“
Isabelle drifted over, Jace a pace behind her. She was wearing a long black dress with boots and an even longer cutaway coat of soft green velvet, the color of moss. "I can't believe you did it!" she exclaimed. "How did you get Magnus to let Jace leave?"
"Traded him for Alec," Clary said.
Isabelle looked mildly alarmed. "Not permanently?"
"No," said Jace. "Just for a few hours. Unless I don't come back," he added thoughtfully. "In which case, maybe he does get to keep Alec. Think of it as a lease with an option to buy."
Isabelle looked dubious. "Mom and Dad won't be pleased if they find out."
"That you freed a possible criminal by trading away your brother to a warlock who looks like a gay Sonic the Hedgehog and dresses like the Child Catcher from Chitty Chitty Bang Bang?" Simon inquired. "No, probably not.
”
”
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
“
Sometimes I feel so- I don’t know - lonely. The kind of helpless feeling when everything you’re used to has been ripped away. Like there’s no more gravity, and I’m left to drift in outer space with no idea where I’m going’
Like a little lost Sputnik?’
I guess so.
”
”
Haruki Murakami (Sputnik Sweetheart)
“
In a place far away from anyone or anywhere, I drifted off for a moment.
”
”
Haruki Murakami (The Wind-Up Bird Chronicle)
“
I was born to catch dragons in their dens / And pick flowers / To tell tales and laugh away the morning / To drift and dream like a lazy stream / And walk barefoot across sunshine days.
”
”
James Kavanaugh (Sunshine Days and Foggy Nights)
“
She read books quickly and compulsively, paperback after paperback, as if she might drift away without the anchor of the printed page.
”
”
Jane Hamilton
“
My heart stopped. It just stopped beating. And for the first time in my life, I had that feeling. You know, like the world is moving all around you, all beneath you, all inside you, and you're floating. Floating in midair. And the only thing keeping you from drifting away is the other person's eyes. They're connected to yours by some invisible physical force, and they hold you fast while the rest of the world swirls and twirls and falls completely away.
”
”
Wendelin Van Draanen (Flipped)
“
Now you see,' said the turtle, drifting back into the pond, 'why it is useless to cry. Your tears do not wash away your sorrows. They feed someone else's joy. And that is why you must learn to swallow your own tears.
”
”
Amy Tan (The Joy Luck Club)
“
Oh, Will," she said, "What can we do? Whatever can we do? I want to live with you forever. I want to kiss you and lie down with you and wake up with you every day of my life till I die, years and years and years away. I don't want a memory, just a memory..."
"No," he said. "Memory's a poor thing to have. It's your own real hair and mouth and arms and eyes and hands I want. I didn't know I could ever love anything so much. Oh, Lyra, I wish this night would never end! If only we could stay here like this, and the world could stop turning, and everyone else could fall into a sleep..."
"Everyone except us! And you and I could live here forever and just love each other."
"I will love you forever; whatever happens. Till I die and after I die, and when I find my way out of the land of the dead, I'll drift about forever, all my atoms, till I find you again..."
"I'll be looking for you, Will, every moment, every single moment. And when we do find each other again, we'll cling together so tight that nothing and no one'll ever tear us apart. Every atom of me and every atom of you...We'll live in birds and flowers and dragonflies and pin trees and in clouds and in those little specks of light you see floating in sunbeams...And when they use our atoms to make new lives, they won't just be able to take one, they'll have to take two, one of you and one of me, we'll be joined so tight..."
They lay side by side, hand in hand, looking at the sky.
”
”
Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
“
Let go," he advised me, and I loosened my grip on his hands. "No, not of me," he said, smiling. "You can hold on to me as long as you want. Let go of the pain, Sookie. Let go. You need to drift away."
It was the first time I had relinquished my will to someone else. As I looked at him, it became easy, and I retreated from the suffering and uncertainty of this strange place.
”
”
Charlaine Harris (Club Dead (Sookie Stackhouse, #3))
“
Words are flowing out like endless rain into a paper cup,
They slither wildly as they slip away across the universe
Pools of sorrow, waves of joy are drifting through my open mind,
Possessing and caressing me.
Images of broken light which dance before me like a million eyes,
They call me on and on across the universe,
Thoughts meander like a restless wind inside a letter box
They tumble blindly as they make their way
Across the universe
Sounds of laughter shades of love are
Ringing through my open ears inciting and inviting me
Limitless undying love which shines around me like a
Million suns, and calls me on and on
Across the universe
”
”
John Lennon
“
I whirled, and through the night drifting away like smoke on a wind, I found Rhysand straightening the lapels of his black jacket. “Hello, Feyre darling,” he purred.
”
”
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
“
I must let go now. Let you go. Love is too often The answer for staying. Too seldom the reason For going. I drop the line And watch you drift away. “All along You thought The fiery current Of your lover’s breast Pulled you to the deep. But it was my heart-tide Releasing you To float adrift With seaweed.
”
”
Delia Owens (Where the Crawdads Sing)
“
From this experience, I understood the danger of focusing only on what isn't there. What if I came to the end of my life and realized that I'd spent every day watching for a man who would never come to me? What an unbearable sorrow it would be, to realize I'd never really tasted the things I'd eaten, or seen the places I'd been, because I'd thought of nothing but the Chairman even while my life was drifting away from me. And yet if I drew my thoughts back from him, what life would I have? I would be like a dancer who had practiced since childhood for a performance she would never give.
”
”
Arthur Golden (Memoirs of a Geisha)
“
That's what they all say. Everyone says they want to know you, but they don't. They want to know the nice things, the pretty things. No one wants to know the ugly parts, the parts that keep you up at night. They say they're okay with it, but then they drift away and you never see them again. I've seen it happen way too many times.
”
”
Chelsea M. Cameron (My Favorite Mistake (My Favorite Mistake, #1))
“
Meghan,” whispered a voice, heart wrenchingly familiar, drawing me out of the void. I recognized it immediately, just as I realized it was a figment of my desperate imagination, because the real owner of that voice would never be here, talking to me.
Ash?
“Wake up,” he murmured, his deep voice cutting through the layers of the darkness. “Don’t do this. If you don’t come out of this soon, you’ll fade away and drift forever. Fight it. Come back to us.”
I didn’t want to wake up. There was nothing but pain waiting for me in the real world. If I was asleep, I couldn’t feel anything. If I was asleep, I didn’t have to face Ash and the cold contempt on his face when he looked at me. Darkness was my retreat, my sanctuary. I drew back from Ash’s voice, deeper into the comforting blackness. And, through the layer of dreams and delirium, I heard a quiet sob.
“Please.” A hand gripped mine, real and solid, anchoring me to the present. “I know what you must think of me, but…” The voice broke off, took a ragged breath. “Don’t leave,” it whispered. “Meghan, don’t go. Come back to me.
”
”
Julie Kagawa (The Iron Daughter (The Iron Fey, #2))
“
Piece by piece,
I slowly fade away,
I slowly drift apart.
”
”
Five Finger Death Punch
“
How do you know when the Sarows is coming?
(Is coming is coming is coming aboard)
When the wind dies away but still sings in your ears,
(In your ears in your head in your blood in your bones.)
When the current goes still but the ship, it drifts along,
(Drifts on drifts away drifts alone.)
When the moon and the stars all hide from the dark,
(For the dark is not empty at all at all.)
(For the dark is not empty at all.)
How do you know when the Sarows is coming?
(Is coming is coming is coming aboard)
Why you don't and you don't and you won't see it coming,
(You won't see it coming at all.)
”
”
Victoria E. Schwab (A Gathering of Shadows (Shades of Magic, #2))
“
She looked around. They had drifted far away from the bank of the canal. "Are we stealing this boat?"
"Stealing' is such an ugly word," he mused.
"What do you want to call it?"
He picked her up and swung her around before putting her down. "An extreme case of window-shopping.
”
”
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
“
She was so delicate that, while we sat beneath the linden branches, a leaf would fall and drift down and touch her skin, and it would leave a bruise. So as we sat in the afternoon hour, beneath that fragrant linden bower, I had to chase all of the leafs that fell away.
”
”
Roman Payne
“
The memory of that event has only just come back to me, now doubly painful: regret for a vanished past and, above all, remorse for lost opportunities. Mithra-Grandchamp is the women we were unable to love, the chances we failed to seize, the moments of happiness we allowed to drift away. Today it seems to me that my whole life was nothing but a string of those small near misses: a race whose result we know beforehand but in which we fail to bet on the winner.
”
”
Jean-Dominique Bauby (The Diving Bell and the Butterfly: A Memoir of Life in Death)
“
We’re so self-important. Everybody’s going to save something now. “Save the trees, save the bees, save the whales, save those snails.” And the greatest arrogance of all: save the planet. Save the planet, we don’t even know how to take care of ourselves yet. I’m tired of this shit. I’m tired of f-ing Earth Day. I’m tired of these self-righteous environmentalists, these white, bourgeois liberals who think the only thing wrong with this country is that there aren’t enough bicycle paths. People trying to make the world safe for Volvos. Besides, environmentalists don’t give a shit about the planet. Not in the abstract they don’t. You know what they’re interested in? A clean place to live. Their own habitat. They’re worried that some day in the future they might be personally inconvenienced. Narrow, unenlightened self-interest doesn’t impress me.
The planet has been through a lot worse than us. Been through earthquakes, volcanoes, plate tectonics, continental drift, solar flares, sun spots, magnetic storms, the magnetic reversal of the poles … hundreds of thousands of years of bombardment by comets and asteroids and meteors, worldwide floods, tidal waves, worldwide fires, erosion, cosmic rays, recurring ice ages … And we think some plastic bags and some aluminum cans are going to make a difference? The planet isn’t going anywhere. WE are!
