Romance Is Not Dead Quotes

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You are speaking of my future lover. Be more respectful.
Charlaine Harris (Club Dead (Sookie Stackhouse, #3))
One day, when I am a braver man, I will tell her these things, and then I will look her in the eye tell her I love her and ask her to be only mine. But until that day, we're just friends.
Charlie Huston (Already Dead (Joe Pitt, #1))
She is the embodiment of a bad decision. The twin of danger and desire. The fine line between deadly and divine. And I can feel myself drowning.
Lauren Roberts (Powerless (The Powerless Trilogy, #1))
She is all the great heroines of the world in one. She is more than an individual. I love her, and I must make her love me. I want to make Romeo jealous. I want the dead lovers of the world to hear our laughter, and grow sad. I want a breath of our passion to stir dust into consciousness, to wake their ashes into pain.
Oscar Wilde (The Picture of Dorian Gray)
And then there are the rare ones who know love, who understand it. Who freely give of themselves, demanding only a return of that love,that trust.
Kim Harrison (Every Which Way But Dead (The Hollows #3))
Life is but a dream for the dead.
Gerard Way
Hypocrites get offended by the truth.
Jess C. Scott (Bad Romance: Seven Deadly Sins Anthology)
Hey, our hair's the same color," I said, eying us side by side in the mirror. "Sure is, girlfriend." Eric grinned at me.
Charlaine Harris (Living Dead in Dallas (Sookie Stackhouse, #2))
Looking over the Ethan's bowed head, amidst the tangled forest of Wilderness littered with the bodies of men dead and dying, Victor saw the serene image of his mother.  She smiled at her son, her unbound black hair blowing wildly in the breeze.  She reached a hand out towards him, and this time, he went with her.
Barbara Sontheimer (Victor's Blessing)
We don't read and write poetry because it's cute. We read and write poetry because we are members of the human race. And the human race is filled with passion. And medicine, law, business, engineering, these are noble pursuits and necessary to sustain life. But poetry, beauty, romance, love, these are what we stay alive for. To quote from Whitman, "O me! O life!... of the questions of these recurring; of the endless trains of the faithless... of cities filled with the foolish; what good amid these, O me, O life?" Answer. That you are here - that life exists, and identity; that the powerful play goes on and you may contribute a verse. That the powerful play *goes on* and you may contribute a verse. What will your verse be?
N.H. Kleinbaum (Dead Poets Society)
But poetry, romance, love, beauty? These are what we stay alive for!
N.H. Kleinbaum (Dead Poets Society)
After a moment, Wrath turned to John. "This is Lassiter, the fallen angel. One of the last times he was here on earth, there was a plague in central Europe-" "Okay, that was so not my fault-" "-which wiped out two-thirds of the human population." "I'd like to remind you that you don't like humans." "They smell bad when they're dead." "All you mortal types do.
J.R. Ward (Lover Enshrined (Black Dagger Brotherhood, #6))
You arrogant, insufferable asshole; you scared me to death. If I hadn’t been so afraid that you were already dead, I’d have killed you myself.
Lotchie Burton (Gabriel's Fire (The Men of Thorne Enterprises #2))
Medicine, law, business, engineering, these are all noble pursuits, and necessary to sustain life. But poetry, beauty, romance, love, these are what we stay alive for.
Tom Schulman
And medecine, law, business, engineering, these are noble pursuits and necessary to sustain life. But poetry, beauty, romance, love: these are what we stay alive for.
Tom Schulman (Dead Poets Society)
By the way, I haven't heard an 'I'm sorry' from you yet." My sense of grievance had overwhelmed my sense of self-preservation. I am sorry that the maenad picked on you." I glared at him. "Not enough," I said. I was trying hard to hang on to this conversation. Angelic Sookie, vision of love and beauty, I am prostrate that the wicked evil maenad violated your smooth and voluptuous body, in an attempt to deliver a message to me." That's more like it.
Charlaine Harris (Living Dead in Dallas (Sookie Stackhouse, #2))
She was a ray of sunshine, a warm summer rain, a bright fire on a cold winter’s day, and now she could be dead because she had tried to save the man she loved.
Grace Willows
Join us next time for Days of the Undead when Rachel learns her long lost brother is really a crown prince from outer space.
Kim Harrison (Every Which Way But Dead (The Hollows #3))
Roarke: The bodies of the three men were found floating in the Chattahoochee River. Eve: I think it'd be embarrassing to be dead in the Hoochie-Coochie River. Roarke: Chattahoochee Eve: What's the difference? Roarke: Quite a bit, I'd think.
J.D. Robb (Promises in Death (In Death, #28))
If you die, angel, it means I'm already dead.
Pamela Clare (Breaking Point (I-Team, #5))
Ivy!' I stammered, then glared at Kisten. 'You told Ivy? Thanks a hell of a lot. Want to call my mom next?
Kim Harrison (Every Which Way But Dead (The Hollows #3))
He [Ranger] stopped in front of my parents' house, and we both looked to the door. My mother and my grandmother were standing there, watching us. "I'm not sure I feel comfortable about the way your grandma looks at me," Ranger said. [Stephanie] "She wants to see you naked." "I wish you hadn't told me that, babe." "Everyone I know wants to see you naked." "And you?" "Never crossed my mind." I held my breath when I said it, and I hoped God wouldn't stike me down dead for lying.
Janet Evanovich (Hard Eight (Stephanie Plum, #8))
My God, Jack - with a look like that, you two should just get a room. And try not to pick the one with a dead body next to it this time.
Julie James (Something About You (FBI/US Attorney, #1))
You look like the vamp who bled the cat.
Kim Harrison (Every Which Way But Dead (The Hollows #3))
The last time I wore an animal hide; but this time I settled for this." Eric had been wearing a long trench coat. Now he threw it off dramatically, and I could only stand and stare. Normally, Eric was a blue-jeans-and-T-shirt kind of guy. Tonight, he wore a pink tank top and Lycra leggings[...]They were pink and aqua, like the swirls down the side of Jason's truck.
Charlaine Harris (Living Dead in Dallas (Sookie Stackhouse, #2))
I spent most of my youth hauling sides of beef and pork to my father's shop. Carrying you is far more enjoyable." "How sweet," Annabelle mumbled sickly, her eyes closed. "Every woman dreams of being told that she's preferable to a dead cow.
Lisa Kleypas (Secrets of a Summer Night (Wallflowers, #1))
You had this all planned, didn’t you?' I accused. 'Thought you could come in here and seduce me like you do everyone else?' It wasn’t as if I could be angry, lying atop him as I was, but I tried.
Kim Harrison (Every Which Way But Dead (The Hollows #3))
Let go," he advised me, and I loosened my grip on his hands. "No, not of me," he said, smiling. "You can hold on to me as long as you want. Let go of the pain, Sookie. Let go. You need to drift away." It was the first time I had relinquished my will to someone else. As I looked at him, it became easy, and I retreated from the suffering and uncertainty of this strange place.
Charlaine Harris (Club Dead (Sookie Stackhouse, #3))
The Night World isn't a place. It's all around us. The creatures of Night World are beautiful and deadly and irresitable to humans. Your best friend could be one-so could your crush.
L.J. Smith
Lips to lips, mouth to mouth, Comes the speaker of the shrouds, Suck in the spirit, speak the words, Let secrets of the dead be heard.
Yasmine Galenorn (Witchling (Otherworld / Sisters of the Moon, #1))
And I do. I do wonder, I think about it all the time. What it would be like to kill myself. Because I never really know, I still can't tell the difference, I'm never quite certain whether or not I'm actually alive. I sit here every single day. Run, I said to myself. Run until your lungs collapse, until the wind whips and snaps at your tattered clothes, until you're a blur that blends into the background. Run, Juliette, run faster, run until your bones break and your shins split and your muscles atrophy and your heart dies because it was always too big for your chest and it beat too fast for too long and you run. Run run run until you can't hear their feet behind you. Run until they drop their fists and their shouts dissolve in the air. Run with your eyes open and your mouth shut and dam the river rushing up behind your eyes. Run, Juliette. Run until you drop dead. Make sure your heart stops before they ever reach you. Before they ever touch you. Run, I said.
Tahereh Mafi (Unravel Me (Shatter Me, #2))
We could go back to your house. I can stay with you always. We can know each others bodies in every way, night after night. I could love you. I could work, you would not be poor. I would help you.
Charlaine Harris (Dead to the World (Sookie Stackhouse, #4))
Is there anything sweeter than the touch of another as she pulls a dead bug from your fur?
Katherine Applegate (The One and Only Ivan (The One and Only, #1))
Jenks enthusiastically leaned against the counter and opened the box. Bypassing the plastic knife, he broke off about a third of it and took a huge bite. Ivy watched, appalled, and I shrugged. His mouth moving as he hummed, Jenks finished unpacking the sacks. I was half dead, Ivy was whoring herself to keep me safe, but Jenks was okay as long as he had chocolate.
Kim Harrison (A Fistful of Charms (The Hollows, #4))
So you want me to go to a human orgy, where I will not be welcome, and you want us to leave before I get to enjoy myself? ~Eric Northman
Charlaine Harris (Living Dead in Dallas (Sookie Stackhouse, #2))
We don't read and write poetry because it's cute. We read and write poetry because we are members of the human race. And the human race is filled with passion. And medicine, law, business, engineering, these are noble pursuits and necessary to sustain life. But poetry, beauty, romance, love, these are what we stay alive for. To quote from Whitman, "O me! O life!... of the questions of these recurring; of the endless trains of the faithless... of cities filled with the foolish; what good amid these, O me, O life?" Answer. That you are here - that life exists, and identity; that the powerful play goes on and you may contribute a verse. That the powerful play *goes on* and you may contribute a verse. What will your verse be?
John Keating
Do you know where Jean de Tournet is?” Jason asked. “He is dead, Uncle,” Charlotte said flatly. “How do you know?” “I killed him in 1943. He was doing business with the Nazis. He tried to rape me” – she stopped and shivered – “but I killed him before he could.” Jason and Sophie both looked at Charlotte with horror. This was the first time Jason had showed any genuine emotion throughout the evening. It was fear.
Hugo Woolley (The Wasp Trap (The Charlotte's War Trilogy Book 3))
I'm not going to accept your challenge. There will be no duel." "Why not? Because I'm a woman?" "No, because I've seen the way you spinsters handle a pistol. You'd shoot me dead where I stood.
Tessa Dare (A Night to Surrender (Spindle Cove, #1))
If you’re alive, don’t move, if you’re dead, don’t worry about it.
Laurell K. Hamilton (Narcissus in Chains (Anita Blake, Vampire Hunter, #10))
A lover exists only in fragments, a dozen or so if the romance is new, a thousand if we're married to him, and out of those fragments our heart constructs an entire person. What we each create, since whatever is missing is filled by our imagination, is the person we wish him to be. The less we know him, of course, the more we love him. And that's why we always remember that first rapturous night when he was a stranger, and why this rapture returns only when he's dead.
