Jude Quotes

We've searched our database for all the quotes and captions related to Jude. Here they are! All 200 of them:

Most of all, I hate you because I think of you. Often. It's disgusting, and I can't stop.
Holly Black (The Cruel Prince (The Folk of the Air, #1))
My soul will find yours.
Jude Deveraux (A Knight in Shining Armor (Montgomery/Taggert Family, #13))
Love can make even nice people do awful things.
Jude Deveraux
Jude, you can't really think I don't know it's you. I knew you from the moment you walked into the brugh.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
What could I become if I stopped worrying about death, about pain, about anything? If I stopped trying to belong? Instead of being afraid, I could become something to fear.
Holly Black (The Cruel Prince (The Folk of the Air, #1))
Sweet Jude, you’re my dearest punishment
Holly Black (The Wicked King (The Folk of the Air, #2))
Mock me all you like. Whatever I imagined then, now it is I who would beg and grovel for a kind word from your lips." His eyes are black with desire. "By you, I am forever undone.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
Harold sighs. “Jude,” he says, “there’s not an expiration date on needing help, or needing people. You don’t get to a certain age and it stops.
Hanya Yanagihara (A Little Life)
Instead of being afraid, I could become something to fear.
Holly Black (The Cruel Prince (The Folk of the Air, #1))
Father, I am what you made me. I’ve become your daughter after all.
Holly Black (The Cruel Prince (The Folk of the Air, #1))
I have lied and I have betrayed and I have triumphed. If only there was someone to congratulate me.
Holly Black (The Cruel Prince (The Folk of the Air, #1))
Yes, my sweet villain, my darling god… Sweet Jude. You are my dearest punishment
Holly Black (The Wicked King (The Folk of the Air, #2))
Let's have a toast. To the incompetence of our enemies.
Holly Black (The Cruel Prince (The Folk of the Air, #1))
So I am to sit here and feed you information,” Cardan says, leaning against a hickory tree. “And you’re to go charm royalty? That seems entirely backward.” I fix him with a look. “I can be charming. I charmed you, didn’t I?” He rolls his eyes. “Do not expect others to share my depraved tastes.
Holly Black (The Cruel Prince (The Folk of the Air, #1))
Nice things don’t happen in storybooks,” Taryn says. “Or when they do happen, something bad happens next. Because otherwise the story would be boring, and no one would read it.
Holly Black (The Cruel Prince (The Folk of the Air, #1))
I don't want to just see someone's face; I want to know his shadow, too. —Jude
Alexandra Bracken (Never Fade (The Darkest Minds, #2))
I wasn't kind, Jude. Not to many people. Not to you. I wasn't sure if I wanted you or if I wanted you gone from my sight so that I would stop feeling as I did, which made me even more unkind. But when you were gone—truly gone beneath the waves—I hated myself as I never have before.
Holly Black (The Wicked King (The Folk of the Air, #2))
I love my parents' murderer; I suppose I could love anyone.
Holly Black (The Cruel Prince (The Folk of the Air, #1))
Yes, my great villan, my darling god. I will be as sober as a stone carving, just as soon as I can
Holly Black (The Wicked King (The Folk of the Air, #2))
You really do want me,' I say, close enough to feel the warmth of his breath as it hitches. 'And you hate it.
Holly Black (The Cruel Prince (The Folk of the Air, #1))
People go on marrying because they can't resist natural forces, although many of them may know perfectly well that they are possibly buying a month's pleasure with a life's discomfort.
Thomas Hardy (Jude the Obscure)
No, I won’t help you. No, I won’t hear you explain why I should. It really is a magical word: no. You say whatever bullshit you want and I just say no.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
I am going to keep on defying you. I am going to shame you with my defiance. You remind me that I am a mere mortal and you are a prince of Faerie. Well, let me remind you that means you have much to lose and I have nothing. You may win in the end, you may ensorcell me and hurt me and humiliate me, but I will make sure you lose everything I can take from you on the way down. I promise you this is the least of what I can do.
Holly Black (The Cruel Prince (The Folk of the Air, #1))
There you are," Cardan says as I take my place beside him. "How has the night been going for you? Mine has been full of dull conversation about how my head is going to find itself on a spike.
Holly Black (The Cruel Prince (The Folk of the Air, #1))
But kissing Locke never felt the way that kissing Cardan does, like taking a dare to run over knives, like an adrenaline strike of lightning, like the moment when you've swum too far out in the sea and there is no going back, only cold black water closing over your head.
Holly Black (The Cruel Prince (The Folk of the Air, #1))
The odd thing about ambition is this: You can acquire it like a fever, but it is not so easy to shed.
Holly Black (The Cruel Prince (The Folk of the Air, #1))
But no one came. Because no one ever does.
Thomas Hardy (Jude the Obscure)
He's flint, you're tinder.
Holly Black (The Cruel Prince (The Folk of the Air, #1))
Cardan looks at me as though he's never seen me before. He looks at me as though no one has ever spoken to him like this. Maybe no one has.
Holly Black (The Cruel Prince (The Folk of the Air, #1))
My sweet nemesis , how glad I am that you returned
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
Who am I? Who am I?” “You’re Jude St. Francis. You are my oldest, dearest friend. You’re the son of Harold Stein and Julia Altman. You’re the friend of Malcolm Irvine, of Jean-Baptiste Marion, of Richard Goldfarb, of Andy Contractor, of Lucien Voigt, of Citizen van Straaten, of Rhodes Arrowsmith, of Elijah Kozma, of Phaedra de los Santos, of the Henry Youngs. You’re a New Yorker. You live in SoHo. You volunteer for an arts organization; you volunteer for a food kitchen. You’re a swimmer. You’re a baker. You’re a cook. You’re a reader. You have a beautiful voice, though you never sing anymore. You’re an excellent pianist. You’re an art collector. You write me lovely messages when I’m away. You’re patient. You’re generous. You’re the best listener I know. You’re the smartest person I know, in every way. You’re the bravest person I know, in every way. You’re a lawyer. You’re the chair of the litigation department at Rosen Pritchard and Klein. You love your job; you work hard at it. You’re a mathematician. You’re a logician. You’ve tried to teach me, again and again. You were treated horribly. You came out on the other end. You were always you.” "And who are you?" "I'm Willem Ragnarsson. And I will never let you go.
Hanya Yanagihara (A Little Life)
You see, Jude, in life, sometimes nice things happen to good people. You don’t need to worry—they don’t happen as often as they should. But when they do, it’s up to the good people to just say ‘thank you,’ and move on, and maybe consider that the person who’s doing the nice thing gets a bang out of it as well, and really isn’t in the mood to hear all the reasons that the person for whom he’s done the nice thing doesn’t think he deserves it or isn’t worthy of it.
Hanya Yanagihara (A Little Life)
Sometimes he wakes so far from himself that he can’t even remember who he is. “Where am I?” he asks, desperate, and then, “Who am I? Who am I?” And then he hears, so close to his ear that it is as if the voice is originating inside his own head, Willem’s whispered incantation. “You’re Jude St. Francis. You are my oldest, dearest friend. You’re the son of Harold Stein and Julia Altman. You’re the friend of Malcolm Irvine, of Jean-Baptiste Marion, of Richard Goldfarb, of Andy Contractor, of Lucien Voigt, of Citizen van Straaten, of Rhodes Arrowsmith, of Elijah Kozma, of Phaedra de los Santos, of the Henry Youngs. “You’re a New Yorker. You live in SoHo. You volunteer for an arts organization; you volunteer for a food kitchen. “You’re a swimmer. You’re a baker. You’re a cook. You’re a reader. You have a beautiful voice, though you never sing anymore. You’re an excellent pianist. You’re an art collector. You write me lovely messages when I’m away. You’re patient. You’re generous. You’re the best listener I know. You’re the smartest person I know, in every way. You’re the bravest person I know, in every way. “You’re a lawyer. You’re the chair of the litigation department at Rosen Pritchard and Klein. You love your job; you work hard at it. “You’re a mathematician. You’re a logician. You’ve tried to teach me, again and again. “You were treated horribly. You came out on the other end. You were always you.
