Roots And Wings Quotes

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The greatest gifts you can give your children are the roots of responsibility and the wings of independence.
Denis Waitley
Give the ones you love wings to fly, roots to come back and reasons to stay.
Dalai Lama XIV
When love beckons to you follow him, Though his ways are hard and steep. And when his wings enfold you yield to him, Though the sword hidden among his pinions may wound you. And when he speaks to you believe in him, Though his voice may shatter your dreams as the north wind lays waste the garden. For even as love crowns you so shall he crucify you. Even as he is for your growth so is he for your pruning. Even as he ascends to your height and caresses your tenderest branches that quiver in the sun, So shall he descend to your roots and shake them in their clinging to the earth...... But if in your fear you would seek only love's peace and love's pleasure, Then it is better for you that you cover your nakedness and pass out of love's threshing-floor, Into the seasonless world where you shall laugh, but not all of your laughter, and weep, but not all of your tears. Love gives naught but itself and takes naught but from itself. Love possesses not nor would it be possessed; For love is sufficient unto love. And think not you can direct the course of love, if it finds you worthy, directs your course. Love has no other desire but to fulfil itself." But if you love and must needs have desires, let these be your desires: To melt and be like a running brook that sings its melody to the night. To know the pain of too much tenderness. To be wounded by your own understanding of love; And to bleed willingly and joyfully.
Kahlil Gibran (Le Prophète)
If my decomposing carcass helps nourish the roots of a juniper tree or the wings of a vulture—that is immortality enough for me. And as much as anyone deserves.
Edward Abbey (Desert Solitaire)
And that might just be the root of the problem: we're all afraid of each other, wings or no wings.
Leslye Walton (The Strange and Beautiful Sorrows of Ava Lavender)
My heart wants roots My mind wants wings. I cannot bear Their bickerings.
E.Y. Harburg
There are two things children should get from their parents: roots and wings.
Johann Wolfgang von Goethe
If my decomposing carcass helps nourish the roots of a juniper tree or the wings of a vulture—that is immortality enough for me. And as much as anyone deserves,
Caitlin Doughty (Smoke Gets in Your Eyes: And Other Lessons from the Crematory)
That’s right,” she said. “DIE, you little monster plants. May your roots always be thirsty and your seeds all meet a fiery death until you’re extinct forever! I HATE you!
Tui T. Sutherland (Escaping Peril (Wings of Fire, #8))
You could be David's friend too". She glanced at Tamani when he said nothing. He was frowning. "The two of you really have a lot in common, and we're all in this together". He shook his head. "It wouldn't work". "Why not? He's a nice guy. And it would do you good to have some human friends", she said hinting at what she suspected was the root of the problem. "It's not that", Tamani said, gesturing vaguely with one hand. "Then why?" Laurel asked, exasperated. "I just don't want to cosy up to the guy whose girl I have every intention of stealing
Aprilynne Pike (Illusions (Wings, #3))
It hurts, doesn't it? Giving someone everything you can think of. The wings to fly and roots to stay and yet watch them choose none of those, leaving you hanging in the middle of void and nothingness.
Akshay Vasu
The greatest gifts you can give your children are the roots of responsibility and the wings of independence
Denis Waitley
The inner woman is the source of healing. The inner woman is the source of silence. The inner woman is the source of love. The inner woman is the source of belongingness with life. Embracing the inner man and woman is to discover our inner roots and wings.
Swami Dhyan Giten (Presence - Working from Within. The Psychology of Being)
How do you know if something is real? That’s easy. Does it change you? Does it form you? Does it give you wings? Does it give you roots? Does it make you look back at a month ago and say, “I am a whole different person right now”? If yes, then it’s real. The evidence of truth and reality, lies in how much something can touch you, can change you, even if it’s from very far away. Distance is only the evidence of what can be surpassed.
C. JoyBell C.
Sometimes parents don't find what they're looking for it their child, so they plant seeds for what they'd like to grow there instead. I've witnessed this with the former hockey player who takes his son out to skate before he can even walk. Or in the mother who gave up her ballet dreams when she married, but now scrapes her daughter's hair into a bun and watched from the wings of the stage. We are not, as you'd expect, orchestrating their lives; we are not even trying for a second chance. We are hoping that if this one thing takes root, it might take up enough light and space to keep something else from developing in our children: the disappointment we've already lived.
Jodi Picoult (Vanishing Acts)
give the ones you love wings to fly, roots to come back and reasons to stay
null
My heart wants roots. My mind wants wings. I cannot bear their bickerings.
E.Y. Harburg
Give the ones you love wings to fly, roots to come back, and reasons to stay.” ~Dalai Lama
Erin Noelle (Euphoria (Book Boyfriend, #3))
Square root of a cosine? How is that ever going to be useful?
Aprilynne Pike (Illusions (Wings, #3))
Lord, help us root our feet to the earth And our eyes to the road And always remember the fallen angels Who, attempting to soar, Were seared instead by the sun and, wings melting, Came crashing back to the sea. Lord, help root my eyes to the earth And stay my eyes to the road So I may never stumble. -Psalm 24 (From "Prayer and Study," The Book of Shhh)
Lauren Oliver (Delirium (Delirium, #1))
We can give our children only two things in life which are essential. Strong roots and powerful wings. Then they may fly anywhere and live independently. Of all the luxuries in life, the greatest luxury is getting freedom of the right kind.
Sudha Murty
Give someone everything you can think of, the wings to fly and the roots to stay. If they chose none of these hold the door open for them with a smile
Mohadesa Najumi
birds can't fly away when you clip one of their wings. you weren't satisfied with just clipping one of my wings. you tore both out from the root to make sure i could never fly anywhere ever again. - mother & daughter
Amanda Lovelace (The Princess Saves Herself in This One (Women Are Some Kind of Magic, #1))
A young girl needs to spread her wings, but a young woman needs roots.
Sydney Logan (Lessons Learned)
A good parent always gives their children roots and wings. Roots to settle down, and wings to bravely go where you need to go.
Brian Selznick (Big Tree)
BELOVED, gaze in thine own heart, The holy tree is growing there; From joy the holy branches start, And all the trembling flowers they bear. The changing colours of its fruit Have dowered the stars with merry light; The surety of its hidden root Has planted quiet in the night; The shaking of its leafy head Has given the waves their melody, And made my lips and music wed, Murmuring a wizard song for thee. There the Loves a circle go, The flaming circle of our days, Gyring, spiring to and fro In those great ignorant leafy ways; Remembering all that shaken hair And how the wingèd sandals dart, Thine eyes grow full of tender care: Beloved, gaze in thine own heart. Gaze no more in the bitter glass The demons, with their subtle guile, Lift up before us when they pass, Or only gaze a little while; For there a fatal image grows That the stormy night receives, Roots half hidden under snows, Broken boughs and blackened leaves. For all things turn to barrenness In the dim glass the demons hold, The glass of outer weariness, Made when God slept in times of old. There, through the broken branches, go The ravens of unresting thought; Flying, crying, to and fro, Cruel claw and hungry throat, Or else they stand and sniff the wind, And shake their ragged wings; alas! Thy tender eyes grow all unkind: Gaze no more in the bitter glass. - The Two Trees
W.B. Yeats
It's been said that parents should give their children roots and wings. That was a perfect description of my parents. Even in a wheelchair, my father was a dreamer with his head in the clouds and my mother was the roots with both feet planted firmly on terra quaking firma.
Richard Paul Evans (Grace)
This baby let's me take my low E string from an E Note to a D and back in a flash without having to retune. It can cry like a baby and scream like a devil; it's got angel wings and horns both,and it'll kiss you at the same time it fucks you. Not many dudes can top that,right?
C.M. Stunich (Real Ugly (Hard Rock Roots, #1))
All people need a place where their roots can grow deep and they always feel like they belong and have a loving refuge. And all people need a place that gives wings to their dreams, nurturing possibilities of who they might become.
Sally Clarkson (The Lifegiving Home: Creating a Place of Belonging and Becoming)
Jade is my everything: my wings, my roots, my sky. I am in love with her. And she tried to kill me. Now that is some messed up shit right now.
Rochelle Maya Callen (Ashes and Ice (Ashes and Ice, #1))
Give them the wings to fly and the roots to stay. Never put them in a golden cage, taking away their wings with their desire to fly and call it love.
Akshay Vasu (The Abandoned Paradise: Unraveling the beauty of untouched thoughts and dreams)
Death, as it turned out, had wings.