We’re going away. Pack your shit, folks. We’re going away. And we won’t leave much of a trace, either. Maybe a little Styrofoam … The planet’ll be here and we’ll be long gone. Just another failed mutation. Just another closed-end biological mistake. An evolutionary cul-de-sac. The planet’ll shake us off like a bad case of fleas.
The planet will be here for a long, long, LONG time after we’re gone, and it will heal itself, it will cleanse itself, ’cause that’s what it does. It’s a self-correcting system. The air and the water will recover, the earth will be renewed. And if it’s true that plastic is not degradable, well, the planet will simply incorporate plastic into a new paradigm: the earth plus plastic. The earth doesn’t share our prejudice toward plastic. Plastic came out of the earth. The earth probably sees plastic as just another one of its children. Could be the only reason the earth allowed us to be spawned from it in the first place. It wanted plastic for itself. Didn’t know how to make it. Needed us. Could be the answer to our age-old egocentric philosophical question, “Why are we here?”
Plastic… asshole.
”
”
George Carlin
“
Amanda Hamilton poem: “I must let go now. Let you go. Love is too often The answer for staying. Too seldom the reason For going. I drop the line And watch you drift away. “All along You thought The fiery current Of your lover’s breast Pulled you to the deep. But it was my heart-tide Releasing you To float adrift With seaweed.
”
”
Delia Owens (Where the Crawdads Sing)
“
There was rarely an obvious branching point in a person's life. People changed slowly, over time. You didn't take on step, then find yourself in a completely new location. You first took a little step off a path to avoid some rocks. For a while, you walked alongside the path, but then you wandered out a little way to step on softer soil. Then you stopped paying attention as you drifted farther and farther away. Finally, you found yourself in the wrong city, wondering why the signs on the roadway hadn't led you better.
”
”
Brandon Sanderson (The Emperor's Soul (The Cosmere))
“
He didn't know how precious a normal life could be, how easy it was to drift away from average. You started sleeping until noon, skipped one class, one day of school, lost one job, then another, forgot the way that normal people did things. You lost the language of ordinary life. And then, without meaning to, you crossed into a country from which you couldn't return. You lived in a state where the ground always seemed to be slipping from beneath your feet, with no way back to someplace solid.
”
”
Leigh Bardugo (Ninth House (Alex Stern, #1))
“
I want you to know...that you can trust me."
John locked eyes with her and was instantly transported to a different plane of existence. Mighta been heaven again. Who the fuck knew or cared. All he knew was that there was only her and him together, the rest of the world drifting away into fog.
Was it possible to fall in love with someone twice, he wondered dimly.
”
”
J.R. Ward (Lover Mine (Black Dagger Brotherhood, #8))
“
One of the great things about a leaf,” he said to her, “is that it reminds you to live as well as you can for as long as you can, until it’s finally time to let go and allow yourself to drift away with grace.
”
”
Nicholas Sparks (Every Breath)
“
People can drift far away from themselves but eventually tether again.
”
”
Lee Matthew Goldberg (The Ancestor)
“
Don't miss out on the love of a good women,son. No matter what that old man of yours tells you,love is real.I'd have never had the success in my life without the women right there.She's been my backbone.She's been my reason for everything I've ever done.One day your drive to make a name for yourself will begin to drift away. It won't be that important anymore.But when you're doing it for someone else, someone you would move heaven and earth for then you never lose the desire to succeed.I can't imagine this world without her in it.I don't ever want to.
”
”
Abbi Glines (Twisted Perfection (Rosemary Beach, #5; Perfection, #1))
“
She let the thought drift away into the Land of Half-Formed Thoughts About Things That Could Kill Percy Jackson. I spent a lot of my time in that land.
”
”
Rick Riordan (The Chalice of the Gods (Percy Jackson and the Olympians, #6))
“
He kissed me wildly, overwhelming me like a giant wave rushing to shore. I was soon lost in the turbulent grasp of his embrace and yet…I knew I was safe. His wild kiss drove me, pushed me, asked me questions I was unwilling to consider. But I was cherished by this dark Poseidon, and though he had the power to crush me utterly, to drown me in the purple depths of his wake, he held me aloft, separate. His passionate kiss changed. It gentled and soothed and entreated. Together we drifted towards a safe harbor. The god of the sea set me down securely on a sandy beach and steadied me as I trembled. Effervescent tingles shot through my limbs delighting me with surges of sparkling sensation like sandy toes tickled by bubbly waves. Finally, the waves moved away and I felt my Poseidon watching me from a distance. We looked at each other knowing we were forever changed by the experience. We both knew that I would always belong to the sea and that I would never be able to part from it and be whole again.
”
”
Colleen Houck
“
I understand what you mean by precarious. Sometimes I feel so- I don't know- lonely. The kind of helpless feeling when everything you're used to has been ripped away. Like there's no more gravity, and I'm left to drift in outer space. With no idea where I'm headed.
”
”
Haruki Murakami (Sputnik Sweetheart)
“
I heard the old, old, men say 'all that's beautiful drifts away, like the waters.
”
”
W.B. Yeats
“
I close my eyes, then I drift away, into the magic night I softly say. A silent prayer, like dreamers do, then I fall asleep to dream my dreams of you.
”
”
Roy Orbison
“
One of the odd things about middle age, he concluded, was the strange decisions a man discovers he's made by not really making them, like allowing friends to drift away through simple neglect.
”
”
Richard Russo
“
Sister," he murmured, not as an inquiry, but a statement of fact. "Brother mine," she groaned... before her consciousness slipped from her grasp and she drifted away. But she would come back to him. One way or the other, she would not leave her twin ever again.
”
”
J.R. Ward (Lover Mine (Black Dagger Brotherhood, #8))
“
And the more they asked, the more they wondered. And the more they wondered, the more they hoped. And the more they hoped, the more the clouds of sorrow lifted, drifted, and burned away in the heat of a brightening sky.
”
”
Kelly Barnhill (The Girl Who Drank the Moon)
“
Each of us has... all the time there is. Those years, weeks, hours, are the sands in the glass running swiftly away. To let them drift through our fingers is tragic waste. To use them to the hilt, making them count for something, is the beginning of wisdom.
”
”
Eleanor Roosevelt
“
Our children begin to drift away because of the scars and burdens. The sharp tongue of the silent killer constantly creates a cloud of confusion and friction over our children’s heads due to the verbal, mental, emotional, and physical abuse.
”
”
Charlena E. Jackson
“
I closed my eyes and tried to sleep. But it was not until much later that I was able to get any real sleep. In a place far away from anyone or anywhere, I drifted off for a moment.
”
”
Haruki Murakami (The Wind-Up Bird Chronicle)
“
It didn't matter whether he was nearby or far away. His image would drift up into your mind just when you least expected it, shocking you, making your chest pound. Making your heart ache.
”
”
Banana Yoshimoto (Asleep)
“
If the ego is not regularly and repeatedly dissolved in the unbounded hyperspace of the Transcendent Other, there will always be slow drift away from the sense of self as part of nature’s larger whole. The ultimate consequence of this drift is the fatal ennui that now permeates Western Civilization.
”
”
Terence McKenna (Food of the Gods: The Search for the Original Tree of Knowledge)
“
The rain has stopped, the clouds have drifted away,and the weather is clear again. If your heart is pure, then all things in your world are pure... Then the moon and flowers will guide you along the Way
”
”
Ryōkan (One Robe, One Bowl: The Zen Poetry of Ryōkan)
“
You ask me why I dwell
amidst these jade-green hills?
I smile. No words can tell
the stillness in my heart.
Peach blossoms drift streamwater
away deep in mystery.
I live in the other world
one that lies beyond the human.
”
”
Li Bai
“
I wrote so meagerly to you. But what I couldn't write
swelled and swelled like an old-fashioned airship
and drifted away at last through the night sky.
”
”
Tomas Tranströmer (The Great Enigma: New Collected Poems)
“
Sonnet LXXXI
And now you're mine. Rest with your dream in my dream.
Love and pain and work should all sleep, now.
The night turns on its invisible wheels,
and you are pure beside me as a sleeping ember.
No one else, Love, will sleep in my dreams. You will go,
we will go together, over the waters of time.
No one else will travel through the shadows with me,
only you, evergreen, ever sun, ever moon.
Your hands have already opened their delicate fists
and let their soft drifting signs drop away;
your eyes closed like two gray wings, and I move
after, following the folding water you carry, that carries
me away. The night, the world, the wind spin out their destiny.
Without you, I am your dream, only that, and that is all.
”
”
Pablo Neruda
“
It was better to tell such stories close to the river than in a drawing room. Words accumulate indoors, trapped by walls and ceilings. The weight of what has been said can lie heavily on what might yet be said and suffocate it. By the river the air carries the story on a journey: one sentence drifts away and makes way for the next.
”
”
Diane Setterfield (Once Upon a River)
“
An abuser doesn’t change because he feels guilty or gets sober or finds God. He doesn’t change after seeing the fear in his children’s eyes or feeling them drift away from him. It doesn’t suddenly dawn on him that his partner deserves better treatment. Because of his self-focus, combined with the many rewards he gets from controlling you, an abuser changes only when he has to, so the most important element in creating a context for change in an abuser is placing him in a situation where he has no other choice. Otherwise, it is highly unlikely that he will ever change his behavior.
”
”
Lundy Bancroft (Why Does He Do That? Inside the Minds of Angry and Controlling Men)
“
Memories I had locked away have begun to break free, like shards of ice fracturing off an arctic shelf. In sleep, these broken floes drift toward the morning light of remembrance.