Andrew Sean Greer (The Story of a Marriage)
Have a look around, my pretty, we are surrounded by Death in all forms – just the two of us are still alive –
Simona Panova (Nightmarish Sacrifice (Cardew))
Reading a good book in silence is like eating chocolate for the rest of your life and never getting fat.
Becca Fitzpatrick (Kiss Me Deadly: 13 Tales of Paranormal Love)
There was never anybody before you," she said. "I just wanted to say that. And when I did what I do, and it opened a crack in me like it did last night, there was nobody there to hold on to me. I didn't want anyone to hold on to me. Until you. And I got through and I got by, and it was okay. But I think, maybe, if I'd just kept getting through and getting by, I'd have come to a point where I couldn't do it anymore. And if I couldn't do it anymore, it'd be the end of me, Roarke. So when you hold on to me, You're helping me stand up, one more time. And the dead, you're standing for them, too. I just wanted to say that." She went out quickly, and left him staring at her.
J.D. Robb (Seduction in Death (In Death, #13))
It wouldn't have mattered if they were scratches or not," he says, his voice like liquid. "I was bitten during the escape from the house." My limbs go weak, everything inside me folding in collapsing on itself. "I was already dead," he says, opening his eyes.
Carrie Ryan (The Forest of Hands and Teeth (The Forest of Hands and Teeth, #1))
Oh my God, not only is he older than the Grand Canyon, but he’s like the pope and the Fae King and the president of the United States all rolled up into one. To some ancient cultures he had been a god. He was going to hurt her so bad before he killed her so dead, and all she could think of was how hot his kiss had been in the dream and how delicate the touch of his finger was as it traced down her body.
Thea Harrison (Dragon Bound (Elder Races, #1))
Christ, I feel like a naughty schoolboy again,” said Alec as they walked into King’s Bench Walk. “We have just had a dressing-down by the headmaster. Strider could easily be a man handy with a cane.” “That man Strider is a crook,” said Bing-Wallace. “His utterances are like the product of a performance of Joseph Pujol … Le Pétomane!” “Who is Joseph Pujol?” “He is a well-known French flatulist performer.” “What?” Alec stopped dead, “A fartist, dear boy, a performer of farts.” Bing-Wallace began to giggle, as did Alec.
Hugo Woolley (The Wasp Trap (The Charlotte's War Trilogy Book 3))
I am plenty romantic. Just this morning while he slept, I had left Carter a box of his favorite candy next to his pillow - Globs: piles of white chocolate covered, crushed potato chips and pretzels drizzled with caramel. I figured it would soften him up to the note I placed next to the box telling him if he left the toilet seat up one more time and my ass got an involuntary bath at six in the morning, I would put super glue on the head of his penis while he slept. I had even signed the note with a couple of Xs and Os. Who says romance is dead?
Tara Sivec (Futures and Frosting (Chocolate Lovers, #2))
There. Let the gods of friendship and common sense strike him dead.
Kelly Moran (Tracking You (Redwood Ridge #2))
Some say that the age of chivalry is past, that the spirit of romance is dead. The age of chivalry is never past, so long as there is a wrong left unredressed on earth.
Charles Kingsley
That settles it, no more books about vampire before bedtime.
Amanda Ashley
All literature consists of whatever the writer thinks is cool. The reader will like the book to the degree that he agrees with the writer about what’s cool.
Steven Brust (The Paths of the Dead (Khaavren Romances, #3: The Viscount of Adrilankha, #1))
I’d rather you hate me alive than love me dead.
Ana Huang (Twisted Games (Twisted, #2))
He'd died. Plain and simple. And it pissed him off. Left him frustrated and disappointed. Where had all , the guardian angel crap they'd fed him in catechism gone to? He'd seen no angels, seraphim, archangels or pearly gates. No one to show him the ropes now that he was dead. What the hell was he supposed to do?
Deborah Leblanc (Toe to Toe (Nonie Broussard Ghost Tracker Series))
I have never wanted anything as desperately, as ungovernably, as persistently as I want you. Not a single goddamn thing. Not my dead mother back. Not revenge. Not the well-being of the people I love. Not professional success, not even my own happiness. Absolutely nothing has consumed me as mercilessly as you have.
Ali Hazelwood (Problematic Summer Romance (Not in Love, #2))
He took the spatula and smiled, and she headed for the bedroom, only stopping once to see if he was watching her ass wiggle under his shirt. He chuckled. “I’d have to be dead not to look.” “I’m glad to see you’re in good health.” She grinned.
Lisa Kessler (Lure of Obsession (Muse Chronicles, #1))
Nothing is as deadly as the love of a powerful man.
Nenia Campbell (Cease and Desist (The IMA, #4))
Maybe it was that nearly everyone else was dead and she felt a little bit dead too, but she figured that even a vampire deserved to be saved. Maybe she ought to leave him, but she wasn't going to.
Holly Black (The Coldest Girl in Coldtown)
So, apart from casting runes, what other hobbies do you have? Forbidden rituals, human sacrifices, torturing? –
Simona Panova (Nightmarish Sacrifice (Cardew))
I am so very tired of the romance of the dead girl. Aren't you?
Erin Morgenstern (The Starless Sea)
So it’s fate then?” I asked with him so close my lips brushed the line of his jaw with each word, “Us being together?” “Absolutely,” Calvin said with a low growl. Then he lifted my chin, tilting my head back, and kissed me deeply. Who was I to argue with Fate?
E.J. Stevens
I've always felt that distant train whistles heard in the dead of night are the universe's way of letting us know the best days are neither ahead nor behind us...they're happening right now, cradled in the palms of our hands. But that doesn't change the fact that the whiskey, weed, and romance eventually runs out and the night will soon turn to day.
Dave Matthes (Sleepeth Not, the Bastard)
Although this scouting gig sounded like a financial hit, it made Nonie extremely nervous. She feared someone slip--that someone being Buggy--and others would find out Nonie's secret. And if the wrong person caught wind that she could see and speak to the dead, word would spread through Clay Point like ants at a picnic.
Deborah Leblanc (Toe to Toe (Nonie Broussard Ghost Tracker Series))
Soon after the completion of his college course, his whole nature was kindled into one intense and passionate effervescence of romantic passion. His hour came,—the hour that comes only once; his star rose in the horizon,—that star that rises so often in vain, to be remembered only as a thing of dreams; and it rose for him in vain. To drop the figure,—he saw and won the love of a high-minded and beautiful woman, in one of the northern states, and they were affianced. He returned south to make arrangements for their marriage, when, most unexpectedly, his letters were returned to him by mail, with a short note from her guardian, stating to him that ere this reached him the lady would be the wife of another. Stung to madness, he vainly hoped, as many another has done, to fling the whole thing from his heart by one desperate effort. Too proud to supplicate or seek explanation, he threw himself at once into a whirl of fashionable society, and in a fortnight from the time of the fatal letter was the accepted lover of the reigning belle of the season; and as soon as arrangements could be made, he became the husband of a fine figure, a pair of bright dark eyes, and a hundred thousand dollars; and, of course, everybody thought him a happy fellow. The married couple were enjoying their honeymoon, and entertaining a brilliant circle of friends in their splendid villa, near Lake Pontchartrain, when, one day, a letter was brought to him in that well-remembered writing. It was handed to him while he was in full tide of gay and successful conversation, in a whole room-full of company. He turned deadly pale when he saw the writing, but still preserved his composure, and finished the playful warfare of badinage which he was at the moment carrying on with a lady opposite; and, a short time after, was missed from the circle. In his room,alone, he opened and read the letter, now worse than idle and useless to be read. It was from her, giving a long account of a persecution to which she had been exposed by her guardian's family, to lead her to unite herself with their son: and she related how, for a long time, his letters had ceased to arrive; how she had written time and again, till she became weary and doubtful; how her health had failed under her anxieties, and how, at last, she had discovered the whole fraud which had been practised on them both. The letter ended with expressions of hope and thankfulness, and professions of undying affection, which were more bitter than death to the unhappy young man. He wrote to her immediately: I have received yours,—but too late. I believed all I heard. I was desperate. I am married, and all is over. Only forget,—it is all that remains for either of us." And thus ended the whole romance and ideal of life for Augustine St. Clare. But the real remained,—the real, like the flat, bare, oozy tide-mud, when the blue sparkling wave, with all its company of gliding boats and white-winged ships, its music of oars and chiming waters, has gone down, and there it lies, flat, slimy, bare,—exceedingly real. Of course, in a novel, people's hearts break, and they die, and that is the end of it; and in a story this is very convenient. But in real life we do not die when all that makes life bright dies to us.
Harriet Beecher Stowe (Uncle Tom’s Cabin)
All masculine, hard-bodied and sensual, he was a deadly weapon sent by the gods to drive women mad, and a walking billboard for all things wicked and carnal. Orgasms! Get your orgasms here. Hot and juicy! Just how you like ‘em!
Lisa Sanchez (Eve of Samhain (Hanaford Park, #1))
I had this daft idea to come and bury the past. Except the past is not quite dead.
Sherry Thomas (Not Quite a Husband (The Marsdens, #2))
I will come back from the dead for you.
Richard Siken
It was more than that, he said, looking down briefly at her. Love fades when you die. I am clearly dead, but my love for her hasn't diminished. It still burns inside me like a flicker in a flame.
Rachel M. Greenebaum Moretti (The Wales Boy (Angelica Grace Trilogy #1))
We want who we want, right? No matter what other people say. No matter what reason or reality we’re faced with. No matter what facts our brains process. The heart’s a stubborn organ.
Kim Harrington (The Dead and Buried)
I’m out of health potions. Retreat! Retreat! Give me some of your health potions!” I screamed. “I don’t have any potions. Run, bitch, run,” Brody squealed. The red ran out on my health and my assassin was transported, stripped of everything we’d earned, back to the starting camp. “I’m dead! Fuck, they killed me!
Kristen Ashley (Rock Chick Redemption (Rock Chick, #3))
Her gaze cut over to Drake with a knowing half smile, then back to the captain. “You see, captain, dead men tell me all kinds of tales.
Lisa Kessler (Pirate's Persuasion (Sentinels of Savannah #4))
You don't think I'm going to deflower you under your father's roof, do you?
Amanda Ashley (Dead Perfect)
You are not cursed-you are a reaper. You are the night incarnate, the ferrier of souls. You are the bridge between the living and the dead—a caged bird that's ready to fly. So spread your wings, Signa Farrow, because you are limitless. Spread your wings, and oh, how we'll fly.
Adalyn Grace (Belladonna (Belladonna, #1))
But you know, mon petite, what you got is a gift. And when de good Lord gives you a gift you have to use it. Dat's why he put you here on dis earth. Sometime it's gonna be to help a soul cross over to de other side to meet him. If dat's whey you gott do, den dat's what you gotta do. You can't just keep collecting de dead. You gonna have to find a way to take what you got and work wit dat.
Deborah Leblanc (Toe to Toe (Nonie Broussard Ghost Tracker Series))
Life should imitate romance literature far more often.
