Roommate Memories Quotes

Memory in these incomparable streets, in mosaics of pain and sweetness, was clear to me now, a unity at last. I remembered small and unimportant things from the past: the whispers of roommates during thunderstorms, the smell of brass polish on my fingertips, the first swim at Folly Beach in April, lightning over the Atlantic, shelling oysters at Bowen's Island during a rare Carolina snowstorm, pigeons strutting across the graveyard at St. Philip's, lawyers moving out of their offices to lunch on Broad Street, the darkness of reveille on cold winter mornings, regattas, the flash of bagpipers' tartans passing in review, blue herons on the marshes, the pressure of the chinstrap on my shako, brotherhood, shad roe at Henry's, camellias floating above water in a porcelain bowl, the scowl of Mark Santoro, and brotherhood again.

This wasn’t—I wasn’t.” He was burning red with embarrassment, trying to get his pants up and grab his memory stick and hide the fact he’d been about to jerk off.” “What were you doing? Are you—to my porn?” Josh looked a bit dazed. “I was submitting my paper. And I—” “You tripped and fell into my porn folder?

Still, sometimes, he thought back to their final conversations, mouthing them aloud. This was at night, when his roommates—in various configurations, depending on who was in the room at the time—slept above and next to him. “Don’t let this silence become a habit,” she’d warned him shortly before she died. And: “It’s all right to be angry, Jude; you don’t have to hide it.” She had been wrong about him, he always thought; he wasn’t what she thought he was. “You’re destined for greatness, kid,” she’d said once, and he wanted to believe her, even though he couldn’t. But she was right about one thing: it did get harder and harder. He did blame himself. And although he tried every day to remember the promise he’d made to her, every day it became more and more remote, until it was just a memory, and so was she, a beloved character from a book he’d read long ago.

For a while now, I have been conscious of a tension in my relationship with you,” Svetlana said. “And I think that’s the reason. It’s because we both make up narratives about our own lives. I think that’s why we decided not to live together next year. Although obviously it’s also why we’re so attracted to each other.” “Everyone makes up narratives about their own lives.” “But not to the same extent. Think about my roommates. Fern, for example. I don’t mean that she doesn’t have an inner life, or that she doesn’t think about the past or make plans for the future. But she doesn’t compulsively rehash everything that happens to her in the form of a story. She’s in my story – I’m not in hers. That makes her and me unequal, but it also gives our relationship a kind of stability, and safeness. We each have our different roles. It’s like an unspoken contract. With you, there’s more instability and tension, because I know you’re making up a story, too, and in our story, I’m just a character.” “I don’t know,” I said. “I still think everyone experiences their own life as a narrative. If you didn’t have some kind of ongoing story in mind, how would you know who you were when you woke up in the morning?” “That’s a weak definition of narrative. That’s saying that narrative is just memory plus causality. But, for us, the narrative has aesthetics, too.” “But I don’t think that’s because of our personalities,” I said. Isn’t it more about how much money our parents have? You and I can afford to pursue some narrative just because it’s interesting. You could go to Belgrade to come to terms with your life before the war, and I could go to Hungary to learn about Ivan. But Fern has to work over the summer.” “...Fern is just an example. Valerie’s parents are engineers, she doesn’t have to work, but she’s still more like Fern than she is like us” “I don’t know,” I said. “I guess it feels elitist to look at it that way.” “Don’t you think you pretending not to be elitist is disingenuous?” Svetlana said. “If you really think about who you are, and what you value?

