Corn Love Quotes

There are times when solitude is better than society, and silence is wiser than speech. We should be better Christians if we were more alone, waiting upon God, and gathering through meditation on His Word spiritual strength for labour in his service. We ought to muse upon the things of God, because we thus get the real nutriment out of them. . . . Why is it that some Christians, although they hear many sermons, make but slow advances in the divine life? Because they neglect their closets, and do not thoughtfully meditate on God's Word. They love the wheat, but they do not grind it; they would have the corn, but they will not go forth into the fields to gather it; the fruit hangs upon the tree, but they will not pluck it; the water flows at their feet, but they will not stoop to drink it. From such folly deliver us, O Lord. . . .

Sometimes I think if I had to choose between an ear of corn or making love to a woman, I'd choose the corn.

Tita knew through her own flesh how fire transforms the elements, how a lump of corn flour is changed into a tortilla, how a soul that hasn't been warmed by the fire of love is lifeless, like a useless ball of corn flour.

She may be lying in bed reading a book, she may be making love with a prize fighter, or she may be running like mad through a field of stubble, one shoe one, one shoe off, a man named Corn Cob pursuing her hotly. Wherever she is I am standing in complete darkness; her absence blots me out.

Some of us are crèmes brûlées, unfortunately in the presence of those who would rather have corn dogs. We can try to degenerate into corn dogs to make them happy, or we can just accept the fact that we were made for Paris!

Little world, full of little people shouting for recognition, screaming for love, Rolling world, teeming with millions, carousel of the hungry, Is there food enough? Wheat and corn will not do. The fat are the hungriest of all, the skinny the most silent.

Love is like a corn-dog popsicle, and I’m on the Most Wanted list. Unfortunately it’s by the government, specifically the FDA, and not by women.

Ada girl, adored girl, [...] I'm a radiant void. I'm convalescing after a long and dreadful illness. You cried over my unseemly scar, but now life is going to be nothing but love and laughter, and corn in cans. I cannot brood over broken hearts, mine is too recently mended.

(Matty) 'I'm going to a corn maze.' (Elliot) 'Oh, bitch. You've lost your ever-loving mind.

When you are corn and roses and at rest I shall endure, a dense and sanguine ghost To haunt the scene where I was happiest To bend above the thing I loved the most

So I sat on the grimy floor of an eighteenth-century corn mill and watched my fiance heal the guy I loved. "Wow," I muttered. "I'm gonna have one messed-up 'How I Spent My Summer Vacation' essay when I get back to Hex Hall.

To watch the corn grow, or the blossoms set; to draw hard breath over the plough or spade; to read, to think, to love, to pray, are the things that make men happy.

Only in love is there trust - even the possibility of trust.

When Scythrop grew up, he was sent, as usual, to a public school, where a little learning was painfully beaten into him, and from thence to the university, where it was carefully taken out of him; and he was sent home like a well-threshed ear of corn, with nothing in his head.

If you want something sweet, order the pound cake. Anybody who puts sugar in the corn bread is a heathen who doesn't love the Lord, not to mention Southeastern Conference football.

This is the creature there has never been. They never knew it, and yet, none the less, they loved the way it moved, its suppleness, its neck, its very gaze, mild and serene. Not there, because they loved it, it behaved as though it were. They always left some space. And in that clear unpeopled space they saved it lightly reared its head, with scarce a trace of not being there. They fed it, not with corn, but only with the possibility of being. And that was able to confer such strength, its brow put forth a horn. One horn. Whitely it stole up to a maid - to be within the silver mirror and in her.

We have a chance to do something extraordinary. As we head out of this pandemic we can change the world. Create a world of love. A world where we are kind to each other. A world were we are kind no matter what class, race, sexual orientation, what religion or lack of or what job we have. A world we don't judge those at the food bank because that may be us if things were just slightly different. Let love and kindness be our roadmap.

But you, cloudless girl, question of smoke, corn tassel. You were what the wind was making with illuminated leaves. Behind the nocturnal mountains, white lily of conflagration, ah, I can say nothing!  You were made of everything.

Here's the thing, say Shug. The thing I believe. God is inside you and inside everybody else. You come into the world with God. But only them that search for it inside find it. And sometimes it just manifest itself even if you not looking, or don't know what you looking for. Trouble do it for most folks, I think. Sorrow, lord. Feeling like shit. It? I ast. Yeah, It. God ain't a he or a she, but a It. But what do it look like? I ast. Don't look like nothing, she say. It ain't a picture show. It ain't something you can look at apart from anything else, including yourself. I believe God is everything, say Shug. Everything that is or ever was or ever will be. And when you can feel that, and be happy to feel that, you've found It. Shug a beautiful something, let me tell you. She frown a little, look out cross the yard, lean back in her chair, look like a big rose. She say, My first step from the old white man was trees. Then air. Then birds. Then other people. But one day when I was sitting quiet and feeling like a motherless child, which I was, it come to me: that feeling of being part of everything, not separate at all. I knew that if I cut a tree, my arm would bleed. And I laughed and I cried and I run all around the house. I knew just what it was. In fact, when it happen, you can't miss it. It sort of like you know what, she say, grinning and rubbing high up on my thigh. Shug! I say. Oh, she say. God love all them feelings. That's some of the best stuff God did. And when you know God loves 'em you enjoys 'em a lot more. You can just relax, go with everything that's going, and praise God by liking what you like. God don't think it dirty? I ast. Naw, she say. God made it. Listen, God love everything you love? and a mess of stuff you don't. But more than anything else, God love admiration. You saying God vain? I ast. Naw, she say. Not vain, just wanting to share a good thing. I think it pisses God off if you walk by the color purple in a field somewhere and don't notice it. What it do when it pissed off? I ast. Oh, it make something else. People think pleasing God is all God care about. But any fool living in the world can see it always trying to please us back. Yeah? I say. Yeah, she say. It always making little surprises and springing them on us when us least expect. You mean it want to be loved, just like the bible say. Yes, Celie, she say. Everything want to be loved. Us sing and dance, make faces and give flower bouquets, trying to be loved. You ever notice that trees do everything to git attention we do, except walk? Well, us talk and talk bout God, but I'm still adrift. Trying to chase that old white man out of my head. I been so busy thinking bout him I never truly notice nothing God make. Not a blade of corn (how it do that?) not the color purple (where it come from?). Not the little wildflowers. Nothing. Now that my eyes opening, I feels like a fool. Next to any little scrub of a bush in my yard, Mr. ____s evil sort of shrink. But not altogether. Still, it is like Shug say, You have to git man off your eyeball, before you can see anything a'tall. Man corrupt everything, say Shug. He on your box of grits, in your head, and all over the radio. He try to make you think he everywhere. Soon as you think he everywhere, you think he God. But he ain't. Whenever you trying to pray, and man plop himself on the other end of it, tell him to git lost, say Shug. Conjure up flowers, wind,water, a big rock. But this hard work, let me tell you. He been there so long, he don't want to budge. He threaten lightening, floods and earthquakes. Us fight. I hardly pray at all. Every time I conjure up a rock, I throw it. Amen

The sun is in me now. The sun is my heart, and all the world - the fishermen in China and the corn farmers in Mexico and the fleas on the backs of the dogs in Kathmandu - relies on the rising and falling of my full heart.

Plenty of animals had pets, but few were more devoted than the mouse, who owned a baby corn snake—“A rescue snake, she’d be quick to inform you. This made it sound like he’d been snatched from the jaws of a raccoon, but what she’d really rescued him from was a life without her love. And what sort of a life would that have been?

He loved to saunter through fields of wild oats and corn-flowers, and busied himself with clouds nearly as much as with events.

If I had to choose between making love and corn on the cob, I'd pick corn on the cob.

And when I look around the apartment where I now am,—when I see Charlotte’s apparel lying before me, and Albert’s writings, and all those articles of furniture which are so familiar to me, even to the very inkstand which I am using,—when I think what I am to this family—everything. My friends esteem me; I often contribute to their happiness, and my heart seems as if it could not beat without them; and yet—if I were to die, if I were to be summoned from the midst of this circle, would they feel—or how long would they feel—the void which my loss would make in their existence? How long! Yes, such is the frailty of man, that even there, where he has the greatest consciousness of his own being, where he makes the strongest and most forcible impression, even in the memory, in the heart of his beloved, there also he must perish,—vanish,—and that quickly. I could tear open my bosom with vexation to think how little we are capable of influencing the feelings of each other. No one can communicate to me those sensations of love, joy, rapture, and delight which I do not naturally possess; and though my heart may glow with the most lively affection, I cannot make the happiness of one in whom the same warmth is not inherent. Sometimes I don’t understand how another can love her, is allowed to love her, since I love her so completely myself, so intensely, so fully, grasp nothing, know nothing, have nothing but her! I possess so much, but my love for her absorbs it all. I possess so much, but without her I have nothing. One hundred times have I been on the point of embracing her. Heavens! what a torment it is to see so much loveliness passing and repassing before us, and yet not dare to lay hold of it! And laying hold is the most natural of human instincts. Do not children touch everything they see? And I! Witness, Heaven, how often I lie down in my bed with a wish, and even a hope, that I may never awaken again! And in the morning, when I open my eyes, I behold the sun once more, and am wretched. If I were whimsical, I might blame the weather, or an acquaintance, or some personal disappointment, for my discontented mind; and then this insupportable load of trouble would not rest entirely upon myself. But, alas! I feel it too sadly; I am alone the cause of my own woe, am I not? Truly, my own bosom contains the source of all my pleasure. Am I not the same being who once enjoyed an excess of happiness, who at every step saw paradise open before him, and whose heart was ever expanded towards the whole world? And this heart is now dead; no sentiment can revive it. My eyes are dry; and my senses, no more refreshed by the influence of soft tears, wither and consume my brain. I suffer much, for I have lost the only charm of life: that active, sacred power which created worlds around me,—it is no more. When I look from my window at the distant hills, and behold the morning sun breaking through the mists, and illuminating the country around, which is still wrapped in silence, whilst the soft stream winds gently through the willows, which have shed their leaves; when glorious Nature displays all her beauties before me, and her wondrous prospects are ineffectual to extract one tear of joy from my withered heart,—I feel that in such a moment I stand like a reprobate before heaven, hardened, insensible, and unmoved. Oftentimes do I then bend my knee to the earth, and implore God for the blessing of tears, as the desponding labourer in some scorching climate prays for the dews of heaven to moisten his parched corn.

Now they got to look into me loving Tea Cake and see whether it was done right or not! They don't know if life is a mess of corn-meal dumplings, and if love is a bed-quilt!

In war," answered the weaver, "the strong make slaves of the weak, and in peace the rich make slaves of the poor. We must work to live, and they give us such mean wages that we die. We toil for them all day long, and they heap up gold in their coffers, and our children fade away before their time, and the faces of those we love become hard and evil. We tread out the grapes, another drinks the wine. We sow the corn, and our own board is empty. We have chains, though no eye beholds them; and are slaves, though men call us free.

I do love the sound of ripping corn husks. The violence of the noise, the sustained popping and shoring of the silky organic threads, made me think of someone tearing up an expensive and potentially Italian set of trousers in a fit of madness that this person just might regret later.

Sometimes I think that if I had to choose between an ear of corn or making love to a woman, I'd choose the corn. Not that I wouldn't love to have a final roll in the hay - I am a man yet, and something never die - but the thought of those sweet kernels bursting between my teeth sure sets my mouth to watering. It's fantasy, I know that. Neither will happen. I just like to weight the options, as though I were standing in front of Solomon: a final roll in the hay or an ear of corn. What a wonderful dilemma. Sometimes I substitute an apple for the corn.

I'm just a candy corn farmer. My only part in this play was loving your mother and raising you, and I did both of them as well as I could, but that didn't make me worldly, and it didn't make me wise. It made me a man with a hero for a wife and a daughter who was going to do something great someday, and that was all I wanted to be. I never saved the day. I never challenged the gods. I was the person you could come home to when the quest was over, and I'd greet you with a warm fudge pie and a how was your day, and I'd never feel like I was being left out just because I was forever left behind.

Ever since the days when such formidable mediocrities as Galsworthy, Dreiser, Tagore, Maxim Gorky, Romain Rolland and Thomas Mann were being accepted as geniuses, I have been perplexed and amused by fabricated notions about so-called "great books." That, for instance, Mann's asinine "Death in Venice," or Pasternak's melodramatic, vilely written "Dr. Zhivago," or Faulkner's corn-cobby chronicles can be considered "masterpieces" or at least what journalists term "great books," is to me the sort of absurd delusion as when a hypnotized person makes love to a chair. My greatest masterpieces of twentieth century prose are, in this order: Joyce's "Ulysses"; Kafka's "Transformation"; Bely's "St. Petersburg," and the first half of Proust's fairy tale, "In Search of Lost Time.

Ah'll clean 'em, you fry 'em and let's eat,' he said with the assurance of not being refused. They went out into the kitchen and fixed up the hot fish and corn muffins and ate. Then Tea Cake went to the piano without so much as asking and began playing blues and singing, and throwing grins over his shoulder. The sounds lulled Janie to soft slumber and she woke up with Tea Cake combing her hair and scratching the dandruff from her scalp. It made her more comfortable and drowsy.

THE ELFIN KNIGHT Are you going to Scarborough Fair? Parsley, sage, rosemary, and thyme Remember me to one who lives there She must be a true love of mine Tell her she'll sleep in a goose-feather bed Parsley, sage, rosemary, and thyme Tell her I sear she'll have nothing to dread She must be a true love of mine Tell her tomorrow her answer make known Parsley, sage, rosemary, and thyme What e'er she may say I'll not leave her alone She must be a true love of mine Her answer came in a week and a day Parsley, sage, rosemary, and thyme I'm sorry good sir, I must answer thee nay I'll not be a true love of thine From the sting of my curse she can never be free Parsley, sage, rosemary, and thyme Unless she unravels my riddlings three She will be a true love of mine Tell her to make me a magical shirt Parsley, sage, rosemary, and thyme Without any seam or needlework Else she'll be a true love of mine Tell her to find me an acre of land Parsley, sage, rosemary, and thyme Between the salt water and the sea strand Else she'll be a true love of mine Tell her to plow it with just a goat's horn Parsley, sage, rosemary, and thyme And sow it all over with one grain of corn Else she'll be a true love of mine And her daughters forever possessions of mine

So I thought I’d feel different afterward, after the visible neon sign proclaiming 'virgin' had blinked out on my forehead. I’d spent years obessessing about it, so it seemed like somthing should have changed. Maybe it would have if I’d still been at Ceder Falls High School surrounded by the gossip and the braggadocio of teenage boys. But on my uncle's farm, nobody noticed, or at least nobody said anything. The next day, like every day, we dug corn, chopped wood, and carried water. And it didn’t really change much between Darla and me, either. Yes, making love was fun, but it wasn’t really any more fun than anything we’d already been doing together. Just different.

Sometimes I think that if I had to choose between an ear of corn or making love to a woman, I'd choose the corn.

His skin covers me entirely; we are like two halves of a seed, enclosed in the same integument. I should like to grow enormously small, so that you could swallow me, like those queens in fairy tales who conceive when they swallow a grain of corn or a sesame seed. Then I could lodge inside your body and you would bear me.

The people I love the best jump into work head first without dallying in the shallows and swim off with sure strokes almost out of sight. They seem to become natives of that element, the black sleek heads of seals bouncing like half submerged balls. I love people who harness themselves, an ox to a heavy cart, who pull like water buffalo, with massive patience, who strain in the mud and the muck to move things forward, who do what has to be done, again and again. I want to be with people who submerge in the task, who go into the fields to harvest and work in a row and pass the bags along, who stand in the line and haul in their places, who are not parlor generals and field deserters but move in a common rhythm when the food must come in or the fire be put out. The work of the world is common as mud. Botched, it smears the hands, crumbles to dust. But the thing worth doing well done has a shape that satisfies, clean and evident. Greek amphoras for wine or oil, Hopi vases that held corn, are put in museums but you know they were made to be used. The pitcher cries for water to carry and a person for work that is real.

When love beckons to you, follow him, Though his ways are hard and steep. And when his wings enfold you yield to him, Though the sword hidden among his pinions may wound you. And when he speaks to you believe in him, Though his voice may shatter your dreams as the north wind lays waste the garden. For even as love crowns you so shall he crucify you. Even as he is for your growth so is he for your pruning. Even as he ascends to your height and caresses your tenderest branches that quiver in the sun, So shall he descend to your roots and shake them in their clinging to the earth. Like sheaves of corn he gathers you unto himself. He threshes you to make you naked. He sifts you to free you from your husks. He grinds you to whiteness. He kneads you until you are pliant; And then he assigns you to his sacred fire, that you may become sacred bread for God's sacred feast. All these things shall love do unto you that you may know the secrets of your heart, and in that knowledge become a fragment of Life's heart. But if in your fear you would seek only love's peace and love's pleasure, Then it is better for you that you cover your nakedness and pass out of love's threshing-floor, Into the seasonless world where you shall laugh, but not all of your laughter, and weep, but not all of your tears. Love gives naught but itself and takes naught but from itself. Love possesses not nor would it be possessed; For love is sufficient unto love. When you love you should not say, "God is in my heart," but rather, "I am in the heart of God." And think not you can direct the course of love, for love, if it finds you worthy, directs your course. Love has no other desire but to fulfill itself. But if you love and must needs have desires, let these be your desires: To melt and be like a running brook that sings its melody to the night. To know the pain of too much tenderness. To be wounded by your own understanding of love; And to bleed willingly and joyfully. To wake at dawn with a winged heart and give thanks for another day of loving; To rest at the noon hour and meditate love's ecstasy; To return home at eventide with gratitude; And then to sleep with a prayer for the beloved in your heart and a song of praise upon your lips.

Paris and Helen He called her: golden dawn She called him: the wind whistles He called her: heart of the sky She called him: message bringer He called her: mother of pearl barley woman, rice provider, millet basket, corn maid, flax princess, all-maker, weef She called him: fawn, roebuck, stag, courage, thunderman, all-in-green, mountain strider keeper of forests, my-love-rides He called her: the tree is She called him: bird dancing He called her: who stands, has stood, will always stand She called him: arriver He called her: the heart and the womb are similar She called him: arrow in my heart.

