Winter Sunset Quotes

She was a ray of sunshine, a warm summer rain, a bright fire on a cold winter’s day, and now she could be dead because she had tried to save the man she loved.

Learn to like what doesn't cost much. Learn to like reading, conversation, music. Learn to like plain food, plain service, plain cooking. Learn to like fields, trees, brooks, hiking, rowing, climbing hills. Learn to like people, even though some of them may be different...different from you. Learn to like to work and enjoy the satisfaction doing your job as well as it can be done. Learn to like the song of birds, the companionship of dogs. Learn to like gardening, puttering around the house, and fixing things. Learn to like the sunrise and sunset, the beating of rain on the roof and windows, and the gentle fall of snow on a winter day. Learn to keep your wants simple and refuse to be controlled by the likes and dislikes of others.

That time of year thou mayst in me behold When yellow leaves, or none, or few, do hang Upon those boughs which shake against the cold, Bare ruin'd choirs, where late the sweet birds sang. In me thou seest the twilight of such day As after sunset fadeth in the west, Which by and by black night doth take away, Death's second self, that seals up all in rest. In me thou see'st the glowing of such fire That on the ashes of his youth doth lie, As the death-bed whereon it must expire Consumed with that which it was nourish'd by. This thou perceivest, which makes thy love more strong, To love that well which thou must leave ere long.

You should see my corgis at sunset in the snow. It's their finest hour. About five o'clock they glow like copper. Then they come in and lie in front of the fire like a string of sausages.

They captured in their ramble all the mysteries and magics of a March evening. Very still and mild it was, wrapped in a great, white, brooding silence -- a silence which was yet threaded through with many little silvery sounds which you could hear if you hearkened as much with your soul as your ears. The girls wandered down a long pineland aisle that seemed to lead right out into the heart of a deep-red, overflowing winter sunset.

How passionately we love everything that cannot last: the dazzling crystallory of winter, the spring in bloom, the fragile flight of butterflies, crimson sunsets, a kiss, and life.

In early June the world of leaf and blade and flowers explodes, and every sunset is different.

]Sardis often turning her thoughts here ] you like a goddess and in your song most of all she rejoiced. But now she is conspicuous among Lydian women as sometimes at sunset the rosyfingered moon surpasses all the stars. And her light stretches over salt sea equally and flowerdeep fields. And the beautiful dew is poured out and roses bloom and frail chervil and flowering sweetclover. But she goes back and forth remembering gentle Atthis and in longing she bites her tender mind

They would never know how lucky they had been. For a lifetime, mankind had achieved as much happiness as any race can ever know. It had been the Golden Age. But gold was also the color of sunset, of autumn: and only Karellen’s ears could catch the first wailings of the winter storms.

As sometimes at sunset the rosyfingered moon surpasses all the stars. And her light stretches over salt sea equally and flowerdeep fields.

But at sunset the clouds gathered again, bringing an earlier night, and the snow began to fall straight and steadily from a sky without wind, in a soft universal diffusion more confusing than the gusts and eddies of the morning. It seemed to be a part of the thickening darkness, to be the winter night itself descending on us layer by layer.

All things bright and beautiful, All creatures great and small, All things wise and wonderful, The Lord God made them all. Each little flower that opens, Each little bird that sings, He made their glowing colours, He made their tiny wings. The purple headed mountain, The river running by, The sunset, and the morning, That brightens up the sky. The cold wind in the winter, The pleasent summer sun, The ripe fruit in the garden, He made them every one. He gave us eyes to see them, And lips that we might tell, How great is God Almighty, Who has made all things well.

Oswald welcomed the cooler weather because in the following days he discovered it brought winter sunsets, and the river sunsets were different from anything else he had ever seen. They mesmerized him.

There is always something wrong with redheads. The hair is kinky, or it's the wrong color, too dark and tough, or too pale and sickly. And the skin - it rejects the elements: wind, sun, everything discolors it. A really beautiful redhead is rarer than a flawless forty-carat pigeon-blood ruby - or a flawed one, for that matter. But none of this was true of Kate. Her hair was like a winter sunset, lighted with the last of the pale afterglow. And the only redhead I've ever seen with a complexion to compare with hers was Pamela Churchill's. But then, Pam is English, she grew up saturated with dewy English mists, something every dermatologist ought to bottle.

Watching the day slowly bloom into night. That’s how it always seemed to me: not the fading of a withered flower, but the opening of some dark, rich blossom, with unexpected hues and heavy scents.

Sunset is such a sad hour,” she said, presently. “If I watch the end of a day—any day—I always feel it’s the end of a whole epoch. And the autumn! It might as well be the end of everything,” he said. “That’s why I hate cold countries, and love the warm ones, where there’s no winter, and when night comes you feel an opening up of the life there, instead of a closing down. Don’t you feel that?

The pale, cold light of the winter sunset did not beautify - it was like the light of truth itself. When the smoky clouds hung low in the west and the red sun went down behind them, leaving a pink flush on the snowy roofs and the blue drifts, then the wind sprang up afresh, with a kind of bitter song, as if it said" "This is reality, whether you like it or not. All those frivolities of summer, the light and shadow, the living mask of green that trembled over everything, they were lies, and this is what was underneath. This is the truth." It was as if we were being punished for loving the loveliness of summer.

During winter sunsets, standing on a promontory so I saw the scenic sea as a surface rather than a line and, as coal-boats appeared from all sides of the horizon, I thought that, as they opened their portholes, they would throw their coals onto this fire. They swarmed over the ocean like blowflies ready to devour the decomposed star, and the blank gesture of a cloud fanned them.

Years ago, when I was working on my master's thesis, I went to New York for a semester as an exchange student. What struck me most was the sky. On that side of the world, so far away from the North Pole, the sky is flat and gray, a one-dimensional universe. Here, the sky is arched, and there's almost no pollution. In spring and fall the sky is dark blue or violet, and sunsets last for hours. The sun turns into a dim orange ball that transforms clouds into silver-rimmed red and violet towers. In winter, twenty-four hours a day, uncountable stars outline the vaulted ceiling of the great cathedral we live in. Finnish skies are the reason I believe in God.

What is life? It is the flash of a firefly in the night. It is the breath of a buffalo in the winter time. It is the little shadow which runs across the grass and loses itself in the Sunset.

Look: this is January the worst onslaught is ahead of us Don't be lured by these soft grey afternoons these sunsets cut from pink and violet tissue-paper by the thought the days are lengthening Don't let the solstice fool you: our lives will always be a stew of contradictions the worst moment of winter can come in April when the peepers are stubbornly still and our bodies plod on without conviction and our thoughts cramp down before the sheer arsenal of everything that tries us: this battering, blunt-edged life

Out of the dark we came, into the dark we go. Like a storm-driven bird at night we fly out of the Nowhere; for a moment our wings are seen in the light of the fire, and, lo! we are gone again into the Nowhere. Life is nothing. Life is all. It is the Hand with which we hold off Death. It is the glow-worm that shines in the night-time and is black in the morning; it is the white breath of the oxen in winter; it is the little shadow that runs across the grass and loses itself at sunset.

From sunset she appeared, Her cloak pierced by a bloom Of unfamiliar climes. She summoned me somewhere Into the northern gloom And aimless winter ice. And bonfire burned 'mid night, And with its tongues the blaze Did lick the very skies. The eyes flashed fiery light, And falling as black snakes The tresses were released. And then the snakes encircled My mind and lofty spirit Lay spread upon the cross. And in the snowdust's swirl To black eyes I am true, To beauty of the coils. (untitled: "From sunset she appeared")

The fullness of life is wrapped in all sacred times: plenty and scarcity; happiness and sadness; planting and harvesting; sunrise and sunset; winter and springtime; summer and autumn; beginning and finishing; birth and death…!

The winter sunset, flaming beyond spires And chimneys half-detached from this dull sphere, Opens great gates to some forgotten year Of elder splendours and divine desires. Expectant wonders burn in those rich fires, Adventure-fraught, and not untinged with fear; A row of sphinxes where the way leads clear Toward walls and turrets quivering to far lyres. It is the land where beauty's meaning flowers, Where every unplaced memory has a source, Where the great river Time begins its course Down the vast void in starlit streams of hours. Dreams bring us close - but ancient lore repeats That human tread has never soiled these streets.