Where I lived at Pencey, I lived in the Ossenburger Memorial Wing of the new dorms. It was only for juniors and seniors. I was a junior. My roommate was a senior. It was named after this guy Ossenburger that went to Pencey. He made a pot of dough in the undertaking business after he got out of Pencey. What he did, he started these undertaking parlors all over the country that you could get members of your family buried for about five bucks apiece. You should see old Ossenburger. He probably just shoves them in a sack and dumps them in the river. Anyway, he gave Pencey a pile of dough, and they named our wing alter him. The first football game of the year, he came up to school in this big goddam Cadillac, and we all had to stand up in the grandstand and give him a locomotive—that's a cheer. Then, the next morning, in chapel, he made a speech that lasted about ten hours. He started off with about fifty corny jokes, just to show us what a regular guy he was. Very big deal. Then he started telling us how he was never ashamed, when he was in some kind of trouble or something, to get right down his knees and pray to God. He told us we should always pray to God—talk to Him and all—wherever we were. He told us we ought to think of Jesus as our buddy and all. He said he talked to Jesus all the time. Even when he was driving his car. That killed me. I can just see the big phony bastard shifting into first gear and asking Jesus to send him a few more stiffs. The only good part of his speech was right in the middle of it. He was telling us all about what a swell guy he was, what a hotshot and all, then all of a sudden this guy sitting in the row in front of me, Edgar Marsalla, laid this terrific fart. It was a very crude thing to do, in chapel and all, but it was also quite amusing. Old Marsalla. He damn near blew the roof off. Hardly anybody laughed out loud, and old Ossenburger made out like he didn't even hear it, but old Thurmer, the headmaster, was sitting right next to him on the rostrum and all, and you could tell he heard it. Boy, was he sore. He didn't say anything then, but the next night he made us have compulsory study hall in the academic building and he came up and made a speech. He said that the boy that had created the disturbance in chapel wasn't fit to go to Pencey. We tried to get old Marsalla to rip off another one, right while old Thurmer was making his speech, but be wasn't in the right mood.

It was the my-father-got-rid-of-my-piano story; something she’d share one day with her college roommates, her husband, her children, and her psychiatrist. It would earn a few crucial frames in her final reel of memories and travel with her into the next life. When it comes to the bad stuff, there’s nothing too small that’s not worth dwelling on forever. I say, anyway.

He was almost at his door when Vik’s earsplitting shriek resounded down the corridor. Tom was glad for the excuse to sprint back toward him. “Vik?” He reached Vik’s doorway as Vik was backing out of it. “Tom,” he breathed, “it’s an abomination.” Confused, Tom stepped past him into the bunk. Then he gawked, too. Instead of a standard trainee bunk of two small beds with drawers underneath them and totally bare walls, Vik’s bunk was virtually covered with images of their friend Wyatt Enslow. There were posters all over the wall with Wyatt’s solemn, oval face on them. She wore her customary scowl, her dark eyes tracking their every move through the bunk. There was a giant marble statue of a sad-looking Vik with a boot on top of its head. The Vik statue clutched two very, very tiny hands together in a gesture of supplication, its eyes trained upward on the unseen stomper, an inscription at its base, WHY, OH WHY, DID I CROSS WYATT ENSLOW? Tom began to laugh. “She didn’t do it to the bunk,” Vik insisted. “She must’ve done something to our processors.” That much was obvious. If Wyatt was good at anything, it was pulling off tricks with the neural processors, which could pretty much be manipulated to show them anything. This was some sort of illusion she was making them see, and Tom heartily approved. He stepped closer to the walls to admire some of the photos pinned there, freeze-frames of some of Vik’s more embarrassing moments at the Spire: that time Vik got a computer virus that convinced him he was a sheep, and he’d crawled around on his hands and knees chewing on plants in the arboretum. Another was Vik gaping in dismay as Wyatt won the war games. “My hands do not look like that.” Vik jabbed a finger at the statue and its abnormally tiny hands. Wyatt had relentlessly mocked Vik for having small, delicate hands ever since Tom had informed her it was the proper way to counter one of Vik’s nicknames for her, “Man Hands.” Vik had mostly abandoned that nickname for “Evil Wench,” and Tom suspected it was due to the delicate-hands gibe. Just then, Vik’s new roommate bustled into the bunk. He was a tall, slim guy with curly black hair and a pointy look to his face. Tom had seen him around, and he called up his profile from memory: NAME: Giuseppe Nichols RANK: USIF, Grade IV Middle, Alexander Division ORIGIN: New York, NY ACHIEVEMENTS: Runner-up, Van Cliburn International Piano Competition IP: 2053:db7:lj71::291:ll3:6e8 SECURITY STATUS: Top Secret LANDLOCK-4 Giuseppe must’ve been able to see the bunk template, too, because he stuttered to a stop, staring up at the statue. “Did you really program a giant statue of yourself into your bunk template? That’s so narcissistic.” Tom smothered his laughter. “Wow. He already has your number, man.” Vik shot him a look of death as Tom backed out of the bunk.

