Tennessee Love Quotes

Don't you just love those long rainy afternoons in New Orleans when an hour isn't just an hour - but a little piece of eternity dropped into your hands - and who knows what to do with it?

Nobody sees anybody truly but all through the flaws of their own egos. That is the way we all see ...each other in life. Vanity, fear, desire, competition-- all such distortions within our own egos-- condition our vision of those in relation to us. Add to those distortions to our own egos the corresponding distortions in the egos of others, and you see how cloudy the glass must become through which we look at each other. That's how it is in all living relationships except when there is that rare case of two people who love intensely enough to burn through all those layers of opacity and see each other's naked hearts.

Oh, you can't describe someone you're in love with!

You said, 'They’re harmless dreamers and they’re loved by the people.' 'What,' I asked you, 'is harmless about a dreamer, and what,' I asked you, 'is harmless about the love of the people? Revolution only needs good dreamers who remember their dreams.

In all these years, you never believed I loved you. And I did. I did so much. I did love you. I even loved your hate and your hardness.

Everybody is nothing until you love them.

The world is violent and mercurial--it will have its way with you. We are saved only by love--love for each other and the love that we pour into the art we feel compelled to share: being a parent; being a writer; being a painter; being a friend. We live in a perpetually burning building, and what we must save from it, all the time, is love.

He was a boy, just a boy, when I was a very young girl. When I was sixteen, I made the discovery - love. All at once and much, much too completely. It was like you suddenly turned a blinding on something that had always been half in shadow, that's how it struck the world for me. But I was unlucky. Deluded.

The Venus flytrap, a devouring organism, aptly named for the goddess of love.

Oh, you weak, beautiful people who give up with such grace. What you need is someone to take hold of you--gently, with love, and hand your life back to you, like something gold you let go of--and I can! I'm determined to do it--and nothing's more determined than a cat on a tin roof--is there?

The name of a person you love is more than language.

These are the intensities that one cannot live with, that he has to outgrow if he wants to survive. But who can help grieving for them? If the blood vessels could hold them, how much better to keep those early loves with us?

When I was sixteen, I made the discovery -- love. All at once and much, much too completely. It was like you suddenly turned a blinding light on something that had always been half in shadow, that's how it struck the world for me.

Living with someone you love can be lonelier than living entirely alone, if the one that you love doesn't love you.

Stella: And when he comes back I cry on his lap like a baby.. [she smiles to herself] Blanche: I guess that is what is meant by being in love..

Puttin’ on a cowboy hat & a pair of boots doesn’t make you country; Like puttin’ on a ball gown & glass heels won’t make me Cinderella.

Is a lifetime long enough to hold the regret that I have for that fantastically aborted but crazily sweet love affair?

...love, all at once and much, much too completely. It's like you suddenly turn a blinding light on something that had always been half a shadow...

I think no more than a week after I started writing I ran into the first block. It's hard to describe it in a way that will be understandable to anyone who is not a neurotic. I will try. All my life I have been haunted by the obsession that to desire a thing or to love a thing intensely is to place yourself in a vulnerable position, to be a possible, if not a probable, loser of what you most want. Let's leave it like that. That block has always been there and always will be, and my chance of getting, or achieving, anything that I long for will always be gravely reduced by the interminable existence of that block.

I hope to die in my sleep, when the time comes, and I hope it will be in the beautiful big brass bed in my New Orleans apartment, the bed which is associated with so much love.

Man is by instinct a lover, a hunter, a fighter.

It's almost impossible for anybody to believe that they're not loved by someone they believe they love. But honey, I love nobody.

I am sitting at my kitchen table waiting for my lover to arrive with lettuce and tomatoes and rum and sherry wine and a big floury loaf of bread in the fading sunlight. Coffee is percolating gently, and my mood is mellow. I have been very happy lately, just wallowing in it selfishly, knowing it will not last very long, which is all the more reason to enjoy it now. I suppose life always ends badly for almost everybody. We must have long fingers and catch at whatever we can while it is passing near us.

As for me, no one will ever love me. But you could get used to me, couldn't you, Jimmy?

When I had that attack of pleurosis - he asked me what was the matter when I came back. I said pleurosis - he thought that I said Blue Roses! So that's what he always called me after that. Whenever he saw me, he'd holler, "Hello, Blue Roses!

Princess, the great difference between people in this world is not between the rich and the poor or the good and the evil, the biggest of all differences in this world is between the ones that had or have the pleasure in love and those that haven't and hadn't any pleasure in love, but just watched it with envy, sick envy. The spectators and the performers.

He was a telephone man who fell in love with long distance.

I met her last summer on a moonlight boat trip...

If I could just give myself to the steady peace of the rain. That lovely steady peace.

Q.Why don't you write about nice people? Haven't you ever known any nice people in your life? A.My theory about nice people is so simple that I am embarrassed to say it. Q.Please say it. A.Well, I've never met one that I couldn't love if I completely knew him and understood him, and in my work I have at least tried to arrive at knowledge and understanding. I don't believe in 'original sin'. I don't believe in 'guilt'. I don't believe in villains or heroes - only right or wrong ways that individuals have taken, not by choice but by necessity or by certain still-uncomprehended influences in themselves, their circumstances, and their antecedents. This is so simple I'm ashamed to say it, but I'm sure it's true. In fact, I would bet my life on it! And that's why I don't understand why our propaganda machines are always trying to teach us, to persuade us, to hate and fear other people on the same little world that we live in. Why don't we meet these people and get to know them as I try to meet and know people in my plays?

You don't notice the dead leaving when they really choose to leave you. You're not meant to. At most you feel them as a whisper or the wave of a whisper undulating down. I would compare it to a woman in the back of a lecture hall or theater whom no one notices until she slips out.Then only those near the door themselves, like Grandma Lynn, notice; to the rest it is like an unexplained breeze in a closed room. Grandma Lynn died several years later, but I have yet to see her here. I imagine her tying it on in her heaven, drinking mint juleps with Tennessee Williams and Dean Martin. She'll be here in her own sweet time, I'm sure. If I'm to be honest with you, I still sneak away to watch my family sometimes. I can't help it, and sometimes they still think of me. They can't help it.... It was a suprise to everyone when Lindsey found out she was pregnant...My father dreamed that one day he might teach another child to love ships in bottles. He knew there would be both sadness and joy in it; that it would always hold an echo of me. I would like to tell you that it is beautiful here, that I am, and you will one day be, forever safe. But this heaven is not about safety just as, in its graciousness, it isn't about gritty reality. We have fun. We do things that leave humans stumped and grateful, like Buckley's garden coming up one year, all of its crazy jumble of plants blooming all at once. I did that for my mother who, having stayed, found herself facing the yard again. Marvel was what she did at all the flowers and herbs and budding weeds. Marveling was what she mostly did after she came back- at the twists life took. And my parents gave my leftover possessions to the Goodwill, along with Grandma Lynn's things. They kept sharing when they felt me. Being together, thinking and talking about the dead, became a perfectly normal part of their life. And I listened to my brother, Buckley, as he beat the drums. Ray became Dr. Singh... And he had more and more moments that he chose not to disbelieve. Even if surrounding him were the serious surgeons and scientists who ruled over a world of black and white, he maintained this possibility: that the ushering strangers that sometimes appeared to the dying were not the results of strokes, that he had called Ruth by my name, and that he had, indeed, made love to me. If he ever doubted, he called Ruth. Ruth, who graduated from a closet to a closet-sized studio on the Lower East Side. Ruth, who was still trying to find a way to write down whom she saw and what she had experienced. Ruth, who wanted everyone to believe what she knew: that the dead truly talk to us, that in the air between the living, spirits bob and weave and laugh with us. They are the oxygen we breathe. Now I am in the place I call this wide wide Heaven because it includes all my simplest desires but also the most humble and grand. The word my grandfather uses is comfort. So there are cakes and pillows and colors galore, but underneath this more obvious patchwork quilt are places like a quiet room where you can go and hold someone's hand and not have to say anything. Give no story. Make no claim. Where you can live at the edge of your skin for as long as you wish. This wide wide Heaven is about flathead nails and the soft down of new leaves, wide roller coaster rides and escaped marbles that fall then hang then take you somewhere you could never have imagined in your small-heaven dreams.