Know me, for I am death to all oath breaker, promise renders, and betrayers. Know me, for I am the last sunset, the night without the dawn, the winter without spring. I am pain to your pleasure, silence to your shout, stillness to your speed. I hunt death.

For London, Blampied claimed, was of all cities in the world the most autumnal —its mellow brickwork harmonizing with fallen leaves and October sunsets, just as the etched grays of November composed themselves with the light and shade of Portland stone. There was a charm, a deathless charm, about a city whose inhabitants went about muttering, "The nights are drawing in," as if it were a spell to invoke the vast, sprawling creature-comfort of winter.

​Taking a deep breath, I unscrewed the lid of the copper urn and held it aloft. “To our brother. Every wind that rustles, we’ll remember you. Every leaf that falls, we’ll think of you. Every sunrise, we’ll recall the times we shared. And every sunset, we’ll value all that we’ve been given. This is not goodbye; this is a ‘see you soon.

The leaves on the trees we approached were a molten gold, like an artist had taken a sunset and poured it over the forest, and the crisp smell of the coming winter floated on the autumn breeze. It was early afternoon, and the birds sang bright and loud in the treetops.

Her scent was there, swirling all around him. It was feminine, but not elegant. Not like flowers or the spring air, but rather like an autumn breeze, weaving its way through branches well on their way to winter slumber. It was the scent of a fall evening casting its glow over a serene lake. It was the smell of sunset, something he hadn’t seen in so long.

It is the glow-worm that shines in the night-time and is black in the morning; it is the white breath of the oxen in winter; it is the little shadow that runs across the grass and loses itself at sunset." "You are a strange man," said Sir Henry, when he had ceased. Umbopa laughed. "It seems to me that we are much alike, Incubu. Perhaps I seek a brother over the mountains.

And it was to this city, whenever I went home, that I always knew I must return, for it was mistress of one's wildest hopes, protector of one's deepest privacies. It was half insane with its noise, violence, and decay, but it gave one the tender security of fulfillment. On winter afternoons, from my office, there were sunsets across Manhattan when the smog itself shimmered and glowed… Despite its difficulties, which become more obvious all the time, one was constantly put to the test by this city, which finally came down to its people; no other place in America had quite such people and they would not allow you to go stale; in the end they were its triumph and its reward.

And you are all my sunrises and sunsets, rain on green leaves, fireworks reflected in a smooth lake, and a wood fire on the coldest winter day. You are sex and sin and a guardian angel. You are every beat of my heart and every moment of peace and every hour of pandemonium. You are the sweetest torture I’ve ever known. And you . . . will never feel one tenth for me what I feel for you. And that, also, is perfect.

Winter sunset can be a particularly good time for a small daily ritual: making a sunset tea tray, with a hot drink and a little treat, pairs something often seen as negative (the early darkness) with something delightful to reclaim sunset as a time for pleasure.

She remembered the way it looked at sunset, with the island winged cats perched on the rooftops, and the way it smelled at dawn of fresh-baked bread. In spring, wildflowers sprouted everywhere-the roofs, the cliffs, the fields. In winter, snow blanketed everything in thick white fluff.

I have always loved the many moods of the sky at Rocky Flats. Turquoise and teal in summer, fiery red at sunset, iron gray when snow is on the way. The land rolls in waves of tall prairie grass bowed to the wind, or sprawling mantles of white frosted with a thin sheath of ice in winter.

The pale, cold light of the winter sunset did not beautify—it was like the light of truth itself. When the smoky clouds hung low in the west and the red sun went down behind them, leaving a pink flush on the snowy roofs and the blue drifts, then the wind sprang up afresh, with a kind of bitter song, as if it said: ‘This is reality, whether you like it or not. All those frivolities of summer, the light and shadow, the living mask of green that trembled over everything, they were lies, and this is what was underneath. This is the truth.’ It was as if we were being punished for loving the loveliness of summer.

I still remember the winter sky that evening. Whenever I worked in my sea garden and I saw a sunset like that, I'd think back to Bantham Beach. It was as if the sun had been torn open. Everything was scarlet. The clouds were flames, so wild and vibrant that blue didn't look like a color anymore. The sea and land served as a mirror. The ribbed sand was on fire. So were the stones and maroon rock pools. The pink crests of the waves. The burning hump of Burgh Island.

Know me," Ven said as he drove knife after knife into the spirit's body, "for I am death to all oathbreakers, promise renders, and betrayers. Know me, for I am the last sunset, the night without dawn, the winter without spring. I am pain to your pleasure, silence to your shout, stillness to your speed. I hunt death.

I am reminded yet again of the quiet value of ritual in my life, and of the words of D. H. Lawrence: “We must get back into relation: vivid and nourishing relation to the cosmos and the universe . . . We must once more practice the ritual of dawn and noon and sunset, the ritual of kindling fire and pouring water, the ritual of the first breath and the last.

The weather itself, the heat and cold of summer and winter, was, we may believe, of another temper altogether. The brilliant amorous day was divided as sheerly from the night as land from water. Sunsets were redder and more intense; dawns were whiter and more auroral. Of our crepuscular half-lights and lingering twilights they knew nothing. The rain fell vehemently, or not at all. The sun blazed or there was darkness. Translating this to the spiritual regions as their wont is, the poets sang beautifully how roses fade and petals fall.

The sky above them was another country. Winter stars, close enough to lick, had come out before sunset. For a moment, looking up, Sethe entered the perfect peace they offered.

What’d you eat while you were wintering here?” asked Eustace. “This table,” said Ramandu, “will be filled with a king’s feast every day at sunset.” “Now you’re talking!” said several sailors.

I may love the great outdoors in winter, but even I draw the line at sunset. When November comes, I have no desire to leave the house after dark. My instinct is to hibernate the evenings away.

Where shall you seek beauty, and how shall you find her unless she herself be your way and your guide? And how shall you speak of her except she be the weaver of your speech? The aggrieved and the injured say, "Beauty is kind and gentle. Like a young mother half-shy of her own glory she walks among us." And the passionate say, "Nay, beauty is a thing of might and dread. Like the tempest she shakes the earth beneath us and the sky above us." The tired and the weary say, "Beauty is of soft whisperings. She speaks in our spirit. Her voice yields to our silences like a faint light that quivers in fear of the shadow." But the restless say, "We have heard her shouting among the mountains, And with her cries came the sound of hoofs, and the beating of wings and the roaring of lions." At night the watchmen of the city say, "Beauty shall rise with the dawn from the east." And at noontide the toilers and the wayfarers say, "We have seen her leaning over the earth from the windows of the sunset." In winter say the snow-bound, "She shall come with the spring leaping upon the hills." And in the summer heat the reapers say, "We have seen her dancing with the autumn leaves, and we saw a drift of snow in her hair." All these things have you said of beauty, Yet in truth you spoke not of her but of needs unsatisfied, And beauty is not a need but an ecstasy. It is not a mouth thirsting nor an empty hand stretched forth, But rather a heart enflamed and a soul enchanted. It is not the image you would see nor the song you would hear, But rather an image you see though you close your eyes and a song you hear though you shut your ears. It is not the sap within the furrowed bark, nor a wing attached to a claw, But rather a garden for ever in bloom and a flock of angels for ever in flight. People of Orphalese, beauty is life when life unveils her holy face. But you are life and you are the veil. Beauty is eternity gazing at itself in a mirror. But you are eternity and you are the mirror.

A fire burns in the evening sky Breaking like an egg in a pan A sea of yellowish orange spreads In accordance with divine plan.  Vibrant paint drips to the edge Of ashen clouds drifting past The sun is a messy painter Every brush stroke massive and vast. The clouds are like matches Starting as fiery flame Then fading to ashes  A burning passion, tamed.  The red, orange, yellow leaves On the ground in this season Reflect the colors of the sky, and The sunlight that used to feed them.  A September sunset beaming  Down as a sailor's last call A herald for the coming winter A message, enjoy the fleeting fall. 

