Ruffle Dress Quotes

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And you, my best friend on earth, my soul sister who shares Chunky Monkey scoops and beefcake e-mails at the drop of a hat, the woman who made me wear a frothy, ruffled lime-colored bridesmaid dress that added fifteen pounds to my hips, are going to spill your guts to me, aren’t you? (Sunshine) No fair and the dress wasn’t lime, it was mint. (Selena) It was lime-icky green and I looked like a sick pistachio. (Sunshine)
Sherrilyn Kenyon (Night Embrace (Dark-Hunter, #2))
«He grins and straightens, wings high and regal behind him. I glare at his costume. It’s so typical him. A mix of medieval and rock star: brown leather forearm guards with studs over a ruffle-cuffed white shirt, and a cavalier doublet in burgundy with a gold lace overlay. The hem hits above his muscled thighs, so the skintight burgundy hose taper smoothly into knee-high brown boots, leaving nothing to the imagination. Worst of all, he has a crown. He dressed as a fairy king. The irony doesn’t escape me. I scowl. “Problem, luv?” He looks down on me from behind a gold lace half mask while adjusting the ruby-jeweled crown over his blue hair with velvet-clad hands. Tiny moth corpses are suspended in the rubies, like stained-glass fossils. I shake my head. “I’m pretty sure you’ll be the only one wearing anything tight enough to need a codpiece. Always have to be the showstopper, don’t you?” “Oh, I assure you, what I chose to show is only the start.»
A.G. Howard (Unhinged (Splintered, #2))
Matthew had sheepishly unfolded the dress from its paper swathings and held it out with a deprecatory glance at Marilla, who feigned to be contemptuously filling the teapot, but nevertheless watched the scene out of the corner of her eye with a rather interested air. Anne took the dress and looked at it in reverent silence. Oh, how pretty it was--a lovely soft brown gloria with all the gloss of silk; a skirt with dainty frills and shirrings; a waist elaborately pintucked in the most fashinable way, with a little ruffle of filmy lace at the neck. But the sleeves--they were the crowning glory! Long elbow cuffs, and above them two beautiful puffs divided by rows of shirring and bows of brown-silk ribbon.
L.M. Montgomery (Anne of Green Gables (Anne of Green Gables, #1))
She does not look toward me but rather tosses her scarf showily over her shoulder and makes her way to the desk. The ruffles of yet another ridiculous dress whisper against the floor behind her. Not ridiculous, I correct myself. Softness can be an armor, even if it isn't my armor.
Mackenzi Lee (The Lady's Guide to Petticoats and Piracy (Montague Siblings, #2))
My color schemes were limited to what would go with the pewter-gray gown...except for the bridesmaids' gowns. I'd already decided that they were going to be a distinctly nonmatchy lemon yellow that Jolene's aunt Vonnie would have to special-order. The kind of yellow one would find on takeout menus or particularly urgent Post-it notes. In fact, if the outdoor lighting failed, we could use the color of their dresses to illuminate the ceremony. And yes, i had to use a vendor who hated me, because Vonnie held the only pattern left in the continental United States for the "Ruffle and Dreams," the very dress I'd had to wear in Jolene's wedding. Revenge would would be mine, for a few months, until i revealed the dove-gray bridesmaids' dresses i actually planned for them to wear.
Molly Harper (Nice Girls Don't Bite Their Neighbors (Jane Jameson, #4))
Great party, Max!' Amy congratulated. Marvin hung back, watching their exchange. 'Anything for Jessie,' Max muttered, but his eyes were completely on Amy. Amy dressed as... 'Little Red Riding Hood?' I gulped. Uh-oh. 'The same.' She laughed, doing a little spin so her head fell back, her short cape ruffled and her brilliant red hair whipped loose. A low cut blouse did double duty, exposing the thinnest hint of both cleavage and midriff. Max gaped. 'You even have'—he stuttered—'a—an amazingly well-packed basket of goodies.' Ohhh...I looked. Thank God. Amy was actually carrying a basket.
Shannon Delany (Secrets and Shadows (13 to Life, #2))
The gown was still warm from having been pressed, and the ruffles tickled her collarbone as she slipped it onto her body.
Elizabeth Lim (So This is Love)
I hate shopping for clothes," Kate said. "I liked when I was in the military and all I needed was camouflage gear." "Shopping can be fun. Especially when it's for a con. It's the first step in creating a character. Isn't there anything you enjoy buying? Lingerie? Shoes? Jewelry?" "Shoes are okay. I don't have to take my clothes off to try them on." "You don't like to take your clothes off?" "It's the lighting in the dressing rooms. It makes you look fat and anemic. And pulling clothes on and off wrecks my hair." Nick put his hand on her head and ruffled her hair. "Like this?" Kate jumped away. "Stop it! I have enough hair problems without you making it worse." "Maybe if you ran a brush through it once in a while." "Maybe if you'd keep your hands off it!" Nick grinned and hugged her into him. "Are we a team, or what? Stick with me and I'll get you to enjoy taking your clothes off." "You're flirting with me." "Stating a fact," Nick said.
Janet Evanovich (The Heist (Fox and O'Hare, #1))
He had been a criminal, but he was also beautiful. I wasn't there to judge, only to make him clean and dressed him in his powder-blue polyester suit with the ruffled tuxedo shirt. Holding up his arm to wash it, I paused: I was comfortable. I wanted other people to know that they could do this too. The washing, the comfort. This confident, stable feeling was available to anyone, if society could overcome the burden of superstition.
Caitlin Doughty (Smoke Gets in Your Eyes & Other Lessons from the Crematory)
She wore a matching yellow ruffled dress with a blue sash and carried a white shepherd’s staff.
Chris Colfer (A Grimm Warning (The Land of Stories, #3))
He saw nothing but the gentle ruffling of the leaves in the wind, but as he finished his sweep of the area, he somehow knew. "Sophie!" He heard a gasp, followed by a huge flurry of activity. "Sophie Beckett," he yelled, "if you run from me right now, I swear I will follow you,and I will not take the time to don my clothing." The noises coming from the shore slowed. "I will catch up with you," he continued, "because I'm stronger and faster. And I might very well feel compelled to tackle you to the ground, just to be certain you do not escape." The sounds of her movements ceased. "Good," he grunted. "Show yourself." She didn't. "Sophie," he warned. There was a beat of silence, followed by the sound of slow, hesitant footsteps, and then he saw her, standing on the shore in one of those awful dresses he'd like to see sunk to the bottom of the Thames. "What are you doing here?" he demanded. "I went for a walk.What are you doing here?" she countered. "You're supposed to be ill.That-" she waved her arm toward him and, by extension, the pond- "can't possibly be good for you." He ignored her question and comment. "Were you following me?" "Of course not," she replied, and he rather believed her. He didn't think she possessed the acting talents to fake that level of righteousness. "I would never follow you to a swimming hole," she continued. "It would be indecent." And then her face went completely red, because they both knew she hadn't a leg to stand on with that argument. If she had truly been concerned about decency, she'd have left the pond the second she'd seen him, accidentally or not.