Margaret: Oh you weak people, you weak, beautiful people! - who give up. What you want is someone to [she turns out the rose-silk lamp] take hold of you. Gently, gently, with love! And I do love you, Brick, I do! Brick [smiling with charming sadness]: Wouldn't it be funny if that was true?

you love your people but you don’t understand them. They find God in each other. And when they lose each other, they lose God and they’re lost. And it’s hard to help them

--- What is the victory of a cat on a hot tin roof? --- I wish I knew ... Just staying on it, I guess, as long as she can ... [More croquet sounds] Later tonight I'm going to tell you I love you an' maybe by that time you'll be drunk enough to believe me. Yes, they're playing croquet ... Big Daddy is dying of cancer ... What were you thinking of when I caught you looking at me like that? Were you thinking of Skipper? [Brick crosses to the bar, takes a quick drink, and rubs his head with a towel] Laws of silence don't work ... When something is festering in your memory or your imagination, laws of silence don't work, it's like shutting a door and locking it on a house on fire in hope of forgetting that the house is burning. But not facing a fire doesn't put it out. Silence about a thing just magnifies it. It grows and festers in silence, becomes malignant .... Get dressed, Brick.

We have not long to love. Light does not stay. The tender things are those we fold away. Coarse fabrics are the ones for common wear. In silence I have watched you comb your hair. Intimate the silence, dim and warm. I could but did not, reach to touch your arm. I could, but do not, break that which is still. (Almost the faintest whisper would be shrill.) So moments pass as though they wished to stay. We have not long to love. A night. A day....

You two had something that had to be kept on ice, yes, incorruptible, yes!--and death was the only icebox where you could keep it....

Everything diminishes with time, my darling, but my feelings for certain people pierce me daily, and it is no illusion that they center me and let me know who I am, and let me know that I have loved and have been loved, no matter how badly or clumsily.

Later tonight am going to tell you that I love you and maybe by that time you will be drunk enough to believe me.

CORNELIA: -Sit down. Don't leave the table. GRACE: -Is that an order? CORNELIA: -I don't give orders to you, I make requests. GRACE: -Sometimes the requests of an employer are hard to distinguish from orders. [She sits down]

I think you’re better off without him.” Ashley didn’t lift her blue eyes from her scarf as she offered her thoughts; her long,straight brown hair was pulled into a clever twist. She was a nurse practitioner originally from Tennessee and I loved listening to her accent; “I never trust a Jon without an ‘h’. John should be spelled J-o-h-n, not J-o-n.

I like you to be exactly the way that you are, because in all my experience, I have never known anyone like you.

And in the spring, it's touching to notice them making their first discovery of love! As if nobody had ever known it before!

To know me is not to love me. At

How calmly does the orange branch Observe the sky begin to blanch Without a cry, without a prayer, With no betrayal of despair. Sometime while night obscures the tree The zenith of its life will be Gone past forever, and from thence A second history will commence. A chronicle no longer gold, A bargaining with mist and mould, And finally the broken stem The plummeting to earth; and then An intercourse not well designed For beings of a golden kind Whose native green must arch above The earth's obscene, corrupting love. And still the ripe fruit and the branch Observe the sky begin to blanch Without a cry, without a prayer, With no betrayal of despair. O Courage, could you not as well Select a second place to dwell, Not only in that golden tree But in the frightened heart of me?

I belong to a culture that includes Proust, Henry James, Tchaikovsky, Cole Porter, Plato, Socrates, Aristotle, Alexander the Great, Michelangelo, Leonardo da Vinci, Christopher Marlowe, Walt Whitman, Herman Melville, Tennessee Williams, Byron, E.M. Forster, Lorca, Auden, Francis Bacon, James Baldwin, Harry Stack Sullivan, John Maynard Keynes, Dag Hammarskjold… These are not invisible men. Poor Bruce. Poor frightened Bruce. Once upon a time you wanted to be a soldier. Bruce, did you know that an openly gay Englishman was as responsible as any man for winning the Second World War? His name was Alan Turing and he cracked the Germans' Enigma code so the Allies knew in advance what the Nazis were going to do — and when the war was over he committed suicide he was so hounded for being gay. Why don't they teach any of this in the schools? If they did, maybe he wouldn't have killed himself and maybe you wouldn't be so terrified of who you are. The only way we'll have real pride is when we demand recognition of a culture that isn't just sexual. It's all there—all through history we've been there; but we have to claim it, and identify who was in it, and articulate what's in our minds and hearts and all our creative contributions to this earth. And until we do that, and until we organize ourselves block by neighborhood by city by state into a united visible community that fights back, we're doomed. That's how I want to be defined: as one of the men who fought the war.

…Everything diminishes with time, my darling, but my feelings for certain people pierce me daily, and it is no illusion that they center me and let me know who I am, and let me know that I have loved and have been loved, no matter how badly or clumsily.

You were a wonderful lover.... Such a wonderful person to go to bed with, and I think mostly because you were really indifferent to it.

Yes, we all use each other and that's what we think of as love, and not being able to use each other is what's--hate....

For (strange as it may sound to many people, who tend to think of critics as being motivated by the lower emotions: envy, disdain, contempt even) critics are, above all, people who are in love with beautiful things, and who worry that those things will get broken. What motivates so many of us to write in the first place is, to begin with, a great passion for a subject (Tennessee Williams, Balanchine, jazz, the twentieth-century novel, whatever) that we find beautiful; and, then, a kind of corresponding anxiety about the fragility of that beauty.

