Alone Girl Quotes

We've searched our database for all the quotes and captions related to Alone Girl. Here they are! All 100 of them:

I used to think as I looked out on the Hollywood night — there must be thousands of girls sitting alone like me, dreaming of becoming a movie star. But I'm not going to worry about them. I'm dreaming the hardest.
Marilyn Monroe
You should date a girl who reads. Date a girl who reads. Date a girl who spends her money on books instead of clothes, who has problems with closet space because she has too many books. Date a girl who has a list of books she wants to read, who has had a library card since she was twelve. Find a girl who reads. You’ll know that she does because she will always have an unread book in her bag. She’s the one lovingly looking over the shelves in the bookstore, the one who quietly cries out when she has found the book she wants. You see that weird chick sniffing the pages of an old book in a secondhand book shop? That’s the reader. They can never resist smelling the pages, especially when they are yellow and worn. She’s the girl reading while waiting in that coffee shop down the street. If you take a peek at her mug, the non-dairy creamer is floating on top because she’s kind of engrossed already. Lost in a world of the author’s making. Sit down. She might give you a glare, as most girls who read do not like to be interrupted. Ask her if she likes the book. Buy her another cup of coffee. Let her know what you really think of Murakami. See if she got through the first chapter of Fellowship. Understand that if she says she understood James Joyce’s Ulysses she’s just saying that to sound intelligent. Ask her if she loves Alice or she would like to be Alice. It’s easy to date a girl who reads. Give her books for her birthday, for Christmas, for anniversaries. Give her the gift of words, in poetry and in song. Give her Neruda, Pound, Sexton, Cummings. Let her know that you understand that words are love. Understand that she knows the difference between books and reality but by god, she’s going to try to make her life a little like her favorite book. It will never be your fault if she does. She has to give it a shot somehow. Lie to her. If she understands syntax, she will understand your need to lie. Behind words are other things: motivation, value, nuance, dialogue. It will not be the end of the world. Fail her. Because a girl who reads knows that failure always leads up to the climax. Because girls who read understand that all things must come to end, but that you can always write a sequel. That you can begin again and again and still be the hero. That life is meant to have a villain or two. Why be frightened of everything that you are not? Girls who read understand that people, like characters, develop. Except in the Twilight series. If you find a girl who reads, keep her close. When you find her up at 2 AM clutching a book to her chest and weeping, make her a cup of tea and hold her. You may lose her for a couple of hours but she will always come back to you. She’ll talk as if the characters in the book are real, because for a while, they always are. You will propose on a hot air balloon. Or during a rock concert. Or very casually next time she’s sick. Over Skype. You will smile so hard you will wonder why your heart hasn’t burst and bled out all over your chest yet. You will write the story of your lives, have kids with strange names and even stranger tastes. She will introduce your children to the Cat in the Hat and Aslan, maybe in the same day. You will walk the winters of your old age together and she will recite Keats under her breath while you shake the snow off your boots. Date a girl who reads because you deserve it. You deserve a girl who can give you the most colorful life imaginable. If you can only give her monotony, and stale hours and half-baked proposals, then you’re better off alone. If you want the world and the worlds beyond it, date a girl who reads. Or better yet, date a girl who writes.
Rosemarie Urquico
The best remedy for those who are afraid, lonely or unhappy is to go outside, somewhere where they can be quite alone with the heavens, nature and God. Because only then does one feel that all is as it should be and that God wishes to see people happy, amidst the simple beauty of nature. As longs as this exists, and it certainly always will, I know that then there will always be comfort for every sorrow, whatever the circumstances may be. And I firmly believe that nature brings solace in all troubles.
Anne Frank (The Diary of a Young Girl)
Never did the world make a queen of a girl who hides in houses and dreams without traveling.
Roman Payne (The Wanderess)
Once upon a time, a little girl was raised by monsters. But angels burned the doorways to their world, and she was all alone.
Laini Taylor (Daughter of Smoke & Bone (Daughter of Smoke & Bone, #1))
She had become accustomed to being lonely. She was used to walking alone and to being considered 'different.' She did not suffer too much.
Betty Smith (A Tree Grows in Brooklyn)
All the girls in the world were divided into two classes: one class included all the girls in the world except her, and they had all the usual human feelings and were very ordinary girls; while the other class -herself alone- had no weaknesses and was superior to all humanity.
Leo Tolstoy (Anna Karenina)
Alone also means available for someone outstanding.
Greg Behrendt (It's Called a Breakup Because It's Broken: The Smart Girl's Break-Up Buddy)
It didn't matter in the end how old they had been, or that they were girls, but only that we had loved them, and that they hadn't heard us calling, still do not hear us, up here in the tree house, with our thinning hair and soft bellies, calling them out of those rooms where they went to be alone for all time, alone in suicide, which is deeper than death, and where we will never find the pieces to put them back together.
Jeffrey Eugenides (The Virgin Suicides)
Often a man wishes to be alone and a girl wishes to be alone too and if they love each other they are jealous of that in each other, but I can truly say we never felt that. We could feel alone when we were together, alone against the others. But we were never lonely and never afraid when we were together.
Ernest Hemingway (A Farewell to Arms)
She moaned into her pillow. "Go away. I feel like dying." "No fair maiden should die alone," he said, putting a hand on hers. "Shall I read to you in your final moments? What story would you like?" She snatched her hand back. "How about the story of the idiotic prince who won't leave the assassin alone?" "Oh! I love that story! It has such a happy ending, too—why, the assassin was really feigning her illness in order to get the prince's attention! Who would have guessed it? Such a clever girl. And the bedroom scene is so lovely—it's worth reading through all of their ceaseless banter!
Sarah J. Maas (Throne of Glass (Throne of Glass, #1))
...and you drink a little too much and try a little too hard. And you go home to a cold bed and think, 'That was fine'. And your life is a long line of fine.
Gillian Flynn (Gone Girl)
I can do this… I can start over. I can save my own life and I’m never going to be alone as long as I have stars to wish on and people to still love.
Jennifer Elisabeth (Born Ready: Unleash Your Inner Dream Girl)
Hey, Macey, sorry to drop in but Cammie just had to be alone with me. You know how she gets.
Ally Carter (Don't Judge a Girl by Her Cover (Gallagher Girls, #3))
As far as I am concerned, I resign from humanity. I no longer want to be, nor can still be, a man. What should I do? Work for a social and political system, make a girl miserable? Hunt for weaknesses in philosophical systems, fight for moral and esthetic ideals? It’s all too little. I renounce my humanity even though I may find myself alone. But am I not already alone in this world from which I no longer expect anything?
Emil M. Cioran (On the Heights of Despair)
Here's to the kids. The kids who would rather spend their night with a bottle of coke & Patrick or Sonny playing on their headphones than go to some vomit-stained high school party. Here's to the kids whose 11:11 wish was wasted on one person who will never be there for them. Here's to the kids whose idea of a good night is sitting on the hood of a car, watching the stars. Here's to the kids who never were too good at life, but still were wicked cool. Here's to the kids who listened to Fall Out boy and Hawthorne Heights before they were on MTV...and blame MTV for ruining their life. Here's to the kids who care more about the music than the haircuts. Here's to the kids who have crushes on a stupid lush. Here's to the kids who hum "A Little Less 16 Candles, A Little More Touch Me" when they're stuck home, dateless, on a Saturday night. Here's to the kids who have ever had a broken heart from someone who didn't even know they existed. Here's to the kids who have read The Perks of Being a Wallflower & didn't feel so alone after doing so. Here's to the kids who spend their days in photobooths with their best friend(s). Here's to the kids who are straight up smartasses & just don't care. Here's to the kids who speak their mind. Here's to the kids who consider screamo their lullaby for going to sleep. Here's to the kids who second guess themselves on everything they do. Here's to the kids who will never have 100 percent confidence in anything they do, and to the kids who are okay with that. Here's to the kids. This one's not for the kids, who always get what they want, But for the ones who never had it at all. It's not for the ones who never got caught, But for the ones who always try and fall. This one's for the kids who didnt make it, We were the kids who never made it. The Overcast girls and the Underdog Boys. Not for the kids who had all their joys. This one's for the kids who never faked it. We're the kids who didn't make it. They say "Breaking hearts is what we do best," And, "We'll make your heart be ripped of your chest" The only heart that I broke was mine, When I got My Hopes up too too high. We were the kids who didnt make it. We are the kids who never made it.
