Risen From The Ashes Quotes

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You have risen from the ashes before. The only way to survive, " he said, "is to believe you always will.
Samantha Shannon (The Song Rising (The Bone Season, #3))
― The Viking Prayer “Lo, there do I see my father. Lo, there do I see my mother, and my sisters, and my brothers. Lo, there do I see the line of my people, Back to the beginning! Lo, they do call to me. They bid me take my place among them, In the halls of Valhalla! Where the brave may live forever!
Michael Alexander (Risen from Ashes (Thieves of Elysium #1))
Love is The funeral pyre Where I have laid my living body. All the false notions of myself That once caused fear, pain, Have turned to ash As I neared God. What has risen From the tangled web of thought and sinew Now shines with jubilation Through the eyes of angels And screams from the guts of Infinite existence Itself. Love is the funeral pyre Where the heart must lay Its body.
The Gift
Katniss isn't the kind of hero we're used to seeing in fiction. She reacts more than she acts, she doesn't want to be a leader, and by the end of Mockingjay, she hasn't come into her own or risen like a phoenix from the ashes for some triumphant moment that gives us a sense of satisfaction with how far our protagonist has come. She's not a Buffy. She's not a Bella. She limps across the finish line when we're used to seeing heroes racing; she eases into a quiet, steady love instead of falling fast and hard.
Jennifer Lynn Barnes (The Girl Who Was on Fire: Your Favorite Authors on Suzanne Collins' Hunger Games Trilogy)
From blood and ash... we have risen!
Jennifer L. Armentrout (The War of Two Queens (Blood and Ash, #4))
there’s nothing stronger than a woman who’s risen from the ashes of some fire a man set.
Tess Sharpe (Barbed Wire Heart)
Apparently, oh-sure-I’ll-do-that Ledi had been incinerated by the flames of her frustration and I-wish-a-motherfucker-would Ledi had risen from the ashes.
Alyssa Cole (A Princess in Theory (Reluctant Royals, #1))
Women who have suffered, no matter how afraid, hold out their hands in aid to help others. To create a loyalty like no other--as strong as an oak, as enduring as a mountain, and as brutal as Time—look no further than a female who has risen from the ashes.
K.F. Breene (Hunted (The Warrior Chronicles, #2))
Go & tell your drinking buddies & psychoanalyst your neighbor has risen from the ashes. I wonder if I should tell you about the love letters hidden behind the doorjamb. This house still stands among my lavender flowers. Tell your inheritors to think of me when they smile up at the sky.
Yusef Komunyakaa (The Chameleon Couch)
I know the power names hold better than anyone. Yesterday, I was a girl without an identity, someone risen from the ashes of a dead forest. A girl whose only memories were the movements her body made during a slaughter. Now I have a name. And with that comes the expectation that I’m unchanged,
Elizabeth May (The Fallen Kingdom (The Falconer, #3))
Luke Skywalker has vanished. In his absence, the sinister FIRST ORDER has risen from the ashes of the Empire and will not rest until Skywalker, the last Jedi, has been destroyed.
Alan Dean Foster (The Force Awakens (Star Wars: Novelizations #7))
From blood and ash,” I shouted, lifting the hand joined with Poppy’s. People echoed the words through the town and the valley. Poppy looked up at me and then faced the crowd as she lifted the hand that held Kieran’s. “We have risen!
Jennifer L. Armentrout (The War of Two Queens (Blood And Ash, #4))
But I also saw her. I saw them. A Chosen and a descendant of the First.” The eather burned brightly in Penellaphe’s eyes as they met mine. “A Queen of Flesh and Fire. And him, a King risen from Blood and Ash, who ruled side by side with man. And they…they felt right. They felt like hope.
Jennifer L. Armentrout (A Shadow in the Ember (Flesh and Fire, #1))
Bury me in places I have never been Bury me in places you have never seen. Bury me with you, by your side. But I don’t think I deserve that For I have never risen from the ashes I always have been making them.
Gauri Sharma (Of Vengeance and Ashes)
The dignity of a man risen by will from the ashes of Withdrawal and now on the upswing and with places to go and potentially considerate Canadians to see.
David Foster Wallace (Infinite Jest)
Lily. You're a fucking warrior. You slay enemies left and right. You stomp on critics and you've risen from ash.
