Vintage Cameras Quotes

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I wore only black socks, because I had heard that white ones were the classic sign of the American tourist. Black ones though,- those'll fool 'em. I supposed I hoped the European locals' conversation would go something like this: PIERRE: Ha! Look at that tourist with his camera and guidebook! JACQUES: Wait, but observe his socks! They are...black! PIERRE: Zut alors! You are correct! He is one of us! What a fool I am! Let us go speak to him in English and invite him to lunch!
Doug Mack (Europe on 5 Wrong Turns a Day: One Man, Eight Countries, One Vintage Travel Guide)
For my eleventh birthday, Mom and Dad gave me my camera, the vintage one you already know about, with a purple strap and an old-school flash and an aperture that you rotate by hand. All the kids at school use their phones as cameras—but I wanted something solid, something real. It was love at first
Victoria E. Schwab (City of Ghosts (Cassidy Blake, #1))
When Gabriel returned, he eagerly opened the wine, smiling to himself wickedly. He was in for a treat, and he knew it. He knew how Julianne looked when she tasted wine, and now he would have a repeat of her erotic performance from the other night. He felt himself twitch more than once in anticipation and wished that he had a video camera secretly placed in his condo somewhere. It would probably be too obvious to pull his camera out and take snapshots of her. He showed her the bottle first, noting with approval the impressed expression that passed across her face when she read the label. He’d brought this special vintage back from Tuscany, and it would have pained him to waste it on an undiscerning palate. He poured a little into her glass and stood back, watching, and trying very hard not to grin. Just as before, Julia swirled the wine slowly. She examined it in the halogen light. She closed her eyes and sniffed. Then she wrapped her kissable lips around the rim of the goblet and tasted it slowly, holding the wine in her mouth for a moment or two before swallowing. Gabriel sighed, watching her as the wine traveled down her long and elegant throat.
Sylvain Reynard (Gabriel's Inferno (Gabriel's Inferno, #1))
While we were talking we had set up a video camera to record our interactions with the people. That evening as we watched bits of the video, we noticed that a toddler about two years old was sitting in the hut behind the man we were interviewing. The child was playing with a sharp kitchen knife, about nine inches in length. He was swinging the knife blade around him, often coming close to his eyes, his chest, his arm, and other body parts one would not like to slice off or perforate. What really got our attention, though, was that when he dropped the knife, his mother—talking to someone else—reached backward nonchalantly without interrupting her conversation, picked up the knife, and handed it back to the toddler. No one told him not to cut himself or hurt himself with the knife. And he didn’t. But I have seen other Pirahã children cut themselves severely with knives.
Daniel L. Everett (Don't Sleep, There Are Snakes: Life and Language in the Amazonian Jungle (Vintage Departures))
new setup. You can check the security cameras over on your right, with a click of that blue button. Uh, you can toggle between the Hall cams and the Vent cams. Uh, then over on your far left, you can flip up your maintenance panel. You know, use this to reboot any systems that may go offline. Uh, in trying to make the place feel more vintage we have overdone it a bit! Heh heh. Some of this equipment is BARELY functional! Uh, I wasn't joking about the fire, that- that's a real risk. Uhm, but the MOST IMPORTANT THING, you have to watch for, is the Ventilation.  Look, this place will give you the spooks man, and if you let that ventilation go offline, then you'll start seeing some craaazy stuff man, keep that air blowing! Ok, keep an eye on things, and we'll try to have something new for ya' tomorrow night.
Andrew Mills (Five Nights at Freddy's 3 Ultimate Strategy Guide, Walkthrough, Secrets, Tips and Tricks)