Julia Quinn (An Offer From a Gentleman (Bridgertons, #3))
Their mothers did not notice the other moments that made color bloom in their daughters’ cheeks. How Azalea flirted with girls in ruffled dresses. How the thing that first made Estrella fall a little in love with boys or girls was so often their hands, whether they were showing at the edge of a shirt cuff or a lace sleeve. How Gloria blushed when she caught the eye of women in sleek gowns, women who wore their hair in low, smooth chignons and who preferred gray or black or navy. And how she shared her laughter, her true, fluttering laugh, with boys who could more easily be called pretty than handsome.
Anna-Marie McLemore (Wild Beauty)
Her fingernails were cut short and workmanlike, but were painted in pink and white stripes. The smartphone leaning dangerously from the pocket of her loose dress was a similarly aggressive shade of candyfloss, which seemed a crime against an otherwise perfectly decent model. She was the most overtly feminine person he had met since his kindergarten days, when small girls came bedecked with bows, ruffles and sparkly purses.
Elle Pierson (Artistic License)
I’m not interested in splitting you in half, so I’ll rip off whatever charming little dress you’re wearing with my teeth and then taste you until you’re riding my tongue and begging for more. Then, if I’m feeling particularly generous, I’ll give you both my cocks, one at a time.” “Wait,” I whisper. He leans down, his hot breath ruffling my hair. “And then I’m going to fill you up, Briar. How much of me can you take? There’s only one way to find out.
Katee Robert (The Dragon's Bride (A Deal With a Demon, #1))
Summer of the Grandmothers" They come back in their white shifts, their ruffled shawls of salt white, the way the dead always return when you need them the most-- when it's too hot to do anything but picture the worst—the Bomb finally fallen, the world burned-up, the entire planet radioactive-- when you are too weak to do anything but lie in a stupor and call them back to drift at your side, in eyelit dresses of old starlight, fresh-faced and cold.
Susan Kelly-De Witt
Welcome, praetor!” he said. “You need any giants’ faces smashed while you’re in town, just let me know.” “Thanks, Terminus,” Percy said. “I’ll keep that in mind.” “Yes, good. Your praetor’s cape is an inch too low on the left. There—that’s better. Where is my assistant? Julia!” The little girl ran out from behind the pedestal. She was wearing a green dress tonight, and her hair was still in pigtails. When she smiled, Percy saw that her front teeth were starting to come in. She held up a box full of party hats. Percy tried to decline, but Julia gave him the big adoring eyes. “Ah, sure,” he said. “I’ll take the blue crown.” She offered Hazel a gold pirate hat. “I’m gonna be Percy Jackson when I grow up,” she told Hazel solemnly. Hazel smiled and ruffled her hair. “That’s a good thing to be, Julia.” “Although,” Frank said, picking out a hat shaped like a polar bear’s head, “Frank Zhang would be good too.” “Frank!” Hazel said.
Rick Riordan (The Son of Neptune (The Heroes of Olympus, #2))
None of us went to church, so we had a lot of time to watch them, the two parents leached of color, like photographic negatives, and then the five glittering daughters in their homemade dresses, all lace and ruffle, bursting with their fructifying flesh.
Jeffrey Eugenides (The Virgin Suicides)
Gerald’s sharp blue eyes noticed how efficiently his neighbors’ houses were run and with what ease the smooth-haired wives in rustling skirts managed their servants. He had no knowledge of the dawn-till-midnight activities of these women, chained to supervision of cooking, nursing, sewing and laundering. He only saw the outward results, and those results impressed him. The urgent need of a wife became clear to him one morning when he was dressing to ride to town for Court Day. Pork brought forth his favorite ruffled shirt, so inexpertly mended by the chambermaid as to be unwearable by anyone except his valet.
Margaret Mitchell (Gone With the Wind)
Lucy Gray would scream and fall to the ground, her lips turning purple, then bloodless, while bright pink and blue and yellow pus oozed onto her ruffled dress — That was it! The thing the snakes had reminded him of the first time he'd seen them. They matched her dress. As if they had always been her destiny ...
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
She was trimming roses in the front yard and I could hear her laughing, but I couldn’t see her face. She was too far away. All I could make out were her gardening gloves and her fancy black dress with the ruffled collar. And no matter how much I walked, or how fast I ran, I wasn’t close enough to see her unblurred face.
Lynn Painter (Better Than the Movies)
A tiny red flower under the apron bib of the woman from the flower stand; she gave me a purple iris before I left, the symbol of hope. There’s a red flower beneath the ruffle of Aunt Linny’s dress; I remember her telling me to stay in the woods where I belong, even dropping a sprig of holly, just like the bushes leading to the ridge. There’s a red flower pinned underneath June’s collar; June sewed every single seed into my cloak … in secret. And my mother, telling me that water was best when it came from high on the spring. They risked everything to try to help me and I didn’t even know it. All I can hear is my mother’s words. “Your eyes are wide open, but you see nothing,” I whisper.
Kim Liggett (The Grace Year)
The Last Hero The wind blew out from Bergen from the dawning to the day, There was a wreck of trees and fall of towers a score of miles away, And drifted like a livid leaf I go before its tide, Spewed out of house and stable, beggared of flag and bride. The heavens are bowed about my head, shouting like seraph wars, With rains that might put out the sun and clean the sky of stars, Rains like the fall of ruined seas from secret worlds above, The roaring of the rains of God none but the lonely love. Feast in my hall, O foemen, and eat and drink and drain, You never loved the sun in heaven as I have loved the rain. The chance of battle changes -- so may all battle be; I stole my lady bride from them, they stole her back from me. I rent her from her red-roofed hall, I rode and saw arise, More lovely than the living flowers the hatred in her eyes. She never loved me, never bent, never was less divine; The sunset never loved me, the wind was never mine. Was it all nothing that she stood imperial in duresse? Silence itself made softer with the sweeping of her dress. O you who drain the cup of life, O you who wear the crown, You never loved a woman's smile as I have loved her frown. The wind blew out from Bergen to the dawning of the day, They ride and run with fifty spears to break and bar my way, I shall not die alone, alone, but kin to all the powers, As merry as the ancient sun and fighting like the flowers. How white their steel, how bright their eyes! I love each laughing knave, Cry high and bid him welcome to the banquet of the brave. Yea, I will bless them as they bend and love them where they lie, When on their skulls the sword I swing falls shattering from the sky. The hour when death is like a light and blood is like a rose, -- You never loved your friends, my friends, as I shall love my foes. Know you what earth shall lose to-night, what rich uncounted loans, What heavy gold of tales untold you bury with my bones? My loves in deep dim meadows, my ships that rode at ease, Ruffling the purple plumage of strange and secret seas. To see this fair earth as it is to me alone was given, The blow that breaks my brow to-night shall break the dome of heaven. The skies I saw, the trees I saw after no eyes shall see, To-night I die the death of God; the stars shall die with me; One sound shall sunder all the spears and break the trumpet's breath: You never laughed in all your life as I shall laugh in death.
G.K. Chesterton
She wore a dress of white satin, elegant and unusual in its simplicity, with no fussy ruffles and frills to distract from the lovely shape of her figure. Instead of wearing the traditional veil, she had drawn the sides of her hair up to the crown of her head and let the rest cascade down her back in long golden coils. Her only ornamentation was a tiara of graduated diamond stars, which Tom had sent upstairs that morning as a Christmas gift. The wealth of rose-cut gems glittered madly in the candlelight, but they couldn't eclipse her sparkling eyes and radiant face. She looked like a snow queen walking through a winter forest, too beautiful to be entirely human. And there he stood, with his heart in his fist.