Samantha Shannon (The Priory of the Orange Tree (The Roots of Chaos, #1))
I think our job as parents is to give our kids roots to grow and wings to fly. Deborah Norville
Deborah Norville
Tell me, Laurel, what do you know of erosion?” Laurel couldn’t imagine what this had to do with anything, but she answered anyway. “Like when water or wind wears away the ground?” “That’s right. Given enough time, wind and rain will carry the tallest mountain into the sea. But,” he said, raising a finger, “a hillside covered in grass will resist erosion, and a riverbank may be held in place by bushes and trees. They spread their roots,” he said, extending his hands with his story, “and grab hold. And though the river will pull at the soil, if the roots are strong enough, they will prevail. If they cannot, they will eventually be carried away too.
Aprilynne Pike (Spells (Wings, #2))
That's right!" she said. "Die, you little monster plants. May your roots always be thirsty, and your seeds meet a fiery death until you're extinct forever! I HATE you." "Yowch." Turtle said. "You don't ever have mild feelings, do you?
Tui T. Sutherland (Escaping Peril (Wings of Fire, #8))
...I didn't want to miss a moment of what little life I had left. I wanted to drink in the stars. I wanted to feel the fuzzy wings of the owlets. I wanted to stretch my roots just a tiny bit farther before the night was through. I wanted to indulge in some quiet contemplation about life and love and what it all meant... "I've been thinking... There's no point in my worrying about tomorrow. It will come soon enough.
Katherine Applegate (Wishtree)
The best, most lasting changes are those which come about gradually; to reach great heights, a tree must first put down extensive roots.
Aprilynne Pike
Falling in love is like catching an incurable disease. Yeah, maybe that doesn’t sounds so romantic, but it’s true. It’s incurable and it’s contagious as shit. It makes you want to have babies and raise kittens, pet butterfly wings and sleep with your head on somebody else’s chest. Love… man, it fucks with everything you are and everything you want to be. I like it and hate it.
C.M. Stunich (Get Bent (Hard Rock Roots, #2))
I wind in and out of people’s lives. Having touched them, I am blessed. Having touched me, they are blessed. Our roots are deepened. Our wings are strengthened. We have given each other grace to live more deeply.
Macrina Wiederkehr (Seasons of Your Heart: Prayers and Reflections, Revised and Expanded)
He had a winged nature; she was rather of the vegetable kind, and could hardly be kept long alive, if drawn up by the roots. Thus it happened that the relation heretofore existing between her brother and herself was changed.
Nathaniel Hawthorne (The House of the Seven Gables)
Even as the roots, shut in the darksome earth, Share in the tree-top’s joyance, and conceive Of sunshine and wide air and winged things, By sympathy of nature, so do I
Helen Keller (The Story of My Life)
Give the ones you love wings to fly, roots to come back to, and reasons to stay.
Dorothea Benton Frank (All the Single Ladies)
Two things children shall receive from their parents: roots and wings
Johann Wolfgang von Goethe
At times poetry is the vertigo of bodies and the vertigo of speech and the vertigo of death; the walk with eyes closed along the edge of the cliff, and the verbena in submarine gardens; the laughter that sets on fire the rules and the holy commandments; the descent of parachuting words onto the sands of the page; the despair that boards a paper boat and crosses, for forty nights and forty days, the night-sorrow sea and the day-sorrow desert; the idolatry of the self and the desecration of the self and the dissipation of the self; the beheading of epithets, the burial of mirrors; the recollection of pronouns freshly cut in the garden of Epicurus, and the garden of Netzahualcoyotl; the flute solo on the terrace of memory and the dance of flames in the cave of thought; the migrations of millions of verbs, wings and claws, seeds and hands; the nouns, bony and full of roots, planted on the waves of language; the love unseen and the love unheard and the love unsaid: the love in love.
Octavio Paz
It doesn't matter how high you fly with the biggest wings you have, but remember that your soul is still trapped in the roots in the ground where you fell and you were so small and so empty.
Neymat Khan
But Archie did not pluck Clara Bowden from a vacuum. And it's about time people told the truth about beautiful women. They do not shimmer down staircases. They do not descend, as was once supposed, from on high, attached to nothing other than wings. Clara was from somewhere. She had roots.
Zadie Smith (White Teeth)
When love beckons to you, follow him, Though his ways are hard and steep. And when his wings enfold you yield to him, Though the sword hidden among his pinions may wound you. And when he speaks to you believe in him, Though his voice may shatter your dreams as the north wind lays waste the garden. For even as love crowns you so shall he crucify you. Even as he is for your growth so is he for your pruning. Even as he ascends to your height and caresses your tenderest branches that quiver in the sun, So shall he descend to your roots and shake them in their clinging to the earth. Like sheaves of corn he gathers you unto himself. He threshes you to make you naked. He sifts you to free you from your husks. He grinds you to whiteness. He kneads you until you are pliant; And then he assigns you to his sacred fire, that you may become sacred bread for God's sacred feast. All these things shall love do unto you that you may know the secrets of your heart, and in that knowledge become a fragment of Life's heart. But if in your fear you would seek only love's peace and love's pleasure, Then it is better for you that you cover your nakedness and pass out of love's threshing-floor, Into the seasonless world where you shall laugh, but not all of your laughter, and weep, but not all of your tears. Love gives naught but itself and takes naught but from itself. Love possesses not nor would it be possessed; For love is sufficient unto love. When you love you should not say, "God is in my heart," but rather, "I am in the heart of God." And think not you can direct the course of love, for love, if it finds you worthy, directs your course. Love has no other desire but to fulfill itself. But if you love and must needs have desires, let these be your desires: To melt and be like a running brook that sings its melody to the night. To know the pain of too much tenderness. To be wounded by your own understanding of love; And to bleed willingly and joyfully. To wake at dawn with a winged heart and give thanks for another day of loving; To rest at the noon hour and meditate love's ecstasy; To return home at eventide with gratitude; And then to sleep with a prayer for the beloved in your heart and a song of praise upon your lips.
Kahlil Gibran (The Prophet)
Left-wing politics has discarded the revolutionary paradigm advanced by the New Left, in favour of bureaucratic routines and the institutionalization of the welfare culture. The two goals of liberation and social justice remain in place: but they are promoted by legislation, committees and government commissions empowered to root out the sources of discrimination. Liberation and social justice have been bureaucratized.
Roger Scruton (Thinkers of the New Left)
Thrice the brinded cat hath mew’d. Thrice and once the hedge-pig whined. Harpier cries ’Tis time, ’tis time. Round about the cauldron go; In the poison’d entrails throw. Toad, that under cold stone Days and nights has thirty-one Swelter’d venom sleeping got, Boil thou first i’ the charmed pot. Double, double toil and trouble; Fire burn, and cauldron bubble. Fillet of a fenny snake, In the cauldron boil and bake; Eye of newt and toe of frog, Wool of bat and tongue of dog, Adder’s fork and blind-worm’s sting, Lizard’s leg and owlet’s wing, For a charm of powerful trouble, Like a hell-broth boil and bubble. Scale of dragon, tooth of wolf, Witches’ mummy, maw and gulf Of the ravin’d salt-sea shark, Root of hemlock digg’d i’ the dark, Liver of blaspheming Jew, Gall of goat, and slips of yew Silver’d in the moon’s eclipse, Nose of Turk and Tartar’s lips, Finger of birth-strangled babe Ditch-deliver’d by a drab, Make the gruel thick and slab: Add thereto a tiger’s chaudron, For the ingredients of our cauldron. Double, double toil and trouble; Fire burn and cauldron bubble. By the pricking of my thumbs, Something wicked this way comes.
William Shakespeare
Becoming aware of our inner man and woman means to discover the roots and creative potential of both the male and female aspect within ourselves. Becoming aware of the inner man and woman means to understand that they have different visions of life. It means to understand that they have different perspectives and views of life. The inner man and woman are our two wings of love and freedom. Through awareness, acceptance and understanding, we can allow our two wings to develop in a deep and natural harmony. In the world today, a one-sided development of the male side leads to destructivity. A one-sided development of the male side leads to ego, struggle, exhaustion and a separation from life. A one-sided development of the female side leads to passivity and dependence.
Swami Dhyan Giten (Presence - Working from Within. The Psychology of Being)
There are only two lasting bequests we can hope to give our children. One of these is roots; the other, wings.
Carine McCandless (The Wild Truth)
Even as the roots, shut in the darksome earth, Share in the tree top's joyance, and conceive Of sunshine and wide air and winged things, By sympathy of nature, so do I
James Russell Lowell
But in this moment, I came to the horrifying realization that I would never be able to carve Raihn from my heart. He had embedded too deep. Roots through stone.
