Cloth Clip Quotes

Unload your perishable and empty boxes. Give away old clothes and broken cookware. Crush the empty cans and load them with the yellow newspapers. Shred the sensitive documents. Discard fingernail clippings. Get rid of those photograph and letters. Offload the old enemies. A lighter life, at any price.

Impossible to believe we need so much as the world wants us to buy. I have more clothes, lamps, dishes, paper clips than I could possibly use before I die. Oh, I would like to live in an empty house, with vines for walls, and a carpet of grass. No planks, no plastic, no fiberglass. And I suppose sometime I will. Old and cold I will lie apart from all this buying and selling, with only the beautiful earth in my heart.

It’s very simple,” I said, my voice clipped and brusque. “His belt is for holding up his pants, binding me, and hurting me. His body, any part of it, is to give me pleasure and pain. If he gives any other woman either of those things with his body or any clothing accessory, it’s cheating.” I turned to him. “The fact that we were officially broken up notwithstanding.

Sister Evangelina shared this robust humour. Before an enema: “Now then, Dad, we’re going to put a squib up your arse, shake your insides about a bit. Got the jerry ready, Mother, and the clothes pegs to clip on our noses.” Laughter would continue about how he hadn’t “been” for a fortnight, and there must be a turd inside as big as an elephant’s. And no one was the slightest bit embarrassed, least of all the patient. No,

Out popped Paul Duffy, in plain clothes except for a state police windbreaker and a badge clipped to his belt. He looked at me - I think by now I had dropped the bat to my side, at least, though I must have looked ridiculous anyway - and he raised his eyebrows. 'Get back in the house, Babe Ruth.

If he wasn't angry, he certainly did a good imitation. His voice was clipped and as hard as stone. She wrung her hands together. "I love you. Clay." "No, you don't." Meg felt as though he'd just slapped her. "Yes, I do. When you leave this town, I'll go with you." Narrowing his eyes, he studied her. "Will you marry me?" "Yes." "Will you give me children?" "If I can. Kirk and I were never able to conceive, but if I can have children, I want to have yours." "In this town that we move to, wherever it is, will you walk down the street with me?" "Of course." "Holding my hand?" "Yes." "And the hands of my children?" "Yes." He unfolded his arms and took a step toward her. She wanted to fling herself into his embrace, but something hard in his eyes stopped her. "And what happens, Mrs. Warner, when someone you know rides through town and points at me and calls me a yellow-bellied coward? What will you do then? Will you let go of my hand and take my children to the other side of the street? Will you pretend that you haven't kissed me, that you haven't lain with me beneath the stars?" With disgust marring his features, he turned away. "You think I'm a coward. Go home." "I don't think that. I love you." He spun around. "You don't believe in that love, you don't believe in me." "Yes, I do." He stalked toward her. She backed into the corner and bent her head to meet his infuriated gaze. "How strongly do you believe in our love?" he asked, his voice ominously low. "If they threatened to strip off your clothes unless you denied our love, would you deny our love?" He gave her no chance to respond, but continued on, his voice growing deeper and more ragged, as though he were dredging up events from the past. "If they wouldn't let you sleep until you denied our love, would you deny our love so you could lay your head on a pillow? "If they stabbed a bayonet into your backside every time your eyes drifted closed, would you deny our love so your flesh wouldn't be pierced? "If they applied a hot brand to your flesh until you screamed in agony, would you deny our love so they'd take away the iron? "If they placed you before a firing squad, would you say you didn't love me so they wouldn't shoot you?" He stepped back and plowed his hands through his hair. "You think I'm a coward. You don't think I have the courage to stand beside you and risk the anger of your father. I'd die before I turned away from anyone or anything I believed in. You won't even walk by my side." He looked the way she imagined soldiers who had lost a battle probably looked: weary, tired of the fight, disillusioned. "You don't believe in me," he said quietly. "How can you believe in our love?

Amadora was never far from her understanding of women, glamour, or the fine line between elegant and camp, vulgar and vibrant, life and dreams. ... Color, she believed, was feminine. She said that women were masters of color, evidenced in changing their hair color, using eye shadow, mascara, powder, rouge, lipstick. You could see it in their jewelry- silvers and golds, gems, stones, pearls of every hue. It was in their clothing, from what they slept in to what they danced in. Their shoes. Their purses. Ribbons, barrettes, clips, and tiaras. Veils. All this color to enhance their sex appeal, while men, she felt, were ill-equipped to handle color with the same ease.

Maybe I can braid your hair, and we can talk about our life goals.” Sarah wrinkles her nose. “Or maybe you can check to see whether I’m wearing panties or not.” “So hair braiding is out?” “Uh, yeah, unless it’s a euphemism for taking your clothes off.