Becca Ritchie (Some Kind of Perfect (Calloway Sisters, #5))
His booted feet pounded out an insane, frantic rhythm underneath him as he raced into the cavern across from Baba Yaga’s den at a dead sprint. Pieces of dragon dung flew off him and hit the ground behind him in miniature chunks. He didn’t dare look behind him to see if the dragon had risen from the ground yet, but the deafening hiss that assaulted his ears meant she’d woken up. Icy claws of fear squeezed his heart with every breath as he ran, relying on the night vision goggles, the glimpse he’d gotten of the map, and his own instincts to figure out where to go. Jack raced around one corner too sharply and slipped on a piece of dung, crashing hard on his right side. He gasped as it knocked the wind out of him and gritted his teeth, his mind screaming at him to get up and run, run, run. He pushed onto his knees, nursing what felt like bruised ribs and a sprained wrist, and then paled as an unmistakable sensation traveled up the arm he’d used to push himself up. Impact tremors. Boom. Boom. Boom, boom, boom. Baba Yaga was coming. Baba Yaga was hunting him. Jack forced himself up onto his feet again, stumbling backwards and fumbling for the tracker. He got it switched on to see an ominous blob approaching from the right. He’d gotten a good lead on her—maybe a few hundred yards—but he had no way of knowing if he’d eventually run into a dead end. He couldn’t hide down here forever. He needed to get topside to join the others so they could take her down. Jack blocked out the rising crescendo of Baba Yaga’s hissing and pictured the map again. A mile up to the right had a man-made exit that spilled back up to the forest. The only problem was that it was a long passage. If Baba Yaga followed, there was a good chance she could catch up and roast him like a marshmallow. He could try to lose her in the twists and turns of the cave system, but there was a good chance he’d get lost, and Baba Yaga’s superior senses meant it would only be a matter of time before she found him. It came back to the most basic survival tactics: run or hide. Jack switched off the tracker and stuck it in his pocket, his voice ragged and shaking, but solid. “You aren’t about to die in this forest, Jackson. Move your ass.” He barreled forward into the passageway to the right in the wake of Baba Yaga’s ominous, bubbling warning, barely suppressing a groan as a spike of pain lanced through his chest from his bruised ribs. The adrenaline would only hold for so long. He could make it about halfway there before it ran out. Cold sweat plastered the mask to his face and ran down into his eyes. The tunnel stretched onward forever before him. No sunlight in sight. Had he been wrong? Jack ripped off the hood and cold air slapped his face, making his eyes water. He held his hands out to make sure he wouldn’t bounce off one of the cavern walls and squinted up ahead as he turned the corner into the straightaway. There, faintly, he could see the pale glow of the exit. Gasping for air, he collapsed against one wall and tried to catch his breath before the final marathon. He had to have put some amount of distance between himself and the dragon by now. “Who knows?” Jack panted. “Maybe she got annoyed and turned around.” An earth-shattering roar rocked the very walls of the cavern. Jack paled. Boom, boom, boom, boom! Boom, boom, boom, boomboomboomboom— Mother of God. The dragon had broken into a run. Jack shoved himself away from the wall, lowered his head, and ran as fast as his legs would carry him.
Kyoko M. (Of Blood & Ashes (Of Cinder & Bone, #2))
Letter 4 As I lay dreaming, Montezuma introduced himself and put his hand on my shoulder. The palm of the Aztec king felt like ancient papyrus. When I looked up at him, I saw that his nose was chipped like that of a sphinx. His arms were like long ivory ropes that frayed into hands. He led me down to the river, where we sat together and shared the river’s silence. Then he spoke: „Allow me to tell you my story. It may help you understand your own. At dusk, in the year of one thousand rivers, the Spanish explorer Cortés arrived at the gates of my city. I welcomed him with open arms. I showed Cortés hundreds of aviaries that had built in the city, and finally I took him to the most aviary of sighs. These birds carried only love letters. Cortes laughed and said that all the bird songs made him feel like a virgin bride who is drunk with faith as she walks down the aisle of the church. On her wedding night, she undresses for her husband and he takes her in his arms. She believes everything is possible. When Cortés stared straight into my eyes and said 'It is a night that is always colored in blood'." He paused for a long time before he spoke. Then he said, „Cortés returned with a small army of soldiers on horseback. When they ransacked the city, I was Cortes's own hand that lit the torch that set fire to the aviary of sighs. The fires raged. The birds painted the blue sky black with the ashes of their wings. The gardens were reddened with the blood of our children. The sun rose behind a sky filled with plumes of dark smoke. But during night, three birds of phoenix had risen from the burning aviaries. They closed their eyes and soared straight up into the dark clouds. When they opened their eyes they could see the stars clearly, though they could not see the ground below.