SCARBOROUGH FAIR, or, THE LOVER'S PROMISE (Lucy:) Are you going to Scarborough Fair? Parsley, sage, rosemary, and thyme Remember me to one who lives there Always he'll be a true love of mine Tell him I've made him a magical shirt Parsley, sage, rosemary, and thyme Without any seam or needlework Always he'll be a true love of mine (Zach:) Tell her she's found me an acre of land Parsley, sage, rosemary, and thyme Between the salt water and the sea strand That makes her a true love of mine Tell her she's plowed it with just a goat's horn Parsley, sage, rosemary, and thyme She's sowed it all over with one grain of corn Yes, she is a true love of mine And her daughter forever a daughter of mine (Together:) Are you going to Scarborough Fair? Parsley, sage, rosemary, and thyme Remember us to all who live there Ours will be true love for all time

I am a black stone, the size of a kitchen stove. They wash me in the stream every summer and sing over me. I am skulls and cocks, spring rain and the blood of the bull. Virgins lie with strangers in my name, the young priests throw pieces of themselves at my stone feet. I am white corn, and the wind in the corn, and the earth whereof the corn stands up, and the blind worms rolled in an oozy ball of love at the corn's roots. I am rut and flood and honeybees.

Kellogg’s Corn Flakes and Graham Crackers were originally marketed as a cure for carnal strivings and masturbation.

The Cycle" Sun is always reborn; Grab the golden corn; The ants are wellborn; Cycle movement is sworn; Date:11162021 By: Aron Micko H.B

Ignore the story and see the soul. And remember to love. You will never regret it.

Love big, forgive always, do good, and don’t be an asshole.’ That’s yoga, that’s a life well-lived. It’s really that simple. End of story.

At length, one lovely morning, when the green corn lay soaking in the yellow sunlight, and the sky rose above the earth deep and pure and tender like the thought of God about it, Alec became suddenly aware that life was good, and the world beautiful . . . One of God's lyric prophets, the larks, was within earshot, pouring down a vocal summer of jubilant melody. The lark thought nobody was listening but his wife; but God heard in heaven, and the young prodigal heard on the earth.

I loved her like a sister and we’d known each other since we were babies, but on some level, you couldn’t have found two peas in the same pod that were so completely different. It was almost like opening the pod and finding a pea and a piece of corn.

As the art of life is learned, it will be found at last that all lovely things are also necessary; a wild flower by the wayside, tended corn, wild birds and creatures of the forest, as well as the tended cattle; because man doth not live by bread only.

If I walked too far and wondered loud enough the fields would change. I could look down and see horse corn and I could hear it then- singing- a kind of low humming and moaning warning me back from the edge. My head would throb and the sky would darken and it would be that night again, that perpetual yesterday lived again. My soul solidifying, growing heavy. I came up to the lip of my grave this way many times but had yet to stare in. I did begin to wonder what the word heaven meant. I thought, if this were heaven, truly heaven, it would be where my grandparents lived. Where my father's father, my favorite of them all, would lift me up and dance with me. I would feel only joy and have no memory, no cornfield and no grave. You can have that,' Franny said to me. 'Plenty of people do.' How do you make the switch?' I asked. It's not as easy as you might think,' she said. 'You have to stop desiring certain answers.' I don't get it.' If you stop asking why you were killed instead of someone else, stop investigating the vaccum left by your loss, stop wondering what everyone left on Earth is feeling,' she said, 'you can be free. Simply put, you have to give up on Earth.' This seemed impossible to me. ... She used the bathroom, running the tap noisily and disturbing the towels. She knew immediately that her mother had bought these towels- cream, a ridiculous color for towels- and monogrammed- also ridiculous, my mother thought. But then, just as quickly, she laughed at herself. She was beginning to wonder how useful her scorched-earth policy had been to her all these years. Her mother was loving if she was drunk, solid if she was vain. When was it all right to let go not only of the dead but of the living- to learn to accept? I was not in the bathroom, in the tub, or in the spigot; I did not hold court in the mirror above her head or stand in miniature at the tip of every bristle on Lindsey's or Buckley's toothbrush. In some way I could not account for- had they reached a state of bliss? were my parents back together forever? had Buckley begun to tell someone his troubles? would my father's heart truly heal?- I was done yearning for them, needing them to yearn for me. Though I still would. Though they still would. Always.

Only those who will love longer than they expected to can truly love pecan pie, which doesn't explain its status as death rows most requested last dessert, or why chopped pecans, corn syrup, directions from the Karo bottle's cherry-red side are what mercy taste like to some. But there you have it.

Creation is built upon the promise of hope, that things will get better, that tomorrow will be better than the day before. But it's not true. Cities collapse. Populations expand. Environments decay. People get ruder. You can't go to a movie without getting in a fight with the guy in the third row who won't shut up. Filthy streets. Drive-by shootings. Irradiated corn. Permissible amounts of rat-droppings per hot dog. Bomb blasts, and body counts. Terror in the streets, on camera, in your living room. Aids and Ebola and Hepatitis B and you can't touch anyone because you're afraid you'll catch something besides love and nothing tastes as good anymore and Christopher Reeve is [dead] and love is statistically false. Pocket nukes and subway anthrax. You grow up frustrated, you live confused, you age frightened, you die alone. Safe terrain moves from your city to your block to your yard to your home to your living room to the bedroom and all you want is to be allowed to live without somebody breaking in to steal your tv and shove an ice-pick in your ear. That sound like a better world to you? That sound to you like a promise kept?

My Favorite Kid President Quotes “Create something that will make the world more awesome.” “Treat everybody like it’s their birthday.” “If you can’t think of anything nice to say, you’re not thinking hard enough.” “Be somebody who makes everybody feel like a somebody.” “Give the world a reason to dance!” “Us humans are capable of war and sadness and other terrible stuff. But also CUPCAKES!” “Love changes everything so fill the world with it!” “Grown-ups who dream are the best kinds of grown-ups.” “Don’t be IN a party. BE a party.” And my personal favorite, “Mail someone a corn dog.

To truly understand what it is to be in the light, you have to also understand what it is to be in the shadow. Because it is one thing to hold the light within myself, but how can I hold the space for another being when they are in their shadow and still love them? And not judge them? I am only going to judge them if I am still judging me.

It was Valentine's Day and I had spent the day in bed with my life partner, Ketel One. The two of us watched a romance movie marathon on TBS Superstation that made me wonder how people who write romantic comedies can sleep at night. At some point during almost every romantic comedy, the female lead suddenly trips and falls, stumbling helplessly over something ridiculous like a leaf, and then some Matthew McConaughey type either whips around the corner just in the nick of time to save her or is clumsily pulled down along with her. That event predictably leads to the magical moment of their first kiss. Please. I fall all-the-time. You know who comes and gets me? The bouncer. Then, within the two hour time frame of the movie, the couple meet, fall in love, fall out of love, break up, and then just before the end of the movie, they happen to bump into each other by "coincidence" somewhere absolutely absurd, like by the river. This never happens in real life. The last time I bumped into an ex-boyfriend was at three o'clock in the morning at Rite Aid. I was ringing up Gas-X and corn removers.

Whether a carpenter makes a table, or a goldsmith a piece of jewelry, whether the peasant grows his corn, or the painter paints a picture, in all types of creative work the worker and his object become one, man unites himself with the world in the process of creation. This, however, holds true only for productive work, for work in which I plan, produce, see the result of my work. In the modern work process of a clerk, the worker on the endless

Pleasing is such a fraught and freighted word, it seems, saccharine and over-sweet. Let's do so much more than simply please people. Let's see them and love them and delight them, look deeply into their eyes. Pleasing is shallow and temporary joy, not nearly as valuable or rich as seeing or connection or listening. Pleasing feels like corn syrup, like cheap candy, while pleasure is homemade pie, rich with butter, thick with sugar and ripe fruit.

NINA Your life is beautiful. TRIGORIN I see nothing especially lovely about it. [He looks at his watch] Excuse me, I must go at once, and begin writing again. I am in a hurry. [He laughs] You have stepped on my pet corn, as they say, and I am getting excited, and a little cross. Let us discuss this bright and beautiful life of mine, though. [After a few moments' thought] Violent obsessions sometimes lay hold of a man: he may, for instance, think day and night of nothing but the moon. I have such a moon. Day and night I am held in the grip of one besetting thought, to write, write, write! Hardly have I finished one book than something urges me to write another, and then a third, and then a fourth--I write ceaselessly. I am, as it were, on a treadmill. I hurry for ever from one story to another, and can't help myself. Do you see anything bright and beautiful in that? Oh, it is a wild life! Even now, thrilled as I am by talking to you, I do not forget for an instant that an unfinished story is awaiting me. My eye falls on that cloud there, which has the shape of a grand piano; I instantly make a mental note that I must remember to mention in my story a cloud floating by that looked like a grand piano. I smell heliotrope; I mutter to myself: a sickly smell, the colour worn by widows; I must remember that in writing my next description of a summer evening. I catch an idea in every sentence of yours or of my own, and hasten to lock all these treasures in my literary store-room, thinking that some day they may be useful to me. As soon as I stop working I rush off to the theatre or go fishing, in the hope that I may find oblivion there, but no! Some new subject for a story is sure to come rolling through my brain like an iron cannonball. I hear my desk calling, and have to go back to it and begin to write, write, write, once more. And so it goes for everlasting. I cannot escape myself, though I feel that I am consuming my life. To prepare the honey I feed to unknown crowds, I am doomed to brush the bloom from my dearest flowers, to tear them from their stems, and trample the roots that bore them under foot. Am I not a madman? Should I not be treated by those who know me as one mentally diseased? Yet it is always the same, same old story, till I begin to think that all this praise and admiration must be a deception, that I am being hoodwinked because they know I am crazy, and I sometimes tremble lest I should be grabbed from behind and whisked off to a lunatic asylum. The best years of my youth were made one continual agony for me by my writing. A young author, especially if at first he does not make a success, feels clumsy, ill-at-ease, and superfluous in the world. His nerves are all on edge and stretched to the point of breaking; he is irresistibly attracted to literary and artistic people, and hovers about them unknown and unnoticed, fearing to look them bravely in the eye, like a man with a passion for gambling, whose money is all gone. I did not know my readers, but for some reason I imagined they were distrustful and unfriendly; I was mortally afraid of the public, and when my first play appeared, it seemed to me as if all the dark eyes in the audience were looking at it with enmity, and all the blue ones with cold indifference. Oh, how terrible it was! What agony!

If you were food, you would be corn. I dont know why, i just sense corn in you.

So the little prince tamed the fox. And when the time for him to leave was approaching: "Oh!", said the fox. "I am going to cry." "It's your own fault," said the little prince. "I never wished you any harm; but you wanted me to tame you..." "I know," said the fox. "And now you're going to cry!" said the little prince. "I know," said the fox. "So you have gained nothing from it at all!" "Yes, I have gained something," said the fox, "because of the colour of the corn.

Oh, she say. God loves all them feelings. That's some of the best stuff God did. And when you know God loves 'em you enjoys 'em a lot more. You can just relax, go with everything that's going, and praise God by liking what you like. God don't think it dirty? I ast. Naw, she say. God made it. Listen, God love everything you love-- and a mess of stuff you don't. But more than anything else, God love admiration. You saying God vain? I ast. Naw, she say. Not vain, just wanting to share a good thing. I think it pisses God off if you walk by the color purple in a field somewhere and don't notice it. What it do when it pissed off? I ast. Oh, it make something else. People think pleasing God is all God care about. But any fool living in the world can see it always trying to please us back. Yeah? I say. Yeah, she say. It always making little surprises and springing them on us when us least expect. You mean it want to be loved, just like the bible say. Yes, Celie, she say. Everything want to be loved. Us sing and dance, make faces and give flower bouquets, trying to be loved. You ever notice that trees do everything to git attention we do, except walk? Well, us talk and talk about God, but I'm still adrift. Trying to chase that old white man out of my head. I been so busy thinking bout him I never truly notice nothing God make. Not a blade of corn (how it do that?) not the color purple (where it come from?). Not the little wildflowers. Nothing. Now that my eyes opening, I feels like a fool.

it’s like . . . finding a book inside another book. A small treasure of a book hidden inside a big common one—like . . . spells printed on dragonfly wings, discovered tucked inside a cookery book, right between the recipes for cabbages and corn. That’s what a kiss is like, he thought, no matter how brief: It’s a tiny, magical story, and a miraculous interruption of the mundane.

Camille, if you could be any fairy-tale person in the world, who would you be?” Amma asked. “Sleeping Beauty.” To spend a life in dreams, that sounded too lovely. “I’d be Persephone.” “I don’t know who that is,” I said. Gayla slapped some collards on my plate, and fresh corn. I made myself eat, a kernel at a time, my gag reflex churning with each chew. “She’s the Queen of the Dead,” Amma beamed. “She was so beautiful, Hades stole her and took her to the underworld to be his wife. But her mother was so fierce, she forced Hades to give Persephone back. But only for six months each year. So she spends half her life with the dead, and half with the living.” “Amma, why would such a creature appeal to you?” Alan said. “You can be so ghastly.” “I feel sorry for Persephone because even when she’s back with the living, people are afraid of her because of where’s she’s been,” Amma said. “And even when she’s with her mother, she’s not really happy, because she knows she’ll have to go back underground.” She grinned at Adora and jabbed a big bite of ham into her mouth, then crowed.

True ease in writing comes from art, not chance, As those move easiest who have learn'd to dance. 'Tis not enough no harshness gives offence, The sound must seem an echo to the sense. Soft is the strain when Zephyr gently blows, And the smooth stream in smoother numbers flows; But when loud surges lash the sounding shore, The hoarse, rough verse should like the torrent roar. When Ajax strives some rock's vast weight to throw, The line too labours, and the words move slow; Not so, when swift Camilla scours the plain, Flies o'er th' unbending corn, and skims along the main. Hear how Timotheus' varied lays surprise, And bid alternate passions fall and rise! While, at each change, the son of Libyan Jove Now burns with glory, and then melts with love; Now his fierce eyes with sparkling fury glow, Now sighs steal out, and tears begin to flow: Persians and Greeks like turns of nature found, And the world's victor stood subdu'd by sound! The pow'r of music all our hearts allow, And what Timotheus was, is Dryden now.

We surf-fished in the breakers catching spottail bass and flounder for dinner. I discovered that summer that I loved to cook and feed my friends, and I enjoyed the sound of their praise as they purred with pleasure at the meals I fixed over glowing iron and fire. I had the run of my grandparents’ garden and I would put ears of sweet corn in aluminum foil after washing them in seawater and slathering them with butter and salt and pepper. Beneath the stars we would eat the beefsteak tomatoes okra and the field peas flavored with salt pork and jalapeno peppers. I would walk through the disciplined rows that brimmed with purple eggplants and watermelons and cucumbers, gathering vegetables. My grandfather, Silas, told us that summer that low country earth was so fertile you could drop a dime into it and grow a money tree.

Because a new love affair always gives hope, the irrational mortal loneliness is always crowned, that thing I saw (that horror of a snake emptiness) when I took the deep iodine deathbreath on the Big Sur beach is now justified and hosannah'd and raised up like a sacred urn to Heaven in the mere fact of the taking off of clothes and clashing wits and bodies in the inexpressibly nervously sad delight of love- don't let no old fogies tell you otherwise, and on top of that nobody in the world even ever dares to write the true story of lovem it's awful, we're stuck with a 50% incomplete literature and drama- lying mouth to mouth, kiss to kiss in the pillow dark, loin to loin in unbelievable surrendering sweetness so distant from all our mental fearful abstractions it makes you wonder why men have termed God antisexual somehow- the secret underground truth of mad desire hiding under fenders under buried junkyards throughout the world, never mentioned in newspapers, written about haltingly and like corn by authors and painted tongue in cheek by artists, agh, just listen to Tristan und Isolde by Wagner and think of him in a Bavarian field with his beloved naked beauty under fall leaves.

I seen but little of this world, Except my corner of it; The city never drew me, For I knew I could not love it. What I loved best was watching The garden getting ripe And a pouch of sweet tobacco And my old cob pipe. What I loved best was a harvest moon Before a frosty morn And lamplight in the barn lot And them long, straight rows of corn. I was plain and country; That's where it starts and ends, But nobody loved her family more, Or treasured more her friends. I loved the changing seasons, And looking for life's reasons, And honey in the comb, and home.

I love a broad margin to my life. Sometimes, in a summer morning, having taken my accustomed bath, I sat in my sunny doorway from sunrise till noon, rapt in a revery, amidst the pines and hickories and sumachs, in undisturbed solitude and stillness, while the birds sing around or flitted noiseless through the house, until by the sun falling in at my west window, or the noise of some traveller's wagon on the distant highway, I was reminded of the lapse of time. I grew in those seasons like corn in the night, and they were far better than any work of the hands would have been. They were not time subtracted from my life, but so much over and above my usual allowance. I realized what the Orientals mean by contemplation and the forsaking of works. For the most part, I minded not how the hours went. The day advanced as if to light some work of mine; it was morning, and lo, now it is evening, and nothing memorable is accomplished. Instead of singing like the birds, I silently smiled at my incessant good fortune. As the sparrow had its trill, sitting on the hickory before my door, so had I my chuckle or suppressed warble which he might hear out of my nest. My days were not days of the week, bearing the stamp of any heathen deity, nor were they minced into hours and fretted by the ticking of a clock; for I lived like the Puri Indians, of whom it is said that "for yesterday, today, and tomorrow they have only one word, and they express the variety of meaning by pointing backward for yesterday forward for tomorrow, and overhead for the passing day." This was sheer idleness to my fellow-townsmen, no doubt; but if the birds and flowers had tried me by their standard, I should not have been found wanting. A man must find his occasions in himself, it is true. The natural day is very calm, and will hardly reprove his indolence.