Pete Wentz
Words were weapons, his father had taught him that, and he'd wanted to hurt Clary more than he'd ever wanted to hurt any girl. In fact, he wasn't sure he had ever wanted to hurt a girl before. Usually he just wanted them, and then he wanted them to leave him alone.
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
Ah yes, the most dangerous person at the party is always the girl sitting alone with a book.
Brigid Kemmerer (A Heart So Fierce and Broken (Cursebreakers, #2))
As she read, at peace with the world and happy as only a little girl could be with a fine book and a little bowl of candy, and all alone in the house, the leaf shadows shifted and the afternoon passed.
Betty Smith (A Tree Grows in Brooklyn)
Now you listen here, mister,” I said, trying for a more adult tone. “I’m not going to spend every night listening to you try to crash you girl’s head through my wall with the force of your dick alone!
Alice Clayton (Wallbanger (Cocktail, #1))
The wolf said, "You know, my dear, it isn't safe for a little girl to walk through these woods alone." Red Riding Hood said, "I find your sexist remark offensive in the extreme, but I will ignore it because of your traditional status as an outcast from society, the stress of which has caused you to develop your own, entirely valid, worldview. Now, if you'll excuse me, I must be on my way.
James Finn Garner (Politically Correct Bedtime Stories)
I did not know I was lonely, she thought, until I was no longer alone.
Katherine Arden (The Girl in the Tower (The Winternight Trilogy, #2))
Crying can bring relief, as long as you don't cry alone.
Anne Frank (The Diary of a Young Girl)
They were each other’s crutch to lean on when life got too much to carry alone.
Holly Jackson (A Good Girl's Guide to Murder (A Good Girl's Guide to Murder, #1))
Here's a tip. If you touch a girl, even as joke, and she pushes you off, leave... her... alone. Don't touch her. Anywhere! Just stop. Your touch does nothing but sicken her.
Jay Asher (Thirteen Reasons Why)
The best remedy for those who are afraid, lonely or unhappy is to go outside, somewhere where they can be quite alone with the heavens, nature and God.
Anne Frank (The Diary of a Young Girl)
So ... will you stay with me until it's over? Please?" "Kaylee, I would do anything for the girl who granted my dying wish.
Rachel Vincent (If I Die (Soul Screamers, #5))
girls please give your bodies and your lives to the young men who deserve them besides there is no way I would welcome the intolerable dull senseless hell you would bring me and I wish you luck in bed and out but not in mine thank you.
Charles Bukowski (You Get So Alone at Times That it Just Makes Sense)
And there's a cop over there." "What?" the boy said, glancing at the D.C. police officer that stood at the corner of the street, "You think that guy can do a better job protecting you than I can?" Actually, I thought Liz could have done a better job "protecting" me than he could, but instead I said, "No, I think if you don't leave me alone, I can scream and that cop will arrest you." Somehow the boy seemed to know it was a joke...
Ally Carter (Cross My Heart and Hope to Spy (Gallagher Girls, #2))
A girl was like a kite; without her mother's strong, steady hold on the string, she might just float away, be lost somewhere among the clouds.
Kristin Hannah (The Great Alone)
I'm not afraid to be alone like you are.
Courtney Summers (Some Girls Are)
But then she happened. The girl who had never been able to call her life her own taught a boy who had the world at his fingertips exactly what it meant to live. He wasn’t alone anymore.
J.M. Darhower (Sempre (Sempre, #1))
The stories never said why she was wicked. It was enough to be an old woman, enough to be all alone, enough to look strange because you have no teeth. It was enough to be called a witch. If it came to that, the book never gave you the evidence of anything. It talked about "a handsome prince"... was he really, or was it just because he was a prince that people called handsome? As for "a girl who was as beautiful as the day was long"... well, which day? In midwinter it hardly ever got light! The stories don't want you to think, they just wanted you to believe what you were told...
Terry Pratchett (The Wee Free Men (Discworld, #30; Tiffany Aching, #1))
Being an introvert doesn’t mean you’re shy. It means you enjoy being alone. Not just enjoy it—you need it. If you’re a true introvert, other people are basically energy vampires. You don’t hate them; you just have to be strategic about when you expose yourself to them—like the sun. They give you life, sure, but they can also burn you and
Amy Schumer (The Girl with the Lower Back Tattoo)
Sleep is like a cat: It only comes to you if you ignore it. I drank more and continued my mantra. 'Stop thinking', swig, 'empty your head', swig, 'now, seriously empty your head'.
Gillian Flynn (Gone Girl)
Everyone has heard stories of women like us—cautionary tales, morality plays, warnings of what will befall you if you are a girl too wild for the world, a girl who asks too many questions or wants too much. If you set off into the world alone. Everyone has heard stories of women like us, and now we will make more of them.
Mackenzi Lee (The Lady's Guide to Petticoats and Piracy (Montague Siblings, #2))
We can't stop the world, but there's so much more that we could do You can't stop this girl from falling more in love with you You said nobody has to know Give us time to grow, and take it slow but I'd stop the world if it finally let us be alone Let us be alone oooo ohhh oh
Demi Lovato
And yet he had loved her. A Bookish girl heedless of her beauty, unconscious of her effect. She'd been prepared to live her life alone but from the moment he'd known her he'd needed her.
Jhumpa Lahiri (The Lowland)
That's how powerful you are, girl...You pretty, but pretty alone is not what people see. You the kinda pretty, the kinda beauty, that's like a mirror. Men and women see themselves in you, only now they so beautiful that they can't bear to see you go.
Walter Mosley (The Last Days of Ptolemy Grey)
Got you. You're mine now. For the rest of the day, week, month, year, life. Have you guessed who I am? Sometimes I think you have. Sometimes when you're standing in a crowd I feel those sultry, dark eyes of yours stop on me. Are you too afraid to come up to me and let me know how you feel? I want to moan and writhe with you and I want to go up to you and kiss your mouth and pull you to me and say "I love you I love you I love you" while stripping. I want you so bad it stings. I want to kill the ugly girls that you're always with. Do you really like those boring, naive, coy, calculating girls or is it just for sex? The seeds of love have taken hold, and if we won't burn together, I'll burn alone.
Bret Easton Ellis (The Rules of Attraction)
A woman with a book never goes to bed alone.
Willow Winters (Bad Girl (Valetti Crime Family #4))
Girls, there are poets who learn from you to say, what you, in your aloneness, are; and they learn through you to live distantness, as the evenings through the great stars become accustomed to eternity.
Rainer Maria Rilke (The Book of Images)
I'm not normally one to take advice from my fictional characters, but there comes a point in every girl's life where she reaches a crossroads: a night alone with her sweatpants and her favorite television show, or a party with real, live, breathing people.