Early in March the crocuses crept alight, then blazed yellow and purple in the park. In fact it is about five o'clock in the evening that the first hour of spring strikes - autumn arrives in the early morning, but spring at the close of a winter day. The air, about to darken, quickens and is run through with mysterious white light; the curtain of darkness is suspended, as though for some unprecedented event. There is perhaps no sunset, the trees are not yet budding - but the senses receive an intimation, an intimation so fine, yet striking in so directly, that this appears a movement in one's own spirit. This exalts whatever feeling is in the heart.

The woods are so human," wrote John Foster, "that to know them one must live with them. An occasional saunter through them, keeping to the well-trodden paths, will never admit us to their intimacy. If we wish to be friends we must seek them out and win them by frequent, reverent visits at all hours; by morning, by noon, and by night; and at all seasons, in spring, in summer, in autumn, in winter. Otherwise we can never really know them and any pretence we may make to the contrary will never impose on them. They have their own effective way of keeping aliens at a distance and shutting their hearts to mere casual sightseers. It is of no use to seek the woods from any motive except sheer love of them; they will find us out at once and hide all their sweet, old-world secrets from us. But if they know we come to them because we love them they will be very kind to us and give us such treasures of beauty and delight as are not bought or sold in any market-place. For the woods, when they give at all, give unstintedly and hold nothing back from their true worshippers. We must go to them lovingly, humbly, patiently, watchfully, and we shall learn what poignant loveliness lurks in the wild places and silent intervales, lying under starshine and sunset, what cadences of unearthly music are harped on aged pine boughs or crooned in copses of fir, what delicate savours exhale from mosses and ferns in sunny corners or on damp brooklands, what dreams and myths and legends of an older time haunt them. Then the immortal heart of the woods will beat against ours and its subtle life will steal into our veins and make us its own forever, so that no matter where we go or how widely we wander we shall yet be drawn back to the forest to find our most enduring kinship.

It happens this way sometimes, we can discover truths about ourselves in a moment, sometimes in the midst of drama, sometimes quietly. A sunset wind can be blowing off the sea, we might be alone in bed on a winter night, or grieving by a grave among leaves. We are drunk in a tavern, dealing with desperate pain, waiting to confront enemies on a battlefield. We are bearing a child, falling in love, reading by candlelight, watching the sun rise, a star set, we are dying . . . But there is something else to all of this, because of how the world is for us, how we are within it. Something can be true of our deepest nature and the running tide of days and years might let it reach the shore, be made real there—or not.

His chief duty (it seems just now) is to get the king new wives and dispose of the old. His days are long and arduous, packed with laws to be drafted and ambassadors to beguile. He goes on working by candlelight through summer dusks, through winter sunsets when it is dark by half past three. Even his nights are not his to waste. Often he sleeps in a chamber near the king and Henry wakes him in the small hours and asks him questions about treasury receipts, or tells him his dreams and asks what they mean.

The sun has disappeared, and the light there still is, is left in the atmosphere enclosed by the gloomy mist as pools are left by the receding tide. Through the sand the water slips, and through the mist the light glides away. (Haunts of the Lapwing: I. Winter)

Life is nothing. Life is all. It is the Hand with which we hold off death. It is the glow-worm that shines in the night-time and is black in the morning; it is the white breath of the oxen in winter; it is the little shadow that runs across the grass and loses itself at sunset.

How is it the seasons change? Do they change so slowly so creepingly because we so rarely break away from whatever it was that we were dreaming to notice? What the season brings us to suffer (because seasons, no matter how lovely, will bring us to suffer) it brings when we are not looking. I know the look of a cracked landscape, winter in black and white, flat and finite with a sunset on the horizon like a red heartbeat suffering there. It will take me longer each morning now to go out and face it, the leaves shivering then falling about as if to remind that somehow despite leavings, there is some magic, some beauty there. I don’t want it: the mountain view, the shimmer of summer rain, a troutfilled creek. How is it that I came to be here this way with the wind a suggestion that it was, indubitably was, autumn (already and again)?

An enormous cathedral, winter had been constructed in the forest, its masonry of ice, the organ peal of wind. The tiny artisans of the tribes of the fox and the ermine had excavated and ornamented its aisles, printed its paving. Its windows were paned with cold mauve and blue and yellowish skies and the deadly reds of frozen sunsets. The cathedral endured. Then spring, the destroying angel, stalked the wilderness sword in hand. Spring smote the cathedral. Its roofs of snow collapsed. After the thaw, green trickled into the arteries of the wood, and spears of sunlight divided the trees one from another.

Pirate and Osbie Feel are leaning on their roof-ledge, a magnificent sunset across and up the winding river, the imperial serpant, crowds of factories, flats, parks, smoky spires and gables, incandescent sky casting downward across the miles of deep streets and roofs cluttering and sinuous river Thames a drastic strain of burnt orange, to remind a visitor of his mortal transience here, to seal or empty all the doors and windows in sight to his eyes that look only for a bit of company, a word or two in the street before he goes up to the soap-heavy smell of the rented room and the squares of coral sunset on the floor-boards—an antique light, self-absorbed, fuel consumed in the metered winter holocaust, the more distant shapes among the threads or sheets of smoke now perfect ash ruins of themselves, nearer windows, struck a moment by the sun, not reflecting at all but containing the same destroying light, this intense fading in which there is no promise of return, light that rusts the government cars at the curbsides, varnishes the last faces hurrying past the shops in the cold as if a vast siren had finally sounded, light that makes chilled untraveled canals of many streets, and that fills with the starlings of London, converging by millions to hazy stone pedestals, to emptying squares and a great collective sleep. They flow in rings, concentric rings on the radar screens. The operators call them ‘angels.

We have come to understand the phenomena of life only as an assemblage of the lifeless. We take the mechanistic abstractions of our technical calculation to be ultimately concrete and "fundamentally real," while our most intimate experiences are labelled "mere appearance" and something having reality only within the closet of the isolated mind. Suppose however we were to invert this whole scheme, reverse the order in which it assigns abstract and concrete. What is central to our experience, then, need not be peripheral to nature. This sunset now, for example, caught within the network of bare winter branches, seems like a moment of benediction in which the whole of nature collaborates. Why should not these colours and these charging banners of light be as much a part of the universe as the atoms and molecules that make them up? If they were only "in my mind," then I and my mind would no longer be a part of nature. Why should the pulse of life toward beauty and value not be a part of things? Following this path, we do not vainly seek to assemble the living out of configurations of dead stuff, but we descend downwards from more complex to simpler grades of the organic. From humans to trees to rocks; from "higher grade" to "lower grade" organisms. In the universe of energy, any individual thing is a pattern of activity within the flux, and thereby an organism at some level.