Charlaine Harris (Dead Ever After (Sookie Stackhouse, #13))
You have no idea," he says to me, "what it means to truly suffer. Sometimes I think you live in some fantasy land where everyone survives on optimism-- but it doesn't work that way out here. In this world, you're either alive, about to die, or dead. There's no romance in it. No illusion. So don't try to pretend you have any idea what it means to be alive today. Right now. Because you don't.
Tahereh Mafi (Ignite Me (Shatter Me, #3))
It was muddy from all the rain. A few gray wooden houses on both sides and one old, tired store lined the road. Two dark mangy stray dogs, shivering in the damp cold, wandered the street and a few crows sat in the dead trees, waiting for who knew what.
L.M. Weeks (Bottled Lightning)
I wish I could hold you," she continued bitterly, "till we were both dead!
Emily Brontë
I will come back to you." I hooked my fingers in his armor before he could pull away. "Your word?" He smiled, took my hand, and kissed my fingertips. "My vow.
Brigid Kemmerer (A Vow So Bold and Deadly (Cursebreakers, #3))
One reads poetry because he is a member of the human race, and the human race is filled with passion! Medicine, law, banking- these are necessary to sustain life. But poetry, romance, love, beauty? These are what we stay alive for!
N.H. Kleinbaum (Dead Poets Society)
How often since then has she wondered what might have happened if she'd tried to remain with him; if she’d returned Richard's kiss on the corner of Bleeker and McDougal, gone off somewhere (where?) with him, never bought the packet of incense or the alpaca coat with rose-shaped buttons. Couldn’t they have discovered something larger and stranger than what they've got. It is impossible not to imagine that other future, that rejected future, as taking place in Italy or France, among big sunny rooms and gardens; as being full of infidelities and great battles; as a vast and enduring romance laid over friendship so searing and profound it would accompany them to the grave and possibly even beyond. She could, she thinks, have entered another world. She could have had a life as potent and dangerous as literature itself. Or then again maybe not, Clarissa tells herself. That's who I was. This is who I am--a decent woman with a good apartment, with a stable and affectionate marriage, giving a party. Venture too far for love, she tells herself, and you renounce citizenship in the country you've made for yourself. You end up just sailing from port to port. Still, there is this sense of missed opportunity. Maybe there is nothing, ever, that can equal the recollection of having been young together. Maybe it's as simple as that. Richard was the person Clarissa loved at her most optimistic moment. Richard had stood beside her at the pond's edge at dusk, wearing cut-off jeans and rubber sandals. Richard had called her Mrs. Dalloway, and they had kissed. His mouth had opened to hers; (exciting and utterly familiar, she'd never forget it) had worked its way shyly inside until she met its own. They'd kissed and walked around the pond together. It had seemed like the beginning of happiness, and Clarissa is still sometimes shocked, more than thirty years later to realize that it was happiness; that the entire experience lay in a kiss and a walk. The anticipation of dinner and a book. The dinner is by now forgotten; Lessing has been long overshadowed by other writers. What lives undimmed in Clarissa's mind more than three decades later is a kiss at dusk on a patch of dead grass, and a walk around a pond as mosquitoes droned in the darkening air. There is still that singular perfection, and it's perfect in part because it seemed, at the time, so clearly to promise more. Now she knows: That was the moment, right then. There has been no other.
Michael Cunningham (The Hours)
I'm going to get 'I'M NOT FUCKING DEAD' tattooed on my chest." "That will become inaccurate at some point, " Omar pointed out.
Domashita Romero (Complicated Creation)
Do or die, you'll never make me Because the world will never take my heart Go and try, you'll never break me We want it all, we wanna play this part I won't explain or say I'm sorry I'm unashamed, I'm gonna show my scar Give a cheer for all the broken Listen here, because it's who we are I'm just a man, I'm not a hero Just a boy, who had to sing this song I'm just a man, I'm not a hero I! don't! care! We'll carry on We'll carry on And though you're dead and gone believe me Your memory will carry on We'll carry on And though you're broken and defeated Your weary widow marches on
Gerard Way
The first thing you notice about New Orleans are the burying grounds - the cemeteries - and they're a cold proposition, one of the best things there are here. Going by, you try to be as quiet as possible, better to let them sleep. Greek, Roman, sepulchres- palatial mausoleums made to order, phantomesque, signs and symbols of hidden decay - ghosts of women and men who have sinned and who've died and are now living in tombs. The past doesn't pass away so quickly here. You could be dead for a long time. The ghosts race towards the light, you can almost hear the heavy breathing spirits, all determined to get somewhere. New Orleans, unlike a lot of those places you go back to and that don't have the magic anymore, still has got it. Night can swallow you up, yet none of it touches you. Around any corner, there's a promise of something daring and ideal and things are just getting going. There's something obscenely joyful behind every door, either that or somebody crying with their head in their hands. A lazy rhythm looms in the dreamy air and the atmosphere pulsates with bygone duels, past-life romance, comrades requesting comrades to aid them in some way. You can't see it, but you know it's here. Somebody is always sinking. Everyone seems to be from some very old Southern families. Either that or a foreigner. I like the way it is. There are a lot of places I like, but I like New Orleans better. There's a thousand different angles at any moment. At any time you could run into a ritual honoring some vaguely known queen. Bluebloods, titled persons like crazy drunks, lean weakly against the walls and drag themselves through the gutter. Even they seem to have insights you might want to listen to. No action seems inappropriate here. The city is one very long poem. Gardens full of pansies, pink petunias, opiates. Flower-bedecked shrines, white myrtles, bougainvillea and purple oleander stimulate your senses, make you feel cool and clear inside. Everything in New Orleans is a good idea. Bijou temple-type cottages and lyric cathedrals side by side. Houses and mansions, structures of wild grace. Italianate, Gothic, Romanesque, Greek Revival standing in a long line in the rain. Roman Catholic art. Sweeping front porches, turrets, cast-iron balconies, colonnades- 30-foot columns, gloriously beautiful- double pitched roofs, all the architecture of the whole wide world and it doesn't move. All that and a town square where public executions took place. In New Orleans you could almost see other dimensions. There's only one day at a time here, then it's tonight and then tomorrow will be today again. Chronic melancholia hanging from the trees. You never get tired of it. After a while you start to feel like a ghost from one of the tombs, like you're in a wax museum below crimson clouds. Spirit empire. Wealthy empire. One of Napoleon's generals, Lallemaud, was said to have come here to check it out, looking for a place for his commander to seek refuge after Waterloo. He scouted around and left, said that here the devil is damned, just like everybody else, only worse. The devil comes here and sighs. New Orleans. Exquisite, old-fashioned. A great place to live vicariously. Nothing makes any difference and you never feel hurt, a great place to really hit on things. Somebody puts something in front of you here and you might as well drink it. Great place to be intimate or do nothing. A place to come and hope you'll get smart - to feed pigeons looking for handouts
Bob Dylan (Chronicles, Volume One)
I am no nihilist. I am not even a cynic. I am, actually, rather romantic. And here’s my idea of romance: You will soon be dead. Life will sometimes seem long and tough and, god, it’s tiring. And you will sometimes be happy and sometimes sad. And then you’ll be old. And then you’ll be dead.
Tim Minchin
I think, as readers, we all have a comfort read, the one book that protects us in the exact ways it needs to—whether it is a romance or erotica or a thriller or a crime story or a fantasy. A book that we find ourselves in, like looking in a mirror. Oh, you, too? It will ask, as it fills that soft, hollow place in your heart that nothing else dared to touch. I think we all deserve a book like that, whatever yours is.
Ashley Poston (The Dead Romantics)
Wait a minute, I thought all girls liked those tragic love stories?" Isaac asked as we turned down another hall. "I guess I'm weird." I shrugged. "I prefer a good happy ending to a story, there are enough tragic ones in real life.
B.L. Brunnemer (Trying to Live With the Dead (The Veil Diaries #1))
There was no 'I' in team, but there was meat in team. And we were all dead meat.
Jennifer Lane (Blocked)
It was kind of romantic, especially since you weren't lying dead anywhere.
J. Lynn (Wait for You (Wait for You, #1))
Do you mind if we leave here so I can chain smoke 'til I throw up so it will be easier to quit?
Robyn Peterman (Fashionably Dead (Hot Damned, #1))
I knew I was a little different from most demons but nothing says freak of nature like a one-eyed gypsy saying I had a rainbow glow. It just didn't sound complimentary.
Maryab (Claiming the Evil Dead (Soul Catcher, #1))
I’m not complaining about Romance Being Dead - I’ve just described a happy marriage as based on talking about plants and a canceled Ray Romano show and drinking milkshakes: not exactly rose petals and gazing into each other’s eyes at the top of the Empire State Building or whatever. I’m pretty sure my parents have gazed into each other’s eyes maybe once, and that was so my mom could put eyedrops in my dad’s eyes.
Mindy Kaling (Is Everyone Hanging Out Without Me? (And Other Concerns))
But,” Shane said. He had to say this next part. It had been eating away at him for too long. “You want to get married, right? To a woman, I mean. You’re not...like me. You like women. And I’m sure...Svetlana is gorgeous and fun and...all that stuff. Right?” “Yes,” Ilya said. “I do. She is. But.” “But?” Ilya shrugged, and he looked like he was possibly blushing. “I have this problem,” he mumbled. Shane waited. “I like women. I always was thinking that to get married would be nice. Kids. All of that. Someday. But...this problem will not go away.” Shane bit his lip. “Tell me about this problem.” “Is so annoying.” Ilya sighed, and Shane could see him fighting a grin. “Always I am with beautiful women. Wonderful women. Everywhere.” “Sounds rough.” “Yes. Listen. These women, they are so sexy and fun, but is no matter. I cannot stop thinking about this short fucking hockey player with these stupid freckles and a weak backhand.” “A weak backhand?” Shane couldn’t stop smiling. “Yes. And he is just so boring and he drives a terrible car and...that is my problem. All of these beautiful women and I am always wishing they were him.” Ilya bent to take his third shot. “Is terrible problem.” Fuck. Shane was going start crying right here in his games room. He swallowed and steadied himself. “Do you want the problem to go away?” “No,” Ilya said seriously, looking Shane dead in the eye. “I do not want the problem to ever go away.
Rachel Reid (Heated Rivalry (Game Changers, #2))
It is from the bystanders (who are in the vast majority) that we receive the propaganda that life is not worth living, that life is drudgery, that the ambitions of youth must he laid aside for a life which is but a painful wait for death. These are the ones who squeeze what excitement they can from life out of the imaginations and experiences of others through books and movies. These are the insignificant and forgotten men who preach conformity because it is all they know. These are the men who dream at night of what could have been, but who wake at dawn to take their places at the now-familiar rut and to merely exist through another day. For them, the romance of life is long dead and they are forced to go through the years on a treadmill, cursing their existence, yet afraid to die because of the unknown which faces them after death. They lacked the only true courage: the kind which enables men to face the unknown regardless of the consequences.