Hanya Yanagihara (A Little Life)
Time has no meaning, Love will endure..
Jude Deveraux
We were quiet on the car ride home. I turned on the radio and found a station playing "Hey Jude." It was true, I didn't want to make it bad. I wanted to take the sad song and make it better. It's just that I didn't know how.
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
He had looked at Jude, then, and had felt that same sensation he sometimes did when he thought, really thought of Jude and what his life had been: a sadness, he might have called it, but it wasn't a pitying sadness; it was a larger sadness, one that seemed to encompass all the poor striving people, the billions he didn't know, all living their lives, a sadness that mingled with a wonder and awe at how hard humans everywhere tried to live, even when their days were so very difficult, even when their circumstances were so wretched. Life is so sad, he would think in those moments. It's so sad, and yet we all do it.
Hanya Yanagihara (A Little Life)
He is the most beautiful creature I have ever seen and it's not about his face, but the life force I can see in him. It's the smile and the pure promise of everything he has to offer. Like he's saying, 'Here I am world, are you ready for so much passion and beauty and goodness and love and every other word that should be in the dictionary under the word life?' Except this boy is dead, and the unnaturalness of it makes me want to pull my hair out with Tate and Narnie and Fitz and Jude's grief all combined. It makes me want to yell at the God that I wish I didn't believe in. For hogging him all to himself. I want to say, 'You greedy God. Give him back. I needed him here.
Melina Marchetta (On the Jellicoe Road)
Cardan grins at me as though we've been great friends all our lives. I forgot how charming he can be--and how dangerous that is.
Holly Black (The Cruel Prince (The Folk of the Air, #1))
The name’s Jude Ryder, since I know you’re all but salivating like a rabid dog to know, and I don’t do girlfriends, relationships, flowers or regular phone calls. If that works for you, I think we could work out something special.
Nicole Williams (Crash (Crash, #1))
He's the one. And some thoughts once thought are very hard to unthink.
Jandy Nelson (I'll Give You the Sun)
What if I'm in charge of my own damn light switch?
Jandy Nelson (I'll Give You the Sun)
Maybe a person is just made up of a lot of people," I say. "Maybe we're accumulating these new selves all the time.
Jandy Nelson (I'll Give You the Sun)
I raise a plastic glass. “To family.” “And Faerieland,” says Taryn, raising hers. “And pizza,” says Oak. “And stories,” says Heather. “And new beginnings,” says Vivi. Cardan smiles, his gaze on me. “And scheming great schemes.” To family and Faerieland and pizza and stories and new beginnings and scheming great schemes. I can toast to that.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
I would settle for even his worst self, his cruelest trickster self, if only he could be here." -Jude Duarte
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
She's my wife," Cardan says, his voice carrying over the crowd. "The rightful High Queen of Elfhame. And most definitely not in exile.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
Never regret trusting someone. It proves you have a heart. But if he turns out to be a lying worm ... I'm not going to waste my time crying. Because I am way too fabulous for that.
Jude Watson (Beyond the Grave (The 39 Clues, #4))
You have only seen the least of what I can do.
Holly Black (The Cruel Prince (The Folk of the Air, #1))
He was home, and home was Jude.
Hanya Yanagihara (A Little Life)
You have never loved me as I love you--never--never! Yours is not a passionate heart--your heart does not burn in a flame! You are, upon the whole, a sort of fay, or sprite-- not a woman!
Thomas Hardy (Jude the Obscure)
Are you happy? he once asked Jude (they must have been drunk). I don't think happiness is for me, Jude had said at last, as if Willem had been offering him a dish he didn't want to eat. But it's for you, Willem.
Hanya Yanagihara (A Little Life)
I stand in front of my window and imagine myself a fearless knight, imagine myself a witch who hid her heart in her finger and then chopped her finger off.
Holly Black (The Cruel Prince (The Folk of the Air, #1))
Jude is my favorite of all the saints,” he says. “Patron saint of lost causes. The saint to call on when all hope is gone. The one in charge of miracles.
Jandy Nelson (I'll Give You the Sun)
Were I to die tomorrow, my soul would remember you. ~Nicholas Stafford
Jude Deveraux (A Knight in Shining Armor (Montgomery/Taggert Family, #13))
He rises from the throne. “Come, have a seat.” His voice is replete with danger, lush with menace. The flowering branches have sprouted thorns so thickly that petals are barely visible. “This is what you wanted, isn’t it?” he asks. “What you sacrificed everything for. Go on. It’s all yours.
Holly Black (The Cruel Prince (The Folk of the Air, #1))
At first I did not love you, Jude; that I own. When I first knew you I merely wanted you to love me. I did not exactly flirt with you; but that inborn craving which undermines some women's morals almost more than unbridled passion--the craving to attract and captivate, regardless of the injury it may do the man--was in me; and when I found I had caught you, I was frightened. And then--I don't know how it was-- I couldn't bear to let you go--possibly to Arabella again--and so I got to love you, Jude. But you see, however fondly it ended, it began in the selfish and cruel wish to make your heart ache for me without letting mine ache for you.
Thomas Hardy (Jude the Obscure)
Rain. Jude. Me. Kissing Stick a fork in me because I was done.
Nicole Williams (Crash (Crash, #1))
I love you, Jude.” … “And that makes me the luckiest bastard in the world.
Nicole Williams (Clash (Crash, #2))
I want to tell him that deep down each time Hannah looked at him she was grateful it was him because Jude did something that the others didn't. He came back for her.
Melina Marchetta (On the Jellicoe Road)
The next time you want to make a point,' Jude says, 'I beg you not to make it so dramatically.' His shoulder hurts, and she may be right about the iron poisoning. He certainly feels as though his head is swimming. But he smiles up at the trees, the looping electrical lines, the streaks of clouds. 'So long as you're begging,' he says.
Holly Black (How the King of Elfhame Learned to Hate Stories (The Folk of the Air, #3.5))
Nicasia's wrong about me. I don't desire to do as well in the tournament as one of the fey. I want to win. I do not yearn to be their equal. In my heart, I yearn to best them.
Holly Black (The Cruel Prince (The Folk of the Air, #1))
Guess what?' Fitz said. 'I don't know,' Jude said. 'What? Narnie smiled?' He glanced at her for the first time. 'When you guys see a Narnie smile, it's like a revelation,' Webb said, gathering her towards him. Jude stopped in front of her and, with both hands cupping her face, tried to make a smile. Narnie flinched. 'Leave her alone,' Tate said. 'I need a revelation,' Jude said. 'And you're the only one that can give me one, Narns.
Melina Marchetta (On the Jellicoe Road)
It occurs to me that Jude does this too, changes who she is depending on who she’s with. They’re like toads changing their skin color. How come I’m always just me?
Jandy Nelson (I'll Give You the Sun)
Go ahead. Insult me.” His eyebrows go up. “I don’t take commands from mortals,” he says with his customary cruel smile. “So you’re going to say something nice? I don’t think so. Faeries can’t lie.