Lisa Kleypas (Chasing Cassandra (The Ravenels, #6))
Josh stared at Kate. She was watching the happy couple, smiling. The warm spring breeze caught her hair and ruffled it like a shining curtain in an open window. It also caught her dress, flipping up the front and giving him an eyeful of long, slender thigh. He could remember planting kisses up that thigh, listening to her sighs as he refused to stop there. She looked ravishing, and all of a sudden he felt a surge of naughtiness, like a schoolboy passing an open box of sweets. He walked up to her, holding a handful of confetti. Slowly he pulled the front of her dress forward and stuffed the paper in the bodice, his fingers lingering against her warm, slightly damp skin. Then he patted the red satin carefully flat. Probably for slightly longer than was necessary.
Serenity Woods (Something Blue (Come Rain or Come Shine))
Tom stopped in his tracks as he saw Cassandra approaching from the opposite end of the hallway. She was unspeakably pretty in a pink velvet dress with pulled-back skirts that followed the shape of her waist and hips. The front hem kicked up in a froth of of white silk ruffles with every footstep. His mouth went dry with excitement. His heart writhed and struggled like some live thing he'd just trapped inside a dresser drawer.
Lisa Kleypas (Chasing Cassandra (The Ravenels, #6))
Women trailed around vendors, baskets on their arms, bartering for a low price, despite the fact their purses carried plenty of coin. I envied their warm coats and the ruffles on their long dresses. They were never cold, never dressed in threadbare clothes, and never went hungry. They also never worried about what would happen to them if they had an episode and passed out in a gutter. It was no use dwelling on what I didn’t have.
Angela J. Ford (A Sleet Storm's Seduction)
Why could she not lean on the balcony of a Swiss chalet or confine her sadness in a Scottish cottage, with a husband dressed in a long-skirted coat of black velvet, and sporting soft boots, a pointed hat and ruffled sleeves! Well may it have been her wish to confide all these things to someone. But how to express an indiscernible disquiet, which alters its shape like the clouds, which whirls like the wind? So she could not find the words, the opportunity, the boldness.
Gustave Flaubert (Madame Bovary (Modern Library Classics))
A night breeze ruffled a curtain. Arin’s bedroom--she realized with soft surprise--had come to feel like her own. He was lazily tracing circles on her belly. It hypnotized her into a rare, pure unthinking. He settled back on the bed, propped on one elbow. “It occurs to me that there is something we have never done.” Her thoughts rushed back. She arched one brow. He moved to whisper in her ear. “Yes,” she laughed. “Let’s.” “Now?” “Now.” So they reached for dressing robes and the bedside lamp, and padded barefoot through his suite, rushing slightly, and then through the silent house, suppressing giddy breaths. They couldn’t look each other in the face; a wild, loud joyousness threatened to break free if they did. They wound down the staircase and into the parlor. They shut the door behind them, but still… “We are going to wake the whole house,” Kestrel said. “How should we do this?” She led him to her piano. “Easy.” He placed a palm on the instrument as if already feeling it vibrate with music. He cleared his throat. “Now that I think about it, I’m a little nervous.” “You’ve sung for me before.” “Not the same.” “Arin. I’ve wanted to do this for a long time.” Her words silenced him, steadied him. Anticipation lifted within her like the fragrance of a garden under the rain. She sat at the piano, touching the keys. “Ready?” He smiled. “Play.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
Temperance Dews stood with quiet confidence, a respectable women who lived in the sewer that was St. Giles. Her eyes had widened at the sight of Lazarus, but she made no move to flee. Indeed, finding a strange man in her pathetic sitting room seemed not to frighten her at all. Interesting. “I am Lazarus Huntington, Lord Caire,” he said. “I know. What are you doing here?” He tilted his head, studying her. She knew him, yet did not recoil in horror? Yes, she’d do quite well. “I’ve come to make a proposition to you, Mrs. Dews.” Still no sign of fear, though she eyed the doorway. “You’ve chosen the wrong woman, my lord. The night is late. Please leave my house.” No fear and no deference to his rank. An interesting woman indeed. “My proposition is not, er, illicit in nature,” he drawled. “In fact, it’s quite respectable. Or nearly so.” She sighed, looked down at her tray, and then back up at him. “Would you like a cup of tea?” He almost smiled. Tea? When had he last been offered something so very prosaic by a woman? He couldn’t remember. But he replied gravely enough. “Thank you, no.” She nodded. “Then if you don’t mind?” He waved a hand to indicate permission. She set the tea tray on the wretched little table and sat on the padded footstool to pour herself a cup. He watched her. She was a monochromatic study. Her dress, bodice, hose, and shoes were all flat black. A fichu tucked in at her severe neckline, an apron, and cap—no lace or ruffles—were all white. No color marred her aspect, making the lush red of her full lips all the more startling. She wore the clothes of a nun, yet had the mouth of a sybarite. The contrast was fascinating—and arousing. “You’re a Puritan?” he asked. Her beautiful mouth compressed. “No.
Elizabeth Hoyt (Wicked Intentions (Maiden Lane, #1))
(From Chapter 3: Puss In Corner) The visitors wear afternoon dresses with rows of buttons up their fronts, and stiff wire crinolines beneath. It’s a wonder they can sit down at all, and when they walk, nothing touches their legs under the billowing skirts, except their shifts and stockings. They are like swans, drifting along on unseen feet; or else like the jellyfish [...] They were bell-shaped and ruffled, gracefully waving and lovely under the sea; but if they washed up on the beach and dried out in the sun there was nothing left of them. And that is what the ladies are like: mostly water. I have looked at [the wire crinolines] hanging in the wardrobes, when I go in to tidy and empty the slops. They are like birdcages; but what is being caged in? Legs, the legs of ladies; legs pinned in so they cannot get out and go rubbing up against the gentlemen’s trousers.
Margaret Atwood (Alias Grace)
He was dressed in black broadcloth, a tall man, towering over the officers who stood near him, bulky in the shoulders but tapering to a small waist and absurdly small feet in varnished boots. His severe black suit, with fine ruffled shirt and trousers smartly strapped beneath high insteps, was oddly at variance with his physique and face, for he was foppishly groomed, the clothes of a dandy on a body that was powerful and latently dangerous in its lazy grace. His hair was jet black, and his black mustache was small and closely clipped, almost foreign looking compared with the dashing, swooping mustaches of the cavalrymen near by. He looked, and was, a man of lusty and unashamed appetites. He had an air of utter assurance, of displeasing insolence about him, and there was a twinkle of malice in his bold eyes as he stared at Scarlett, until finally, feeling his gaze, she looked toward him.
Margaret Mitchell (Gone with the Wind)
No healthy young man could fail to be stirred and set off-kilter by Aline, who, at the age of seventeen, had become the loveliest girl on God's green earth. At the moment Aline was already dressed for bed, wearing a nightgown made of intricately tucked and ruffled white cotton. As she moved across the room, the lamplight silhouetted the generous curves of her breasts and hips through the thin fabric, and slid over the shining sable locks of her hair. Aline's looks were the kind that caused the heart to stop and the breath to catch. Her coloring alone would have given even a homely woman the appearance of great beauty. But her features were fine and perfect, and perpetually lit with the radiance of unchecked emotion. And as if all that hadn't been quite enough, nature had added one last flourish, a tiny black mark that flirted with the corner of her mouth. McKenna had fantasized endlessly about kissing that tantalizing spot, and following it to the lush curves of her lips. Kissing and kissing her, until she was weak and shivering in his arms.