All of us are seeking a home, and I don't mean where we were born, or where we now live and have things, but where we can do the big things, the right things. Where we belong, where we fit, where we're loved."--Tennessee Williams, "Follies of God: Tennessee Williams and the Women of the Fog

It’s cruelty that gets to me. Still, it’s important to read about cruelty. “Why is it important?” Because when you read about it, it’s easier to recognize. That was always the hardest thing in the refugee camps—to hear the stories of the people who had been raped or mutilated or forced to watch a parent or a sister or a child be raped or killed. It’s very hard to come face-to-face with such cruelty. But people can be cruel in lots of ways, some very subtle. I think that’s why we all need to read about it. I think that’s one of the amazing things about Tennessee Williams’s plays. He was so attuned to cruelty—the way Stanley treats Blanche in A Streetcar Named Desire. It starts with asides and looks and put-downs. There are so many great examples from Shakespeare—when Goneril torments King Lear or the way Iago speaks to Othello. And what I love about Dickens is the way he presents all types of cruelty. You need to learn to recognize these things right from the start. Evil almost always starts with small cruelties.

everything. I would never want depression to be a public or political excuse, but I think that once you have gone through it, you get a greater and more immediate understanding of the temporary absence of judgment that makes people behave so badly—you learn even, perhaps, how to tolerate the evil in the world.” On the happy day when we lose depression, we will lose a great deal with it. If the earth could feed itself and us without rain, and if we conquered the weather and declared permanent sun, would we not miss grey days and summer storms? As the sun seems brighter and more clear when it comes on a rare day of English summer after ten months of dismal skies than it can ever seem in the tropics, so recent happiness feels enormous and embracing and beyond anything I have ever imagined. Curiously enough, I love my depression. I do not love experiencing my depression, but I love the depression itself. I love who I am in the wake of it. Schopenhauer said, “Man is [content] according to how dull and insensitive he is”; Tennessee Williams, asked for the definition of happiness, replied “insensitivity.” I do not agree with them. Since I have been to the Gulag and survived it, I know that if I have to go to the Gulag again, I could survive that also; I’m more confident in some odd way than I’ve ever imagined being. This almost (but not quite) makes the depression seem worth it. I do not think that I will ever again try to kill myself; nor do I think

Time is the longest distance between two places. —TENNESSEE WILLIAMS, The Glass Menagerie

Moses Washington always says people love the beginning parts of life; it’s the middle and end parts that end up being more work than we bargain for.

Living with someone you love can be lonelier — than living entirely alone — if the one that y' love doesn't love you.

Oh, you can't describe someone you're in love with! Here is a picture of him!

He talking Louisiana, you speaking Tennessee. The music so different, the sound coming from a different part of the body. It must of been like hearing lyrics set to scores by two different composers. But when you made love he must of have said I love you and you understood that and it was true, too, because I have seen the desperation in his eyes ever since—no matter what business venture he thinks up.

I fear,” he told me, “never experiencing love or appreciation or affection. On one level—on one day—I will believe myself unworthy of them, so my fears appear justified. On another day, I will very grandly believe I have been unjustifiably denied these things, deserve them in spades, and aggressively pursue them. The aggression I display at these times initially excites me, but afterwards—after the manic, muscular display—I am horrified.

I don't know what to tell you. A statement is easy, and here it is: Be yourself. Try to matter. Be a good friend. Love freely, even if you are likely--almost guaranteed--to be hurt, betrayed. Do what you were created to do. You'll know what this is, because it is what you keep creeping up to, peering at, dreaming of. Do it. If you don't, you'll be punching clocks and eating time doing precisely what you shouldn't, and you'll become mean and you'll seek to punish any and all who appear the slightest bit happy, the slightest bit comfortable in their own skin, the slightest bit smart. Cruelty is a drug, as well, and it's all around us. Don't imbibe. "Try to matter. Try to care. And never be afraid to admit that you just don't know, you just don't fucking know how you're going to make it. That's when the help--the human and the divine help--shows up." --Tennessee Williams/Interview with James Grissom/1982/

Ladies and Gentlemen - I'm only going to talk to you just for a minute or so this evening. Because... I have some very sad news for all of you, and I think sad news for all of our fellow citizens, and people who love peace all over the world, and that is that Martin Luther King was shot and was killed tonight in Memphis, Tennessee. Martin Luther King dedicated his life to love and to justice between fellow human beings. He died in the cause of that effort. In this difficult day, in this difficult time for the United States, it's perhaps well to ask what kind of a nation we are and what direction we want to move in. For those of you who are black - considering the evidence evidently is that there were white people who were responsible - you can be filled with bitterness, and with hatred, and a desire for revenge. We can move in that direction as a country, in greater polarization - black people amongst blacks, and white amongst whites, filled with hatred toward one another. Or we can make an effort, as Martin Luther King did, to understand and to comprehend, and replace that violence, that stain of bloodshed that has spread across our land, with an effort to understand, compassion and love. For those of you who are black and are tempted to be filled with hatred and mistrust of the injustice of such an act, against all white people, I would only say that I can also feel in my own heart the same kind of feeling. I had a member of my family killed, but he was killed by a white man. But we have to make an effort in the United States, we have to make an effort to understand, to get beyond these rather difficult times. My favorite poet was Aeschylus. He once wrote: "Even in our sleep, pain which cannot forget falls drop by drop upon the heart, until, in our own despair, against our will, comes wisdom through the awful grace of God." What we need in the United States is not division; what we need in the United States is not hatred; what we need in the United States is not violence and lawlessness, but is love and wisdom, and compassion toward one another, and a feeling of justice toward those who still suffer within our country, whether they be white or whether they be black. (Interrupted by applause) So I ask you tonight to return home, to say a prayer for the family of Martin Luther King, yeah that's true, but more importantly to say a prayer for our own country, which all of us love - a prayer for understanding and that compassion of which I spoke. We can do well in this country. We will have difficult times. We've had difficult times in the past. And we will have difficult times in the future. It is not the end of violence; it is not the end of lawlessness; and it's not the end of disorder. But the vast majority of white people and the vast majority of black people in this country want to live together, want to improve the quality of our life, and want justice for all human beings that abide in our land. Let us dedicate ourselves to what the Greeks wrote so many years ago: to tame the savageness of man and make gentle the life of this world. Let us dedicate ourselves to that, and say a prayer for our country and for our people. Thank you very much.

The night at the Casino—I wouldn’t have made love to you. Even if you had consented to go upstairs. I couldn’t have made love to you. Yes, yes! Isn’t that funny? I’m more afraid of your soul than you’re afraid of my body. You’d have been as safe as the angel of the fountain—because I wouldn’t feel decent enough—to touch you.…

That’s your mistake. You think you’re stuffed with rose leaves? Turn around and look at it, it may do you good!... Now listen here to the anatomy lecture! This upper story’s the brain, which is hungry for something called truth and doesn’t get much but keeps on feeling hungry! This middle’s the belly which is hungry for food. This part down here is the sex which is hungry for love because it is sometimes lonesome. I’ve fed all three, as much of all three as I could, or as much as I wanted.—You’ve fed none—nothing. Well—maybe your belly a little—watery subsistence—but love or truth, nothing but—nothing but hand-me-down notions!—attitudes—poses! Now you can go.