”
”
Tan Twan Eng (The Garden of Evening Mists)
“
By this time, half the people in High Norland were gathered in Royal Square to stare at the castle. They all watched with disbelief as the castle rose slightly into the air and glided toward the road that led southward. It was hardly more than an alley, really. "It'll never fit!" people said. But the castle somehow squeezed itself narrow enough to drift away along it and out of sight. The citizens of High Norland gave it a cheer as it went.
”
”
Diana Wynne Jones (House of Many Ways (Howl's Moving Castle, #3))
“
He scanned the skies beyond her for the Thirteen, for Asterin Blackbeak, undoubtedly roaring her victory to the stars. Manon said quietly, “You will not find them. In this sky, or any other.” His heart strained as he understood. As the loss of those twelve fierce, brilliant lives carved another hole within him. One he would not forget, one he would honor. Silently, he crossed the balcony. Manon did not back away as he slid his arms around her. “I am sorry,” he said into her hair. Tentatively, slowly, her hands drifted across his back. Then settled, embracing him. “I miss them,” she whispered, shuddering. Dorian only held her tighter, and let Manon lean on him for as long as she needed, Abraxos staring toward that blasted bit of earth on the plain, toward the mate who would never return, while the city below celebrated.
”
”
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
“
This is the time of tension between dying and birth
The place of solitude where three dreams cross
Between blue rocks
But when the voices shaken from the yew-tree drift away
Let the other yew be shaken and reply.
Blessèd sister, holy mother, spirit of the fountain, spirit of the garden,
Suffer us not to mock ourselves with falsehood
Teach us to care and not to care
Teach us to sit still
Even among these rocks,
Our peace in His will
And even among these rocks
Sister, mother
And spirit of the river, spirit of the sea,
Suffer me not to be separated
And let my cry come unto Thee.
”
”
T.S. Eliot (Selected Poems)
“
It certainly seems like it’s your shop,” he said at last, turning his attention back to her. Emerie had drifted a few feet away, her back straight, chin upraised. He’d seen Nesta in that particular pose, too. He called it her I Will Slay My Enemies pose.
”
”
Sarah J. Maas (A Court of Frost and Starlight (A Court of Thorns and Roses, #3.5))
“
Hold on to me!” Tedros yelled, hacking briars with his training sword.Dazed, Agatha clung to his chest as he withstood thorn lashes with moans of pain. Soon he had the upper hand and pulled Agatha from the Woods towards the spiked gates, which glowed in recognition and pulled apart, cleaving a narrow path for the two Evers. As the gates speared shut behind them,Agatha looked up at limping Tedros, crisscrossed with bloody scratches, blue shirt shredded away.
“Had a feeling Sophie was getting in through the Woods,” he panted, hauling her up into slashed arms before she could protest. “So Professor Dovey gave me permission to take some fairies and stakeout the outer gates. Should have known you’d be here trying to catch her yourself.”
Agatha gaped at him dumbly.
“Stupid idea for a princess to take on witches alone,” Tedros said, dripping sweat on her pink dress.
“Where is she?” Agatha croaked. “Is she safe?”
“Not a good idea for princesses to worry about witches either,” Tedros said, hands gripping her waist. Her stomach exploded with butterflies.
“Put me down,” she sputtered—
“More bad ideas from the princess.”
“Put me down!”Tedros obeyed and Agatha pulled away.
“I’m not a princess!” she snapped, fixing her collar.
“If you say so,” the prince said, eyes drifting downward.Agatha followed them to her gashed legs, waterfalls of brilliant blood. She saw blood blurring— Tedros smiled.
“One . . . two . . . three . . .”She fainted in his arms.
“Definitely a princess,” he said.
”
”
Soman Chainani (The School for Good and Evil (The School for Good and Evil, #1))
“
Instead I let the moment pass and I just sighed and leaned back onto my chair. The sky was pinky gold. I had the feeling that there was nothing
more beautiful than this, that this particular sunset matched the beauty of anything
in this world, ten times over. I could feel all the tension of the day drifting away from me and out to sea. I wanted to memorize it all in case I didn’t get to come back again. You never know the last time you’ll see a place. A person.
”
”
Jenny Han (It's Not Summer Without You (Summer, #2))
“
I lie down on my bed, my back to the window, and the tears finally arrive, running down my face, into my ears, onto my pillow. I lie there for a long time, for hours maybe, and right as I'm about to finally drift to sleep I think I hear the flutter of Christian's wings as he flies away.
”
”
Cynthia Hand (Hallowed (Unearthly, #2))
“
Today, suddenly, I reached an absurd but unerring conclusion. In a moment of enlightenment, I realized that I'm nobody, absolutely nobody. When the lightning flashed, I saw that what I had thought to be a city was in fact a deserted plain and, in the same sinister light that revealed me to myself, there seemed to be no sky above it. I was robbed of any possibility of having existed before the world. If I was ever reincarnated, I must have done so without myself, without a self to reincarnate.
I am the outskirts of some non-existent town, the long-winded prologue to an unwritten book. I'm nobody, nobody. I don't know how to feel or think or love. I'm a character in a novel as yet unwritten, hovering in the air and undone before I've even existed, amongst the dreams of someone who never quite managed to breathe life into me.
I'm always thinking, always feeling, but my thoughts lack all reason, my emotions all feeling. I'm falling through a trapdoor, through infinite, infinitous space, in a directionless, empty fall. My soul is a black maelstrom, a great madness spinning about a vacuum, the swirling of a vast ocean around a hole in the void, and in the waters, more like whirlwinds than waters, float images of all I ever saw or heard in the world: houses, faces, books, boxes, snatches of music and fragments of voices, all caught up in a sinister, bottomless whirlpool.
And I, I myself, am the centre that exists only because the geometry of the abyss demands it; I am the nothing around which all this spins, I exist so that it can spin, I am a centre that exists only because every circle has one. I, I myself, am the well in which the walls have fallen away to leave only viscous slime. I am the centre of everything surrounded by the great nothing.
And it is as if hell itself were laughing within me but, instead of the human touch of diabolical laughter, there's the mad croak of the dead universe, the circling cadaver of physical space, the end of all worlds drifting blackly in the wind, misshapen, anachronistic, without the God who created it, without God himself who spins in the dark of darks, impossible, unique, everything.
If only I could think! If only I could feel!
”
”
Fernando Pessoa (The Book of Disquiet)
“
An unrivaled beauty, limited in its life. A beauty so extreme in its grace that it can’t last. It stays to enrich our lives, then drifts away in the wind. Never forgotten. Because it reminds us we must live. That life is fragile, yet in that fragility, there is strength. There is love. There is purpose. It reminds us that life is short, that our breaths are numbered and our destiny is fixed, regardless of how hard we fight.
”
”
Tillie Cole (A Thousand Boy Kisses (NEW BONUS CONTENT))
“
She paused, frowning at him. But his eyes drifted to the small wooden door just a few feet away. A broom closet. She followed his attention, and a slow smile spread across her face. She turned toward it, but he grabbed her hand, bringing his face close to hers. “You’re going to have to be very quiet.”
She reached the knob and opened the door, tugging him inside. “I have a feeling that I’m going to be telling you that in a few moments,” she purred, eyes gleaming with the challenge.
Chaol’s blood roared through him, and he followed her into the closet and wedged a broom beneath the handle.
”
”
Sarah J. Maas (Crown of Midnight (Throne of Glass, #2))
“
Anyone who has ridden the subway twice a day to earn their bread knows how it goes: When you board, you exhibit the same persona you use with your colleagues and acquaintances. You've carried it through the turnstile and past the sliding doors, so that your fellow passengers can tell who you are - cocky or cautious, amorous or indifferent, loaded or on the dole. But you find yourself a seat and the train gets under way; it comes to one station and then another; people get off and others get on. And under the influence of the cradlelike rocking of the train, your carefully crafted persona begins to slip away. The super-ego dissolves as your mind begins to wander aimlessly over your cares and your dreams; or better yet, it drifts into ambient hypnosis, where even cares and dreams recede and the peaceful silence of the cosmos pervades.
”
”
Amor Towles (Rules of Civility)
“
To his eyes all seemed beautiful, but to me a tinge of melancholy lay upon the countryside, which bore so clearly the mark of the waning year, Yellow leaves carpeted the lanes and fluttered down upon us as we passed, The rattle of our wheels died away as we drove through drifts of rotting vegetation--sad gifts, as it seemed to me, for Nature to throw before the carriage of the returning heir of the Baskervilles.
”
”
Arthur Conan Doyle (The Hound of the Baskervilles (Sherlock Holmes, #5))
“
Aaron anticipated the application of some kind of healing balm, but to his surprise the healer started singing a soft melodic tune. The breath from the notes fell on Aaron’s injured arm and he felt the hairs on his forearm react to the soft breath. It was only moments before the song drifted away on the wind and Wonataban’s instruction followed the last note: “Open your eyes.
”
”
Robert Reid (The Empress: (The Emperor, The Son and The Thief, #4))
“
If people had true knowledge of the world perhaps they would not take up arms and so perhaps he could be an aggregator of information from distant places and then the world would be a more peaceful place. He had been perfectly serious. That illusion had lasted from age forty-nine to age sixty-five. And then he had come to think that what people needed, at bottom, was not only information but tales of the remote, the mysterious, dressed up as hard information. And he, like a runner, immobile in his smeared printing apron bringing it to them. Then the listeners would for a small space of time drift away into a healing place like curative waters.