A Wild Woman Is Not A Girlfriend. She Is A Relationship With Nature. But can you love me in the deep? In the dark? In the thick of it? Can you love me when I drink from the wrong bottle and slip through the crack in the floorboard? Can you love me when I’m bigger than you, when my presence blazes like the sun does, when it hurts to look directly at me? Can you love me then too? Can you love me under the starry sky, shaved and smooth, my skin like liquid moonlight? Can you love me when I am howling and furry, standing on my haunches, my lower lip stained with the blood of my last kill? When I call down the lightning, when the sidewalks are singed by the soles of my feet, can you still love me then? What happens when I freeze the land, and cause the dirt to harden over all the pomegranate seeds we’ve planted? Will you trust that Spring will return? Will you still believe me when I tell you I will become a raging river, and spill myself upon your dreams and call them to the surface of your life? Can you trust me, even though you cannot tame me? Can you love me, even though I am all that you fear and admire? Will you fear my shifting shape? Does it frighten you, when my eyes flash like your camera does? Do you fear they will capture your soul? Are you afraid to step into me? The meat-eating plants and flowers armed with poisonous darts are not in my jungle to stop you from coming. Not you. So do not worry. They belong to me, and I have invited you here. Stay to the path revealed in the moonlight and arrive safely to the hut of Baba Yaga: the wild old wise one… she will not lead you astray if you are pure of heart. You cannot be with the wild one if you fear the rumbling of the ground, the roar of a cascading river, the startling clap of thunder in the sky. If you want to be safe, go back to your tiny room — the night sky is not for you. If you want to be torn apart, come in. Be broken open and devoured. Be set ablaze in my fire. I will not leave you as you have come: well dressed, in finely-threaded sweaters that keep out the cold. I will leave you naked and biting. Leave you clawing at the sheets. Leave you surrounded by owls and hawks and flowers that only bloom when no one is watching. So, come to me, and be healed in the unbearable lightness and darkness of all that you are. There is nothing in you that can scare me. Nothing in you I will not use to make you great. A wild woman is not a girlfriend. She is a relationship with nature. She is the source of all your primal desires, and she is the wild whipping wind that uproots the poisonous corn stalks on your neatly tilled farm. She will plant pear trees in the wake of your disaster. She will see to it that you shall rise again. She is the lover who restores you to your own wild nature.

... WHEN ONE LOOKS INTO THE DARKNESS THERE IS ALWAYS SOMETHING THERE... Far-off, most secret, and inviolate Rose, Enfold me in my hour of hours; where those Who sought thee in the Holy Sepulchre, Or in the wine-vat, dwell beyond the stir And tumult of defeated dreams; and deep Among pale eyelids, heavy with the sleep Men have named beauty. Thy great leaves enfold The ancient beards, the helms of ruby and gold Of the crowned Magi; and the king whose eyes Saw the pierced Hands and Rood of elder rise In Druid vapour and make the torches dim; Till vain frenzy awoke and he died; and him Who met Fand walking among flaming dew By a grey shore where the wind never blew, And lost the world and Emer for a kiss; And him who drove the gods out of their liss, And till a hundred morns had flowered red Feasted, and wept the barrows of his dead; And the proud dreaming king who flung the crown And sorrow away, and calling bard and clown Dwelt among wine-stained wanderers in deep woods: And him who sold tillage, and house, and goods, And sought through lands and islands numberless years, Until he found, with laughter and with tears, A woman of so shining loveliness That men threshed corn at midnight by a tress, A little stolen tress. I, too, await The hour of thy great wind of love and hate. When shall the stars be blown about the sky, Like the sparks blown out of a smithy, and die? Surely thine hour has come, thy great wind blows, Far-off, most secret, and inviolate Rose? Out of sight is out of mind: Long have man and woman-kind, Heavy of will and light of mood, Taken away our wheaten food, Taken away our Altar stone; Hail and rain and thunder alone, And red hearts we turn to grey, Are true till time gutter away. ... the common people are always ready to blame the beautiful.

As the art of life is learned, it will be found at last that all lovely things are also necessary: - the wild flower by the wayside, as well as the tended corn; and the wild birds and creatures of the forest, as well as the tended cattle; because man doth not live by bread only, but also by the desert manna; by every wondrous word and unknowable work of God

Accept each other. Love. Even if it is messy. Live with no regrets. Remember that diversity is our strength. We shouldn't be building walls, we should be tearing them down. Accept each other no matter who we love, how we pray or how we look.

To live for others as a definite self-conscious aim was not his creed. It was not the basis of his creed. When he says, 'Forgive your enemies,' it is not for the sake of the enemy, but for one's own sake that he says so, and because love is more beautiful than hate. In his own entreaty to the young man, 'Sell all that thou hast and give to the poor,' it is not of the state of the poor that he is thinking but of the soul of the young man, the soul that wealth was marring. In his view of life he is one with the artist who knows that by the inevitable law of self-perfection, the poet must sing, and the sculptor think in bronze, and the painter make the world a mirror for his moods, as surely and as certainly as the hawthorn must blossom in spring, and the corn turn to gold at harvest-time, and the moon in her ordered wanderings change from shield to sickle, and from sickle to shield.

She told her journal about me passing by her in the parking lot, about how on that night I had touched her-literally, she felt it, reached out. What I had looked like then. How she dreamed about me. How she had fashioned the idea that a spirit could be a sort of second skin for someone, a protective layer somehow. How maybe if she was assiduous she could free us both. I would read over her shoulder as she wrote down her thoughts and wonder if anyone might believe her one day. When she was imagining me, she felt better, less alone, more connected to something out there. To someone out there. She saw the corn field in her dreams, and a new world opening, a world where maybe she could find a foothold too. “You’re a really good poet Ruth,” she imagined me saying, and her journal would release her into a daydream of being such a good poet that her words had the power to resurrect me.

When I think of my wife, I always think of her head. The shape of it, to begin with. The very first time I saw her, it was the back of the head I saw, and there was something lovely about it, the angles of it. Like a shiny, hard corn kernel or a riverbed fossil. She had what the Victorians would call a finely shaped head. You could imagine the skull quite easily. I’d know her head anywhere.

There are two things the Lord gave man over the other creatures. He created the ability for man to think. The other is the ability to love. I thank Him daily for these gifts, along with all the other wonderful things He created. And I thank Him for sending you to me.

But…” Hazel gripped his shoulders and stared at him in amazement. “Frank, what happened to you?” “To me?” He stood, suddenly self-conscious. “I don’t…” He looked down and realized what she meant. Triptolemus hadn’t gotten shorter. Frank was taller. His gut had shrunk. His chest seemed bulkier. Frank had had growth spurts before. Once he’d woken up two centimeters taller than when he’d gone to sleep. But this was nuts. It was as if some of the dragon and lion had stayed with him when he’d turned back to human. “Uh…I don’t…Maybe I can fix it.” Hazel laughed with delight. “Why? You look amazing!” “I—I do?” “I mean, you were handsome before! But you look older, and taller, and so distinguished—” Triptolemus heaved a dramatic sigh. “Yes, obviously some sort of blessing from Mars. Congratulations, blah, blah, blah. Now, if we’re done here…?” Frank glared at him. “We’re not done. Heal Nico.” The farm god rolled his eyes. He pointed at the corn plant, and BAM! Nico di Angelo appeared in an explosion of corn silk. Nico looked around in a panic. “I—I had the weirdest nightmare about popcorn.” He frowned at Frank. “Why are you taller?” “Everything’s fine,” Frank promised. “Triptolemus was about to tell us how to survive the House of Hades. Weren’t you, Trip?” The farm god raised his eyes to the ceiling, like, Why me, Demeter? “Fine,” Trip said. “When you arrive at Epirus, you will be offered a chalice to drink from.” “Offered by whom?” Nico asked. “Doesn’t matter,” Trip snapped. “Just know that it is filled with deadly poison.” Hazel shuddered. “So you’re saying that we shouldn’t drink it.” “No!” Trip said. “You must drink it, or you’ll never be able to make it through the temple. The poison connects you to the world of the dead, lets you pass into the lower levels. The secret to surviving is”—his eyes twinkled—“barley.” Frank stared at him. “Barley.” “In the front room, take some of my special barley. Make it into little cakes. Eat these before you step into the House of Hades. The barley will absorb the worst of the poison, so it will affect you, but not kill you.” “That’s it?” Nico demanded. “Hecate sent us halfway across Italy so you could tell us to eat barley?” “Good luck!” Triptolemus sprinted across the room and hopped in his chariot. “And, Frank Zhang, I forgive you! You’ve got spunk. If you ever change your mind, my offer is open. I’d love to see you get a degree in farming!” “Yeah,” Frank muttered. “Thanks.” The god pulled a lever on his chariot. The snake-wheels turned. The wings flapped. At the back of the room, the garage doors rolled open. “Oh, to be mobile again!” Trip cried. “So many ignorant lands in need of my knowledge. I will teach them the glories of tilling, irrigation, fertilizing!” The chariot lifted off and zipped out of the house, Triptolemus shouting to the sky, “Away, my serpents! Away!” “That,” Hazel said, “was very strange.” “The glories of fertilizing.” Nico brushed some corn silk off his shoulder. “Can we get out of here now?” Hazel put her hand on Frank’s shoulder. “Are you okay, really? You bartered for our lives. What did Triptolemus make you do?” Frank tried to hold it together. He scolded himself for feeling so weak. He could face an army of monsters, but as soon as Hazel showed him kindness, he wanted to break down and cry. “Those cow monsters…the katoblepones that poisoned you…I had to destroy them.” “That was brave,” Nico said. “There must have been, what, six or seven left in that herd.” “No.” Frank cleared his throat. “All of them. I killed all of them in the city.” Nico and Hazel stared at him in stunned silence. Frank

Leaving Things Alone (excerpt) You train your eye and your vision lusts after colour. You train your ear, and you long for delightful sound. You delight in doing good, and your natural kindness is blown out of shape. You delight in righteousness, and you become righteous beyond all reason. You overdo liturgy, and you turn into a ham actor. Overdo your love of music, and you play corn. Love of wisdom leads to wise contriving. Love of knowledge leads to faultfinding. If men would stay as they really are, taking or leaving these eight delights would make no difference. But if they will not rest in their right state, the eight delights develop like malignant tumors. The world falls into confusion. Since man honour these delights, and lust after them, the world has gone stone-blind. When the delight is over, they still will not let go of it: they surround its memory with ritual worship, they fall on their knees to talk about it, play music and sing, fast and discipline themselves in honour of the eight delights. When the delights become a religion, how can you control them?

Nothing is perfect," sighed the fox. "My life is very monotonous. I run after the chickens; the men run after me. All the chickens are the same; all the men are the same. Consequently, I get a little bored. But if you tame me, my days will be as if filled with sunlight. I shall know the sound of a footstep different from all the rest. ...You see the fields of corn? Well, I don't eat bread. Corn is of no use to me. Corn fields remind me of nothing. Which is sad. On the other hand, your hair is the colour of gold. So think how wonderful it will be when you have tamed me. The corn, which is golden, will remind me of you. And I will come to love the sound of the wind in the field of corn. The fox fell silent and looked steadily at the little prince for a long time. "Please," he said, "tame me!

Corn, beans, and squash were once all my people needed. They were so essential to our everyday lives that we referred to them as our sisters. We would preserve each plant's seeds and pass them on to our children, knowing that with this gift, they would be able to provide the same nutritious food for their families that we provided for them. This was an act of absolute, undiminished intergenerational love. And if intergenerational trauma can alter DNA, why can't intergenerational love?

I realized the universe had consumed my whole entity with its divine sensation of eternal bliss. All I could consciously perceive in that state of mind was absolute oneness. I felt being one with the banyan tree, under which I was sitting. I felt one with the corns in the field. I felt one with the sky and the clouds in it. As if everything was me, and I was everything. I didn’t have any perception of time or space. All that there was, was an all- pervading eternity – a state of non-dualism.

I think about the pepper plant, the corn, cucumbers, tomatoes, and more plants. And I've noticed that while those seeds are living within the fruit or vegetable they can not grow. It is only when those seeds have died, that they can be planted and grow. And, I can relate this same process to the human body. In order to grow and thrive in the spirit, you must die to the flesh. Meaning, You have to rid your mind and body of toxic negative worldly things in order to grow and develop more spiritually.

Let Us Gather In A Flourishing Way Let us gather in a flourishing way opening with sun light grains songs we carry every day I pasture the young body happy to give and give pearls pearls of corn flowing tree of life at the four corners let us gather in a flourishing way happy life full of strength to giving birth to fragrant rivers Fresh sweet green turquoise strong rainbows flesh of our children let us gather in a flourishing way in the light and in the flesh of our heart to toil quiet in fields of blossoms together to stretch the arms With the quiet rain in the morning Early on our forehead star Heat sky and wisdom to meet us Where we toil always in the garden of our Struggle and joy let us offer our hearts to greet our eagle rising freedom woven branches celebrate arms branches nopales stones feathers bursting piercing figs and avocados Butterfly ripe fields and clear seas of our face to breathe all the way in blessing to give seeds to grow maiztlán in the hands of our love.

It was a lovely summer weather in the country, and the golden corn, the green oats, and the haystacks piled up in the meadows looked beautiful. The stork walking about on his long red legs chattered in the Egyptian language, which he had learnt from his mother. The corn-fields and meadows were surrounded by large forests, in the midst of which were deep pools. It was, indeed, delightful to walk about in the country. In a sunny spot stood a pleasant old farm-house close by a deep river, and from the house down to the water side grew great burdock leaves, so high, that under the tallest of them a little child could stand upright. The spot was as wild as the centre of a thick wood. In

lovely summer weather in the country, and the golden corn, the green

There is more that unites us than divides us. So make it a point to talk with someone who is different from you. You may find that you have more in common than you think

We have our love but we have His love, too. By trusting in Him, all things will be alright.

Poetry is a lot harder to sell than corn.

Love trumps hate. Always has and always will

Oh! I must take my shoes off. Huh! Hell hath no fury like a woman's corns, has it?

For breakfast I want a bowl of sugar with some corn flakes sprinkled on top. Then I want to make sweet love to you.

It was a lovely summer weather in the country, and the golden corn, the green oats, and the haystacks piled up in the meadows looked beautiful. The stork walking

Sometimes I think that if I had to choose between an ear of corn or making love to a woman, I'd choose the corn. Not that I wouldn't love to have a final roll in the hay - I am a man yet, and some things never die - but the thought of those sweet kernels bursting in my teeth sure sets my mouth to watering. It's fantasy, I know that. Neither will happen. I just like to weigh the options, as though I were standing in front of Solomon: a final roll in the hay or an ear of corn. What a wonderful dilemma. Sometimes I substitute an apple for the corn.

It is not enough to say that you are upset with something if you don't do anything to change it. If you want to know who a person truly is see what they do. Do they only talk or do they actually walk the walk! What do they get involved with? Making the world better or trying to divide us by pitting us against each other. Beware of the person that tries to divide and conquer

Perhaps that was what made me hate the sorcerer most, despite my love—that he had woken in me again the desire to be pretty. To hold hands with a sweetheart. To wear the stupid white dress and carry the fresh ears of corn, as tradition dictated, and marry in front of a holy man. All that rubbish. The sorcerer stared at me. “Ugly?” he said. Like he’d never heard the word before.

Dear Mr. Duke, As requested, here is an inventory of the animals in my care: *Bixby, a two-legged terrier. *Marigold, a nanny goat of unimpeachable character, who is definitely not breeding. *Angus, a three-year-old Highland steer. *Regan, Goneril, and Cordelia- laying hens. *Delilah, a parrot. *Hubert, an otter. *Freya, a hedgehog. *Thirteen kittens of varying colors and dispositions. Gabe leafed through the report in disbelief. It went on for pages. She'd given not only the names, breeds, and ages of every misbegotten creature, but she'd appended a chart of temperaments, sleeping schedules, preferred bedding, and a list of dietary requirements that would beggar a moderately successful tradesman. Along with the expected hay, alfalfa, corn, and seed, the animals required several pounds of mince weekly, daily pints of fresh cream, and an ungodly number of sardines. The steer and thee goat, she insisted, must go to the same loving home. Apparently they were tightly bonded, whatever that meant, and refused to eat of parted. The laying hens did not actually lay with any regularity. Their previous owners had grown frustrated with this paltry production, and thus they had come into Her Ladyship's care. And the lucky bastard who accepted a ten-year-old hedgehog? Well, he must not only provide a steady supply of mealworms, but remain ever mindful of certain "traumatic experiences in her youth.

A third way of attaining union lies in creative activity, be it that of the artist, or of the artisan. In any kind of creative work the creating person unites himself with his material, which represents the world outside of himself. Whether a carpenter makes a table, or a goldsmith a piece of jewelry, whether the peasant grows his corn or the painter paints a picture, in all types of creative work the worker and his object become one, man unites himself with the world in the process of creation. This, however, holds true only for productive work, for work in which I plan, produce, see the result of my work.

In every human being who is healthy and natural there is a germinating force, just as there is in a grain of corn. And so natural life is germination. What the germinating force is to the grain, love is to us.

Thank you, Daylight Savings Time, for making people wax on about the wonder of an extra hour of sleep, only to serve as an especially depressing reminder to parents that kids don’t care about farmers and harvests and extra hours of daylight. I enjoy my kids standing at my bedside at 4:30 a.m. like creepy, wide-awake Children of the Corn. Naptimes are also jacked, so there’s that. With all due respect-ish, A Tired Mom.

They conducted their love affair in the room above the abandoned corn exchange as the autumn weather came lop-leggedly in from the east: now a warm day, now a sunny one, now four days of cold winds and thin rain.

I know what it feels like to not want your father to look at you too closely, lest he decides he hates you and hits you or decides he loves you a little too much. And I know what it feels like to see your future ahead of you--the husband who's really just a new version of your father, surrendering to him in bed when it's the last thing you want to do, making only biscuits and canned corn for dinner because you don't have money for rent.