Francesca Zappia (Eliza and Her Monsters)
Smile and the world smiles with you, cry and you cry alone.
Susanna Kaysen (Girl, Interrupted)
How will I stop loving him, Mama? Will I .... forget ? Mama sighed. Ah. That. Love doesn't fade or die, baby girl. People tell you it does, but it doesn't. If you love him now, you'll love him in ten years and in forty. Differently, maybe , a faded version, but he's part of you now. And you are part of him.
Kristin Hannah (The Great Alone)
I would make this girl want me, need me, love me, because fuck if I was going it alone.
Danielle Lori (The Sweetest Oblivion (Made, #1))
Eventually, we all end up alone.
Ally Carter (Out of Sight, Out of Time (Gallagher Girls, #5))
Cammie!" I'll never forget the tone of Macey's voice in that moment. "Cam," she said slowly, moving toward me, "I know how it feels to be watched every second of every day. I know what it's like to trust fewer and fewer people until it seems like you are completely alone in the world. I know you think the only things that are left in your life are the bad things. I know what you're feeling, Cam." Her hands were on my shoulders. Her blue eyes were staring into mine. "I know.
Ally Carter (Only the Good Spy Young (Gallagher Girls, #4))
And finally, to girls everywhere, I am with you. On nights when you feel alone, I am with you. When people doubt you or dismiss you, I am with you. I fought everyday for you. So never stop fighting, I believe you.
Chanel Miller
It's a shame you left without a word, you know. She was just beginning to trust you before that. Before you got angry. Before you ran off. Just like every other man in her life. Lusting after her, full of sweet words, then just walking away. Leaving her alone. Good thing she's used to it by now, isn't it? Otherwise you might have hurt her. Otherwise you just might have broken that poor girl's heart
Patrick Rothfuss (The Wise Man’s Fear (The Kingkiller Chronicle, #2))
I thought what I'd do was, I'd pretend I was one of those deaf-mutes. That way I wouldn't have to have any goddam stupid useless conversations with anybody. If anybody wanted to tell me something, they'd have to write it on a piece of paper and shove it over to me. They'd get bored as hell doing that after a while, and then I'd be through with having conversations for the rest of my life. Everybody'd think I was just a poor deaf-mute bastard and they'd leave me alone . . . I'd cook all my own food, and later on, if I wanted to get married or something, I'd meet this beautiful girl that was also a deaf-mute and we'd get married. She'd come and live in my cabin with me, and if she wanted to say anything to me, she'd have to write it on a piece of paper, like everybody else
J.D. Salinger (The Catcher in the Rye)
I don't want to be the girl who freezes when confronted with new friends, or the outside world, or the smallest shred of intimacy. I don't want to be alone in a room all the time. I don't want to feel alone in a room all the time, even when there are other people around.
Francesca Zappia (Eliza and Her Monsters)
I don’t think that I’ve been in love as such Although I liked a few folk pretty well Love must be vaster than my smiles or touch for brave men died and empires rose and fell For love, girls follow boys to foreign lands and men have followed women into hell In plays and poems someone understands there’s something makes us more than blood and bone and more than biological demands For me love’s like the wind, unseen, unknown I see the trees are bending where it’s been I know that it leaves wreckage where it’s blown I really don’t know what "I love you" means I think it means "don’t leave me here alone
Neil Gaiman (Adventures in the Dream Trade)
Well, you've finally got a license to kill. It's about time. " I turned and met the amused eyes of Christian Ozera, a onetime annoyance who'd become a good friend. So good, in fact, that in my joyous zeal, I reached out and hugged him--something he clearly didn't expect. I was surprising everyone today. "Whoa, whoa, " he said backing up, flushing. "It figures. You're the only girl who'd get all emotional about the thought of killing. I don't even want to think about what goes on when you and Ivashkov are alone.
Richelle Mead (Spirit Bound (Vampire Academy, #5))
You know why I don’t leave,” he said again to Damon, who wouldn’t look at him. “You can pretend you don’t care. You can fool the whole world. But I know differently.” It would have been kindest at this point to leave Damon alone, but Stefan wasn’t in a kind mood. “You know that girl you picked up, Rachael?” he added. “The hair was all right, but her eyes were the wrong color. Elena’s eyes were blue.
L.J. Smith (Dark Reunion (The Vampire Diaries, #4))
I learned a long time ago that life introduces young people to situations they are in no way prepared for, even good girls, lucky girls who want for nothing. Sometimes, when you least expect it, you become the girl in the woods. You lose your name because another one is forced on you. You think you are alone until you find books about girls like you. Salvation is certainly among the reasons I read. Reading and writing have always pulled me out of the darkest experiences in my life. Stories have given me a place in which to lose myself. They have allowed me to remember. They have allowed me to forget. They have allowed me to imagine different endings and better possible worlds.
Roxane Gay (Bad Feminist)
In the book Soldiers on the Home Front, I was greatly struck by the fact that in childbirth alone, women commonly suffer more pain, illness and misery than any war hero ever does. An what's her reward for enduring all that pain? She gets pushed aside when she's disfigured by birth, her children soon leave, hear beauty is gone. Women, who struggle and suffer pain to ensure the continuation of the human race, make much tougher and more courageous soldiers than all those big-mouthed freedom-fighting heroes put together.
Anne Frank (The Diary of a Young Girl)
We know it's all just daydreaming. In all likelihood, no one in this forest'll ever get a javelin, and I'll never see my mother's kingdom again, let alone be hailed by crowds as the jewel of Kildenree. Maybe it's vain to wish for it. But sometimes, it'd be nice just to hold something real in your hands that felt like a measure of your worth. Right Finn?
Shannon Hale (The Goose Girl (The Books of Bayern, #1))
I keep telling myself That you’re just a girl. Another leaf blown across my path Destined to pass on And shrivel into yourself Like all the others. Yet despite my venom You refuse to wither Or fade. You remain golden throughout, And in your gaze I am left to wonder if it is me alone Who feels the fall.
Kelly Creagh (Enshadowed (Nevermore, #2))
You have a child, so you know. You are my heart, baby girl. You are everything I did right. And I want you to know I would do it all again, every wonderful terrible second of it. I would do years and years of it again for one minute with you.
Kristin Hannah (The Great Alone)
Now, what I want is Facts. Teach these boys and girls nothing but Facts. Facts alone are wanted in life. Plant nothing else, and root out everything else. You can only form the minds of reasoning animals upon Facts; nothing else will ever be of any service to them.
Charles Dickens (Hard Times)
She threw the door open. The room seemed to be a sort of library, the walls lined with books. It was brightly lit, light streaming through a tall picture window. In the middle of the room stood Jace. He wasn't alone, though-not by a long shot. There was a dark-haired girl with him, a girl Clary had never seen before, and the two of them were locked together in a passionate embrace
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
A girl who travels will need someone that questions her, not too little, and not too much. She’ll need someone to read her, but also really listen to her. Because she’ll want to do the same. She’ll want a person that shares an interest but at the same time stays genuine to who they are. Not drown in a puddle of narcissism. And not drown in a lake of fascination.
lauren klarfeld
It was in nightmares, and crashing pans, and heavy breaths, and dropped pencils, and thunderstorms, and closing doors, and too loud, and too quiet, and alone and not, and the ruffle of pages, and the tapping of keys and every click and every creak. The gun was always there. It lived inside her now.