Carissa Broadbent (The Serpent and the Wings of Night (Crowns of Nyaxia, #1))
Tonight A friendly breeze Will agitate roots of meanings. Wonder will flap its wings. Deep in the night, an insect Will gnaw At the green portion of solitude. Morning will fall Into the word of morning.
Sohrab Sepehri
I am Marian the Less - but I am also the Hammer of the North, and I am the Malkin Queen. They live in me, too. I am not the soft creature you hope to mould. Not any more, Glorian said. Threaten my family again, and you will remember, as I give you wings.
Samantha Shannon (A Day of Fallen Night (The Roots of Chaos, #0))
You have wings, I have roots.
Jorge Molist
The week before I’d found some leftover cake, and, sure enough, it was harder than a wedding night dick.
M. Mabie (Roots and Wings (City Limits, #1))
His element was the air around him. I had roots and he had wings – could they ever work together?
Jane Harvey-Berrick (The Traveling Woman (Traveling, #2))
Yes, goodbye was inevitable for two people as different as them. He had always wanted to spread his wings and fly away from home; she was content with settling down roots.
Nicole Douglas (Afraid to Fall)
On Pleasure Pleasure is a freedom-song, But it is not freedom. It is the blossoming of your desires, But it is not their fruit. It is a depth calling unto a height, But it is not the deep nor the high. It is the caged taking wing, But it is not space encompassed. Aye, in very truth, pleasure is a freedom-song. And I fain would have you sing it with fullness of heart; yet I would not have you lose your hearts in the singing. Some of your youth seek pleasure as if it were all, and they are judged and rebuked. I would not judge nor rebuke them. I would have them seek. For they shall find pleasure, but not her alone; Seven are her sisters, and the least of them is more beautiful than pleasure. Have you not heard of the man who was digging in the earth for roots and found a treasure? And some of your elders remember pleasures with regret like wrongs committed in drunkenness. But regret is the beclouding of the mind and not its chastisement. They should remember their pleasures with gratitude, as they would the harvest of a summer. Yet if it comforts them to regret, let them be comforted. And there are among you those who are neither young to seek nor old to remember; And in their fear of seeking and remembering they shun all pleasures, lest they neglect the spirit or offend against it. But even in their foregoing is their pleasure. And thus they too find a treasure though they dig for roots with quivering hands. But tell me, who is he that can offend the spirit? Shall the nightingale offend the stillness of the night, or the firefly the stars? And shall your flame or your smoke burden the wind? Think you the spirit is a still pool which you can trouble with a staff? Oftentimes in denying yourself pleasure you do but store the desire in the recesses of your being. Who knows but that which seems omitted today, waits for tomorrow? Even your body knows its heritage and its rightful need and will not be deceived. And your body is the harp of your soul, And it is yours to bring forth sweet music from it or confused sounds. And now you ask in your heart, “How shall we distinguish that which is good in pleasure from that which is not good?” Go to your fields and your gardens, and you shall learn that it is the pleasure of the bee to gather honey of the flower, But it is also the pleasure of the flower to yield its honey to the bee. For to the bee a flower is a fountain of life, And to the flower a bee is a messenger of love, And to both, bee and flower, the giving and the receiving of pleasure is a need and an ecstasy.
Kahlil Gibran (The Prophet)
Wild dreaming is what they desire most. Dreams that hold the scent of deep green moss, lichen, the place where the roots of a tree enter the earth, old stone, the dust of a moth's wings.
Jackie Morris (The Unwinding)
There are gigantic trees that have grown tall into the winds and the clouds over the thousands of years of their lives, their tops are rustled and tossed by the mists of the atmosphere! Then there are the short trees that don't live for long, they are young with no deep roots and only a few annual rings to tell their stories.The tall, ancient trees sway in the realm of freedom while the short young trees cannot even raise their branches into that direction of the sky! Now, you are the bird who needs a tree to live in; if you choose to live in the tree which thrives in the realm of freedom, that doesn't mean you are not committed to that tree. You are still committed to your tree, but together you and your tree live in freedom. Freedom is not the absence of commitment. If you are the bird who chooses to fly around amongst the short trees and live in them, that's because your wings are too short to make it any higher and your vision too near to see any further into the clouds. And if you move from one short tree to the next short tree, that doesn't mean you are free, you are still down there below, freedom is still nowhere near you.
C. JoyBell C.
The tradition you were born into was your home, Brother Wayne told me, but as Gandhi once wrote, it should be a home with the windows open so that the winds of other traditions can blow through and bring their unique oxygen. “It’s good to have wings,” he would say, “but you have to have roots, too.
Eboo Patel (Acts of Faith: The Story of an American Muslim, the Struggle for the Soul of a Generation)
Tendrils like spreading neath its lurid world, Sprouting rooted whimsies all the way they- Enchanted living hues, such with splendor bold, And ornate jeweled minds domed Abbey. When I Live With Fancy
Nithin Purple (Halcyon Wings: 'These passions feathers are gathering on a winged vision')
Rather than let author and environmentalist Edward Abbey be buried in a traditional cemetery, his friends stole his body, wrapped it in a sleeping bag, and hauled it in the back of his pickup truck to the Cabeza Prieta Desert in Arizona. They drove down a long dirt road and dug a hole when they reached the end of it, marking Abbey’s name on a nearby stone and pouring whiskey onto the grave. Fitting tribute for Abbey, who spent his career warning humanity of the harm in separating ourselves from nature. “If my decomposing carcass helps nourish the roots of a juniper tree or the wings of a vulture—that is immortality enough for me. And as much as anyone deserves,” he once said. Left
Caitlin Doughty (Smoke Gets in Your Eyes: And Other Lessons from the Crematory)
Between the sleeping and the waking, it is there. Between the rising and the resting, it is there. It is always there. It gnaws on my heart. It chews on my soul. I turn aside and see it. I stop my ears and hear it. I cover myself and feel it. There are no human words for what I mean. It is the language of the bare bough and the cold stone, pronounced in the fell wind's sullen whisper and the metronomic drip-drip of the rain. It is the song the falling snow sings and the discordant clamour of sunlight ripped apart by the canopy and miserly filtered down. It is what the unseeing eye sees. It is what the deaf ear heres. It is the romantic ballad of death's embrace; the solemn hymn of offal dripping from bloody teeth; the lamentation of the bloated corpse rotting in the sun; the graceful ballet of maggots twisting in the ruins of God's temple. Here in this gray land, we have no name. We are the carcasses reflected in the yellow eye. Our bones are bleached within our skin; our empty sockets regard the crow. Here in this shadow country, our tiny voices scratch like a fly's wing against unmoving air. Ours is the language of imbeciles, the gibberish of idiots. The root and the vine have more to say than us.
Rick Yancey
He’d magically turned all of my rough edges to silk when he touched me. Made all of the empty and lonely spots full with his attention. When his fingers moved over me, everything male in him spoke to everything female in me, and I felt beautiful. Fragile and vulnerable.
M. Mabie (Roots and Wings (City Limits, #1))
The river of his youth had been diverted and poured out broadly across the land to seep through dirt to the roots of crops instead of running in its bed. The river was no longer a river, and the desert was no longer a desert. Nothing was as it had been. He knew what had happened to the sagelands. He himself had helped burn them. Then men like his father had seized the river without a trace of evil in their hearts, sure of themselves but ignorant, and children of their time entirely, with no other bearings to rely on. Irrigators and fruit-tree growers, they believed the river to be theirs. His own life spanned that time and this, and so he believed in the old fast river as much as he believed in apple orchards, and yet he saw that the two were at odds, the river defeated that apples might grow as far as Royal Slope. It made no more sense to love the river and at the same time kill it growing apples than it made sense to love small birds on the wing and shoot them over pointing dogs. But he'd come into the world in another time, a time immune to these contradictions and in the end he couldn't shake old ways any more than he could shake his name.
David Guterson (East of the Mountains)
The tree of technology management takes root only if there is the self-actualization of needs, renewal, interdependence, and natural flow. The growth patterns are characteristic of the evolution process, which means that things move in a combination of slow change and sudden transformation; each transformation causes either a leap into a new, more complex level or a devastating crash to some earlier level; dominant models reach a certain peak of success when they turn troublesome; and the rate of change always accelerates.