Now let me tell you something. I have seen a thousand sunsets and sunrises, on land where it floods forest and mountains with honey coloured light, at sea where it rises and sets like a blood orange in a multicoloured nest of cloud, slipping in and out of the vast ocean. I have seen a thousand moons: harvest moons like gold coins, winter moons as white as ice chips, new moons like baby swans’ feathers. I have seen seas as smooth as if painted, coloured like shot silk or blue as a kingfisher or transparent as glass or black and crumpled with foam, moving ponderously and murderously. I have felt winds straight from the South Pole, bleak and wailing like a lost child; winds as tender and warm as a lover’s breath; winds that carried the astringent smell of salt and the death of seaweeds; winds that carried the moist rich smell of a forest floor, the smell of a million flowers. Fierce winds that churned and moved the sea like yeast, or winds that made the waters lap at the shore like a kitten. I have known silence: the cold, earthy silence at the bottom of a newly dug well; the implacable stony silence of a deep cave; the hot, drugged midday silence when everything is hypnotised and stilled into silence by the eye of the sun; the silence when great music ends. I have heard summer cicadas cry so that the sound seems stitched into your bones. I have heard tree frogs in an orchestration as complicated as Bach singing in a forest lit by a million emerald fireflies. I have heard the Keas calling over grey glaciers that groaned to themselves like old people as they inched their way to the sea. I have heard the hoarse street vendor cries of the mating Fur seals as they sang to their sleek golden wives, the crisp staccato admonishment of the Rattlesnake, the cobweb squeak of the Bat and the belling roar of the Red deer knee-deep in purple heather. I have heard Wolves baying at a winter’s moon, Red howlers making the forest vibrate with their roaring cries. I have heard the squeak, purr and grunt of a hundred multi-coloured reef fishes. I have seen hummingbirds flashing like opals round a tree of scarlet blooms, humming like a top. I have seen flying fish, skittering like quicksilver across the blue waves, drawing silver lines on the surface with their tails. I have seen Spoonbills flying home to roost like a scarlet banner across the sky. I have seen Whales, black as tar, cushioned on a cornflower blue sea, creating a Versailles of fountain with their breath. I have watched butterflies emerge and sit, trembling, while the sun irons their wings smooth. I have watched Tigers, like flames, mating in the long grass. I have been dive-bombed by an angry Raven, black and glossy as the Devil’s hoof. I have lain in water warm as milk, soft as silk, while around me played a host of Dolphins. I have met a thousand animals and seen a thousand wonderful things. But— All this I did without you. This was my loss. All this I want to do with you. This will be my gain. All this I would gladly have forgone for the sake of one minute of your company, for your laugh, your voice, your eyes, hair, lips, body, and above all for your sweet, ever-surprising mind which is an enchanting quarry in which it is my privilege to delve.

It had all begun on the elevated. There was a particular little sea of roots he had grown into the habit of glancing at just as the packed car carrying him homeward lurched around a turn. A dingy, melancholy little world of tar paper, tarred gravel, and smoky brick. Rusty tin chimneys with odd conical hats suggested abandoned listening posts. There was a washed-out advertisement of some ancient patent medicine on the nearest wall. Superficially it was like ten thousand other drab city roofs. But he always saw it around dusk, either in the normal, smoky half-light, or tinged with red by the flat rays of a dirty sunset, or covered by ghostly windblown white sheets of rain-splash, or patched with blackish snow; and it seemed unusually bleak and suggestive, almost beautifully ugly, though in no sense picturesque; dreary but meaningful. Unconsciously it came to symbolize for Catesby Wran certain disagreeable aspects of the frustrated, frightened century in which he lived, the jangled century of hate and heavy industry and Fascist wars. The quick, daily glance into the half darkness became an integral part of his life. Oddly, he never saw it in the morning, for it was then his habit to sit on the other side of the car, his head buried in the paper. One evening toward winter he noticed what seemed to be a shapeless black sack lying on the third roof from the tracks. He did not think about it. It merely registered as an addition to the well-known scene and his memory stored away the impression for further reference. Next evening, however, he decided he had been mistaken in one detail. The object was a roof nearer than he had thought. Its color and texture, and the grimy stains around it, suggested that it was filled with coal dust, which was hardly reasonable. Then, too, the following evening it seemed to have been blown against a rusty ventilator by the wind, which could hardly have happened if it were at all heavy. ("Smoke Ghost")

I may love the great outdoors in winter, but even I draw the line at sunset. When November comes, I have no desire to leave the house after dark. My instinct is to hibernate the evenings away. I hate those strange walks along the high street, lit only by street lamps and the glow of shop windows, the cold seeping up your coat sleeves. I don’t like the way that 4 o’clock can feel so desolate, the air damp without the corrective force of the sun./ The very thought of driving seems nightmarish – those impenetrable roads their edges uncertain; the dance you have to perform with the full beam, flicking it on and off, on and off. Far better to stay at home.

The age was the Elizabethan; their morals were not ours; nor their poets; nor their climate; nor their vegetables even. Everything was different. The weather itself, the heat and cold of summer and winter, was, we may believe, of another temper altogether. The brilliant amorous day was divided as sheerly from the night as land from water. Sunsets were redder and more intense; dawns were whiter and more auroral. Of our crepuscular half-lights and lingering twilights they knew nothing. The rain fell vehemently, or not at all. The sun blazed or there was darkness. Translating this to the spiritual regions as their wont is, the poets sang beautifully how roses fade and petals fall. The moment is brief they sang; the moment is over; one long night is then to be slept by all. As for using the artifices of the greenhouse or conservatory to prolong or preserve these fresh pinks and roses, that was not their way. The withered intricacies and ambiguities of our more gradual and doubtful age were unknown to them. Violence was all. The flower bloomed and faded. The sun rose and sank. The lover loved and went. And what the poets said in rhyme, the young translated into practice. Girls were roses, and their seasons were short as the flowers. Plucked they must be before nightfall; for the day was brief and the day was all.

There’s always a prevailing west wind in these seas all through the late summer, and it always changes after the New Year. We’ll have plenty of wind for sailing westward; more than we shall like from all accounts.” “That’s true, Master,” said an old sailor who was a Galmian by birth. “You get some ugly weather rolling up from the east in January and February. And by your leave, Sire, if I was in command of this ship, I’d say to winter here and begin the voyage home in March.” “What’d you eat while you were wintering here?” asked Eustace. “This table,” said Ramandu, “will be filled with a king’s feast every day at sunset.” “Now you’re talking!” said several sailors.

Beauty And a poet said, 'Speak to us of Beauty.' Where shall you seek beauty, and how shall you find her unless she herself be your way and your guide? And how shall you speak of her except she be the weaver of your speech? The aggrieved and the injured say, 'Beauty is kind and gentle. Like a young mother half-shy of her own glory she walks among us.' And the passionate say, 'Nay, beauty is a thing of might and dread. Like the tempest she shakes the earth beneath us and the sky above us.' The tired and the weary say, 'beauty is of soft whispering s. She speaks in our spirit. Her voice yields to our silences like a faint light that quivers in fear of the shadow.' But the restless say, 'We have heard her shouting among the mountains, And with her cries came the sound of hoofs, and the beating of wings and the roaring of lions.' At night the watchmen of the city say, 'Beauty shall rise with the dawn from the east.' And at noontide the toilers and the wayfarers say, 'we have seen her leaning over the earth from the windows of the sunset.' In winter say the snow-bound, 'She shall come with the spring leaping upon the hills.' And in the summer heat the reapers say, 'We have seen her dancing with the autumn leaves, and we saw a drift of snow in her hair.' All these things have you said of beauty. Yet in truth you spoke not of her but of needs unsatisfied, And beauty is not a need but an ecstasy. It is not a mouth thirsting nor an empty hand stretched forth, But rather a heart enflamed and a soul enchanted. It is not the image you would see nor the song you would hear, But rather an image you see though you close your eyes and a song you hear though you shut your ears. It is not the sap within the furrowed bark, nor a wing attached to a claw, But rather a garden forever in bloom and a flock of angels for ever in flight. People of Orphalese, beauty is life when life unveils her holy face. But you are life and you are the veil. Beauty is eternity gazing at itself in a mirror. But you are eternity and you are the mirror

Finally, I have come to realise that an imperfect Life is actually the most perfect Life. I have come to see how Life is beautiful in all its colours, more so because the shades of grey bind them and paint them with even more radiance. A clear sky is always beautiful but what if we never have rain or storm? Sunshine is always wonderful but what if we never have the soothing dusk or the cold night to coil in our own misty self? Storms that come to jolt us often leave us with more courage as we sail along the gust to chase a silver lining. The scorching heat that chokes us often makes us wait more eagerly for that balm of rain. So is Life, in all those moments of sunset we have the hope of the following sunrise, and if we may wait and absorb all that crumbling ray of that sunset we would be able to paint our sunrise with even more crimson smile. Because just like a story, nothing in Life is really concrete without patience. We cannot skip pages of a book because each line contains just so much to seep in, and to have the story fully lived inside our heart and soul we have to keep reading until the very end to feel that sense of peaceful happiness, that always clutches us no matter how the ending is drafted. In the same manner, we have to keep walking through Life, as each and every step of ours leads us to the destination of our Life, the destination of peace, the destination of knowledge of self. The best part of this walk is that it is never a straight line, but is always filled with curves and turns, making us aware of our spirit, laughing loud at times while mourning deep at times. But that is what Life is all about, a bunch of imperfect moments to smile as perfect memories sailing through the potholes of Life, because a straight line even in the world of science means death, after all monotony of perfection is the most cold imperfection. So as we walk through difficult times, may we realise that this sunset is not forever's and that the winter often makes us more aware of the spring. As we drive through a dark night, may we halt for a moment and watch for the stars, the smile of the very stars of gratitude and love that is always there even in the darkest sky of the gloomiest night. As we sail along the ship of Life, may we remember that the winds often guide us to our destination and the storms only come to make our voyage even more adventurous, while the rain clears the cloud so that we may gaze at the full glory of the sky above, with a perfect smile through a voyage of imperfect moments of forever's shine. And so as we keep turning the pages of Life, may we remember to wear that Smile, through every leaf of Life, for Life is rooted in the blooming foliage of its imperfect perfection.