Why are they crying? Why are they crying?" Mitya asks, flying past them at a great clip. "The wee one, the driver answers, "it's the wee one crying." And Mitya is struck that he has said it in his own peasant way: "the wee one," and not "the baby." And he likes it that the peasant has said "wee one": there seems to be more pity in it. "But why is it crying?" Mitya insists, as if he were foolish, "why are its little arms bare, why don't they wrap it up?" "The wee one's cold, its clothes are frozen, they don't keep it warm." "But why is it so? Why?" foolsih Mitya would not leave off. "They're poor, burnt out, they've got no bread, they're begging for their burnt-down place." "No, no," Mitya still seems not to understand, "tell me: why are these burnt-out mothers standing here, why are the people poor, why is the wee one poor, why is the steppe bare, why don't they embrace and kiss, why don't they sing joyful songs, why are they blackened with such black misery, why don't they feed the wee one?" And he feels within himself that, though his questions have no reason or sense, he still certainly wants to ask in just that way, and he should ask in just that way. And he also feels a tenderness such as he has never known before surging up in his heart, he wants to weep, he wants to do something for them all, so that the wee one will no longer cry, so that the blackened, dried-up mother of the wee one will not cry either, so that there will be no more tears in anyone from that moment on, and it must be done at once, at once, without delay and despite everything, with all his Karamazov unrestraint.

Taking Off Emily Dickinson’s Clothes" First, her tippet made of tulle, easily lifted off her shoulders and laid on the back of a wooden chair. And her bonnet, the bow undone with a light forward pull. Then the long white dress, a more complicated matter with mother-of-pearl buttons down the back, so tiny and numerous that it takes forever before my hands can part the fabric, like a swimmer’s dividing water, and slip inside. You will want to know that she was standing by an open window in an upstairs bedroom, motionless, a little wide-eyed, looking out at the orchard below, the white dress puddled at her feet on the wide-board, hardwood floor. The complexity of women’s undergarments in nineteenth-century America is not to be waved off, and I proceeded like a polar explorer through clips, clasps, and moorings, catches, straps, and whalebone stays, sailing toward the iceberg of her nakedness. Later, I wrote in a notebook it was like riding a swan into the night, but, of course, I cannot tell you everything— the way she closed her eyes to the orchard, how her hair tumbled free of its pins, how there were sudden dashes whenever we spoke. What I can tell you is it was terribly quiet in Amherst that Sabbath afternoon, nothing but a carriage passing the house, a fly buzzing in a windowpane. So I could plainly hear her inhale when I undid the very top hook-and-eye fastener of her corset and I could hear her sigh when finally it was unloosed, the way some readers sigh when they realize that Hope has feathers, that Reason is a plank, that Life is a loaded gun that looks right at you with a yellow eye.

But Beatrice Blaine! There was a woman! Early pictures taken on her father's estate at Lake Geneva, Wisconsin, or in Rome at the Sacred Heart Convent—an educational extravagance that in her youth was only for the daughters of the exceptionally wealthy—showed the exquisite delicacy of her features, the consummate art and simplicity of her clothes. A brilliant education she had—her youth passed in renaissance glory, she was versed in the latest gossip of the Older Roman Families; known by name as a fabulously wealthy American girl to Cardinal Vitori and Queen Margherita and more subtle celebrities that one must have had some culture even to have heard of. She learned in England to prefer whiskey and soda to wine, and her small talk was broadened in two senses during a winter in Vienna. All in all Beatrice O'Hara absorbed the sort of education that will be quite impossible ever again; a tutelage measured by the number of things and people one could be contemptuous of and charming about; a culture rich in all arts and traditions, barren of all ideas, in the last of those days when the great gardener clipped the inferior roses to produce one perfect bud.

Wow,” Wesley said. We were lying in his bed only a few minutes after we’d finished, with a foot or more space between our bodies. “I definitely wasn’t expecting that.” God, he ruined everything when he talked. Annoyed, and still wading through the emotional repercussions, I sneered. “What? Ashamed that you screwed the Duff?” “No.” I was surprised by how serious he sounded. “I’m never ashamed of anyone I sleep with. Sex is a natural chemical reaction. It always happens for a reason. Who am I to dictate who experiences the joy of sharing my bed?” He didn’t see me roll my eyes as he continued. “No, I just meant that I’m shocked. I was honestly starting to believe that you hated me.” “I do hate you,” I assured him, kicking off the covers and moving to pick up my clothes. “You must not hate me too much,” Wesley said, rolling onto his elbow and watching me dress. “You did pretty much throw yourself at me. Generally, hatred doesn’t inspire that kind of passion.” I pulled on my T-shirt. “Believe me, Wesley, I definitely hate you. I was just using you. You use people all the time, so I’m sure you understand.” I buttoned my jeans and grabbed my alligator clip from the nightstand. “This was fun, but if you ever tell anyone, I swear I’ll castrate you.

I will sell thee my soul,' he answered: 'I pray thee buy it off me, for I am weary of it. Of what use is my soul to me? I cannot see it. I may not touch it. I do not know it.' But the merchants mocked at him, and said, 'Of what use is a man's soul to us? It is not worth a clipped piece of silver. Sell us thy body for a slave, and we will clothe thee in sea-purple, and put a ring upon thy finger, and make thee the minion of the great Queen. But talk not of the soul, for to us it is nought, nor has it any value for our service.' And the young Fisherman said to himself: 'How strange a thing this is! The Priest telleth me that the soul is worth all the gold in the world, and the merchants say that it is not worth a clipped piece of silver.' And he passed out of the market-place, and went down to the shore of the sea, and began to ponder on what he should do.