The depressed person shared that she could remember, all too clearly, how at her third boarding school, she had once watched her roommate talk to some boy on their room's telephone as she (i.e., the roommate) made faces and gestures of entrapped repulsion and boredom with the call, this popular, attractive, and self-assured roommate finally directing at the depressed person an exaggerated pantomime of someone knocking on a door until the depressed person understood that she was to open their room's door and step outside and knock loudly on it so as to give the roommate an excuse to end the call. The depressed person had shared this traumatic memory with members of her Support System and had tried to articulate how bottomlessly horrible she had felt it would have been to have been that nameless pathetic boy on the phone and how now, as a legacy of that experience, she dreaded, more than almost anything, the thought of ever being someone you had to appeal silently to someone nearby to help you contrive an excuse to get off the phone with. The depressed person would implore each supportive friend to tell her the very moment she (i.e., the friend) was getting bored or frustrated or repelled or felt she (i.e., the friend) had other more urgent or interesting things to attend to, to please for God's sake be utterly candid and frank and not spend one moment longer on the phone than she was absolutely glad to spend. The depressed person knew perfectly well, of course, she assured the therapist;' how such a request could all too possibly be heard not as an invitation to get off the telephone at will but actually as a needy, manipulative plea not to get off-never to get off-the telephone.

Sometimes we ate raw onions like apples, too, I wanted to tell her. Sometimes, the tin foil held shredded chicken petrified in aspic. A fish head to suck on! I was filled with shame and hateful glee: everything I was feeling turned out at the person next to me. I was the one with an uncut cow's tongue uncoiling in the refrigerator of his undergraduate quad, my roommates' Gatorades and half-finished pad Thai keeping a nervous distance. I sliced it thinly, and down it went with horseradish and cold vodka like the worry of a long day sloughing off, those little dots of fat between the cold meet like garlic roasted to paste. I am the one who fried liver. Who brought his own lunch in an old Tupperware to his cubicle in the Conde Nast Building; who accidentally warmed it too long, and now the scent of buckwheat, stewed chicken, and carrots hung like radiation over the floor, few of those inhabitants brought lunch from home, fewer of whom were careless enough to heat it for too long if they did, and none of whom brought a scent bomb in the first place. Fifteen floors below, the storks who staffed the fashion magazines grazed on greens in the Frank Gehry cafeteria. I was the one who ate mashed potatoes and frankfurters for breakfast. Who ate a sandwich for breakfast. Strange? But Americans ate cereal for dinner. Americans ate cereal, period, that oddment. They had a whole thing called 'breakfast for dinner.' And the only reason they were right and I was wrong was that it was their country. The problem with my desire to pass for native was that everything in the tinfoil was so f*****g good. When the world thinks of Soviet food, it thinks of all the wrong things. Though it was due to incompetence rather than ideology, we were local, seasonal, and organic long before Chez Panisse opened its doors. You just had to have it in a home instead of a restaurant, like British cooking after the war, as Orwell wrote. For me, the food also had cooked into it the memory of my grandmother's famine; my grandfather's black-marketeering to get us the 'deficit' goods that, in his view, we deserved no less than the political VIPs; all the family arguments that paused while we filled our mouths and our eyes rolled back in our heads. Food was so valuable that it was a kind of currency - and it was how you showed loved. If, as a person on the cusp of thirty, I wished to find sanity, I had to figure out how to temper this hunger without losing hold of what it fed, how to retain a connection to my past without being consumed by its poison.

The landscape started hard, sharp black mountains over my shoulder and thirsty young saguaros hugging patchy dirt. Gradually it let go, began to green on me a little. I crossed a river, watched succulents get fatter and farmland start to wave, hoarding the blue above and the few clouds it had to spare. I knew the route somehow, knew the curves, the directions, the exact way to go. I knew it the way you know the stars are still up in the sky even though white sun obscures them. Everything that had happened before Lukeville and Sonoita began to liquify in memory, feeling more like fiction than personal history. Funerals and pain, girlfriends and mothers, roommates and priests all tumble away with the desert behind me. The only thing that's real is the road I see ahead. The only person in my life is the man sitting silently beside me. The place I'm going is the only place I've ever wanted to go.