My seams gape wide so I'm tossed aside To rot on a lonely shore, While the leaves and mould like a shroud unfold, For the last of my trails are o'er, But I float in dreams on Northland streams That never again I'll see, As I lie on the marge of the old portage With grief for company. When the sunset gilds the timbered hills That guard Timagami, And the moon beams play on far James Bay By the brink of the frozen sea, In phantom guise my spirit flies As the dream blades dip and swing Where the waters flow from the Long Ago In the spell of the beck'ning spring. Do the cow-moose call on the Montreal When the first frost bites the air, And the mists unfold from the red and gold That the autumn ridges wear? When the white falls roar as they did of yore On the Lady Evelyn, Do the square-tail leap from the black pool deep Where the pictured rocks begin? Oh! the fur fleet sings on Temiscaming As the ashen paddles bend, And the crews carouse at Rupert's House At the sullen winter's end; But my days are done where the lean wolves run, And I ripple no more the path, Where the grey geese race 'cross the red moon's face From the white winds Arctic wrath. Tho' the death-fraught way from the Saguenay To the storied Nipigon, Once knew me well, now a crumbling shell I watch as the years roll on, And in memory's haze I live the days That forever are gone from me, As I rot on the marge of the old portage With grief for company.

They stood there, lined up along the wall, gazing at the wonder of a sunset that blazed across the heavens. Where the sun was sinking, the skies ran with molten crimson that spread above the mountains like watercolor, changing to orange and pink, lavender and gold. A cool fire of platinum rimmed the profile of Gabriel Mountain and the dark, swelling ridges on either side. He put one arm around Dooley's shoulders and the other around Cynthia's waist. The fullness of his heart was inexpressible. All is safely gathered in . . . He knew it could not always be this way. . . No, nothing ever remained the same. If he had learned anything in life, he had learned that such moments were fragile beyond knowing. Ere the winter storms begin . . .

Even if we don't have a special person in our lives we still all love a lot. We love feelings, tastes, sights and sounds. We love the villages, countryside, sprawling cities and towns, We love a sunrise and a sunset, a full moon, a starry night, a cloudy day, the wind on our face and through our hair, we love the rain. From the hot sun on our back on a mid summers day to the first crisp frost of winter. We love a book, or a movie, a song or symphony. Thoseuunafraid of love will be rewarded and see romance in all manner of places. Love is truly all around, not merely the exclusive feeling between lovers and families, or even between friends. We love a lot and we should always be able to love freely and without fear. To love with all our hearts ability.

What to Make a Game About? Your dog, your cat, your child, your boyfriend, your girlfriend, your mother, your father, your grandmother, your friends, your imaginary friends, your summer vacation, your winter in the mountains, your childhood home, your current home, your future home, your first job, your worst job, the job you wish you had. Your first date, your first kiss, your first fuck, your first true love, your second true love, your relationship, your kinks, your deepest secrets, your fantasies, your guilty pleasures, your guiltless pleasures, your break-up, your make-up, your undying love, your dying love. Your hopes, your dreams, your fears, your secrets, the dream you had last night, the thing you were afraid of when you were little, the thing you’re afraid of now, the secret you think will come back and bite you, the secret you were planning to take to your grave, your hope for a better world, your hope for a better you, your hope for a better day. The passage of time, the passage of memory, the experience of forgetting, the experience of remembering, the experience of meeting a close friend from long ago on the street and not recognizing her face, the experience of meeting a close friend from long ago and not being recognized, the experience of aging, the experience of becoming more dependent on the people who love you, the experience of becoming less dependent on the people you hate. The experience of opening a business, the experience of opening the garage, the experience of opening your heart, the experience of opening someone else’s heart via risky surgery, the experience of opening the window, the experience of opening for a famous band at a concert when nobody in the audience knows who you are, the experience of opening your mind, the experience of taking drugs, the experience of your worst trip, the experience of meditation, the experience of learning a language, the experience of writing a book. A silent moment at a pond, a noisy moment in the heart of a city, a moment that caught you unprepared, a moment you spent a long time preparing for, a moment of revelation, a moment of realization, a moment when you realized the universe was not out to get you, a moment when you realized the universe was out to get you, a moment when you were totally unaware of what was going on, a moment of action, a moment of inaction, a moment of regret, a moment of victory, a slow moment, a long moment, a moment you spent in the branches of a tree. The cruelty of children, the brashness of youth, the wisdom of age, the stupidity of age, a fairy tale you heard as a child, a fairy tale you heard as an adult, the lifestyle of an imaginary creature, the lifestyle of yourself, the subtle ways in which we admit authority into our lives, the subtle ways in which we overcome authority, the subtle ways in which we become a little stronger or a little weaker each day. A trip on a boat, a trip on a plane, a trip down a vanishing path through a forest, waking up in a darkened room, waking up in a friend’s room and not knowing how you got there, waking up in a friend’s bed and not knowing how you got there, waking up after twenty years of sleep, a sunset, a sunrise, a lingering smile, a heartfelt greeting, a bittersweet goodbye. Your past lives, your future lives, lies that you’ve told, lies you plan to tell, lies, truths, grim visions, prophecy, wishes, wants, loves, hates, premonitions, warnings, fables, adages, myths, legends, stories, diary entries. Jumping over a pit, jumping into a pool, jumping into the sky and never coming down. Anything. Everything.

Little Moments that bloom in Christmas hue. How beautiful the night shines in the hue of dreams, as if lulling along a distant breeze, wrapped in a cold warmth of a solitary winter's eve! To me, Christmas is always about a bunch of happy moments, simple yet ornate in a colour of joy, something that connects our hearts to all that is pure and pristine, all that is beautifully simple and soulfully happy. And if we look closely, we can find those moments, every day in our regular lives, from sipping on our early morning coffee to munching on our midnight snack, from taking a moment to gaze at the sunset to simply sitting silent listening to our soul, beautiful unfiltered unadulterated moments that often go unnoticed yet remain forever warmed up in the cold embrace of our heart, frozen in a niche of a dream called Life. After all, Life is a beautiful dream. La vie est un beau rêve Stay in Love.

I'd read the section in my guidebook about the trail's history the winter before, but it wasn't until now—a couple of miles out of Burney Falls, as I walked in my flimsy sandals in the early evening heat—that the realization of what that story meant picked up force and hit me squarely in the chest: preposterous as it was, when Catherine Montgomery and Clinton Clarke and Warren Rogers and the hundreds of others who'd created the PCT had imagined the people who would walk that high trail that wound down the heights of our western mountains, they'd been imagining me. It didn't matter that everything from my cheap knockoff sandals to my high-tech-by-1995-standards boots and backpack would have been foreign to them, because what mattered was utterly timeless. It was the thing that compelled them to fight for the trail against all the odds, and it was the thing that drove me and every other long-distance hiker onward on the most miserable days. It had nothing to do with gear or footwear or the backpacking fads or philosophies of any particular era or even with getting from point A to point B. It had only to do with how it felt to be in the wild. With what it was like to walk for miles for no reason other than to witness the accumulation of trees and meadows, mountains and deserts, streams and rocks, rivers and grasses, sunrises and sunsets. The experience was powerful and fundamental. It seemed to me that it had always felt like this to be a human in the wild, and as long as the wild existed it would always feel this way. That's what Montgomery knew, I supposed. And what Clarke knew and Rogers and what thousands of people who preceded and followed them knew. It was what I knew before I even really did, before I could have known how truly hard and glorious the PCT would be, how profoundly the trail would both shatter and shelter me.