Holly Black (The Cruel Prince (The Folk of the Air, #1))
You didn’t hear the story I told,” he goes on. “A shame. It featured a handsome boy with a heart of stone and a natural aptitude for villainy. Everything you could like.
Holly Black (How the King of Elfhame Learned to Hate Stories (The Folk of the Air, #3.5))
Sharpen your heart.
Holly Black (The Cruel Prince (The Folk of the Air, #1))
The curse is broken. The king is returned." He's every bit as terrifying as any serpent. I don't care. I run into his arms. Cardan's fingers dig into my back. He's trembling, and whether it is from ebbing magic or horror, I am not sure. But he holds me as though I am the only solid thing in the world.
Holly Black
But mostly, I missed watching you two together; I missed watching you watch him, and him watch you; I missed how thoughtful you were with each other, missed how thoughtlessly, sincerely affectionate you were with him; missed watching you listen to each other, the way you both did so intently.
Hanya Yanagihara (A Little Life)
And at that moment Jude thought something that he would never forgive himself for. He wished that he had never met any of them.
Melina Marchetta (On the Jellicoe Road)
When you lose your parents, the sadness doesn't go away. It just changes. It hits you sideways sometimes instead of head-on. Like now.
Jude Watson (In Too Deep (The 39 Clues, #6))
Remember that the best and greatest among mankind are those who do themselves no worldly good. Every successful man is more or less a selfish man. The devoted fail...
Thomas Hardy (Jude the Obscure)
And you think it was sunrise I was waiting for and not my queen. Do you not hear her footfalls? She has never quite managed the trick of hiding them as well as one of the Folk. Surely you've heard of her, Jude Duarte, who defeated the redcap Grima Mog, who brought the Court of Teeth to their knees? She's forever getting me out of scrapes. Truly, I don't know what I would do without her.
Holly Black (How the King of Elfhame Learned to Hate Stories (The Folk of the Air, #3.5))
I kissed him on the mouth, and then I threatened to kiss him some more if he didn't do exactly what I wanted.
Holly Black (The Wicked King (The Folk of the Air, #2))
Jude was good. But he let his fear and jealousy get to him." Daniel shrugged. "'Fear leads to anger. Anger leads to hate. Hate leads to the dark side.
Bree Despain (The Dark Divine (The Dark Divine, #1))
Jude. You are in no mood for games, very well. I am in no mood for them, either. Let me write it outright; You are pardoned. I revoke your banishment. I rescind my words. Come home. Come home and shout at me. Come home and fight with me. Come home and break my heart, if you must. Just come home.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
Come home and shout at me. Come home and fight with me. Come home and break my heart, if you must. Just come home. Cardan
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
But his dreams were as gigantic as his surroundings were small.
Thomas Hardy (Jude the Obscure)
Jude taught me what love was: to be willing to hold on to another person's pain. That's it.
Stephanie Oakes (The Sacred Lies of Minnow Bly)
Guard your mortal heart.
Holly Black (The Cruel Prince (The Folk of the Air, #1))
Why am I the way I am?” His tone makes it clear he’s proposing something I might suggest he ask, not really wondering about it. “There are no real answers, Jude. Why was I cruel to Folk? Why was I awful to you? Because I could be. Because I liked it. Because, for a moment, when I was at my worst, I felt powerful, and most of the time, I felt powerless, despite being a prince and the son of the High King of Faerie.
Holly Black (The Wicked King (The Folk of the Air, #2))
A woman doesn't want to be told she looks nice,' Jude nuttered as she sat down beside maud's grave. "She wants to be told she's beautiful, sexy. That she looks outrageous. It dosen't matter if its not true.' She sighed and laid the flowers against the headstone. 'Because for the moment, when the words are said and the words are heard, it's perfect truth.
Nora Roberts
Cardan is lying on the bed, bandaged and sulking, in a magnificent dressing gown. “I hate being unwell,” he says. “You’re not sick,” Jude tells him. “You are recovering from being stabbed—or rather, throwing yourself on a knife.” “You would have done the same for me,” he says airily. “I would not,” Jude snaps. “Liar,” Cardan says fondly.
Holly Black (The Prisoner’s Throne (The Stolen Heir Duology, #2))
Jude, Since I cannot imagine there is much in the human lands to interest you, I can only suppose your continued absence in Elfhame is due to me. I urge you: come be angry at a nearer distance. Cardan.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
Whoever controls the king, controls the kingdom
Holly Black (The Cruel Prince (The Folk of the Air, #1))
Jude wasn’t just my first love. He was my forever love.
Nicole Williams (Clash (Crash, #2))
Our reputations weren’t who we really were, they were who people told us we were. Some of us fell into that trap, while others fought their entire lives to break free of them. Jude was no more the bad boy with a dead end future than I was the skanky slut everyone said I was.
Nicole Williams (Crash (Crash, #1))
It doesn't matter", he murmured against my skin. His fingers traced the cuts, healing the veins beneath them. "There's only one thing that does." "What?" I whispered. He looked at me through his long,, dark lashes, with my hands still in his. "Killing Jude.
Michelle Hodkin (The Evolution of Mara Dyer (Mara Dyer, #2))
Now he got out of bed and wrapped his blanket around himself, yawning. That evening, he'd talk to Jude. He didn't know where he was going, but he knew he would be safe; he would keep them both safe. He went to the kitchen to make himself coffee, and as he did, he whispered the lines back to himself, those lines he thought of whenever he was coming home, coming back to Greene Street after a long time away - "And tell me this: I must be absolutely sure. This place I've reached, is it truly Ithaca?"- as all around him, the apartment filled with light.
Hanya Yanagihara (A Little Life)
I guess I don't see what's so insulting about being called a girl. The two of you seem to do okay when you're not biting my head off or acting like five years old.
Alexandra Bracken (Never Fade (The Darkest Minds, #2))
Vivi blows a noisemaker. “Here,” she says, passing out paper crowns for us to wear. “This is ridiculous,” I complain, but put mine on. Cardan looks at his reflection in the door of the microwave and adjusts his crown so it’s at an angle. I roll my eyes, and he gives me a quick grin.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
And the open road rolled out in front of us.
Alexandra Bracken (In the Afterlight (The Darkest Minds, #3))
Sometimes a woman's love of being loved gets the better of her conscience, and though she is agonized at the thought of treating a man cruelly, she encourages him to love her while she doesn't love him at all. Then, when she sees him suffering, her remorse sets in, and she does what she can to repair the wrong.
Thomas Hardy (Jude the Obscure)
It is painful to see someone suffering what you must be suffering- watching someone you love be so cruelly hurt.
Jude Morgan (Indiscretion)
You've got your arm on something of mine," Jude said, his eyes flashing when he looked at Sawyer.
Nicole Williams (Crash (Crash, #1))
What they don’t realize is this: Yes, they frighten me, but I have always been scared, since the day I got here. I was raised by the man who murdered my parents, reared in a land of monsters. I live with that fear, let it settle into my bones, and ignore it. If I didn’t pretend not to be scared, I would hide under my owl-down coverlets in Madoc’s estate forever. I would lie there and scream until there was nothing left of me. I refuse to do that. I will not do that.
Holly Black (The Cruel Prince (The Folk of the Air, #1))
She's looking around the forest, as though if she can prove it isn't magic, then nothing else is, either. Which is stupid. All forests are magic.