Gregory Colbert (Ashes and Snow: A Novel in Letters)
Like a phoenix rising from the ashes, Virat Kohli has risen.
Avijeet Das
A Queen of Flesh and Fire. And him, a King risen from Blood and Ash, who ruled side by side with man. And they…they felt right. They felt like hope.
Jennifer L. Armentrout (A Shadow in the Ember (Flesh and Fire, #1))
Metaverse Hype? Not sure. From the ashes of the dot-com bubble, the global e-commerce market has risen, worth five trillion dollars (as of 2021).
Simone Puorto
The fireplace The embers in the fireplace were dying slowly, And their golden sheen that fell on her face was stealing her from me, Because the embers that no longer shimmered resplendently, Faded somewhere in the fireplace leaving her cold beside me, Because a part of her had escaped with these golden embers, Her warm and loving heart was now in their custody, So I let my cold heart participate in some organic vitriol to lament their untimely slumbers, The sleeping embers and in them a part of her sleeping too, leaving me behind to face this emotional fatality, Where her cold part lies motionless beside me and beside the cold fireplace, Only to awaken when the embers burn once again, And her heart feels the renewed and a warmer pace, Hopefully the embers do not die again then all this burning will be invain, But burning is the fate of few, their only destiny, So, I am sure when it is time the embers will shimmer in their golden fire, Until that happens let me establish with her cold heart and her cold part, a warm fraternity, And feel the warmth of my every unfulfilled desire, In this hope I keep staring at the ash gray fireplace, Where the embers have died, and where her warm part lies somewhere, But whether it is cold or warm, her sensations with no other I wish to replace, Because embers are meant to burn in the fireplace and nowhere, It is a new day and the sun has not risen yet, But there is a pulse of golden waves forming across the fireplace, And outside, the rain that lasted the entire night has left everything wet, Except one place, my own space, I call the sacred fireplace, Because that is where my emotions burn with flames of desires, And now everything is covered in a warm and golden sheen, While my heart tries to separate flames from burning fires, I over her warm part in emotional relays lean!
Javid Ahmad Tak (They Loved in 2075!)
The fireplace The embers in the fireplace were dying slowly, And their golden sheen that fell on her face was stealing her from me, Because the embers that no longer shimmered resplendently, Faded somewhere in the fireplace leaving her cold beside me, Because a part of her had been imprisoned by these golden embers, Her warm and loving heart was now in their custody, So I let my cold heart lament their untimely slumbers, The sleeping embers and in them a part of her sleeping too, leaving me behind to face this emotional fatality, Where her cold part lies motionless beside me and beside the cold fireplace, Only to awaken when the embers burn once again, And her heart feels the renewed and a warmer pace, Hopefully the embers do not die again then all this burning will be invain, But burning is the fate of few, their only destiny, So, I am sure when it is time the embers will shimmer in their golden fire, Until that happens let me establish with her cold heart and her cold part, a warm fraternity, And feel the warmth of my every unfulfilled desire, In this hope I keep staring at the ash filled fireplace, Where the embers have died, and where her warm part lies somewhere, But whether it is cold or warm, her sensations with no other I wish to replace, Because embers are meant to burn in the fireplace, else nowhere, It is a new day and the sun has not risen yet, But there is a pulse of golden waves forming across the fireplace, And outside, the rain that lasted the entire night has left everything wet, Except one place, my own space, I call the sacred fireplace, Because that is where my emotions burn with flames of desires, And now everything is covered in a warm and golden sheen, While my heart tries to separate flames from burning fires, I over her warm part in emotional relays lean!
Javid Ahmad Tak (They Loved in 2075!)
Nodding, I started for the seat I’d just risen from, but Casteel moved to the chair at the head of the table. He sat, and it only struck me then where he planned for me to sit. Not in a chair but in his lap. I hesitated. There was no way I was sitting in his lap. Over my shoulder, I saw the others take their seats while Kieran moved to stand at Casteel’s left, and Alastir took the chair to his right, where I’d been seated earlier
Jennifer L. Armentrout (A Kingdom of Flesh and Fire (Blood and Ash, #2))
The Corpse Queen has escaped. Get reinforcements.