Hunter S. Thompson (The Proud Highway: Saga of a Desperate Southern Gentleman, 1955-1967)
Lathis rattle against steel railings. Drenched half-naked men, some with torn shirts, jump up and down waving their fists. Some chant ‘Bande Mataram,’ others ‘Mazdur ki jai,’ whatever is their preference, the motherland or the brotherhood of workers. The hammer and sickle, red but limp, flaps like a half-dead fish against the trunk of a banyan tree. The sky cries monsoon tears; it has been crying all night.
Michael Tobert (Karna's Wheel)
A Second Childhood.” When all my days are ending And I have no song to sing, I think that I shall not be too old To stare at everything; As I stared once at a nursery door Or a tall tree and a swing. Wherein God’s ponderous mercy hangs On all my sins and me, Because He does not take away The terror from the tree And stones still shine along the road That are and cannot be. Men grow too old for love, my love, Men grow too old for wine, But I shall not grow too old to see Unearthly daylight shine, Changing my chamber’s dust to snow Till I doubt if it be mine. Behold, the crowning mercies melt, The first surprises stay; And in my dross is dropped a gift For which I dare not pray: That a man grow used to grief and joy But not to night and day. Men grow too old for love, my love, Men grow too old for lies; But I shall not grow too old to see Enormous night arise, A cloud that is larger than the world And a monster made of eyes. Nor am I worthy to unloose The latchet of my shoe; Or shake the dust from off my feet Or the staff that bears me through On ground that is too good to last, Too solid to be true. Men grow too old to woo, my love, Men grow too old to wed; But I shall not grow too old to see Hung crazily overhead Incredible rafters when I wake And I find that I am not dead. A thrill of thunder in my hair: Though blackening clouds be plain, Still I am stung and startled By the first drop of the rain: Romance and pride and passion pass And these are what remain. Strange crawling carpets of the grass, Wide windows of the sky; So in this perilous grace of God With all my sins go I: And things grow new though I grow old, Though I grow old and die.
G.K. Chesterton (The Collected Poems of G. K. Chesterton)
Don't yield to her," I whisper. "Don't even yield to the memory of her." He draws back a little, just enough so I can meet his eyes. "Don't yield to me either," I say, and have to swallow past the sudden emotion in my throat. "Yield to yourself. Yield to forgiveness. Yield to happiness. Yield to this moment. It's not hers. It's yours. It's mine. It's ours.
Brigid Kemmerer (A Vow So Bold and Deadly (Cursebreakers, #3))
It looks like a funeral parlour in here. Am I dead?
Jackie Williams (Echo Beach)
The utter unbroken silence was more appalling than any ominous noise, than the loudest yells of anguish, than the most piercing screaming... Dead silence. Literally dead.
Simona Panova (Nightmarish Sacrifice (Cardew))
I'm twenty-nine, happily single and getting it on a regular basis' I said, enjoying the way their thin lips hung open in an impressive O. 'Well I've never,' Jane gasped. 'Clearly. You should try it some time. I understand Mr Smith is so vision impaired you might have a shot there.' Their appalled shrieks were music to my ears and I quickly made my escape.
Robyn Peterman (Fashionably Dead (Hot Damned, #1))
You’re no longer a virgin. I had the proof of that all over my cock.” Who said romance was dead?
Danielle Lori (The Darkest Temptation (Made, #3))
We were an author of love stories and an editor of romances, weaving a story about a boy who was once a little ghostly and a girl who lived with ghosts. And maybe, if we were lucky, we’d find a happily ever after, too.
Ashley Poston (The Dead Romantics)
I haven't had a lot of good, soft things in my life," he said against my forehead. "Not since my family sent me away. Apart from being your sire and feeling that pull to you, it's that goodness, that softness and warmth, along with the resolve and strength in you, that I love. Being turned hasn't taken that from you. If someone were going to design the perfect mate for me, it would be you. Even when you infuriate me with your pigheaded stubbornness and your temper and incredible lack of anything resembling self-preservation—" "Stop describing me please." "You're the most fascinating, maddening, adorable creature I've ever met," he said, sighing and pushing my hair out of my eyes. "So, when I seem possessive or I'm raving like a lunatic, it's just that part of me is still very afraid that I'll lose that—that I'll lose you. I love you.
Molly Harper (Nice Girls Don't Date Dead Men (Jane Jameson, #2))
I feel like we’ve done a few of these . . .” “But I could never touch you.” “I’d be okay with that.” “No one else will ever see me.” “That means you’d be all mine.
Ashley Poston (The Dead Romantics)
medicine, law, banking- these are necessary to sustain life. but poetry, romance, love, beauty? these are what we stay alive for!
N.H. Kleinbaum (Dead Poets Society)
Medicine, law, banking--these are necessary to sustain life. But poetry, romance, love, beauty? These are what we stay alive for! - Mr. Keating, Dead Poet’s Society.
N.H. Kleinbaum
Gray. The overcast skies had the colour of deadened stones, and seemed closer than usually, as though they were phlegmatically observing my every movement with their apathetic emptily blue-less eyes; each tiny drop of hazy rain drifting around resembled transparent molten steel, the pavement looked like it was about to burst into disconsolate tears, even the air itself was gray, so ultimate and ubiquitous that colour was everywhere around me. Gray...
Simona Panova (Nightmarish Sacrifice (Cardew))
I'm sorry,' she said to each of the dead as she unzipped and unfastened their things, 'I'm sorry Courtney. I'm sorry Marcus. I'm sorry Rachel. I'm sorry Jon. I'm sorry I'm alive and you're dead. I'm sorry I was asleep. I'm sorry I didn't save you and now I'm taking your things. I'm sorry. I'm sorry. I'm sorry.
Holly Black (The Coldest Girl in Coldtown)
Trust him. And when you have done that, you are living the life of grace. No matter what happens to you in the course of that trusting - no matter how many waverings you may have, no matter how many suspicions that you have bought a poke with no pig in it, no matter how much heaviness and sadness your lapses, vices, indispositions, and bratty whining may cause you - you believe simply that Somebody Else, by his death and resurrection, has made it all right, and you just say thank you and shut up. The whole slop-closet full of mildewed performances (which is all you have to offer) is simply your death; it is Jesus who is your life. If he refused to condemn you because your works were rotten, he certainly isn't going to flunk you because your faith isn't so hot. You can fail utterly, therefore, and still live the life of grace. You can fold up spiritually, morally, or intellectually and still be safe. Because at the very worst, all you can be is dead - and for him who is the Resurrection and the Life, that just makes you his cup of tea.
Robert Farrar Capon (Between Noon & Three: Romance, Law & the Outrage of Grace)
Romance isn't just about roses or killing dragons or sailing a kayak around the world. It's also about chocolate chip cookies and sharing The Grateful Dead and James Taylor with me in the middle of the night, and believing me when I say that you could be bigger than both of them put together, and not making fun of me for straightening out my french fries or pointing my shoelaces in the same direction, and letting me pout when I don't get my own way, and pretending that if I play "Flower Drum Song" one more time you won't throw me and the record out the window
Steve Kluger (Almost Like Being in Love)
I was recently living more comfortably surrounded by secrets... Like dozens of luxurious satiny pillows, they were embracing me from all directions into safe lulling warmth, thus isolating me from the sharp dead-cold edges of the truth hiding behind their endearingly smooth textures and tender soothing colours. Secrets could be so irresistibly beautiful...
Simona Panova (Nightmarish Sacrifice (Cardew))
I used to think Romeo and Juliet was the greatest love story ever written. But now that I’m middle-aged, I know better. Oh, Romeo certainly thinks he loves his Juliet. Driven by hormones, he unquestionably lusts for her. But if he loves her, it’s a shallow love. You want proof?” Cagney didn’t wait for Dr. Victor to say yay or nay. “Soon after meeting her for the first time, he realizes he forgot to ask her for her name. Can true love be founded upon such shallow acquaintance? I don’t think so. And at the end, when he thinks she’s dead, he finds no comfort in living out the remainder of his life within the paradigm of his love, at least keeping alive the memory of what they had briefly shared, even if it was no more than illusion, or more accurately, hormonal. “Those of us watching events unfold from the darkness know she merely lies in slumber. But does he seek the reason for her life-like appearance? No. Instead he accuses Death of amorousness, convinced that the ‘lean abhorred monster’ endeavors to keep Juliet in her present state, her cheeks flushed, so that she might cater to his own dissolute desires. But does Romeo hold her in his arms one last time and feel the warmth of her blood still coursing through her veins? Does he pinch her to see if she might awaken? Hold a mirror to her nose to see if her breath fogs it? Once, twice, three times a ‘no.’” Cagney sighed, listened to the leather creak as he shifted his weight in his chair. “No,” he repeated. “His alleged love is so superficial and selfish that he seeks to escape the pain of loss by taking his own life. That’s not love, but obsessive infatuation. Had they wed—Juliet bearing many children, bonding, growing together, the masks of the star-struck teens they once were long ago cast away, basking in the comforting campfire of a love born of a lifetime together, not devoured by the raging forest fire of youth that consumes everything and leaves behind nothing—and she died of natural causes, would Romeo have been so moved to take his own life, or would he have grieved properly, for her loss and not just his own?
J. Conrad Guest (The Cobb Legacy)
Some things break when you put too much pressure on them, but those shards they break into can be twice as deadly.
C.M. Stunich (Anarchy at Prescott High (The Havoc Boys, #4))
My ghost is the only soul who ever comes to cry on my grave... Only the skies cried sincerely on my funeral.
Simona Panova (Nightmarish Sacrifice (Cardew))
because he is a member of the human race, and the human race is filled with passion! Medicine, law, banking—these are necessary to sustain life. But poetry, romance, love, beauty? These are what we stay alive for!
N.H. Kleinbaum (Dead Poets Society)
Don't blink. Don't even blink." she whispered. "What in the hell are you talking about?" Aiden looked around trying to identify a hidden threat. "You blink and you're dead." Meryn stared at the two large stone angels on either side of a heavy looking wooden door unblinking. Aiden's hand went to his sidearm. "Meryn, that is just a statue." "But what if it isn't? I mean up until this week I didn't think paranormals existed and now you're all over the fucking place. I can't take the chance.
Alanea Alder (My Commander (Bewitched and Bewildered, #1))
Well if it isn't little miss 'Call Me Maybe' back from the dead.
Faith Sullivan (Heartbeat (Heartbeat, #1))
I was beginning to agree with the thesis that some truths were better off dead. And buried.
Simona Panova (Nightmarish Sacrifice (Cardew))
This really, truly, could not be happening. Captain Logan MacKenzie could not be alive. He could not be dead, either. He didn't exist.
Tessa Dare (When a Scot Ties the Knot (Castles Ever After, #3))
There's a certain deeper sort of beauty in the bleak. I see it that bleak is beautiful in part because it is too deathly and grim to fathom itself so.