Lisa Kleypas (Again the Magic (Wallflowers, #0))
Eena focused on the younger version of herself. Her hair was tied back with a pink ribbon. The ruffled dress she wore was soiled up to the waist in wet grains of sand. A short, square shovel was gripped tightly as the child concentrated on her digging efforts. Curious, Eena stepped closer to the girls. Ian followed along silently. Eena could feel his eyes on her, searching her profile before turning to the sand scene. She approached her younger self and stopped to watch. At first, she smiled at the darling ponytailed child. Then the spoiled girl’s mouth opened. “Angee,” the five-year-old called the younger version of Angelle. “Go get water.” The older child jumped up at the command. “Yes, Eena.” “A whole bucket full.” “Yes, Eena.” “Angee, don’t step on my holes!” The older girl quickly picked up her foot, checking to be sure there were no child-made burrows nearby. She nodded at the little five-year-old. “Okay, Eena, I’ll be careful.” Instead of being grateful, the ponytailed child tilted her head and bugged out her eyes. “Hurry up, Angee!” “Okay, okay.” The young Angelle lifted her skirt to watch for surrounding holes while carting a bucket in her other hand towards the lake. Eena frowned at the sight. She heard Ian snicker beside her. “I was a brat,” she admitted ruefully. “You still are.
Richelle E. Goodrich (Eena, The Tempter's Snare (The Harrowbethian Saga #5))
She loathed her profile almost as much as she loathed the dress. If she didn't have to worry about people mistaking her for a boy--- not that they really did, but they couldn't stop remarking on the resemblance; at any rate, if she didn't have to worry about that--- she would never again wear pink. Or pearls. There was something dreadfully banal about the way the pearls shimmered. For a moment she distracted herself by mentally ripping her dress apart, stripping it of its ruffles and pearls and tiny sleeves. Given a choice, she would dress in plum-colored silk and sleek her hair away from her face without a single flyaway curl. Her only hair adornment would be an enormous feather--- a black one--- arching backward so it brushed her shoulder. If her sleeves were elbow-length, she could trim them with a narrow edging of black fur. Or perhaps swansdown, with the same at the neck. Or she could put a feather trim at the neck; the white would look shocking against the plum velvet. That led to the idea that she could put a ruff at the neck and trim that with a narrow strip of swansdown,. It would be even better if the sleeves weren't opaque fabric but nearly transparent, like that new Indian silk her friend Lucinda had been wearing the previous night, and she would have them quite wide, so they billowed and gathered tight at the elbow. Or perhaps the wrist would be more dramatic....
Eloisa James (The Ugly Duchess (Fairy Tales, #4))
VIN RESISTED THE URGE TO PICK at her noblewoman’s dress. Even after a half week of being forced to wear one—Sazed’s suggestion—she found the bulky garment uncomfortable. It pulled tightly at her waist and chest, then fell to the floor with several layers of ruffled fabric, making it difficult to walk. She kept feeling as if she were going to trip—and, despite the gown’s bulk, she felt as if she were somehow exposed by how tight it was through the chest, not to mention the neckline’s low curve. Though she had exposed nearly as much skin when wearing normal, buttoning shirts, this seemed different somehow. Still, she had to admit that the gown made quite a difference. The girl who stood in the mirror before her was a strange, foreign creature. The light blue dress, with its white ruffles and lace, matched the sapphire barrettes in her hair. Sazed claimed he wouldn’t be happy until her hair was at least shoulder-length, but he had still suggested that she purchase the broochlike barrettes and put them just above each ear. “Often, aristocrats don’t hide their deficiencies,” he had explained. “Instead, they highlight them. Draw attention to your short hair, and instead of thinking you’re unfashionable, they might be impressed by the statement you are making.” She also wore a sapphire necklace—modest by noble standards, but still worth more than two hundred boxings. It was complemented by a single ruby bracelet for accentuation. Apparently, the current fashion dictated a single splash of a different color to provide contrast. And it was all hers,
Brandon Sanderson (Mistborn: The Final Empire (Mistborn, #1))
There were, he had come to the conclusion after many tedious evenings at Almack’s, two types of chaperone. Given the number of events he had been forced to squire Hen to, Richard considered he had conducted something of an exhaustive study of chaperones. Both types were aging spinsters (Richard discounted young widows looking after their younger sisters’ debuts; those tended to need a chaperone even more than the young ladies they were ostensibly supervising), but that was all they had in common. The first was the frumpy henwit. Although of indeterminate age, she dressed in the ruffles of a seventeen-year-old. Her hair, no matter how sparse or grey, was curled and frizzed until it looked like a nest built by a particularly talentless blue jay. She twittered and simpered when spoken to, read the sappiest sort of novels in her spare time, and generally contrived to accidentally lose her charge at least twice a day. Rogues and seducers loved the first sort of chaperone; she made their endeavours that much easier. And then there was the other type of chaperone. The grim dragon of a chaperone. The sort who looked like her spine had been reinforced with a few Doric columns. Chaperone number two would sneer at a flounce or a frizz. She never simpered when she could snarl, read forbidding sermons by seventeenth-century puritans, and all but chained her charge to her wrist. As the woman bore down on him, Richard, using his brilliant powers of deduction, was quickly able to conclude that this chaperone fell into the second type. Grey hair rigidly pulled back. Mouth pressed into a grim line. The only incongruous note was the cluster of alarmingly purple flowers on the top of her otherwise severe grey bonnet. Maybe the milliner confused her order and she didn’t have time to change it, Richard concluded charitably.
Lauren Willig (The Secret History of the Pink Carnation (Pink Carnation, #1))
As he reached the landing midway down the stairs, however, his rapid steps slowed and halted at the sight of the disconsolate figure of Rose sitting on one of the carpeted steps. The sight of her, like a prim little doll in her ruffled muslin dress, plump calves encased in thick white stockings, tiny hands filled with her ever-present button string, made him smile. How different she was from the way his sister Elizabeth had been at this age. Rose was wellmannered, introspective, sweetly earnest, whereas Elizabeth had been a spirited little hellion. Holly had done a splendid job so far of sheltering her daughter in a safe, well-ordered existence, but in Zachary's opinion, Rose needed the influence of a father. Someone to help her understand about the world beyond park railings and neat brick-walled gardens, about children who did not wear clothes with lace collars, and people who toiled and sweated for their bread. About the ordinary business of living. However, Rose was not his daughter, and it was not his right to venture any opinions about her upbringing.