A.P.J. Abdul Kalam (Wings of Fire)
he had to stand by while there proliferated in his own house such concepts as “the art of living thought” “the graph of spiritual growth” and “action on the wing”. he discovered that a biweekly ”hour of purification” was held regularly under his roof. he demanded an explanation. it turned out that what they meant by this was reading the poems of Stefan George together. Leo Fischel searched his old encyclopedia in vain for the poet’s name. but what irritated him most of all, old-style liberal that he was, was that these green pups referred to all the high government officials, bank presidents, and leading university figures in the Parallel Campaign as “puffed-up little men”. then there were the world-weary airs they gave themselves, complaining that the times had become devoid of great ideas, if there was anyone left who was ready for great ideas. that even “humanity” had become a mere buzzword, as far as they were concerned, and that only “the nation” or, as they called it, “folk and folkways” still really had any meaning. wiser than their years, they disdained “lust” and “the inflated lie about the crude enjoyment of animal existence” as they called it, but talked so much about supersensuality and mystical desire that the startled listener reacted willy-nilly by feeling a certain tenderness for sensuality and physical desires, and even Leo Fischel had to admit that the unbridled ardor of their language sometimes made the listener feel the roots of their ideas shooting down his legs, though he disapproved, because in his opinion great ideas were meant to be uplifting.
Robert Musil (The Man Without Qualities)
Did they know what Communism, “Bolshevism,” was? They did not; not my friends. Except for Herr Kessler, Teacher Hildebrandt, and young Horstmar Rupprecht (after he entered the university, in 1941), they knew Bolshevism as a specter which, as it took on body in their imaginings, embraced not only the Communists but the Social Democrats, the trade-unions, and, of course, the Jews, the gypsies, the neighbor next door whose dog had bit them, and his dog; the bundled root cause of all their past, present, and possible tribulations.
Milton Sanford Mayer (They Thought They Were Free: The Germans 1933-45)
If women remember that once upon a time we sand with the tongues of seals and flew with the wings of swans, that we forged our own paths through the dark forest while creating a community of its many inhabitants, then we will rise up rooted like trees. And if we rise up rooted, like trees...well, then women might indeed save not only ourselves, but the world.
Sharon Blackie (If Women Rise Rooted: The Journey to Authenticity and Belonging)
WHEN PATRICIA WAS six years old, she found a wounded bird. The sparrow thrashed on top of a pile of wet red leaves in the crook of two roots, waving its crushed wing. Crying, in a pitch almost too high for Patricia to hear. She looked into the sparrow’s eye, enveloped by a dark stripe, and she saw its fear. Not just fear, but also misery—as if this bird knew it would die soon.
Charlie Jane Anders (All the Birds in the Sky)
To him who in the love of Nature holds Communion with her visible forms, she speaks A various language; for his gayer hours She has a voice of gladness, and a smile And eloquence of beauty, and she glides Into his darker musings, with a mild And healing sympathy, that steals away Their sharpness, ere he is aware. When thoughts Of the last bitter hour come like a blight Over thy spirit, and sad images Of the stern agony, and shroud, and pall, And breathless darkness, and the narrow house, Make thee to shudder, and grow sick at heart;— Go forth, under the open sky, and list To Nature’s teachings, while from all around— Earth and her waters, and the depths of air— Comes a still voice— Yet a few days, and thee The all-beholding sun shall see no more In all his course; nor yet in the cold ground, Where thy pale form was laid, with many tears, Nor in the embrace of ocean, shall exist Thy image. Earth, that nourished thee, shall claim Thy growth, to be resolved to earth again, And, lost each human trace, surrendering up Thine individual being, shalt thou go To mix for ever with the elements, To be a brother to the insensible rock And to the sluggish clod, which the rude swain Turns with his share, and treads upon. The oak Shall send his roots abroad, and pierce thy mould. Yet not to thine eternal resting-place Shalt thou retire alone, nor couldst thou wish Couch more magnificent. Thou shalt lie down With patriarchs of the infant world—with kings, The powerful of the earth—the wise, the good, Fair forms, and hoary seers of ages past, All in one mighty sepulchre. The hills Rock-ribbed and ancient as the sun,—the vales Stretching in pensive quietness between; The venerable woods—rivers that move In majesty, and the complaining brooks That make the meadows green; and, poured round all, Old Ocean’s gray and melancholy waste,— Are but the solemn decorations all Of the great tomb of man. The golden sun, The planets, all the infinite host of heaven, Are shining on the sad abodes of death, Through the still lapse of ages. All that tread The globe are but a handful to the tribes That slumber in its bosom.—Take the wings Of morning, pierce the Barcan wilderness, Or lose thyself in the continuous woods Where rolls the Oregon, and hears no sound, Save his own dashings—yet the dead are there: And millions in those solitudes, since first The flight of years began, have laid them down In their last sleep—the dead reign there alone. So shalt thou rest, and what if thou withdraw In silence from the living, and no friend Take note of thy departure? All that breathe Will share thy destiny. The gay will laugh When thou art gone, the solemn brood of care Plod on, and each one as before will chase His favorite phantom; yet all these shall leave Their mirth and their employments, and shall come And make their bed with thee. As the long train Of ages glide away, the sons of men, The youth in life’s green spring, and he who goes In the full strength of years, matron and maid, The speechless babe, and the gray-headed man— Shall one by one be gathered to thy side, By those, who in their turn shall follow them. So live, that when thy summons comes to join The innumerable caravan, which moves To that mysterious realm, where each shall take His chamber in the silent halls of death, Thou go not, like the quarry-slave at night, Scourged to his dungeon, but, sustained and soothed By an unfaltering trust, approach thy grave, Like one who wraps the drapery of his couch About him, and lies down to pleasant dreams.
William Cullen Bryant (Thanatopsis)
In her memoir of living among the Bushmen, The Old Way: A Story of the First People, my friend Liz lovingly invokes an image first coined by evolutionary biologist Richard Dawkins: “You are standing beside your mother, holding her hand. She is holding her mother’s hand, who is holding her mother’s hand. . . . ” Eventually the line stretches three hundred miles long and goes back five million years, and the clasping hand of the ancestor looks like that of a chimpanzee. I loved picturing one of Octavia’s arms stretching out to meet one of her mother’s arms, and one of her mother’s mother’s arms, and her mother’s mother’s mother’s. . . . Suckered, elastic arms, reaching back through time: an octopus chorus line stretching not just hundreds, but many thousands of miles long. Back past the Cenozoic, the time when our ancestors descended from the trees; back past the Mesozoic, when dinosaurs ruled the land; back past the Permian and the rise of the ancestors of the mammals; back, past the Carboniferous’s coal-forming swamp forests; back past the Devonian, when amphibians emerged from the water; back past the Silurian, when plants first took root on land—all the way to the Ordovician, to a time before the advent of wings or knees or lungs, before the fishes had bony jaws, before blood pumped from a multichambered heart. More than 500 million years ago, the tides would have been stronger, the days shorter, the year longer, and the air too high in carbon dioxide for mammals or birds to breathe. All the earth’s continents huddled in the Southern Hemisphere. And yet still, the arm of Octavia’s ancestor, sensitive, suckered, and supple, would have been recognizable as one of an octopus.
Sy Montgomery (The Soul of an Octopus: A Surprising Exploration into the Wonder of Consciousness)
The “real” agenda of environmentalists—and the scientists who provided the data on which they relied—was to destroy capitalism and replace it with some sort of worldwide utopian Socialism—or perhaps Communism. That echoed a common right-wing refrain in the early 1990s: that environmental regulation was the slippery slope to Socialism. In 1992, columnist George Will encapsulated this view, saying that environmentalism was a “green tree with red roots.”99
Naomi Oreskes (Merchants of Doubt: How a Handful of Scientists Obscured the Truth on Issues from Tobacco Smoke to Global Warming)
How about you walk around back and I’ll show you my rental. You’re going to love it.” I had a suspicion that he was still giving me shit. “Now, Van, this is no Cadillac, but she does turn heads,” he said as I walked around back with him. O’Fallon, hot on our heels. “There she is.” I couldn’t help myself that time. I laughed. And then I laughed a little more. There sat a red and orange, nineteen eighty-something piece of suburban history. “The Astro Van?” I asked. He answered, “The Astro Vaughn.