North Korea is a famine state. In the fields, you can see people picking up loose grains of rice and kernels of corn, gleaning every scrap. They look pinched and exhausted. In the few, dingy restaurants in the city, and even in the few modern hotels, you can read the Pyongyang Times through the soup, or the tea, or the coffee. Morsels of inexplicable fat or gristle are served as 'duck.' One evening I gave in and tried a bowl of dog stew, which at least tasted hearty and spicy—they wouldn't tell me the breed—but then found my appetite crucially diminished by the realization that I hadn't seen a domestic animal, not even the merest cat, in the whole time I was there.

A king. A queen. A princess. A rock and an ear of corn. Those we have lost walk alongside us, their memory warming our scarred hearts. We are those we loved. I tilt my face to the sky and let the sun brush warm fingers over it. The soft rays are a comfort embrace like an old friend. My husband stands at my side just as he always has and always will. He smiles and it's the one meant solely for me. Kit copies her father, though only one stolen dimple peaks out on her right cheek. I flick them both lightly on the nose. This draws a giggle from Kit and that ceaseless look of reverence from Kai. I smile back, just as Adena taught me to. This life is sweet. Like honey.

Look,” said Whiskey Jack. “This is not a good country for gods. My people figured that out early on. There are creator spirits who found the earth or made it or shit it out, but you think about it: who’s going to worship Coyote? He made love to Porcupine Woman and got his dick shot through with more needles than a pincushion. He’d argue with rocks and the rocks would win. “So, yeah, my people figured that maybe there’s something at the back of it all, a creator, a great spirit, and so we say thank you to it, because it’s always good to say thank you. But we never built churches. We didn’t need to. The land was the church. The land was the religion. The land was older and wiser than the people who walked on it. It gave us salmon and corn and buffalo and passenger pigeons. It gave us wild rice and walleye. It gave us melon and squash and turkey. And we were the children of the land, just like the porcupine and the skunk and the blue jay.

Work hard. Work dirty. Choose your favourite spade and dig a small, deep hole; located deep in the forest or a desolate area of the desert or tundra. Then bury your cellphone and then find a hobby. Actually, 'hobby' is not a weighty enough word to represent what I am trying to get across. Let's use 'discipline' instead. If you engage in a discipline or do something with your hands, instead of kill time on your phone device, then you have something to show for your time when you're done. Cook, play music, sew, carve, shit - bedazzle! Or, maybe not bedazzle... The arrhythmic is quite simple, instead of playing draw something, fucking draw something! Take the cleverness you apply to words with friends and utilise it to make some kick ass cornbread, corn with friends - try that game. I'm here to tell you that we've been duped on a societal level. My favourite writer, Wendell Berry writes on this topic with great eloquence, he posits that we've been sold a bill of goods claiming that work is bad. That sweating and working especially if soil or saw dust is involved are beneath us. Our population especially the urbanites, has largely forgotten that working at a labour that one loves is actually a privilege.

Love is all very well; but there must be something else to go with it. The useless must be mingled with happiness. Happiness is only the necessary. Season that enormously with the superfluous for me. A palace and her heart. Her heart and the Louvre. Her heart and the grand waterworks of Versailles. Give me my shepherdess and try to make her a duchess. Fetch me Phyllis crowned with corn-flowers, and add a hundred thousand francs income. Open for me a bucolic perspective as far as you can see, beneath a marble colonnade. I consent to the bucolic and also to the fairy spectacle of marble and gold. Dry happiness resembles dry bread. One eats, but one does not dine. I want the superfluous, the useless, the extravagant, excess, that which serves no purpose.

To compare human beings with grains of corn, now - in every human being who is healthy and natural there is a germinating force, just as there is in a grain of corn. And so natural life is germination. What the germinating force is to grain, love is to us.

. a revolution of awakened souls, united in heart, aligned with God, in service to each other, the planet, and the Divine. And if all beings could come together and do what needs to be done, in empathy, there would be peace, and we would all, finally, be free.

In Maie get a weede hooke, a crotch and a glove, And weed out such weedes as the corne doth not love. Slack never they weeding, for dearth nor for cheape, The corne shall reward it er ever ye reape. [Found in Helen Nearing, ‘Wise Words on the Good Life’, 1980.

It is not lost on me that these are hard times. Worse times ahead. BUT there will be a better day. A day of love. A time of peace. A time of new beginnings. Hope. A world better than the spot of bother we are in now. KNOW THAT! We do have a better tomorrow ahead.

And when his wings enfold you yield to him, Though the sword hidden among his pinions may wound you. And when he speaks to you believe in him. Though his voice may shatter your dreams as the north wind lays waste the garden. For even as love crowns you so shall he crucify you. Even as he is for your growth so is he for your pruning. Even as he ascends to your height and caresses your tenderest branches that quiver in the sun, So shall he descend to your roots and shake them in their clinging to the earth. Like sheaves of corn he gathers you unto himself. He threshes you to make you naked. He sifts you to free you from your husks. He grinds you to whiteness. He kneads you until you are pliant; And then he assigns you to his sacred fire, that you may become sacred bread for God’s sacred feast.

There had been a time, once, when he had not lived like this, a .32 under his pillow, a lunatic in the back yard firing off a pistol for God knew what purpose, some other nut or perhaps the same one imposing a brain-print of his own shorted-out upstairs on an incredibly expensive and valued cephscope that everyone in the house, plus all their friends, loved and enjoyed. In former days Bob Arctor had run his affairs differently: there had been a wife much like other wives, two small daughters, a stable household that got swept and cleaned and emptied out daily, the dead newspapers not even opened carried from the front walk to the garbage pail, or even, sometimes, read. But then one day, while lifting out an electric corn popper from under the sink, Arctor had hit his head on the corner of a kitchen cabinet directly above him. The pain, the cut in his scalp, so unexpected and undeserved, had for some reason cleared away the cobwebs. It flashed on him instantly that he didn't hate the kitchen cabinet: he hated his wife, his two daughters, his whole house, the back yard with its power mower, the garage, the radiant heating system, the front yard, the fence, the whole fucking place and everyone in it. He wanted a divorce; he wanted to split. And so he had, very soon. And entered, by degrees, a new and somber life, lacking all of that. Probably he should have regretted his decision. He had not. That life had been one without excitement, with no adventure. It had been too safe. All the elements that made it up were right there before his eyes, and nothing new could ever be expected. It was like, he had once thought, a little plastic boat that would sail on forever, without incident, until it finally sank, which would be a secret relief to all. But in this dark world where he now dwelt, ugly things and surprising things and once in a long while a tiny wondrous thing spilled out at him constantly; he could count on nothing.

BOWLS OF FOOD Moon and evening star do their slow tambourine dance to praise this universe. The purpose of every gathering is discovered: to recognize beauty and love what’s beautiful. “Once it was like that, now it’s like this,” the saying goes around town, and serious consequences too. Men and women turn their faces to the wall in grief. They lose appetite. Then they start eating the fire of pleasure, as camels chew pungent grass for the sake of their souls. Winter blocks the road. Flowers are taken prisoner underground. Then green justice tenders a spear. Go outside to the orchard. These visitors came a long way, past all the houses of the zodiac, learning Something new at each stop. And they’re here for such a short time, sitting at these tables set on the prow of the wind. Bowls of food are brought out as answers, but still no one knows the answer. Food for the soul stays secret. Body food gets put out in the open like us. Those who work at a bakery don’t know the taste of bread like the hungry beggars do. Because the beloved wants to know, unseen things become manifest. Hiding is the hidden purpose of creation: bury your seed and wait. After you die, All the thoughts you had will throng around like children. The heart is the secret inside the secret. Call the secret language, and never be sure what you conceal. It’s unsure people who get the blessing. Climbing cypress, opening rose, Nightingale song, fruit, these are inside the chill November wind. They are its secret. We climb and fall so often. Plants have an inner Being, and separate ways of talking and feeling. An ear of corn bends in thought. Tulip, so embarrassed. Pink rose deciding to open a competing store. A bunch of grapes sits with its feet stuck out. Narcissus gossiping about iris. Willow, what do you learn from running water? Humility. Red apple, what has the Friend taught you? To be sour. Peach tree, why so low? To let you reach. Look at the poplar, tall but without fruit or flower. Yes, if I had those, I’d be self-absorbed like you. I gave up self to watch the enlightened ones. Pomegranate questions quince, Why so pale? For the pearl you hid inside me. How did you discover my secret? Your laugh. The core of the seen and unseen universes smiles, but remember, smiles come best from those who weep. Lightning, then the rain-laughter. Dark earth receives that clear and grows a trunk. Melon and cucumber come dragging along on pilgrimage. You have to be to be blessed! Pumpkin begins climbing a rope! Where did he learn that? Grass, thorns, a hundred thousand ants and snakes, everything is looking for food. Don’t you hear the noise? Every herb cures some illness. Camels delight to eat thorns. We prefer the inside of a walnut, not the shell. The inside of an egg, the outside of a date. What about your inside and outside? The same way a branch draws water up many feet, God is pulling your soul along. Wind carries pollen from blossom to ground. Wings and Arabian stallions gallop toward the warmth of spring. They visit; they sing and tell what they think they know: so-and-so will travel to such-and-such. The hoopoe carries a letter to Solomon. The wise stork says lek-lek. Please translate. It’s time to go to the high plain, to leave the winter house. Be your own watchman as birds are. Let the remembering beads encircle you. I make promises to myself and break them. Words are coins: the vein of ore and the mine shaft, what they speak of. Now consider the sun. It’s neither oriental nor occidental. Only the soul knows what love is. This moment in time and space is an eggshell with an embryo crumpled inside, soaked in belief-yolk, under the wing of grace, until it breaks free of mind to become the song of an actual bird, and God.

Drake loved this life; he loved everything about it: the sunsets, the moonrises, the ruffled golden glow on ripe corn, the ink-black sheen of a bluebottle's wings, the taste of fresh spring water, lying down and stretching on your back when you were tired, getting up in the morning with a whole new day ahead, eating fresh-baked bread, feeling the cold sea rushing round your legs, roasting a potato in the embers of a fire and peeling it and eating it while it was still too hot to hold, walking on a cliff, lying in the sun, turning a good piece of wood, beating the sparks from iron.

Doris Wales was a woman with straw-blond hair whose body appeared to have been dipped in corn oil; then she must have put her dress on, wet. The dress grabbed at all her parts, and plunged and sagged over the gaps in her body; a lover’s line of hickeys, or love bites – ‘love-sucks,’ Franny called them – dotted Doris’s chest and throat like a violent rash; the welts were like wounds from a whip. She wore plum-covered lipstick, some of which was on her teeth, and she said, to Sabrina Jones and me, ‘You want hot-dancin’ music, or slow-neckin’ music? Or both?’ ‘Both,’ said Sabrina Jones, without missing a beat, but I felt certain that if the world would stop indulging wars and famines and other perils, it would still be possible for human beings to embarrass each other to death. Our self-destruction might take a little longer that way, but I believe it would be no less complete.

After her mother died and Adrienne and her father took up with wanderlust, Adrienne became exposed to new foods. For two years they lived in Maine, where in the summertime they ate lobster and white corn and small wild blueberries. They moved to Iowa for Adrienne's senior year of high school and they ate pork tenderloin fixed seventeen different ways. Adrienne did her first two years of college at Indiana University in Bloomington, where she lived above a Mexican cantina, which inspired a love of tamales and anything doused with habanero sauce. Then she transferred to Vanderbilt in Nashville, where she ate the best fried chicken she'd ever had in her life. And so on, and so on. Pad thai in Bangkok, stone crabs in Palm Beach, buffalo meat in Aspen. As she sat listening to Thatcher, she realized that though she knew nothing about restaurants, at least she knew something about food.

I can understand the ignorant masses loving to soak themselves in drink—oh, yes, it's very shocking that they should, of course—very shocking to us who live in cozy homes, with all the graces and pleasures of life around us, that the dwellers in damp cellars and windy attics should creep from their dens of misery into the warmth and glare of the public-house bar, and seek to float for a brief space away from their dull world upon a Lethe stream of gin. But think, before you hold up your hands in horror at their ill-living, what "life" for these wretched creatures really means. Picture the squalid misery of their brutish existence, dragged on from year to year in the narrow, noisome room where, huddled like vermin in sewers, they welter, and sicken, and sleep; where dirt-grimed children scream and fight and sluttish, shrill-voiced women cuff, and curse, and nag; where the street outside teems with roaring filth and the house around is a bedlam of riot and stench. Think what a sapless stick this fair flower of life must be to them, devoid of mind and soul. The horse in his stall scents the sweet hay and munches the ripe corn contentedly. The watch-dog in his kennel blinks at the grateful sun, dreams of a glorious chase over the dewy fields, and wakes with a yelp of gladness to greet a caressing hand. But the clod-like life of these human logs never knows one ray of light. From the hour when they crawl from their comfortless bed to the hour when they lounge back into it again they never live one moment of real life. Recreation, amusement, companionship, they know not the meaning of. Joy, sorrow, laughter, tears, love, friendship, longing, despair, are idle words to them. From the day when their baby eyes first look out upon their sordid world to the day when, with an oath, they close them forever and their bones are shoveled out of sight, they never warm to one touch of human sympathy, never thrill to a single thought, never start to a single hope. In the name of the God of mercy; let them pour the maddening liquor down their throats and feel for one brief moment that they live!

She wanted Adam Fox with the fervour of parched earth thirsting for water, corn aching for the warmth of ripening sun, a starving skeleton drooling over a crust of bread. Her passionate young body yearned to feel his touch, soft lips quivered an invitation to be kissed, wounded eyes promised a lifetime of devotion, if only . . .

Terrific, Miss Knight. Simply terrific,' a smiling reporter said. 'They're going to love this story in Peoria. Why, you'll be famous everywhere - from New York to Hollywood, Florida to Kansas.' 'Kansas?' Theta whispered. 'Yeah. Big state in the middle of the country. Fulla corn, Republicans, and Bible salesmen, and not much else?

Books, monuments, pictures, conversation, are portraits in which he finds the lineaments he is forming. The silent and the eloquent praise him and accost him, and he is stimulated wherever he moves as by personal allusions. A true aspirant, therefore, never needs to look for allusions personal and laudatory in discourse. He hears the commendation, not of himself, but sweeter, of that character he seeks, in every word that is said concerning character, yea, further, in every fact and circumstance, — in the running river and the rustling corn. Praise is looked, homage tendered, love flows from mute nature, from the mountains and the lights of the firmament. (Excerpt from History)

Love taught my tears in sadder notes to flow, And tuned my heart to elegies of woe. I burn, I burn, as when thro’ ripen’d corn By driving winds the spreading flames are borne! ... No more my soul a charm in music finds; Music has charms alone for peaceful minds. Soft scenes of solitude no more can please; Love enters there, and I ‘m my own disease.

There was the sudden pleasure of having breakfast alone with the man one fell in love with. Here at the small table, are only two people facing each other. How the table at home has grown! And how distracting it is, with four or five children, a telephone ringing in the hall, two or three school buses to catch, not to speak of the commuter’s train. How all this separates one from one’s husband and clogs up the pure relationship. But sitting at a table alone opposite each other, what is there to separate one? Nothing but a coffee pot, corn muffins and marmalade. A simple enough pleasure, surely, to have breakfast alone with one’s husband, but how seldom married people in the midst of life achieve it.

The Garden of Proserpine" Here, where the world is quiet; Here, where all trouble seems Dead winds' and spent waves' riot In doubtful dreams of dreams; I watch the green field growing For reaping folk and sowing, For harvest-time and mowing, A sleepy world of streams. I am tired of tears and laughter, And men that laugh and weep; Of what may come hereafter For men that sow to reap: I am weary of days and hours, Blown buds of barren flowers, Desires and dreams and powers And everything but sleep. Here life has death for neighbour, And far from eye or ear Wan waves and wet winds labour, Weak ships and spirits steer; They drive adrift, and whither They wot not who make thither; But no such winds blow hither, And no such things grow here. No growth of moor or coppice, No heather-flower or vine, But bloomless buds of poppies, Green grapes of Proserpine, Pale beds of blowing rushes Where no leaf blooms or blushes Save this whereout she crushes For dead men deadly wine. Pale, without name or number, In fruitless fields of corn, They bow themselves and slumber All night till light is born; And like a soul belated, In hell and heaven unmated, By cloud and mist abated Comes out of darkness morn. Though one were strong as seven, He too with death shall dwell, Nor wake with wings in heaven, Nor weep for pains in hell; Though one were fair as roses, His beauty clouds and closes; And well though love reposes, In the end it is not well. Pale, beyond porch and portal, Crowned with calm leaves, she stands Who gathers all things mortal With cold immortal hands; Her languid lips are sweeter Than love's who fears to greet her To men that mix and meet her From many times and lands. She waits for each and other, She waits for all men born; Forgets the earth her mother, The life of fruits and corn; And spring and seed and swallow Take wing for her and follow Where summer song rings hollow And flowers are put to scorn. There go the loves that wither, The old loves with wearier wings; And all dead years draw thither, And all disastrous things; Dead dreams of days forsaken, Blind buds that snows have shaken, Wild leaves that winds have taken, Red strays of ruined springs. We are not sure of sorrow, And joy was never sure; To-day will die to-morrow; Time stoops to no man's lure; And love, grown faint and fretful, With lips but half regretful Sighs, and with eyes forgetful Weeps that no loves endure. From too much love of living, From hope and fear set free, We thank with brief thanksgiving Whatever gods may be That no life lives for ever; That dead men rise up never; That even the weariest river Winds somewhere safe to sea. Then star nor sun shall waken, Nor any change of light: Nor sound of waters shaken, Nor any sound or sight: Nor wintry leaves nor vernal, Nor days nor things diurnal; Only the sleep eternal In an eternal night.

love Africa. Wish it didn’t have to be this way, but if we weren’t here, the French would take over this fortress in the blink of an eye. And everybody’s doing it. The British. The French. The Dutch. The Americans. Even the bloody Africans have been mixed up in the trade for an eternity.” “That doesn’t make it right.” “If we didn’t take the slaves, other Africans would kill them. Butcher them live. At least we provide a market, and keep them alive.” “If you stopped, the market would wither.” “You have not been to England, so let me tell you something. Ninety-nine Englishmen out of one hundred take their tea with sugar. We live for our tea, cakes, pies and candies. We live for the stuff, and we will not be deprived.” “But you don’t need slaves to make sugar,” I said. “In the West Indies, only the blacks work in the cane fields. Only the blacks can stand it.” “You could do something else with this fortress.” “What, like your beloved John Clarkson in Freetown?” I nodded. Armstrong pounded his fist on a table. “Has the Colony in Freetown produced a single export? Where is the sugar cane? Where is the coffee? Are you exporting boatloads of elephant teeth or camwood? You’re not even growing corn, or rice. You have no farms under cultivation. You aren’t even self-sufficient.” I wasn’t ready for this argument. My mind circled around, looking for a response. “There is no profit in benevolence,” Armstrong said. “None. The colony in Freetown is child’s play, financed by the deep pockets of rich abolitionists who don’t know a thing about Africa.