”
”
Paulette Jiles (News of the World)
“
When I was a child, an angel came to say,
A true friend is coming my warrior to sweep you away,
It won’t be easy the path because it leads through hell,
But if you’re faithful, it will be the greatest story to tell,
You will move God’s daughters to a place of hope,
Your story will teach everyone there is nothing they can’t cope,
You will suffer a lot, but not one tear will you waste,
Because for all that you do for me, you will be graced,
For I am bringing you someone that wants to travel your trail,
Someone you already met when you passed through heaven’s veil,
A warrior, a friend that whispers your heart’s song,
Someone that will run with you and pull your spirit along,
Don’t you see the timing was love's fated throw,
Because I put you both there to help one another grow,
I am the writer of all great stories your chapters were written by me,
You suffered, you cried because I needed you to see,
That your faith in my ending goes far beyond two,
It was going to change more hearts than both of you knew,
So hush my child and wait for my loving hand,
The last chapter is not written and still in the sand,
It is up to you to finish, before the tide washes it away,
All that is in your heart, I’ve put there for you to say,
This is not about winning, loss or pain,
I made you the way you are because true love stories are insane,
I wrote you in heaven as I sat on its sandy shore,
You know with all of my heart I loved you both more,
There is no better ending two people seeing each other's heart,
Together your spirits will never drift apart,
Because two kindred spirits is what I made you to be,
The waves and beach crashing together because of-- ME.
”
”
Shannon L. Alder
“
Ah, those days...for many years afterwards their happiness haunted me. Sometimes, listening to music, I drift back and nothing has changed. The long end of summer. Day after day of warm weather, voices calling as night came on and lighted windows pricked the darkness and, at day-break, the murmur of corn and the warm smell of fields ripe for harvest. And being young.
If I'd stayed there, would I always have been happy? No, I suppose not. People move away, grow older, die, and the bright belief that there will be another marvelous thing around each corner fades. It is now or never; we must snatch at happiness as it flies.
”
”
J.L. Carr (A Month in the Country)
“
taking her hand he led her out into a broad stretch of hard sandy soil that the moon flooded with great splendor. They floated out like drifting moths under the rich hazy light, and as the fantastic symphony wept and exulted and wavered and despaired, Ardita's last sense of reality dropped away, and she abandonded her imagination to the dreamy summer scents of tropial flowers and the infinite starry spaces overhead, feeling that if she opened her eyes it would be to find herself dancing with a ghost in a land created by her own fantasy.
”
”
F. Scott Fitzgerald (The Offshore Pirate)
“
You won’t remember, they say, when someone drifts away. One minute you are talking about life’s greatest adventures and listening to mixtapes on Monday afternoons, and the next their presence is replaced with silence: a fragile nonexistence with nothing else to lose. But I will always remember our drift. It took up all this space, like a planet with many moons. It was the year you forgot my birthday.
”
”
Courtney Peppernell (Pillow Thoughts)
“
Towards midnight the rain ceased and the clouds drifted away, so that the sky was scattered once more with the incredible lamps of stars. Then the breeze died too and there was no noise save the drip and tickle of water that ran out of clefts and spilled down, leaf by leaf, to the brown earth of the island. The air was cool, moist, and clear; and presently even the sound of the water was still. The beast lay huddled on the pale beach and the stains spread, inch by inch.
The edge of the lagoon became a streak of phosphorescence which advanced minutely, as the great wave of the tide flowed. The clear water mirrored the clear sky and the angular bright constellations. The line of phosphorescence bulged about the sand grains and little pebbles; it held them each in a dimple of tension, then suddenly accepted them with an inaudible syllable and moved on.
Along the shoreward edge of the shallows the advancing clearness was full of strange, moonbeam-bodied creatures with fiery eyes. Here and there a larger pebble clung to its own air and was covered with a coat of pearls. The tide swelled in over the rain-pitted sand and smoothed everything with a layer of silver. Now it touched the first of the stains that seeped from the broken body and the creatures made a moving patch of light as they gathered at the edge. The water rose further and dressed Simon's coarse hair with brightness. The line of his cheek silvered and the turn of his shoulder became sculptured marble. The strange, attendant creatures, with their fiery eyes and trailing vapours busied themselves round his head. The body lifted a fraction of an inch from the sand and a bubble of air escaped from the mouth with a wet plop. Then it turned gently in the water.
Somewhere over the darkened curve of the world the sun and moon were pulling; and the film of water on the earth planet was held, bulging slightly on one side while the solid core turned. The great wave of the tide moved further along the island and the water lifted. Softly, surrounded by a fringe of inquisitive bright creatures, itself a silver shape beneath the steadfast constellations, Simon's dead body moved out towards the open sea.
”
”
William Golding (Lord of the Flies)
“
James dropped Cordelia’s hands. They were no longer dancing. James turned away from Cordelia without a word and strode across the room toward the newcomers. She stood, frozen in confusion, as James bent to kiss the hand of the stunningly beautiful girl who had just walked into the room. Titters rose on the dance floor. Lucie had stepped back from Matthew, her eyes wide. Alastair and Thomas both turned to look at Cordelia with expressions of surprise.
At any moment, Cordelia knew, her mother would notice that she was drifting in the middle of the dance floor like an abandoned tugboat and charge toward her, and then Cordelia would die. She would die of the humiliation. Cordelia was scanning the room for the nearest exit, ready to flee, when a hand grasped her arm. She was spun around and into an expert grip: a moment later she was dancing again, her feet automatically following her partner’s.
“That’s right.” It was Matthew Fairchild. Fair hair, spicy cologne, a blur of a smile. His hands were gentle as he swept her back into the waltz. “Just—try to smile, and no one will notice anything happened. James and I are practically interchangeable in the public consciousness anyway.”
“James—left,” Cordelia said, in shock.
“I know,” said Matthew. “Very bad form. One should not leave a lady on the dance floor unless something is actually on fire. I’ll have a word.”
“A word,” Cordelia echoed. She was beginning to feel less stunned and more angry. “A word?”
“Several words, if it will make you feel better?
”
”
Cassandra Clare (Chain of Gold (The Last Hours, #1))
“
Before drifting away entirely, he found himself reflecting---not for the first time---on the peculiarity of adults. Thet took laxatives, liquor, or sleeping pills to drive away their terrors so that sleep would come, and their terrors were so tame and domestic: the job, the money, what the teacher will think if I can't get Jennie nicer clothes, does my wife still love me, who are my friends. They were pallid compared to the fears every child lies cheek and jowl with in his dark bed, with no one to confess to in hope of perfect understanding but another child. There is no group therapy or psychiatry or community social services for the child who must cope with the thing under the bed or in the cellar every night, the thing which leers and capers and threatens just beyond the point where vision will reach. The same lonely battle must be fought night after night and the only cure is the eventual ossification of the imaginary faculties, and this is called adulthood.
”
”
Stephen King ('Salem's Lot)
“
Kiss me!” I pleaded. “Please, Pigeon! I told him no!”
Abby shoved me away. “Leave me alone, Travis!”
She shouldered passed me, but I grabbed her wrist. She kept her arm straight, outstretched behind her, but she didn’t turn around.
“I am begging you.” I fell to my knees, her hand still in mine. My breath puffed out in white steam as I spoke, reminding me of the cold. “I’m begging you, Abby. Don’t do this.”
Abby glanced back, and then her eyes drifted down her arm to mine, seeing the tattoo on my wrist. The tattoo that bared her name.
She looked away, toward the cafeteria. “Let me go, Travis.”
The air knocked out of me, and with all hope obliterated, I relaxed my hand, and let her slip out of my fingers.
Abby didn’t look back as she walked away from me, and my palms fell flat on the sidewalk. She wasn’t coming back. She didn’t want me anymore, and there was nothing I could do or say to change it.
”
”
Jamie McGuire (Walking Disaster (Beautiful, #2))
“
Ianthe said smoothly, “Come, Bride, and be joined with your true love. Come, Bride, and let good triumph at last.” Good. I was not good. I was nothing, and my soul, my eternal soul, was damned— I tried to get my traitorous lungs to draw air so I could voice the word. No—no. But I didn’t have to say it. Thunder cracked behind me, as if two boulders had been hurled against each other. People screamed, falling back, a few vanishing outright as darkness erupted. I whirled, and through the night drifting away like smoke on a wind, I found Rhysand straightening the lapels of his black jacket. “Hello, Feyre darling,” he purred.
”
”
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
“
To understand the world at all, sometimes you could only focus on a tiny bit of it, look very hard at what was close to hand and make it stand in for the whole; but ever since the painting had vanished from under me I’d felt drowned and extinguished by vastness—not just the predictable vastness of time, and space, but the impassable distances between people even when they were within arm’s reach of each other, and with a swell of vertigo I thought of all the places I’d been and all the places I hadn’t, a world lost and vast and unknowable, dingy maze of cities and alleyways, far-drifting ash and hostile immensities, connections missed, things lost and never found, and my painting swept away on that powerful current and drifting out there somewhere: a tiny fragment of spirit, faint spark bobbing on a dark sea.
”
”
Donna Tartt (The Goldfinch)
“
I stopped wanting to float away from my life, because in the end my life was all I had. I'd walk the Fairmont campus and look up to the sky and I wouldn't see myself drifting off like some lost balloon. Instead I saw the size of the world and found comfort in its hugeness. I'd think back to those times when I felt like everything was closing in on me, those times when I thought I was stuck, and I realized that I was wrong. There is always hope. The world is vast and meant for wandering. There is always somewhere else to go.
”
”
Nick Burd (The Vast Fields of Ordinary)
“
My head is so full of memories!" Cinderheart wailed. "I feel as though there are two lives inside me, not one. How can it be my choice to make? Doesn't Cinderpelt have a choice? I can't make her a warrior! She was a medicine cat!"
Lionblaze pressed his muzzle closer. "She chose you", he murmured. "She gave you the choice".