Criss Jami
Regin the Radiant and Emmaline Troy: 'Alrighty then, have it your way- you're on your own... Now, if you come across a leech, no offense, remember your training.' 'None taken. And would that be the sword training where you fly past my defenses and swat me on the ass, chirping, 'Dead!'? Another swat. 'Dead!'? Yeah, I'll get right on that.' 'No, that would be the training where you sprint like hell whenever you hear that I'm looking for you to train.
Kresley Cole (A Hunger Like No Other (Immortals After Dark, #1))
I had two cups of coffee, put Eric's jeans in the washer, read a romance for awhile, and studied my brand-new Word of the Day calendar, a Christmas gift from Arlene. My first word of the New Year was 'exsanguinate.' This was probably not a good omen.
Charlaine Harris (Dead to the World (Sookie Stackhouse, #4))
He caught her staring: at the fall of his dark hair, at the dimpled line in his chin where her little finger fit, at his dark eyes and the flame dancing inside them from her mom's new Autumn Spice candle. His eyes were always bright somehow, dazzling, like from within. Ravi Singh was the opposite of dead- eyed. The antidote. Pip needed him to remind herself of that sometimes. So she watched him, took him all in, left none of him behind.
Holly Jackson (As Good As Dead (A Good Girl's Guide to Murder, #3))
The images of the dead woman flew into his mind like a bat that had just feasted, blood dripping from its fangs where it wanted to seep into his subconscious and awaken a hidden side of him.
Marie Montine (Arising Son: Part One (The Guardians of the Temple Saga))
Won? He’s one of them! How exactly is that winning?” Michael shook his head, moved up behind her, and put his hands on her shoulders. He kissed the nape of her neck gently. “I don’t know, Eve. I’m just telling you what I heard. He got some kind of agreement out of the vampires. And it was because Amelie loved him.” “Yeah, loved him enough to kill him and turn him into a bloodsucking fiend,” Eve said grimly. “How sweet. Romance isn’t dead. Oh, wait. It is.
Rachel Caine (The Dead Girls' Dance (The Morganville Vampires, #2))
Call me crotchety, but I didn’t like being bossed around, especially before I’d injected caffeine into my system. Violet Parker
Ann Charles (Dead Case in Deadwood (Deadwood, #3))
Money is just dirty paper with dead presidents' pictures on it.
Carolyn Brown (The Trouble with Texas Cowboys (Burnt Boot, Texas, #2))
I am ewe to your ram. How can I call myself a man anymore?" "The penis is a dead giveaway.
Jill Knowles (Concubine)
I had you pictured dead in a pool of blood in front of the fireplace. And now you show up alive, and I want to kill you myself. (Zack)
Jennifer Crusie (Getting Rid of Bradley)
I need a victim and no offense Yuki, but your carrot sticks are lacking in controversy.
E.J. Stevens (She Smells the Dead (Spirit Guide, #1))
She knew with chilling and absolute certainty she was next.
Alexa Grace (Deadly Offerings (Deadly Trilogy, #1))
Doug’s entire speech was landing like a series of jabs to my gut, but that last sentence hit me like an actual slap in the face. Doug was truly dead to me. Dead and buried.
Crystal Raven (Virtual Mirrors: First Journal)
While I had no intention of hooking up with him, I still wanted him to want to hook up with me. It was the principle of the thing, after all.
Kimberly Raye (Dead End Dating (Dead End Dating #1))
One reads poetry because he is a member of the human race, and the human race is filled with passion! Medicine, law, banking - these are necesseary to sustain life. But poetry, romance, love, beauty? These are what we stay alive for!
N.H. Kleinbaum (Der Club der toten Dichter / Deads Poets Society)
the battered woman--for she wore a skirt--with her right hand exposed, her left clutching at her side, stood singing of love--love which has lasted a million years, she sang, love which prevails, and millions of years ago, her lover, who had been dead these centuries, had walked, she crooned, with her in May; but in the course of ages, long as summer days, and flaming, she remembered, with nothing but red asters, he had gone; death's enormous sickle had swept those tremendous hills, and when at last she laid her hoary and immensely aged head on the earth, now become a mere cinder of ice, she implored the Gods to lay by her side a bunch of purple heather, there on her high burial place which the last rays of the last sun caressed; for then the pageant of the universe would be over.
Virginia Woolf
(Vaughn said)"I'm serious. There was a speech and everything. She told me that I run around with my 'obviously healthy ego' and compared me to a kid in a candy store when it comes to women-trying to get my hands on as many 'shiny treats' as possible." Cade's mouth twitched. "How dare she. That's just so..." He trailed off, as if thinking about how best to respond. "Dead-on balls accurate," Huxley finished. The two of them began laughing.
Julie James (It Happened One Wedding (FBI/US Attorney, #5))
I picked my way through the corpses to another Illyrian. Then another. And another. Some I knew. Some I didn't. Still the killing field stretched onward under the sky. Mile after mile. A kingdom of the rotting dead. And still I looked.
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
Sespian opened his mouth, paused, closed it, then shook his head ruefully. "It's very easy to be drawn into what you're saying, and I catch myself wanting to nod and agree. Maybe I should take notes on your technique." Amaranthe blushed and felt like she should stutter an apology, but she hadn't done anything to be embarrassed about, had she? "It's her eyes", Sicarius said, startling her.. Yara glanced over her shoulder at him, apparently, surprised to hear him speak, but soon turned her attention back to the tracks. She seemed to be believe she should remain silent for the discussion. Sespian scratched his jaw. "Yes, maybe so. They're like a doe's. Warm and earnest and..." "Wholesome. Sicarius's eyes glinted, and Amaranthe scowled at him.
Lindsay Buroker
But he knew better than anyone that the bruises ran deeper than the skin. They ran all the way to your soul and left permanent splinters in your heart.
Kathy Lockheart (Deadly Illusion (Secrets and the City, #1))
She smiled, and his dead heart warmed. One smile would never be enough.
Lisa Kessler (Magnolia Mystic (Sentinels of Savannah, #1))
For the record, the proposal was just a courtesy. You would have been mine regardless. -KANE
C.M. Owens (Red Moon Secrets (Deadly Beauties #3))
Cinderella has been dead for two hundred years. I’ve been in love with Erin for the better part of three years. And I am about two minutes away from certain death.
Kalynn Bayron (Cinderella Is Dead)
Alone with the dead! I dare not go out, for I can hear the low howl of the wolf through the broken window.
Bram Stoker (Dracula)
Women weep for the dead. Men avenge them.
Alexandre Dumas (D'ARTAGNAN ROMANCES: The Three Musketeers, Twenty Years After, The Vicomte de Bragelonne, Ten Years Later, Louise de la Valliere, The Man in the Iron Mask ... Romances: FLT Classics Series Book 7))
Besides, it left the humans in the Culture free to take care of the things that really mattered in life, such as sports, games, romance, studying dead languages, barbarian societies and impossible problems, and climbing high mountains without the aid of a safety harness.
Iain M. Banks (Consider Phlebas (Culture, #1))
He kept quite for a minute or so but it felt like an hour. “That sounds like either you know a lot of diseased and ill people or they’re just ill or dead because of you.” “I know,” I said and felt like a monster.
Lili Frings (The Clare Kane Project (Clare Kane, #1))
Humility will cure Pride. Kindness will cure Envy. Temperance will cure Gluttony. Chastity will cure Lust. Patience will cure Wrath. Charity will cure Greed. Diligence will cure Sloth.
Tillie Cole (Raphael (Deadly Virtues, #1))
We describe a person without compassion as “heartless,” and we urge him or her to “have a heart.” Our deepest hurts we call “heartaches.” Jilted lovers are “brokenhearted.” Courageous soldiers are “bravehearted.” The truly evil are “black-hearted” and saints have “hearts of gold.” If we need to speak at the most intimate level, we ask for a “heart-to-heart” talk. “Lighthearted” is how we feel on vacation. And when we love someone as truly as we may, we love “with all our heart.” But when we lose our passion for life, when a deadness sets in which we cannot...
John Eldredge (The Sacred Romance: Drawing Closer to the Heart of God)
There is no dead matter,” he taught us, “lifelessness is only a disguise” his voice sank pressed against the wall, “We have lived for too long. We wish. We wish; we want, we want we want We are not,” he said, “long-term beings. not heroes of romances in many volumes. for one gesture, for one word alone, we shall make the effort. We openly admit: our creations will be temporary.
Jonathan Safran Foer (Tree of Codes)
Then I stay beside you for as long as we have." He kept stroking my hair. Cats like to be petted. Cait Sidhe like to pet. "October, I meant it when I told you I was not leaving you. I will never leave you while both of us are living. You were not quite this human when I met you, and you were far less human when I finally allowed myself to love you. But the essential core of your being has remained the same no matter what the balance of your blood." "How is it that you always know the exact right stupid romance novel thing to say?" I asked, leaning up to kiss him. He smiled against my lips. When I pulled back, he said. "I was a student of Shakespeare before the romance novel was even dreamt. Be glad I do not leave you horrible poetry on your pillow, wrapped securely around the bodies of dead rats.
Seanan McGuire (Chimes at Midnight (October Daye, #7))
{Calpurnia)"My mother…she’s desperate for a daughter she can dress like a porcelain doll. Sadly, I shall never be such a child. How I long for my sister to come out and distract the countess from my person." He joined her on the bench, asking, "How old is your sister?" "Eight," she said, mournfully. "Ah. Not ideal." "An understatement." She looked up at the star-filled sky. "No, I shall be long on the shelf by the time she makes her debut." "What makes you so certain you’re shelf-bound?" She cast him a sidelong glance. "While I appreciate your chivalry, my lord, your feigned ignorance insults us both." When he failed to reply, she stared down at her hands, and replied, "My choices are rather limited." "How so?" "I seem able to have my pick of the impoverished, the aged, and the deadly dull.
Sarah MacLean (Nine Rules to Break When Romancing a Rake (Love By Numbers, #1))
...there is therefore now no condemnation for two reasons: you are dead now; and God, as the Lamb slain from the foundation of the world, has been dead all along. The blame game was over before it started. It really was. All Jesus did was announce that truth and tell you it would make you free. It was admittedly a dangerous thing to do. You are a menace. Be he did it; and therefore, menace or not, here you stand: uncondemned, forever, now. What are you going to do with your freedom?
Robert Farrar Capon (Between Noon & Three: Romance, Law & the Outrage of Grace)
Kvothe looked at Bast for a long moment. “Oh Bast,” he said softly to his student. His smile was gentle and sad. “I know what sort of story I’m telling. This is no comedy.” “This is the end of the story, Bast. We all know that.” Kvothe’s voice was matter-of-fact, as casual as if he were describing yesterday’s weather. “I have led an interesting life, and this reminiscence has a certain sweetness to it. But . . .” Kvothe drew a deep breath and let it out gently. “. . . but this is not a dashing romance. This is no fable where folk come back from the dead. It’s not a rousing epic meant to stir the blood. No. We all know what kind of story this is.
Patrick Rothfuss (The Wise Man's Fear (The Kingkiller Chronicle, #2))
Might it be possible at some future time, when neurophysiology has advanced substantially, to reconstruct the memories or insight of someone long dead?...It would be the ultimate breach of privacy.