Holly Jackson (Good Girl, Bad Blood (A Good Girl's Guide to Murder, #2))
What is it with girls?” Elliot said, splitting a smile between us. “I swear, I’ve never known a girl who could go to the bathroom alone.” He leaned forward and grinned conspiratorially. “Let me in on the secret. Seriously. I’ll pay you five bucks each.” He reached for his back pocket. “Ten, if I can come along and see what the big deal is.
Becca Fitzpatrick (Hush, Hush (Hush, Hush, #1))
St. Clair gets a crush on Anna. He's torn between her and Ellie, and he spends so much time running between them that he hardly has time left for Josh. And the more time that Josh spends alone, the more he realizes how alone he actually is. All of his friends will be gone the next year. Josh grows increasingly antagonistic toward school, which makes Rashmi increasingly antagonistic toward him, which makes him increasingly antagonistic toward her. And she's upset because Elie dropped her as a friend, and Meredith is upset because now St. Clair likes two girls who aren't her, and Anna is upset because St. Clair is leading her on, and then St. Clair's mom gets cancer. It's a freaking soap opera.
Stephanie Perkins (Isla and the Happily Ever After (Anna and the French Kiss, #3))
What kind of woman is still able to trust people after everything she's been through? If she'd been Vin, she would have stabbed him in the back at the first opportunity, and that would have probably been the right thing to do. Yet, this girl just continued to trust. It was like finding a beautiful plant growing alone in a field of burnt ash.
Brandon Sanderson (The Hero of Ages (Mistborn, #3))
My chest cracked open at his words. I stared into Noah's perfect face and tried to see what he saw. I tried to see us - not individually, not the arrogant, beautiful, reckless lost boy and the angry, broken girl - but what we were, who we were, together. I tried to remember holding his hand at my kitchen table and feeling for the first time since I'd left Rhode Island that I wasn't alone in this. That I belonged.
Michelle Hodkin (The Unbecoming of Mara Dyer (Mara Dyer, #1))
It’s called Yes Please because it is the constant struggle and often the right answer. Can we figure out what we want, ask for it, and stop talking? Yes please. Is being vulnerable a power position? Yes please. Am I allowed to take up space? Yes please. Would you like to be left alone? Yes please. I love saying “yes” and I love saying “please.” Saying “yes” doesn’t mean I don’t know how to say no, and saying “please” doesn’t mean I am waiting for permission. “Yes please” sounds powerful and concise. It’s a response and a request. It is not about being a good girl; it is about being a real woman. It’s also a title I can tell my kids. I like when they say “Yes please” because most people are rude and nice manners are the secret keys to the universe.
Amy Poehler (Yes Please)
At the bottom of philosophy something very true and very desperate whispers: Everyone is hungry all the time. Everyone is starving. Everyone wants so much, much more than they can stomach, but the appetite doesn't converse much with the stomach. Everyone is hungry and not only for food - for comfort and love and excitement and the opposite of being alone. Almost everything awful anyone does is to get those things and keep them.
Catherynne M. Valente (The Girl Who Soared Over Fairyland and Cut the Moon in Two (Fairyland, #3))
Almost every time i saw you, you were with him. But one day, you walked up to the building alone. I was holding the door for several girls in front of you, and i waited for you to catch up. When you reached me, you look pleased, and a little surprised. Unlike the others, you didn't expect the door to be held for you by some random guy. You smiled up at me and said, 'Thank you.' That was the last straw. I prayed you 'd never come to a session, and not with him. I didn't want you to know i was the tutor.
Tammara Webber (Easy (Contours of the Heart, #1))
Max," she said. He turned and briefly closed his eyes as the girl continued. There was once a strange, small man,"she said. Her arms were loose but her hands were fists at her side. "But there was a word shaker,too." One of the Jews on his way to Dachau had stopped walking now. He stood absolutely still as the others swerved morosely around him, leaving him completely alone. His eyes staggered, and it was so simple. The words were given across from the girl to the Jew. They climbed on to him. The next time she spoke, the questions stumbled from her mouth. Hot tears fought for room in her eyes as she would not let them out. Better to stand resolute and proud. Let the words do all of it. "Is it really you? the young man asked," she said. " Is it from your cheek that I took the seed.?" Max Vandenburg remained standing. He did not drop to his knees. People and Jews and clouds all stopped. They watched. As he stood, Max looked first at the girl and then stared directly into the sky who was wide and blue and magnificent. There were heavy beams-- planks of son-- falling randomly, wonderfully to the road. Clouds arched their backs to look behind as they started again to move on. "It's such a beautiful day," he said, and his voice was in many pieces. A great day to die. A great day to die,like this. Liesel walked at him. She was courageous enought to reach out and hold his bearded face. "Is it really you,Max?" Such a brilliant German day and its attentive crowd. He let his mouth kiss her palm. "Yes, Liesel, it's me," and he held the girl's hand in his face and cried onto her fingers. He cried as the soldiers came and a small collection of insolent Jews stood and watched.
Markus Zusak (The Book Thief)
ONCE UPON A time, there was a king who had three beautiful daughters. He loved each of them dearly. One day, when the young ladies were of age to be married, a terrible, three-headed dragon laid siege to the kingdom, burning villages with fiery breath. It spoiled crops and burned churches. It killed babies, old people, and everyone in between. The king promised a princess’s hand in marriage to whoever slayed the dragon. Heroes and warriors came in suits of armor, riding brave horses and bearing swords and arrows. One by one, these men were slaughtered and eaten. Finally the king reasoned that a maiden might melt the dragon’s heart and succeed where warriors had failed. He sent his eldest daughter to beg the dragon for mercy, but the dragon listened to not a word of her pleas. It swallowed her whole. Then the king sent his second daughter to beg the dragon for mercy, but the dragon did the same. Swallowed her before she could get a word out. The king then sent his youngest daughter to beg the dragon for mercy, and she was so lovely and clever that he was sure she would succeed where the others had perished. No indeed. The dragon simply ate her. The king was left aching with regret. He was now alone in the world. Now, let me ask you this. Who killed the girls? The dragon? Or their father?
E. Lockhart (We Were Liars)
Possibly the only good to come out of these nightmares was that it brought Hans Hubermann, her new papa, into the room, to soothe her, to love her. He came every night and sat with her. The first couple of times, he simply stayed - a stranger to kill the aloneness. A few nights after that, he whispered, "Shhh, I'm here, it's all right." After three weeks he held her. Trust was accumulated quickly, due primarily to the brute strength of the man's gentleness, his thereness. The girl knew from the outset that Hans Hubermann would always appear midscream, and he would not leave. (36)
Markus Zusak (The Book Thief)
Hello, old friend. And here we are. You and me, on the last page. By the time you read these words, Rory and I will be long gone. So know that we lived well and were very happy. And above all else, know that we will love you always. Sometimes I do worry about you though. I think once we're gone you won't be coming back here for awhile. And you might be alone. Which you should never be. Don't be alone, Doctor. And do one more thing for me. There's a little girl waiting in a garden. She's going to wait a long while, so she's going to need a lot of hope. Go to her. Tell her a story. Tell her that if she's patient, the days are coming that she'll never forget. Tell her she'll go to see and fight pirates. She'll fall in love with a man who'll wait two thousand years to keep her safe. Tell her she'll give hope to the greatest painter who ever lived. And save a whale in outer space. Tell her, this is the story of Amelia Pond. And this is how it ends.