This week I was watching the Rachel Maddow Show (you'd love her: she's funny and brilliant and just happens to be a stunning butch), and she was interviewing the outgoing attorney general, Loretta Lynch, about the country's post election future. The entire show was like a burst of hope so bright I almost had to put on sunglasses. The African American attorney general, prim and plump, sat perched on a barstool talking to a white butch lesbian who has her own national television news show! The event was being recorded in the Stonewall Inn, the site of one of the first places where queer people fought back against police violence! (I was so nervous about being a lesbian in 1969, I hid the tiny newspaper clipping from you.) Simply that the interview was happening made me remember that there are people in the world who are not such egotistical, political careerists as to believe that human rights don't matter. Then, as if just showing up wasn't enough, Attorney General Lynch spoke a truth that is hard to remember from our short-lived perspective: "History is bigger than one turn of the electoral wheel." During your eighty-eight years on this plane, you saw numerous turns of the wheel, and many of them did not land on a prize. Still, toward the end of your life, you took me in and bestowed not just a roof and clothes and food but the gift of your history and the knowledge that we find hope inside ourselves.

Per? You can come out now." A figure slowly emerged from the shadows. "Are they gone?" "No one is here," he reassured her, his voice dropping to a new calm at the sight of her. She was exquisite. He loved everything about her, from the crown of silver flowers she wore in her black hair to the dark eyes that offset her tan skin. For the first time ever, he even noticed clothing. He couldn't help admiring how she favored cobalt blue for her gown over drab browns. Today's dress was clipped at her waist with a floral silver belt. "What did the Fates say?" she asked, sounding timid for the first time since he'd met her. She was anything but a wallflower. She was fiery. He loved that about her most of all. He glided over and put his arms around her. "I'm on my way to see them right now. I don't want you to worry. I thought you were going to go do that thing to take your mind off all that." "I am," she said with a smile. "You're going to love it." He doubted that, but he wanted her to be happy. "In any case, we'll make sure the future is in our favor. Even if we have to burn the whole world to the ground.

I reached into my pocket and too the medal and tossed it toward the black opening. It went right in. It disappeared into the darkness. Then I stepped onto the sidewalk and walked back home. When I got there my parents where doing various cleaning chores. It was a Saturday. Now I had to mow and clip the lawn, water it and the flowers. I changed into my working clothes, went out, and with my father watching me from beneath his dark and evil eyebrows, I opened the garage doors and carefully pulled the mower out backwards, the mower blades not turning then, but waiting.

...at Newsweek only girls with college degrees--and we were called "girls" then--were hired to sort and deliver the mail, humbly pushing our carts from door to door in our ladylike frocks and proper high-heeled shoes. If we could manage that, we graduated to "clippers," another female ghetto. Dressed in drab khaki smocks so that ink wouldn't smudge our clothes, we sat at the clip desk, marked up newspapers, tore out releveant articles with razor-edged "rip sticks," and routed the clips to the appropriate departments. "Being a clipper was a horrible job," said writer and director Nora Ephron, who got a job at Newsweek after she graduated from Wellesley in 1962, "and to make matters worse, I was good at it.

He was dressed in black broadcloth, a tall man, towering over the officers who stood near him, bulky in the shoulders but tapering to a small waist and absurdly small feet in varnished boots. His severe black suit, with fine ruffled shirt and trousers smartly strapped beneath high insteps, was oddly at variance with his physique and face, for he was foppishly groomed, the clothes of a dandy on a body that was powerful and latently dangerous in its lazy grace. His hair was jet black, and his black mustache was small and closely clipped, almost foreign looking compared with the dashing, swooping mustaches of the cavalrymen near by. He looked, and was, a man of lusty and unashamed appetites. He had an air of utter assurance, of displeasing insolence about him, and there was a twinkle of malice in his bold eyes as he stared at Scarlett, until finally, feeling his gaze, she looked toward him.

Instantly, he released her. “It’s just after dawn,” he clipped. “Now put some clothes on.” Millie narrowed mulish eyes at his bare chest, her jaw thrusting forward in a gesture that was becoming somewhat familiar. “You put some clothes on,” she snapped. “And wake me at a more decent hour.” Scowling, she grasped at the covers and heaped them on top of herself, before rolling away from him and sinking back into the bed. Christopher stared at the bundle she made with a sense of pure, frustrated astonishment. “It was my impression that the later the hour, the less decent it becomes.” “Your impression is wrong,” her sharp voice informed him, somewhat muffled by the coverlet. “And if you wake me before nine in the morning again, I’ll pâté your liver and have it with my breakfast. Now get out.” It was a rare person, indeed, who dared to question him, let alone threaten him. Frozen in place, Christopher found himself at a loss for what to do next. How did one make a recalcitrant woman do what she was told? He’d have to ask Dorian.