Lisa Kleypas (Where Dreams Begin)
The outcome of their battle was a foregone conclusion, and Loretta knew it. His friends encouraged him, whooping with ribald laughter each time her ruffles flashed. She snatched the dirty peace flag from the wooden shaft and threw it to the earth, grinding it beneath the heel of her shoe. After fending off several more passes, exhaustion claimed its victory, and Loretta realized the folly in fighting. She stood motionless, breasts heaving, her eyes staring fixedly at nothing, head lifted. The warrior circled her, guiding his stallion’s flashing hooves so close to her feet that her toes tingled. When she didn’t move, he reined the horse to a halt and studied her for several seconds before he leaned forward to finger the bodice of her dress. Her breath snagged when he slid a palm over her bosom to the indentation of her waist. “Ai-ee,” he whispered. “You learn quick.” Raising tear-filled eyes to his, she again spat in his face. This time he felt the spray and wiped his cheek, his lips quivering with something that looked suspiciously like suppressed laughter, friendly laughter this time. “Maybe not so quick. But I am a good teacher. You will learn not to fight me, Yellow Hair. It is a promise I make for you.” In that moment, what she felt for him went beyond hate, a black, churning ugliness that made her want to seize the lance he brandished and skewer him with it. I claim her. He planned to take her, then? Her gaze traveled from his woven wool belt of army blue to the muscular tracks that rippled in his belly. The hilt of his knife protruded from a leather scabbard on his hip. How many soldiers had he killed? One, a hundred, perhaps a thousand? Her hair hung from his belt, trailing in a spray of gold down the dark leather on his pants. She felt certain she had never seen him before. Yet he had her hair. The Indian down by the river must have given it to him, and he had come from God only knew where to get her. With a start, she noticed the warrior had stretched out a hand to her. A wide leather band encircled his wrist to protect him from his bowstring. Staring at his dark palm and strong fingers, she shook her head in denial. “Hi, tai,” he said in a low voice. Guiding his stallion closer, he bent to touch her chin. Her eyelid quivered when he brushed at a tear on her cheek. “Ka taikay, ka taikay, Tohobt Nabituh,” he whispered. The words made no sense. Puzzled, she met his gaze. “Tosa ehr-mahr.” Raising his hand, he showed her the glistening wetness on his fingertips. “Silver rain, tosa ehr-mahr.” He compared her tears to silver rain? She searched his eyes for some trace of humanity and found none. After a moment he straightened, raising his lance in what looked like a salute. “Suvate!” he yelled, his glittering eyes sweeping the line of encircling riders. A low rumble of answering voices replied, “Suvate!
Catherine Anderson (Comanche Moon (Comanche, #1))
As he turned her face to study her, he said, “You have more courage than you have strength, Yellow Hair. It is not wise to fight when you cannot win.” Looking up at his carved features and the arrogant set of his mouth, she longed for the strength to jerk him off his horse. He wasn’t just taunting her, he was challenging her, mocking her. “You will yield. Look at me and know the face of your master. Remember it well.” Riding high on humiliation, Loretta forgot Amy, Aunt Rachel, everything. An image of her mother’s face flashed before her. Never, as long as she had life in her body, would she yield to him. She worked her parched mouth and spat. Nothing came out, but the message rang clear. “Nei mah-heepicut!” Releasing her, he struck her lightly on the arm. Wheeling his horse, he glanced toward the windows of the house and thumped his chest with a broad fist. “I claim her!” Loretta staggered, watching in numb disbelief as Hunter pranced his stallion in a circle around her. I claim her? Warily she turned, keeping him in sight, unsure of what he might do. He rode erect, his eyes touching on her dress, her face, her hair, as if everything about her were a curiosity. A taunting smile curved his mouth. His attention centered on her full skirt, and she could almost see the questions churning in his head. He repositioned his hand on the lance. The determination in his expression filled her with foreboding. He rode directly toward her, and she sidestepped. He turned his mount to come at her again. As he swept by he leaned forward, catching the hem of her skirt with his lance. Loretta whirled, striking out with her forearms, but the Indian moved expertly, his aim swift and sure, his horse precision-trained to the pressure of his legs. He was as bent on seeing her undergarments as she was on keeping them hidden. The outcome of their battle was a foregone conclusion, and Loretta knew it. His friends encouraged him, whooping with ribald laughter each time her ruffles flashed. She snatched the dirty peace flag from the wooden shaft and threw it to the earth, grinding it beneath the heel of her shoe. After fending off several more passes, exhaustion claimed its victory, and Loretta realized the folly in fighting. She stood motionless, breasts heaving, her eyes staring fixedly at nothing, head lifted. The warrior circled her, guiding his stallion’s flashing hooves so close to her feet that her toes tingled. When she didn’t move, he reined the horse to a halt and studied her for several seconds before he leaned forward to finger the bodice of her dress. Her breath snagged when he slid a palm over her bosom to the indentation of her waist. “Ai-ee,” he whispered. “You learn quick.” Raising tear-filled eyes to his, she again spat in his face. This time he felt the spray and wiped his cheek, his lips quivering with something that looked suspiciously like suppressed laughter, friendly laughter this time. “Maybe not so quick. But I am a good teacher. You will learn not to fight me, Yellow Hair. It is a promise I make for you.
Catherine Anderson (Comanche Moon (Comanche, #1))
Nei mah-heepicut!” Releasing her, he struck her lightly on the arm. Wheeling his horse, he glanced toward the windows of the house and thumped his chest with a broad fist. “I claim her!” Loretta staggered, watching in numb disbelief as Hunter pranced his stallion in a circle around her. I claim her? Warily she turned, keeping him in sight, unsure of what he might do. He rode erect, his eyes touching on her dress, her face, her hair, as if everything about her were a curiosity. A taunting smile curved his mouth. His attention centered on her full skirt, and she could almost see the questions churning in his head. He repositioned his hand on the lance. The determination in his expression filled her with foreboding. He rode directly toward her, and she sidestepped. He turned his mount to come at her again. As he swept by he leaned forward, catching the hem of her skirt with his lance. Loretta whirled, striking out with her forearms, but the Indian moved expertly, his aim swift and sure, his horse precision-trained to the pressure of his legs. He was as bent on seeing her undergarments as she was on keeping them hidden. The outcome of their battle was a foregone conclusion, and Loretta knew it. His friends encouraged him, whooping with ribald laughter each time her ruffles flashed. She snatched the dirty peace flag from the wooden shaft and threw it to the earth, grinding it beneath the heel of her shoe. After fending off several more passes, exhaustion claimed its victory, and Loretta realized the folly in fighting. She stood motionless, breasts heaving, her eyes staring fixedly at nothing, head lifted. The warrior circled her, guiding his stallion’s flashing hooves so close to her feet that her toes tingled. When she didn’t move, he reined the horse to a halt and studied her for several seconds before he leaned forward to finger the bodice of her dress. Her breath snagged when he slid a palm over her bosom to the indentation of her waist. “Ai-ee,” he whispered. “You learn quick.
Catherine Anderson (Comanche Moon (Comanche, #1))
The outcome of their battle was a foregone conclusion, and Loretta knew it. His friends encouraged him, whooping with ribald laughter each time her ruffles flashed. She snatched the dirty peace flag from the wooden shaft and threw it to the earth, grinding it beneath the heel of her shoe. After fending off several more passes, exhaustion claimed its victory, and Loretta realized the folly in fighting. She stood motionless, breasts heaving, her eyes staring fixedly at nothing, head lifted. The warrior circled her, guiding his stallion’s flashing hooves so close to her feet that her toes tingled. When she didn’t move, he reined the horse to a halt and studied her for several seconds before he leaned forward to finger the bodice of her dress. Her breath snagged when he slid a palm over her bosom to the indentation of her waist. “Ai-ee,” he whispered. “You learn quick.” Raising tear-filled eyes to his, she again spat in his face. This time he felt the spray and wiped his cheek, his lips quivering with something that looked suspiciously like suppressed laughter, friendly laughter this time. “Maybe not so quick. But I am a good teacher. You will learn not to fight me, Yellow Hair. It is a promise I make for you.” In that moment, what she felt for him went beyond hate, a black, churning ugliness that made her want to seize the lance he brandished and skewer him with it. I claim her. He planned to take her, then? Her gaze traveled from his woven wool belt of army blue to the muscular tracks that rippled in his belly. The hilt of his knife protruded from a leather scabbard on his hip. How many soldiers had he killed? One, a hundred, perhaps a thousand? Her hair hung from his belt, trailing in a spray of gold down the dark leather on his pants. She felt certain she had never seen him before. Yet he had her hair. The Indian down by the river must have given it to him, and he had come from God only knew where to get her.