Steven Moffat
And without you is how I disappear, And live my life alone forever now. And without you is how I disappear, And live my life alone forever now. Who walks among the famous living dead, Drowns all the boys and girls inside your bed. And if you could talk to me, Tell me if it's so, That all the good girls go to heaven. Well, heaven knows That without you is how I disappear, And live my life alone forever now. And without you is how I disappear, And live my life alone forever now. Can you hear me cry out to you? Words I thought I'd choke on figure out. I'm really not so with you anymore. I'm just a ghost, So I can't hurt you anymore, And now, you wanna see how far down I can sink? Let me go, fuck! So, you can, well now so, you can I'm so far away from you. Well now so, you can. And without you is how I disappear, And without you is how I disappear, Whoa whoa... (And without you is how I disappear) Whoa whoa... (And without you... is how, is how, is how...) Forever, forever now!
Gerard Way
That night at the hotel, in our room with the long empty hall outside and our shoes outside the door, a thick carpet on the floor of the room, outside the windows the rain falling and in the room light and pleasant and cheerful, then the light out and it exciting with smooth sheets and the bed comfortable, feeling that we had come home, feeling no longer alone, waking in the night to find the other one there, and not gone away; all other things were unreal. We slept when we were tired and if we woke the other one woke too so one was not alone. Often a man wishes to be alone and a girl wishes to be alone too and if they love each other they are jealous of that in each other, but I can truly say we never felt that. We could feel alone when we were together, alone against the others ... But we were never lonely and never afraid when we were together. I know that the night is not the same as the day: that all things are different, that the things of the night cannot be explained in the day, because they do not then exist, and the night can be a dreadful time for lonely people once their loneliness has started. But with Catherine there was almost no difference in the night except that it was an even better time. If people bring so much courage to the world the world has to kill them to break them, so of course it kills them. The world breaks every one and afterward many are strong at the broken places. But those that will not break it kills. It kills the very good and the very gentle and the very brave impartially. If you are none of these you can be sure it will kill you too but there will be no special hurry.
Ernest Hemingway (A Farewell to Arms)
I am pleased enough with the surfaces - in fact they alone seem to me to be of much importance. Such things for example as the grasp of a child's hand in your own, the flavor of an apple, the embrace of a friend or lover, the silk of a girl's thigh, the sunlight on the rock and leaves, the feel of music, the bark of a tree, the abrasion of granite and sand, the plunge of clear water into a pool, the face of the wind - what else is there? What else do we need?
Edward Abbey
Why me, then?” I ask. “Why not Branley? She’s way hotter and was just as drunk as I was.” Alex shakes her head as she sits back down. “Physical attractiveness has nothing to do with it. You were alone, isolated, and weak. The three of them had been watching girls all night, waiting for someone to separate from a group. It happened to be you, but it could’ve been anyone else. Opportunity is what matters, nothing else. […] I’m telling you, Claire. It doesn’t matter. What you were wearing. What you look like. Nothing. Watch the nature channel. Predators go for the easy prey.
Mindy McGinnis (The Female of the Species)
This Girl with nothing but her own strength and a desire to be free. With nothing but a beating heart that is scared to be alone. With nothing but clear blue eyes that see through me and understand me. With nothing but open arms ready to receive me. To stand by me. To walk with me. To love me. I love her. Lilly. The Girl with nothing and everything. Lilly. I love her. A tear appears. She smiles. She leans forward kisses my lips softly kisses me and as our lips touch barely touch she whispers. I love you too, James. Our lips barely touching she whispers. I love you. Whispers. I love you.
James Frey (A Million Little Pieces)
Guys can smell desperation. It triggers an instinct in them to run far and fast so they aren't around when a woman starts peeling apart her heart. They know she'll ask for help in putting it back together the right way - intact and beating correctly - and they dread the thought of puzzling over layers that they can't understand, let alone rebuild. They'd rather just not get blood on their hands. But sharks are different. They smell the blood of desperation and circle in. They whisper into a girl's ear, "I'll make it better. I'll make you forget all about your pain." Sharks do this by eating your heart, but they never mention this beforehand. That is the thing about sharks.
Janette Rallison (My Fair Godmother (My Fair Godmother, #1))
We should get a move on you know... ask someone. He's right. We don't want to end up with a pair of trolls." Hermione let out a sputter of indignation. "A pair of... what excuse me?" "Well - you know," said Ron shrugging. "I'd rather go alone than with - with Eloise Midgen, say." "Her acne's loads better lately - and she's really nice." "Her nose's off-centre," said Ron. "Oh I see," Hermione said bristling. "So basically you're going to take the best-looking girl who'll have you even if she's completely horrible?" "Er - yeah that sounds about right." said Ron. "I'm going to bed," Hermione snapped and she swept off toward the girls' staircase without another word.
J.K. Rowling (Harry Potter and the Goblet of Fire (Harry Potter, #4))
I pulled them out of the fire myself. I read them all. Every word you wrote. You and I, Tess, we're alike. We live and breathe words. It was books that kept me from taking my own life after I thought I could never love anyone, never be loved by anyone again. It was books that made me feel that perhaps I was not completely alone. They could be honest with me, and I with them. Reading your words, what you wrote, how you were lonely sometimes and afraid, but always brave; the way you saw the world, its colors and textures and sounds, I felt-I felt the way you thought, hoped, felt, dreamed. I felt I was dreaming and thinking and feeling with you. I dreamed what you dreamed, wanted what you wanted-and then I realized that truly I just wanted you. The girl behind the scrawled letters. I loved you from the moment I read them. I love you still.
Cassandra Clare (Clockwork Prince (The Infernal Devices, #2))
Out of the corner of his eye Gatsby saw that the blocks of the sidewalks really formed a ladder and mounted to a secret place above the trees—he could climb to it, if he climbed alone, and once there he could suck on the pap of life, gulp down the incomparable milk of wonder. His heart beat faster and faster as Daisy’s white face came up to his own. He knew that when he kissed this girl, and forever wed his unutterable visions to her perishable breath, his mind would never romp again like the mind of God. So he waited, listening for a moment longer to the tuning-fork that had been struck upon a star. Then he kissed her. At his lips’ touch she blossomed for him like a flower and the incarnation was complete. Through all he said, even through his appalling sentimentality, I was reminded of something—an elusive rhythm, a fragment of lost words, that I had heard somewhere a long time ago. For a moment a phrase tried to take shape in my mouth and my lips parted like a dumb man’s, as though there was more struggling upon them than a wisp of startled air. But they made no sound, and what I had almost remembered was uncommunicable forever.
F. Scott Fitzgerald (The Great Gatsby)
I mean it. I can't go alone. And I really can't go with Levana." "Well, there are about 200,000 single girls in this city who would fall over themselves to have the privilege." A hush passed between them... "Cinder." She couldn't help it. She looked at him... "200,000 single girls," he said. "Why not you?" Cyborg. Lunar. Mechanic. She was the last thing he wanted. She opened her lips, and the elevator stopped. "I'm sorry. But trust me---you don't want to go with me." The doors opened and the tension released her. She rushed out of the elevator, head down, trying to look at the small group of people waiting for the elevator. "Come to the ball with me." She froze. Everyone in the hallway froze. Cinder turned back. Kai was still standing in elevator B one hand propping open the door. Her nerves frazzled, and all the emotions of the past hour were converging into a single sickening feeling---exasperation. The hall was filled with doctors, nurses, androids, officials, technicians, and they all fell into an awkward hush and stared at the prince and the girl in the baggy cargo pants he was flirting with. Flirting. Squaring her shoulders, she retreated back into the elevator and pushed him inside, not even caring that it was her metal hand. "Hold the elevator," he said to the android as the doors shut behind him. He smiled. "That got your attention.