Cinderheart began to tremble. Lionblaze could sense her mind whirling. "You can only live one life, Cinderheart. It's your choice! This is your destiny, not Cinderpelt's. She lived her own life".
Cinderheart gasped. Then her pelt smoothed. She lifted her chin. "Then I choose the life of a warrior". Her blue eyes shone. "And I choose you".
A breeze stirred the ferns. Lionblaze glimpsed a pale gray shape appear like a shadow beside Cinderheart. Stepping back in surprise, he saw it peel away from her and drift up like a cobweb carried by the wind. A soft voice whispered, Thank you.
Lionblaze's fur stood on end. "Did you see that?
Cinderheart was watching the shadow disappear into the trees. "It was Cinderpelt", she breathed. "I've set her free".
Lionblaze purred loudly. "Will you fight alongside me?"
Cinderheart pressed her muzzle fiercely against his. "Always".
”
”
Erin Hunter (The Last Hope (Warriors: Omen of the Stars, #6))
“
Next time I walk away,” she whispered into his skin, “come with me.” She let her gaze drift up to his throat, his jaw, his lips. “When this is all over, when Osaron is gone and we’ve saved the world again, and everyone else gets their happily ever after, come with me.”
“Lila,” he said, and there was so much sadness in his voice, she suddenly realized she didn’t want to hear his answer, didn’t want to think of all the ways their story could end, of the chance that none of them would make it out alive, intact. She didn’t want to think beyond this boat, this moment, so she kissed him, deeply, and whatever he was going to say, it died on his lips as they met hers.
”
”
Victoria E. Schwab (A Conjuring of Light (Shades of Magic, #3))
“
Suppose that a man leaps out of a burning building—as my dear friend and colleague Jeff Goldberg sat and said to my face over a table at La Tomate in Washington not two years ago—and lands on a bystander in the street below. Now, make the burning building be Europe, and the luckless man underneath be the Palestinian Arabs. Is this a historical injustice? Has the man below been made a victim, with infinite cause of complaint and indefinite justification for violent retaliation? My own reply would be a provisional 'no,' but only on these conditions. The man leaping from the burning building must still make such restitution as he can to the man who broke his fall, and must not pretend that he never even landed on him. And he must base his case on the singularity and uniqueness of the original leap. It can't, in other words, be 'leap, leap, leap' for four generations and more. The people underneath cannot be expected to tolerate leaping on this scale and of this duration, if you catch my drift. In Palestine, tread softly, for you tread on their dreams. And do not tell the Palestinians that they were never fallen upon and bruised in the first place. Do not shame yourself with the cheap lie that they were told by their leaders to run away. Also, stop saying that nobody knew how to cultivate oranges in Jaffa until the Jews showed them how. 'Making the desert bloom'—one of Yvonne's stock phrases—makes desert dwellers out of people who were the agricultural superiors of the Crusaders.
”
”
Christopher Hitchens (Hitch 22: A Memoir)
“
Most people, on waking up, accelerate through a quick panicky pre-consciousness check-up: who am I, where am I, who is he/she, good god, why am I cuddling a policeman's helmet, what happened last night?
And this is because people are riddled by Doubt. It is the engine that drives them through their lives. It is the elastic band in the little model aeroplane of their soul, and they spend their time winding it up until it knots. Early morning is the worst time -there's that little moment of panic in case You have drifted away in the night and something else has moved in. This never happened to Granny Weatherwax. She went straight from asleep to instant operation on all six cylinders. She never needed to find herself because she always knew who was doing the looking.
”
”
Terry Pratchett (Witches Abroad (Discworld, #12; Witches, #3))
“
I was thankful that nobody was there to meet me at the airport.
We reached Paris just as the light was fading. It had been a soft, gray March day, with the smell of spring in the air. The wet tarmac glistened underfoot; over the airfield the sky looked very high, rinsed by the afternoon's rain to a pale clear blue. Little trails of soft cloud drifted in the wet wind, and a late sunbeam touched them with a fleeting underglow. Away beyond the airport buildings the telegraph wires swooped gleaming above the road where passing vehicles showed lights already.
”
”
Mary Stewart (Nine Coaches Waiting)
“
At other times, at the edge of a wood, especially at dusk, the trees themselves would assume strange shapes: sometimes they were arms rising heavenwards, , or else the trunk would twist and turn like a body being bent by the wind. At night, when I woke up and the moon and the stars were out, I would see in the sky things that filled me simultaneously with dread and longing. I remember that once, one Christmas Eve, I saw a great naked women, standing erect, with rolling eyes; she must have been a hundred feet high, but along she drifted, growing ever longer and ever thinner, and finally fell apart, each limb remaining separate, with the head floating away first as the rest of her body continued to waver
”
”
Gustave Flaubert (November)
“
The other aspect of those weekday-evening trips he loved was the light itself, how it filled the train like something living as the cars rattled across the bridge, how it washed the weariness from his seatmates' faces and revealed them as they were when they first came to the country, when they were young and America seemed conquerable. He'd watch that kind light suffuse the car like syrup, watch it smudge furrows from foreheads, slick gray hairs into gold, gentle the aggressive shine from cheap fabrics into something lustrous and fine. And then the sun would drift, the car rattling uncaringly away from it, and the world would return to its normal sad shapes and colors, the people to their normal sad state, a shift as cruel and abrupt as if it had been made by a sorcerer's wand.
”
”
Hanya Yanagihara (A Little Life)
“
I was dancing with an immortal august woman, who had black lilies in her hair, and her dreamy gesture seemed laden with a wisdom more profound than the darkness that is between star and star, and with a love like the love that breathed upon the waters; and as we danced on and on, the incense drifted over us and round us, covering us away as in the heart of the world, and ages seemed to pass, and tempests to awake and perish in the folds of our robes and in her heavy hair.
Suddenly I remembered that her eyelids had never quivered, and that her lilies had not dropped a black petal, or shaken from their places, and understood with a great horror that I danced with one who was more or less than human, and who was drinking up my soul as an ox drinks up a wayside pool; and I fell, and darkness passed over me.
”
”
W.B. Yeats (Rosa Alchemica)
“
An unrivaled beauty, limited in its life. A beauty so extreme in its grace that it can’t last. It stays to enrich our lives, then drifts away in the wind. Never forgotten. Because it reminds us we must live. That life is fragile, yet in that fragility, there is strength. There is love. There is purpose. It reminds us that life is short, that our breaths are numbered and our destiny is fixed, regardless of how hard we fight. It reminds us not to waste a single second. Live hard, love harder. Chase dreams, seek adventures … capture moments. Live beautifully.
”
”
Tillie Cole (A Thousand Boy Kisses (NEW BONUS CONTENT))
“
There was rarely an obvious branching point in a person's life. People changed slowly, over time. You didn't take one step, then find yourself in a completely new location. You first took a little step off the path to avoid some rocks. For a while, you walked alongside the path, but then you wandered out a little way to step on softer soil. Then you stopped paying attention as you drifted farther and farther away. Finally, you found yourself in the wrong city, wondering why the signs on the roadway hadn't led you better.
”
”
Brandon Sanderson (The Emperor's Soul (The Cosmere))
“
As I walked out one evening,
Walking down Bristol Street,
The crowds upon the pavement
Were fields of harvest wheat.
And down by the brimming river
I heard a lover sing
Under an arch of the railway:
"Love has no ending.
"I'll love you, dear, I'll love you
Till China and Africa meet,
And the river jumps over the mountain
And the salmon sing in the street,
"I'll love till the ocean
Is folded and hung up to dry
And the seven stars go squawking
Like geese about the sky.
"The years shall run like rabbits,
For in my arms I hold
The Flower of the Ages,
And the first love of the world."
But all the clocks in the city
Began to whirr and chime:
"O let not Time deceive you,
You cannot conquer Time.
"In the burrows of the Nightmare
Where Justice naked is,
Time watches from the shadow
And coughs when you would kiss.
"In headaches and in worry
Vaguely life leaks away,
And Time will have his fancy
Tomorrow or today.
"Into many a green valley
Drifts the appalling snow;
Time breaks the threaded dances
And the diver's brilliant bow.
"O plunge your hands in water,
Plunge them in up to the wrist;
Stare, stare in the basin
And wonder what you've missed.
"The glacier knocks in the cupboard,
The desert sighs in the bed,
And the crack in the teacup opens
A lane to the land of the dead.
"Where the beggars raffle the banknotes
And the Giant is enchanting to Jack,
And the Lily-white Boy is a Roarer,
And Jill goes down on her back.
"O look, look in the mirror,
O look in your distress;
Life remains a blessing
Although you cannot bless.
"O stand, stand at the window
As the tears scald and start;
You shall love your crooked neighbor
With all your crooked heart."
It was late, late in the evening,
The lovers they were gone;
The clocks had ceased their chiming,
And the deep river ran on.
”
”
W.H. Auden
“
I find a grin spreading across my face. I don't know what I'm doing, how I'm doing it, or what will happen when it's done, but at the very bottom of this rising siege-ladder, I at least know I'm going to see Julie again. I know I'm not going to say goodbye. And if these staggering refugees want to help, if they think they see something bigger here than a boy chasing a girl, then they can help, and we'll see what happens when we say Yes while this rigor mortis world screams No.
We start lumbering north on the southbound freeway, and the thunder drifts away towards the mountains as if it's scared of us.
Here we are on the road. We must be going somewhere.
