobe. The key to finding the right tunic length is to know your body type and what looks best on you. Petite women should look for tunics that hit at the hip or above. This will prevent the tunic from overwhelming your small frame. If you’re tall, you can get away with long tunics for women length. Just make sure it doesn’t drag on the ground – no one wants to deal with that! If you’re pear-shaped, look for tunics that cinch at the waist to flatter your figure. A-line tunics are also a good option for this body type. And if you have an hourglass figure, show off your curves with a fitted tunic top. No matter what your body type, there’s a tunic length out there that will look great on you! What to Wear with a Tunic ? Assuming you want a guide on how to wear a tunic: Tunics for women are one of the most versatile, easy-to-wear items in any woman’s wardrobe. Whether you’re looking for something to wear to the office or on a casual weekend, a tunic can be dressed up or down to suit any occasion. But with so many different styles and silhouettes out there, it can be hard to know what to pair with your tunic. Here are a few tips on what to wear with a tunic dress for women, no matter what the occasion: For work: To give your tunic a more polished look for work, try pairing it with tailored trousers or a pencil skirt. Add a blazer for extra warmth and style points. And don’t forget the accessories! A great pair of earrings or a statement necklace can really elevate your look. For weekends: On weekends, you can afford to dress your girls tunic tops down a bit. Try pairing it with jeans or leggings for a comfortable, casual look. Slip on some flats or sneakers and you’re good to go! For evenings out: To dress up your tunic for an evening out, try pairing it with slim-fit pants or a skirt in a rich fabric like velvet or satin. Add heels and some sparkling jewelry to really make your outfit shine. How to Wear a Tunic ? -Accessorize with jewelry, scarves, or belts to personalize your look. What Types of Tunics are Available? Ladies tunic dresses come in a wide range of styles, from fitted to loose and flowing. They can be made from a variety of fabrics, including cotton, linen, Silk, and wool. You can find tunics in solid colors, patterns, and prints.

Opposite the bed is a cabinet built in to the wall, taking the whole length of it. It has a painted clock face on the front, with constellations instead of numbers. The arms of the clock are pointed toward a configuration of stars prophesying a particularly amorous lover. Inside, it appears merely a wardrobe overstuffed with Cardan's clothes. I pull them out, letting them fall to the floor in a pile of velvet cuffs, satin, and leather. From the bed, Cardan makes a sound of mock distress.

I tried to imagine her in my grandfather’s clothes. Everything about her was feminine and tailored and perfect. Everything about her felt the opposite of me. I could imagine me in my grandfather’s clothes. But not her. I wanted you. I wanted you growing in my body, I wanted you in my arms, I wanted you over my shoulder— She got quiet. And then the wanting was gone, wasn’t it? She shook her head. More time passed before she spoke again. It wasn’t gone. Just different. You’re going to learn this. I mean, I hope you learn this. Love changes and changes. Then it changes again. Today, the love is me wanting to see you in that dress, she said. I want to see me in you because Me in that dress was over a long time ago. Sixteen was gone. Then seventeen, eighteen—all of it. I pulled the dress closer to me—lace over silk and satin, tea length, mandarin collared. A tailor had cinched the waist and let out the hips. He’d lifted the hem to see if there was extra fabric there to lengthen it. When there was only just enough, he used satin binding over the raw edge to squeeze the last of the length from it. My grandmother was so proud of his work. As I stood in his shop turning for the two of them, the tailor nodded approvingly and my grandmother dabbed at her eyes.

I say, I’d always figured those toga-wearing guys hung out around the same time. His smile is soft. You always know what poets wore. I say something like, Baudelaire tweezed his nose hairs and wore the floppy black satin bow. Dickinson wore white like a virgin bride. Warren Whitbread wore Brooks Brothers shirts, button-down, oxford-cloth. Jeans and khakis. He was long of limb and lean in a blue bathrobe. He says, And Mary Karr? Black black black. Plus loads of mascara. Spike heels. He reaches among the wrappings on the floor and holds up the eye-fryingly pink sweater his mother picked up for me in Bermuda, saying, You’re not ready for this yet? Grotesque as it looks, in some ways, I want nothing more than to look right occupying

The moral of the story: Every day is a special day. A tear in your chiffon? So what! A food stain on that satin ruffle? Big deal! A little paint spatter on that velvet blazer merely adds to your overall patina. When women ask me for fashion advice, I always say the same thing: “Go home and throw out all your ‘work’ clothes!” If you always dress as if you are going to a party or a Bowie concert—or a Black Eyed Peas concert—you will always have more fun.