An Alpha and its wolf should be as one, thinking and acting as a single unit.” She brushed her hair from her eyes and stepped out of the alley and onto the sidewalk. After scanning the area, she turned right and began to stroll down the street. He fell into step beside her. “You know, you sound like a textbook sometimes.” “A textbook? What do you mean?” “An Alpha should do this. An Alpha should do that.” “An Alpha needs to know its—” “There you go again. Don’t you ever just talk?” He scowled at her. She cast a glare his way before focusing her eyes straight ahead. “I’ve no idea what you mean.” “It’s like you’ve been…indoctrinated.” It irritated him, bringing back memories of a particularly annoying roommate named Quinten, at the Academy. The guy had read textbooks aloud every night until Damien had finally pitched him out the window. “My grandfather trained me for this role from a young age. If you’re going to be an Alpha, you have to act like one. Follow the rules day in and day out. It’s not a nine-to-five job, you know.” Barely,

Diana always came to work bright-eyed, well rested, and on time. She’d told me she shared her flat with three other girls. While she did not offer many details about her social life, she said enough to give me a picture of a happy, relaxed young woman talking, giggling, and having fun with her roommates and other friends. It was clear that late hours, drinking, and serious boyfriends had no part in her life. She was a very wholesome, innocent young lady.

You okay?” he asked quietly. “Sure. Why wouldn’t I be?” “Brad. I know you were crushing on him, and now he’s packed it up and moved next door. I wanted to make sure you weren’t having trouble dealing with it.” “I can’t believe Allie told you about my crush.” “Give me a break, Kate. I’ve known since family weekend. When was the last time you wanted to take a picture of me? Document my freshman year? What? Do I have clueless tattooed across my forehead?” Narrowing my eyes, I leaned toward him. “Yeah, I think maybe you do.” Even in the shadows I could see him grin. This was so totally weird. Sitting out here, having an almost normal conversation with my brother. “He’s not your type, Kate.” I scoffed. “How do you know my type? I don’t even know my type.” “Trust me, when you do figure your type out, you’re gonna realize it’s not Brad. I mean, I like him, and he’s a great roommate, but what I want in a friend and what you need in a boyfriend aren’t the same. He’d just end up hurting you. Then I’d have to beat the crap out of him.” I couldn’t stop myself from smiling. “Would you really do that for me, Sam?” “You know I would.” His voice was totally serious. And I realized that he was so not joking. His revelation stunned me almost as much as Joe’s kiss. No, wait, nothing would ever throw me off balance as much as that kiss. “You do know that, don’t you, Kate?” Sam asked. “You’re my sister and I . . .” He waved his hand. “That L-word. You know.” “Love?” I asked. “Don’t make me say it, okay? Just know it’s true. I know I give you a hard time, but hey, that’s what brothers do. It’s part of our genetic makeup, a little chip inside our brains that gets activated when our parents shove a screaming baby sister in our face.” “Like you’d have a memory of that moment. You were only fifteen months old.” “Whatever. Look, I’m out here right now because I’ve been a little worried about you, and I haven’t really been able to get you alone to talk.” “You’ve been able to get Allie alone.” And for a lot more than conversation. He grimaced. “Yeah, she told me you know about us. Are you okay with that?” “What if I’m not?” “Then tough. Get over it.” “Some understanding brother you are.” “I’ve got my limits.” “So you really like her, huh?” “Yeah, I have for a long time, but geez, she’s my sister’s best friend. How weird is that?” “Totally weird. When she described the way you kiss—” “What?” Horror echoed his voice. His eyes were wide, his mouth open. “Payback for the snowball,” I said snidely. “I already paid you back for that.” “So? Maybe there’s a little chip inside a girl’s brain that gets activated when her brother is a jerk and erases paybacks as soon as they happen so we need a steady stream of them.” “You’re definitely not playing nice, Kate.” I heard him heave a sigh. “You know, that’s part of the reason I’ve steered clear of Allie. I don’t want her discussing my . . . moves with my sister.” “Yeah, like you’ve got moves.” He gave me a cocky look. “Hey, I’ve got moves.” I held up a hand. “Definitely don’t want to hear about them.” “Definitely don’t want you to hear about them.

The lady roommate said very little and chopped off the better parts of her story.