The problem was Republicans---the voters, the people. Not just those few thousand in the January 6 rage-driven mob, but the millions who accepted trump's reality free and irrational assertions, who looked to this dissembling power-mad egotist for the truth... His prejudices, his lies, his resentments were theirs. Millions love trump for that. Their fervor was the real threat to the nation.

XIX. Do you retire to these quieter, safer, greater things! Think you that it is just the same whether you are concerned in having corn from oversea poured into the granaries, unhurt either by the dishonesty or the neglect of those who transport it, in seeing that it does not become heated and spoiled by collecting moisture and tallies in weight and measure, or whether you enter upon these sacred and lofty studies with the purpose of discovering what substance, what pleasure, what mode of life, what shape God has; what fate awaits your soul; where Nature lays us to rest When we are freed from the body; what the principle is that upholds all the heaviest matter in the centre of this world, suspends the light on high, carries fire to the topmost part, summons the stars to their proper changes—and ether matters, in turn, full of mighty wonders? You really must leave the ground and turn your mind's eye upon these things! Now while the blood is hot, we must enter with brisk step upon the better course. In this kind of life there awaits much that is good to know—the love and practice of the virtues, forgetfulness of the passions, knowledge of living and dying, and a life of deep repose.

Loving!’ cried I, as scornfully as I could utter the word. ‘Loving! Did anybody ever hear the like! I might just as well talk of loving the miller who comes once a year to buy our corn. Pretty loving, indeed! and both times together you have seen Linton hardly four hours in your life! Now here is the babyish trash. I’m going with it to the library; and we’ll see what your father says to such loving.

So my words of positivity. Let me be blunt. It's gonna get really bad! I know what's coming and I wish I didn't. Why I have been advocating for people who just won't believe how bad it is gonna get. IT IS NOT POLITICAL! But I am here. YOU ARE TOO. I am looking at you in the eye. YOU WILL BE OKAY! Just STAY HOME! Put your affairs in order and ride this thing out. There IS a life after this for most of us. WE will all be a different person than we are today but that is okay! KNOW THAT! Experience changes us. Mold us. Make us who we are. YOU WILL BE FINE! WE are stronger together. What we need right now is LOVE. I'm that really liberal Cristian. I am ordained actually. ALL I say LOVE Thy Neighbor! Be kind after this and love and accept love back! Don't be proud. Accept help! There is a life after this!

One of the remarkable things about Life After Life is the way that this formal experimentation is combined with a consistently involving plot. It is as if the writing of B. S. Johnson had been crossed with the better novels of Anthony Trollope. An entire world emerges but shows itself again and again in different lights. It’s an unusual book in many ways: in part a tribute to England and to the resilience of the English character revealed under the stress of wartime; in part a book about love that doesn’t contain a love story but instead celebrates the bond between siblings. It’s a book full of horror vividly described, as in the repeated image of a dress with human arms still inside it, seen in a bombed building. Yet the most memorable passages are those which describe the prewar English countryside before suburbia encroached upon “the flowers that grew in the meadow beyond the copse—flax and larkspur, buttercups, corn poppies, red campion and oxeye daisies.” Above all, it’s a book about the act of reading itself. As you read it, it asks you to think about your expectations of plot and outcome. The reader desires happiness for certain characters, and Atkinson both challenges and rewards that tendency.

Your indomitable spirit survived whatever the mainstream culture threw at you, whether it was a malnourishing diet of endless corn as a child or the condescension of my high school guidance counselors. You had seen the worst that the United States had to offer and come through by virtue of determination and perhaps your own hope. Most importantly, you taught me that sense of hope and determination to me.

The human eye loves to rest upon wide expanses of pure colour: the moors in the purple heyday of the heather, miles of green downland, and the sea when it lies calm and blue and boundless, all delight it; but to some none of these, lovely though they all are, can give the same satisfaction of spirit as acres upon acres of golden corn. There is both beauty and bread and the seeds of bread for future generations.

Wild geese pair off for life. I never knew them to even make an application for divorce. The male guards his mate on the nest. As soon as the young hatch, he protects them from the side opposite the mother, keeping the babies between the parents. He will leave his family for her and for her only, but he will die in the front ranks for any of them....I have placed their bushels of corn around one of my mating pairs, and of the thousands of hungry geese that come here, none will interfere with these little plots to take even one kernel...When traveling in the air, the male Canada Goose leads the way, breaking the air for his sweetheart, who is quartering behind him, and his family travels next to her. In brief, he is one of the most self-sacrificing, godly-principled leaders the human eye ever beheld, and to know him is to love and admire him.

Before evening we were in the harbor, looking up at the hill-slopes rich with olives set in green corn, with orchards and with vines. So well the Mother has loved Dia, no wonder they named it with her name. It is the greatest of the Cyclades, and the richest too. From afar we saw the royal Palace standing among vineyards, a high bright house in the style of Crete. Ariadne smiled and pointed; I was glad the place was homelike for her.

If he don’t see, love, and respect that shit, he ain’t the one for you. I could give a fuck about history. Understanding is one of the most important aspects of a relationship. There is no love without understanding. With your mother, I understand that she has to sleep with her cold ass feet on me. And, I hate feet. They sweaty. They stank. They ugly. Yo mama got a fat ass corn on her right pinky toe too. Owee,” he went on, causing me to chuckle.

Now for positivity. The Greatest Generation freed our Jewish brothers and sisters from horrors we can not even imagine. All we are asked to do is stay home. Kinda put things into prospective. Now for me to be blunt. This is a pandemic. It's going to get a lot worse. BUT know this. It does get better. SO do you part. Stay in. Order take away. DO TIP!!! Do you! Listen a great song, watch some comedy, listen to a podcast. Just take this seriously and you likely will live!

I can live with that.” Each morning they rose at dawn and, while Tate percolated coffee, Kya fried corn fritters in Ma’s old iron skillet—blackened and dented—or stirred grits and eggs as sunrise eased over the lagoon. The heron posing one-legged in the mist. They cruised estuaries, waded waterways, and slipped through narrow streams, collecting feathers and amoebas. In the evenings, they drifted in her old boat until sunset, then swam naked in moonlight or loved in beds of cool ferns.

At the end of the week, when we sat down to dinner, all eyes went to the trays on the table, where browned-to-perfection mini corn dogs cuddled up against a variety of dipping sauces. “This is the best thing that’s ever happened to me.” A lineman wiped a tear from his eye. “It’s like Christmas,” I said, all choked up. “I love you, Coach.” The quarterback’s bottom lip quivered. We dove into the pile of savory sausages, watched NFL football, and forgot our aches, pains, and camp struggles.

We are in a depression. I don't just mean economically. We are blue. It is okay to feel how you feel but don't stay there. Think about the helpers. For example a friend got me a mask. Another friend got me cleaning supplies. She just may have saved my life! I have a fan who is making masks to help people. She elsewhere in the universe. So it's everyone. We are stronger together! The whole world is feeling the same. So spread the love out there and accept that love in! This too shall pass!

There is no calm for those who are uprooted. They are wanderers, homesick and defiant. Love itself is helpless to heal them though the dust rises with every footfall - drifts down the corridors - settles on branch or cornice - each breath an inhalation from the past so that the lungs, like a miner's, are dark with bygone times. Whatever they eat, whatever they drink, is never the bread of home or the corn of their own valleys. It is never the wine of their own vineyards. It is a foreign brew.

He suddenly felt the intense sad loveliness of being as being, apart from right or wrong: that, indeed, the mere fact of being was the ultimate right. He began to love the land under him with a fierce longing, not because it was good or bad, but because it was: because of the shadows of the corn stocks on a golden evening; because the sheep’s tails would rattle when they ran, and the lambs, sucking, would revolve their tails in little eddies; because the clouds in daylight would surge it into light and shade; because the squadrons of green and golden plover, worming in pasture fields, would advance in short, unanimous charges, head to wind; because the spinsterish herons, who keep their hair up with fish bones according to David Garnett, would fall down in a faint if a boy could stalk them and shout before he was seen; because the smoke from homesteads was a blue beard straying into heaven; because the stars were brighter in puddles than in the sky; because there were puddles, and leaky gutters, and dung hills with poppies on them; because the salmon in the rivers suddenly leaped and fell; because the chestnut buds, in the balmy wind of spring, would jump out of their twigs like jacks-in-boxes, or like little spectres holding up green hands to scare him; because the jackdaws, building, would hang in the air with branches in their mouths, more beautiful than any ark-returning dove; because, in the moonlight there below, God’s greatest blessing to the world was stretched, the silver gift of sleep.

beings with grains of corn, now - in every human being who is healthy and natural there is a germinating force, just as there is in a grain of corn. And so natural life is germination. What the germinating force is to the grain, love is to us. Now we tend to stand about pulling a long face and at a loss for words, I think, when, thwarted in our natural development, we find that germination has been foiled and we ourselves placed in circumstances as hopeless as they must be for a grain between the millstones.

I travel your body, like the world, your belly is a plaza full of sun, your breasts two churches where blood performs its own, parallel rites, my glances cover you like ivy, you are a city the sea assaults, a stretch of ramparts split by the light in two halves the color of peaches, a domain of salt, rocks and birds, under the rule of oblivious noon, dressed in the color of my desires, you go your way naked as my thoughts, I travel your eyes, like the sea, tigers drink their dreams in those eyes, the hummingbird burns in those flames, I travel your forehead, like the moon, like the cloud that passes through your thoughts, I travel your belly, like your dreams, your skirt of corn ripples and sings, your skirt of crystal, your skirt of water, your lips, your hair, your glances rain all through the night, and all day long you open my chest with your fingers of water, you close my eyes with your mouth of water, you rain on my bones, a tree of liquid sending roots of water into my chest

My heart aches, and a drowsy numbness pains My sense, as though of hemlock I had drunk, Or emptied some dull opiate to the drains One minute past, and Lethe-wards had sunk: 'Tis not through envy of thy happy lot, But being too happy in thine happiness,— That thou, light-winged Dryad of the trees In some melodious plot Of beechen green, and shadows numberless, Singest of summer in full-throated ease. O for a beaker full of the warm South, Full of the true, the blushful Hippocrene, With beaded bubbles winking at the brim, And purple-stained mouth; That I might drink, and leave the world unseen, And with thee fade away into the forest dim: Fade far away, dissolve, and quite forget What thou among the leaves hast never known, The weariness, the fever, and the fret Here, where men sit and hear each other groan; Where palsy shakes a few, sad, last gray hairs, Where youth grows pale, and spectre-thin, and dies; Where but to think is to be full of sorrow And leaden-eyed despairs, Where Beauty cannot keep her lustrous eyes, Or new Love pine at them beyond to-morrow. Away! away! for I will fly to thee, Not charioted by Bacchus and his pards, But on the viewless wings of Poesy, Though the dull brain perplexes and retards: Already with thee! tender is the night, And haply the Queen-Moon is on her throne, Cluster'd around by all her starry Fays; But here there is no light, Save what from heaven is with the breezes blown Through verdurous glooms and winding mossy ways. I cannot see what flowers are at my feet, Nor what soft incense hangs upon the boughs, But, in embalmed darkness, guess each sweet Wherewith the seasonable month endows The grass, the thicket, and the fruit-tree wild; White hawthorn, and the pastoral eglantine; Fast fading violets cover'd up in leaves; And mid-May's eldest child, The coming musk-rose, full of dewy wine, The murmurous haunt of flies on summer eves. Darkling I listen; and, for many a time I have been half in love with easeful Death, Call'd him soft names in many a mused rhyme, To take into the air my quiet breath; Now more than ever seems it rich to die, To cease upon the midnight with no pain, While thou art pouring forth thy soul abroad Thou wast not born for death, immortal Bird! No hungry generations tread thee down; The voice I hear this passing night was heard In ancient days by emperor and clown: Perhaps the self-same song that found a path Through the sad heart of Ruth, when, sick for home, She stood in tears amid the alien corn; The same that oft-times hath Charm'd magic casements, opening on the foam Of perilous seas, in faery lands forlorn. Forlorn! the very word is like a bell To toll me back from thee to my sole self! Adieu! the fancy cannot cheat so well As she is fam'd to do, deceiving elf. Adieu! adieu! thy plaintive anthem fades Past the near meadows, over the still stream, Up the hill-side; and now 'tis buried deep In the next valley-glades: Was it a vision, or a waking dream? Fled is that music:—Do I wake or sleep? - Ode to a Nightingale

asked about the food because i loved it: curried chicken, groundnut stew (chicken in peanut sauce), and corn bread that you cook over the stove. You would break off a little piece, roll it into a ball, dip your thumb in the middle and make a spoon that you would fill with gravy and eat. It really made me think about how bad they’ve done us. We know everything about spaghetti and egg rolls and crepes suzette, but we don’t know the first thing about our own food. When i was a little kid, if you had asked me what Africans ate, i would have answered, “People!

So who are you writing to?” I hesitate. “Do you remember John Ambrose McClaren?” He rolls his eyes. “Of course I remember John Ambrose McClaren. I had a crush on him in seventh grade.” “I had a crush on him in eighth!” “Of course you did. We all did. In middle school you either liked John or you liked Peter. Those were the two main choices. Like Betty and Veronica. Obviously John is Betty and Peter’s Veronica.” He pauses. “Remember how John used to have that really endearing stutter?” “Yes! I mourned it a little when it went away. It was so sweet. So boyish. And do you remember how his hair was the color of pale butter? Like, the way I bet freshly churned butter looks.” “I thought it was more like moonlit corn silk, but yeah. So how did he turn out?” “I don’t know…It’s strange because there’s the him I remember from middle school, and that’s just my memory of him, but then there’s the him now.” “Did you guys ever go out back then?” “Oh no! Never.” “So that’s probably why you’re curious about him now.” “I didn’t say I was curious.” Lucas gives me a look. “You basically did. I don’t blame you. I’d be curious too.” “It’s just fun to think about.

You must retire to these pursuits which are quieter, safer and more important. Do you think it is the same thing whether you are overseeing the transfer of corn into granaries, unspoilt by the dishonesty and carelessness of the shippers, and taking care that it does not get damp and then ruined through heat, and that it tallies in measure and weight; or whether you take up these sacred and lofty studies, from which you will learn the substance of god, and his will, his mode of life, his shape; what fate awaits your soul; where nature lays us to rest when released from our bodies; what is the force which supports all the heaviest elements of this world at the centre, suspends the light elements above, carries fire to the highest part, and sets the stars in motion with their proper changes – and learn other things in succession which are full of tremendous marvels? You really should leave the ground and turn your thoughts to these studies. Now while the blood is hot you should make your way with vigour to better things. In this kind of life you will find much that is worth your study: the love and practice of the virtues, forgetfulness of the passions, the knowledge of how to live and die, and a life of deep tranquillity.

This pandemic is world reset. We have a chance to change the world. What is has proven is no matter what your politics, no matter what your religion, no matter what your job status. We are all brother and sister in the world together. Human kindness has come out in so many ways. Can't buy a mask people make it for you. Don't have food, let me drop some off at your porch. Love is all around you. All you have to do is look! I think the world need a hippie right now and I am going to be a tad optimistic. Some advise from the original hippie. Love Thy Neighbor As Yourself. Let's have that as the new rule in this world reset.

Don't listen to Hassan i Sabbah," they will tell you. "He wants to take your body and all pleasures of the body away from you. Listen to us. We are serving The Garden of Delights Immortality Cosmic Consciousness The Best Ever In Drug Kicks. And love love love in slop buckets. How does that sound to you boys? Better than Hassan i Sabbah and his cold windy bodiless rock? Right?" At the immediate risk of finding myself the most unpopular character of all fiction—and history is fiction—I must say this: "Bring together state of news—Inquire onward from state to doer—Who monopolized Immortality? Who monopolized Cosmic Consciousness? Who monopolized Love Sex and Dream? Who monopolized Life Time and Fortune? Who took from you what is yours? Now they will give it all back? Did they ever give anything away for nothing? Did they ever give any more than they had to give? Did they not always take back what they gave when possible and it always was? Listen: Their Garden Of Delights is a terminal sewer—I have been at some pains to map this area of terminal sewage in the so called pornographic sections of Naked Lunch and Soft Machine—Their Immortality Cosmic Consciousness and Love is second-run grade-B shit—Their drugs are poison designed to beam in Orgasm Death and Nova Ovens—Stay out of the Garden of Delights—It is a man-eating trap that ends in green goo—Throw back their ersatz Immortality—It will fall apart before you can get out of The Big Store—Flush their drug kicks down the drain—They are poisoning and monopolizing the hallucinogen drugs—learn to make it without any chemical corn—All that they offer is a screen to cover retreat from the colony they have so disgracefully mismanaged. To cover travel arrangements so they will never have to pay the constituents they have betrayed and sold out. Once these arrangements are complete they will blow the place up behind them.