”
”
Isaac Marion (Warm Bodies (Warm Bodies, #1))
“
However, the majority of women are neither harlots nor courtesans; nor do they sit clasping pug dogs to dusty velvet all through the summer afternoon. But what do they do then? and there came to my mind’s eye one of those long streets somewhere south of the river whose infinite rows are innumerably populated. With the eye of the imagination I saw a very ancient lady crossing the street on the arm of a middle-aged woman, her daughter, perhaps, both so respectably booted and furred that their dressing in the afternoon must be a ritual, and the clothes themselves put away in cupboards with camphor, year after year, throughout the summer months. They cross the road when the lamps are being lit (for the dusk is their favourite hour), as they must have done year after year. The elder is close on eighty; but if one asked her what her life has meant to her, she would say that she remembered the streets lit for the battle of Balaclava, or had heard the guns fire in Hyde Park for the birth of King Edward the Seventh. And if one asked her, longing to pin down the moment with date and season, but what were you doing on the fifth of April 1868, or the second of November 1875, she would look vague and say that she could remember nothing. For all the dinners are cooked; the plates and cups washed; the children sent to school and gone out into the world. Nothing remains of it all. All has vanished. No biography or history has a word to say about it. And the novels, without meaning to, inevitably lie.
All these infinitely obscure lives remain to be recorded, I said, addressing Mary Carmichael as if she were present; and went on in thought through the streets of London feeling in imagination the pressure of dumbness, the accumulation of unrecorded life, whether from the women at the street corners with their arms akimbo, and the rings embedded in their fat swollen fingers, talking with a gesticulation like the swing of Shakespeare’s words; or from the violet-sellers and match-sellers and old crones stationed under doorways; or from drifting girls whose faces, like waves in sun and cloud, signal the coming of men and women and the flickering lights of shop windows. All that you will have to explore, I said to Mary Carmichael, holding your torch firm in your hand.
”
”
Virginia Woolf (A Room of One’s Own)
“
I took a steadying breath. “Listen, I know we have a full night ahead of us, but I wanted to give you your birthday present.”
“Oh, darling, you didn’t need to get me anything. Every day with you is a gift.” He leaned in and kissed me.
“Well, I hadn’t planned on getting you a gift, but then something presented itself, so here we are.”
“All right then,” he said, placing his glass on the ground. “I’m ready. Where is it?”
“That’s the only problem,” I started. I felt my hands begin to shake. “It won’t actually arrive for another seven or eight months.”
He smiled but squinted. “Eight months? What in the world could take . . .”
As his words drifted away, so did his eyes, leaving my face and making their way to my stomach. He seemed to expect me to look different, for me to be as big as a house already. But I’d done my best to hide everything: the tiredness, the nausea, the sudden distaste for foods.
He stared on and on, and I waited for him to smile or laugh or jump up and down. But he sat there, frozen to the point that it started to frighten me.
“Maxon?” I reached out and touched his leg. “Maxon, are you all right?”
He nodded, still watching my stomach.
”
”
Kiera Cass (The One (The Selection, #3))
“
The name of the author is the first to go
followed obediently by the title, the plot,
the heartbreaking conclusion, the entire novel
which suddenly becomes one you have never read,
never even heard of,
as if, one by one, the memories you used to harbor
decided to retire to the southern hemisphere of the brain,
to a little fishing village where there are no phones.
Long ago you kissed the names of the nine Muses goodbye
and watched the quadratic equation pack its bag,
and even now as you memorize the order of the planets,
something else is slipping away, a state flower perhaps,
the address of an uncle, the capital of Paraguay.
Whatever it is you are struggling to remember,
it is not poised on the tip of your tongue,
not even lurking in some obscure corner of your spleen.
It has floated away down a dark mythological river
whose name begins with an L as far as you can recall,
well on your own way to oblivion where you will join those
who have even forgotten how to swim and how to ride a bicycle.
No wonder you rise in the middle of the night
to look up the date of a famous battle in a book on war.
No wonder the moon in the window seems to have drifted
out of a love poem that you used to know by heart.
”
”
Billy Collins
“
But nobody wanted to speak on the true disposition of the world. And no one wanted to hear it...
The whites came to this land for a fresh start and to escape the tyranny of their masters, just as the Freeman had fled theirs. But the ideals they held up for themselves, they denied others. Cora had heard Michael recite the Declaration of Independence back on the Randall plantation many times, his voice drifting through the village like an angry phantom. She didn't understand the words, most of them at any rate, but created equal was not lost on her. The white men who wrote it didn't understand it either, if all men did not truly mean all men. Not if they snatched away what belonged to other people, whether it was something you could hold in your hand, like dirt, or something you could not, like freedom.
”
”
Colson Whitehead (The Underground Railroad)
“
Oh, look, the lights are so pretty,” I said dreamily, having just noticed
them.
I smiled at the way the lights were dancing overhead, pink and yellow and
blue. I felt some pressure on my arm and thought, I should look over and see
what’s going on, but then the thought was gone, sliding away like Jell-O off a
hot car hood.
“Fang?”
“Yeah. I’m here.”
I struggled to focus on him. “I’m so glad you’re here.”
“Yeah, I got that.”
“I don’t know what I’d do without you.” I peered up at him, trying to see
past the too-bright lights.
“You’d be fine,” he muttered.
“No,” I said, suddenly struck by how unfine I would be. “I would be totally
unfine. Totally.” It seemed very urgent that he understand this.
Again I felt some tugging on my arm, and I really wondered what that was
about. Was Ella’s mom going to start this procedure any time soon?
“It’s okay. Just relax.” He sounded stiff and nervous. “Just...relax. Don’t
try to talk.”
“I don’t want my chip anymore,” I explained groggily, then frowned.
“Actually, I never wanted that chip.”
“Okay,” said Fang. “We’re taking it out.”
“I just want you to hold my hand.”
“I am holding your hand.”
“Oh. I knew that.” I drifted off for a few minutes, barely aware of
anything, but feeling Fang’s hand still in mine.
“Do you have a La-Z-Boy somewhere?” I roused myself to ask, every word an
effort.
“Um, no,” said Ella’s voice, somewhere behind my head.
“I think I would like a La-Z-Boy,” I mused, letting my eyes drift shut
again. “Fang, don’t go anywhere.”
“I won’t. I’m here.”
“Okay. I need you here. Don’t leave me.”
“I won’t.”
“Fang, Fang, Fang,” I murmured, overwhelmed with emotion. “I love you. I
love you sooo much.” I tried to hold out my arms to show how much, but I
couldn’t move them.
“Oh, jeez,” Fang said, sounding strangled.
”
”
James Patterson (Saving the World and Other Extreme Sports (Maximum Ride, #3))
“
....the Crocodiles say they can't even begin to say how many new guys they've seen Come In and then get sucked back Out There, Come In to AA for a while and Hang In and put together a little sober time and have things start to get better, head-wise and life-quality-wise, and after a while the new guys get cocky, they decide they've gotten `Well,' and they get really busy at the new job sobriety's allowed them to get, or maybe they buy season Celtics tickets, or they rediscover pussy and start chasing pussy (these withered gnarled toothless totally post-sexual old fuckers actually say pussy), but one way or another these poor cocky clueless new bastards start gradually drifting away from rabid Activity In The Group, and then away from their Group itself, and then little by little gradually drift away from any AA meetings at all, and then, without the protection of meetings or a Group, in time--oh there's always plenty of time, the Disease is fiendishly patient--how in time they forget what it was like, the ones that've cockily drifted, they forget who and what they are, they forget about the Disease, until like one day they're at like maybe a Celtics-Sixers game, and the good old Fleet/First Interstate Center's hot, and they think what could just one cold foamer hurt, after all this sober time, now that they've gotten `Well.' Just one cold one. What could it hurt. And after that one it's like they'd never stopped, if they've got the Disease. And how in a month or six months or a year they have to Come Back In, back to the Boston AA halls and their old Group, tottering, D.T.ing, with their faces hanging down around their knees all over again, or maybe it's five or ten years before they can get it up to get back In, beaten to shit again, or else their system isn't ready for the recurred abuse again after some sober time and they die Out There--the Crocodiles are always talking in hushed, 'Nam-like tones about Out There--or else, worse, maybe they kill somebody in a blackout and spend the rest of their lives in MCI-Walpole drinking raisin jack fermented in the seatless toilet and trying to recall what they did to get in there, Out There; or else, worst of all, these cocky new guys drift back Out There and have nothing sufficiently horrible to Finish them happen at all, just go back to drinking 24/7/365, to not-living, behind bars, undead, back in the Disease's cage all over again. The Crocodiles talk about how they can't count the number of guys that've Come In for a while and drifted away and gone back Out There and died, or not gotten to die.
”
”
David Foster Wallace (Infinite Jest)
“
Not a breath, not a sound—except at intervals the muffled crackling of stones that the cold was reducing to sand—disturbed the solitude and silence surrounding Janine. After a moment, however, it seemed to her that the sky above her was moving in a sort of slow gyration. In the vast reaches of the dry, cold night, thousands of stars were constantly appearing, and their sparkling icicles, loosened at once, began to slip gradually towards the horizon. Janine could not tear herself away from contemplating those drifting flares. She was turning with them, and the apparently stationary progress little by little identified her with the core of her being, where cold and desire were now vying with each other. Before her the stars were falling one by one and being snuffed out among the stones of the desert, and each time Janine opened a little more to the night. Breathing deeply, she forgot the cold, the dead weight of others, the craziness or stuffiness of life, the long anguish of living and dying. After so many years of mad, aimless fleeing from fear, she had come to a stop at last. At the same time, she seemed to recover her roots and the sap again rose in her body, which had ceased trembling. Her whole belly pressed against the parapet as she strained towards the moving sky; she was merely waiting for her fluttering heart to calm down and establish silence within her. The last stars of the constellations dropped their clusters a little lower on the desert horizon and became still. Then, with unbearable gentleness, the water of night began to fill Janine, drowned the cold, rose gradually from the hidden core of her being and overflowed in wave after wave, rising up even to her mouth full of moans. The next moment, the whole sky stretched out over her, fallen on her back on the cold earth.