The air grew colder and thinner as they rode through the mountain passes.  The sun was high and bright, but Martise wrapped her shawl tightly around her and pressed against Silhara’s back.  Gnat kept a steady pace, breathing harder in the thin air.  Unlike him, the mountain ponies suffered no effects from the rising elevation and clipped ahead at a swift pace.  Patches of snow spilled from embankments onto the rutted paths.  A brisk wind moaned a soft dirge as it whipped through the towering evergreens cloaking the mountainside. Silhara called a sudden halt.  Martise peered around his arm, expecting to see some obstacle in their path.  The way was clear, with only the Kurmans watching them curiously. “What’s wrong?” “You’re quaking hard enough to make my teeth rattle.”  He moved his leg back and untied one of the packs strapped to the saddle.  “Get down.” She slid off Gnat’s back.  Silhara followed and pulled one of their blankets from the packet.  “Here.  Wrap this around you.” She had only pulled the blanket over her shoulders when he picked her up and tossed her onto Gnat’s back once more, this time in the front of the flat saddle.  She clutched the horse’s mane with one hand and held on to her blanket with the other.  Silhara vaulted up behind her, scooted her back against him and took up the reins. “Better,” he said and whistled to the waiting Kurmans he was ready. Martise couldn’t agree more.  The blanket’s warmth and Silhara’s body heat soaked through her clothing and into her bones.  She leaned into his chest.  “This is nice.” An amused rumble vibrated near her ear.  “So glad you approve.”  His hand slipped under the blanket, wandered over her belly and cupped her breast.  Martise sucked in a breath as his fingers teased her nipple through her shawl and tunic.  The heat surrounding her turned scorching.  “I agree,” he murmured in her ear.  “This is nice.” He stopped his teasing when she squirmed hard enough in the saddle to nearly unseat them both, but left his hand on her breast, content to just hold her.  Martise was ready to toss off the blanket and her shawl.  Silhara’s touch had left her with a throbbing ache between her thighs.  She smiled a little at the feel of him hard against her back.  She wasn’t the only one affected by his teasing.

More Activities to Develop Sensory-Motor Skills Sensory processing is the foundation for fine-motor skills, motor planning, and bilateral coordination. All these skills improve as the child tries the following activities that integrate the sensations. FINE-MOTOR SKILLS Flour Sifting—Spread newspaper on the kitchen floor and provide flour, scoop, and sifter. (A turn handle is easier to manipulate than a squeeze handle, but both develop fine-motor muscles in the hands.) Let the child scoop and sift. Stringing and Lacing—Provide shoelaces, lengths of yarn on plastic needles, or pipe cleaners, and buttons, macaroni, cereal “Os,” beads, spools, paper clips, and jingle bells. Making bracelets and necklaces develops eye-hand coordination, tactile discrimination, and bilateral coordination. Egg Carton Collections—The child may enjoy sorting shells, pinecones, pebbles, nuts, beans, beads, buttons, bottle caps, and other found objects and organizing them in the individual egg compartments. Household Tools—Picking up cereal pieces with tweezers; stretching rubber bands over a box to make a “guitar”; hanging napkins, doll clothes, and paper towels with clothespins; and smashing egg cartons with a mallet are activities that strengthen many skills.

Despite her grave concern over her uncle, Elizabeth chuckled inwardly as she introduced Duncan. Everyone exhibited the same stunned reaction she had when she’d discovered Ian Thornton’s uncle was a cleric. Her uncle gaped, Alex stared, and the dowager duchess glowered at Ian in disbelief as Duncan politely bent over her hand. “Am I to understand, Kensington,” she demanded of Ian, “that you are related to a man of the cloth?” Ian’s reply was a mocking bow and a sardonic lift of his brows, but Duncan, who was desperate to put a light face on things, tried ineffectually to joke about it. “The news always has a peculiar effect on people,” he told her. “One needn’t think too hard to discover why,” she replied gruffly. Ian opened his mouth to give the outrageous harridan a richly deserved setdown, but Julius Cameron’s presence was worrying him; a moment later it was infuriating him as the man strode to the center of the room and said in a bluff voice, “Now that we’re all together, there’s no reason to dissemble. Bentner, being champagne. Elizabeth, congratulations. I trust you’ll conduct yourself properly as a wife and not spend the man out of what money he has left.” In the deafening silence no one moved, except it seemed to Elizabeth that the entire room was beginning to move. “What?” she breathed finally. “You’re betrothed.” Anger rose up like flames licking inside her, spreading up her limbs. “Really?” she said in a voice of deadly calm, thinking of Sir Francis and John Marchman. “To whom?” To her disbelief, Uncle Julius turned expectantly to Ian, who was looking at him with murder in his eyes. “To me,” he clipped, his icy gaze still on her uncle. “It’s final,” Julius warned her, and then, because he assumed she’d be as pleased as he to discover she had monetary value, he added, “He paid a fortune for the privilege. I didn’t have to give him a shilling.” Elizabeth, who had no idea the two men had ever met before, looked at Ian in wild confusion and mounting anger. “What does he mean?” she demanded in a strangled whisper. “He means,” Ian began tautly, unable to believe all his romantic plans were being demolished, “we are betrothed. The papers have been signed.” “Why, you-you arrogant, overbearing”-She choked back the tears that were cutting off her voice-“you couldn’t even be bothered to ask me?” Dragging his gaze from his prey with an effort, Ian turned to Elizabeth, and his heart wrenched at the way she was looking at him. “Why don’t we go somewhere private where we can discuss this?” he said gently, walking forward and taking her elbow. She twisted free, scorched by his touch. “Oh, no!” she exploded, her body shaking with wrath. “Why guard my sensibilities now? You’ve made a laughingstock of me since the day I set eyes on you. Why stop now?