Jeff and Amy were part of this, though never in the sense that the natives were. They were not indigenous: they were outlanders, ‘foreigners,’ distinguished by a sort of upcountry cosmopolitan glaze which permitted them to mingle but not merge. Even their drinking habits set them apart. Deltans drank only corn and Coca-Cola; gin was perfume, scotch had a burnt-stick taste. They would watch with wry expressions while Amy blended her weird concoctions, pink ladies and Collinses and whiskey sours, and those who tried one, finally persuaded, would sip and shudder and set the glass aside: “Thanks”—mildly outraged, smirking—“I’ll stick to burrbon.

Song for Lonely Roads Now let us understand each other, love, Long time ago I crept off home, To my own gods I went. The tale is old, It has been told By many men in many lands. The lands belong to those who tell. Now surely that is clear. After the plow had westward swept, The gods bestowed the corn to stand. Long, long it stood, Strong, strong it grew, To make a forest for new song. Deep in the corn the bargain hard Youth with the gods drove home. The gods remember, Youth forgets. Doubt not the soul of song that waits. The singer dies, The singer lives, The gods wait in the corn, The soul of song is in the land. Lift up your lips to that.

Pakistan is an Islamic country and the victim of an Easter terrorist attack. Groups like Isis or in this case the Taliban are not about religion. No more than the KKK is about Christianity. These groups are about hate! I did post on the Pakistani attack because it is really important to point out that brown and black people in the middle east and Africa are being killed. Terrorism isn't about Islam. It is about hate. SO let's fight this hate. Let's stand united with our Islamic brothers and sisters who are being slaughtered. Step back from judging a religion you are not exposed to. Understand that we need to work together. ALL faiths. That's how we defeat this

I did not read books that first summer; I hoed beans. Nay, I often did better than this. there were times when I could not afford to sacrifice the bloom of the present moment to any work, whether of the head or hands. I love a broad margin to my life. sometimes, in a summer morning, having taken my accustomed bath, I sat in my sunny doorway from sunrise till noon, rapt in a revery, amidst the pines and hickories and sumachs, in undisturbed solitude and stillness, while the birds sand around or flitted noiselessly through the house.. I grew in these seasons like corn in the night…they were not time subtracted from my life, but so much over and above my usual allowance.

It is not, as somebody once wrote, the smell of corn bread that calls us back from death; it is the lights and signs of love and friendship. Gil Bucknam called me the next day and said that the old man was dying and would I come back to work? I went to see him, and he explained that it was the old man who was after my skin, and, of course, I was glad to come home to parablendeum. What I did not understand, as I walked down Fifth Avenue that afternoon, was how a world that had seemed so dark could, in a few minutes, become so sweet. The sidewalks seemed to shine, and, going home on the train, I beamed at those foolish girls who advertise girdles on the signboards in the Bronx.

So some hope. I am going to be honest. It's gonna get way worse. Brace yourself. BUT ALSO know there is a new tomorrow. Be grateful for everyday you are on this big blue marble because death is for a real long time. Life is brief. The world is better with you on it. Trust me when I say I understand how you feel! I understand depression. You know what helps. I say read a book or watch comedy, not mine necessarily. Just think about it. Who moves you? What comedy do you love? Not into comedy, listen to music, hell go to your porch and watch what's going on. Wild life isn't just lions and frogs but also squirrels and Birds. Like someone fun? Watch him or her or they or whomever. Look you'll get through this! Stay in together!

few years later, Demeter took a vacation to the beach. She was walking along, enjoying the solitude and the fresh sea air, when Poseidon happened to spot her. Being a sea god, he tended to notice pretty ladies walking along the beach. He appeared out of the waves in his best green robes, with his trident in his hand and a crown of seashells on his head. (He was sure that the crown made him look irresistible.) “Hey, girl,” he said, wiggling his eyebrows. “You must be the riptide, ’cause you sweep me off my feet.” He’d been practicing that pickup line for years. He was glad he finally got to use it. Demeter was not impressed. “Go away, Poseidon.” “Sometimes the sea goes away,” Poseidon agreed, “but it always comes back. What do you say you and me have a romantic dinner at my undersea palace?” Demeter made a mental note not to park her chariot so far away. She really could’ve used her two dragons for backup. She decided to change form and get away, but she knew better than to turn into a snake this time. I need something faster, she thought. Then she glanced down the beach and saw a herd of wild horses galloping through the surf. That’s perfect! Demeter thought. A horse! Instantly she became a white mare and raced down the beach. She joined the herd and blended in with the other horses. Her plan had serious flaws. First, Poseidon could also turn into a horse, and he did—a strong white stallion. He raced after her. Second, Poseidon had created horses. He knew all about them and could control them. Why would a sea god create a land animal like the horse? We’ll get to that later. Anyway, Poseidon reached the herd and started pushing his way through, looking for Demeter—or rather sniffing for her sweet, distinctive perfume. She was easy to find. Demeter’s seemingly perfect camouflage in the herd turned out to be a perfect trap. The other horses made way for Poseidon, but they hemmed in Demeter and wouldn’t let her move. She got so panicky, afraid of getting trampled, that she couldn’t even change shape into something else. Poseidon sidled up to her and whinnied something like Hey, beautiful. Galloping my way? Much to Demeter’s horror, Poseidon got a lot cuddlier than she wanted. These days, Poseidon would be arrested for that kind of behavior. I mean…assuming he wasn’t in horse form. I don’t think you can arrest a horse. Anyway, back in those days, the world was a rougher, ruder place. Demeter couldn’t exactly report Poseidon to King Zeus, because Zeus was just as bad. Months later, a very embarrassed and angry Demeter gave birth to twins. The weirdest thing? One of the babies was a goddess; the other one was a stallion. I’m not going to even try to figure that out. The baby girl was named Despoine, but you don’t hear much about her in the myths. When she grew up, her job was looking after Demeter’s temple, like the high priestess of corn magic or something. Her baby brother, the stallion, was named Arion. He grew up to be a super-fast immortal steed who helped out Hercules and some other heroes, too. He was a pretty awesome horse, though I’m not sure that Demeter was real proud of having a son who needed new horseshoes every few months and was constantly nuzzling her for apples. At this point, you’d think Demeter would have sworn off those gross, disgusting men forever and joined Hestia in the Permanently Single Club. Strangely, a couple of months later, she fell in love with a human prince named Iasion (pronounced EYE-son, I think). Just shows you how far humans had come since Prometheus gave them fire. Now they could speak and write. They could brush their teeth and comb their hair. They wore clothes and occasionally took baths. Some of them were even handsome enough to flirt with goddesses.

Ginny Cupper took me in her car out to the spread fields of Indiana. Parking near the edge of woods and walking out into the sunny rows of corn, waving seeds to a yellow horizon. She wore a white blouse and a gray patch of sweat under her arms and the shadow of her nipples was gray. We were rich. So rich we could never die. Ginny laughed and laughed, white saliva on her teeth lighting up the deep red of her mouth, fed the finest food in the world. Ginny was afraid of nothing. She was young and old. Her brown arms and legs swinging in wild optimism, beautiful in all their parts. She danced on the long hood of her crimson Cadillac, and watching her, I thought that God must be female. She leaped into my arms and knocked me to the ground and screamed into my mouth.

The adults continued having nightmares. They cried out in their sleep. In the mornings, they sat at the table and talked to us about their bad dreams: the war was around them, the land was falling to pieces, Pathet Lao and North Vietnamese soldiers were coming, the sound of guns raced with the beating of their hearts. In their dreams, they met people who were no longer alive but who had loved them back in their old lives. There were stomach ulcers from worrying and heads that throbbed late into the night. My aunts and uncles in California farmed on a small acreage, five or ten, to add to the money they received from welfare. My aunts and uncles in Minnesota, in the summers, did “under the table” work to help make ends meet if they could, like harvesting corn or picking baby cucumbers to make pickles. And the adults kept saying: how lucky we are to be in America. I wasn’t convinced.

I’m a Russian and all I know of Russia is what I’ve read. I yearn for the broad fields of golden corn and the forests of silver beech that I’ve read of in books and though I try and try, I can’t see them with my mind’s eye. I know Moscow from what I’ve seen of it at the cinema. I sometimes rack my brain to picture to myself a Russian village, the straggling village of log houses with their thatched roofs that you read about in Chekov, and it’s no good, I know that what I see isn’t that at all. I’m a Russian and I speak my native language worse than I speak English and French. When I read Tolstoi and Dostoievsky it is easier for me to read them in a translation. I’m just as much a foreigner to my own people as I am to the English and French. You who’ve got a home and a country, people who love you, people whose ways are your ways, whom you understand without knowing them—how can you tell what it is to belong nowhere?

Annis, my Arese,” she says, her voice fluttering. “I love you. I love you, my little one.” One of the Georgia Man’s men walks toward us and grabs my mother by the same soft meat of her arm as I have done so many times. Cries rise from the people around us; a bolt of summer lightning flashes in the distance. The Georgia men are grabbing men and women and children on their way to their labor. The Georgia men are separating those to be sold. They have come for their goods to march to New Orleans. There is a sinking at the heart of me, a whirlpool sucking down and down. Surely the earth is opening to us. Surely this terrible world is swallowing me. I grab my mama’s wrists, sinewy as corn sheaves, and howl. “Mama,” I say. “I always be with you,” my mama says, and No she not, I think, no she not, as the closest Georgia Man, broad armed and dirt faced, wrenches her away. Pulls her back. My sire done chose her for the markets.

I am offering this poem to you, since I have nothing else to give. Keep it like a warm coat when winter comes to cover you, or like a pair of thick socks the cold cannot bite through, I love you, I have nothing else to give you, so it is a pot full of yellow corn to warm your belly in winter, it is a scarf for your head, to wear over your hair, to tie up around your face, I love you, Keep it, treasure this as you would if you were lost, needing direction, in the wilderness life becomes when mature; and in the corner of your drawer, tucked away like a cabin or hogan in dense trees, come knocking, and I will answer, give you directions, and let you warm yourself by this fire, rest by this fire, and make you feel safe I love you, It’s all I have to give, and all anyone needs to live, and to go on living inside, when the world outside no longer cares if you live or die; remember, I love you. "I Am Offering This Poem

I Have Seen Bengal’s Face - Poem by Jibanananda Das Autoplay next video I have seen Bengal’s face, that is why I do not seek Beauty of the earth any more: I wake up in the dark And see the dawn’s magpie-robin perched under the parasol-like huge leaf Of the fig tree – on all sides I see mounds of leaves of Black plum – banyan – jackfruit – oak – pipal lying still; Their shadows fall on the spurge bushes on zedoary clumps; Who knows when Chand near Champa from his madhukar boat Saw such oaks – banyans – gamboge’s blue shades Bengal’s beauty incomparable. Behula too someday floating on raft on Gangur’s water – When the fullmoon of the tenebrous twelfth night died on the river’s shoal – Saw countless pipals and banyans beside the golden corn, Alas, heard the tender songs of shama – and one day going to Amara. When she danced like a torn wagtail in Indra’s court Bengal’s river field, wild violets wept at her feet like anklet bells.

Sometimes Sarah would be up and about and when she saw Pete she would let something slip.He would walk into the kitchen to say hello and she would say, ‘Do you think whoever has him knows that he likes to read about space? Do you think they know he loves pasta but hates corn?’They were random questions. Pete tried to answer at first but then he realised that Sarah wasn’t really talking to him. She was simply voicing out loud the questions that went through her head every day, all day, tormenting her. 'Do they know he likes Vegemite toast for breakfast?’ ‘Do they know how he likes his scrambled eggs?’ ‘Are they making sure he has his milk every day?’ ‘Are they keeping him warm?’ ‘Are they being kind to him?’ ‘Is he going to school?’ ‘Do they know he hates to be tickled?’ ‘Are they hurting him? Are they hurting my little boy?’ What could he say to that? Pete said nothing. He hung his head and waited for her to stop asking questions.

I lot of you have reached out to me today actually. I also checked on people too. I am concerned. A lot of you are depressed. Feeling down. Want to be able to have a break from your kids or spouse. Some of you are solo right now and are lonely. Some of you have fear. Don't have fear. This too will pass. BUT do have some common sense. Stay home. Wash your hands. For the lonely, the safest sex you can have is no sex. BUT hey you meet someone after this you can have a topic of conversation. The apocalypse. For those needing a break from your kids. Take a walk around the block. Maybe a few blocks. Then come back. If you can't do that, make sure they are doing their homework and then watch stand up comedy or listen to some music. Do something fun! Look the whole world is having common experience. Just know you are healthy. Your love ones are too. Be creative. It may cheer you up I choose to have hope. Look I know you are down but we are all in this together.

The Herb Farm reminded Marguerite of the farms in France; it was like a farm in a child's picture book. There was a white wooden fence that penned in sheep and goats, a chicken coop where a dozen warm eggs cost a dollar, a red barn for the two bay horses, and a greenhouse. Half of the greenhouse did what greenhouses do, while the other half had been fashioned into very primitive retail space. The vegetables were sold from wooden crates, all of them grown organically, before such a process even had a name- corn, tomatoes, lettuces, seventeen kinds of herbs, squash, zucchini, carrots with the bushy tops left on, spring onions, radishes, cucumbers, peppers, strawberries for two short weeks in June, pumpkins after the fifteenth of September. There was chèvre made on the premises from the milk of the goats; there was fresh butter. And when Marguerite showed up for the first time in the summer of 1975 there was a ten-year-old boy who had been given the undignified job of cutting zinnias, snapdragons, and bachelor buttons and gathering them into attractive-looking bunches.

Christmas In India Dim dawn behind the tamerisks -- the sky is saffron-yellow -- As the women in the village grind the corn, And the parrots seek the riverside, each calling to his fellow That the Day, the staring Easter Day is born. Oh the white dust on the highway! Oh the stenches in the byway! Oh the clammy fog that hovers And at Home they're making merry 'neath the white and scarlet berry -- What part have India's exiles in their mirth? Full day begind the tamarisks -- the sky is blue and staring -- As the cattle crawl afield beneath the yoke, And they bear One o'er the field-path, who is past all hope or caring, To the ghat below the curling wreaths of smoke. Call on Rama, going slowly, as ye bear a brother lowly -- Call on Rama -- he may hear, perhaps, your voice! With our hymn-books and our psalters we appeal to other altars, And to-day we bid "good Christian men rejoice!" High noon behind the tamarisks -- the sun is hot above us -- As at Home the Christmas Day is breaking wan. They will drink our healths at dinner -- those who tell us how they love us, And forget us till another year be gone! Oh the toil that knows no breaking! Oh the Heimweh, ceaseless, aching! Oh the black dividing Sea and alien Plain! Youth was cheap -- wherefore we sold it. Gold was good -- we hoped to hold it, And to-day we know the fulness of our gain. Grey dusk behind the tamarisks -- the parrots fly together -- As the sun is sinking slowly over Home; And his last ray seems to mock us shackled in a lifelong tether. That drags us back how'er so far we roam. Hard her service, poor her payment -- she is ancient, tattered raiment -- India, she the grim Stepmother of our kind. If a year of life be lent her, if her temple's shrine we enter, The door is hut -- we may not look behind. Black night behind the tamarisks -- the owls begin their chorus -- As the conches from the temple scream and bray. With the fruitless years behind us, and the hopeless years before us, Let us honor, O my brother, Christmas Day! Call a truce, then, to our labors -- let us feast with friends and neighbors, And be merry as the custom of our caste; For if "faint and forced the laughter," and if sadness follow after, We are richer by one mocking Christmas past.

Servers moved among the guests with trays of hors d'oeuvres and the signature cocktail, champagne with a honey infused liqueur and a delicate spiral twist of lemon. The banquet was bursting with color and flavor- flower-sprinkled salads, savory chili roasted salmon, honey glazed ribs, just-harvested sweet corn, lush tomatoes and berries, artisan cheeses. Everything had been harvested within a fifty-mile radius of Bella Vista. The cake was exactly what Tess had requested, a gorgeous tower of sweetness. Tess offered a gracious speech as she and Dominic cut the first slices. "I've come a long way from the city girl who subsisted on Red Bull and microwave burritos," she said. "There's quite a list of people to thank for that- my wonderful mother, my grandfather and my beautiful sister who created this place of celebration. Most of all, I'm grateful to Dominic." She turned to him, offering the first piece on a yellow china plate. "You're my heart, and there is no sweeter feeling than the love we share. Not even this cake. Wait, that might be overstating it. Everyone, be sure you taste this cake. It's one of Isabel's best recipes.

There were times when I could not afford to sacrifice the bloom of the present moment to any work, whether of the head or hands. I love a broad margin to my life. Sometimes, in a summer morning, having taken my accustomed bath, I sat in my sunny doorway from sunrise till noon, rapt in a reverie, amid the pines and hickories and sumacs, in undisturbed solitude and stillness, while the birds sang around or flitted noiseless through the house, until by the sun falling in at my west window or the noise of some traveler’s wagon on the distant highway, I was reminded of the lapse of time. I grew in those seasons like corn in the night, and they were far better than any work of the hands would have been. They were not time subtracted from my life, but so much over and above my usual allowance ... For the most part, I minded not how the hours went. The day advanced as if to light some work of mine; it was morning, and lo, now it is evening, and nothing memorable is accomplished ... This was sheer idleness to my fellow townsmen, no doubt, but if the birds and flowers had tried me by their standard, I should not have been found wanting.