Our can-do culture has made many of us believe that we should always be self-sufficient. Somewhere along the way, we also got the message that asking for help is a sign of weakness. We often forget that we’re interdependent creatures whose very existence depends on the kindness of others, including—with a bow to Tennessee Williams—strangers.

This is how Resistance disfigures love. The stew it creates is rich, it's colorful; Tennessee Williams could work it up into a trilogy. But is it love? If we're the supporting partner, shouldn't we face our own failure to pursue our unlived life, rather than hitchhike on our spouse's coattails? And if we're the supported partner, shouldn't we step out from the glow of our loved one's adoration and instead encourage him to let his own light shine?

years, my family had sold the estate around the house, piece by piece, so that the sprawling peach orchard and even the grand front drive had given way to tidy bungalows lining the long road to the main house. Grandma had said it made gossip travel even faster, the way they built houses so close together these days. I always told her that the good citizens of Sugarland, Tennessee, needed no help. Still, I loved the place. And I absolutely despised letting

We were perched on the precipice of manhood, drunk on our own importance, our futures promising, the present full of opportunity for seemingly endless firsts and lasts--first drink, first kiss, first love, first lay; last dance, last test, last performance, last season, last game. There were many dance and parties to attend: homecoming at both Steptoe and Yeatman, Steptoe's winter formal, holiday celebrations, and, in the spring, proms and the Tennessee Breeders' Cup. At times, it seemed our education was getting in the way of the events surrounding it.

It was awfully quiet. Chicago only gets this quiet when it snows, he thought. And then he flipped open the phone, pressed the voice button, and said “Katherine.” He said it softly, reverently. Five rings and then her voice mail. Hey, it’s Katherine, he heard, and in the background cars rushed by. They’d been walking home together from the RadioShack when she recorded the message. I’m not, uh. And she uhed, he remembered, because he’d goosed her butt as she tried to talk. Uh, at my cell phone, I guess. Leave me a message and I’ll call you back. And he remembered everything about it, and also everything about everything else, and why couldn’t he forget and beep. “Hey, it’s Col. I’m standing in a soybean field outside of Gutshot, Tennessee, which is a long story, and it’s hot. K. I’m standing here sweating like I had hyperhidrosis, that disease where you sweat a lot. Crap. That’s not interesting. But anyway, it’s hot, and so I’m thinking about cold to stay cool. And I was remembering walking through the snow coming back from the ridiculous movie. Do you remember that, K? We were on Giddings, and the snow made it so quiet, I couldn’t hear a thing in the world but you. And it was so cold then, and so silent, and I loved you so much. Now it’s hot, and dead quiet again, and I love you still.” Five minutes later, he was trudging back when his phone began vibrating. He raced back to the spot with good reception and, breathless answered. “Did you listen to the message?” he asked immediately. “I don’t think I need to,” she answered. “I’m sorry, Colin. But I think we made a really good decision.” And he didn’t even care to point out that they hadn’t made a decision, because the sound of her voice felt so good –well not good exactly. It felt like the mysterium tremedum et fascinans, the fear and the fascination. The great and terrible awe.

Hey, it’s Col. I’m standing in a soybean field outside of Gutshot, Tennessee, which is a long story, and it’s hot. K. I’m standing here sweating like I had hyperhidrosis, that disease where you sweat a lot. Crap. That’s not interesting. But anyway, it’s hot, and so I’m thinking about cold to stay cool. And I was remembering walking through the snow coming back from the ridiculous movie. Do you remember that, K? We were on Giddings, and the snow made it so quiet, I couldn’t hear a thing in the world but you. And it was so cold then, and so silent, and I loved you so much. Now it’s hot, and dead quiet again, and I love you still.

She fell silent, remembering the jolt of envy and longing she’d felt when she’d framed the Browns in her viewfinder. Now, weeks and miles later, it was another jolt for Bryan to realize she hadn’t brushed off the peculiar feeling. She has managed to put it aside, somewhere to the back of her mind, but it popped out again now as she thought of the couple in the bleachers of a small-town park. Family, cohesion. Bonding. Did some people just keep promises better than others? she wondered. Or where some people simply unable to blend their lives with someone’s else, make those adjustments, the compromises? When she looked back, she believed both she and Rob had tried, but in their own ways. There’d been no meeting of the minds, but two separate thought patterns making decisions that never melded with each other. Did that mean that a successful marriage depended on the mating of two people who thought along the same lines? With a sigh, she turned onto the highway that would lead them into Tennessee. If it was true, she decided, she was much better off single. Though she’d met a great many people she liked and could have fun with, she’d never met anyone who thought the way she did. Especially the man seated next to her with his nose already buried in the newspaper. There alone they were radically different.” For more quotes visit my blog: frommybooks.wordpress.com

Resistance. I'm not sure why. Maybe it's easier to endow our partner with the power that we in fact possess but are afraid to act upon. Maybe it's less threatening to believe that our beloved spouse is worthy to live out his or her unlived life, while we are not. Or maybe we're hoping to use our mate as a model. Maybe we believe (or wish we could) that some of our spouse's power will rub off on us, if we just hang around it long enough. This is how Resistance disfigures love. The stew it creates is rich, it's colorful; Tennessee Williams could work it up into a trilogy. But is it love? If we're the supporting partner, shouldn't we face our own failure to pursue our unlived life, rather than hitchhike on our spouse's coattails? And

A meal is sacramental when the rich and poor, powerful and marginalized, sinners and saints share equal status around the table. A local church is sacramental when it is a place where the last are first and the first are last and where those who hunger and thirst are fed. And the church universal is sacramental when it knows no geographic boundaries, no political parties, no single language or culture, and when it advances not through power and might, but through acts of love, joy, and peace and missions of mercy, kindness, humility. In this sense, church gives us the chance to riff on Jesus’ description of the kingdom, to add a few new metaphors of our own. We might say the kingdom is like St. Lydia’s in Brooklyn where strangers come together and remember Jesus when they eat. The kingdom is like the Refuge in Denver, where addicts and academics, single moms and suburban housewives come together to tell each other the truth. The kingdom is like Thistle Farms where women heal from abuse by helping to heal others. The kingdom is like the church that would rather die than cast two of its own out the doors because they are gay. The kingdom is like St. Luke’s Episcopal Church in Cleveland, Tennessee, where you are loved just for showing up. And even still, the kingdom remains a mystery just beyond our grasp. It is here, and not yet, present and still to come. Consummation, whatever that means, awaits us. Until then, all we have are metaphors. All we have are almosts and not quites and wayside shrines. All we have are imperfect people in an imperfect world doing their best to produce outward signs of inward grace and stumbling all along the way. All we have is this church—this lousy, screwed-up, glorious church—which, by God’s grace, is enough.