Did you eat?” he asked as he backed out of the parking lot. “No.” “Do you want to stop somewhere?” “Like Burger King?” “I was thinking something a little nicer.” “I’m wearing sweaty clothes and sneakers.” Briefly taking his eyes off the road, he glanced at her. “I think you look nice.” “Says the man in a dress shirt and tie.” “Trust me, you could wear a sack and I’d still be the inappropriate factor in the equation. Let’s stop and have dinner. We’ll go someplace small and quiet.” She sighed. “Fine. But you have to take off your tie and un-tuck your shirt.” “What?” “Either that or I’m not going. I look like a slob.” His fingers noticeably tightened on the wheel. “Fine.” When they arrived at the restaurant, a little corner place with outdoor seating and Italian cuisine, Elliot stood at the car door and loosened his tie. After unclasping the top button of his shirt, he frowned at his hips. “My shirttails will be wrinkled. Can’t this be enough?” She laughed at how uncomfortable the idea of wrinkles made him. “Fine.” Untwisting the clip in her hair, she flipped her head over and shook out her waves, hoping to hide the fact that she was in an old tank top with a bleach stain on the side. Flipping back, she paused as she caught him staring. “What?” His eyes were wide behind his glasses. “Nothing.” He shook his head and looked away. He took her hand and escorted her into the restaurant. The smell of delicious pasta cranked up her hunger. The hostess greeted them, and before Nadia could manage a word, Elliot asked for a private table in the back. They were escorted to the rear of the restaurant, far away from all other patrons. “Do they know you here?” He seemed to have some pull. “No, but if you make a direct request people don’t often tell you no.” She raised a brow. “I’ll have to remember that trick.” For as gentle as he was, he had a knack for being equally commanding. His clout was subtle but undeniable. She wondered if he even realized the influence he held over others. He wore authority very well.

A pirate! A black patch covered her rescuer's left eye. The elastic holding it in place drew a thin line between his dark brows and across his forehead. His dark hair was wet, and slicked back off his lean face. His strong jaw was hazed with dark bristle. His face bore the austere lines of a man hounded by demons and comfortable with danger. He looked scruffy, unkempt, and strangely appealing. Tally attributed her reaction to being delirious with shock. "Seen enough?" he asked dryly as she continued to stare. "Or do you want me to turn around?" By all means, do. "Sorry. I wasn't really looking looking-I zoned out there for a second." Very smooth, Tallulah. "I wasn't looking looking"? Oh, brother. She blew out a sigh. He wasn't quite a giant, but he was solidly built, and towered over her own not insubstantial five foot nine by a good five or six inches. Six foot four of sheer power, hard muscle, and sex appeal. His broad, darkly tanned shoulders gleamed with moisture. Salt water glittered like tiny diamonds in the hair on his chest and on the silky dark hair on his thickly muscled legs. His hands and feet were enormous. "Understandable." His mocking and enigmatic gaze took in her clinging clothes, bare feet, and grim hold on the railing as his boat rode the swells. There wasn't a thing she could do about her appearance, so she didn't bother fiddling. Besides, she didn't want to draw attention to the wet transparency of her blouse. Not that he looked the type to be crazed by lust. Especially for a woman like her. Perversely disappointed, she realized that far from being crazed with lust at the sight of her size A boobs, the pirate hadn't even noticed he could see right through her shirt. That one, piercing, whiskey-colored eye locked onto her, and Tally's stomach did a weird little somersault. Adrenaline still raced through her body at a furious clip. She took a deep, shuddering breath. "Tally Cruise." Pleased she sounded coherent under the circumstances, she thrust out her hand and smiled. "Michael Wright." He took her hand, not with his right, but his left. His thumb brushed the back of her knuckles. Little zings of electricity shot up her arm.

He took memory sticks and an external drive from his desk, and cables from the mess on the floor. Pike loaded his gear into the backpack, and we made our way toward the garage. Pike stopped when we reached the living room. “The fish.” The aquarium stood on its stand, bubbling. I said, “What about them?” Tyson said, “We gotta feed them.” We waited while Pike fed the fish, then followed him into the garage. The walls were lined with gray metal shelving units. The shelves were crowded with different-sized boxes and the clutter that accumulates as time passes, and more boxes were stacked on the floor in front of the shelves. Handwriting identified their contents: Christmas/ornaments, Christmas/lights, Tyson—baby clothes, Mom’s lamp. Pike pointed out a small black box clipped to the outside of the garage door’s track, up high by the ceiling and difficult to see. “Transmitter.

He walked past the village school that his great-grandfather built for Untouchable children. Past Sophie Mol’s yellow church. Past the Ayemenem Youth Kung Fu Club. Past the Tender Buds Nursery School (for Touchables), past the ration shop that sold rice, sugar and bananas that hung in yellow bunches from the roof. Cheap soft-porn magazines about fictitious South Indian sex-fiends were clipped with clothes pegs to ropes that hung from the ceiling. They spun lazily in the warm breeze, tempting honest ration-buyers with glimpses of ripe, naked women lying in pools of fake blood.

