Salem Poor Quotes

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Alone. Yes, that’s the key word, the most awful word in the English tongue. Murder doesn’t hold a candle to it and hell is only a poor synonym…
Stephen King ('Salem's Lot)
It had that comfortably sprung, lived-in look that library books with a lively circulation always get; bent page corners, a dab of mustard on page 331, a whiff of some reader's spilled after-dinner whiskey on page 468. Only library books speak with such wordless eloquence of the power good stories hold over us, how good stories abide, unchanged and mutely wise, while we poor humans grow older and slower.
Stephen King (’Salem’s Lot)
He wondered at the atrocities human kind was capable of committing. The majority of those housed below were ill, mentally or physically, not witches. Most were poor victims--the outcasts of society; or the opposite, people so blessed, others coveted their lives.
Brynn Chapman (Where Bluebirds Fly (Synesthesia Shift Series))
Alone. Yes, that's the key word, the most awful word in the English tongue. Murder doesn't hold a candle to it and hell is only a poor synonym...
Stephen King (’Salem’s Lot)
I remember that Stratford Library book clearly and with great affection. It had that comfortably sprung, lived-in look that library books with a lively circulation always get; bent page corners, a dab of mustard on page 331, a whiff of some reader’s spilled after-dinner whiskey on page 468. Only library books speak with such wordless eloquence of the power good stories hold over us; how good stories abide, unchanged and mutely wise, while we poor humans grow older and slower.
Stephen King ('Salem's Lot)
Alone. Yes, that’s the key word, the most awful word in the English tongue. Murder doesn’t hold a candle to it and hell is only a poor synonym.…
Stephen King ('Salem's Lot)
Only library books speak with such wordless eloquence of the power good stories hold over us; how good stories abide, unchanged and mutely wise, while we poor humans grow older and slower.
Stephen King ('Salem's Lot)
Ah, New England. An amalgam of picket fences and crumbling bricks; Ivy League schools and dropped Rs; social tolerance and the Salem witch trials, Henry David Thoreau and Stephen King, P-town rainbows and mill-town rust; Norman Rockwell and Aerosmith; lobster and Moxie; plus the simmering aromas of a million melting pot cuisines originally brought here by immigrants from everywhere else searching for new ways to live. It’s a place where rapidly-growing progressive cities full of the ‘wicked smaaht’ coexist alongside blight-inflicted Industrial Revolution landscapes full of the ‘wicked poor’. A place of forested mountains, roaring rivers, crystalline lakes, urban sprawl, and a trillion dollar stores. A place of seasonal tourism beach towns where the wild, rank scent of squishy seaweed casts its cryptic spell along the vast and spindrift-misted seacoast, while the polished yachts of the elite glisten like rare jewels on the horizon, just out of reach. Where there are fiery autumn hues and leaves that need raking. Powder snow ski slopes and icy windshields that need scraping. Crisp daffodil mornings and mud season. Beach cottage bliss and endless miles of soul-sucking summer traffic . Perceived together, the dissonant nuances of New England stir the imagination in compelling and chromatic whorls.
Eric J. Taubert
William Perkins (1558–1602) likewise aims several polemical shots at the Church of Rome for using the quadriga. He looks at how those using this device interpret Melchizedek offering bread and wine to Abraham (Gen. 14:18): “The literal sense is, that the King of Salem with meat which he brought, refreshed the soldiers of Abraham being tired with travel. The allegorical is, that the Priest doth offer up Christ in ye Mass. The tropological is, therefore something is to be given to the poor. The anagogical is, that Christ in like manner being in heaven, shall be the bread of life to the faithful.”32 However, Perkins strongly asserts that such a method of interpretation “must be exploded and rejected [because] there is one only sense, and the same is the literal.”33 A text may demand an allegorical interpretation because it literally is an allegory, but theologians are not to go to the text with the fourfold method in mind as a basic presupposition for interpreting the Bible. The Scriptures themselves must dictate how they are to be interpreted.
Joel R. Beeke (A Puritan Theology: Doctrine for Life)
But don’t you understand yet that a woman’s intention is the last thing she is likely to perform in this world? We do have meanings now and then, we poor creatures, but they seldom come to much.
Mrs. Oliphant (Salem Chapel (Chronicles of Carlingford, #3))
People gave the heavens a voice, so they had something to ask for: a better harvest, a healthy child or a milder winter. God was hope, and mankind needed hope the way it needed warmth, food and ale. But with hope came disappointment. The downtrodden yearned for stories to explain their misfortunes, though what they really wanted was somebody to blame for their misery. It was impossible to set fire to the blight that had ruined your crops, but a blight was easily summoned by a witch, at which point any poor woman would do.