Someone nudged her elbow, interrupting her reverie. “Hello? Anyone there?” The question came from Rylann’s roommate, Rae Mendoza, who was seated at her right. “I’m here. Just…picturing myself at the pool.” Rylann tried to hold on to the mirage for a few moments longer. “It’s sunny and seventy-five degrees. I’ve got some kind of tropical drink with one of those little umbrellas in it, and I’m reading a book—one I don’t have to highlight or outline in the margins.” “They make those kinds of books?” “If memory serves..." “I hate to burst the bubble on your daydream, but I’m pretty sure they don’t allow alcoholic drinks at IMPE,” Rae said, referring to the university’s Intramural Physical Education building, which housed said pool. Rylann waved off such pesky details. “I’ll throw a mai tai in my College of Law thermos and tell people that it’s iced tea. If campus security gives me any trouble, I’ll scare them off with my quasi-legal credentials and remind them of the Fourth Amendment’s prohibitions against illegal searches and seizures.” “Wow. Do you know how big of a law school geek you just sounded like?” Unfortunately, she did. “Do you think any of us will ever be normal again?” Rae considered this. “I’m told that somewhere around third year, we lose the urge to cite the Constitution in everyday conversation.” “That’s promising,” Rylann said. “But seeing how you’re more of a law geek than most, it might take you longer.” “Remember that conversation last night when I said I was going to miss you this summer? I take it back

I’d already seen what was underneath his clothes—a six-pack of abs, and a large hoo-ha between his legs. Like that was a memory I’d soon forget.

He'd had it since at least sixth grade, when he'd tried convincing our teacher I hadn't been the one who'd drawn bright pink flowers all over the wall of the girl's bathroom. He hadn't fooled Mrs. Baker then--- I had drawn that aggressively neon meadow landscape---

Based on the parts of this... this scene that are not covered in refuse, and the drawings you have done for me, I know you are an artist with talent. Maybe I have old-fashioned views, but I simply don't understand why you would spend your time creating something like this." He shrugged his shoulders. "The sort of art I am used to seeing is more..." I raised an eyebrow. "More what?" He bit his lip, as though searching for the right words. "Pleasant to look at, I suppose." He shrugged again. "Scenes from nature. Little girls wearing filly white dresses and playing beside riverbanks. Bowls of fruit." "This piece shows a beach and a lake," I pointed out. "It's a scene from nature." "But it's covered in refuse." I nodded. "My art combines objects I find with images I paint. Sometimes what I find and incorporate is literal trash. But I also feel that my art is more than just trash. It's meaningful. These pieces aren't just flat, lifeless images on canvas. They say something." "Oh." He came even closer to the landscapes, kneeling so he could peer at them up close. "And what does your art... say?" His nose was just a few inches from an old McDonald's Quarter Pounder wrapper I'd laminated to the canvas so it looked like it was rising out of Lake Michigan. I'd meant for it to represent capitalism's crushing stranglehold on the natural world. Also, it just sort of looked cool. But I decided to give him a broader explanation. "I want to create something memorable with my art. Something lasting. I want to give people who see my works an experience that won't fade away. Something that will stay with them long after they see it." He frowned skeptically. "And you accomplish that by displaying ephemera others throw away?" I was about to counter by telling him that even the prettiest painting in the fanciest museum faded from memory once the patrons went home. That by using things other people throw away, I took the ephemeral and make it permanent in a way no pretty watercolor ever could.

I know you don't understand what I do." "That... might be true," he admitted. He touched the top of Manor House's roof with his right index finger. "But that does not mean I do not find it fascinating." I watched as he traced over every single line on the page, from top to bottom, not skipping over any part of it, with deliberate care. The house. The lake. The barely intimated trees blooming as rough graphite swirls on either side of the page. The memories of his large hand covering mine as we explored Instagram together--- the way my hands had looked pressed up against his chest in the Nordstrom dressing room--- rose unbidden, sending a delicious shiver down my spine. I'd always felt my art was an extension of my innermost self, and the sight of his large, graceful hands touching every single part of this early drawing felt almost unbearably intimate. "What do you find fascinating about it?" I couldn't tear my eyes away from the sight of his hands touching my work. I felt moments away from melting into a puddle at his feet. "All of it." His hand left the page. I felt him withdraw as much as saw it and exhaled for the first time in what felt like minutes. An unexpected, indescribable feeling of emptiness coursed through me. "I do not claim to understand what you see when you draw and build these things. But the intricacy of your detailing suggests that whatever it is, it is big and deliberate. This is intentional. It means something to you. I cannot help but respect it.