”
”
Albert Camus (Exile and the Kingdom)
“
It was not without a certain wild pleasure I ran before the wind, delivering my trouble of mind to the measureless air-torrent thundering through space. Descending the laurel walk, I faced the wreck of a chestnut-tree; it stood up, black and riven: the trunk, split down the centere, gasped ghastly. The cloven halves were not broken for each other, for the firm base and strong roots kept them unsundered below; through communtiy of vitality was destroyed -- the sap could flow no more: their great boughs on each side were dead, and next winter's tempests would be sure to fell one or both to earth: as yet, however, they might be said to form one tree -- a ruin, but and entire ruin.
'You did right to hold fast to each other,' I said: as if the monster splinters were living things, and could hear me. 'I think, scathed as you look, and charred and scorched, there must be a little sense of life in you yet, rising out of that adhesion at the faithful, honest roots: you will never have green leaves more -- never more see birds making nests and singing idylls in your boughs; the time of pleasure and love is over with you; but you are not desolate: each of you has a comrade to sympathize with him in his decay.' As I looked up at them, the moon appeared momentarily in that part of the sky which filled their fissure; her disc was blood-red and half overcast; she seemed to throw on me one bewildered, dreary glance, and buried herself again instantly in the deep drift of cloud. The wind fell, for a second, round Thornfield; but far away over wood and water poured a wild, melancholy wail: it was sad to listen to, and I ran off again.
”
”
Charlotte Brontë (Jane Eyre)
“
His vulnerability allowed me to let my guard down, and gently and methodically, he tore apart my well-constructed dam. Waves of tender feelings were lapping over the top and slipping through the cracks. The feelings flooded through and spilled into me. It was frightening opening myself up to feel love for someone again. My heart pounded hard and thudded audibly in my chest. I was sure he could hear it.
Ren’s expression changed as he watched my face. His look of sadness was replaced by one of concern for me.
What was the next step? What should I do? What do I say? How do I share what I’m feeling?
I remembered watching romance movies with my mom, and our favorite saying was “shut up and kiss her already!” We’d both get frustrated when the hero or heroine wouldn’t do what was so obvious to the two of us, and as soon as a tense, romantic moment occurred, we’d both repeat our mantra. I could hear my mom’s humor-filled voice in my mind giving me the same advice: “Kells, shut up and kiss him already!”
So, I got a grip on myself, and before I changed my mind, I leaned over and kissed him.
He froze. He didn’t kiss me back. He didn’t push me away. He just stopped…moving. I pulled back, saw the shock on his face, and instantly regretted my boldness. I stood up and walked away, embarrassed. I wanted to put some distance between us as I frantically tried to rebuild the walls around my heart.
I heard him move. He slid his hand under my elbow and turned me around. I couldn’t look at him. I just stared at his bare feet. He put a finger under my chin and tried to nudge my head up, but I still refused to meet his gaze.
“Kelsey. Look at me.” Lifting my eyes, they traveled from his feet to a white button in the middle of his shirt. “Look at me.”
My eyes continued their journey. They drifted past the golden-bronze skin of his chest, his throat, and then settled on his beautiful face. His cobalt blue eyes searched mine, questioning. He took a step closer. My breath hitched in my throat. Reaching out a hand, he slid it around my waist slowly. His other hand cupped my chin. Still watching my face, he placed his palm lightly on my cheek and traced the arch of my cheekbone with his thumb.
The touch was sweet, hesitant, and careful, the way you might try to touch a frightened doe. His face was full of wonder and awareness. I quivered. He paused just a moment more, then smiled tenderly, dipped is head, and brushed his lips lightly against mine.
He kissed me softly, tentatively, just a mere whisper of a kiss. His other hand slid down to my waist too. I timidly touched his arms with my fingertips. He was warm, and his skin was smooth. He gently pulled me closer and pressed me lightly against his chest. I gripped his arms.
He sighed with pleasure, and deepened the kiss. I melted into him.
How was I breathing? His summery sandalwood scent surrounded me. Everywhere he touched me, I felt tingly and alive.
I clutched his arms fervently. His lips never leaving mine, Ren took both of my arms and wrapped them, one by one, around his neck. Then he trailed one of his hands down my bare arm to my waist while the other slid into my hair. Before I realized what he was planning to do, he picked me up with one arm and crushed me to his chest.
I have no idea how long we kissed. It felt like a mere second, and it also felt like forever. My bare feet were dangling several inches from the floor. He was holding all my body weight easily with one arm. I buried my fingers into his hair and felt a rumble in his chest. It was similar to the purring sound he made as a tiger. After that, all coherent thought fled and time stopped.
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
We take it for granted that life moves forward. You build memories; you build momentum.You move as a rower moves: facing backwards.
You can see where you've been, but not where you’re going. And your boat is steered by a younger version of you.
It's hard not to wonder what life would be like facing the other way. Avenoir.
You'd see your memories approaching for years, and watch as they slowly become real.
You’d know which friendships will last, which days are important, and prepare for upcoming mistakes. You'd go to school, and learn to forget.
One by one you'd patch things up with old friends, enjoying one last conversation before you
meet and go your separate ways.
And then your life would expand into epic drama. The colors would get sharper, the world would feel bigger.
You'd become nothing other than yourself, reveling in your own weirdness.
You'd fall out of old habits until you could picture yourself becoming almost anything.
Your family would drift slowly together, finding each other again.
You wouldn't have to wonder how much time you had left with people, or how their lives would turn out.
You'd know from the start which week was the happiest you’ll ever be, so you could relive it again and again.
You'd remember what home feels like,
and decide to move there for good.
You'd grow smaller as the years pass, as if trying to give away everything you had before leaving.
You'd try everything one last time, until it all felt new again.
And then the world would finally earn your trust, until you’d think nothing of jumping freely into things, into the arms of other people.
You'd start to notice that each summer feels longer than the last.
Until you reach the long coasting retirement of childhood.
You'd become generous, and give everything back.
Pretty soon you’d run out of things to give, things to say, things to see.
By then you'll have found someone perfect; and she'll become your world.
And you will have left this world just as you found it.
Nothing left to remember, nothing left to regret, with your whole life laid out in front of you, and your whole life left behind.
”
”
Sébastien Japrisot
“
Yes?” Came the thin and reedy voice.
I winced as I pushed the door open. Beth sounded terrible. And when I got an eyeful of her, she looked just as bad. Sitting up against the headboard with a mountain of blankets piled around her, she had dark circles under her eyes. Her pale, waiflike features were sharp, and her hair was an unwashed, tangled mess. I tried not to breathe too deeply, because the room smelled of vomit and sweat.
I halted at the bed, shocked to my core. “Are you sick?”
Her unfocused gaze drifted away from me, landing on the door to the adjoined bathroom, it didn’t make sense. Hybrids—we couldn’t get sick. Not the common cold or the most dangerous cancer. Like the Luxen, we were immune to everything out there in terms of disease, but Beth? Yeah, she wasn’t looking too good.
A great sense of unease blossomed in my belly, stiffening my muscles. “Beth?”
Her watery stare finally drifted to me. “Is Dawson back yet?”
My heart turned over heavily, almost painfully. The two of them have been through so much, more than Daemon and I had, and this . . . God, this wasn’t fair. “No, he’s not back yet, but you? You look sick.”
She raised a slim, pale hand to her throat. “I'm not feeling very well.”
I didn’t know how bad this was, and I was almost afraid to find out. “What’s wrong?”
One shoulder rose, and it looked like it had taken great effort. “You shouldn’t be worried,” she said, her voice low as she picked at the hem of a blanket. “It’s not a big deal. I’ll be okay once Dawson comes back.” Her gaze floated off again, and as she dropped the edge of the blanket, she reached down, put her hand over her blanket-covered belly, and said, “We’ll be okay once Dawson comes back.”
“We’ll be . . . ?” I trailed off as my eyes widened. My jaw came unhinged and dropped as I gaped at her.
I stared at where her hand was and watched in dawned horror as she rubbed her belly in slow, steady circles.
Oh no. oh, hell to the no to the tenth power.
I started forward and then stopped. “Beth, are you . . . are you pregnant?
”
”
Jennifer L. Armentrout (Opposition (Lux, #5))
“
I touched Loki's chest, running my fingers over the bumps of his scar. I didn't know why exactly, but I felt compelled to, as if the scar connected us somehow.
"You just couldn't wait to get me naked, could you, Princess?" Loki asked tiredly. I started to pull my hand back, but he put his own hand over it, keeping it in pace.
"No,I-I was checking for wounds," I stumbled. I wouldn't meet his gaze.
"I'm sure." He moved his thumb, almost caressing my hand, until it hit my ring. "What's that?" He tried to sit up to see it, so I lifted my hand, showing him the emerald-encrusted oval on my finger. "Is that a wedding ring?"
"No, engagement." I lowered my hand, resting it on the bed next to him. "I'm not married yet."
"I'm not too late, then." He smiled and settled back in the bed.
"Too late for what?" I asked.
"To stop you, of course." Still smiling, he closed his eyes.
"Is that why you're here?" I asked, failing to point out how near we were to my nuptials.
"I told you why I'm here," Loki said.
"What happened to you, Loki?" I asked, my voice growing thick when I thought about what he had to have gone through to get all those marks and bruises.
"Are you crying?" Loki asked and opened his eyes.
"No, I'm not crying." I wasn't, but my eyes were moist.
"Don't cry." He tried to sit up, but he winced when he lifted his head, so I put my hand gently on his chest to keep him down.
"You need to rest," I said.