Stuart Turton (The Devil and the Dark Water)
there was no profession in the state of Texas with worse job security than that of high school football coach. Coaches were fired all the time for poor records. Sometimes it happened with the efficiency of a bloodless coup—one day the coach was there at the office decorated in the school colors and the next day he was gone, as if he had never existed. But sometimes he was paraded before school board meetings to be torn apart by the public in a scene like something out of the Salem witch trials, or had several thousands of dollars’ worth of damage done to his car by rocks thrown by irate fans, or responded to a knock on the door to find someone with a shotgun who wasn’t there to fire him but to complain about his son’s lack of playing time. When Gaines himself went home that Friday night at about two in the morning he found seven FOR SALE signs planted in his lawn. The next night, someone had also smashed a pumpkin into his car, causing a dent. It didn’t bother him. He was the coach. He got paid for what he did and he was tough enough to take it. But he did get upset when he heard that several FOR SALE signs had also been punched into Chavez’s lawn. Brian was just a player, a senior in high school, but that didn’t seem to matter. “That’s sick to me,” said Gaines. “I just can’t understand it.
H.G. Bissinger (Friday Night Lights: A Town, a Team, and a Dream)
But let’s be clear: the madness of everyday life was its own issue. It didn’t have any relationship to whether or not Christianity was bullshit. Obviously, Christianity was total bullshit. It was the most insane bullshit! But it was impossible to make an argument against superstition and magical nonsense, and have it stick, when that argument was delivered from a society where every citizen was a magician. And yes, reader, that includes you. You too are a magician. Your life is dominated by one of the oldest and most perverse forms of magic, one with less interior cohesion than the Christian faith, and you invest its empty symbolism with a level of belief that far outpaces that of any Christian. Here are some strips of paper and bits of metal! Watch as I transform these strips of paper and bits of metal into: (a) sex (b) food (c) clothing (d) shelter (e) transportation that allows me to acquire strips of paper and bits of money (f) intoxicants that distract me from my endless pursuit of strips of paper and bits of metal (g) leisure items that distract me from my endless pursuit of strips of paper and bits of metal (h) pointless vacations to exotic locales where I will replicate the brutish behavior that I display in my point of origin as a brief respite from my endless pursuit of strips of paper and bits of metal (i) unfair social advantages that allow my rotten children to undertake their own moronic pursuits of strips of paper and bits of metal. Humiliate yourself for strips of paper. Murder for the strips of paper. Humiliate others for the strips of paper. Worship the people who’ve accumulated such vast quantities of strips of paper that their strips of paper no longer have any physical existence and are now represented by binary notation. Treat the vast accumulators like gods. Free blowies for the moldering corpse of Steve Jobs! Fawning profile pieces for Jay-Z! The Presidency for billionaire socialite and real-estate developer Donald J. Trump! Kill! Kill! Kill! Work! Work! Work! Die! Die! Die! Go on. Pretend this is not the most magical thing that has ever happened. Historical arguments against Christianity tended to be delivered in tones of pearl-clutching horror, usually by subpar British intellectuals pimping their accent in America, a country where sounding like an Oxbridge twat conferred an unearned credibility. Yes, the Crusades were horrible. Yes, the Inquisition was awful. Yes, they shouldn’t have burned witches in Salem. Yes, there is an unfathomable amount of sexually abused walking wounded. Yes, every Christian country has oriented itself around the rich and done nothing but abuse the fuck out of its poor. But it’s not like the secular conversion of the industrialized world has alleviated any of the horror. Read the news. Murder, rape, murder, rape, murder, rape, murder, rape, murder, rape, murder, rape...Despair. All secularism has done, really, is remove a yoke from the rich. They’d always been horrible, but at least when they still paid lip service to Christian virtues, they could be shamed into philanthropy. Now they use market forces to slide the whole thing into feudalism. New York University built a campus [in Abu Dhabi] with slave labor! In the Twenty-First Century AD! And has suffered no rebuke! Applications are at an all-time high! The historical arguments against Christianity are as facile as reviews on Goodreads.com, and come down to this: Why do you organize around bad people who tell you that a Skyman wants you to be good? To which the rejoinder is: yes, the clergy sucks, but who cares how normal people are delivered into goodness?
Jarett Kobek (Only Americans Burn in Hell)
She found herself thinking of those same drive-in horror movie epics where the heroine goes venturing up the narrow attic stairs to see what’s frightened poor old Mrs. Cobham so, or down into some dark, cobwebby cellar where the walls are rough, sweating stone—symbolic womb—and she, with her date’s arm comfortably around her, thinking: What a silly bitch…I’d never do that!
Stephen King ('Salem's Lot)