Marissa Meyer
Nobody would commit suicide if the pain of being inside herself, the agony of the sleepless, tortured hours spent watching the world get smaller and uglier, were bearable or could be relieved by other people telling her how they wanted her to feel. A depressed person is selfish because her self, the very core of who she is, will not leave her alone, and she can no more stop thinking about this self and how to escape it than a prisoner held captive by a sadistic serial killer can forget about the person who comes in to torture her everyday. Her body is brutalized by her mind. It hurts to breathe, eat, walk, think. The gross maneuverings of her limbs are so overwhelming, so wearying, that the fine muscle movements or quickness of wit necessary to write, to actually say something, are completely out of the question.
Stacy Pershall (Loud in the House of Myself: Memoir of a Strange Girl)
I'll tell you what you can do," he said, stopping abruptly. Now he did reach out to grip both my shoulders. But still not to kiss me. Only so he could wheel me around to glare at me some more. "You can leave me alone." Tears sprang once more into my eyes. That's what he wanted from me? For me to stay away from him? This had turned into a greater disaster than when I'd died. And I was still breathing, so that was say something. "I'd like to," I said. All I could hear besides the deep, disapproving timbre of his voice was the drum of my heartbeat in my ears. Stupid girl. Stupid girl. Stupid girl, my heart seemed to be saying. "Except every time I try, you show back up, and act such a... such a..." "Such a what?" he demanded. He seemed to be practically daring me to say. Don't, the voice of my mother warned inside my head. Don't say it. "Jerk.
Meg Cabot (Abandon (Abandon, #1))
Wordlessly, she slipped off her shoes. Gently, she placed a palm on the floor, shifted to stand, but that was when Macey felt another hand pressing down on hers.Hard. Too Hard. "Just what do you think you're doing ?" Hale hissed in her ear. His fingers burned into her skin. And Macey knew if she was going to take out the gunman, she was first going to have to neutralize the boy beside her. "Why don't you let me go and I'll show you," she said with only a modicum of flirt in her voice. "Why don't you put your fancy shoes back on and sit there like a good little girl?" "First of all, I'm good at a lot of things. Taking orders from bored billionaires isn't one of them. Second of all, he's alone, and I can take him," Macey said. "No!" Hale said. "You don't know anything about this guy." "I know he's left handed and has an old injury to his right knee---probably a torn ACL at some point but the details don't matter. And the way he keeps his finger purposefully away from the safety of that gun means he's never fired it. And he doesn't want to." "You're kinda scary.
Ally Carter (Double Crossed: A Spies and Thieves Story (Gallagher Girls, #5.5; Heist Society, #2.5))
With each day, he felt the barriers melting. He let them melt. Because of her genuine laugh, because he caught her one afternoon sleeping with her face in the middle of a book, because he knew that she would win. She was a criminal—a prodigy at killing, a Queen of the Underworld—and yet . . . yet she was just a girl, sent at seventeen to Endovier. It made him sick every time he thought about it. He’d been training with the guards at seventeen, but he’d still lived here, still had a roof over his head and good food and friends. Dorian had been in the middle of courting Rosamund when he was that age, not caring about anything. But she—at seventeen—had gone to a death camp. And survived. He wasn’t sure if he could survive Endovier, let alone during the winter months. He’d never been whipped, never seen anyone die. He’d never been cold and starving. Celaena laughed at something Dorian said. She’d survived Endovier, and yet could still laugh. While it terrified him to see her down there, a hand’s breadth from Dorian’s unprotected throat, what terrified him even more was that he trusted her. And he didn’t know what that meant about himself.
Sarah J. Maas (Throne of Glass (Throne of Glass, #1))
Art, literature, and philosophy are attempts to found the world anew on a human freedom: that of the creator; to foster such an aim, one must first unequivocally posit oneself as a freedom. The restrictions that education and custom impose on a woman limit her grasp of the universe...Indeed, for one to become a creator, it is not enough to be cultivated, that is, to make going to shows and meeting people part of one's life; culture must be apprehended through the free movement of a transcendence; the spirit with all its riches must project itself in an empty sky that is its to fill; but if a thousand fine bonds tie it to the earth, its surge is broken. The girl today can certainly go out alone, stroll in the Tuileries; but I have already said how hostile the street is: eyes everywhere, hands waiting: if she wanders absentmindedly, her thoughts elsewhere, if she lights a cigarette in a cafe, if she goes to the cinema alone, an unpleasant incident can quickly occur; she must inspire respect by the way she dresses and behaves: this concern rivets her to the ground and self. "Her wings are clipped." At eighteen, T.E. Lawrence went on a grand tour through France by bicycle; a young girl would never be permitted to take on such an adventure...Yet such experiences have an inestimable impact: this is how an individual in the headiness of freedom and discovery learns to look at the entire world as his fief...[The girl] may feel alone within the world: she never stands up in front of it, unique and sovereign.
Simone de Beauvoir (The Second Sex)
When God creates Eve, he calls her an ezer kenegdo. 'It is not good for the man to be alone, I shall make him [an ezer kenegdo]' (Gen. 2:18 Alter). Hebrew scholar Robert Alter, who has spent years translating the book of Genesis, says that this phrase is 'notoriously difficult to translate.' The various attempts we have in English are "helper" or "companion" or the notorious "help meet." Why are these translations so incredibly wimpy, boring, flat...disappointing? What is a help meet, anyway? What little girl dances through the house singing "One day I shall be a help meet?" Companion? A dog can be a companion. Helper? Sounds like Hamburger Helper. Alter is getting close when he translates it "sustainer beside him" The word ezer is used only twenty other places in the entire Old Testament. And in every other instance the person being described is God himself, when you need him to come through for you desperately.
Stasi Eldredge (Captivating: Unveiling the Mystery of a Woman's Soul)
I told you that you deserved better." My heart lifted at the sound of that deep, michivious voice. "Noah?" "Echo, you look..." He let his eyes wander down my body and then slowly back up. A wicked grin spread across his face. "Appetizing." "Like a chicken wing appetizing or succulent hamburger appetizing?" "Appetizing as in your boyfriend's a moron to leave you alone." "He's not my boyfriend." "Good. Because i was going to ask you to dance." He wrapped both of his hands around my waist and pulled me close. God, he felt good-warm, solid. I slid my arms to his neck, letting my gloved fingers skim his skin. "I thought you didn't do dances." "I don't. And, this afternoon, i had no intention of coming here." He swallowed. "This dance seemed so damned important to you. And you...you 're important to me." “Echo, I can’t tell you what’s going to happen because I don’t know. I don’t hold hands in the halway or sit at anyone else’s lunch table. But I swear...on my brothers that you’ll never be a joke to me and you’ll be much more than a girl in the backseat of my car.
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
I intercepted Chaol, and he informed me of your ‘condition.’ You’d think a man in his position wouldn’t be so squeamish, especially after examining all of those corpses.” Calaena opened an eye and frowned as Dorian sat on her bed. “I’m in a state of absolute agony and I can’t be bothered.” “It can’t be that bad,” he said, fishing a deck of cards from his jacket. “Want to play?” “I already told you that I don’t feel well.” “You look fine to me.” He skillfully shuffled the deck. “Just one game.” “Don’t you pay people to entertain you?” He glowered, breaking the deck. “You should be honored by my company.” “I’d be honored if you would leave.” “For someone who relies on my good graces, you’re very bold.” “Bold? I’ve barely begun.” Lying on her side, she curled her knees to her chest. He laughed, pocketing the deck of cards. “Your new canine companion is doing well, if you wish to know.” She moaned into her pillow. “Go away. I feel like dying.” “No fair maiden should die alone,” he said, putting a hand on hers. “Shall I read to you in your final moments? What story would you like?” She snatched her hand back. “How about the story of the idiotic prince who won’t leave the assassin alone?” “Oh! I love that story! It has such a happy ending, too—why, the assassin was really feigning her illness in order to get the prince’s attention! Who would have guessed it? Such a clever girl. And the bedroom scene is so lovely—it’s worth reading through all of their ceaseless banter!” “Out! Out! Out! Leave me be and go womanize someone else!” She grabbed a book and chucked it at him.