The milk is long since out of date, the bread all has mold and I think you could start a bacterial plague with what’s in the crisper here…” “Order a pizza,” he suggested. “There’s a place down on the corner that still owes me ten pizzas, paid for in advance.” “You can’t eat pizza for breakfast!” “Why can’t I? I’ve been doing it for a week.” “You can cook,” she said accusingly. “When I’m sober,” he agreed. She glowered at him and went back to her chore. “Well, the eggs are still edible, barely, and there’s an unopened pound of bacon. I’ll make an omelet.” He collapsed into the chair at the kitchen table while she made a fresh pot of coffee and set about breaking eggs. “You look very domesticated like that,” he pointed out with a faint smile. “After we have breakfast, why don’t you come to bed with me?” She gave him a shocked glance. “I’m pregnant,” she reminded him. He nodded and laughed softly. “Yes, I know. It’s an incredible turn-on.” Her hand stopped, poised in midair with a spoon in it. “Wh…What?” “The eggs are burning,” he said pleasantly. She stirred them quickly and turned the bacon, which was frying in another pan. He thought her condition was sexy? She couldn’t believe he was serious. But apparently he was, because he watched her so intently over breakfast that she doubted if he knew what he was eating. “Mr. Hutton told the curator of the museum in Tennessee that I wasn’t coming back, and he paid off the rent on my house there,” she said. “I don’t even have a home to go to…” “Yes, you do,” he said quietly. “I’m your home. I always have been.” She averted her eyes to her plate and hated the quick tears that her condition prompted. Her fists clenched. “And here we are again,” she said huskily. “Where?” he asked. She drew in a harsh breath. “You’re taking responsibility for me, out of duty.” He leaned back in his chair. The robe came away from his broad, bronzed chest as he stared at her. “Not this time,” he replied with a voice so tender that it made ripples right through her heart. “This time, it’s out of love, Cecily.” Cecily doubted her own ears. She couldn’t have heard Tate saying that he wanted to take care of her because he loved her. He wasn’t teasing. His face was almost grim. “I know,” he said. “You don’t believe it. But it’s true, just the same.” He searched her soft, shocked green eyes. “I loved you when you were seventeen, Cecily, but I thought I had nothing to offer you except an affair.” He sighed heavily. “It was never completely for the reasons I told you, that I didn’t want to get married. It was my mother’s marriage. It warped me. It’s taken this whole scandal to make me realize that a good marriage is nothing like the one I grew up watching. I had to see my mother and Matt together before I understood what marriage could be.

When I was sixteen, I made the discovery – love. All at once and much, much too completely. It was like you suddenly turned a blinding light on something that had always been half in shadow, that’s how it struck the world for me. But I was unlucky. Deluded. There was something different about the boy, a nervousness, a softness and tenderness which wasn’t like a man’s, although he wasn’t the least bit effeminate-looking – still – that thing was there … He came to me for help. I didn’t know that. I didn’t find out anything till after our marriage when we’d run away and come back and all I knew was I’d failed him in some mysterious way and wasn’t able to give the help he needed but couldn’t speak of! He was in the quicksands and clutching at me – but I wasn’t holding him out, I was slipping in with him! I didn’t know that. I didn’t know anything except I loved him unendurably but without being able to help him or help myself. Then I found out. In

Suggested Reading Atkinson, Kate. Behind the Scenes at the Museum; Binchy, Maeve. Tara Road, The Copper Beech, and Evening Class; Bloom, Amy. Come to Me; Edwards, Kim. The Memory Keeper’s Daughter; Ferris, Joshua. The Unnamed; Flynn, Gillian. Gone Girl; Foer, Jonathan Safran. Extremely Loud and Incredibly Close; Franzen, Jonathan. The Corrections; Ganesan, Indira. Inheritance; Hanilton, Jane. Disobedience; Jonasson, Jonas. The 100-Year-Old Man Who Climbed Out the Window and Disappeared; Joyce, Rachel. The Unlikely Pilgrimage of Harold Fry; Kidd, Sue Monk. The Secret Life of Bees; Mapson, Jo-Ann, The Owl & Moon Cafe; McEwan, Ian. Atonement; Miller, Arthur. All My Sons; Morrison, Toni. Love; O’Neill, Eugene. Long Day’s Journey into Night; Pekkanen, Sarah. The Opposite of Me; Porter, Andrew. In Between Days; Quindlen, Anna. Blessings and One True Thing; Rosenfeld, Lucinda. The Pretty One; Sittenfeld, Curtis. Sisterland; Smith, Ali. There But For The; Tan, Amy. The Joy Luck Club; Tyler, Anne. Dinner at the Homesick Restaurant; White, Karen. The Time Between; Williams, Tennessee. Cat on a Hot Tin Roof; Woolf, Virginia. Mrs. Dalloway; Yates, Richard. The Easter Parade.

Colby was quietly shocked to find Tate not only at his door the next morning, but smiling. He was expecting an armed assault following their recent telephone conversation. “I’m here with a job offer.” Colby’s dark eyes narrowed. “Does it come with a cyanide capsule?” he asked warily. Tate clapped the other man on the shoulder. “I’m sorry about the way I’ve treated you. I haven’t been thinking straight. I’m obliged to you for telling me the truth about Cecily.” “You know the baby’s yours, I gather?” Tate nodded. “I’m on my way to Tennessee to bring her home,” he replied. Colby’s eyes twinkled. “Does she know this?” “Not yet. I’m saving it for a surprise.” “I imagine you’re the one who’s going to get the surprise,” Colby informed him. “She’s changed a lot in the past few weeks.” “I noticed.” Tate leaned against the wall near the door. “I’ve got a job for you.” “You want me to go to Tennessee?” Colby murmured dryly. “In your dreams, Lane,” Tate returned. “No, not that. I want you to head up my security force for Pierce Hutton while I’m away.” Colby looked around the room. “Maybe I’m hallucinating.” “You and my father,” Tate muttered, shaking his head. “Listen, I’ve changed.” “Into what?” “Pay attention. It’s a good job. You’ll have regular hours. You can learn to sleep without a gun under your pillow. You won’t lose any more arms.” He added thoughtfully, “I’ve been a bad friend. I was jealous of you.” “But why?” Colby wanted to know. “Cecily is special. I look out for her, period. There’s never been a day since I met her when she wasn’t in love with you, or a time when I didn’t know it.” Tate felt warmth spread through his body at the remark. “I’ve given her hell. She may not feel that way, now.” “You can’t kill love,” Colby said heavily. “I know. I’ve tried.” Tate felt sorry for the man. He didn’t know how to put it into words. Colby shrugged. “Anyway, I’ve learned to live with my ghosts, thanks to that psychologist Cecily pushed me into seeing.” He scowled. “She keeps snakes, can you imagine? I used to see mine crawling out of whiskey bottles, but hers are real.” “Maybe she’s allergic to fur,” Tate pointed out. Colby chuckled. “Who knows. When do I start?” he added. “Today.” He produced a mobile phone and dialed a number. “I’m sending Colby Lane over. He’s my relief while I’m away. If you have any problems, report them to him.” He nodded as the person on the other end of the line replied in the affirmative. He closed up the phone. “Okay, here’s what you need to do…