M. Mabie (Roots and Wings (City Limits, #1))
And when his wings enfold you yield to him, Though the sword hidden among his pinions may wound you. And when he speaks to you believe in him. Though his voice may shatter your dreams as the north wind lays waste the garden. For even as love crowns you so shall he crucify you. Even as he is for your growth so is he for your pruning. Even as he ascends to your height and caresses your tenderest branches that quiver in the sun, So shall he descend to your roots and shake them in their clinging to the earth. Like sheaves of corn he gathers you unto himself. He threshes you to make you naked. He sifts you to free you from your husks. He grinds you to whiteness. He kneads you until you are pliant; And then he assigns you to his sacred fire, that you may become sacred bread for God’s sacred feast.
Kahlil Gibran (The Prophet)
I’ve witnessed this with the former hockey player who takes his son out to skate before he can even walk. Or in the mother who gave up her ballet dreams when she married, but now scrapes her daughter’s hair into a bun and watches from the wings of the stage. We are not, as you’d expect, orchestrating their lives; we are not even trying for a second chance. We’re hoping that if this one thing takes root, it might take up enough light and space to keep something else from developing in our children: the disappointment we’ve already lived.
Jodi Picoult (Vanishing Acts)
... he slipped in and out of himself, testing which disguise to use. He knew it had to be his most clever. The Sisters were too astute for his usual chicanery. He flapped his wings, then soared. The shape of an eagle, useful for fast travel across worlds, but only temporary. Not convincing enough to hide his true identity. ... He pushed out of the eagle skin and leaped away from the horde of birds, springing into the sky. Into nothingness. Instead of transforming into another creature, he hovered in between. Dangling on the mouth of wind. He rumbled with pleasure, at his own cleverness, born out of accident and indecision: he had become pure air. Without effort, he whooshed past the threshold into the cave, into the bark of the Great Tree, winding cleverly under and over and through a maze of roots and rough stone, past every trick and trap the Sisters had set. He delighted at the speed at which he travelled, catching himself just in time, before his enthusiasm revealed the disguise. Slowing impulse to a mere draft, sucking into himself, he reached the very heart of the Norns’ lair. The Great Hall of Time.
Michelle Grierson (Becoming Leidah)
When I’m up here, it’s as if I’m floating and everything else has been left below. My mind settles as I climb the mountain and I feel at peace. The ancient trees with their rough bark wrap around me like silk cocoons. Their solid trunks and tendril roots grip the ground as if to say, I will hold you, I will not let go. The air is clear, not sticky or musty, and there’s a breeze that wings its way through the branches, the leaves and across my face. The world below ceases to exist. If I close my eyes I float above the surface of the earth and … I feel calm.’ Bobby Carlon
Lea Davey (Silkworm Secrets (Silkworm Secrets Series #1))
When love beckons to you, follow him, Though his ways are hard and steep. And When his wings enfold you yield to him, Though the sword hidden among his pinions may wound you. And When he speaks to you believe in him, Though his voice may shatter your dreams as the north wind lays waste the garden. For even as love crowns you so shall he crucify you. Even as he is for your growth so is he for your pruning. Even as he ascends to your height and caresses your tenderest branches that quiver in the sun, So shall he descend to your roots and shake them in their clinging to the earth.
Kahlil Gibran (The Prophet)
Love, that is first and last of all things made, The light that has the living world for shade, The spirit that for temporal veil has on The souls of all men woven in unison, One fiery raiment with all lives inwrought And lights of sunny and starry deed and thought, And alway through new act and passion new Shines the divine same body and beauty through, The body spiritual of fire and light That is to worldly noon as noon to night; Love, that is flesh upon the spirit of man And spirit within the flesh whence breath began; Love, that keeps all the choir of lives in chime; Love, that is blood within the veins of time; That wrought the whole world without stroke of hand, Shaping the breadth of sea, the length of land, And with the pulse and motion of his breath Through the great heart of the earth strikes life and death, The sweet twain chords that make the sweet tune live Through day and night of things alternative, Through silence and through sound of stress and strife, And ebb and flow of dying death and life: Love, that sounds loud or light in all men's ears, Whence all men's eyes take fire from sparks of tears, That binds on all men's feet or chains or wings; Love that is root and fruit of terrene things; Love, that the whole world's waters shall not drown, The whole world's fiery forces not burn down; Love, that what time his own hands guard his head The whole world's wrath and strength shall not strike dead; Love, that if once his own hands make his grave The whole world's pity and sorrow shall not save; Love, that for very life shall not be sold, Nor bought nor bound with iron nor with gold; So strong that heaven, could love bid heaven farewell, Would turn to fruitless and unflowering hell; So sweet that hell, to hell could love be given, Would turn to splendid and sonorous heaven; Love that is fire within thee and light above, And lives by grace of nothing but of love; Through many and lovely thoughts and much desire Led these twain to the life of tears and fire; Through many and lovely days and much delight Led these twain to the lifeless life of night.
Algernon Charles Swinburne (Tristram of Lyonesse: And Other Poems)
I saw the sky descending, black and white, Not blue, on Boston where the winters wore The skulls to jack-o’-lanterns on the slates, And Hunger’s skin-and-bone retrievers tore The chickadee and shrike. The thorn tree waits Its victim and tonight The worms will eat the deadwood to the foot Of Ararat: the scythers, Time and Death, Helmed locusts, move upon the tree of breath; The wild ingrafted olive and the root Are withered, and a winter drifts to where The Pepperpot, ironic rainbow, spans Charles River and its scales of scorched-earth miles. I saw my city in the Scales, the pans Of judgement rising and descending. Piles Of dead leaves char the air— And I am a red arrow on this graph Of Revelations. Every dove is sold. The Chapel’s sharp-shinned eagle shifts its hold On serpent-Time, the rainbow’s epitaph. In Boston serpents whistle at the cold. The victim climbs the altar steps and sings: “Hosannah to the lion, lamb, and beast Who fans the furnace-face of IS with wings: I breathe the ether of my marriage feast.” At the high altar, gold And a fair cloth. I kneel and the wings beat My cheek. What can the dove of Jesus give You now but wisdom, exile? Stand and live, The dove has brought an olive branch to eat.
Robert Lowell
Shubha let me sleep for a few moments in your violent silvery uterus Give me peace, Shubha, let me have peace Let my sin-driven skeleton be washed anew in your seasonal bloodstream Let me create myself in your womb with my own sperm Would I have been like this if I had different parents? Was Malay alias me possible from an absolutely different sperm? Would I have been Malay in the womb of other women of my father? Would I have made a professional gentleman of me like my dead brother without Shubha? Oh, answer, let somebody answer these Shubha, ah, Shubha Let me see the earth through your cellophane hymen Come back on the green mattress again As cathode rays are sucked up with the warmth of magnet's brilliance I remember the letter of the final decesion of 1956 The surroundings of your clitoris were being embellished with coon at that time Fine rib-smashing roots were descending into your bosom Stupid relationship inflted in the bypass of senseless neglect Aaaaaaaaaaaaaaaaaaaah I do not know whether I am going to die Squandering was roaring within heart's exhaustive impatience I'll disrupt and destroy I'll split all into pieces for the sake of Art There isn't any other way out for poetry except suicide Shubha Let me enter into the immemorial incontinence of your labia majora Into the absurdity of woeless effort In the golden chlorophyll of the drunken heart Why wasn't I lost in my mother's urethra? Why wasn't I driven away in my father's urine after his self-coition? Why wasn't I mixed in the ovum-flux or in the phlegm? With her eyes shut supine beneath me I felt terribly distressed when I saw comfort seize Shubha Women could be treacherous even after unfolding a helpless appeareance Today it seems there is nothing so treacherous as Women and Art Now my ferocious heart is rinning towards an impossible death Vertigoes of water are coming up to my neck from the pierced earth I will die Oh what are these happening within me? I am failing to fetch out my hand and my palm From the dried sperms on my trousers spreading wings 300000 children are gliding toward the district of Shubha's bosom Millions of needles are now running from my blood into Poetry Now the smuggling of my obstinate leg is trying to plunge Into the death killer sex-wig entangled in the hypnotic kingdom of words In violent mirrors on each wall of the room I am observing After letting loose a few naked Malay, his unestablished scramblings.