When Sam and I were living in Australia, one winter weekend we rented a cottage in the countryside. We toured local wineries by day and at sunset we wrapped ourselves up in blankets on the porch overlooking the valley below, tucking into our bounty of wine and local cheese. I can’t remember who initiated it (OK, fine, probably me), but we decided that during this magic hour while day turned to night we could ask each other anything. This moment in our relationship changed everything. I got to ask all my questions and so did Sam. We also had to answer them. I think for both of us it’s the night we tipped over from infatuation to falling in love. Even now, the phrase ‘wine and cheese hour’ is shorthand for this safe space, when we need to sit down and reconnect. This is so bougie and painful to admit, especially because I don’t even like wine and this is now far more likely to be ‘coffee and Jaffa cake hour’. (Vodka and Pringles works, too.)

You get some ugly weather rolling up from the east in January and February. And by your leave, Sire, if I was in command of this ship, I’d say to winter here and begin the voyage home in March.” “What’d you eat while you were wintering here?” asked Eustace. “This table,” said Ramandu, “will be filled with a king’s feast every day at sunset.” “Now you’re talking!” said several sailors.” “Your Majesties and gentlemen and ladies all,” said Rynelf, “there’s just one thing I want to say. There’s not one of us chaps as was pressed on this journey. We’re volunteers. And there’s some here that are looking very hard at that table and thinking about king’s feasts who were talking very loud about adventures on the day we sailed from Cair Paravel, and swearing they wouldn’t come home till we’d found the end of the world. And there were some standing on the quay who would have given all they had to come with us. It was thought a finer thing then to have a cabin-boy’s berth on the Dawn Treader than to wear a knight’s belt. I don’t know if you get the hang of what I’m saying. But what I mean is that I think chaps who set out like us will look as silly as--as those Dufflepuds--if we come home and say we got to the beginning of the world’s end and hadn’t the heart to go further.” Some of the sailors cheered at this but some said that that was all very well. “This isn’t going to be much fun,” whispered Edmund to Caspian. “What are we to do if half those fellows hang back?

Everything has its price," Reverend Willows said. "The sunset costs us the moment in which we pause to look at it. We pay for a great love or a great dream in self-discipline, in self-sacrifice, in the giving of our love and our time and sometimes the sacrificing of our happiness." He grew silent. After a moment she realized that he was praying, his head bowed, his eyes closed. She was embarrassed, thinking that she was an intrusion upon his privacy, but when a moment later he opened his eyes, he smiled with surprising shyness and said, "A very impressive cathedral, isn't it?" He left her there. She looked and saw that the sky had turned pink and coral and gray, and as the light of dawn was born in the sky, a new light was born within her, too. There was a new day before them and with it new hope, new possibilities. A thousand men before her, a thousand million people, had looked up at the reddening sky or had seen the fragile green budding of the trees in spring, had heard the sudden song of a bird winging skywar, and had felt hope rekindled in their breasts. The dark night was over, the long winter ended, God was still in his heaven. How plain, how often repeated those homilies, yet what succor they gave. A bird cried somewhere in the rocks above her, and now in the distant valley she could see the glow of campfires and the smoke rising from the brown bosom of the land. At last she turned and went down the path to the wagons. And she, child of the earth, felt a thrill of response within her. She was thousands of miles from France. Between here and there lay an entire continent and a vast ocean, and yet in her heart she suddenly felt that she had come home.

I will invest my heart's desire and the work of my hands in things that will outlive me. Although it grieves me that houses are burning, I have fallen in love with freedom regardless, and the entitlement of a woman to get a move on, equipped with boots that fit and opinions that might matter. The treasures I carry closest to my heart are things I can't own: the curve of a five-year-old's forehead in profile, and the vulnerable expectation in the hand that reaches for mine as we cross the street. The wake-up call of birds in a forest. The intensity of the light fifteen minutes before the end of day; the color wash of a sunset on mountains; the ripe sphere of that same sun hanging low in a dusty sky in a breathtaking photograph from Afghanistan. In my darkest times I have to walk, sometimes alone, in some green place. Other people must share this ritual. For some I suppose it must be the path through a particular set of city streets, a comforting architecture; for me it's the need to stare at water until my mind comes to rest on nothing at all. Then I can go home. I can clear the brush from a neglected part of the garden, working slowly until it comes to me that here is one small place I can make right for my family. I can plant something as an act of faith in time itself, a vow that we will, sure enough, have a fall and a winter this year, to be followed again by spring. This is not an end in itself, but a beginning. I work until my mind can run a little further on its tether, tugging at this central pole of my sadness, forgetting it for a minute or two while pondering a school meeting next week, the watershed conservation project our neighborhood has undertaken, the farmer's market it organized last year: the good that becomes possible when a small group of thoughtful citizens commit themselves to it...Small change, small wonders - these are the currency of my endurance and ultimately of my life.

When Egil was twelve years old, he was grown so big that there were but few men howso large and strong that he could not overcome in games. In his twelfth winter he was often at games. Thord Grani's son was then twenty years old; he was very strong. As the winter wore on, if often chanced that the two, Egil and Thord, were matched against Skallagrim. And once in the winter it so befell that there was ball-play at Borg, southwards in Sandvik. Thord and Egil were set against Skallagrim in the game; and he became weary before them, so that they had the best of it. But in the evening after sunset it began to go worse with Egil and his partner. Skallagrim then became so strong and he caught up Thord and dashed him down so violently that he was all bruised and died on the spot. Then he seized Egil. Now there was a handmaid of Skallagrim's named Thorgerdr Brak, who had nursed Egil when a child; she was a big woman, strong as a man, and of magic cunning. Said Brak: 'Dost thou turn they shape-strength, Skallagrim, against thy son?' Whereat Skallagrim let Egil loose, but clutched at her. She broke away and took to her heels with Skallagrim after her. So went they to the utmost point of Digra-ness. Then she leapt out from the rock into the water. Skallagrim hurled after her a great stone, which struck her between the shoulders, and neither ever came up again. The water there is now called Brakar-sound. But afterwards, in the evening, when they came home to Borg, Egil was very angry. Skallagrim and everybody else were set at table, but Egil had not yet come to his place. He went into the fire-hall, and up to the man who there had the overseeing of work and the management of moneys for Skallagrim, and was most dear to him. Egil dealt him his deathblow, then went to his seat. Skallagrim spoke not a word about it then, and thenceforward the matter was kept quiet. But father and son exchanged no word good or bad, and so that winter passed.

Lesson one: Pack light unless you want to hump the eight around the mountains all day and night. By the time we reached Snowdonia National Park on Friday night it was dark, and with one young teacher as our escort, we all headed up into the mist. And in true Welsh fashion, it soon started to rain. When we reached where we were going to camp, by the edge of a small lake halfway up, it was past midnight and raining hard. We were all tired (from dragging the ridiculously overweight packs), and we put up the tents as quickly as we could. They were the old-style A-frame pegged tents, not known for their robustness in a Welsh winter gale, and sure enough by 3:00 A.M. the inevitable happened. Pop. One of the A-frame pegs supporting the apex of my tent broke, and half the tent sagged down onto us. Hmm, I thought. But both Watty and I were just too tired to get out and repair the first break, and instead we blindly hoped it would somehow just sort itself out. Lesson two: Tents don’t repair themselves, however tired you are, however much you wish they just would. Inevitably, the next peg broke, and before we knew it we were lying in a wet puddle of canvas, drenched to the skin, shivering, and truly miserable. The final key lesson learned that night was that when it comes to camping, a stitch in time saves nine; and time spent preparing a good camp is never wasted. The next day, we reached the top of Snowdon, wet, cold but exhilarated. My best memory was of lighting a pipe that I had borrowed off my grandfather, and smoking it with Watty, in a gale, behind the summit cairn, with the teacher joining in as well. It is part of what I learned from a young age to love about the mountains: They are great levelers. For me to be able to smoke a pipe with a teacher was priceless in my book, and was a firm indicator that mountains, and the bonds you create with people in the wild, are great things to seek in life. (Even better was the fact that the tobacco was homemade by Watty, and soaked in apple juice for aroma. This same apple juice was later brewed into cider by us, and it subsequently sent Chipper, one of the guys in our house, blind for twenty-four hours. Oops.) If people ask me today what I love about climbing mountains, the real answer isn’t adrenaline or personal achievement. Mountains are all about experiencing a shared bond that is hard to find in normal life. I love the fact that mountains make everyone’s clothes and hair go messy; I love the fact that they demand that you give of yourself, that they make you fight and struggle. They also induce people to loosen up, to belly laugh at silly things, and to be able to sit and be content staring at a sunset or a log fire. That sort of camaraderie creates wonderful bonds between people, and where there are bonds I have found that there is almost always strength.