Holly Black (The Cruel Prince (The Folk of the Air, #1))
I'm not a monster, I'd told her, back when I said I would never hurt Oak. But maybe being a monster was my calling.
Holly Black (The Cruel Prince (The Folk of the Air, #1))
Jude, You are in no mood for games. Very well. I am in no mood for them, either. Let me write it outright: you are pardoned. I revoke your banishment. I rescind my words. Come home. Come home and shout at me. Come home and fight with me. Come home and break my heart, if you must. Just come home. Cardan
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
Jude, Not even responding to my missives is ridiculous and beneath you and I hate it. Cardan
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
Somebody might have come along that way who would have asked him his trouble, and might have cheered him by saying that his notions were further advanced than those of his grammarian. But nobody did come, because nobody does; and under the crushing recognition of his gigantic error Jude continued to wish himself out of the world.
Thomas Hardy (Jude the Obscure)
You think I don’t deserve him,” I say to Cardan. He smiles slowly, like the moon slipping beneath the waves of the lake. “Oh no, I think you’re perfect for each other.
Holly Black (The Cruel Prince (The Folk of the Air, #1))
I may do some good before I am dead--be a sort of success as a frightful example of what not to do; and so illustrate a moral story.
Thomas Hardy (Jude the Obscure)
Whoa,” a stunned voice said, whistling a row below me. “You’re the girl Jude Ryder’s going to marry and make baby superheroes with?
Nicole Williams (Clash (Crash, #2))
I swear that man swaggers in his sleep,” “Yeah, but Jude’s swagger is justified, not manipulated. He moves with that strut because he knows how to make a woman throw her head back in bed. And he knows it.
Nicole Williams (Clash (Crash, #2))
This is what I want: I want to grab my brother's hand and run back through time, losing years like coats falling from our shoulders.
Jandy Nelson (I'll Give You the Sun)
Jude remembered this pain. Every woman had felt some version of it: the end of first love. It was when you learned, for good and always, that love could be impermanent.
Kristin Hannah (Night Road)
Jude was down there. He was down there. And the last place I would ever leave Jude was alone in the dark.
Alexandra Bracken (Never Fade (The Darkest Minds, #2))
It's you I love," he says. "I spent much of my life guarding my heart. I guarded it so well that I could behave as though I didn't have one at all. Even now, it is a shabby, worm-eaten, and scabrous thing. But it is yours.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
Vivi is right; it cost me something to be the way I am. But I do not know what. And I don't know if I can get it back. I don't even know if I want it.
Holly Black (The Cruel Prince (The Folk of the Air, #1))
Als die Nazis die Kommunisten holten, habe ich geschwiegen; ich war ja kein Kommunist. Als sie die Sozialdemokraten einsperrten, habe ich geschwiegen; ich war ja kein Sozialdemokrat. Als sie die Gewerkschafter holten, habe ich nicht protestiert; ich war ja kein Gewerkschafter. Als sie die Juden holten, habe ich geschwiegen; ich war ja kein Jude. Als sie mich holten, gab es keinen mehr, der protestierte.
Martin Niemöller
I wonder if it is exhausting to be a tree. To lose something, year after year, only to trust that it will someday grow back" -Jude
Jasmine Warga (Other Words for Home)
Have I told you how hideous you look tonight?' Cardan asks, leaning back in the elaborately carved chair, the warmth of his words turning the question in to something like a compliment. 'No,' I say, glad to be annoyed back in to the present. 'Tell me.' 'I cannot,' he says, then frowns.
Holly Black (The Cruel Prince (The Folk of the Air, #1))
Hey Jude, don't make it bad, take a sad song and make it better.
The Beatles
Mom told me that love is like a seed. You've got to plant it to grow. But that's not all. You need to water it. The sun needs to shine enough, but not too much. The roots have to take hold," he continued, narrowing his eyes in concentration. "And from there, if it pops its head above the surface, there are about a million things that could kill it, so it takes a whole lot of luck too.
Nicole Williams (Clash (Crash, #2))
It is presumptuous to draw conclusions about a person from what one has heard
Jude Morgan (Indiscretion)
I would speak with Oak for a moment,” Cardan says. “Alone.” Jude looks surprised but then shrugs. “I’ll be outside, yelling at people.” “Try not to enjoy it too greatly,” says Cardan as she goes out.
Holly Black (The Prisoner’s Throne (The Stolen Heir Duology, #2))
But Jude,' she would say, 'you knew me. All those days and years, Jude, you knew me. My ways and my hands and how my stomach folded and how we tried to get Mickey to nurse and how about that time when the landlord said...but you said...and I cried, Jude. You knew me and had listened to the things I said in the night, and heard me in the bathroom and laughed at my raggedy girdle and I laughed too because I knew you too, Jude. So how could you leave me when you knew me?
Toni Morrison (Sula)
I am not sure I sleep, but I do dream.
Holly Black (The Wicked King (The Folk of the Air, #2))
I know there's still good in you, Jude," I whispered. "You were always such a saint...and now you're lost. But you're still my brother.
Bree Despain (The Lost Saint (The Dark Divine, #2))
Better she never be a bride than wind up a widow
Holly Black (The Wicked King (The Folk of the Air, #2))
You are Joseph the dreamer of dreams, dear Jude. And a tragic Don Quixote. And sometimes you are St. Stephen, who, while they were stoning him, could see Heaven opened. Oh, my poor friend and comrade, you'll suffer yet!
Thomas Hardy (Jude the Obscure)
You can break a man with hope.
Kate Morgenroth (Jude)
Do you remember the time you told me you were afraid that you were a series of nasty surprises for me?” he asks him, and Jude nods, slightly. “You aren’t,” he tells him. “You aren’t. But being with you is like being in this fantastic landscape,” he continues, slowly. “You think it’s one thing, a forest, and then suddenly it changes, and it’s a meadow, or a jungle, or cliffs of ice. And they’re all beautiful, but they’re strange as well, and you don’t have a map, and you don’t understand how you got from one terrain to the next so abruptly, and you don’t know when the next transition will arrive, and you don’t have any of the equipment you need. And so you keep walking through, and trying to adjust as you go, but you don’t really know what you’re doing, and often you make mistakes, bad mistakes. That’s sometimes what it feels like.
Hanya Yanagihara (A Little Life)
Is that one of your go to lines when a girl asks for something more than a twenty-four hour Jude furlough?" Tapping the back of the wall with his heel, he looked down the hall. "No, that's what I answer when a girl I'm falling hard for, the only girl I've fallen hard for, wants to be in a relationship with someone like me.
Nicole Williams (Crash (Crash, #1))
He cuts his gaze toward his unpredictable, mortal High Queen, whose wild brown hair is blowing around her face, whose amber eyes are alight when she looks at him. They are two people who ought to have, by all rights, remained enemies forever. He can't believe his good fortune, can't trace the path that got him here.
Holly Black (How the King of Elfhame Learned to Hate Stories (The Folk of the Air, #3.5))
It's an odd thing about love. When someone you love cries, your heart melts. But when someone you don't love cries, you look at them and think, Why are you telling 'me' this?