Scupper walked to the sitting room, calling back, “I used to know most of it by heart, but not anymore. But here it is, I’ll read it to ya.” He sat back down at the table and began reading. When he got to this segment: “And there sat Sam, looking cool and calm, in the heart of the furnace roar; And he wore a smile you could see a mile, and he said, ‘Please close that door. It’s fine in here, but I greatly fear you’ll let in the cold and storm— Since I left Plumtree down in Tennessee, it’s the first time I’ve been warm.’” Scupper and Tate chuckled. “Your mom always laughed at that.” They smiled, remembering. Just sat there a minute. Then Scupper said he’d wash up while Tate did his homework. In his room, scanning through the poetry book for one to read in class, Tate found a poem by Thomas Moore: . . . she’s gone to the Lake of the Dismal Swamp, Where, all night long, by a fire-fly lamp, She paddles her white canoe. And her fire-fly lamp I soon shall see, And her paddle I soon shall hear; Long and loving our life shall be, And I’ll hide the maid in a cypress tree, When the footstep of death is near. The words made him think of Kya, Jodie’s little sister. She’d seemed so small and alone in the marsh’s big sweep. He imagined his own sister lost out there. His dad was right—poems made you feel something.

More helicopters hovered to the south, and a large troop carrier lifted off the ground a mile ahead. These weren’t the same helicopters Rick had left behind in Tennessee. These were new ones from North Carolina. They must have had a plan, but Rick wasn’t in any hurry to run to his doom. He slowed down to seventy miles per hour and looked at Renee. “I love you, too,” he said. Renee’s heart lurched into her throat. The reserved look on his face was something she wasn’t used to seeing. “Do you think this is it?” “I don’t know.” He looked again at the fuel gauge. She put her hand over the gauge, covering it from his view. “Do you remember what you told me once?” Rick smiled. “That, sometimes, it’s best not to know.” “Just don’t quit on me. Don’t make this a worthless gesture.” Renee forced him to look at her. Rick feared running out of fuel in the middle of these mountains. He feared the fury of the Firebird’s losing power, rolling to a stop, becoming helpless, and giving all these patrolmen a chance to catch up to them and gun them down like Bonnie and Clyde. Surely, they would use lethal force and nothing else. But as long as that engine ran and Rick was behind the wheel, they had a chance to live. And every second of life mattered. “OK, just hang on,” he said, meeting her gaze. He reached over and kissed her gently. Renee relished the kiss, closing her eyes and then opening them wide to take in the mountains. Did it hurt, getting shot? She wondered if she’d know when the last drop of blood flowed out of her body. What would happen to Rick? Would he be with her? Would they know each other without bodies? The mountains sure were beautiful.

These associations—Cavafy, my mother polishing the silver, a missionary aunt who fled the familiar turf of Tennessee for the otherness of Korea (presumably with the intent of teaching them something, hopefully with the result of being taught), my Mamaw’s fragrant old bureau with its smell of wax and polish—all of them would be brought to bear upon my painting of peppermints, but none of them would be visible; there’s no reason the viewer would know any of this. I could render only what can be seen—color and form, though the painter’s splendid artifice reveals to us texture, too, and rich associations of scent and flavor, all arriving through the gates of the eyes. And yet there is something more here, and that something is what nags at me to write this book, what tugs at my sleeve and my sleep. Why, if all that is personal has fallen away, should these pictures matter so? Why should they be alight with a feeling of intimacy? Interiority makes itself visible. In my imaginary still life, the “context and commentary” of my experience would be gone, but something would remain, something distilled and vibrant in the quality of attention itself. Is that what soul or spirit is, then, the outward-flying attention, the gaze that binds us to the world? Coorte’s asparagus, his gooseberries and shells, distill this quality down to its quietest, most startling essence: the eye suffuses what it sees with I. Not “I” in the sense of my story, the particulars of my life, the way my father tended his old asparagus beds each spring, the way my beloved loved the forms and colors of shells. But “I” as the quickest, subtlest thing we are: a moment of attention, an intimate engagement. Is that the lesson, then, that ultimately I becomes an eye? What is left of Adriaen Coorte but this? Isn’t that enough? […] That, I think, is the deepest secret of these paintings, finally, although it seems just barely in the realm of the sayable, this feeling that beneath the attachments and appurtenances, the furnishings of selfhood, what we are is attention, a quick physical presence in the world, a bright point of consciousness in a wide field from which we are not really separate. That, in a field of light, we are intensifications of that light.

{Excerpt from a message from one of the Cherokee chiefs - Onitositaii, commonly known as Old Tassle} ... 'If, therefore, a bare march, or reconnoitering a country is sufficient reason to ground a claim to it, we shall insist upon transposing the demand, and your relinquishing your settlements on the western waters and removing one hundred miles back towards the east, whither some of our warriors advanced against you in the course of last year's campaign. Let us examine the facts of your present eruption into our country, and we shall discover your pretentions on that ground. What did you do? You marched into our territories with a superior force; our vigilance gave us no timely notice of your manouvres [sic]; your numbers far exceeded us, and we fled to the stronghold of our extensive woods, there to secure our women and children. Thus, you marched into our towns; they were left to your mercy; you killed a few scattered and defenseless individuals, spread fire and desolation wherever you pleased, and returned again to your own habitations. If you meant this, indeed, as a conquest you omitted the most essential point; you should have fortified the junction of the Holstein and Tennessee rivers, and have thereby conquered all the waters above you. But, as all are fair advantages during the existence of a state of war, it is now too late for us to suffer for your mishap of generalship! Again, were we to inquire by what law or authority you set up a claim, I answer, none! Your laws extend not into our country, nor ever did. You talk of the law of nature and the law of nations, and they are both against you. Indeed, much has been advanced on the want of what you term civilization among the Indians; and many proposals have been made to us to adopt your laws, your religion, your manners, and your customs. But, we confess that we do not yet see the propriety, or practicability of such a reformation, and should be better pleased with beholding the good effect of these doctrines in your own practices than with hearing you talk about them, or reading your papers to us upon such subjects. You say: Why do not the Indians till the ground and live as we do? May we not, with equal propriety, ask, Why the white people do not hunt and live as we do? You profess to think it no injustice to warn us not to kill our deer and other game for the mere love of waste; but it is very criminal in our young men if they chance to kill a cow or a hog for their sustenance when they happen to be in your lands. We wish, however, to be at peace with you, and to do as we would be done by. We do not quarrel with you for killing an occasional buffalo, bear or deer on our lands when you need one to eat; but you go much farther; your people hunt to gain a livelihood by it; they kill all our game; our young men resent the injury, and it is followed by bloodshed and war. This is not a mere affected injury; it is a grievance which we equitably complain of and it demands a permanent redress. The Great God of Nature has placed us in different situations. It is true that he has endowed you with many superior advantages; but he has not created us to be your slaves. We are a separate people! He has given each their lands, under distinct considerations and circumstances: he has stocked yours with cows, ours with buffaloe; yours with hogs, ours with bear; yours with sheep, ours with deer. He has indeed given you an advantage in this, that your cattle are tame and domestic while ours are wild and demand not only a larger space for range, but art to hunt and kill them; they are, nevertheless, as much our property as other animals are yours, and ought not to be taken away without consent, or for something equivalent.' Those were the words of the Indians. But they were no binding on these whites, who were living beyond words, claims ...