I’ve always said I didn’t want an ordinary life. Nothing average or mundane for me. But as I stared at the rather ample naked derriere wiggling two inches from my face today, I realized I should have been more specific with my goals. Definitely not ordinary, but not exactly what I had in mind. The Texas-flag tattoo emblazoned across the left cheek waved at me as she shifted her weight from foot to foot. The flag was distorted and stretched, as was the large yellow rose on the right cheek, both tattoos dotted with dimples and pock marks. An uneven script scrawled out “The Yellow Rose of Texas” across the top of her rump. Her entire bridal party—her closest friends and relatives, mind you—had left her high and dry. They’d stormed off the elevator as I tried to enter it, a flurry of daffodil-yellow silk, spouting and sputtering about their dear loved one, Tonya the bride. “That’s it! We’re done!” They sounded off in a chorus of clucking hens. “We ain’t goin’ back in there. She can get ready on her own!” “Yeah, she can get ready on her own!” “Known her since third grade and she’s gonna talk to me like that?” “Third grade? She’s my first cousin. I’ve known her since the day she was born. She’s always been that way. I don’t know why y’all acting all surprised.” I felt more than a little uneasy about what all this meant for our schedule. The ceremony was supposed to start in fifteen minutes. The bride should have already been downstairs and loaded in the carriage to make her way to the hotel’s beach. My unease grew to panic when I knocked on Tonya’s door and she opened it clad only in a skimpy little satin robe. “Honey, you’re supposed to be dressed and downstairs already.” I tried to say it as sweetly as possible, but I’m sure my panic came through. My Southern accent kicked in thick, which usually only happens when I’m panicked or frustrated. Or pissed. Or drunk. “Do you think I don’t know that?” she asked, arching a perfectly drawn-on eyebrow. “Do you think somehow when I booked this wedding and had invitations printed and planned the entire damned event, I somehow didn’t realize what time the ceremony started? And just who the hell are you anyway?” Well, alrighty then. Obviously this was going to be a fun day. “Um, I’m Tyler Warren. I’m assisting Lillian with your wedding today.” “Fine. Those bitches left me with my nails wet.” She held up both hands to show me the glossy, fresh manicure. “How the hell am I supposed to get dressed with wet nails?” she asked, arching both eyebrows now and glaring at me like I was somehow responsible for this. “Oh.” My mind spun with the limited time frame I had available, the amount of clothing she still needed to put on, and the amount of time it would take to get her in the carriage and to the ceremony. “Give me just a second to let Lillian know we’ll be down shortly.” I smiled what I hoped was my sweetest smile and stepped backward into the hallway. She slammed the door as I frantically dialed Lillian’s cell. “You’d better be calling to tell me she is in the carriage and on her way,” Lillian said. “It is hotter than Hades out here. I have several people looking like they’re about to faint, and I may possibly dunk a cranky, tuxedoed five-year-old

Tell her what you want to tell her then, Cass.” Cass gave Siena a quick summary of what she and Falco had discovered at the graveyard. The maid’s eyes got bigger and bigger as Cass relayed finding the open crypt door and the body, and then receiving the note. “But Signorina Cass, you might be in danger!” “That’s why we’re going to figure out who’s responsible,” Cass said, with more confidence than she felt. “Speaking of which…” Falco nodded at the costume bag, which Cass had completely forgotten. A silky garment, trimmed with lace and beaded elaborately, had fallen out during the scuffle. Siena looked down, and even in the flickering light, Cass could see that her pale skin went bright pink. The lady’s maid knelt to retrieve the outfit, a low-cut satin chemise. She pressed the clothing into Cass’s hands without meeting her eyes. Cass felt her own face get red. “It’s--it’s just a costume. We’re going to try to locate some of the dead girl’s patrons.” “You mean you’re going to masquerade as a…” The shy maid couldn’t choke out the rest. “Hired woman,” Cass confirmed, wondering if it would have been easier just to let Siena believe that she and Falco had met up for a tryst. She wasn’t sure which would have been more scandalizing. “I know it’s dangerous, but it’s more dangerous to do nothing while a madman plots against me. And Falco will be by my side the whole time. Please don’t tell my aunt.” Siena didn’t say anything for a minute. She looked back and forth from Cass to Falco. Finally, she nodded. And then, to Cass’s amazement, her red face lit up with a huge smile. “You’ll need me to do your hair, Signorina.” “Hair?” Cass wasn’t sure she had heard correctly. “What are you talking about?” “Your hair and your makeup.” Siena reached out to stroke Cass’s thick hair. “Otherwise, no one will believe you are anything other than a noblewoman. I’ll put the sides in braids, and twist the back into a knot.” Falco nodded approvingly at Siena. “Excellent idea. We want to make sure everyone can see that beautiful face tonight.” Cass thought her skin might turn permanently red if she continued blushing.