Jude Deveraux (Wild Orchids)
He steps back, still looking. In the painting, Willem's torso is directed toward the viewer, but his face is turned to the right so that he is almost in profile, and he is leaning towards something or someone and smiling. And because he knows Willem's smiles, he knows that Willem has been captured looking at something he loves, he knows Willem in that instant is happy. Willem's face and neck dominate the canvas and although the background is suggested rather than shown, he knows that Willem is at their table. He knows it from the way that JB has drawn the light and shadows on Willem's face. He has the sense that if he says Willem's name that the face in the painting will turn toward him and answer; he has the sense that if he stretches his hand out and strokes the canvas he will feel beneath his fingertips Willem's hair, his fringe of eyelashes. But he doesn't do this, of course, just looks up at last and sees JB smiling at him, sadly. "The title card's been mounted already," JB says, and he goes slowly to the wall behind the painting and sees its title - "Willem Listening to Jude Tell a Story, Greene Street"-and he feels his beneath abandon him; it feels as if his heart is made of something oozing and cold, like ground meat, and it is being squeezed inside a fist so that chunks of it are falling, plopping to the ground near his feet.
Hanya Yanagihara (A Little Life)
You concede nothing to me and I have to concede everything to you.
Thomas Hardy (Jude the Obscure)
What about you?" I kept my voice carefully indifferent. He flashed me a cold smile, sharp at the edges. "Worried about me?" Because I couldn't think of anything snide to say, I stuck my tongue out at him. Jude wagged his head. "More tongue exercises? Would have thought you'd had enough last night." "Go to hell." "Sorry, love, but we're already there.
Becca Fitzpatrick (Black Ice)
Cardan gazes at a rosebush with petals so black and glossy they look like patent leather. ¨It was terrifying,¨ he says, ¨watching you fall. I mean, you´re generally terrifying, but I am unused to fearing for you. And then I was furious. I am not sure I have ever been that angry before.¨ ¨Mortals are fragile,¨ I say. ¨Not you,¨ he says in a way that sounds a little like a lament. ¨You never break.¨ Page 159
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
You cannot believe everything you hear
Jude Morgan (Indiscretion)
Ah! A lady of mystery! My very favorite kind.
Holly Black (The Cruel Prince (The Folk of the Air, #1))
What I want is him back, him standing beside me, him laughing at all this. I would settle for even his worst self, his cruellest trickster self, if only he could be here.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
That it doesn't matter why I ran," he said, staring at me without blinking, "because I came back. I'll always come back, Luce. No matter how many rip-roaring fights we have and no matter how many miscommunications we have. I'll always come back because you're where I belong.
Nicole Williams (Crush (Crash, #3))
But I can't pretend that I don't like the sound of him screaming my name.
Holly Black (The Stolen Heir (The Stolen Heir Duology, #1))
Teach me to live, that I may dread The grave as little as my bed. Teach me to die…
Thomas Hardy (Jude the Obscure)
Just because I am bitter about romance doesn't mean everyone else needs to be.
Holly Black (The Wicked King (The Folk of the Air, #2))
You could still be lying,” says the Roach. He turns to Cardan. “Try her.” “Your pardon?” Cardan says, drawing himself up, and the Roach seems to suddenly remember to whom he’s speaking in such an offhanded way. “Don’t be such a prickly rose, Your Majesty,” the Roach says with a shrug and a grin. “I’m not giving you an order. I’m suggesting that if you tried to glamour Jude, we could find out the truth.” Cardan sighs and walks toward me. I know this is necessary. I know that he doesn’t intend to hurt me. I know he can’t glamour me. And yet I draw back automatically. “Jude?” he asks. “Go ahead,” I say. I hear the glamour enter his voice, heady and seductive and more powerful than I expected. “Crawl to me,” he says with a grin. Embarrassment pinks my cheeks. I stay where I am, looking at all their faces. “Satisfied?” The Bomb nods. “You’re not charmed.
Holly Black (The Wicked King (The Folk of the Air, #2))
This is us. Our pose. The smush. It’s even how we are in the ultrasound photo they took of us inside Mom and how I had us in the picture Fry ripped up yesterday. Unlike most everyone else on earth, from the very first cells of us, we were together, we came here together. This is why no one hardly notices that Jude does most of the talking for both of us, why we can only play piano with all four of our hands on the keyboard and not at all alone, why we can never do Rochambeau because not once in thirteen years have we chosen differently. It’s always: two rocks, two papers, two scissors. When I don’t draw us like this, I draw us as half-people.
Jandy Nelson (I'll Give You the Sun)
There are no new stories. It all depends on how you handle them. In romances the characters are going to fall in love with each other; you know that when you see the syrupy cover. It's how get there that's the fun.
Jude Deveraux
Harden your heart.
Holly Black (The Cruel Prince (The Folk of the Air, #1))
We ought to have lived in mental communion, and no more.
Thomas Hardy (Jude the Obscure)
Waiting for Prince Charming?" "Aren't all women? And you're waiting for Cinderella." "Actually," Jared said slowly, "I'm rather hoping to find the Evil Queen. I think she'd be much more fun.
Jude Deveraux (True Love (Nantucket Brides, #1))
JUDE JUDE JUDE JUDE JUDE JUDE JUDE JUDE JUDE JUDE JUDE JUDE JUDE JUDE JUDE JUDE JUDE JUDE JUDE JUDE JUDE JUDE JUDE JUDE JUDE JUDE JUDE JUDE JUDE JUDE JUDE JUDE JUDE JUDE JUDE JUDE JUDE JUDE JUDE JUDE JUDE JUDE JUDE JUDE JUDE JUDE JUDE JUDE JUDE JUDE JUDE JUDE JUDE JUDE JUDE JUDE JUDE JUDE JUDE JUDE JUDE JUDE JUDE JUDE JUDE JUDE JUDE JUDE JUDE JUDE JUDE JUDE JUDE JUDE JUDE JUDE JUDE JUDE JUDE JUDE JUDE JUDE JUDE JUDE JUDE JUDE JUDE JUDE JUDE JUDE JUDE JUDE JUDE JUDE JUDE JUDE JUDE JUDE JUDE JUDE JUDE JUDE JUDE JUDE JUDE JUDE JUDE JUDE JUDE JUDE JUDE JUDE JUDE JUDE JUDE JUDE JUDE JUDE JUDE JUDE JUDE JUDE JUDE JUDE JUDE JUDE JUDE JUDE JUDE JUDE JUDE JUDE JUDE PLEASE JUDE
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
Go ahead. Insult me." His eyebrows go up. "I don't take commands from mortals," he says with his customary cruel smile.
Holly Black (The Cruel Prince (The Folk of the Air, #1))
Jude," I said, biting my lip. "I just can't. I can't do this." His expression darkened. "I know I don't deserve a second, or third, or whatever the hell this is chance, but you and I have something special, Luce, and you know it. Give me another chance, one more chance, and I'll walk a line so straight people will think I've been possessed." God I wanted to look away from those eyes, but I just couldn't. They were impossible to ignore. "One more chance. Not because I deserve it, but because we deserve one.
Nicole Williams (Crash (Crash, #1))
Wouldn't. Think. About. Ian.
Jude Watson (In Too Deep (The 39 Clues, #6))
The mad sometimes drilled holes in their own heads to let the demons out. To relieve the pressure of thoughts they could no longer bear. Jude understood the impulse. Each beat of his heart was a fresh and staggering blow felt in the nerves behind his eyes and in his temples. Punishing evidence of life.
Joe Hill (Heart-Shaped Box)
--the ethereal, fine-nerved, sensitive girl, quite unfitted by temperament and instinct to fulfil the conditions of the matrimonial relation with Phillotson, possibly with scarce any man...