Catherine Anderson (Comanche Moon (Comanche, #1))
In the dim light of the pizzeria I could see the corners of his blue eyes crinkle. He was leaning back in his chair and ruffling his thick brown hair in that way he had. I had a good idea of what he was going to say…and yet he looked so totally cute and irresistible sitting there in his leather jacket that I was caught between two desires: one to steer him off the course I was pretty sure he was about to set out on, the other to kiss him. As it was, neither of my desires became a reality. Sebastian moved in faster than I did.
Carina Axelsson (Dressed to Kill (Model Under Cover #4))
The moral of the story: Every day is a special day. A tear in your chiffon? So what! A food stain on that satin ruffle? Big deal! A little paint spatter on that velvet blazer merely adds to your overall patina. When women ask me for fashion advice, I always say the same thing: “Go home and throw out all your ‘work’ clothes!” If you always dress as if you are going to a party or a Bowie concert—or a Black Eyed Peas concert—you will always have more fun.
Simon Doonan (Eccentric Glamour: Creating an Insanely More Fabulous You)
He turned to smile at the tabby, but it had gone. Instead he was smiling at a rather severe-looking woman who was wearing square glasses exactly the shape of the markings the cat had had around its eyes. She, too, was wearing a cloak, an emerald one. Her black hair was drawn into a tight bun. She looked distinctly ruffled. ‘How did you know it was me?’ she asked. ‘My dear Professor, I’ve never seen a cat sit so stiffly.’ ‘You’d be stiff if you’d been sitting on a brick wall all day,’ said Professor McGonagall. ‘All day? When you could have been celebrating? I must have passed a dozen feasts and parties on my way here.’ Professor McGonagall sniffed angrily. ‘Oh yes, everyone’s celebrating, all right,’ she said impatiently. ‘You’d think they’d be a bit more careful, but no – even the Muggles have noticed something’s going on. It was on their news.’ She jerked her head back at the Dursleys’ dark living-room window. ‘I heard it. Flocks of owls … shooting stars … Well, they’re not completely stupid. They were bound to notice something. Shooting stars down in Kent – I’ll bet that was Dedalus Diggle. He never had much sense.’ ‘You can’t blame them,’ said Dumbledore gently. ‘We’ve had precious little to celebrate for eleven years.’ ‘I know that,’ said Professor McGonagall irritably. ‘But that’s no reason to lose our heads. People are being downright careless, out on the streets in broad daylight, not even dressed in Muggle clothes, swapping rumours.’ She threw a sharp, sideways glance at Dumbledore here, as though hoping he was going to tell her something, but he didn’t, so she went on: ‘A fine thing it would be if, on the very day You-Know-Who seems to have disappeared at last, the Muggles found out about us all. I suppose he really has gone, Dumbledore?
J.K. Rowling (Harry Potter and the Philosopher's Stone (Harry Potter, #1))
A bell chimes as I open the door. It's even more magical inside than out. Spools of ribbon hang from the walls like the atelier of a fairy queen. Tiny jasmine buds lace through the curls of a crystal chandelier. Dresses fill the curves of antique wardrobes, as if this were a princess's closet and not a store. A group of girls squeal as they browse the gowns. They've dressed almost otherworldly, so unlike the yoga pants and sweatshirts I'm used to in San Francisco. Instead, they're ornamented in seafoam trousers made of silk, lace corsets with ruffles across the bustier, satin slips with rose embroidery. They wear seashells in their hair and around their necks--- an iridescent mollusk held together by a string of pearls, an abalone claw clip that flashes different colors beneath the light, pukas threaded between pastel sea glass.
Kiana Krystle (Dance of the Starlit Sea)
My eyes bloom as I meet a silk as smooth as water. It shines like a pool of opals. The connection is tender and romantic, like how the feeling of summer swelled up within Romeo when he first laid eyes on Juliet. She was beautiful, as fair as their beloved Verona. And here, this dress reminds me of all the loveliness of Luna Island. It's hand dyed soft colors--- blush and blue, lilac and lemon--- like a sunset sky above island waters. A blue sash cinches the waist, and the bow in the back fans out into multiple ribbons, each one a color featured on the dress. Labyrinthine embroidery coils into rose-like shapes, and ruffled sleeves remind me of cream puff shells.
Kiana Krystle (Dance of the Starlit Sea)
Every one wanted to be her, to be ex-maybe-boyfriend's amazing championship mother, so they dispensed with the father, either pairing off themselves as two supremely costumed waltzing women, or else just pretending to have a male prop dancing partner, "for that way," explained wee sisters, "you get to dress up and be her every time." This explained the colour - for there had been an explosion of colour - plus fabric, accessories, make-up, feathers, plumes, tiaras, beads, sparkles, tassels, lace, ribbons, ruffles, layered petticoats, lipsticks, eyeshadows, even fur - I had glimpsed fringed fur - high heels too, which belonged to the little girls' big sisters and which didn't fit which was why periodically the little girls fell over, sustaining injuries. "But the thing is," reiterated wee sisters, "and you don't seem to be overjoyed by this, middle sister, you get to be her every time!
Anna Burns (Milkman)
Making for a summery, aesthetic contrast to all around her; Angela was moving against the current of commuters, the majority of whom were clad in muted attire. In her warm red, front-split, ruffled halter-neck cocktail dress that came to her knees, she was turning more than a few heads. Descending the wet concrete steps of the metro entrance with a grace that surprised Nicola, she reminded her of a cherry blossom falling.
Helen E. Barrow (Northern Heights)
Neither can I.” “What are you going to wear?” That was a good question. “I don’t know.” “I’ve got an idea. Remember that pink ruffled dress I got for my cousin’s wedding?
Doreen Owens Malek (Gabrielle's Bully)
As she gracefully descended down portico, the white gloved hand of the lady of the estate met the white-glove worn by a Negro footman, as a vast expanse of hoop skirt filled the carriage doorway. It was a skirt of fine white lawn with ruffles embroidered with little pink and blue flowers complete with green stems. The white trash girl looked on in amazement, involuntarily wincing at the thought of the long hours plantation slave seamstresses had devoted to decorating a dress that might only be worn a half dozen times and survive as many launderings.
Gwen Bistrow
Even thinking about the hours they had spent arguing over their move caused Avery to grit his teeth and narrow his eyes, but tonight everything would be different. Tonight, his prince was coming home. And he would be wearing that ruffled dress shirt. Damn, he was a lucky guy.