I am speaking of the evenings when the sun sets early, of the fathers under the streetlamps in the back streets returning home carrying plastic bags. Of the old Bosphorus ferries moored to deserted stations in the middle of winter, where sleepy sailors scrub the decks, pail in hand and one eye on the black-and-white television in the distance; of the old booksellers who lurch from one ϧnancial crisis to the next and then wait shivering all day for a customer to appear; of the barbers who complain that men don’t shave as much after an economic crisis; of the children who play ball between the cars on cobblestoned streets; of the covered women who stand at remote bus stops clutching plastic shopping bags and speak to no one as they wait for the bus that never arrives; of the empty boathouses of the old Bosphorus villas; of the teahouses packed to the rafters with unemployed men; of the patient pimps striding up and down the city’s greatest square on summer evenings in search of one last drunken tourist; of the broken seesaws in empty parks; of ship horns booming through the fog; of the wooden buildings whose every board creaked even when they were pashas’ mansions, all the more now that they have become municipal headquarters; of the women peeking through their curtains as they wait for husbands who never manage to come home in the evening; of the old men selling thin religious treatises, prayer beads, and pilgrimage oils in the courtyards of mosques; of the tens of thousands of identical apartment house entrances, their facades discolored by dirt, rust, soot, and dust; of the crowds rushing to catch ferries on winter evenings; of the city walls, ruins since the end of the Byzantine Empire; of the markets that empty in the evenings; of the dervish lodges, the tekkes, that have crumbled; of the seagulls perched on rusty barges caked with moss and mussels, unϩinching under the pelting rain; of the tiny ribbons of smoke rising from the single chimney of a hundred-yearold mansion on the coldest day of the year; of the crowds of men ϧshing from the sides of the Galata Bridge; of the cold reading rooms of libraries; of the street photographers; of the smell of exhaled breath in the movie theaters, once glittering aϱairs with gilded ceilings, now porn cinemas frequented by shamefaced men; of the avenues where you never see a woman alone after sunset; of the crowds gathering around the doors of the state-controlled brothels on one of those hot blustery days when the wind is coming from the south; of the young girls who queue at the doors of establishments selling cut-rate meat; of the holy messages spelled out in lights between the minarets of mosques on holidays that are missing letters where the bulbs have burned out; of the walls covered with frayed and blackened posters; of the tired old dolmuşes, ϧfties Chevrolets that would be museum pieces in any western city but serve here as shared taxis, huϫng and puϫng up the city’s narrow alleys and dirty thoroughfares; of the buses packed with passengers; of the mosques whose lead plates and rain gutters are forever being stolen; of the city cemeteries, which seem like gateways to a second world, and of their cypress trees; of the dim lights that you see of an evening on the boats crossing from Kadıköy to Karaköy; of the little children in the streets who try to sell the same packet of tissues to every passerby; of the clock towers no one ever notices; of the history books in which children read about the victories of the Ottoman Empire and of the beatings these same children receive at home; of the days when everyone has to stay home so the electoral roll can be compiled or the census can be taken; of the days when a sudden curfew is announced to facilitate the search for terrorists and everyone sits at home fearfully awaiting “the oϫcials”; CONTINUED IN SECOND PART OF THE QUOTE

In a waking dream, he was with her again. She ate the words from his mouth. Talked to him of waves. The sunset in winter. The desert beneath the ocean. She talked over the small talk and the entries of a timecard. And when he came out of this twilight, he thought there was a shovel in his hand and his job was to dig holes. He paced and mumbled and cursed at the shovel in his hand for hours before lying down in a patch of thick grass and putting his head on his duffel. Here some peace came and he fell asleep for the first time in two days.

Zac dangled his legs off the edge of the building, hanging onto every word I said as though I were some old time bard telling an epic war tale. I tried to be as detailed as possible, and I knew that I was doing a good job when he'd lean back and shut his eyes. He'd breathe slowly and watch the pictures that I painted for him with my words. He'd smile, not a cunning toothy one, but a sincere smile that comes only from being truly happy. I'd sit across from him and just watch his reactions. We could be up there for hours. I would see the sunset across his face and be as captivated with his skin's changing colours as he was with my everyday stories. That's when I learned to dislike winters.

truth I shall be dead. So is it with us all. How many millions have lain as I lie, and thought these thoughts and been forgotten! -- thousands upon thousands of years ago they thought them, those dying men of the dim past; and thousands on thousands of years hence will their descendants think them and be in their turn forgotten. 'As the breath of the oxen in winter, as the quick star that runs along the sky, as a little shadow that loses itself at sunset,' as I once heard a Zulu called Ignosi put it, such is the order of our life, the order that passeth away.

As Annie Dillard wrote: "We have less time than we knew." I wanted my mother to understand that I didn't plan picnics and parties because life was perfect and easy—I planned them because it wasn't. I planned them because my friend had died, because another friend's father had been diagnosed with cancer, because none of us knew what the future held. I planned them because, on the long, difficult slog up the mountain, it's important to stop and look at the view. I planned them because what is all the work for if you cannot gather the people you love around you in a golden sunset and laugh together? I planned them because winter was coming and we needed warm memories to sustain us. We have less time than we knew. I understood that now.

For all summer I closed the drapes, I shut the glass windows and painted them black. So when winter came I break the glass, I draw the drapes apart and let the sunlight come in. I often do the right things a little too late. I often let in sunshine after the sun has set.

When I reached the sidewalk a tall, muscular black guy appeared beside my car. As he reached the car a heavy white guy in his early fifties climbed out of a blue sedan parked across the street and started toward me. The black guy was in impeccably pressed designer jeans and a tight knit shirt that showed his muscles, and the white guy was in a rumpled light gray winter-weight suit. A million degrees, and he’s wearing winter weight. Cops. A woman’s voice said, “Excuse me, sir. May I have a word with you?” Polite, and kind of cheery.

You can basically compare the pattern of just about anything that you can think of that has been made by humans to things that were not made by humans. For example: an icebox and freezer are basically a manmade miniature variation of winter while an oven is basically a manmade miniature variation of summer. Each were manufactured by humans who had an understanding of the laws of nature that govern the atmosphere.

newest

respects,

I have seen those faces, when the day is cloudy, and I have seen at sunset on a clear winter day houses, ordinary houses, whose bricks were coals and windows aflame