Emma ripped the sticky note off the bathroom mirror and threw it in the trash. Sean didn’t have to worry about her rubbing the back of his neck again anytime soon. And he certainly didn’t have to worry about her wanting to get naked. Not with him. If they were a real couple, she’d throw his pillow onto the couch and let his feet dangle over the edge for a change. It was pathetic how fast he’d come up with a lame excuse to run away just because he’d kissed her. It was just a kiss. A great kiss, yes, but still just a kiss. She hadn’t asked him to marry her—to really marry her, of course—or told him she wanted to have his baby. A hot, steamy, toe-curling, bone-melting kiss between two single adults was nothing to run from. But now he’d made a big deal out of it and everything was going to be even more awkward than it had been for the past few days. She’d been curled up on the couch, fuming, for almost an hour when she heard Sean’s truck pull in to the driveway. It was another ten minutes before he crept into the bedroom and closed the door behind him. Since she was facing the back of the couch, she didn’t have to make much of an effort to ignore him. He was in the shower so long she must have fallen asleep to the drone of running water, because the next thing Emma knew, her alarm was going off and it was time to face another day in the hell she’d created. But first she had to face Sean. She got first crack at the bathroom, and when she came out, he was sitting on the side of the bed, fully clothed. Thank goodness. He scrubbed his hands over his face. “We should talk about last night.” “How’s Kevin?” “He’s good. And I meant before that.” “You should have stayed for the end of the movie. It was good.” “Dammit, Emma, you know that’s not what I’m talking about.” “Oh, you mean the practice kiss?” She clipped her cell phone onto her front pocket. “We’re getting better at it. That was almost convincing.” “Practice kiss?” He stood, probably so he could look down at her, but she was tall enough it didn’t make much of an impact. “Almost convincing?” “Yeah,” she said, though she turned her back on him, heading toward the door to avoid eye contact, because that was no practice kiss and it could have convinced even the CIA’s finest. He was muttering when she left the room, but she shut the door on him and went downstairs. She didn’t want to talk about it. And she didn’t want to think about the fact he wasn’t happy she called it a practice kiss. That meant he considered it a real kiss. And not only a real kiss, but one that had shaken him up. The only reason kissing a woman should bother a man like him was if he was trying to fight being attracted to her. Hopefully, he’d win, she thought as she headed toward the kitchen, because she was waging that battle herself and didn’t appear to be headed for a victory. Maybe he had enough willpower and self-control for both of them.

I reached into my pocket and took the medal and tossed it toward the black opening. It went right in. It disappeared into the darkness. Then I stepped onto the sidewalk and walked back home. When I got there my parents where doing various cleaning chores. It was a Saturday. Now I had to mow and clip the lawn, water it and the flowers. I changed into my working clothes, went out, and with my father watching me from beneath his dark and evil eyebrows, I opened the garage doors and carefully pulled the mower out backwards, the mower blades not turning then, but waiting.

You look nice." His words were flat and noncommittal, but his voice and gaze were laced with sex. I looked down at myself. Button-down floral shirt. Slacks. Sensible flats. Work clothes. I'd tucked my hair into a clip before I arrived and made sure none of my lunch was still stuck in my teeth, but my appearance wasn't worth mentioning. "What's a girl got to do to look like crap around here?" [...] "Be somebody else, I guess.

You know, white hair with a short perm, possibly some Alfred Dunner clothes decorated with birdhouses and styled in a dusty blue. That’s not Katla at all. She’s dignified. Refined, with her thick, salt-and-pepper locks that are styled in a blowout and pinned back with a jewel clip. Her

But there is another sort of dying in between, a crueler death: when those you love begin to make choices they would never make if you were there. If you were alive. Things that would be thought-less, brutal even, but in your absence, become benign. Like giving away your clothes. Or removing the flurries of magazine clippings you carefully curated across your bedroom walls. Isn't it strange, how the rules change so fast? How an act that would be unacceptable one moment becomes instantly harmless, as soon as the burden of ownership is lifted?

The pictures of her taped to the wall, shots of her leaving the supermarket. Hundreds of photos of her sleeping, showering, exercising. There are news clippings regarding her kidnapping. Some pieces of her clothing, including panties that I’ve stolen so I could touch them unseen. Hold them to my face. Use them on my cock.

Stridor checked the clip, turned the safety off, and cocked the gun.               “I SAID NO!” Asa yelled. He was no longer concerned that Multipliers out in the forest might hear him.               “You’re right,” Stridor said. He put the gun down on his backpack. “I should take his clothes off before I kill him. We don’t want blood on that t-shirt.