Did I tell you how I loved you the moment I first saw you in Tennessee?" he murmurs. His voice has a wistful quality like he's picturing the moment right now. I turn to him surprised. "Really? The moment you saw me? When I was a smelly six-year old girl who hadn't bathed in a week, was covered in other kids' sweat, had snot on my sleeves and tear stains on my face and dirt matted in my hair? That moment? That had you struck by love at first sight?" "Yep," he grins.

I Do Believe You Ate My Salad Recently, I attended a luncheon at the George Lindsey (Goober of Mayberry fame) Film Festival at my alma mater, the University of North Alabama. Good manners and polite social behavior were at the top of my list, for I know how often business deals get made and people fall in love over meals--my goodness! Seated right next to me was my friend Buddy Killen, a legendary songwriter from Nashville, Tennessee. Everything seemed to be going fine until I looked over and saw that Buddy was eating my salad. I guess he forgot that your salad is always served on the right. Should I have ignored his faux pas? Skipped my salad to avoid making him uncomfortable? What was a Grits girl to do? I’ll tell you what: without a second thought, I turned to Buddy and said straight out, “Excuse me, sir, I do believe you ate my salad!” Never missing a beat, he waved the waiter over and said, “Sir, I’m afraid you forgot Edie’s salad!” With that, I got my salad and all honor was saved. Which just goes to show that being straightforward in a polite manner is never inappropriate. -Edie Hand

This book is a story about the Vietnam War and illustrates what a mess of a war it was for all involved. However, it is not just a war story. It incorporates relationships back home in Tennessee and the hardships it causes when a loved one goes off to war. It is a very good read and I would recommend it to anyone, especially if you want to get a taste of the Vietnam War. I also read the Gomorrah Principal by Mr. DeStefanis and it was very good too.

In an attic somewhere I have a newspaper given to me by my mother. She saved it when World War II ended. In large, six-inch type the paper’s headline declares, “PEACE.” When the word spread in her Tennessee town that the dying was over, she told me, the people poured out of their homes and businesses to dance in the streets. My mom danced in the streets! Now, that must have been something, because she was raised an old-school Methodist, and they just didn’t do that sort of thing. The explanation is easy. When there was life and peace after so much dying, spontaneous joy had to flow. Overflowing, wondrous, beautiful joy always flows when a war is over.

Ways To Break This Southern Girl’s Heart after Diane Lato's “Easy Ways To Break My Heart” – give her unsweetened tea. there are no two more terrible words to a southern girl when put together – tell her you're an alabama fan. you've gotta know that she's gonna bleed volunteer orange ‘til the end no matter – tell her you don't like the mountains. her heart has east tennessee sunrises imprinted on it… and she wants to show you every sunlit, treelined, starkissed view – turn down the volume when ‘country girl' by ray lamontagne comes on. papa used to play it for her on the porch, and she's gotta hear every bit of it, every time – you wanna really crush her heart? then ask to meet her daddy. because he isn't in her heart anymore. he was the first one who broke it, and in too many ways, long ago – and if you wanna just completely shatter her into pieces… then try to give her an ordinary love. because she needs love like wildfire. like forever-fire. until every last southern sun sets. till the stars burn out. and to know her heart is finally safe… with you …she needs to know that breaking her heart is the very last thing you would ever want to do.

Ways To Break This Southern Girl’s Heart after Diane Lato's "Easy Ways To Break My Heart" - give her unsweetened tea. there are no two more terrible words to a southern girl when put together - tell her you're an alabama fan. you've gotta know that she's gonna bleed volunteer orange ‘til the end no matter - tell her you don't like the mountains. her heart has east tennessee sunrises imprinted on it... and she wants to show you every sunlit, treelined, starkissed view - turn down the volume when 'country girl' by ray lamontagne comes on. papa used to play it for her on the porch, and she's gotta hear every bit of it, every time - you wanna really crush her heart? then ask to meet her daddy. because he isn't in her heart anymore. he was the first one who broke it, and in too many ways, long ago - and if you wanna just completely shatter her into pieces... then try to give her an ordinary love. because she needs love like wildfire. like forever-fire. until every last southern sun sets. till the stars burn out. and until her heart is finally safe... with you ...she needs to know that breaking her heart is the very last thing you would ever want to do.

Brothers and sisters,’ said the man. ‘I want to tell you this. The greatest thing on earth is to have the love of God in your heart, and the next greatest thing is to have electricity in your house.’ This was the early 1940s. The man was a farmer, speaking at a church in rural Tennessee. His farm had been electrified not long before and he was occasionally seen out there, sitting on a knoll, gazing in wonder at the lights blazing out from his house, his barn and his smokehouse.

Life's Just a Day [Verse] Oh-oh, life's just a day, it's a wild, wild ride, Shit happens, we love, we lose, we still find our stride. From backroads to barrooms, in the shadow of the pines, We're tough as the mountains, strong as the Carolina vines. [Verse 2] When the sun dips low and the whiskey flows free, It's a dance with the devil but the stars never leave. We stumble and fall, but our boots hit the ground, With an outlaw heart, we’ll turn it all around. [Chorus] Oh, life's just a day, and it's a wild, wild ballet, Shit happens, we learn, we laugh, but we make our own way. Through the shadows and the scars, from the cradle to the grave, In the hard times and the good, yeah, we're brave. [Bridge] When the night is full of whispers and the moon's letting on, We find solace in the darkness, and in the crickets' song. For in every heartache, there's a story to tell, With each broken down fence, we rise up from the hell. [Verse 3] In rusted old trucks and in honky-tonk tunes, We gather our strength under a Tennessee moon. With a six-string in hand and a fire in our eyes, We’ll face down our demons with the courage of the skies. [Chorus] Oh, life's just a day, and it's a wild, wild ballet, Shit happens, we learn, we laugh, but we make our own way. Through the shadows and the scars, from the cradle to the grave, In the hard times and the good, yeah, we're brave.

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Our team is young, but on the rise. Holly’s motto for them is “Same heart, same pride, same fight,” which I love. The kids, who include my last recruiting class, tell me they want to represent everything Tennessee has ever been about: hard work, defense, rebounding, and doing all the little things right.