Kindle Alexander (Always (Always & Forever #1))
I sit on the bathroom floor, wiping my eyes with toilet paper and doing my best to cover my nose. A loud knock interrupts my crying fit. “Brittany, you in there?” Alex’s voice comes through the door. “No.” “Please come out.” “No.” “Then let me in.” “No.” “I want to teach you somethin’ in Spanish.” “What?” “No es gran cosa.” “What does it mean?” I ask, the tissue still on my face. “I’ll tell you if you let me in.” I turn the knob until it clicks. Alex steps inside. “It means it’s not a big deal.” After locking the door behind him, he crouches beside me and takes me in his arms, pulling me close. Then he sniffs a few times. “Holy shit. Was Paco in here?” I nod. He smoothes my hair and mutters something in Spanish. “What did my mother say to you?” I bury my face in his chest. “She was just being honest,” I mumble into his shirt. A loud knock at the door interrupts us. “Abre la puerta, soy Elena.” “Who’s that?” “The bride.” “Let me in!” Elena commands. Alex unlocks the door. A vision in white ruffles with dozens of dollar bills safety-pinned to the back of her dress squeezes her way into the bathroom, then shuts the door behind her. “Okay, what’s goin’ on?” She, too, sniffs a bunch of times. “Was Paco in here?” Alex and I nod. “What the fuck does that guy eat that it comes out his other end smelling so rotten? Dammit,” she says, wadding up tissue and putting it over her nose.
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
A loud knock at the door interrupts us. “Abre la puerta, soy Elena.” “Who’s that?” “The bride.” “Let me in!” Elena commands. Alex unlocks the door. A vision in white ruffles with dozens of dollar bills safety-pinned to the back of her dress squeezes her way into the bathroom, then shuts the door behind her. “Okay, what’s goin’ on?” She, too, sniffs a bunch of times. “Was Paco in here?” Alex and I nod. “What the fuck does that guy eat that it comes out his other end smelling so rotten? Dammit,” she says, wadding up tissue and putting it over her nose. “It was a beautiful ceremony,” I say through my own tissue. This is the most awkward and surreal situation I’ve ever been in. Elena grabs my hand. “Come outside and enjoy the party. My aunt can be confrontational, but she doesn’t mean any harm. Besides, I think deep down she likes you.” “I’m taking her home,” Alex says, playing the role of my hero. I wonder when he’ll get sick of it. “No, you’re not takin’ her home or I’ll lock both of you in this stinkin’ smelly room so you’ll stay.” Elena means every word. Another knock at the door. “Vete vete.” I don’t know what Elena said, but she sure said it with gusto. “Soy Jorge.” I shrug and look to Alex for an explanation. “It’s the groom,” he says, clueing me in. Jorge slips in. He isn’t as crude as the rest of us because he ignores the fact that the room smells like something died. But he sniffs loudly a few times and his eyes start to water. “Come on, Elena,” Jorge says, trying to cover his nose inconspicuously but doing a poor job of it. “Your guests are wondering where you are.” “Can’t you see I’m talkin’ to my cousin and his date?” “Yeah, but--” Elena holds up a hand to silence him while holding the tissue over her nose with the other. “I said, I’m talkin’ to my cousin and his date,” she declares with attitude. “And I’m not finished yet.” “You,” Elena says, pointing directly at me. “Come with me. Alex, I want you and your brothers to sing.” Alex shakes his head. “Elena, I don’t think--” Elena holds up a hand in front of Alex, silencing even him. “I didn’t ask you to think. I asked you to join your brothers in singin’ to me and my new husband.” Elena opens the door and yanks me through the house, stopping only when we reach the backyard. She lets me go only to grab the microphone from the lead singer. “Paco!” she announces loudly. “Yeah, I’m talkin’ to you,” Elena says, pointing to Paco talking to a bunch of girls. “Next time you want to take a dump, do it in someone else’s house.
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
Her uniform was a short-sleeve black dress with white trim, worn with a white apron and a lace ruffled headpiece. “How
Marie Silk (Davenport House (Davenport House #1))
mother's love of books and spent a great deal of time outdoors, where she grew up independent and free spirited. Nature became an important part of her life and later her work. When she was eleven, she and her sisters took private art lessons, but she grew tired of the lessons because her teacher insisted that her students copy pictures from a stack of prints she kept in a cupboard. At home, she painted the imaginary scenes she really wanted to paint. She liked experimenting with shading and light and mixing colors to get just the right effect. By the time she was thirteen, she knew she wanted to be an artist and took art lessons all through high school. She resented it when her teachers touched up her paintings because she wanted other people to see things just as she saw them. When her family moved to Virginia her last two years of high school, she was enrolled at a boarding school for girls. In Virginia she was quite different from the more traditionally feminine southern girls who wore frilly dresses with ruffles and bows and
Sandra McLeod Humphrey (Dare To Dream!: 25 Extraordinary Lives)
Why is it that nearly every time I see you, you are half-naked, Mr. Donovan?” He sent her a wicked smile, glancing at the prim wrapper that covered her from chin to ankles. The ruffled garment was shapeless, like a muslin suit of armor. “Why is it that every time I see you, you are always fully dressed, Lady Rose?” She
Michelle Willingham (Good Earls Don't Lie (The Earls Next Door Book 1))
Why the devil do you dress like that,” he rasped, “when you’re easily the most beautiful woman in the territory?” Emma’s cheeks pulsed. She started to protest, then stopped herself in confusion. Had Steven’s question been a compliment or an insult? “What’s wrong with this dress?” she asked evenly, when she’d had a few moments to compose herself. “It’s plain enough for a missionary’s wife,” Steven replied. Although the words bit, Emma saw kindness in his eyes, and genuine curiosity. She wanted in the worst way for Steven to find her attractive, and the knowledge surprised and shamed her. After all, she was considering marrying Fulton, and she rarely gave his opinions a second thought. Uncharacteristic tears swelled along her lashes. “Hell and damnation,” Steven muttered. “I didn’t mean to make you cry.” Emma drew her lace-trimmed handkerchief from under her cuff and dried her eyes in the most dignified manner she could manage. “I do wish you wouldn’t swear.” He sighed heavily. “I’m sorry, Emma. It’s just that a woman like you—well, you should be dressed in silks and satins, with a lace ruffle here and there. And maybe some bosom showing.” He narrowed his gaze for a moment, as if envisioning the change. “Yes. You have a very nice chest.” Once again Emma’s cheeks burned. Shocked though she was, his words had set a fire racing through her insides, and she started out of her chair. “If you’re going to be vulgar…” He reached out and caught hold of her hand when she would have risen. It was as though she’d dragged her feet across a thick carpet, then touched the door knob. She flinched at the sweet shock. “Please,” he said in a low, husky voice. “Don’t go.” Emma sank back into the chair. His strong fingers relaxed around hers reluctantly, it seemed to her, then released their grasp entirely. “It must be terrible, being so grimy dirty.” His teeth flashed white against a suntanned face. “Kind of you to put it that way, Miss Emma.” She bit her lower lip for a moment. “I meant—well, you must be very uncomfortable. It’s a pity you couldn’t go downstairs and use Chloe’s bathtub.” He arched his golden brown eyebrows. “I could, Miss Emma,” he said quietly, “if you’d help me.” Emma’s heart set instantly to pounding, and she drew back in her chair. “Help you?” “Get down the stairs,” he said. “I didn’t mean you should help me bathe.” She smiled, much relieved, though her heart rate had hardly slowed and she still felt a little dizzy. “Oh.