Carl Sagan (Broca's Brain: Reflections on the Romance of Science)
Audrey’s head spun. “You puked in the alley? Wow. You must really like him.” “Oh, God. Don’t say that.” Victoria bent her head over her knees and took slow, deep breaths. “The vomiting seems to be her way of expressing her feelings toward Ford,” Rachel told Audrey. “Aw. And they say romance is dead.”
Julie James (Suddenly One Summer (FBI/US Attorney, #6))
We don’t read and write poetry because it’s cute. We read and write poetry because we are members of the human race. And the human race is filled with passion. Medicine, law, business, engineering, these are noble pursuits and necessary to sustain life. But poetry, beauty, romance, love, these are what we stay alive for. To quote from Whitman, ‘O me! O life!… of the questions of these recurring; of the endless trains of the faithless… of cities filled with the foolish; what good amid these, O me, O life?’ Answer. That you are here - that life exists, and identity; that the powerful play goes on and you may contribute a verse. That the powerful play goes on and you may contribute a verse. What will your verse be?
N.H. Kleinbaum (Dead Poets Society)
You’re not terrified of me. You’re terrified of letting yourself care for me, and I can’t say I blame you. People who love me usually end up dead. But you see, I’m not going to give you any choice. You belong to me now whether you like it or not.” “I don’t like it, not one bit!” “Try to escape,” he suggested coolly. “Go ahead. See what happens. Give me one excuse to take what I want from you, even if it is against your will. I want you that much. Too damned much.” He turned without warning and kissed her, flattening her back against the pine mast.
Gaelen Foley (The Pirate Prince (Ascension Trilogy #1))
Miss Grantham ordered me to my room and told me no man would ever wish to marry me if I did not learn to behave like a lady. But Miss Grantham always behaves like a lady, and no man has ever wished to marry her, either, so if it really makes no difference in the end, I don’t see why I shouldn’t at least have fun!
Sheri Cobb South (A Dead Bore (John Pickett Mysteries, #2))
A sharp and familiar pang pierced his heart, rattled around his ribs, and then settled in his stomach like a rotting, dead weight. He took a swig of his Jack on the rocks, the burn not quite dulling the ache that had haunted him for two decades. God, he missed Anna. Enforcer's Redemption
Carrie Ann Ryan (Enforcer's Redemption (Redwood Pack, #3))
I'd also learned something new. There was something really sexy about a man that kissed you, without stopping to ask first.
Rose Wynters (Phase Two: Evaluate (Territory of the Dead, #2))
I’m not ‘stubborn.’” “Oh, really?” Lifting my chin, I said, “I’m determined.” (Violet to Doc)
Ann Charles (Dead Case in Deadwood (Deadwood, #3))
It was deeper than some boy thinking she was cute. It was more like she was food and he was hungry. It was as if Mars needed her to survive.
Randy Russell (Dead Rules)
We don't read and write poetry because it's cute. We read and write poetry because we are members of the human race. And the human race is filled with passion. And medicine, law, business, engineering, these are noble pursuits and necessary to sustain life. But poetry, beauty, romance, love, these are what we stay alive for.
N.H. Kleinbaum
You trying to sweep me off my feet?" Kelly asked, a little breathless. Nick grinned. "No. But I am going to take you up on that sloppy blowjob you offered." Kelly cackled as Nick dragged him inside. "Who says romance is dead?
Abigail Roux (Cross & Crown (Sidewinder, #2))
Parables are told only because they are true, not because the actions of the characters in them can be recommended for imitation. Good Samaritans are regularly sued. Fathers who give parties for wayward sons are rightly rebuked, Employers who pay equal wages for unequal work have labor-relations problems. And any Shepherd who makes a practice of leaving ninety-nine sheep to chase after a lost one quickly goes out of the sheep-ranching business. The parables are true only because they are like what God is like, not because they are models for us to copy. It is simply a fact that the one thing we dare not under any circumstances imitate is the only thing that can save us. The parables are, one and all, about the foolishness by which Grace raises the dead. They apply to no sensible process at all - only to the divine insanity that brings everything out of nothing.
Robert Farrar Capon (Between Noon & Three: Romance, Law & the Outrage of Grace)
From all of the battles over the years, Raesha changed into something darker than any Empian who had gone through the Dark Descent ever did. She entered the Dark Guardian’s spirit domain and came out something horrific. She is dead, and I want memories of her to be, too.
Marie Montine (Arising Son: Part Two (The Guardians of the Temple Saga))
But if I was a miracle, then that came with certain obligations and privileges. Privileges I would call on in order to end them an who’d killed me. Obligations I meant to uphold now I was free. I’d returned from the dead. And I’d bring the wrath of hell toward my enemies.
Pepper Winters (Fourth Debt (Indebted, #5))
You're a maze, all high edges and endless loops. I can't find a way out, can't see where I've been. It's all running, lost in the dark of you. Trapped. Everywhere I turn is a dead end. I keep winding up back where I've started.
Heather Demetrios (Bad Romance)
I'm making out with a dead girl in my dreams. I'm screwing women I have no business screwing. I'm pushing away the one person who actually gives a damn about me. It's like the Bermuda Triangle of heartache and I'm sinking fast.
Faith Sullivan (Come What May (Heartbeat, #2))
How much blunter can I be, Sehun? After tonight, it should be pretty obvious.” “What should be pretty obvious?” “Don’t play coy.” “Kai—” “I want you, Sehun. How many times should I tell you that?” he cupped Sehun’s cheek, staring into his eyes. “And I’d go through every bit of what I went through tonight again if it were for you.
Hyperionova
So that precious romance we fought so hard for and cherished so much, it's dead and gone. Maybe we can catch each other in the next lifetime, or maybe it's buried forever. But I will always, always be in love with you. As for the rest of what we have, we'll see that again soon. We'll make sure of it.
Diane Rinella (Love's Forbidden Flower (Forbidden Flower, #1))
They understood that the meaning of life is connected, inextricably, to the meaning of death; that mourning is a romance in reverse, and if you love, you grieve and there are no exceptions-- only those who do it well and those who don't. And if death is regarded as an embarrassment or an inconvenience, if the dead are regarded as a nuisance from whom we seek a hurried riddance, then life and the living are in for like treatment.
Thomas Lynch (The Undertaking: Life Studies from the Dismal Trade)
His power reached out to her like physical touch of a lover, sending tingles over her skin. His sculptured body moved in a sensual, yet deadly manner. Her hands itched to touch him, to feel his warm skin under her palms. She closed her eyes to stop the urge to go to him, shivered, and cursed her body for responding to him.
Lia Davis (Death's Storm (The Divinities, #2))
I have noticed a curious bifurcation in outcome in the way romances are written by women et written by men - Love Story, The Bridges of Madison County, every James Bond tale ever penned, even the film named above - end with the woman either lost or dead. And the man free to love, or at least to have sex, again. Romances (in the modern genre sense) written by women end with the couple alive, together, and in a committed and at least potentially fertile relationship, ready to turn to the work of their world. In other words, men's romances are about love and death; women's romances are about love and life.
Lois McMaster Bujold
Lucille,” Norma Jean whispered loud enough for me to hear from my foliage hideout. She leaned over her walker and adjusted her glasses. “Is that Willis Harvey up front by Elsa?” “Well, pinch my pooch, I believe it is,” Lucille said. “I barely recognize him with his clothes on.
Ann Charles (Dead Case in Deadwood (Deadwood, #3))
But emotion, for most people, too often is like some sort of slumbering giant, lulled to sleep by preoccupation with the dead facts of that outer world we call objective. When we look at a painting, we see a price tag. A trip is logistics more than pleasure. Romance dies in household routine. Yet life without feeling is a sort of death.
Dwight V. Swain (Techniques of the Selling Writer)
And so, in silence, we walked the surface of a dying world, but in the breast of one of us at least had been born that which is ever oldest, yet ever new. I loved Dejah Thoris. The touch of my arm upon her naked shoulder had spoken to me in words I would not mistake, and I knew that I had loved her since the first moment my eyes had met hers that first time in the plaza of the dead city of Korad.
Edgar Rice Burroughs (A Princess of Mars (Barsoom, #1))
...we are saved by Christ alone who raises us from the dead - from the absolution of our death. We come before him at the judgement with no handwriting whatsoever against us. It's simply cheating to say you believe that and then renege on it by postulating some list of extra-rotten crimes for which Christ has to send you to hell. He, the universal Redeemer, is the only judge; as far as he's concerned, the only mandatory sentence is to life and life abundant.
Robert Farrar Capon (Between Noon & Three: Romance, Law & the Outrage of Grace)
Look, I'm good okay. I'm her..." he stopped dead. The woman at the desk looked up expectantly, "uncle." His voice faded. "Katie certainly has a lot of those, " the annoying person chirped before handing his ID back and pointing to a side door. SHe gave him a different sort of look. This one he recognized. He smiled at her. She was sort of good looking, actually. "You gay like her other uncles?" Jack laughed. "Nope.
Liz Crowe (Closing Costs (Stewart Realty, #3))
When I was twelve, my sixth-grade English class went on a field trip to see Franco Zeffirelli’s film adaptation of Shakespeare’s Romeo and Juliet. From that moment forward I dreamed that someday I’d meet my own Juliet. I’d marry her and I would love her with the same passion and intensity as Romeo. The fact that their marriage lasted fewer than three days before they both were dead didn’t seem to affect my fantasy. Even if they had lived, I don’t think their relationship could have survived. Let’s face it, being that emotionally aflame, sexually charged, and transcendentally eloquent every single second can really start to grate on a person’s nerves. However, if I could find someone to love just a fraction of the way that Montague loved his Capulet, then marrying her would be worth it.
Annabelle Gurwitch (You Say Tomato, I Say Shut Up: A Love Story)
So that’s when the witch somehow pulled off her own restraint and flung herself at me like a beautiful and deadly panther. I think she’d seen my stupid clipboard and realized that I’d been writing down sordid lies about her mental state. I’m very jealous of her, you see, and use my middle management position…
Cassandra Gannon (Wicked Ugly Bad (A Kinda Fairytale, #1))
And so he would now study perfumes, and the secrets of their manufacture, distilling heavily-scented oils, and burning odorous gums from the East. He saw that there was no mood of the mind that had not its counterpart in the sensuous life, and set himself to discover their true relations, wondering what there was in frankincense that made one mystical, and in ambergris that stirred one’s passions, and in violets that woke the memory of dead romances, and in musk that troubled the brain, and in champak that stained the imagination; and seeking often to elaborate a real psychology of perfumes, and to estimate the several influences of sweet-smelling roots, and scented pollen-laden flower, of aromatic balms, and of dark and fragrant woods, of spikenard that sickens, of hovenia that makes men mad, and of aloes that are said to be able to expel melancholy from the soul.