Malay Roy Choudhury (Selected Poems)
Within each one of us there is a healer. Healing has always been a way and a deep source of joy for me. Healing is basically our own energy, which overflows from our inner being, from the meditative quality within, from the inner silence and emptiness. Healing is pure love in essence. Love is what creates healing. Love is the strongest force there is. The sheer presence of love is, in itself, healing. It is more the absence of love – than the presence of love –, which creates problems. Healing is a quality, which we can freely share without any ownership. Healing is not something that we can claim as our own; healing is to be a medium, a channel, for the whole. Healing is a medium through which we can develop our inner qualities of presence, love, joy, intuition, truth, silence, wisdom, creativity and inner wholeness. Healing comes originally from the silence within, where we are already in contact with the whole, with the divine. Healing is what makes us spread our inner wings of love and silence and soar high on the sky of consciousness and touch the stars. Healing is to be in service of God. People who have a quality of heart and sensitivity are naturally healing. With some people that we meet, we feel naturally uplifted and inspired. With other people that we meet, we become tired and heavy. With people, who can listen without judging and evaluating, it is easy to find the right words to share problems and difficulties. And with other people, it seems almost impossible to find the right words. People, who have a healing presence and quality, can support our own inner source of love, truth and silence through their presence. These people also seem to have an intuitive sensitivity to saying the right words, which lift and inspires us. This is the people whose presence can mirror the inner truth, which we already know deep within ourselves. The human heart is a healer, which heals others and ourselves. It is the hearts quality of love, acceptance and compassion, plus communication through words, that creates healing. A word that comes from the heart creates healing. A silent listening with a quality of presence and an accepting attitude creates space for healing to happen. Without love it is only possible to reach the personality of the other person, to reach the surface and periphery of the other person The gift of healing comes when we see the other person with love and compassion. It is the quality of heart, which creates the love and the genuine caring for the other person. When our words are carried by the quality of heart, you can say almost anything to the other person and he will still be able to be open and receptive. But if our words lack the quality of heart, it also becomes difficult for the other person to continue to be open and receptive. Even if a therapist is very skilful, technically, or has a clear clairvoyant ability, and still lacks the natural roots in the soil of the heart, then his words will not touch the heart of the other person.
Swami Dhyan Giten (Presence - Working from Within. The Psychology of Being)
Roofed by the woven canopy of blind annealing grass-roots and the roots of trees, dark in the blind dark of time's silt and rich refuse - the constant and unslumbering anonymous worm-glut and the inextricable known bones - Troy's Helen and the nymphs and the snoring mitred bishops, the saviors and the victims and the kings - it wakes, up-seeping, attritive in uncountable creeping channels: first, root; then frond by frond, from whose escaping tips like gas it rises and disseminates and stains the sleep-fast earth with drowsy insect-murmur; then, still upward-seeking, creeps the knitted bark of trunk and limb where, suddenly louder leaf by leaf and dispersive in diffusive sudden speed, melodious with the winged and jeweled throats, it upward bursts and fills night's globed negation with jonquil thunder.
William Faulkner (The Hamlet (The Snopes Trilogy, #1))
Smiling at her the boy said, "Games, then? Would that be better? There are events that I must shape. I must arouse fire that burns, that sears. Scripture says: For He is like a refiner's fire. And Scripture also says: And who can abide the day of His coming? I say, however, that it will be more than this; I say: The day comes, glowing like a furnace; all the arrogant and the evil-doers shall be chaff, and that day when it comes shall set them ablaze; it shall leave them neither root nor branch. What do you say to that, Herb Asher?" Emmanuel gazed at him intently, awaiting his response. Zina said: But for you who fear my name, the sun of righteousness shall rise with healing in his wings. "That is true," Emmanuel said. In a low voice Elias said: And you shall break loose like calves released from the stall.
Philip K. Dick (The Divine Invasion)
A botanist would have been stumped, coming across a tree like this one. Yet, if we are to judge a tree by its fruit, it was clearly an avocado. I picked the fruit, sliced it open, and tasted it to make sure. There was no doubt in my mind. If it looks like an avocado and tastes like an avocado, it has got to be an avocado. However, the tree itself had a white bark like that of a birch and its sap tasted like birch juice. Its leaves were delicate like that of a cypress, while its trunk and the root system reminded me of a baobab. Could it be that someone had grafted an avocado on to a baobab tree? And if so, why the bark so white and the leaves so, well, feathery, and delicate yet bold like a dragonfly’s wing? Why is there not another tree like it nearby? Where had the seed of this tree come from? I had no answer. So, I put the seed of the fruit in my pocket and took it home with me to see if I could make it grow.
Uguïsse Packard
And this love of definite conception, this clearness of vision, this artistic sense of limit, is the characteristic of all great work and poetry; of the vision of Homer as of the vision of Dante, of Keats and William Morris as of Chaucer and Theocritus. It lies at the base of all noble, realistic and romantic work as opposed to the colourless and empty abstractions of our own eighteenth-century poets and of the classical dramatists of France, or of the vague spiritualities of the German sentimental school: opposed, too, to that spirit of transcendentalism which also was root and flower itself of the great Revolution, underlying the impassioned contemplation of Wordsworth and giving wings and fire to the eagle- like flight of Shelley, and which in the sphere of philosophy, though displaced by the materialism and positiveness of our day, bequeathed two great schools of thought, the school of Newman to Oxford, the school of Emerson to America. Yet is this spirit of transcendentalism alien to the spirit of art. For the artist can accept no sphere of life in exchange for life itself. For him there is no escape from the bondage of the earth: there is not even the desire of escape. He is indeed the only true realist: symbolism, which is the essence of the transcendental spirit, is alien to him. The metaphysical mind of Asia will create for itself the monstrous, many-breasted idol of Ephesus, but to the Greek, pure artist, that work is most instinct with spiritual life which conforms most clearly to the perfect facts of physical life.
Oscar Wilde (The English Renaissance of Art)
In a meeting, the Estonian president, Toomas Ilves, insisted to Obama that we had to take Putin at his word if he said he would take Kiev. Ilves had an academic manner, and he described methodically how Russia was using fake news and disinformation to turn Estonia’s Russian-speaking minority against Europe. Speaking in paragraphs, he tied together Putin, the emergence of right-wing political parties in Europe, and ISIL. These are people, he said, who fundamentally reject the legitimacy of the liberal order. They are looking for another form of legitimacy—one that is counter to our notion of progress. After the meeting, I joined Obama for lunch and told him I thought Ilves did the best job I’d heard of tying these disparate threads together, explaining a theory of the forces at work in the world without having to rely on a construct that roots them all in American foreign policy. Without missing a beat, Obama said, “That’s the same dynamic as with the Tea Party. I know those forces because my presidency has bumped up against them.” He paused. “It’s obviously manifest in different ways, but people always look to tear down an ‘other’ when they need legitimacy—immigrants, gays, minorities, other countries.
Ben Rhodes (The World as It Is: A Memoir of the Obama White House)
I REMEMBER the day the Aleut ship came to our island. At first it seemed like a small shell afloat on the sea. Then it grew larger and was a gull with folded wings. At last in the rising sun it became what it really was—a red ship with two red sails. My brother and I had gone to the head of a canyon that winds down to a little harbor which is called Coral Cove. We had gone to gather roots that grow there in the spring. My brother Ramo was only a little boy half my age, which was twelve. He was small for one who had lived so many suns and moons, but quick as a cricket. Also foolish as a cricket when he was excited. For this reason and because I wanted him to help me gather roots and not go running off, I said nothing about the shell I saw or the gull with folded wings. I went on digging in the brush with my pointed stick as though nothing at all were happening on the sea. Even when I knew for sure that the gull was a ship with two red sails. But Ramo’s eyes missed little in the world. They were black like a lizard’s and very large and, like the eyes of a lizard, could sometimes look sleepy. This was the time when they saw the most. This was the way they looked now. They were half-closed, like those of a lizard lying on a rock about to flick out its tongue to catch a fly. “The sea is smooth,” Ramo said. “It is a flat stone without any scratches.” My brother liked to pretend that one thing was another. “The sea is not a stone without scratches,” I said. “It is water and no waves.” “To me it is a blue stone,” he said. “And far away on the edge of it is a small cloud which sits on the stone.” “Clouds do not sit on stones. On blue ones or black ones or any kind of stones.” “This one does.” “Not on the sea,” I said. “Dolphins sit there, and gulls, and cormorants, and otter, and whales too, but not clouds.” “It is a whale, maybe.” Ramo was standing on one foot and then the other, watching the ship coming, which he did not know was a ship because he had never seen one. I had never seen one either, but I knew how they looked because I had been told. “While you gaze at the sea,” I said, “I dig roots. And it is I who will eat them and you who will not.” Ramo began to punch at the earth with his stick, but as the ship came closer, its sails showing red through the morning mist, he kept watching it, acting all the time as if he were not. “Have you ever seen a red whale?” he asked. “Yes,” I said, though I never had. “Those I have seen are gray.” “You are very young and have not seen everything that swims in the world.” Ramo picked up a root and was about to drop it into the basket. Suddenly his mouth opened wide and then closed again. “A canoe!” he cried. “A great one, bigger than all of our canoes together. And red!” A canoe or a ship, it did not matter to Ramo. In the very next breath he tossed the root in the air and was gone, crashing through the brush, shouting as he went. I kept on gathering roots, but my hands trembled as I dug in the earth, for I was more excited than my brother. I knew that it was a ship there on the
Scott O'Dell (Island of the Blue Dolphins)
Your enemies call it comeuppance and relish the details of a drug too fine, how long you must have dangled there beside yourself. In the middle distance of your twenty-ninth year, night split open like a fighter's bruised palm, a purple ripeness. Friends shook their heads. With you it was always the next attractive trouble, as if an arranged marriage had been made in a country of wing walkers, lion tamers, choirboys leaping from bellpulls into the high numb glitter, and you, born with the breath of wild on your tongue brash as gin. True, it was charming for a while. Your devil's balance, your debts. Then no one was laughing. Hypodermic needles and cash registers emptied themselves in your presence. Cars went head-on. Sympathy, old motor, ran out or we grew old, our tongues wearing little grooves in our mouths clucking disappointment. Michael, what pulled you up by upstart roots and set you packing, left the rest of us here, body-heavy on the edge of our pews. Over the reverend's lament we could still hear laughter, your mustache the angled black wings of a perfect crow. Later we taught ourselves the proper method for mourning haphazard life: salt, tequila, lemon. Drinking and drifting in your honor we barely felt a thing.