Linda Lael Miller (Emma And The Outlaw (Orphan Train, #2))
I smooth my hands over the punch-stained ruffles, taking a deep breath. Persephone is still Persephone even in the winter, I remind myself. And I am still Lila even though my dress is stained. Even though I fell onstage. Even though I was banished because of it. I am still Lila. And as Lila, I descend. The crowd erupts in a roar. They holler and cheer and throw just as many flowers as they did for Roisin. Roses, marigolds, and violets hit the glossy marble steps like confetti. Their applause floods me, turning me full, just like it did when I took my final bows onstage after a show. I throw on my best smile, waving like the pageant queen I pretend to be. Roisin howls, screaming my name with the crowd. The praise goes to my head. It's like I'm the Queen of Hell, like Persephone herself. And, as I reach the final step, I re-emerge into spring.
Kiana Krystle (Dance of the Starlit Sea)
If he was going to be staring at my breasts, at least it could have been with a little fanfare to celebrate them. A cute little ruffle trim or a V where the dress dips.
S.L. Scott (Never Have I Ever)
I see a fae female with blue skin and a mask of seaweed and coral—an obvious Sea Court fae. A male with dark brown skin, a leafy-green suit, and moss for hair seems a candidate for Earthen. An androgynous fae next to him seems composed entirely of shimmering particles of glitter, making me think Star Court, while the next fae over must be Lunar, with her black dress speckled with glimmering opals and moon-white skin. Or did I get the two swapped? The pixie in a ruffled pink dress with wings the color of a robin’s egg could be Spring. Or perhaps Wind? No, Wind must be the fae with the streaming hair that constantly moves as if in flight. And the two fae with golden skin and bright hair are equally convincing as both Fire and Solar.
Tessonja Odette (The Fair Isle Trilogy: Complete Series Collection)
She pulled out her green-and-white polka-dot dress with the satin ribbon that tied at the waist, and the matching satin trim that ran along the hem of its ruffled skirt. She would normally only wear a dress like this to a wedding, or on Easter Sunday, but if she was going on this outing with Lottie to Maison Blanche, she had to look the part of someone who belonged there. Because she did belong there. She was just as good as anybody else who set foot in that establishment, and she was going to make sure everyone who was there knew it. Tiana pulled the dress over her head and pinned the barrette Ms. Rose had given her as a gift behind her ear. It had tiny gardenias attached to it, adding an elegant touch to her ensemble. She swished around from left to right in the mirror, admiring the way her dress twirled about her legs.
Farrah Rochon (Almost There)
At home I wore cute-as-shit dresses in bright colors, patterned rompers, and heart-shaped sunglasses, shorts with off-the-shoulder ruffled tops. An Instagram cliché.
Alexa Donne (Pretty Dead Queens)
Mac: "Are you stalking me now?" Cooper: "You stroll by my jobsite in" -he gestures , looking me up in down - Cooper: "some ridiculous ruffle dress thing and all this leg, like, 'Oh, don't mind me, boys, I hate attention.'" Mac: "That is exactly how I sound." I reply, rolling my eyes.
Elle Kennedy (Good Girl Complex (Avalon Bay, #1))
The church is not perfect, but she is the bride of Christ, and I love her. I picture Christ at the wedding altar awaiting his bride, the elect of God. God the Father escorts her down the aisle, but her dress is stained with mustard and ruffles are torn. Her hair is disheveled, lipstick smeared, and flowers wilted. As she limps down the aisle with one broken heel, Jesus detects the smell of last night’s alcohol and vomit. Yet, Christ passionately says, “There’s my bride, and she is my beloved. I will receive her to make her holy. I will wash her with the water of the word. She will be my bride without spot or wrinkle” (see Song of Solomon 2:16; Ephesians 5:26–27).
Scott Thomas (The Gospel Shaped Leader)
the dress sense of an eighties swagged and ruffled floral curtain.
Lynne Graham (Promoted to the Greek's Wife (The Stefanos Legacy Book 1))
The girl sat up, and the frills and lace and ruffles floated into place on the most elaborate dress Bella had ever seen. Bella felt great sympathy for the sewing machine operator who'd had to concoct that monstrosity.
Margaret Peterson Haddix (Uprising)
I walk out of my bedroom in a pink chiffon dress with a pleated bodice, cut-out sides, and an open, lace-up back. The skirt is flowy and tiered, but my favorite part is the dramatic-looking ruffles covering my shoulders.
Becky Monson (Love Songs Suck)
Clustered everywhere were low-growing bushes covered in dazzling pink flowers and above them the yellow of the wattle. "Boronia ledifolia." How personable and attentive he was, with his ruffled hair and a half smile of amusement hovering on his lips. "I'm sorry?" "The pink bushes, and above us Acacia, and those big red flowers over there." She turned and gazed at the densely packed red flowers bright as Indian rubies against the bush. "Waratah Telopea.
Tea Cooper (The Woman in the Green Dress)
Only a small part of Tom's brain functioned normally. The rest of it was busy gathering details: the whiff of perfumed dusting powder, the intense blueness of her eyes. He'd never seen a complexion like hers, fresh and faintly opalescent, like milk glass with pink light shining through it. Was her skin like that all over? He thought of the limbs and curves beneath the ruffles of her dress, and he was suffused with a sensation that recalled the way icy water could sometimes feel hot, or a burn could feel like a chill.
Lisa Kleypas (Chasing Cassandra (The Ravenels, #6))
Silent is my dress when I step across the earth, reside in my house, or ruffle the waters.
Exeter Book Riddles
It was some time before Hero came downstairs, but after about half an hour she put in an appearance, still wearing her silk and gauze ball-dress, but with her jewels discarded and her curls a little ruffled. She came quickly into the room, a look of great distress in her face, and went towards Sherry with her hands held out, and saying impetuously: 'Oh, Sherry, it is so shocking! She has told me the whole, and I never thought anyone could be so wicked! It is all too true! That dear little baby is indeed Sir Montagu's own child, but he will not give poor Ruth a penny for its maintenance, no, nor even see Ruth! Oh, Sherry, how can such things be?' 'Yes, I know, Kitten. It's devilish bad, but- but we have only the girl's word for it, and I dare say, if we only knew-' 'Might be a mistake,' explained Ferdy, anxious to be helpful. She turned her large eyes towards him. 'Oh no, Ferdy, there can be none indeed! You see, she told me everything! She is not a wicked girl- I am sure she is not! She is quite simple, and she did not know what she was doing!' 'They all say that,' said Mr Ringwood gloomily. 'How can you, Gil? I had not thought "you" would be so unjust!' Hero cried. 'She is nothing but a country maid, and I can tell that her father is a very good sort of a man- respectable, I mean, for no sooner did he discover the dreadful truth than he cast her out of his home, and will not have anything to say to her, which always seems to me shockingly cruel, though Cousin Jane says it is to be expected, because of the wages of sin, which comes in the Bible! Indeed, she is quite an innocent girl, for how could it be otherwise when she believed in Sir Montagu's promise to marry her? Why, even I know better than that!
Georgette Heyer (Friday's Child)
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Christina's ex-husband was, to Anna's mind, everything a murderer should be. He was suave and self-assured. He dressed too well for his surroundings. His teeth were too white, too straight. Cat hair didn't adhere to his trousers and the wind didn't ruffle his hair. He looked the type able to strangle his CEO at the eleventh hole and still come in under par.
Nevada Barr (Track of the Cat (Anna Pigeon, #1))