Henry has an attachment disorder. He doesn’t even like it when I cut my hair. If my mom had allowed it, he would be the biggest pack rat in the world. But hoarding and blindness don’t mix. Everything has to be in its place or the house becomes a landmine. So he wears the same clothes until they’re threadbare, won’t cut his hair, still sleeps with his Dragon Ball Z sheets he got for his eighth birthday, and has every toy he has ever been given stored in plastic bins in the basement. I don’t think he’ll go through with the hair cut. He’s only let Robin cut it twice since my mom died, and both times he cried the entire time, and she had to put the clippings in a Ziplock bag and let him keep them, just to get him to calm down.” I was slightly repulsed, and I was glad Millie couldn’t see my expression. “So he has bags of hair in his room?” “I’m assuming he does though he won’t tell me where. I pay my next-door neighbor to come in and clean once a week, and she hasn’t found it either

When was the last time we took a verse like, “Let there be no filthiness nor foolish talk nor crude joking, which are out of place, but instead let there be thanksgiving” (Eph. 5:4) and even began to try to apply this to our conversation, our movies, our YouTube clips, our television and commercial intake? What does it mean that there must not be even a hint of immorality among the saints (v. 3)? It must mean something. In our sex-saturated culture, I would be surprised if there were not at least a few hints of immorality in our texts and tweets and inside jokes. And what about our clothes, our music, our flirting, and the way we talk about people who aren’t in the room?

A towering blond woman in an emerald-green suit with lapels sharp enough to slice cheese stalks toward us, her expression set somewhere between rabid and murderous.  “You have got to be kidding me!” she shrieks as she comes alongside us and casts a tundra-cold glance in my direction.  Immediately, I think she’s talking about my clothing, which, while not precisely appropriate, wouldn’t seem to merit a Teutonic hissy fit. But her eyes bounce away from me again, and she presses her hand to her ear. “If this guy doesn’t work out, I will have no problem jamming an ice pick up your skinny ass, Paolo,” she says, and I finally notice the Bluetooth device tucked up next to a chignon tight enough to give her cat eyes.  She clips away, leaving flowers to shrivel and birds to drop from the sky in her wake.  “Jesus,” Ethan mutters, and I realize I’ve actually grabbed onto his arm in terror. “Here’s hoping she’s not the HR rep.”  I allow myself a moment’s enjoyment before releasing him. “Here’s hoping she doesn’t even work here.”  He smiles. “Here’s hoping she’s leaving on a ten-year cruise.”  “To Antarctica.”  “To reunite with her clan, the snow beasts.” 

He's changed out of his school clothes and is wearing a pair of khakis and a plaid dress shirt unbuttoned over a white tee. His hair is clipped short on the sides, with the longer top swept up and back like a '50s greaser. I guess that's what passes for dressing down when you're rich.

Impossible to believe we need so much as the world wants us to buy. I have more clothes, lamps, dishes, paper clips than I could possibly use before I die.

So, again, what is media? I said earlier that media includes our clothes, other people, tools (especially tools for communication), and infrastructure. These are all means through which Christians communicate—first with God, then with the other saints, and then with unbelievers. Respectively, we pray through Christ, we have fellowship in Christ, and we proclaim Christ. What do we use as we do all these things? We use, among other things, ink, newsprint, microphones, email, toner, power point, algorithms, video clips, all of which are made out of molecules. They are things. This means that, because of the way we are created, we cannot love others without media because love, like sound, doesn’t travel in a vacuum.

Anjali, 19, studies at Gargi College, in Delhi. She and her younger sister were raised disguised as boys but without the freedom. They were always dressed in boys’ pants and shirts even as little girls. There were no frocks or dresses. A barber always cut their hair short. No hair clips or ribbons. No make-up, not even kajal. They were denied all signs of femaleness in clothes, hair, jewellery and they were kept at home as much as possible. Once, when Anjali returned home with nail polish on her nails from a friend’s house, her mother hit her and the nail polish was scraped off. These restrictions continue in college. Anjali feels suffocated and slipped me a note in a college classroom requesting me to intervene.

Sometimes, when she was going to Jamaica, Mrs. Chandler would go to New York. And they would take the same train. On the ride down they would talk—about some story being played up in the newspapers, about clothes or some moving picture. But when the train pulled into Grand Central, the wall was suddenly there. Just as they got off the train, just as the porter was reaching for Mrs. Chandler's pigskin luggage, the wall suddenly loomed up. It was Mrs. Chandler's voice that erected it. Her voice high, clipped, carrying, as she said, 'I'll see you on Monday, Lutie.' There was a firm note of dismissal in her voice so that the other passengers pouring off the train turned to watch the rich young woman and her colored maid; a tone of voice that made people stop to hear just when it was the maid was to report back for work. Because the voice unmistakably established the relation between the blond young woman and the brown young woman. And it never failed to stir resentment in Lutie. She argued with herself about it. Of course, she was a maid. She had no illusions about that. But would it hurt Mrs. Chandler just once to talk at that moment of parting as though, however incredible it might seem to anyone who was listening, they were friends? Just two people who knew each other and to whom it was only incidental that one of them was white and the other black? Even while she argued with herself, she was answering in a noncommittal voice, "Yes, ma'am.

Long prayers, superstition, and creeds clip the strong pinions of love, and clothe religion in human forms.