I need you to do as I ask you,” he said in desperation, fighting the beast lifting its head hungrily. Her laughter was soft, enticing, the sound dancing over his skin. “No, you don’t. Too many people think your word is law. You need someone to defy you a little bit. I know you won’t hurt me, Mikhail. I can feel your fear of yourself. You think there’s something in you I can’t love, some kind of monster you’re afraid for me to see. I know you better than you know yourself.” “You are so reckless, Raven, so heedless of danger.” He gripped the back of a chair so hard the wood threatened to disintegrate into dust. As it was, it would hold the imprint of his fingers for all time. “Danger, Mikhail?” She tipped her head to one side, her hair falling in a slide over one shoulder. Her hands went to the top button of her blouse. “I would never be in danger from you, even if you were furious with me. The only danger right now is to my clothes.” She took a step back, laughing again, letting the sound warm him, ignite the fuse deep inside him. Heat coiled, spread; need slammed into him, hard and urgent. Hunger tore at him, a blind red haze. “You, little one, are playing with fire, and I am totally out of control.” He made one last attempt to save her. Why couldn’t she see how selfish he really was? How he had taken over her life and would never release her? He was the monster she couldn’t see. Perhaps with the rest of the world cold logic and justice ruled him, but not with her. With Raven he was taken over by emotions with which he was so unfamiliar that he could not control them. He did things he felt were unconscionable. He let her see the violence in his mind, tearing her clothes, taking her body without thought or control. She answered him in her mind, warmth, love, her body eager for his, receptive, accepting of his violent side. She had total trust and faith in his feelings for her, in his commitment to her. He swore softly, ripping the clothes from his fettered body, leaping upon her like an attacking jungle cat. “Mikhail, I love this dress,” she whispered against his throat, laughter still spilling into his mind. Laughter. Joy. No fear. “Get out of the damned thing,” he said hoarsely, not realizing he was confirming her belief in him. She took her time, teasing him by fumbling at buttons, making him find the hook in her skirt. “You do not know what you are doing,” he objected raggedly, but his hands were gentle on her body, carefully stripping away her clothes until she was all bare satin skin and long silky hair.

He swore softly, ripping the clothes from his fettered body, leaping upon her like an attacking jungle cat. “Mikhail, I love this dress,” she whispered against his throat, laughter still spilling into his mind. Laughter. Joy. No fear. “Get out of the damned thing,” he said hoarsely, not realizing he was confirming her belief in him. She took her time, teasing him by fumbling at buttons, making him find the hook in her skirt. “You do not know what you are doing,” he objected raggedly, but his hands were gentle on her body, carefully stripping away her clothes until she was all bare satin skin and long silky hair.

If you give small, informal dinner parties, have a few long or short colorful skirts and dresses in jersey or flannel with gay party aprons to make your role of hostess festive yet comfortable. If your husband's work means continuous parties, conventions, and entertainment, pep up your collection of after-five clothes with satin pumps in different colors.

And she thought it was good to be sad. Not miserable, since she'd never felt that way because she was modest and simple but that indefinable thing as if she were romantic. Of course she was neurotic, that goes without saying. It was a neurosis that kept her going, my God, at least that: crutches. Every once in a while she wandered into the better neighborhoods and gazed at the shop windows glittering with jewels and satin clothes–just to mortify herself a bit. Because she needed to find herself and suffering a little is a way of finding.