Rob J. Hayes (From Cold Ashes Risen (The War Eternal, #3))
I’m Phoenix. The mythical bird that rises from the ashes. I’ve risen from fear and grief, from scandal and suffering, and from the crushing loneliness of walking with a purpose that is outside myself, but not within me. I know what’s within me now, and I’m ready to fly again.
Heidi Joy Tretheway (The Phoenix Candidate: The Queen (Grace Colton, #0.4))
The Hebrews come into the bread eaters' land with no bread of their own. It's famine, and Jacob's sons travel to Egypt in hopes of finding something to save their families. They find not only grain but forgiveness. Joseph is there, whom God takes from them so he can later deliver them. They find a new home. And they, too, find the miracle of yeast. Surely the descendants of Abraham bake their grains, mixing flour and oil and kneading it to dough. But this is 'uggah'- a flat cake baked on hot stones or in the ashes, the same given to the Lord by Abraham when he visits and pronounces Isaac's birth. Nomads have no time for fermentation, for waiting for dough to ripen. They have enough to carry from place to place. And they have no ovens, probably have never conceived of such a thing. Again, too heavy to move. So what must it have been like for them to see these risen loaves come from strange Egyptian baking containers? It becomes part of them, the first thing they cry out for in the wilderness, not any bread but that of those who enslaved them. The Hebrews have freedom. Instead, they want food, their bellies filled with the earthly comfort they know. And God, the heavenly Comforter, sends bread of a different kind. 'What is it?' They call it 'manna'. And it's given 'to' the wandering children of Israel, but not only 'for' them. For us. For all who brush away the veil and will one day lay eyes on the true manna, a child they do not yet know will be born in Beth-lehem, the house of bread.
Christa Parrish (Stones For Bread)
The Zombie Firetruck by Stewart Stafford Sirens moan, grave duty's flash of red, A mortuary whiff of something dead, Hoses trained with brains they suck, Your friendly neighbourhood zombie firetruck! All that remained of the human fire team, From the zombie pandemic of 2017, Still in their uniforms, their only treasures, Apocalyptic times call for end-time measures. When they reached the fire, people did scoff, They lurched, staggered, body parts fell off, As they wandered around, fire hoses forlorn, These knightly living dead faced a blazing dawn. The chief, hat off to his skeleton crew, In a voice once alive, now croaky like flu: 'To the hydrant, my ghouls, let's save Gothik Town, Or they'll call Ghostbusters, we'll be the clowns!' A glowering inferno, a cremation scene, Zombie firefighters, brave and light green. Through smoke and ash, they gravely stand, Composed decomposition with skeletal hand. Axeman Bony Ed led their clattering charge, Into the smoke, his cadavers did barge, The townsfolk looked on in dead of night, And disbelief, tiredness and mild fright. There soon followed medic Cemetery Phil, Decaying Murphy, Old Salty, and Dead Drill, Slab Stevens, Madly Hyde and Molly Voodoo, Determined to shake their initial hoodoo. A mother and baby backed by burning drapes, Team Macabre charged up the fire escape, Saving both and getting everyone out, Drank Brainer Ade as they leaked like a spout. Somehow, undead teamwork saved the day, No lives were lost as the water sprayed, Doused the flames, cool flatlined heroes, Much zombie kudos, no longer scary zeroes. The crowd cheered, did they ever doubt it? High fives lost hands but new ones sprouted, Frankenstein proud in their flapping flesh, Sure to get medals at the HalloweenFest. With a final groan and a clatter of bones, The zombie firetruck headed back home. Rotten yet proud, in their reanimated way, The risen would fight fires another day. © 2024, Stewart Stafford. All rights reserved.
Stewart Stafford
You have risen from the ashes before. The only way to survive,” he said, “is to believe you always will.