Oscar Wilde (The Picture of Dorian Gray)
We think of ourselves as failures, rather than renounce our belief in the possibility of perfection. We hang on to the hope of eternal love by denying even its temporary validity. It´s less painful to think 'I'm shallow', 'She's self centred', 'We couldn't communicate', 'It was all just physical', than to accept the simple fact that love is a passing sensation, for reasons beyond our control and even beyond our personalities. But who can reassure himself with his own rationalizations? No argument can fill the void of a dead feeling -- that reminder of the ultimate void, our final inconstancy. We're untrue even to life.
Stephen Vizinczey (In Praise of Older Women: The Amorous Recollections of András Vajda)
No, it's okay. It was just … weird. No one has ever called me hot before.” “Really?” Trace frowned. “Well, that changes right now.” He ceased walking, stopping in the dead center of the pathway and reached for my hands. “Jade Cannon, you are totally hot!” Trace announced loudly, and people nearby stopped to stare at us after his outburst. I couldn't help but laugh.
Chelsea Lynn Charters (The Gossip Web)
A werewolf is courting me with a dead rabbit. There's nothing subtle here." "Couldn't have been flowers," she muttered as she slid on her rubber boots by the door. "He gave you flowers," I reminded her as she stepped down the porch. "I meant for you," she said. She bent over and grabbed the rabbit by the ears, pulling it up off the ground. It came up with a low crackle, grass stuck to the underside. "Courting. I swear." "Why are you touching it?" I said, sounding horrified. "We can't leave it here," she said. "He'll be offended." "I'll be honest. I'm already offended.
T.J. Klune (Wolfsong (Green Creek, #1))
Cade shifted against the sheets, trying to ease his painful erection. He was going against every protocol there was. Sleeping in the same bed as the woman in his protective custody? Genius plan. It would be one thing if he was simply trying to comfort her, to make her feel at ease. Yeah, it would still be breaking some rules, but he was intensely attracted to her. Had been from the moment they met all those years ago.
Katie Reus (Bound to Danger (Deadly Ops, #2))
Suddenly, Cain flipped her over and caged her in, his muscled strength creating a protective embrace. “My diamond,” he growled. “You are home.” She lifted her hand and cupped his cheek, then murmured, “Yes. I am.” “I was dead without you. I would have ended up a shell like Rafael.” She kissed him, hating the pain in his voice. “No, never like him. He was evil, Cain, his soul black. Yours isn’t. Just a little gray.” He smirked. “Gray?” She shrugged. “Well you aren’t lily white, that’s for certain.
Anne Rainey (A Diamond at Midnight)
Outside I hopped into our vehicle, the taint of vampiric magic clinging to me like greasy smoke. “I feel soiled.” “Like walking into a room after a day of work, falling into bed, and realizing the sheets are covered in cold K-Y jelly,” Raphael said. I just stared at him. “With a funky smell,” he added. My Order conditioning failed me. “Ew.” Raphael grinned. “I‟m not even going to ask if that‟s happened to you.” I started the vehicle. “Has that happened to you?” “Yes.” Ew. “Where?” “In the bouda house. I was really tired and you‟ve seen that place: everything smells like sex . . .” “I don‟t want to know.” I peeled out of the parking lot. "So where are we going?” “To Spider Lynn‟s house. We‟re going to dig through her trash, and if that doesn‟t work, we‟ll do some breaking and entering.” Raphael frowned. “Do you know where she lives?” “Yes. I memorized the addresses of all the Masters of the Dead in the city. I have a lot of time on my hands.” He squinted at me, looking remarkably like a gentleman pirate from my favorite romance novels. “What else do you store in your head?” “This and that. I remember the first thing you ever said to me. You know, when you carried me from the cart into the tub so your mother could fix me.” “I imagine it was something very romantic,” he said. “Something along the lines of „I‟ve got you‟ or „I won‟t let you die.‟ “I was bleeding in the bathtub, trying to realign my bones, and my hyena glands voided from the pain. You said, „Don‟t worry, we have an excellent filtration system.‟” The look on his face was priceless. “That can‟t be the first thing.” “It was.” We drove in silence. “About the K-Y,” Raphael said. “I don‟t want to know!‟ “Once I washed it out of my hair—” “Raphael, why are you doing this?” “I want to make you go "Ew‟ again.” “Why in the world would you want to do that?” “It‟s an irrepressible male impulse. It just has to be done. As I was saying, once I washed it out—” “Raphael!” “No, wait, you‟ll like the next part.
Ilona Andrews (Must Love Hellhounds)
It just makes me realize how . . . fleeting life can be. How quickly it all passes by. And it's strange to read something written by someone whose life was really just beginning then but who's dead now." He nodded, looking like he was taking that in. But then he said, "That's kinda deep, Daisy." She laughed, rolled her eyes. "Well, you asked. So if that's too deep for you, tell me about your fish." "Well, they were small and blue and I feel emotional because their lives were really just starting but they're dead now.
Toni Blake (Half Moon Hill (Destiny, #6))
The perturbations, anxieties, depravations, deaths, exceptions in the physical or moral order, spirit of negation, brutishness, hallucinations fostered by the will, torments, destruction, confusion, tears, insatiabilities, servitudes, delving imaginations, novels, the unexpected, the forbidden, the chemical singularities of the mysterious vulture which lies in wait for the carrion of some dead illusion, precocious & abortive experiences, the darkness of the mailed bug, the terrible monomania of pride, the inoculation of deep stupor, funeral orations, desires, betrayals, tyrannies, impieties, irritations, acrimonies, aggressive insults, madness, temper, reasoned terrors, strange inquietudes which the reader would prefer not to experience , cants, nervous disorders, bleeding ordeals that drive logic at bay, exaggerations, the absence of sincerity, bores, platitudes, the somber, the lugubrious, childbirths worse than murders, passions, romancers at the Courts of Assize, tragedies,-odes, melodramas, extremes forever presented, reason hissed at with impunity, odor of hens steeped in water, nausea, frogs, devilfish, sharks, simoon of the deserts, that which is somnambulistic, squint-eyed, nocturnal, somniferous, noctambulistic, viscous, equivocal, consumptive, spasmodic, aphrodisiac, anemic, one-eyed, hermaphroditic, bastard, albino, pederast, phenomena of the aquarium, & the bearded woman, hours surfeited with gloomy discouragement, fantasies, acrimonies, monsters, demoralizing syllogisms, ordure, that which does not think like a child, desolation, the intellectual manchineel trees, perfumed cankers, stalks of the camellias, the guilt of a writer rolling down the slope of nothingness & scorning himself with joyous cries, that grind one in their imperceptible gearing, the serious spittles on inviolate maxims, vermin & their insinuating titillations, stupid prefaces like those of Cromwell, Mademoiselle de Maupin & Dumas fils, decaying, helplessness, blasphemies, suffocation, stifling, mania,--before these unclean charnel houses, which I blush to name, it is at last time to react against whatever disgusts us & bows us down.
Comte de Lautréamont (Chants de Maldoror (French Edition))
History deals with situations and figures not imaginary but real. It demands therefore a combination of qualities unnecessary to the poet or writer of romance - glacial judgment coupled with fervent sympathy. The poet may be an uninspired illiterate, the romance-writer an uninspired hack. Under no circumstances can either of them be accused of wrongdoing or deceiving the public, however incongruous their efforts. They write well or badly, and there the matter ends. The historian, who fails in his duty, deceives the reader and wrongs the dead.
Norman Douglas (South Wind)
Ray looked up and scanned Ilsa from North to South and then from East to West. It only took a moment. Ray was in love. Again. Probably. Conscious of his dashing Hispanic allure, Ray was always optimistic about his chances with the female sex. He had left a very long string of girlfriends in his wake, but there was something about this woman, who projected such shyness about her untapped feminine charms, that made his already active pulse race. Somehow he couldn’t help imagining her blundering into his bedroom at midnight wearing nothing but a towel. Those many affairs of the past, he told himself, were just steppingstones of his dead past on which he was rising to the discovery of his one, true love. And here she was. Probably.
James Allen Moseley (The Duke of D.C.: The American Dream)
When it happens and it hits hard, we decide certain things, and realize there's truth in all those dark, lonely days" He had an instantaneous look about him, a glimmer and a glint over those eyes, he knew how the world worked, and took pleasure in its wickedness. He would give a dime or two to those sitting on the street, he would tell them things like: "It won't get any better," and "Might as well use this to buy your next fix," and finally "It's better to die high than to live sober," His suit was pressed nicely, with care and respect, like the kind a corpse wears, he'd say that was his way of honoring the dead, of always being ready for the oncoming train, I liked him, he never wore a fake smile and he was always ready to tell a story about how and when "We all wake up alone," he said once, "Oftentimes even when sleeping next to someone, we wake up before them and they are still asleep and suddenly we are awake, and alone." I didn't see him for a few days, a few days later it felt like it'd been weeks, those weeks drifted apart from one another, like leaves on a pond's surface, and became like months. And then I saw him and I asked him where he'd been, he said, "I woke up alone one day, just like any other, and I decided I didn't like it anymore.
Dave Matthes (Ejaculation: New Poems and Stories)
The guilt over his secret was eating him up alive, but hell, the feel of her in his arms threatened to override all of it. This was Maria, the woman he’d fantasized about for almost a decade. In his arms. He shifted again and tried to pull his hips back, but Maria snuggled tighter against him, hooking one leg over his hip. Fuck. Yeah, he had to get out of here. It was still dark outside, so maybe he could salvage a few hours and get some rest in his own bed. She’d just asked him to stay until she fell asleep. Which he’d done. Now it was time to relocate. Slowly he reached back and lightly grasped her wrist, moving her hand so that she wasn’t wrapping her arm around him. Next, he tried to do the same with her leg. Grasping her silky-smooth thigh, he froze when she let out a tiny moan in her sleep. And when she practically ground against him, he groaned. Couldn’t help it. She felt so good the sound just escaped—and woke her up.
Katie Reus (Bound to Danger (Deadly Ops, #2))
We have all read in scientific books, and, indeed, in all romances, the story of the man who has forgotten his name. This man walks about the streets and can see and appreciate everything; only he cannot remember who he is. Well, every man is that man in the story. Every man has forgotten who he is. One may understand the cosmos, but never the ego; the self is more distant than any star. Thou shalt love the Lord thy God; but thou shalt not know thyself. We are all under the same mental calamity; we have all forgotten our names. We have all forgotten what we really are. All that we call common sense and rationality and practicality and positivism only means that for certain dead levels of our life we forget that we have forgotten. All that we call spirit and art and ecstasy only means that for one awful instant we remember that we forgot.
G.K. Chesterton (Orthodoxy)
They all knew this was coming. They all knew war would reach into the pools of kinship between countless people and gut the innards of it like emptying out a pumpkin. So many seeds torn away and crushed into nothing; seeds of friendship, seeds of romance, seeds of family. All of them planted and ruined in various stages, left with nothing but growing pains and, worse than that, the pain of absent growth altogether. War is cruel. It's cancerous. The end of the world is always tied to war, isn't it? Maybe this is why; because war is so much more than just war. It goes beyond bullets and blood and bodies. War comes in like a flood, like a disease, and it claims anyone who comes in contact with it. Even the living can't get free from it; they're as claimed as the dead are. Once war touches them, they're branded to their last breath. In this world, most people have been branded for a lot longer than they stepped on their first battlefield.