Sarah J. Maas (Throne of Glass (Throne of Glass, #1))
We believe in the wrong things. That's what frustrates me the most. Not the lack of belief, but the belief in the wrong things. You want meaning? Well, the meanings are out there. We're just so damn good at reading them wrong. I don't think meaning is something that can be explained. You have to understand it on your own. It's like when you're starting to read. First, you learn the letters. Then, once you know what sounds the letters make, you use them to sound out words. You know that c-a-t leads to cat and d-o-g leads to dog. But then you have to make that extra leap, to understand that the word, the sound, the "cat" is connected to an actual cat , and that "dog" is connected to an actual dog. It's that leap, that understanding, that leads to meaning. And a lot of the time in life, we're still just sounding things out. We know the sentences and how to say them. We know the ideas and how to present them. We know the prayers and which words to say in what order. But that's only spelling" It's much harder to lie to someone's face. But. It is also much harder to tell the truth to someone's face. The indefatigable pursuit of an unattainable perfection, even though it consist in nothing more than in the pounding of an old piano, is what alone gives a meaning to our life on this unavailing star. (Logan Pearsall Smith) Being alone has nothing to do with how many people are around. (J.R. Moehringer) You could be standing a few feet away...I could have sat next to you on the subway, or brushed beside you as we went through the turnstiles. But whether or not you are here, you are here- because these words are for you, and they wouldn't exist is you weren't here in some way. At last I had it--the Christmas present I'd wanted all along, but hadn't realized. His words. The dream was obviously a sign: he was too enticing to resist. Wow. You must have a lot of faith in me. Which I appreciate. Even if I'm not sure I share it. I could do this on my own, and not freak out that I had no idea what waited for me on the other side of this night. Hope and belief. I'd always wanted hope, but never believed that I could have such an adventure on my own. That I could own it. And love it. But it happened. Because I'm So uncool and so afraid. If there was a clue, that meant the mystery was still intact I fear you may have outmatched me, because not I find these words have nowhere to go. It's hard to answer a question you haven't been asked. It's hard to show that you tried unless you end up succeeding. This was not a haystack. We were people, and people had ways of finding eachother. It was one of those moments when you feel the future so much that is humbles the present. Don't worry. It's your embarrassment at not having the thought that counts. You think fairy tales are only for girls? Here's ahint- ask yourself who wrote them. I assure you, it wasn't just the women. It's the great male fantasy- all it takes is one dance to know that she's the one. All it takes is the sound of her song from the tower, or a look at her sleeping face. And right away you know--this is the girl in your head, sleeping or dancing or singing in front of you. Yes, girls want their princes, but boys want their princesses just as much. And they don't want a very long courtship. They want to know immediately. Be careful what you;re doing, because no one is ever who you want them to be. And the less you really know them, the more likely you are to confuse them with the girl or boy in your head You should never wish for wishful thinking
Rachel Cohn (Dash & Lily's Book of Dares (Dash & Lily, #1))
Old Money Blue hydrangea, cold cash, divine, Cashmere, cologne and white sunshine. Red racing cars, Sunset and Vine, The kids were young and pretty. Where have you been? Where did you go? Those summer nights seem long ago, And so is the girl you used to call, The Queen of New York City. But if you send for me you know I'll come, And if you call for me you know I'll run. I'll run to you, I'll run to you, I'll run, run, run. I'll come to you, I'll come to you, I'll come, come, come. Ohh, Ohh. Ahh, Ahh. The power of youth is on my mind, Sunsets, small town, I'm out of time. Will you still love me when I shine, From words but not from beauty? My father's love was always strong, My mother's glamour lives on and on, Yet still inside I felt alone, For reasons unknown to me. But if you send for me you know I'll come, And if you call for me you know I'll run. I'll run to you, I'll run to you, I'll run, run, run. I'll come to you, I'll come to you, I'll come, come, come. Ohh, Ohh. Ahh, Ahh. And if you call, I'll run, run, run, If you change your mind, I'll come, come, come. Ohh, Ohh. Ahh, Ahh. Blue hydrangea, cold cash, divine, Cashmere, cologne and hot sunshine. Red racing cars, Sunset and Vine, And we were young and pretty.
Lana Del Rey
You’re right,” Jacks said. “You’re not part of my world. You’re not one of those girls. And maybe that’s why.” “Why what?” “Why I can’t stop thinking about you.” Maddy rolled her eyes. “Guys like you don’t say that to girls like me.” “I’ve never said that to anyone, actually,” Jacks corrected. “In fact, I’ve never done anything like this before.” He let out a little laugh. “How am I doing?” He swallowed hard, trying to push down his nervousness. He was astonished to realize he was nervous. Somehow being around Maddy just put him in a different space. Jacks felt so present. Maddy stared at him, letting the anger and frustration surge through her. “Why are you doing this to me?” she asked finally. He paused, considering. “I’m being honest. I know you may not believe me. But I haven’t been able to not think about you. When we were in the back at the restaurant, and . . .” Jacks’s voice trailed off, his face coloring. “I still feel terrible about what I did. I lied to you and, even though I had good reasons for it, it was wrong of me.” Maddy studied him. Was he telling the truth? Jacks smiled. “I mean this in the best possible way: I’m not going to leave you alone until you let me make it up to you. I’m serious. I’ll be here every night. You might as well get me some pajamas and a toothbrush.” Despite her best efforts not to, Maddy laughed. She looked at Jacks and could see the faintest twinkle of light in his eyes. “So what you’re saying is that I should just give in and let you make it up to me. Otherwise you’ll be tormenting me like this for the rest of my life?” “Pretty much. Yeah.” “Well.” She sighed. “What do you have in mind?” “Come fly with me.