Want a ride?" ... One look at the car, & I decided that walking didn't sound so bad, after all. ... "Half the people around here shouldn't even be driving." She said this will no irony whatsoever, despite the fact that her car's black cloth top kept rising and lowering like some kind of strange bird trying to achieve flight. The driver, a young ginger haired guy, took a stab at making it stop, & turned the wipers on instead. "I'm good," I assured her. ... Ronnie panicked & veered sharply to the right, missing the race car but clipping a VW Bug that had stalled out in the middle of the air. It's hood was jacked up, and its owner's butt was hanging over the side. Or, at least, it was until the impact caused the Bug to go spinning in one direction & flung the owner in the other. ...."uh-oh" .... Ronnie glanced at me. "Get in if you're getting!" I'd have refused, considering his grasp on the fundamentals of the road -- or in this case, the air. But traffic was piling up around the accident, pushing more people out of the safe zone. And I was beginning to doubt that most of them even knew how to drive on land.

She and the wolf played for something like an hour, tagging and chasing each other, wrestling, mock fighting, and ambushing one another. Although he didn’t hold back with those teeth or claws, he didn’t once draw blood. Finally, they collapsed near the lake beside Trey’s discarded clothes, panting and huddled together. She hadn’t meant to doze off, but it wasn’t a great surprise that she did. She woke to the telling sound of popping and snapping. Opening her eyes, she saw Trey beside her in his human form once again. His sharp eyes were glinting with a lightheartedness she had never seen there before. His usual scowl had all but disappeared and he wore a beaming smile. Knowing she was wondering at his uncharacteristic cheeriness, he explained, “I never really made time for playing and fooling around. I became Alpha when I was just a teenager, remember. Had to grow up pretty quickly. There wasn’t really fun or quirkiness in my life until you got here.” He clipped her hair behind her ear and kissed her lightly before sucking her bottom lip into his mouth.

I want the tiny apartment and clipping coupons and living on Ramen until payday. I want to balance the checkbook together and talk about our weekly budget, and pick up a sweater in the store just to hang it back on the rack because holding your hand is way better than carrying a bag full of clothes. I want to feel giddy to be with you at the movie theater once every two months because it's become something special instead of expected. I want to build our castle one block at a time ... just you and me. No easy outs.

about you.” It was an almost girlish statement as she walked forward, graceful in a white sari embroidered in blush pink and powder blue. “So human you look, though you wear wings,” she murmured. “Your skin must show every bruise, every wound.” Such a casual comment. Such a quiet threat. Elena answered with the truth. “Your skin is flawless.” A blink, as if she’d surprised the other angel. Then Anoushka inclined her head by the merest fraction. “I don’t think I’ve heard a compliment from another female angel for at least a hundred years.” A smile that should have been charming, and yet . . . “Will you walk with me?” “I’m afraid I’m headed to training.” She glimpsed Galen out of the corner of her eye, hoped he’d keep his distance. Right now, Anoushka did appear merely inquisitive. Any sign of aggression and things might get ugly. “Of course.” Anoushka waved her hand. “It must worry Raphael to have a mate who is so very weak.” Having the other angel at her back felt like beetles crawling over her skin. She was almost glad to fall into step beside Galen—right now, trying to protect herself from a weapons expert sounded like a far better bet than fencing with an angel who might be a true cobra. According to the rumors she’d heard, Anoushka had grown up drinking poison with her mother’s milk. A shiver skated across her body, and she was more than ready to throw herself into the gruelingly physical training. However, another one of Neha’s creations—Venom—interrupted the hand-to-hand combat session midway. The vampire had on his ubiquitous shades, his body clothed in a black on black suit. But, for once, his expression held no hint of mockery. “Come. Sara is waiting for you on the phone.” She was already walking at a fast clip beside him. “Has something happened to Zoe?” Fear for her goddaughter caught her by the throat. “You should speak to her directly.” Her wings brushed the steps as she walked up to Raphael’s office. She pulled them up instinctively, the action second nature now—thanks to having been put on her ass by Galen more than

The earliest BuzzFeed blog posts included a compilation of the seven best links about gay penguins, four clips on Snoop Dogg’s new clothing line for pets, 20 celebrity nipple slips, and 15 links to animal pornography. As long as readers liked the stuff enough to pass it along to friends, Peretti was happy.

Silas!” Nathaniel exclaimed. “Do you have my—augh! What is that?” “That is Elisabeth Scrivener, master.” Nathaniel stiffened, taking in the sight of her. Emotions flashed across his face too quickly to follow. For a moment, shock prevailed. His gaze skipped over “her bruised skin and filthy clothes. Then he withdrew inward, his expression hardening. “This is a surprise,” he observed in a clipped tone, descending the rest of the stairs at a measured pace. “Why is she here? I thought I told you that I—” He cut himself off with a quick glance back at Elisabeth, his lips pressed to a thin line. “She requires a place to stay,” Silas said. “And you thought it would be an excellent idea to bring her here, of all places?” “Look at her. She is ill. She has nowhere else to go. When I found her, she was being pursued by criminals.” Nathaniel’s eyes widened, but he recovered quickly. “I suppose next you’ll be rescuing orphans and helping elderly widows across the street. This is absurd.” His knuckles had turned white on the banister. “Since when do you care about the welfare of a human being?” “I am not the one who cares,” Silas said softly. “What is that supposed to mean?” “You care about her, master, more than I have seen you care about anything in years. Don’t attempt to deny it,” he added when Nathaniel opened his mouth.