Zeppazariel (Crimson Rivers)
You scare me, Ryan Daley. Even more than those demons outside that scream for my death. How is it that I want what you want? I’ve spent an eternity feeling powerless. Love did that to me — robbed me of all control. I never expected to feel this way again. I don’t want to feel.’ ‘Neither did I,’ Ryan rasps, ‘because feeling anything at all was dangerous. If I let myself feel, then maybe I’d have to believe what everyone was saying — that Lauren was dead. But from the moment I laid eyes on “Carmen, you kept getting under my skin. At first, all you did was irritate the hell out of me, bailing me up that way outside my house, inviting yourself along for the ride when all I wanted was to be left alone. But that irritation turned into curiosity, which turned into something else, becoming this chain of, of … feeling that brought me here. I dropped everything for you. I veered left. And I’d do it again in a second. That’s what “feeling” does. It tells you you’re alive, it gives things … I don’t know, proper meaning. You’re still trying to maintain some veneer of independence? Toughness? Do words like that even apply to you? But I see through it, Mercy. I see through you. You’re not that different from me after all, under your armour. Crumbs, Mercy, that’s all I’m after. Just crumbs. It’s not a lot to ask for.
Rebecca Lim
The Loneliness of the Military Historian Confess: it's my profession that alarms you. This is why few people ask me to dinner, though Lord knows I don't go out of my way to be scary. I wear dresses of sensible cut and unalarming shades of beige, I smell of lavender and go to the hairdresser's: no prophetess mane of mine, complete with snakes, will frighten the youngsters. If I roll my eyes and mutter, if I clutch at my heart and scream in horror like a third-rate actress chewing up a mad scene, I do it in private and nobody sees but the bathroom mirror. In general I might agree with you: women should not contemplate war, should not weigh tactics impartially, or evade the word enemy, or view both sides and denounce nothing. Women should march for peace, or hand out white feathers to arouse bravery, spit themselves on bayonets to protect their babies, whose skulls will be split anyway, or,having been raped repeatedly, hang themselves with their own hair. There are the functions that inspire general comfort. That, and the knitting of socks for the troops and a sort of moral cheerleading. Also: mourning the dead. Sons,lovers and so forth. All the killed children. Instead of this, I tell what I hope will pass as truth. A blunt thing, not lovely. The truth is seldom welcome, especially at dinner, though I am good at what I do. My trade is courage and atrocities. I look at them and do not condemn. I write things down the way they happened, as near as can be remembered. I don't ask why, because it is mostly the same. Wars happen because the ones who start them think they can win. In my dreams there is glamour. The Vikings leave their fields each year for a few months of killing and plunder, much as the boys go hunting. In real life they were farmers. The come back loaded with splendour. The Arabs ride against Crusaders with scimitars that could sever silk in the air. A swift cut to the horse's neck and a hunk of armour crashes down like a tower. Fire against metal. A poet might say: romance against banality. When awake, I know better. Despite the propaganda, there are no monsters, or none that could be finally buried. Finish one off, and circumstances and the radio create another. Believe me: whole armies have prayed fervently to God all night and meant it, and been slaughtered anyway. Brutality wins frequently, and large outcomes have turned on the invention of a mechanical device, viz. radar. True, valour sometimes counts for something, as at Thermopylae. Sometimes being right - though ultimate virtue, by agreed tradition, is decided by the winner. Sometimes men throw themselves on grenades and burst like paper bags of guts to save their comrades. I can admire that. But rats and cholera have won many wars. Those, and potatoes, or the absence of them. It's no use pinning all those medals across the chests of the dead. Impressive, but I know too much. Grand exploits merely depress me. In the interests of research I have walked on many battlefields that once were liquid with pulped men's bodies and spangled with exploded shells and splayed bone. All of them have been green again by the time I got there. Each has inspired a few good quotes in its day. Sad marble angels brood like hens over the grassy nests where nothing hatches. (The angels could just as well be described as vulgar or pitiless, depending on camera angle.) The word glory figures a lot on gateways. Of course I pick a flower or two from each, and press it in the hotel Bible for a souvenir. I'm just as human as you. But it's no use asking me for a final statement. As I say, I deal in tactics. Also statistics: for every year of peace there have been four hundred years of war.
Margaret Atwood (Morning in the Burned House: Poems)
And they were always young, Air Corps pilots and ensigns, and good-looking girls in fur coats, and always the government secretary or two, the working girl as a carry-over from the fraternity parties when she was always the girl who could be made because in some mysterious way the women of the lower classes could be depended upon to copulate like jack rabbits. And they all knew they were going to die soon with a sentimental and unstated English attitude which was completely phony. It came from books they had never read, and movies they shouldn’t have seen; it was fed by the tears of their mothers, and the knowledge quite shocking, quite unbelievable, that a lot of them did die when they went overseas. Its origins were spurious; they never could connect really the romance of their impending deaths with the banal mechanical process of flying an airplane and landing and living in the barren eventless Army camps that surrounded their airfields. But nevertheless they had discovered it was a talisman, they were going to die soon, and they wore it magically until you believed in it when you were with them. And they did magical things like pouring whisky on each other’s hair, or setting mattresses afire, or grabbing hats on the fly from the heads of established businessmen. Of all the parties those were perhaps the best, but he had come to them too old.
Norman Mailer (The Naked and the Dead)
Security ... what does this word mean in relation to life as we know it today? For the most part, it means safety and freedom from worry. It is said to be the end that all men strive for; but is security a utopian goal or is it another word for rut? Let us visualize the secure man; and by this term, I mean a man who has settled for financial and personal security for his goal in life. In general, he is a man who has pushed ambition and initiative aside and settled down, so to speak, in a boring, but safe and comfortable rut for the rest of his life. His future is but an extension of his present, and he accepts it as such with a complacent shrug of his shoulders. His ideas and ideals are those of society in general and he is accepted as a respectable, but average and prosaic man. But is he a man? has he any self-respect or pride in himself? How could he, when he has risked nothing and gained nothing? What does he think when he sees his youthful dreams of adventure, accomplishment, travel and romance buried under the cloak of conformity? How does he feel when he realizes that he has barely tasted the meal of life; when he sees the prison he has made for himself in pursuit of the almighty dollar? If he thinks this is all well and good, fine, but think of the tragedy of a man who has sacrificed his freedom on the altar of security, and wishes he could turn back the hands of time. A man is to be pitied who lacked the courage to accept the challenge of freedom and depart from the cushion of security and see life as it is instead of living it second-hand. Life has by-passed this man and he has watched from a secure place, afraid to seek anything better What has he done except to sit and wait for the tomorrow which never comes? Turn back the pages of history and see the men who have shaped the destiny of the world. Security was never theirs, but they lived rather than existed. Where would the world be if all men had sought security and not taken risks or gambled with their lives on the chance that, if they won, life would be different and richer? It is from the bystanders (who are in the vast majority) that we receive the propaganda that life is not worth living, that life is drudgery, that the ambitions of youth must he laid aside for a life which is but a painful wait for death. These are the ones who squeeze what excitement they can from life out of the imaginations and experiences of others through books and movies. These are the insignificant and forgotten men who preach conformity because it is all they know. These are the men who dream at night of what could have been, but who wake at dawn to take their places at the now-familiar rut and to merely exist through another day. For them, the romance of life is long dead and they are forced to go through the years on a treadmill, cursing their existence, yet afraid to die because of the unknown which faces them after death. They lacked the only true courage: the kind which enables men to face the unknown regardless of the consequences. As an afterthought, it seems hardly proper to write of life without once mentioning happiness; so we shall let the reader answer this question for himself: who is the happier man, he who has braved the storm of life and lived or he who has stayed securely on shore and merely existed?
Hunter S. Thompson
Sheepwalking I define “sheepwalking” as the outcome of hiring people who have been raised to be obedient and giving them a brain-dead job and enough fear to keep them in line. You’ve probably encountered someone who is sheepwalking. The TSA “screener” who forces a mom to drink from a bottle of breast milk because any other action is not in the manual. A “customer service” rep who will happily reread a company policy six or seven times but never stop to actually consider what the policy means. A marketing executive who buys millions of dollars’ worth of TV time even though she knows it’s not working—she does it because her boss told her to. It’s ironic but not surprising that in our age of increased reliance on new ideas, rapid change, and innovation, sheepwalking is actually on the rise. That’s because we can no longer rely on machines to do the brain-dead stuff. We’ve mechanized what we could mechanize. What’s left is to cost-reduce the manual labor that must be done by a human. So we write manuals and race to the bottom in our search for the cheapest possible labor. And it’s not surprising that when we go to hire that labor, we search for people who have already been trained to be sheepish. Training a student to be sheepish is a lot easier than the alternative. Teaching to the test, ensuring compliant behavior, and using fear as a motivator are the easiest and fastest ways to get a kid through school. So why does it surprise us that we graduate so many sheep? And graduate school? Since the stakes are higher (opportunity cost, tuition, and the job market), students fall back on what they’ve been taught. To be sheep. Well-educated, of course, but compliant nonetheless. And many organizations go out of their way to hire people that color inside the lines, that demonstrate consistency and compliance. And then they give these people jobs where they are managed via fear. Which leads to sheepwalking. (“I might get fired!”) The fault doesn’t lie with the employee, at least not at first. And of course, the pain is often shouldered by both the employee and the customer. Is it less efficient to pursue the alternative? What happens when you build an organization like W. L. Gore and Associates (makers of Gore-Tex) or the Acumen Fund? At first, it seems crazy. There’s too much overhead, there are too many cats to herd, there is too little predictability, and there is way too much noise. Then, over and over, we see something happen. When you hire amazing people and give them freedom, they do amazing stuff. And the sheepwalkers and their bosses just watch and shake their heads, certain that this is just an exception, and that it is way too risky for their industry or their customer base. I was at a Google conference last month, and I spent some time in a room filled with (pretty newly minted) Google sales reps. I talked to a few of them for a while about the state of the industry. And it broke my heart to discover that they were sheepwalking. Just like the receptionist at a company I visited a week later. She acknowledged that the front office is very slow, and that she just sits there, reading romance novels and waiting. And she’s been doing it for two years. Just like the MBA student I met yesterday who is taking a job at a major packaged-goods company…because they offered her a great salary and promised her a well-known brand. She’s going to stay “for just ten years, then have a baby and leave and start my own gig.…” She’ll get really good at running coupons in the Sunday paper, but not particularly good at solving new problems. What a waste. Step one is to give the problem a name. Done. Step two is for anyone who sees themselves in this mirror to realize that you can always stop. You can always claim the career you deserve merely by refusing to walk down the same path as everyone else just because everyone else is already doing it.
Seth Godin (Whatcha Gonna Do with That Duck?: And Other Provocations, 2006-2012)