Thomas Hardy (Jude the Obscure)
Ruby, what does the future look like?” Nico asked. “I can’t picture it. I try all the time, but I can’t imagine it. Jude said it looked like an open road just after a rainstorm.” I turned back toward the board, eyes tracing those eight letters, trying to take their power away; change them from a place, a name, to just another word. Certain memories trap you; you relive their thousand tiny details. The damp, cool spring air, swinging between snow flurries and light rain. The hum of the electric fence. The way Sam used to let out a small sigh each morning we left the cabin. I remembered the path to the Factory the way you never forgot the story behind a scar. The black mud would splatter over my shoes, momentarily hiding the numbers written there. 3285. Not a name. You learned to look up, craning your neck back to gaze over the razor wire curled around the top of the fence. Otherwise, it was too easy to forget that there was a world beyond the rusting metal pen they’d thrown all of us animals into. “I see it in colors,” I said. “A deep blue, fading into golds and reds—like fire on a horizon. Afterlight. It’s a sky that wants you to guess if the sun is about to rise or set.” Nico shook his head. “I think I like Jude’s better.” “Me too,” I said softly. “Me too.
Alexandra Bracken (In the Afterlight (The Darkest Minds, #3))
What takes more guts? To fight for your own life at any cost—or prove that you're willing to lose it?
Kirsten Miller (How to Lead a Life of Crime)
Let's hope it doesn't come to that," Ian put in. "Just fridge yourselves, as Jonah says." "Dude," Dan said. "Do you mean chill?" "Precisely. Just what I said.
Jude Watson (A King's Ransom (The 39 Clues: Cahills vs. Vespers, #2))
No expectations mean there is no risk of disappointment.
Jude Morgan (Indiscretion)
He had tried to explain the way he felt to Danny once, about compulsive behavior and time rushing too fast and the Internet and drugs. Danny had only lifted one of his slender, mobile eyebrows and stared at him in smirking confusion. Danny did not think coke and computers were anything alike. But Jude had seen the way people hunched over their screens, clicking the refresh button again and again, waiting for some crucial if meaningless hit of information, and he thought it was almost exactly the same.
Joe Hill (Heart-Shaped Box)
...it is foreign to a man's nature to go on loving a person when he is told that he must and shall be that person's lover. There would be a much likelier chance of his doing it if he were told not to love. If the marriage ceremony consisted in an oath and signed contract between the parties to cease loving from that day forward, in consideration of personal possession being given, and to avoid each other's society as much as possible in public, there would be more loving couples than there are now. Fancy the secret meetings between the perjuring husband and wife, the denials of having seen each other, the clambering in at bedroom windows, and the hiding in closets! There'd be little cooling then.
Thomas Hardy (Jude the Obscure)
One hesitates to open a new chapter when the old one is not resolved.
Jude Morgan (Indiscretion)
Done because we are too many.
Thomas Hardy
Get down here before you’re recognized.” “Playing hide-and-seek under the table? Crouching in the dirt? Typical of your kind, but far beneath my dignity.” He laughs unsteadily, like he expects I am going to laugh, too. I don’t. I ball up my fist and punch him in the stomach, right where I know it will hurt. He staggers to his knees. The goblet drops to the dirt, making a hollow clanking sound. “Ow!” he shouts, and lets me tug him under the table.
Holly Black (The Cruel Prince (The Folk of the Air, #1))
We women aren't good at hints. We like solid declarations of love and forever.
Jude Deveraux (True Love (Nantucket Brides, #1))
I don't want to imagine meadows, I want to run through them
Jandy Nelson (I'll Give You the Sun)
I hate you," I breathe into his mouth. "I hate you so much that sometimes I can't think of anything else.
Holly Black (The Cruel Prince / The Wicked King / The Queen of Nothing (The Folk of the Air, #1-3))
Baby, football isn't my dream" he said, kissing my forehead. "You are".
Nicole Williams (Crush (Crash, #3))
I would rather die then try to live without you”, “May you always love me and want me but never have me”, “May you never love anyone but me”.
Jude Deveraux
To assume is to presume.
Jude Morgan (Indiscretion)
¨Clap her in chains,¨ Says Randalin. I feel a guards hand close on my arm. Then Cardans voice comes. ¨Do not touch her. She is my wife,¨ Cardan says, his voice carrying over the crowd. ¨The rightful High Queen of Elfhame. And most definitely not in exile.¨ Page 147
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
...if this Roman dude’s as bad as you say, then why are you lurking outside his store looking all charged and heated like a dog waiting for its owner?
Alyson Noel (Dark Flame (The Immortals, #4))
What kind of wedding do you want?" "The one with a groom.
Jude Deveraux (True Love (Nantucket Brides, #1))
Sorry' doesn't mean anything when you can't promise not to do it again
Michelle Hodkin (The Retribution of Mara Dyer (Mara Dyer, #3))
Women are so strange in their influence that they tempt you to misplaced kindness.
Thomas Hardy (Jude the Obscure)
¨Yes, my sweet villain, my darling god. I will be as sober as a stone carving, just as soon as I can.¨ And with that, he kisses me on the mouth. I feel a cacophony of things at once. Page 284
Holly Black (The Wicked King (The Folk of the Air, #2))
Have I ever told you how much you sound like Madoc when you talk about murder?” Cardan said, opening one eye. “Because you do.” Oak expected his sister to be angry, but she only laughed. “That must be what you like about me.” “That you’re terrifying?” he asked, his drawl becoming exaggeratedly languorous, almost a purr. “I adore it.” She leaned against him, resting her head on his shoulder, and closed her eyes. The king’s arms came around her, and she shivered once, as though letting something fall away.
Holly Black (The Prisoner’s Throne (The Stolen Heir Duology, #2))
If you look in the face of evil, evil's gonna look right back at you.
Sister Jude
Will you give me another chance?” Robert repeated. Smiling, Dougless kissed him on the cheek. “No,” she said, “although I thank you very much for the offer.
Jude Deveraux (A Knight in Shining Armor (Montgomery/Taggert Family, #13))
Be a good boy, remember; and be kind to animals and birds, and read all you can.
Thomas Hardy (Jude the Obscure)
Luce," Jude said, unfurling the blanket cinched around me, grabbing my hands when he pulled them free, "you're my girl. The girl." To join the other emotions flashing over over his face, a trace of pain did as well. "When I look at Adriana, or any other girl for that matter, that's all I see. Some other girl who isn't my girl. I don't see them, Luce. I see you," he continued, his skin lining between his brows. "I've only ever seen you.
Nicole Williams (Clash (Crash, #2))
How do you say yoo-hoo in Arabic?" "I believe that yoo-hoo could be part of a universal language," Dan said. "Like ow. Or- you're stepping on my foot." "That's universal?" "No, you're stepping on my foot. Ow." Amy moved.
Jude Watson (Beyond the Grave (The 39 Clues, #4))
You put a curse on that girl over there,” I tell him. “Fix her immediately.” “She admired my ears,” the boy says. “I was only giving her what she desired. A party favor.” “That’s what I am going to say after I gut you and use your entrails as streamers,” I tell him. “I was only giving him what he wanted. After all, if he didn’t want to be eviscerated, he would have honored my very reasonable request.
Holly Black (The Wicked King (The Folk of the Air, #2))
I missed you," I whisper against his skin and feel dizzy with the intimacy of the admission, feel more naked than when he could see every inch of me. "In the mortal world, when I thought you were my enemy, I still missed you." "My sweet nemesis, how glad I am that you returned." He pulls my body against his, cradling my head against his chest. We are still lying on the floor, although a perfectly good bed is right next to us.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
Tell me again what you said at the revel," he says, climbing over me, his body against mine. "What?" I can barely think. "That you hate me," he says, his voice hoarse. "Tell me that you hate me." "I hate you," I say, the words coming out like a caress. I say it again, over and over. A litany. An enchantment. A ward against what I really feel. "I hate you. I hate you. I hate you." He kisses me harder. "I hate you," I breathe into his mouth. "I hate you so much that sometimes I can't think of anything else.