Dorothy Barresi (All of the Above)
I never wanted it to end. I wondered if it felt like this the first time. Seeing him. Really seeing him. He wiped his eyes. “You really want to know, don’t you.” “Yeah.” “Why?” I gave in. I couldn’t not. I reached over and put my hand on his knee. He tensed briefly but settled when I curled my fingers over his leg, just letting my hand rest there. I couldn’t look at him. I thought my face was on fire. He said, “That’s….” His voice broke. He cleared his throat. “After the hunters came, something shifted. Between us. I don’t know how or why exactly. You stopped being weird around me.” “Seems like I’ve picked that right up again.” He chuckled. “A little. It’s okay, though. It’s like… a beginning. You came to me one day. You were sweating. I remember thinking something bad had happened because you kept wringing your hands until I thought you were going to break your bones. I asked you what was wrong. And you know what you said? “Probably something stupid.” “You said that you didn’t think you could ever give up on me. That no matter how long it took, you would be there until I told you otherwise. That you weren’t going to push me for anything but you thought I should know that you had… intentions.” “Oh dear god,” I said in horror. “And that worked?” Kelly snorted, and I felt his hand on the back of mine. “Not quite. But what you said next did.” I looked over at him. “What did I say?” He was watching me with human eyes, and I thought I could love him. I saw how easy it could be. I didn’t, not yet, but oh, I wanted to. “You said you thought the world of me. That we’d been through so much and you couldn’t stand another day if I didn’t know that. You told me that you were a good wolf, a strong wolf, and if I’d only give you a chance, you’d make sure I’d never regret it.” I had to know. “Have you?” “No,” he whispered. “Not once. Not ever.” He looked away. “It was good between us. We took it slow. You smiled all the time. You brought me flowers once. Mom was pissed because you ripped them up from her flower bed and there were still roots and dirt hanging from the bottom, but you were so damn proud of yourself. You said it was romantic. And I believed you.” He plucked a blade of grass and held it in the palm of his hand. “There was something… I don’t know. Endless. About you and me.” He took my hand off his knee and turned it over. He set the blade of grass in my palm and closed his hand over mine. He looked toward the sky and the stars through the canopy of leaves. “We came here sometimes. Just the two of us. And you would pretend to know all the stars. You would make up stories that absolutely weren’t true, and I remember looking at you, thinking how wonderful it was to be by your side. And if we were lucky, there’d be—ah. Look. Again.” His voice was wet and soft, and it cracked me right down the middle. Fireflies rose around us, pulsing slowly. At first there were only two or three, but then more began to hang heavy in the air. They were yellow-green, and I wondered how this could be real. Here. Now. This moment. How I ever could have forgotten this. Forgotten him. It had to have been the strongest magic the world had ever known. That was the only way I’d have ever left his side. He reached out with his other hand, quick and light, and snatched a firefly out of the air. He was careful not to crush it. He leaned his head toward mine like he was about to tell me a great secret. Instead he opened his hand between us. The firefly lay near the bottom of his ring finger. Its shell was black with a stripe down the middle. It barely moved. “Just wait,” Kelly whispered. I did. It only took a moment. The firefly pulsed in his hand. “There it is,” he said. He pulled away and lifted his hand. The firefly took to its wings, lifting off and flying away. He stared after it. I only had eyes for him.
T.J. Klune (Heartsong (Green Creek, #3))
NAMING THE EARTH (a poem of light for national poetry day) And the world will be born again in circles of steaming breath and beams of light as each one of us directs our inner eye upon its name. Hear the cry of wings, the sigh of leaves and grass, smell the new sweet mist rising as the pathway is cleared at last. Stones stand ready - they have known since ages and ages ago that they were not alone. Water carries the planet's energy into skies and down to earth and bones. The cold parts steadily as we come together, bodies and hearts warm, hands tingling. We are silent but our eyes are singing. We look, we feel, we know, we trust each other's souls, we have no need to speak. Not now, but later, when the time is right, the name will ring within the iron core of each other's listening - and the very earth's being. Every creature, every plant, will hear it calling, tolling like a bell - a sound we've always felt but never dared to hope to hear reverberating - true at last, at every level of existence. The poets come together to open the intimate centre. Believe in life and air - breathe the light itself, for these are the energies and rhythms that we need to see, to touch, to reach, to identify, to say, the NAME. Colours on your skin fuse and dissolve - leave the river clean for pure space and time to enter and flow in. We all become one fluid stream of stillness and motion, of flaring thought pulses discovering weird pools and twists within where darkness hides from the flames in our eyes but will not snare us. We probe deeper still, journeying towards a unity which will be more raw and yet also more formed than anything written or spoken before. Our fragile bodies fall away - and the trees, and the roots of trees, guide us - lead us away from the faces we remember seeing each day in the mirror - into an ocean of dreams seething with warmth, love, where the beginning is real, ripe, evolving. And the world is born again in circles of steaming breath and beams of light. An ache - a signal - a trembling moment - and the time is right to say the name. We sing as one whole voice of the universal - all the words, the names of every tiny thirsting thing, and they ring out together as one sound, one energy, one sense, one vibration, one breath. And the world listens, beats, shines, glows - IS - Exists!
Jay Woodman
She leans back again against the pine’s trunk. Some slight change in the atmosphere, the humidity, and her mind becomes a greener thing. At midnight, on this hillside, perched in the dark above this city with her pine standing in for a Bo, Mimi gets enlightened. The fear of suffering that is her birthright—the frantic need to steer—blows away on the wind, and something else wings down to replace it. Messages hum from out of the bark she leans against. Chemical semaphores home in over the air. Currents rise from the soil-gripping roots, relayed over great distances through fungal synapses linked up in a network the size of the planet. The signals say: A good answer is worth reinventing from scratch, again and again. They say: The air is a mix we must keep making. They say: There’s as much belowground as above. They tell her: Do not hope or despair or predict or be caught surprised. Never capitulate, but divide, multiply, transform, conjoin, do, and endure as you have all the long day of life. There are seeds that need fire. Seeds that need freezing. Seeds that need to be swallowed, etched in digestive acid, expelled as waste. Seeds that must be smashed open before they’ll germinate. A thing can travel everywhere, just by holding still. The next day dawns. The sun rises so slowly that even the birds forget there was ever anything else but dawn. People drift back through the park on their way to jobs, appointments, and other urgencies. Making a living. Some pass within a few feet of the altered woman. Mimi comes to, and speaks her very first Buddha’s words. “I’m hungry.” The answer comes from right above her head. Be hungry. “I’m thirsty.” Be thirsty. “I hurt.” Be still and feel.