Almost Out Of The Sky" Almost out of the sky, half of the moon anchors between two mountains. Turning, wandering night, the digger of eyes. Let’s see how many stars are smashed in the pool. It makes a cross of mourning between my eyes, and runs away. Forge of blue metals, nights of stilled combats, my heart revolves like a crazy wheel. Girl who have come from so far, been brought from so far, sometimes your glance flashes out under the sky. Rumbling, storm, cyclone of fury, you cross above my heart without stopping. Wind from the tombs carries off, wrecks, scatters your sleepy root. The big trees on the other side of her, unprooted. But you, cloudless girl, question of smoke, corn tassel. You were what the wind was making with illuminated leaves. Behind the nocturnal mountains, white lily of conflagration, ah, I can say nothing! You were made of everything. Longing that sliced my breast into pieces, it is time to take another road, on which she does not smile. Storm that buries the bells, muddy swirl of torments, why touch her now, why make her sad. Oh to follow the road that leads away from everything, without anguish, death, winter waiting along it with their eyes open through the dew

New Rule: Conservatives have to stop complaining about Hollywood values. It's Oscar time again, which means two things: (1) I've got to get waxed, and (2) talk-radio hosts and conservative columnists will trot out their annual complaints about Hollywood: We're too liberal; we're out of touch with the Heartland; our facial muscles have been deadened with chicken botulism; and we make them feel fat. To these people, I say: Shut up and eat your popcorn. And stop bitching about one of the few American products--movies---that people all over the world still want to buy. Last year, Hollywood set a new box-office record: $16 billion worldwide. Not bad for a bunch of socialists. You never see Hollywood begging Washington for a handout, like corn farmers, or the auto industry, or the entire state of Alaska. What makes it even more inappropriate for conservatives to slam Hollywood is that they more than anybody lose their shit over any D-lister who leans right to the point that they actually run them for office. Sony Bono? Fred Thompson? And let'snot forget that the modern conservative messiah is a guy who costarred with a chimp. That's right, Dick Cheney. I'm not trying to say that when celebrities are conservative they're almost always lame, but if Stephen Baldwin killed himself and Bo Derrick with a car bomb, the headline the next day would be "Two Die in Car Bombing." The truth is that the vast majority of Hollywood talent is liberal, because most stars adhere to an ideology that jibes with their core principles of taking drugs and getting laid. The liebral stars that the right is always demonizing--Sean Penn and Michael Moore, Barbra Streisand and Alec Baldwin and Tim Robbins, and all the other members of my biweekly cocaine orgy--they're just people with opinions. None of them hold elective office, and liberals aren't begging them to run. Because we live in the real world, where actors do acting, and politicians do...nothing. We progressives love our stars, but we know better than to elect them. We make the movies here, so we know a well-kept trade secret: The people on that screen are only pretending to be geniuses, astronauts, and cowboys. So please don't hat eon us. And please don't ruin the Oscars. Because honestly, we're just like you: We work hard all year long, and the Oscars are really just our prom night. The tuxedos are scratchy, the limousines are rented, and we go home with eighteen-year-old girls.

They say I must repent and be sorry for my sins," said he. "I have been trying very hard; but I can't think of any, except once that I gave Gog" (his Welsh pony) "such a beating because he would go where I didn't want him. But he's forgotten it long ago; and I gave him two feeds of corn after it, and so somehow I can't feel very sorry now. What shall I do?—But that's not what I mind most. It always seems to me it would be so much grander of God to say: 'Come along, never mind. I'll make you good. I can't wait till you are good; I love you so much.'" His own words were too much for Harry, and he burst into tears at the thought of God being so kind. Euphra, instead of trying to comfort him, cried too. Thus they continued for some time, Harry with his head on her knees, and she kindly fondling it with her distressed hands. Harry was the first to recover; for his was the April time, when rain clears the heavens. All at once he sprung to his feet, and exclaimed: "Only think, Euphra! What if, after all, I should find out that God is as kind as you are!" How Euphra's heart smote her! "Dear Harry," answered she, "God must be a great deal kinder than I am. I have not been kind to you at all." "Don't say that, Euphra. I shall be quite content if God is as kind as you.

I TOOK my heart in my hand (O my love, O my love), I said: Let me fall or stand, Let me live or die, But this once hear me speak (O my love, O my love)— Yet a woman's words are weak; You should speak, not I. You took my heart in your hand With a friendly smile, With a critical eye you scann'd, Then set it down, And said, 'It is still unripe, Better wait awhile; Wait while the skylarks pipe, Till the corn grows brown.' As you set it down it broke— Broke, but I did not wince; I smiled at the speech you spoke, At your judgement I heard: But I have not often smiled Since then, nor question'd since, Nor cared for cornflowers wild, Nor sung with the singing bird. I take my heart in my hand, O my God, O my God, My broken heart in my hand: Thou hast seen, judge Thou. My hope was written on sand, O my God, O my God: Now let thy judgement stand— Yea, judge me now. This contemn'd of a man, This marr'd one heedless day, This heart take thou to scan Both within and without: Refine with fire its gold, Purge Thou its dross away— Yea, hold it in Thy hold, Whence none can pluck it out. I take my heart in my hand— I shall not die, but live— Before Thy face I stand; I, for Thou callest such: All that I have I bring, All that I am I give, Smile Thou and I shall sing, But shall not question much.

David Chang, who had become the darling of the New York restaurant world, thanks to his Momofuku noodle and ssäm bars in the East Village, opened his third outpost, Momofuku Milk Bar, just around the corner from my apartment. While everyone in the city was clamoring for the restaurants' bowls of brisket ramen and platters of pig butt, his pastry chef, Christina Tosi, was cooking up "crack pie," an insane and outrageous addictive concoction made largely of white sugar, brown sugar, and powdered sugar, with egg yolks, heavy cream, and lots of butter, all baked in an oat cookie crust. People were going nuts for the stuff, and it was time for me to give this crack pie a shot. But as soon as I walked into the industrial-style bakery, I knew crack could have nothing on the cookies. Blueberry and cream. Double chocolate. Peanut butter. Corn. (Yes, a corn cookie, and it was delicious). There was a giant compost cookie, chock-full of pretzels, chips, coffee grounds, butterscotch, oats, and chocolate chips. But the real knockout was the cornflake, marshmallow, and chocolate chip cookie. It was sticky, chewy, and crunchy at once, sweet and chocolaty, the ever-important bottom side rimmed in caramelized beauty. I love rice crisps in my chocolate, but who would have thought that cornflakes in my cookies could also cause such rapture?

the markets was much more fun than having a real job. As long as my basic living expenses were covered, I knew I’d be happy. In 1977, Barbara and I decided to have a child, so we got married. We moved into a rented brownstone in Manhattan and I moved the company there too. The Russians were buying lots of grain at the time and wanted my advice, so I took Barbara on a combined honeymoon–business trip to the USSR. We arrived in Moscow on New Year’s Eve and rode by bus from the drab airport through a dusting of snow, past St. Basil’s Cathedral to a big party with a lot of incredibly friendly, fun-loving Russians. My business has always been a way to get me into exotic places and allow me to meet interesting people. If I make any money from those trips, that’s just icing on the cake. MODELING MARKETS AS MACHINES I was really getting my head into the livestock, meat, grain, and oilseed markets. I loved them because they were concrete and less subject than stocks to distorted perceptions of value. While stocks could stay too high or too low because “greater fools” kept buying or selling them, livestock ended up on the meat counter where it would be priced based on what consumers were willing to pay. I could visualize the processes that led to those sales and see the relationships underlying them. Since livestock eat grain (mostly corn) and soymeal, and since corn and soybeans compete for acreage, those markets

She leaned over the basket again, taking in the mouthwatering aromas wafting out of it. "Fried chicken? Oh, I'm thinking buttermilk fried chicken?" Dylan was once again amused. "How do you do that?" "I like food." "You don't say." "And I love Southern fried chicken." She tried to open the basket, and he tapped her hand jokingly. "Sit," he said. And she did, crossing her legs and plopping down on the blanket. Opening the basket and playing waiter, Dylan began removing flatware and plates and red-checkered napkins, and then wrapped food. "For lunch today in Chez Orchard de Pomme, we have some lovely cheese, made from the milk of my buddy Mike's goat Shelia." He removed the plastic wrap, which covered a small log of fresh white cheese on a small plate, and handed it to her. Grace put her nose to the cheese. It was heavenly. "Oh, Shelia is my new best friend." "It's good stuff. And we have some fresh chili corn bread. The corn, I think, is from Peter Lindsey's new crop, just cut out from the maze, which is right down this hill." He motioned with his head toward the field, and then he handed her a big loaf of the fresh corn bread wrapped loosely in wax paper. "It's still warm!" Delighted, she held it to her cheek. Then he pulled out a large oval Tupperware container. "And, yes, we have Dolly's buttermilk fried chicken." Grace peeled open the top and smelled. "Fabulous." "It is!" He also pulled out a mason jar of sourwood honey, a sack of pecans, and a couple of very cold bottles of a local mountain-brewed beer.

The story we are told of women is not this one. The story of women is the story of love, of foundering into another. A slight deviation: longing to founder and being unable to. Being left alone in the foundering, and taking things into one's own hands: rat poison, the wheels of a Russian train. Even the smoother and gentler story is still just a modified version of the above. In the demotic, in the key of bougie, it's the promise of love in old age for all the good girls of the world. Hilarious ancient bodies at bath time, husband's palsied hands soaping wife's withered dugs, erection popping out of the bubbles like a pink periscope. I see you! There would be long, hobbledy walks under the plane trees, stories told by a single sideways glance, one word sufficing. Anthill, he'd say; Martini! she'd say; and the thick swim of the old joke would return to them. The laughter, the beautiful reverberations. Then the bleary toddling on to an early-bird dinner, snoozing through a movie hand in hand. Their bodies like knobby sticks wrapped in vellum. One laying the other on the deathbed, feeding the overdose, dying the day after, all heart gone out of the world with the beloved breath. Oh, companionship. Oh, romance. Oh, completion. Forgive her if she believed this would be the way it would go. She had been led to this conclusion by forces greater than she. Conquers all! All you need is! Is a many-splendored thing! Surrender to! Like corn rammed down goose necks, this shit they'd swallowed since they were barely old enough to dress themselves in tulle. The way the old story goes, woman needs an other to complete her circuits, to flick her to fullest blazing.

There were times when I could not afford to sacrifice the bloom of the present moment to any work, whether of the head or hands. I love a broad margin to my life. Sometimes, in a summer morning, having taken my accustomed bath, I sat in my sunny doorway from sunrise till noon, rapt in a revery, amidst the pines and hickories and sumachs, in undisturbed solitude and stillness, while the birds sing around or flitted noiseless through the house, until by the sun falling in at my west window, or the noise of some traveller’s wagon on the distant highway, I was reminded of the lapse of time. I grew in those seasons like corn in the night, and they were far better than any work of the hands would have been. They were not time subtracted from my life, but so much over and above my usual allowance. I realized what the Orientals mean by contemplation and the forsaking of works. For the most part, I minded not how the hours went. The day advanced as if to light some work of mine; it was morning, and lo, now it is evening, and nothing memorable is accomplished. Instead of singing like the birds, I silently smiled at my incessant good fortune. As the sparrow had its trill, sitting on the hickory before my door, so had I my chuckle or suppressed warble which he might hear out of my nest. My days were not days of the week, bearing the stamp of any heathen deity, nor were they minced into hours and fretted by the ticking of a clock; for I lived like the Puri Indians, of whom it is said that “for yesterday, today, and tomorrow they have only one word, and they express the variety of meaning by pointing backward for yesterday forward for tomorrow, and overhead for the passing day.” This was sheer idleness to my fellow-townsmen, no doubt; but if the birds and flowers had tried me by their standard, I should not have been found wanting.

Family is not the only thing that matters. There are other things: Pachelbel’s Canon in D matters, and fresh-picked corn on the cob, and true friends, and the sound of the ocean, and the poems of William Carlos Williams, and the constellations in the sky, and random acts of kindness, and a garden on the day when all its flowers are at their peak. Fluffy pancakes matter and crisp clean sheets and the guitar riff in “Layla,” and the way clouds look when you are above them in an airplane. Preserving the coral reef matters, and the thirty-four paintings of Johannes Vermeer matter, and kissing matters. Whether or not you register for china, crystal, and silver does not matter. Whether or not you have a full set of Tiffany dessert forks on Thanksgiving does not matter. If you want to register for these things, by all means, go ahead. My Waterford pattern is Lismore, one of the oldest. I do remember one time when I had a harrowing day at the hospital, and Nick had a Rube Goldberg project due and needed my help, and Kevin was playing Quiet Riot at top decibel in his bedroom, and Margot was tying up the house phone, and you had been plunked by the babysitter in front of the TV for five hours, and I came home and took one of my Lismore goblets out of the cabinet. I wanted to smash it against the wall. But instead I filled it with cold white wine and for ten or so minutes I sat in the quiet of the formal living room all by myself and I drank the cold wine out of that beautiful glass crafted by some lovely Irishman, and I felt better. It was probably the wine, not the glass, but you get my meaning. I will remember the impressive heft of the glass in my hand, and the way the cut of the crystal caught the day’s last rays of sunlight, but I will not miss that glass the way I will miss the sound of the ocean, or the taste of fresh-picked corn.

There had been a time, once, when he had not lived like this, a .32 under his pillow, a lunatic in the back yard firing off a pistol for God knew what purpose, some other nut or perhaps the same one imposing a brain-print of his own shorted-out upstairs on an incredibly expensive and valued cephscope that everyone in the house, plus all their friends, loved and enjoyed. In former days Bob Arctor had run his affairs differently: there had been a wife much like other wives, two small daughters, a stable household that got swept and cleaned and emptied out daily, the dead newspapers not even opened carried from the front walk to the garbage pail, or even, sometimes, read. But then one day, while lifting out an electric corn popper from under the sink, Arctor had hit his head on the corner of a kitchen cabinet directly above him. The pain, the cut in his scalp, so unexpected and undeserved, had for some reason cleared away the cobwebs. It flashed on him instantly that he didn't hate the kitchen cabinet: he hated his wife, his two daughters, his whole house, the back yard with its power mower, the garage, the radiant heating system, the front yard, the fence, the whole fucking place and everyone in it. He wanted a divorce; he wanted to split. And so he had, very soon. And entered, by degrees, a new and somber life, lacking all of that. Probably he should have regretted his decision. He had not. That life had been one without excitement, with no adventure. It had been too safe. All the elements that made it up were right there before his eyes, and nothing new could ever be expected. It was like, he had once thought, a little plastic boat that would sail on forever, without incident, until it finally sank, which would be a secret relief to all. But in this dark world where he now dwelt, ugly things and surprising things and once in a long while a tiny wondrous thing spilled out at him constantly; he could count on nothing.

Learning to meditate helped too. When the Beatles visited India in 1968 to study Transcendental Meditation at the ashram of Maharishi Mahesh Yogi, I was curious to learn it, so I did. I loved it. Meditation has benefited me hugely throughout my life because it produces a calm open-mindedness that allows me to think more clearly and creatively. I majored in finance in college because of my love for the markets and because that major had no foreign language requirement—so it allowed me to learn what I was interested in, both inside and outside class. I learned a lot about commodity futures from a very interesting classmate, a Vietnam veteran quite a bit older than me. Commodities were attractive because they could be traded with very low margin requirements, meaning I could leverage the limited amount of money I had to invest. If I could make winning decisions, which I planned to do, I could borrow more to make more. Stock, bond, and currency futures didn’t exist back then. Commodity futures were strictly real commodities like corn, soybeans, cattle, and hogs. So those were the markets I started to trade and learn about. My college years coincided with the era of free love, mind-expanding drug experimentation, and rejection of traditional authority. Living through it had a lasting effect on me and many other members of my generation. For example, it deeply impacted Steve Jobs, whom I came to empathize with and admire. Like me, he took up meditation and wasn’t interested in being taught as much as he loved visualizing and building out amazing new things. The times we lived in taught us both to question established ways of doing things—an attitude he demonstrated superbly in Apple’s iconic “1984” and “Here’s to the Crazy Ones,” which were ad campaigns that spoke to me. For the country as a whole, those were difficult years. As the draft expanded and the numbers of young men coming home in body bags soared, the Vietnam War split the country. There was a lottery based on birthdates to determine the order of those who would be drafted. I remember listening to the lottery on the radio while playing pool with my friends. It was estimated that the first 160 or so birthdays called would be drafted, though they read off all 366 dates. My birthday was forty-eighth.

We've been here three days already, and I've yet to cook a single meal. The night we arrived, my dad ordered Chinese takeout from the old Cantonese restaurant around the corner, where they still serve the best egg foo yung, light and fluffy and swimming in rich, brown gravy. Then there had been Mineo's pizza and corned beef sandwiches from the kosher deli on Murray, all my childhood favorites. But last night I'd fallen asleep reading Arthur Schwartz's Naples at Table and had dreamed of pizza rustica, so when I awoke early on Saturday morning with a powerful craving for Italian peasant food, I decided to go shopping. Besides, I don't ever really feel at home anywhere until I've cooked a meal. The Strip is down by the Allegheny River, a five- or six-block stretch filled with produce markets, old-fashioned butcher shops, fishmongers, cheese shops, flower stalls, and a shop that sells coffee that's been roasted on the premises. It used to be, and perhaps still is, where chefs pick up their produce and order cheeses, meats, and fish. The side streets and alleys are littered with moldering vegetables, fruits, and discarded lettuce leaves, and the smell in places is vaguely unpleasant. There are lots of beautiful, old warehouse buildings, brick with lovely arched windows, some of which are now, to my surprise, being converted into trendy loft apartments. If you're a restaurateur you get here early, four or five in the morning. Around seven or eight o'clock, home cooks, tourists, and various passers-through begin to clog the Strip, aggressively vying for the precious few available parking spaces, not to mention tables at Pamela's, a retro diner that serves the best hotcakes in Pittsburgh. On weekends, street vendors crowd the sidewalks, selling beaded necklaces, used CDs, bandanas in exotic colors, cheap, plastic running shoes, and Steelers paraphernalia by the ton. It's a loud, jostling, carnivalesque experience and one of the best things about Pittsburgh. There's even a bakery called Bruno's that sells only biscotti- at least fifteen different varieties daily. Bruno used to be an accountant until he retired from Mellon Bank at the age of sixty-five to bake biscotti full-time. There's a little hand-scrawled sign in the front of window that says, GET IN HERE! You can't pass it without smiling. It's a little after eight when Chloe and I finish up at the Pennsylvania Macaroni Company where, in addition to the prosciutto, soppressata, both hot and sweet sausages, fresh ricotta, mozzarella, and imported Parmigiano Reggiano, all essential ingredients for pizza rustica, I've also picked up a couple of cans of San Marzano tomatoes, which I happily note are thirty-nine cents cheaper here than in New York.