You look rather thirsty," a voice says from behind me, and I turn to face Benediction de la Lucia--the Devil himself. He is a striking man; his long, orange-red hair is as bright as a tropical sunset, and his skin is like freshly-fallen snow. His large, expressive eyes hold all colors, and I feel myself being drawn into them. "G-good evening," I stammer. "I was just looking for--" "I know whom you seek," he purrs "although I was hoping that you would agree to spend a little time with me, first." He tucks a wad of bills into my vest pocket and drapes his arm around my shoulder. "I would be happy to, Lord de la Lucia," I smile, grasping him around the waist. "Do you Hunger?" His eyes glide up and down the line of my body, and I feel a strong desire to swoon. "Always," he murmurs "and please...call me Beni'." The room is spinning, and reality is fading fast...I press my face against his chest and strive to cling to consciousness. He sweeps me up into his arms and carries me to one of the bedrooms, where he feeds from me...and all of a sudden, he is atop me, his snow-white wings outstretched. I feel as if I will die--the pleasure and pain are so intense. I can feel myself bleeding out and being reborn, over and over upon that silken bed, every nerve of my body alive with his essence. We are almost like one, body and soul...and then he pulls back and looks down into my eyes. "You want something," he leers at me "or is it someone?" He sniffs the air. "I can smell it on your sex, My Darling! Don't be afraid to ask, young one--that's why I came to you! Love falls under my realm, Dearest...the human heart is full of darkness, yes?" I curse at him in Japanese and try to push him off of me, but he holds me fast. "Don't be so rude, Darling! I only want to help you! Matthieu-Michele can't do anything for you--he's simply out of his league! He's only a young God, still finding his footing! I am older than the ages, and I know what love is! I know the agony and the ecstasy and the razor's scar that it leaves upon the heart! I know of the poison and the betrayal and the all-consuming obsession! I have ridden the crest and scrabbled in the desolate valleys! I know what you want...I know whom you love...and I can make it happen for you--for a price." "I don't make deals with the Devil," I hiss at him from between clenched teeth...

What is life?” he mused. “It is the flash of a firefly in the night. It is the breath of a buffalo in the winter time. It is as the little shadow that runs across the grass and loses itself in the sunset.

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Waiting for sleep she thought, I don't want one day after another, separated by sunrise, sunset, winter, summer, plodding along. I want one wonderful moment that will last until I die, in which day will be indistinguishable from night, water from air, song from silence. Touch from breath.

We're one of the three Solar Courts,' he said, motioning for me to sit with a graceful twist of his wrist. 'Our nights are far more beautiful and our sunsets and dawns are exquisite, but we do adhere to the laws of nature.' I slid into the upholstered chair across from him. His tunic was unbuttoned at the neck, revealing a hint of the tanned chest beneath. 'And do the other courts choose not to?' 'The nature of the Seasonal Courts,' he said, 'is linked to their High Lords, whose magic and will keeps them in eternal spring, or winter, or fall, or summer. It has always been like that- some sort of strange stagnation. But the Solar Courts- Day, Dawn, and Night- are of a more... symbolic nature. We might be powerful, but even we cannot alter the sun's path or strength. Tea?' The sunlight danced along the curve of the silver teapot. I kept my eager nod to a restrained dip of my chin. 'But you will find,' Rhysand went on, pouring a cup for me,' that our nights are more spectacular- so spectacular that some in my territory even awaken at sunset and go to bed at dawn, just to live under the starlight.

Don’t you fucking dare. The voice came from nowhere and everywhere at once, surrounding me in a quiet, steely embrace that smelled of winter nights and evenings by the hearth. He was the shadows beneath the moon on the coldest of nights, and the comforting embrace of a lover after sunset. Get up, my star. Get. Up.

Matins (which Adso sometimes refers to by the older expression “Vigiliae”) Between 2:30 and 3:00 in the morning. Lauds (which in the most ancient tradition were called “Matutini” or “Matins”) Between 5:00 and 6:00 in the morning, in order to end at dawn. Prime Around 7:30, shortly before daybreak. Terce Around 9:00. Sext Noon (in a monastery where the monks did not work in the fields, it was also the hour of the midday meal in winter). Nones Between 2:00 and 3:00 in the afternoon. Vespers Around 4:30, at sunset (the Rule prescribes eating supper before dark). Compline Around 6:00 (before 7:00, the monks go to bed). The calculation is based on the fact that in northern Italy at the end of November, the sun rises around 7:30 A.M. and sets around 4:40 P.M. Prologue

I don't want to live my life behind a mask with no one to share who I am with.

Many wonders. Perfect beauties. Great seas set aflame by sunsets. Endless underground lakes in soundless caverns. The winter light on mountain snow that has never thawed.

A Sunset I love the evenings, passionless and fair, I love the evens, Whether old manor-fronts their ray with golden fulgence leavens, In numerous leafage bosomed close; Whether the mist in reefs of fire extend its reaches sheer, Or a hundred sunbeams splinter in an azure atmosphere On cloudy archipelagos. Oh, gaze ye on the firmament! A hundred clouds in motion, Up-piled in the immense sublime beneath the winds' commotion, Their unimagined shapes accord: Under their waves at intervals flame a pale levin through, As if some giant of the air amid the vapors drew A sudden elemental sword. The sun at bay with splendid thrusts still keeps the sullen fold; And momently at distance sets, as a cupola of gold, The thatched roof of a cot a-glance; Or on the blurred horizon joins his battle with the haze; Or pools the blooming fields about with inter-isolate blaze, Great moveless meres of radiance. Then mark you how there hangs athwart the firmament's swept track, Yonder a mighty crocodile with vast irradiant back, A triple row of pointed teeth? Under its burnished belly slips a ray of eventide, The flickerings of a hundred glowing clouds in tenebrous side With scales of golden mail ensheathe. Then mounts a palace, then the air vibrates--the vision flees. Confounded to its base, the fearful cloudy edifice Ruins immense in mounded wrack; Afar the fragments strew the sky, and each envermeiled cone Hangeth, peak downward, overhead, like mountains overthrown When the earthquake heaves its hugy back. These vapors, with their leaden, golden, iron, bronz¨¨d glows, Where the hurricane, the waterspout, thunder, and hell repose, Muttering hoarse dreams of destined harms, 'Tis God who hangs their multitude amid the skiey deep, As a warrior that suspendeth from the roof-tree of his keep His dreadful and resounding arms! All vanishes! The Sun, from topmost heaven precipitated, Like a globe of iron which is tossed back fiery red Into the furnace stirred to fume, Shocking the cloudy surges, plashed from its impetuous ire, Even to the zenith spattereth in a flecking scud of fire The vaporous and inflam¨¨d spaume. O contemplate the heavens! Whenas the vein-drawn day dies pale, In every season, every place, gaze through their every veil? With love that has not speech for need! Beneath their solemn beauty is a mystery infinite: If winter hue them like a pall, or if the summer night Fantasy them starre brede.

Pole, his right foot to the (unseen) South Pole. leaving his third step to fall on the head of Bali (in this version, Orion). Here Vamana would have arrived at Bali’s sacrifice on the winter solstice, when the sun is a “dwarf” because he cannot stretch his feet (rays) all the way to the North Pole. The three steps could also apply to the system of reckoning which takes one human year to equal one day and night of the devas. When during this period the Sun moves from the vernal equinox to the autumnal equinox (during which time it appears above the celestial equator in the sky), it is day for the devas and night for the asuras, and when the Sun moves from the autumnal equinox to the vernal equinox (during which time it appears below the celestial equator in the sky), it becomes night tor the devas and day for the asuras. While the asuras rule during their day the devas are discomfited, but with the coming of the vernal equinox (sunrise on the day of the devas) the order of the universe is renewed through noon (the summer solstice) until sunset (the autumnal equinox), after which the asuras again get their chance to play about. Bali

What was I saying? I was waxing poetic and working toward pretentious, if I recall. Oh, yes, the smell of a fine, fall football Saturday. Spring is such a girl. She gets credit for love, hope, renewal, and the dream of what might be. Summer is all, ‘Hey dude, it’s warm; let’s party.’ It’s truly the fraternity brother of the four seasons. Fall, to me, seems like the bad-ass who is about to hop on his Harley and drive off into the sunset because he’s not going to listen to that bitch winter go on and on about how nobody likes her and the snow drifts make her look fat.

Crowfoot, of the Blackfoot Confederacy (1890) … What is life? It is the flash of a firefly in the night. It is the breath of a buffalo in the winter time. It is the little shadow, which runs across the grass and loses itself in the Sunset.

Never doubt God! Never say that He has forsaken or forgotten you or think that He is unsympathetic. He “will restore [your] life again.” No matter how many twists and turns the road may have, there is always one smooth, straight portion. Even the longest day has a sunset, and the winter snow may stay quite some time, but it will finally melt.