Samantha Shannon (The Song Rising (The Bone Season, #3))
But I also saw her. I saw them. A Chosen and a descendant of the First.” The eather burned brightly in Penellaphe’s eyes as they met mine. “A Queen of Flesh and Fire. And him, a King risen from Blood and Ash, who ruled side by side with man. And they…they felt right. They felt like hope.” I
Jennifer L. Armentrout (A Shadow in the Ember (Flesh and Fire, #1))
Tokyo." Mr. Fuchigami's voice inflates with pride. "Formerly Edo, almost destroyed by the 1923 Great Kantō earthquake, then again in 1944 by nighttime firebombing raids. Tens of thousands were killed." The chamberlain grows silent. "Kishikaisei." "What does that mean?" There's a skip in my chest. We've entered the city now. The high-rises are no longer cut out shapes against the skyline, but looming gray giants. Every possible surface is covered in signs---neon and plastic or painted banners---they all scream for attention. It's noisy, too. There is a cacophony of pop tunes, car horns, advertising jingles, and trains coasting over rails. Nothing is understated. "Roughly translated, 'wake from death and return to life.' Against hopeless circumstances, Tokyo has risen. It is home to more than thirty-five million people." He pauses. "And, in addition, the oldest monarchy in the world." The awe returns tenfold. I clutch the windowsill and press my nose to the glass. There are verdant parks, tidy residential buildings, upmarket shops, galleries, and restaurants. For each sleek, new modern construction, there is one low-slung wooden building with a blue tiled roof and glowing lanterns. It's all so dense. Houses lean against one another like drunk uncles. Mr. Fuchigami narrates Tokyo's history. A city built and rebuilt, born and reborn. I imagine cutting into it like a slice of cake, dissecting the layers. I can almost see it. Ash from the Edo fires with remnants of samurai armor, calligraphy pens, and chipped tea porcelain. Bones from when the shogunate fell. Dust from the Great Earthquake and more debris from the World War II air raids. Still, the city thrives. It is alive and sprawling with neon-colored veins. Children in plaid skirts and little red ties dash between business personnel in staid suits. Two women in crimson kimonos and matching parasols duck into a teahouse.
Emiko Jean (Tokyo Ever After (Tokyo Ever After, #1))
Both had risen from the ashes. To live in the light.
Ben Hale (Seven Days (Chronicles of Lumineia #3))
But I also saw her. I saw them. A Chosen and a descendant of the First.” The eather burned brightly in Penellaphe’s eyes as they met mine. “A Queen of Flesh and Fire. And him, a King risen from Blood and Ash, who ruled side by side with man. And they…they felt right. They felt like hope.
Jennifer L. Armentrout
There are people who make a hobby of "alternative history," imagining how history would be different if small, chance events had gone another way One of my favorite examples is a story I first heard from the physicist Murray Gell-Mann. In the late 1800s, "Buffalo Bill" Cody created a show called Buffalo Bill's Wild West Show, which toured the United States, putting on exhibitions of gun fighting, horsemanship, and other cowboy skills. One of the show's most popular acts was a woman named Phoebe Moses, nicknamed Annie Oakley. Annie was reputed to have been able to shoot the head off of a running quail by age twelve, and in Buffalo Bill's show, she put on a demonstration of marksmanship that included shooting flames off candles, and corks out of bottles. For her grand finale, Annie would announce that she would shoot the end off a lit cigarette held in a man's mouth, and ask for a brave volunteer from the audience. Since no one was ever courageous enough to come forward, Annie hid her husband, Frank, in the audience. He would "volunteer," and they would complete the trick together. In 1890, when the Wild West Show was touring Europe, a young crown prince (and later, kaiser), Wilhelm, was in the audience. When the grand finale came, much to Annie's surprise, the macho crown prince stood up and volunteered. The future German kaiser strode into the ring, placed the cigarette in his mouth, and stood ready. Annie, who had been up late the night before in the local beer garden, was unnerved by this unexpected development. She lined the cigarette up in her sights, squeezed...and hit it right on target. Many people have speculated that if at that moment, there had been a slight tremor in Annie's hand, then World War I might never have happened. If World War I had not happened, 8.5 million soldiers and 13 million civilian lives would have been saved. Furthermore, if Annie's hand had trembled and World War I had not happened, Hitler would not have risen from the ashes of a defeated Germany, and Lenin would not have overthrown a demoralized Russian government. The entire course of twentieth-century history might have been changed by the merest quiver of a hand at a critical moment. Yet, at the time, there was no way anyone could have known the momentous nature of the event.
Eric D. Beinhocker (The Origin of Wealth: Evolution, Complexity, and the Radical Remaking of Economics)