STRAWBERRY SHORTBREAD BAR COOKIES Preheat oven to 350 degrees F., rack in the middle position.   Hannah’s 1st Note: These are really easy and fast to make. Almost everyone loves them, including Baby Bethie, and they’re not even chocolate! 3 cups all purpose flour (pack it down in the cup when you measure it) ¾ cup powdered (confectioner’s) sugar (don’t sift un- less it’s got big lumps) 1 and ½ cups salted butter, softened (3 sticks, 12 ounces, ¾ pound) 1 can (21 ounces) strawberry pie filling (I used Comstock)*** *** - If you can’t find strawberry pie filling, you can use another berry filling, like raspberry, or blueberry. You can also use pie fillings of larger fruits like peach, apple, or whatever. If you do that, cut the fruit pieces into smaller pieces so that each bar cookie will have some. I just put my apple or peach pie filling in the food processor with the steel blade and zoop it up just short of being pureed. I’m not sure about using lemon pie filling. I haven’t tried that yet. FIRST STEP: Mix the flour and the powdered sugar together in a medium-sized bowl. Cut in the softened butter with a two knives or a pastry cutter until the resulting mixture resembles bread crumbs or coarse corn meal. (You can also do this in a food processor using cold butter cut into chunks that you layer between the powdered sugar and flour mixture and process with the steel blade, using an on-and-off pulsing motion.) Spread HALF of this mixture (approximately 3 cups will be fine) into a greased (or sprayed with Pam or another nonstick cooking spray) 9-inch by 13-inch pan. (That’s a standard size rectangular cake pan.) Bake at 350 degrees F. for 12 to 15 minutes, or until the edges are just beginning to turn golden brown. Remove the pan to a wire rack or a cold burner on the stove, but DON’T TURN OFF THE OVEN! Let the crust cool for 5 minutes. SECOND STEP: Spread the pie filling over the top of the crust you just baked. Sprinkle the crust with the other half of the crust mixture you saved. Try to do this as evenly as possible. Don’t worry about little gaps in the topping. It will spread out and fill in a bit as it bakes. Gently press the top crust down with the flat blade of a metal spatula. Bake the cookie bars at 350 degrees F. for another 30 to 35 minutes, or until the top is lightly golden. Turn off the oven and remove the pan to a wire rack or a cold burner to cool completely. When the bars are completely cool, cover the pan with foil and refrigerate them until you’re ready to cut them. (Chilling them makes them easier to cut.) When you’re ready to serve them, cut the Strawberry Shortbread Bar Cookies into brownie-sized pieces, arrange them on a pretty platter, and if you like, sprinkle the top with extra powdered sugar.

Without taking use of ox or man, Or of creature as Mary desired, Without spinning thread of silk or of satin, Without sowing, without harrowing, without reaping, Without rowing, without games, without fishing, Without going to the hunting hill, Without trimming arrows on the Lord's Day, Without cleaning byre, without threshing corn, Without kiln, without mill on the Lord's Day. Whosoever would keep the Lord's Day, Even would it be to him and lasting, From setting of sun on Saturday Till rising of sun on Monday.17 Beltaine remained the central festival in the cycle of the agricultural pastoral year, the season of light, the time of growth. It was then that the sheep and cattle would be driven up to the summer pastures, the “shielings” in Scotland, the “hafods” in Wales. This was a virtual migration since these might be six or eight or even twelve or fourteen miles away, and it often meant crossing land that was rough and rugged or full of swamps, even sometimes having to swim across channels or rivers. The procession included the men carrying spades, ropes, and other things that might be needed to repair their summer huts, while the women carried the bedding, meal, and dairy utensils. As they went, there were songs to be sung on the journey, a dedicatory hymn to the Trinity and to the most familiar of the saints, Michael, Bride, and Columba, respectively the protector, the woman who knew about dairies, the guardian of their cattle—and, of course, to Mary herself, who on this occasion they address as mother of the White Lamb: Valiant Michael of the white steeds, Who subdued the Dragon of blood, For love of God, for pains of Mary's Son, Spread

emotions

From bell hooks: When we love the earth, we are able to love ourselves more fully. I believe this. the ancestors taught me it was so. as a child, I loved playing in dirt, in that rick Kentucky soil, that was a source of life. before I understood anything about the pain and exploitation of the southern system of sharecropping, I understood that grown-up black folks loved the land… from the moment of their first meeting, Native American and African people shared with one another a respect for the life-giving forces of nature, of the earth. African settlers in Florida taught the Seminoles methods for rice cultivation. Native people taught recently arrived black folks about the many uses of corn. Sharing the reverence for the earth, they helped one another remember that, despite the white man’s ways, the land belonged to everyone. Estrangement from nature and engagement in mind/body splits made it all the more possible for black people to internalize white-supremacist assumptions about black identity…if we can think of urban life as a location where black folks learned to accept the mind/body split that made it possible to abuse the body, we can better understand the growth of nihilism and despair in the black psyche.

where was Being? Does that come into being or go away? It just Is. Identify with that, hold nothing higher than that, find that within yourself, and you will be grounded in the extraordinary persistence of Existence itself. The sheer permanence, strength and unchangeable quality of Existence becomes your self understanding, rather than simply dishwasher, donut maker, cosmic dancer of dust to dust. So ask yourself, throughout the day: Am I loving Being with all of my heart? And by loving Being with all of your heart—as opposed to giving it the cosmic keys to your life—your selfish self has nowhere to go, dissolving into the bliss of Existence loving Itself. That is the sound that emerges from the empty bag of corn bugles.

DEUTERONOMY 7:13-15 13 And he will love thee, and bless thee, and multiply thee: he will also bless the fruit of thy womb, and the fruit of thy land, thy corn, and thy wine, and thine oil, the increase of thy kine, and the flocks of thy sheep, in the land which he sware unto thy fathers to give thee.

Amped-Up Vegetable Nachos This dish comes out of the oven sizzling and bubbling and is devoured as soon as it hits the table. Everybody loves nachos, but it’s not typically a dish that offers much in the way of nutrition. We’ve taken these up a notch by loading them with kale, corn, beans, and avocado. And yes, cheese, too. The end result is addictive.

Morning, July 3 "The ill favored and leanfleshed kine did eat up the seven wellfavored and fat kine." Genesis 41:4 Pharaoh's dream has too often been my waking experience. My days of sloth have ruinously destroyed all that I had achieved in times of zealous industry; my seasons of coldness have frozen all the genial glow of my periods of fervency and enthusiasm; and my fits of worldliness have thrown me back from my advances in the divine life. I had need to beware of lean prayers, lean praises, lean duties, and lean experiences, for these will eat up the fat of my comfort and peace. If I neglect prayer for never so short a time, I lose all the spirituality to which I had attained; if I draw no fresh supplies from heaven, the old corn in my granary is soon consumed by the famine which rages in my soul. When the caterpillars of indifference, the cankerworms of worldliness, and the palmerworms of self-indulgence, lay my heart completely desolate, and make my soul to languish, all my former fruitfulness and growth in grace avails me nothing whatever. How anxious should I be to have no lean-fleshed days, no ill-favored hours! If every day I journeyed towards the goal of my desires I should soon reach it, but backsliding leaves me still far off from the prize of my high calling, and robs me of the advances which I had so laboriously made. The only way in which all my days can be as the "fat kine," is to feed them in the right meadow, to spend them with the Lord, in His service, in His company, in His fear, and in His way. Why should not every year be richer than the past, in love, and usefulness, and joy?--I am nearer the celestial hills, I have had more experience of my Lord, and should be more like Him. O Lord, keep far from me the curse of leanness of soul; let me not have to cry, "My leanness, my leanness, woe unto me!" but may I be well-fed and nourished in thy house, that I may praise thy name.

Slushy spiked lemonade/beer Boiled peanuts/homemade pickles/kettle corn Mini corn dogs with chili ketchup, curried mustard, and cheese sauce Turkey leg confit Deep-fried Brussels sprouts Poker-chip potatoes Ginger-pear sno-cones and cotton candy Pumpkin funnel cake "What the hell are poker-chip potatoes?" "I'm going to slice the potatoes paper thin- like poker chips or carnival tokens- and line them up in a baking dish, accordion-style, with thyme, shallots, and garlic, and bake them until they're crispy around the edges but tender in the middle.

STATE BIRD Confession: I did not want to live here, not among the goldenrod, wild onions, or the dropseed, not waist-high in the barrel- aged brown corn water, not with the million- dollar racehorses, nor the tightly wound round hay bales. Not even in the old tobacco weigh station we live in, with its heavy metal safe doors that frame our bricked bedroom like the mouth of a strange beast yawning to suck us in, each night, like air. I denied it, this new land. But love, I’ll concede this: whatever state you are, I’ll be that state’s bird, the loud, obvious blur of song people point to when they wonder where it is you’ve gone.

Shelves were jam-packed with orange and brown packaged treats: chocolate-covered Cheerios, chocolate-covered cornflakes, chocolate-covered raisins and pretzels and espresso beans. Chocolate malt balls, chocolate almonds, and giant 2.2-pound "Big Daddy" chocolate blocks. There was caramel corn, peanut brittle, mudslide cookie mixes, and tins of chocolate shavings so you could try replicating Jacques's über-rich hot chocolate at home- anything the choco-obsessed could dream was crammed in the small space. An L-shaped counter had all manner of fresh, handcrafted temptations: a spread of individual bonbons with cheeky names like Wicked Fun (chocolate ganache with ancho and chipotle chilies), Love Bug (key lime ganache enveloped in white chocolate), and Ménage à Trois (a mystery blend of three ingredients). Platters of double chocolate chip cookies and fudge brownies. And there were his buttery croissants and pain au chocolat, which duked it out in popularity with the French bakery across the street, Almondine.

I fell in love with a North African flatbread," he says of the m'smen baked at Hot Bread Kitchen, a thriving bakery incubator in East Harlem. "It lit our imaginations up." The savory, hand-stretched bread is like a blank canvas, one that Michael and his kitchen crew top in countless ways, from clam, celery root, and salsa verde to corn, green tomatoes, and lamb sausage to pickled peppers and mushrooms.

Your mother will die some day, and you and I will have to die some day, too. Yet My God has never died. Perhaps you haven’t heard clearly the story that tells how He goes on living for ever and ever. In appearance only did He die. But three days after He had died He came to life again and with great pomp He rose up to heaven.” “How often?” the chief asked in a dry tone. Astonished at this unexpected question, the monk answered, “Why . . . why . . . eh . . . once only, quite naturally once only.” “Once only? And has he, your great god, ever returned to earth?” “No, of course not,” Padre Balmojado answered, his voice burdened with irritation. “He has not returned yet, but He has promised mankind that He will return to earth in His own good time, so as to judge and to . . .” “. . . and to condemn poor mankind,” the chief finished the sentence. “Yes, and to condemn!” the monk said in a loud and threatening tone. Confronted with such inhuman stubbornness he lost control of himself. Louder still he continued: “Yes, to judge and to condemn all those who deny Him and refuse to believe in Him, and who criticize His sacred words, and who ignore Him, and who maliciously refuse to accept the true and only God even if He is brought to them with brotherly love and a heart overflowing with compassion for the poor ignorant brethren living in sin and utter darkness, and who can obtain salvation for nothing more than having belief in Him and having the true faith.” Not in the least was the chieftain affected by this sudden outburst of the monk, who had been thrown off routine by these true sons of America who had learned to think long and carefully before speaking. The chieftain remained very calm and serene. With a quiet, soft voice he said: “Here, my holy white father, is what our god had put into our hearts and souls, and it will be the last word I have to say to you before we return to our beautiful and tranquil tierra: Our god dies every evening for us who are his children. He dies every evening to bring us cool winds and freshness of nature, to bring us peace and quiet for the night so that we may rest well, man and animal. Our god dies every evening in a deep golden glory, not insulted, not spat upon, not spattered with stinking mud. He dies beautifully and glori¬ously, as every real god will die. Yet he does not die forever. In the morning he returns to life, refreshed and more beautiful than ever, his body still trailing the veils and wrappings of the dead. But soon his golden spears dart across the blue firmament as a sign that he is ready to fight the gods of darkness who threaten the peoples on earth. And before you have time to realize what happens, there he stands before wondering human eyes, and there he stays, great, mighty, powerful, golden, and in ever-growing beauty, dominating the universe. “He, our god, is a spendthrift in light, warmth, beauty, and fertility, enriching the flowers with perfumes and colors, teaching the birds to sing, filling the corn with strength and health, playing with the clouds in an ocean of gold and blue. As my beloved mother does, so does he give and give and never cease giving; never does he ask for prayers, not expect¬ing adoration or worship, not commanding obedience or faith, and never, never condemning anybody or thing on earth. And when evening comes, again he passes away in beauty and glory, a smile all over his face, and with his last glimmer blesses his Indian children. Again the next morning he is the eternal giver; he is the eternally young, the eternally beautiful, the eternally new-born, the ever and ever returning great and golden god of the Indians. “And this is what our god has put into our hearts and souls and what I am bound to tell you, holy white father: ‘Do not, not ever, beloved Indian sons of these your beautiful lands, give away your own great god for any other god.’ ” ("Conversion Of Some Indians")

Her son’s voice is like a piece of thread being slowly pulled away from this room, out of this house that she loves, this house filled with books and firewood and simple comforts. She follows his voice over the hide of the nearby mountains, into snowy forests stripped of their leaves, along the rugged shores of ancient lakes, across vast, unending plains of wheat and corn and lentil, through rocky mountains, deserts, canyons, and on into blue oceans of infinity.

Each morning is a do-over, a reset, the chance to make and do right, to laugh more, love more, learn from yesterday, live forward, begin again or just begin.

Therefore I say, he who works in such a detached spirit—who is kind and charitable—benefits only himself. Helping others, doing good to others—this is the work of God alone, who for men has created the sun and moon, father and mother, fruits, flowers, and corn. The love that you see in parents is God’s love: He has given it to them to preserve His creation. The compassion that you see in the kind-hearted is God’s compassion: He has given it to them to protect the helpless. Whether you are charitable or not, He will have His work done somehow or other. Nothing can stop His work.

There were two bartenders and six servers. Black-eyed pea cakes with shrimp. Zucchini and corn fritters. Coriander-spiced beef fritters. Burgundy beet risotto tarts. Lemon-spiced chicken with dilled cucumbers. Pigs in a blanket with mustard, which Claire always threw in as a joke but was invariably the first thing the caterers ran out of because everyone loved tiny hot dogs.

Anyhow, where was I?” Rayne giggled and winked to the hypnotized members. “My OnlyFans members love it though when my anus prolapses, and my girlfriend proceeds to French kiss and suck on my descending colon. Sometimes, my fans request I eat corn first so my lover can eat it off my prolapse, that always guarantees a big tip from all the fellas, let me tell you!” I enjoy this discussion because it is a kink that I am unaware of. Although I am not really into anal, it does titillate me and causes my pussy to throb some and squirt a little bit of cum into my panties.

Jerusalem Artichoke (Helianthus tuberosus) In Italy these are called girasole, meaning “turn with the sun.” They really are a type of sunflower and should not be confused with the globe artichoke, which is an entirely different plant. Jerusalem artichokes, a native Amerian plant, were known to and used by the Indians. They are a good companion to corn. The tuber is the edible portion, for this sunflower has its surprise at the bottom, the flowers being attractive but not large. The principal food content of the Jerusalem artichoke is inulin, a tasteless, white polysaccharide dissolved in the sap of the roots, which can be converted into levulose sugar. This is of special interest to diabetics, for levulose is highly nutritious and the sweetest of all known natural sugars. Levulose also occurs in most fruits, in the company of dextrose, which diabetics must avoid, but in the Jerusalem artichoke it is present alone. The artichokes are high in food value and rich in vitamins. They may be cooked or eaten raw in salads.

So we seem okay as far as that goes, at least to the sort of people who really care about trying to get their children into Harvard. But I think that some of our snobbier friends suspect that Genie and I may also lead Wolfman-at-full-moontype double lives. Maybe at night we turn into junk-food-loving porkers, sneak off to a trailer park with our brood of kids and grandkids, and lounge in a Winnebago surrounded by brokendown cars up on blocks, watch wrestling on TV, buy liquor with ill-gotten food stamps, scarf corn chips and bean dip, gain weight and put on dreadful sweat pants, sprout mullet haircuts, then trudge the isles of Wal-Mart until dawn breathing the plastic smell and loving it while, with each step, the cheeks of our suddenly gigantic bottoms rise, quiver, fall, and rise again like massive sacks of Jell-O strapped to the hindquarters of water buffalo.

She took me to the pasture and let me milk a mammoth brown cow. She taught me how to drive a tractor. We rode horses through the woods. We smoked weed on the roof and pointed out clouds that looked like penises. We fed tiny chunks of raw chicken to her brother’s Venus flytrap. We fucked each other with fresh-picked ears of corn. We built a fire under a billion stars and told ghost stories. We took bets to see how many cigarette butts the rooster would eat. We let the goats hop on top of our backs and nibble our hair. We built an altar of stones, sticks and berries at the top of a hill, and when we hummed a family of deer came to us, licking our palms and nuzzling our cheeks. We bathed in streams and made bread from scratch. We pulled ticks and leeches off each other’s backs. We wrote rap songs about farm life and smoking meth. We stayed up a whole night watching movies about vampires and warlocks. We left clumps of hair, string and silver buttons for a family of crows. When it stormed for three days and we lost power, I rocked her gently in the dark and told her I loved her.

And I do not summon you to slothful or idle inaction, or to drown all your energy in slumbers and the pleasures that are dear to the crowd. That is not to rest; you will find far greater works than all those you have until now performed so energetically, to occupy you in the middle of your release and rest. You, I know, manage the accounts of the whole world as honestly as you would a stranger's, as carefully as you would your own, as conscientiously as you would the state's. You win love in an office in which it is difficult to avoid hatred; but nevertheless believe me, it is better to have knowledge of the ledger of one's own life than of the corn-market.