Holly Black (The Wicked King (The Folk of the Air, #2))
He closes his eyes. When he opens them, he releases my hand and turns so I cant see his face. ¨I can see why you thought what you did. I suppose I am not an easy person to trust. And maybe I ought not to be trusted, but let me say this: i trust you.¨ Page 162
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
And yet he sometimes wondered if he could ever love anyone as much as he loved Jude. It was the fact of him, of course, but also the utter comfort of life with him, of having someone who had known him for so long and who could be relied upon to always take him as exactly who he was on that particular day. His work, his very life, was one of disguises and charades. Everything about him and his context was constantly changing: his hair, his body, where he would sleep that night. He often felt he was made of something liquid, something that was being continually poured from bright-colored bottle to bright-colored bottle, with a little being lost or left behind with each transfer. But his friendship with Jude made him feel that there was something real and immutable about who he was, that despite his life of guises, there was something elemental about him, something that Jude saw even when he could not, as if Jude's very witness of him made him real.
Hanya Yanagihara (A Little Life)
He's charmed by her as if she were some fairy!" continued Arabella. "See how he looks round at her, and lets his eyes rest on her. I am inclined to think that she don't care for him quite so much as he does for her. She's not a particular warm-hearted creature to my thinking, though she cares for him pretty middling much-- as much as she's able to; and he could make her heart ache a bit if he liked to try--which he's too simple to do.
Thomas Hardy (Jude the Obscure)
I think of Madoc, dozing away upstairs, all his dreams of murder. I think of Oriana and Oak being forced apart for years. I think of Cardan and how he will hate me. I think of what it means to make myself the villain of the piece. "For the next full minute, I command you not to move," I whisper back.
Holly Black (The Cruel Prince (The Folk of the Air, #1))
¨But i am going to take out her stitches, and I dont think youd want to watch that.¨ ¨Oh I dont know,¨ I say. ¨Maybe he´d like to hear me scream.¨ ¨I would,¨ Cardan says, standing. ¨And perhaps one day I will.¨ On his way out, his hand goes to my hair. A light touch, barely there, and then gone. Page 166
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
The Roach shakes his head. “I can learn from Jude’s example, though. I can ask for a promise. If we’re spotted, if we’re set upon, promise to go back to Elfhame immediately. You must do everything in your power to get to safety, no matter what.” Cardan glances toward me, as though for help. When I am silent, he frowns, annoyed with both of us. “Although I am wearing the cloak Mother Marrow made me, the one that will turn any blade, I still promise to run, tail between my legs. And since I have a tail, that should be amusing for everyone. Are you satisfied?
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
They are quiet for a long time. “Do you remember the time you told me you were afraid that you were a series of nasty surprises for me?” he asks him, and Jude nods, slightly. “You aren’t,” he tells him. “You aren’t. But being with you is like being in this fantastic landscape,” he continues, slowly. “You think it’s one thing, a forest, and then suddenly it changes, and it’s a meadow, or a jungle, or cliffs of ice. And they’re all beautiful, but they’re strange as well, and you don’t have a map, and you don’t understand how you got from one terrain to the next so abruptly, and you don’t know when the next transition will arrive, and you don’t have any of the equipment you need. And so you keep walking through, and trying to adjust as you go, but you don’t really know what you’re doing, and often you make mistakes, bad mistakes. That’s sometimes what it feels like.” They’re silent. “So basically,” Jude says at last, “basically, you’re saying I’m New Zealand.
Hanya Yanagihara (A Little Life)
He had looked at Jude, then, and had felt the same sensation he sometimes did when he thought, really thought of Jude and what his life had been: a sadness, he might have called it, but is wasn't a pitying sadness; it was a larger sadness, one that seemed to encompass all the poor striving people, the billions he didn't know, all living their lives, a sadness that mingled with a wonder and awe at how hard humans everywhere tried to live, even when their days were so very difficult, even when their circumstances were so wretched. Life is so sad, he would think in these moments. It's so sad, and yet we all do it. We all cling to it; we all search for something to give us solace.
Hanya Yanagihara (A Little Life)
He steps back, still looking. In the painting, Willem’s torso is directed toward the viewer, but his face is turned to the right so that he is almost in profile, and he is leaning toward something or someone and smiling. And because he knows Willem’s smiles, he knows Willem has been captured looking at something he loves, he knows Willem in that instant was happy. Willem’s face and neck dominate the canvas, and although the background is suggested rather than shown, he knows that Willem is at their table; he knows it from the way JB has drawn the light and shadows on Willem’s face. He has the sense that if he says Willem’s name, the face in the painting will turn toward him and answer; he has the sense that if he stretches his hand out and strokes the canvas, he will feel beneath his fingertips Willem’s hair, his fringe of eyelashes. But he doesn’t do this, of course, just looks up at last and sees JB smiling at him, sadly. “The title’s card’s been mounted already,” JB says, and he goes slowly to the wall behind the painting and sees its title—Willem Listening to Jude Tell a Story, Greene Street—and he feels his breath abandon him; it feels as if his heart is made of something oozing and cold, like ground meat, and it is being squeezed inside a fist so that chunks of it are falling, plopping to the ground near his feet.
Hanya Yanagihara (A Little Life)
The beggarly question of parentage--what is it, after all? What does it matter, when you come to think of it, whether a child is yours by blood or not? All the little ones of our time are collectively the children of us adults of the time, and entitled to our general care. That excessive regard of parents for their own children, and their dislike of other people's, is, like class-feeling, patriotism, save-your-own-soul-ism, and other virtues, a mean exclusiveness at bottom.
Thomas Hardy (Jude the Obscure)
I hate you," I whisper before he can speak. He tilts my face to his. "Say it again," he says as the imps comb my hair and place the ugly, stinking crown on my head. His voice is low. The words are for me alone. I pull out of his grip, but not before I see his expression. He looks as he did when he was forced to answer my questions, when he admitted his desire for me. He looks as though he's confessing.
Holly Black (The Wicked King (The Folk of the Air, #2))
To the High Queen of Elfhame, Above me is the same silvery moon that shines down on you. Looking at it makes me recall the glint of your blade pressed against my throat and other romantic moments. I do not know what keeps you from returning to the High Court—whether it is vexation with me, or whether, having spent time in the mortal world, you have come to believe that a life free of the Folk is better than one ruling over them. In my most wretched hours, I believe you will never come back. Why would you, save for your ambition? You have always known exactly what I am and seen all my failings, all my weaknesses and scars. I flattered myself that at moments you had feelings for me other than contempt, but even were that true, they would be but watered wine beside the feast of your other, greater desires. And yet my heart is buried with you in the strange soil of the mortal world, as it was drowned with you in the cold waters of the Undersea. It was yours before I could admit it, and yours it shall ever remain. Cardan
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
She's never asked for a drawing before. I'm horrible at giving them away. 'For the sun, stars, oceans, and all the trees, I'll consider it,' I say, knowing she'll never agree. She knows how badly I want the sun and trees. We've been dividing up the world since we were five. I'm kicking butt at the moment - universe domination is within my grasp for the first time. 'Are you kidding?' she says, standing up straight. It annoys me how tall she's getting. It's like she's being stretched at night. 'That leaves me just the flowers, Noah.' Fine, I think. She'll never do it. It's settled, but it isn't. She reaches over and props up the pad, gazing at the portrait like she's expecting the English guy to speak to her. 'Okay,' she says. 'Trees, stars, oceans. Fine.' 'And the sun, Jude.' 'Oh, all right," she says, totally surprising me. 'I'll give you the sun.
