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Only sanitary art could reach the highest ideals of beauty, Ruskin theorized. Rembrandt’s canvases, Ruskin specifically objected, were “unromantic and unhygienic.” By contrast, he extolled J. M. W. Turner’s landscapes for their bright colors extending even to white, and for their direct depiction of sunlight. Such work, according to Ruskin, was modern, hygienic, and romantic. Sanitation helped to further a change of style and sensibility in the arts, associating modernity with clarity of line, bright tones, and vivid colors. All that was dark was dirty, stinky, and abhorrent.
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Frank M. Snowden III (Epidemics and Society: From the Black Death to the Present)