Carl finally came home and would come to see me almost every night, usually staying to the wee hours. He was working with his father in his asphalt-paving business in South Nashville and I was living in Madison, Tennessee. Between that and the time he spent with me, he wasn’t getting any sleep at all. Finally, one day he said, quite matter-of-factly, “You’re either gonna have to move to the other side of town or we’re gonna have to get married.” That, to Carl, was a proposal. People always want to know how he asked me to marry him, and I always have to say, “He didn’t exactly ask.” Part of me was thrilled that he wanted to marry me, but another part was a little taken aback. That must have been the strongest part because that was the one that answered. “You never have even said you loved me.” “Hell, you know I love you,” was Carl’s answer. I attribute this to that same kind of unspoken communication that I explained when describing life with my daddy. It is one of the Parton/Dean rules of conduct I have become a one-woman committee to abolish. Always at holidays or other family gatherings, people would hug and say good-bye, but they would never say “I love you.” Sure, I know that the love is there, but dammit, I want to hear it! I was the first one in my family, that I know of, to ever tell other family members that I loved them. One day, after I had been living away from home for many years, I was saying good-bye to Daddy when I told him, “I love you.” He responded in the usual nonverbal, look-at-the-ground Parton way, and I just couldn’t stand it anymore. I took his head between my hands and made him look me right in the eye. “You tell me you love me,” I demanded. With no small amount of embarrassment he said, “Aww, you know I love you’uns” (a mountain word meaning more than one). “Not you’uns!” I kept on. “This has got nothing to do with Cassie or Bobby or anybody else. I want to know if you”—I emphasized the word by poking my finger into his chest—“love me,” I said with an emphatic point toward myself. He tried to look to one side, but I held his face firmly. He blushed and sputtered and finally said haltingly, “I love you.” That must have been the crack in the dam. Once the top man had fallen, it was easier to teach the rest of the Partons to say “I love you.” Now it is something we all do freely. It is still not something Carl does on a regular basis. But now and then, in a kind of sidewinding way, he will say it.

Then, it was easier to build the need for love and sex into the end-all purpose of life, avoiding personal commitment to truth in a catch-all commitment to "home" and "family." . . . . Irwin Shaw, who once goaded the American conscience on the great issues of war and peace and racial prejudice now wrote about sex and adultery; Norman Mailer and the young beatnik writers confined their revolutionary spirit to sex and kicks and drugs and advertising themselves in four-letter words. It was easier and more fashionable for writers to think about psychology than politics, about private motives than public purposes. Painters retreated into an abstract expressionism that flaunted discipline and glorified the evasion of meaning. Dramatists reduced human purpose to bitter, pretentious nonsense: "the theater of the absurd." Freudian thought gave this whole process of escape its dimension of endless, tantalizing, intellectual mystery: process within process, meaning hidden within meaning, until meaning itself disappeared and the hopeless, dull outside world hardly existed at all. As a drama critic said, in a rare note of revulsion at the stage world of Tennessee Williams, it was as if no reality remained for man except his sexual perversions, and the fact that he loved and hated his mother.

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Love's Crossroads [Verse] I see you standing there, a smile that could light up the night, Your eyes are calling me, but I know it wouldn’t be right. I got one at home who loves me, waiting up till dawn, And though my heart is aching, I gotta move along. [Verse 2] On this dusty road, I’ve wandered far and wide, Temptation’s always knocking, hard to keep it outside. I hold my wedding ring, a circle made of gold, Promises we kept whisper in my soul. [Chorus] Love's crossroads, where true hearts always meet, Every choice is heavy, though the moment feels sweet. Got a lady back in Tennessee, my heart she's owned for life, So I'll turn away from you, I can't betray my wife. [Verse 3] The jukebox in the corner, plays an old and lonesome song, Two-step thoughts of dancing, but it wouldn't last too long. She’s texting me “I miss you,” while I’m looking in your eyes, But I shake off temptation, and remember my ties. [Bridge] It’s a hard road to travel, walking straight and true, When every stranger's glance feels like a gentle skew. But I'll keep on this path, bound by love so deep, Knowing she's at home, that's the promise I keep. [Chorus] Love's crossroads, where true hearts always meet, Every choice is heavy, though the moment feels sweet. Got a lady back in Tennessee, my heart she's owned for life, So I'll turn away from you, I can't betray my wife.

Someone's Double Shot of Whiskey [Verse] When the sun sets low on a Tennessee sky, And the world feels heavy, makes you wanna cry, You walk down that dirt road, kicking up dust, Thinking 'bout the past and who to trust. [Verse 2] The porch light's flickering, but no one's home, You're feeling like a stray dog, lost and alone, Nothing but the whispers of the evening breeze, And the sound of your boots on the fallen leaves. [Chorus] You may not be everyone's cup of tea, But believe me, honey, you're a sight to see. To someone out there, you're more than a dream, You're their double shot of whiskey, straight from the stream. [Verse 3] The radio plays those old-time songs, Reminding you of how far you've come along, Life ain't always bright, but it's not so bad, When you remember the good times you once had. [Verse 4] Folks might not understand your country ways, But there's someone out there prayin' for brighter days, For every broken heart and tear you cry, There's a love out there that won't pass you by. [Chorus] You may not be everyone's cup of tea, But believe me, honey, you're a sight to see. To someone out there, you're more than a dream, You're their double shot of whiskey, straight from the stream.

Like a vein of hard coal, it was the strike We fantasized, the pocket of sure reward we sidestepped the road- blocks for In Southwest Virginia, seamed in its hillside Above the north fork of the Holston River. One afternoon before Christmas In 1953, we crossed the bridge from Tennessee on a whiskey run, Churchill and Bevo Hammond and Philbeck and I, All home for the holidays. On the back road where they chased us, we left the Sheriff's Patrol in their own dust, And washed ours down with Schlitz on the way home. Jesus, it’s so ridiculous, and full of self-love, The way we remember ourselves, and the dust we leave... Remember me as you will, but remember me once Slide-wheeling around the curves, letting it out on the other side of the line.

Both the Redds and Bleus have pets, since Americans of all political stripes love animals. But it turns out there is a dog/cat divide that breaks down along partisan lines. Euromonitor has tracked pet ownership in the United States and around the world. Its state-by-state map of dog versus cat preferences doesn’t look much different from the electoral college map. Cats outnumber dogs in the Northeast, Upper Midwest, and the Pacific Coast. The South and Southwest are dog country. Including the District of Columbia, of the ten states with the largest cat-to-dog ratios, nine regularly vote Democratic for president—Massachusetts, Maryland, Maine, Vermont, Connecticut, DC, New Hampshire, Pennsylvania, and New York. Only Ohio fails to fit the pattern. Of the ten states with the largest dog-to-cat ratios, eight regularly vote Republican—Arkansas, Texas, Oklahoma, Louisiana, Mississippi, Arizona, Tennessee, and Missouri. New Mexico is the outlier here. Other studies have also revealed a relationship between ideology and pet preferences, with conservatives more dog-friendly and liberals more cat-friendly.