"I will be fine." He put his hand over mine again, and I let him. "Eventually."
"Can you tell me what happened?" I asked. "Why do you need amnesty?"
"Remember when we were in the garden?" Loki asked.
Of course I remembered. Loki had snuck in over the wall and asked me to run away with him. I had declined, but he'd stolen a kiss before he left, a rather nice kiss. My cheeks reddened slightly at the memory, and that make Loki smile wider.
"I see you do." He grinned.
"What does that have to do with anything?" I asked.
"That doesn't," Loki said, referring to the kiss. "I meant when I told you that the King hates me. He really does, Wendy." His eyes went dark for a minute.
"The Vittra King did this to you?" I asked, and my stomach tightened. "You mean Oren? My father?"
"Don't worry about it now," he said, trying to calm the anger burning in my eyes. "I'll be fine."
"Why?" I asked. "Why does the King hate you? Why did he do this to you?"
"Wendy, please." He closed his eyes. "I'm exhausted. I barely made it here. Can we have this conversation when I'm feeling a bit better? Say, in a month or two?"
"Loki," I said with a sigh, but he had a point. "Rest. But we will talk tomorrow. All right?"
"As you wish, Princess," he conceded, and he was already drifting back to sleep again.
I sat beside him for a few minutes longer, my hand still on his chest so I could feel his heartbeat pounding underneath. When I was certain he was asleep, I slid my hand out from under his, and I stood up.
”
”
Amanda Hocking (Ascend (Trylle, #3))
“
Have you ever wondered
What happens to all the
poems people write?
The poems they never
let anyone else read?
Perhaps they are
Too private and personal
Perhaps they are just not good enough.
Perhaps the prospect
of such a heartfelt
expression being seen as
clumsy
shallow silly
pretentious saccharine
unoriginal sentimental
trite boring
overwrought obscure stupid
pointless
or
simply embarrassing
is enough to give any aspiring
poet good reason to
hide their work from
public view.
forever.
Naturally many poems are IMMEDIATELY DESTROYED.
Burnt shredded flushed away
Occasionally they are folded
Into little squares
And wedged under the corner of
An unstable piece of furniture
(So actually quite useful)
Others are
hidden behind
a loose brick
or drainpipe
or
sealed into
the back of an
old alarm clock
or
put between the pages of
AN OBSCURE BOOK
that is unlikely
to ever be opened.
someone might find them one day,
BUT PROBABLY NOT
The truth is that unread poetry
Will almost always be just that.
DOOMED
to join a vast invisible river
of waste that flows out of suburbia.
well
Almost always.
On rare occasions,
Some especially insistent
pieces of writing will escape
into a backyard
or a laneway
be blown along
a roadside embankment
and finally come
to rest in a
shopping center
parking lot
as so many
things do
It is here that
something quite
Remarkable
takes place
two or more pieces of poetry
drift toward each other
through a strange
force of attraction
unknown
to science
and ever so slowly
cling together
to form a tiny,
shapeless ball.
Left undisturbed,
this ball gradually
becomes larger and rounder as other
free verses
confessions secrets
stray musings wishes and unsent
love letters
attach themselves
one by one.
Such a ball creeps
through the streets
Like a tumbleweed
for months even years
If it comes out only at night it has a good
Chance of surviving traffic and children
and through a
slow rolling motion
AVOIDS SNAILS
(its number one predator)
At a certain size, it instinctively
shelters from bad weather, unnoticed
but otherwise roams the streets
searching
for scraps
of forgotten
thought and feeling.
Given
time and luck
the poetry ball becomes
large HUGE ENORMOUS:
A vast accumulation of papery bits
That ultimately takes to the air, levitating by
The sheer force of so much unspoken emotion.
It floats gently
above suburban rooftops
when everybody is asleep
inspiring lonely dogs
to bark in the middle
of the night.
Sadly
a big ball of paper
no matter how large and
buoyant, is still a fragile thing.
Sooner or
LATER
it will be surprised by
a sudden
gust of wind
Beaten by
driving rain
and
REDUCED
in a matter
of minutes
to
a billion
soggy
shreds.
One morning
everyone will wake up
to find a pulpy mess
covering front lawns
clogging up gutters
and plastering car
windscreens.
Traffic will be delayed
children delighted
adults baffled
unable to figure out
where it all came from
Stranger still
Will be the
Discovery that
Every lump of
Wet paper
Contains various
faded words pressed into accidental
verse.
Barely visible
but undeniably present
To each reader
they will whisper
something different
something joyful
something sad
truthful absurd
hilarious profound and perfect
No one will be able to explain the
Strange feeling of weightlessness
or the private smile
that remains
Long after the street sweepers
have come and gone.
”
”
Shaun Tan (Tales from Outer Suburbia)
“
Jazz presumes that it would be nice if the four of us--simpatico dudes that we are--while playing this complicated song together, might somehow be free and autonomous as well. Tragically, this never quite works out. At best, we can only be free one or two at a time--while the other dudes hold onto the wire. Which is not to say that no one has tried to dispense with wires. Many have, and sometimes it works--but it doesn't feel like jazz when it does. The music simply drifts away into the stratosphere of formal dialectic, beyond our social concerns.
Rock-and-roll, on the other hand, presumes that the four of us--as damaged and anti-social as we are--might possibly get it to-fucking-gether, man, and play this simple song. And play it right, okay? Just this once, in tune and on the beat. But we can't. The song's too simple, and we're too complicated and too excited. We try like hell, but the guitars distort, the intonation bends, and the beat just moves, imperceptibly, against our formal expectations, whetehr we want it to or not. Just because we're breathing, man. Thus, in the process of trying to play this very simple song together, we create this hurricane of noise, this infinitely complicated, fractal filigree of delicate distinctions.
And you can thank the wanking eighties, if you wish, and digital sequencers, too, for proving to everyone that technologically "perfect" rock--like "free" jazz--sucks rockets. Because order sucks. I mean, look at the Stones. Keith Richards is always on top of the beat, and Bill Wyman, until he quit, was always behind it, because Richards is leading the band and Charlie Watts is listening to him and Wyman is listening to Watts. So the beat is sliding on those tiny neural lapses, not so you can tell, of course, but so you can feel it in your stomach. And the intonation is wavering, too, with the pulse in the finger on the amplified string. This is the delicacy of rock-and-roll, the bodily rhetoric of tiny increments, necessary imperfections, and contingent community. And it has its virtues, because jazz only works if we're trying to be free and are, in fact, together. Rock-and-roll works because we're all a bunch of flakes. That's something you can depend on, and a good thing too, because in the twentieth century, that's all there is: jazz and rock-and-roll. The rest is term papers and advertising.
”
”
Dave Hickey (Air Guitar: Essays on Art & Democracy)
“
A change in direction was required. The story you finished was perhaps never the one you began. Yes! He would take charge of his life anew, binding his breaking selves together. Those changes in himself that he sought, he himself would initiate and make them. No more of this miasmic, absent drift. How had he ever persuaded himself that his money-mad burg would rescue him all by itself, this Gotham in which Jokers and Penguins were running riot with no Batman (or even Robin) to frustrate their schemes, this Metropolis built of Kryptonite in
which no Superman dared set foot, where wealth was mistaken for riches and the joy of possession for happiness, where people lived such polished lives that the great rough truths of raw existence had been rubbed and buffed away, and in which human souls had wandered so separately for so long that they barely remembered how to touch; this city whose fabled electricity powered the electric fences that were being erected between men and men, and men and women, too? Rome did not fall because her armies weakened but because Romans forgot what
being Roman meant. Might this new Rome actually be more provincial than its provinces; might these new Romans have forgotten what and how to value, or had they never known? Were all empires so undeserving, or was this one particularly crass? Was nobody in all this bustling endeavor and material plenitude engaged, any longer, on the deep quarry-work of the mind and heart? O Dream-America, was civilization's
quest to end in obesity and trivia, at Roy Rogers and Planet Hollywood, in USA Today and on E!; or in million-dollar-game-show greed or fly-on-the-wall voyeurism; or in the eternal confessional booth of Ricki and Oprah and Jerry, whose guests murdered each other after the show; or in a spurt of gross-out dumb-and-dumber comedies
designed for young people who sat in darkness howling their ignorance at the silver screen; or even at the unattainable tables of Jean-Georges Vongerichten and Alain Ducasse? What of the search for the hidden keys that unlock the doors of exaltation? Who demolished the City on the Hill and put in its place a row of electric chairs,
those dealers in death's democracy, where everyone, the innocent, the mentally deficient, the guilty, could come to die side by side? Who paved Paradise and put up a parking lot? Who settled for George W. Gush's boredom and Al Bore's gush? Who let Charlton Heston out of his cage and then asked why children were getting shot? What, America, of the Grail? O ye Yankee Galahads, ye Hoosier Lancelots, O Parsifals of the stockyards, what of the Table Round? He felt a flood bursting in him and did not hold back. Yes, it had seduced him, America; yes, its brilliance aroused him, and its vast potency too, and he was compromised by this seduction. What he opposed in it he must also attack in himself. It made him want what it promised and eternally withheld. Everyone was an American now, or at least Americanized: Indians, Uzbeks, Japanese, Lilliputians, all. America was the world's playing field, its rule book, umpire, and ball. Even anti-Americanism was Americanism in disguise, conceding, as it did, that America was the only game in town and the matter of America the only business at hand; and so, like everyone, Malik Solanka now walked its high corridors cap in hand, a supplicant at its feast; but that did not mean he could not look it in the eye. Arthur had fallen, Excalibur was lost and dark Mordred was king. Beside him on the throne of Camelot sat the queen, his sister, the witch Morgan le Fay.
”
”
Salman Rushdie (Fury)