Richard Powers (The Overstory)
Urgent Story" When the oracle said, ‘If you keep pigeons you will never lose home.’ I kept pigeons. They flicked their red eyes over me, a deft trampling of that humanly proud distance by which remaining aloof in it’s own fullness. I administered crumbs, broke sky with them like breaking the lemon-light of the soul's amnesia for what It wants but will neither take nor truh let go. How it revived me, to release them! And at that moment of flight to disavow the imprint, to tear their compass, out by the roots of some green meadow they might fly over on the way to an immaculate freedom, meadow in which a woman has taken off her blouse, then taken off the man's flannel shirt in their sky-drenched arc of one, then the other above each other's eyelids is a branding of daylight, the interior of its black ambush in which two joys lame the earth a while with heat and cloudwork under wing-beats. Then she was quiet with him. And he with her. The world hummed with crickets, with bees nudging the lupins. It is like that when the earth counts its riches—noisy with desire even when desire has strengthened our bodies and moved us into the soak of harmony. Her nipples in sunlight have crossed his palm wind-sweet with savor and the rest is so knelt before that when they stand upright the flight-cloud of my tamed birds shapes an arm too short for praise. Oracle, my dovecot is an over and over nearer to myself when its black eyes are empty. But by nightfall I am dark before dark if one bird is missing. Dove left open by love in a meadow, Dove commanding me not to know where it sank into the almost-night—for you I will learn to play the concertina, to write poems full of hateful jasmine and longing, to keep the dead alive, to sicken at the least separation. Dove, for whose sake I will never reach home.
Tess Gallagher (My Black Horse: New & Selected Poems)
He was smiling! That was it; her actual sunrise. It lit the candles of answers to every query of her life. . Having wings is one thing and flying another. Having eyes is one thing and dreaming another. Having a heart is one thing and falling in love, quite another. . Destiny is the root of all limitations and a dream is the seed for all liberations. . By the way, is it darkness that gives light an identity or is it the other way round? . If life is divided into two parts, then one part is definitely about living it and the other, about missing the moments lived. . How can I comfort anyone with words of hope when I am myself empty of it? . It might all sound bizarre to you because I am sharing my thoughts for her only today but believe me something happened from the first time I saw her. Something did happen. The air (or what was it?) told me she was mine though I was a little apprehensive to accept the fact then but now, I think I am in love. No, I know I am in love for the first time in my life. (Ritwika was just a crush). It’s crazy, I know. It’s only been few weeks that I first saw her. I haven’t even talked to her till now. But does that really matter? . What the fuck is it with first love? So many ifs and buts. Damn! . Seriously I do have something to tell God: It’s tough to be God, I know, but mind you it’s tougher to be human in this crazy fucking world of yours. . No one asked me or forced me not to hug happiness but I consciously chose to sleep with pain. . I am not happy so I can’t stand anyone who is. . But I am helpless…you are helpless…we are helpless…the world is helpless and even help is helpless. . It’s not about reaching the edge, it’s about the jump. A jump for onetime-the fall of a lifetime. . It was eight years ago but time doesn't heal all wounds. . Isn't it better to lie and encourage a significant construction than to speak the truth and witness destruction? . From today onwards Radhika is not only a part of my life but also a part of my heart, my mind, my soul, my will, my zeal, my happiness, my tears, my depression, my excitement, my interests, my decisions, my character and my identity. . The times that go away at the blink of an eye are actually the times which eventually get placed inside the safe of our most treasured memories. . Life is no movie where we need to necessarily get all things right by the end. . She is too sexy to forget.
Novoneel Chakraborty (A Thing Beyond Forever)
The Garden" How vainly men themselves amaze To win the palm, the oak, or bays, And their uncessant labours see Crown’d from some single herb or tree, Whose short and narrow verged shade Does prudently their toils upbraid; While all flow’rs and all trees do close To weave the garlands of repose. Fair Quiet, have I found thee here, And Innocence, thy sister dear! Mistaken long, I sought you then In busy companies of men; Your sacred plants, if here below, Only among the plants will grow. Society is all but rude, To this delicious solitude. No white nor red was ever seen So am’rous as this lovely green. Fond lovers, cruel as their flame, Cut in these trees their mistress’ name; Little, alas, they know or heed How far these beauties hers exceed! Fair trees! wheres’e’er your barks I wound, No name shall but your own be found. When we have run our passion’s heat, Love hither makes his best retreat. The gods, that mortal beauty chase, Still in a tree did end their race: Apollo hunted Daphne so, Only that she might laurel grow; And Pan did after Syrinx speed, Not as a nymph, but for a reed. What wond’rous life in this I lead! Ripe apples drop about my head; The luscious clusters of the vine Upon my mouth do crush their wine; The nectarine and curious peach Into my hands themselves do reach; Stumbling on melons as I pass, Ensnar’d with flow’rs, I fall on grass. Meanwhile the mind, from pleasure less, Withdraws into its happiness; The mind, that ocean where each kind Does straight its own resemblance find, Yet it creates, transcending these, Far other worlds, and other seas; Annihilating all that’s made To a green thought in a green shade. Here at the fountain’s sliding foot, Or at some fruit tree’s mossy root, Casting the body’s vest aside, My soul into the boughs does glide; There like a bird it sits and sings, Then whets, and combs its silver wings; And, till prepar’d for longer flight, Waves in its plumes the various light. Such was that happy garden-state, While man there walk’d without a mate; After a place so pure and sweet, What other help could yet be meet! But ’twas beyond a mortal’s share To wander solitary there: Two paradises ’twere in one To live in paradise alone. How well the skillful gard’ner drew Of flow’rs and herbs this dial new, Where from above the milder sun Does through a fragrant zodiac run; And as it works, th’ industrious bee Computes its time as well as we. How could such sweet and wholesome hours Be reckon’d but with herbs and flow’rs!
Andrew Marvell (Miscellaneous Poems)
I work as fast as I can. Binah will come soon looking for me. It’s Mother, however, who descends the back steps into the yard. Binah and the other house slaves are clumped behind her, moving with cautious, synchronized steps as if they’re a single creature, a centipede crossing an unprotected space. I sense the shadow that hovers over them in the air, some devouring dread, and I crawl back into the green-black gloom of the tree. The slaves stare at Mother’s back, which is straight and without give. She turns and admonishes them. “You are lagging. Quickly now, let us be done with this.” As she speaks, an older slave, Rosetta, is dragged from the cow house, dragged by a man, a yard slave. She fights, clawing at his face. Mother watches, impassive. He ties Rosetta’s hands to the corner column of the kitchen house porch. She looks over her shoulder and begs. Missus, please. Missus. Missus. Please. She begs even as the man lashes her with his whip. Her dress is cotton, a pale yellow color. I stare transfixed as the back of it sprouts blood, blooms of red that open like petals. I cannot reconcile the savagery of the blows with the mellifluous way she keens or the beauty of the roses coiling along the trellis of her spine. Someone counts the lashes—is it Mother? Six, seven. The scourging continues, but Rosetta stops wailing and sinks against the porch rail. Nine, ten. My eyes look away. They follow a black ant traveling the far reaches beneath the tree—the mountainous roots and forested mosses, the endless perils—and in my head I say the words I fashioned earlier. Boy Run. Girl Jump. Sarah Go. Thirteen. Fourteen . . . I bolt from the shadows, past the man who now coils his whip, job well done, past Rosetta hanging by her hands in a heap. As I bound up the back steps into the house, Mother calls to me, and Binah reaches to scoop me up, but I escape them, thrashing along the main passage, out the front door, where I break blindly for the wharves. I don’t remember the rest with clarity, only that I find myself wandering across the gangplank of a sailing vessel, sobbing, stumbling over a turban of rope. A kind man with a beard and a dark cap asks what I want. I plead with him, Sarah Go. Binah chases me, though I’m unaware of her until she pulls me into her arms and coos, “Poor Miss Sarah, poor Miss Sarah.” Like a decree, a proclamation, a prophecy. When I arrive home, I am a muss of snot, tears, yard dirt, and harbor filth. Mother holds me against her, rears back and gives me an incensed shake, then clasps me again. “You must promise never to run away again. Promise me.” I want to. I try to. The words are on my tongue—the rounded lumps of them, shining like the marbles beneath the tree. “Sarah!” she demands. Nothing comes. Not a sound. I remained mute for a week. My words seemed sucked into the cleft between my collar bones. I rescued them by degrees, by praying, bullying and wooing. I came to speak again, but with an odd and mercurial form of stammer. I’d never been a fluid speaker, even my first spoken words had possessed a certain belligerent quality, but now there were ugly, halting gaps between my sentences, endless seconds when the words cowered against my lips and people averted their eyes. Eventually, these horrid pauses began to come and go according to their own mysterious whims. They might plague me for weeks and then remain away months, only to return again as abruptly as they left.
Sue Monk Kidd (The Invention of Wings)