Jandy Nelson (I'll Give You the Sun)
That night, before bed, he goes first to Willem's side of the closet, which he has still not emptied. Here are Willem's shirts on their hangers, and his sweaters on their shelves, and his shoes lined up beneath. He takes down the shirt he needs, a burgundy plaid woven through with threads of yellow, which Willem used to wear around the house in the springtime, and shrugs it on over his head. But instead of putting his arms through its sleeves, he ties the sleeves in front of him, which makes the shirt look like a straitjacket, but which he can pretend—if he concentrates—are Willem's arms in an embrace around him. He climbs into bed. This ritual embarrasses and shames him, but he only does it when he really needs it, and tonight he really needs it.
Hanya Yanagihara (A Little Life)
That mercy towards one set of creatures was cruelty towards another sickened his sense of harmony. As you got older, and felt yourself to be at the center of your time, and not at a point in its circumference, as you had felt when you were little, you were seized with a sort of shuddering, he perceived. All around you there seemed to be something glaring, garish, rattling, and the noises and glares hit upon the little cell called your life, and shook it, and warped it.
Thomas Hardy (Jude the Obscure)
But my attention’s elsewhere, drawn to that warm wonderful pull, the familiar loving essence that only belongs to one person—only belongs to him— Watching as Damen cuts through the water, board tucked under his arm, body so sculpted, so bronzed, Rembrandt would weep. Water sluicing behind him like a hot knife through butter, cleanly, fluidly, as though parting the sea. My lips part, desperate to speak, to call out his name and bring him back to me. But just as I’m about to, my eyes meet his and I see what he sees: me—hair tangled and wet—clothes twisted and clinging—frolicking in the ocean on a hot sunny day with Jude’s tanned strong arms still wrapped around me. I release myself from Jude’s grip, but it’s too late. Damen’s already seen me. Already moved on. Leaving me hollow, breathless, as I watch him retreat. No tulips, no telepathic message, just a sad, empty void left behind in his place.
Alyson Noel (Shadowland (The Immortals, #3))
But then again, he would think, what about his life- and about Jude's life, too- wasn't it a miracle? He should have stayed in Wyoming, he should have been a ranch hand himself. Jude should have wound up - where? In prison, or in a hospital, or dead, or worse. But they hadn't. Wasn't it a miracle that someone who was basically unexceptional could life a life in which he made millions pretending to be other people, that in that life that person would fly from city to city, would spend his days having his every need fulfilled, working in which he was treated like the potentate of a small, corrupt country? Wasn't it a miracle to be adopted at thirty, to find people who loved you so much that they wanted to call you their own? Wasn't it a miracle to have survived the unsurvivable?Wasn't friendship its own miracle, the finding of another person who made the entire lonely world seem somehow less lonely? Wasn't this house, this beauty, this comfort, this life a miracle?
Hanya Yanagihara (A Little Life)
What was it like?" I ask. "Being a serpent." He hesitates. "It was like being trapped in the dark," he says. "I was alone, and my instinct was to lash out. I was perhaps not entirely an animal, but neither was I myself. I could not reason. There was only feelings--hatred and terror and the desire to destroy." I start to speak, but he stops me with a gesture. "And you." He looks at me, his lips curving in something that's not quite a smile; it's more and less than that. "I knew little else, but I always knew you." And when he kisses me, I feel as though I can finally breathe again.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
I have no fear of men, as such, nor of their books. I have mixed with them--one or two of them particularly-- almost as one of their own sex. I mean I have not felt about them as most women are taught to feel--to be on their guard against attacks on their virtue; for no average man-- no man short of a sensual savage--will molest a woman by day or night, at home or abroad, unless she invites him. Until she says by a look 'Come on' he is always afraid to, and if you never say it, or look it, he never comes.
Thomas Hardy (Jude the Obscure)
You'd think the very thought of a romance writer would bring a smile to people's lips. Ah, how nice. Love. Making love. Laughter. Kissing. But no, the world is upside down as far as I can see, and romances and their writers are ridiculed, hisses and generally spat upon. For what reason? One of my favorites is that women who read them might get mixed up about reality and imagine a man is going to rescue them from Life. According to this theory, women are so stupid that they can't tell a story from reality. Is anyone worried that the MEN who read spy thrillers are going to go after their neighbors with an automatic weapon? No, I don't remember anyone thinking that. Nor do I remember anyone worrying about murder mysteries or science fiction. It just seems to be dumb ol' women who might think some gorgeous, thoughtful, giving hunk is going to rescue them. Honey, if any woman thought a gorgeous hunk was going to rescue her, romance novels wouldn’t be forty percent of the publishing industry.
Jude Deveraux (Remembrance)
It is a difficult question, my friends, for any young man-- that question I had to grapple with, and which thousands are weighing at the present moment in these uprising times-- whether to follow uncritically the track he finds himself in, without considering his aptness for it, or to consider what his aptness or bent may be, and re-shape his course accordingly. I tried to do the latter, and I failed. But I don't admit that my failure proved my view to be a wrong one, or that my success would have made it a right one; though that's how we appraise such attempts nowadays--I mean, not by their essential soundness, but by their accidental outcomes. If I had ended by becoming like one of these gentlemen in red and black that we saw dropping in here by now, everybody would have said: 'See how wise that young man was, to follow the bent of his nature!' But having ended no better than I began they say: 'See what a fool that fellow was in following a freak of his fancy!
Thomas Hardy (Jude the Obscure)
I turn away from him and walk, swiftly and completely directionless through the garden. He runs after me, grabbing my arm. I haul around and slap him. Its a stinging blow, smearing the gold on his cheekbone and causing his skin to redden. We stare at each other for long moments, breathing hard. His eyes are bright with something entirely different from anger. I am in over my head. I am drowning. ¨I didnt mean to hurt you.¨ He grabs my hand,possibly to keep me from hitting him again. Our fingers lace together. ¨No, it not that, not exactly. I didnt think I could hurt you. And i never thought you would be afraid of me.¨ ¨And did you like it?¨"I ask. He looks away from me then, and I have my answer. Maybe he doesnt want to admit to that impulse, but he has it. ¨Well, I was hurt, and yes, you scare me.¨ Even as I am speaking, I wish I could snatch back the words. Perhaps it is exhaustion or having been so close to death, but the truth pours out of me in a devastating rush. ¨You´ve always scared me. You gave me every reason to fear your capriciousness and your cruelty. I was afraid of you even when you were tied to that chair in the court of shadows. I was afraid of you when i had a knife to your throat. And i am scared of you now.¨ Cardan looks more suprised then he did when I slapped him. He was always a symbol of everything about Elfhame that I couldnt have, everything that would never want me. And telling him this feels a little like throwing off a heavy weight, except that weight is supposed to be my armor, and without it, I am afraid I am going to be entirely exposed. But i keep talking anyway, as though I no longer have control of my tongue. ¨You despised me. When you said you wanted me, it felt like the world has turned upside down. Page 160-161
Holly Black (The Queen of Nothing (The Folk of the Air, #3))