Scott Speer (Immortal City (Immortal City, #1))
I was born free, and that I might live in freedom I chose the solitude of the fields; in the trees of the mountains I find society, the clear waters of the brooks are my mirrors, and to the trees and waters I make known my thoughts and charms. I am a fire afar off, a sword laid aside. Those whom I have inspired with love by letting them see me, I have by words undeceived, and if their longings live on hope—and I have given none to Chrysostom or to any other—it cannot justly be said that the death of any is my doing, for it was rather his own obstinacy than my cruelty that killed him; and if it be made a charge against me that his wishes were honourable, and that therefore I was bound to yield to them, I answer that when on this very spot where now his grave is made he declared to me his purity of purpose, I told him that mine was to live in perpetual solitude, and that the earth alone should enjoy the fruits of my retirement and the spoils of my beauty; and if, after this open avowal, he chose to persist against hope and steer against the wind, what wonder is it that he should sink in the depths of his infatuation? If I had encouraged him, I should be false; if I had gratified him, I should have acted against my own better resolution and purpose. He was persistent in spite of warning, he despaired without being hated. Bethink you now if it be reasonable that his suffering should be laid to my charge. Let him who has been deceived complain, let him give way to despair whose encouraged hopes have proved vain, let him flatter himself whom I shall entice, let him boast whom I shall receive; but let not him call me cruel or homicide to whom I make no promise, upon whom I practise no deception, whom I neither entice nor receive. It has not been so far the will of Heaven that I should love by fate, and to expect me to love by choice is idle. Let this general declaration serve for each of my suitors on his own account, and let it be understood from this time forth that if anyone dies for me it is not of jealousy or misery he dies, for she who loves no one can give no cause for jealousy to any, and candour is not to be confounded with scorn. Let him who calls me wild beast and basilisk, leave me alone as something noxious and evil; let him who calls me ungrateful, withhold his service; who calls me wayward, seek not my acquaintance; who calls me cruel, pursue me not; for this wild beast, this basilisk, this ungrateful, cruel, wayward being has no kind of desire to seek, serve, know, or follow them. If Chrysostom's impatience and violent passion killed him, why should my modest behaviour and circumspection be blamed? If I preserve my purity in the society of the trees, why should he who would have me preserve it among men, seek to rob me of it? I have, as you know, wealth of my own, and I covet not that of others; my taste is for freedom, and I have no relish for constraint; I neither love nor hate anyone; I do not deceive this one or court that, or trifle with one or play with another. The modest converse of the shepherd girls of these hamlets and the care of my goats are my recreations; my desires are bounded by these mountains, and if they ever wander hence it is to contemplate the beauty of the heavens, steps by which the soul travels to its primeval abode.
Miguel de Cervantes Saavedra (Don Quixote)
Here you sit on your high-backed chair Wonder how the view is from there I wouldn't know 'cause I like to sit Upon the floor, yeah upon the floor If you like we could play a game Let's pretend that we are the same But you will have to look much closer Than you do, closer than you do And I'm far too tired to stay here anymore And I don't care what you think anyway 'Cause I think you were wrong about me Yeah what if you were, what if you were And what if I'm a snowstorm burning What if I'm a world unturning What if I'm an ocean, far too shallow, much too deep What if I'm the kindest demon Something you may not believe in What if I'm a siren singing gentlemen to sleep I know you've got it figured out Tell me what I am all about And I just might learn a thing or two Hundred about you, maybe about you I'm the end of your telescope I don't change just to suit your vision 'Cause I am bound by a fraying rope Around my hands, tied around my hands And you close your eyes when I say I'm breaking free And put your hands over both your ears Because you cannot stand to believe I'm not The perfect girl you thought Well what have I got to lose And what if I'm a weeping willow Laughing tears upon my pillow What if I'm a socialite who wants to be alone What if I'm a toothless leopard What if I'm a sheepless shepherd What if I'm an angel without wings to take me home You don't know me Never will, never will I'm outside your picture frame And the glass is breaking now You can't see me Never will, never will If you're never gonna see What if I'm a crowded desert Too much pain with little pleasure What if I'm the nicest place you never want to go What if I don't know who I am Will that keep us both from trying To find out and when you have Be sure to let me know What if I'm a snowstorm burning What if I'm a world unturning What if I'm an ocean, far too shallow, much too deep What if I'm the kindest demon Something you may not believe in What if I'm a siren singing gentlemen to sleep Sleep... Sleep...
Emilie Autumn
You’re thinking, maybe it would be easier to let it slip let it go say ”I give up” one last time and give him a sad smile. You’re thinking it shouldn’t be this hard, shouldn’t be this dark, thinking love could flow easily with no holding back and you’ve seen others find their match and build something great together, of each other, like two halves fitting perfectly and now they achieve great things one by one, always together, and it seems grand. But you love him. Love him like a black stone in your chest you couldn’t live without because it fits in there. Makes you who you are and the thought of him gone—no more—makes your chest tighten up and maybe this is your fairytale. Maybe this is your castle. You could get it all on a shiny piece of glass with wooden stools and a neverending blooming garden but that’s not yours. This is yours. The cracks and the faults, the ugly words in the winter walking home alone and angry but falling asleep thinking you love him. This is your fairy tale. The quiet in the hallway, wishing for him to turn around, tell you to stay, tell you to please don’t go I need you like you need me and maybe it’s not a Jane Austen novel but this is your novel and your castle and you can run from it your whole life but this is here in front of you. Maybe nurture it? Sweet girl, maybe close the world off and look at him for an hour or two. This is your fairy. It ain’t perfect and it ain’t honey sweet with roses on the bed. It’s real and raw and ugly at times. But this is your love. Don’t throw it away searching for someone else’s love. Don’t be greedy. Instead, shelter it. Protect it. Capture every second of easy, pull through every storm of hardship. And when you can, look at him, lying next to you, trusting you not to harm him. Trusting you not to go. Be someone’s someone for someone. Be that someone for him. That’s your fairy tale. This is your castle. Now move in. Build a home. Build a house. Build a safety around things you love. It’s yours if you make it so. Welcome home, sweet girl, it will be all be fine.
Charlotte Eriksson
Happy the writer who, passing by characters that are boring, disgusting, shocking in their mournful reality, approaches characters that manifest the lofty dignity of man, who from the great pool of daily whirling images has chosen only the rare exceptions, who has never once betrayed the exalted turning of his lyre, nor descended from his height to his poor, insignificant brethren, and, without touching the ground, has given the whole of himself to his elevated images so far removed from it. Twice enviable is his beautiful lot: he is among them as in his own family; and meanwhile his fame spreads loud and far. With entrancing smoke he has clouded people's eyes; he has flattered them wondrously, concealing what is mournful in life, showing them a beautiful man. Everything rushes after him, applauding, and flies off following his triumphal chariot. Great world poet they name him, soaring high above all other geniuses in the world, as the eagle soars above the other high fliers. At the mere mention of his name, young ardent hearts are filled with trembling, responsive tears shine in all eyes...No one equals him in power--he is God! But such is not the lot, and other is the destiny of the writer who has dared to call forth all that is before our eyes every moment and which our indifferent eyes do not see--all the stupendous mire of trivia in which our life in entangled, the whole depth of cold, fragmented, everyday characters that swarm over our often bitter and boring earthly path, and with the firm strength of his implacable chisel dares to present them roundly and vividly before the eyes of all people! It is not for him to win people's applause, not for him to behold the grateful tears and unanimous rapture of the souls he has stirred; no sixteen-year-old girl will come flying to meet him with her head in a whirl and heroic enthusiasm; it is not for him to forget himself in the sweet enchantment of sounds he himself has evoked; it is not for him, finally, to escape contemporary judgment, hypocritically callous contemporary judgment, which will call insignificant and mean the creations he has fostered, will allot him a contemptible corner in the ranks of writers who insult mankind, will ascribe to him the quality of the heroes he has portrayed, will deny him heart, and soul, and the divine flame of talent. For contemporary judgment does not recognize that equally wondrous are the glasses that observe the sun and those that look at the movement of inconspicuous insect; for contemporary judgment does not recognize that much depth of soul is needed to light up the picture drawn from contemptible life and elevate it into a pearl of creation; for contemporary judgment does not recognize that lofty ecstatic laughter is worthy to stand beside the lofty lyrical impulse, and that a whole abyss separates it from the antics of the street-fair clown! This contemporary judgment does not recognize; and will turn it all into a reproach and abuse of the unrecognized writer; with no sharing, no response, no sympathy, like a familyless wayfarer, he will be left alone in the middle of the road. Grim is his path, and bitterly he will feel his solitude.
Nikolai Gogol (Dead Souls)